Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:16 | 0:00:21 | |
CHEERING | 0:00:27 | 0:00:30 | |
Hello, and welcome to Never Mind The Buzzcocks. | 0:00:30 | 0:00:33 | |
I'm Jack Whitehall and to anyone who is thinking, "Hey, he's not cool. | 0:00:33 | 0:00:36 | |
"He doesn't have any musical pedigree." Let me tell you this. | 0:00:36 | 0:00:39 | |
At school, I was on the same fencing team as James Blunt's cousin. | 0:00:39 | 0:00:43 | |
Oh, yeah. Welcome to thug life. | 0:00:43 | 0:00:45 | |
On Phill's team tonight - | 0:00:45 | 0:00:49 | |
if you're a fan of McFly, you'll be | 0:00:49 | 0:00:51 | |
delighted to know they're actually appearing at Wembley next July. | 0:00:51 | 0:00:55 | |
Yes, they've got tickets to go and see One Direction. | 0:00:55 | 0:00:58 | |
It's Danny from McFly. | 0:00:58 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:02 | |
And, she is the funniest woman to come out of Australia | 0:01:03 | 0:01:06 | |
since Barry Humphries and maybe Shane Warne. | 0:01:06 | 0:01:09 | |
It's Celia Pacquola. | 0:01:09 | 0:01:11 | |
CHEERING | 0:01:11 | 0:01:14 | |
And with Noel tonight - | 0:01:16 | 0:01:20 | |
he's a comedian and the answer to the question - | 0:01:20 | 0:01:23 | |
what would Noel Fielding have been like | 0:01:23 | 0:01:25 | |
if he'd been kept in an attic all of his life? | 0:01:25 | 0:01:27 | |
It's Paul Foot. | 0:01:27 | 0:01:29 | |
CHEERING | 0:01:29 | 0:01:31 | |
And, star of American Pie - | 0:01:33 | 0:01:35 | |
a film where a guy has full sex with an apple pie. | 0:01:35 | 0:01:39 | |
I've never had full sex but I did once lick out a Greggs Steak Bake. | 0:01:39 | 0:01:42 | |
It's Mena Suvari. | 0:01:42 | 0:01:44 | |
CHEERING | 0:01:44 | 0:01:48 | |
We begin with a round called Especially For You. | 0:01:50 | 0:01:52 | |
Phill, Danny from McFly and Celia, take a look at this. | 0:01:52 | 0:01:56 | |
# Ooh, this is an SOS... # | 0:01:56 | 0:01:59 | |
Yes, its celibacy ring wearing vagina-phobes The Jonas Brothers. | 0:01:59 | 0:02:03 | |
Say what you want about the Jonas Brothers, | 0:02:03 | 0:02:06 | |
if they've achieved one thing, | 0:02:06 | 0:02:08 | |
its managing to make McFly look like fucking Nirvana. | 0:02:08 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:13 | |
That was the Jonas Bros with SOS. | 0:02:13 | 0:02:16 | |
But which of the following objects underneath your desk was | 0:02:16 | 0:02:19 | |
given to them as a gift by a fan. | 0:02:19 | 0:02:20 | |
Was it A - a voodoo doll of the band, B - a dead shark | 0:02:20 | 0:02:24 | |
or C - a jar of toenails? | 0:02:24 | 0:02:26 | |
With toenails it's always a jar, isn't it? Do you know what I mean? | 0:02:26 | 0:02:29 | |
It's never a bum bag of toenails, is it? | 0:02:29 | 0:02:31 | |
Of course, the foolish thing about that is | 0:02:31 | 0:02:33 | |
when you drop the jar of toenails in your, I don't know, crypt, | 0:02:33 | 0:02:37 | |
it smashes and then how can you tell glass shard from toenail? | 0:02:37 | 0:02:41 | |
I assume they get a lot of, you know, | 0:02:41 | 0:02:43 | |
those younger boy bands would have the crazy fans. | 0:02:43 | 0:02:47 | |
-I don't think they're technically a proper boyfriend. -Are they not? | 0:02:47 | 0:02:50 | |
Well, they wear the virginity rings. These are not virginity rings. | 0:02:50 | 0:02:56 | |
So, they have a ring that is a message saying... | 0:02:56 | 0:02:59 | |
It's a ring you put on and then you don't have sex. | 0:02:59 | 0:03:01 | |
It's like a wedding ring. You put it on and then no more sex. | 0:03:01 | 0:03:05 | |
That's what they do, isn't it? | 0:03:05 | 0:03:06 | |
What's the rules on masturbating? | 0:03:06 | 0:03:09 | |
-Thanks for doing a gesture, by the way. -Do you have to take it off? | 0:03:09 | 0:03:12 | |
It seems like you probably should. It depends. | 0:03:12 | 0:03:14 | |
I like making love to my hand. | 0:03:14 | 0:03:16 | |
I light some candles, you know? Have a little scent. | 0:03:16 | 0:03:20 | |
Surely, it would be easier to stop the Jonas Brothers having sex | 0:03:20 | 0:03:23 | |
if, instead of a ring on one hand - that's no prevention at all - | 0:03:23 | 0:03:27 | |
you need a cone like you put round a dog's neck. | 0:03:27 | 0:03:29 | |
But around their waist like a plastic skirt to stop them | 0:03:29 | 0:03:33 | |
getting near their dirty business. | 0:03:33 | 0:03:35 | |
God does it in different ways. | 0:03:35 | 0:03:36 | |
That's the point. Sometimes he does it with rings. Susan Boyle - | 0:03:36 | 0:03:39 | |
he did it with a moustache. | 0:03:39 | 0:03:40 | |
LAUGHTER | 0:03:40 | 0:03:42 | |
When does he give you a ring? | 0:03:42 | 0:03:43 | |
He doesn't turn up, does he, with a box of rings? | 0:03:43 | 0:03:46 | |
Do you wake up at night and there's a ring under your pillow? | 0:03:46 | 0:03:50 | |
It was the virginity fairy. | 0:03:50 | 0:03:51 | |
When you were in McFly, did you ever think | 0:03:51 | 0:03:54 | |
of wearing the virginity rings? | 0:03:54 | 0:03:55 | |
It would have been nice for Tom | 0:03:55 | 0:03:57 | |
so he didn't feel left out when you were getting laid. | 0:03:57 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
I didn't mean that in a mean way. But if you look at the band, like... | 0:04:01 | 0:04:05 | |
Who's not getting any pussy tonight? | 0:04:05 | 0:04:08 | |
That's because he's fighting crime. | 0:04:08 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:12 | |
You've all got your thing, haven't you? I always thought | 0:04:12 | 0:04:15 | |
you had the sort of cheeky, naughty boy thing going on. | 0:04:15 | 0:04:17 | |
You'd take someone on a date to a fairground, drink a little bit | 0:04:17 | 0:04:20 | |
of White Lightning on the ghost train then finger them in a dodgem. | 0:04:20 | 0:04:23 | |
LAUGHTER | 0:04:23 | 0:04:25 | |
Mena, Mena. How lovely is it having Mena on the show? | 0:04:25 | 0:04:28 | |
APPLAUSE AND CHEERING | 0:04:28 | 0:04:30 | |
You look very beautiful. I love what you're wearing. | 0:04:30 | 0:04:33 | |
You look like a little swan. Are you a fan of McFly? | 0:04:33 | 0:04:35 | |
-Say yes. -They are amazing. -Of course. | 0:04:35 | 0:04:38 | |
# We're going to go to the year 3,000 | 0:04:38 | 0:04:41 | |
# Not much has changed but we live underwater | 0:04:41 | 0:04:44 | |
# And your great, great, great granddaughter | 0:04:44 | 0:04:47 | |
# She's pretty fine. # | 0:04:47 | 0:04:49 | |
That's busted, isn't it? | 0:04:49 | 0:04:51 | |
-Oh, shit. -Are you saying we live on the water? Like swans? | 0:04:51 | 0:04:55 | |
Swans don't live on the water. They go on to land as well. | 0:04:55 | 0:04:59 | |
But what does live on water is a swan pedalo. One of those... | 0:04:59 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
I saw a swan actually pedalling a swan pedalo. | 0:05:05 | 0:05:10 | |
It was really confusing. | 0:05:10 | 0:05:11 | |
Mena, I very much liked you in American Beauty. | 0:05:11 | 0:05:14 | |
-It's one of my favourite films. -Thank you. | 0:05:14 | 0:05:17 | |
When you were all naked with the petals on you | 0:05:17 | 0:05:19 | |
-and they were just covering... -My bits. | 0:05:19 | 0:05:22 | |
I remember. I got through about four boxes of Kleenex. | 0:05:22 | 0:05:28 | |
No! I had hay fever. I was thinking of all the pollen from the petals. | 0:05:28 | 0:05:32 | |
Sorry, they're assuming that I... Well, I didn't on that scene. | 0:05:32 | 0:05:36 | |
It was the on with you on the sofa naked with Kevin Spacey. | 0:05:36 | 0:05:39 | |
That's when I nearly wanked myself into a coma. | 0:05:39 | 0:05:41 | |
Jesus. | 0:05:41 | 0:05:43 | |
-A little bit of chafing. -Beautiful. | 0:05:43 | 0:05:45 | |
-Do you ever get sent weird stuff by fans? -No. | 0:05:45 | 0:05:48 | |
I think I got a letter from prison once. Someone. | 0:05:48 | 0:05:50 | |
Yeah, but we've all got a terrible uncle. | 0:05:50 | 0:05:53 | |
-You've never got any, like, dirty laundry or anything? -Oh, God, no. | 0:05:53 | 0:05:57 | |
It was in like a carrier bag and it was tied up... | 0:05:57 | 0:06:00 | |
It was yours! | 0:06:00 | 0:06:03 | |
-What about paintings? Have you received any paintings? -No. | 0:06:03 | 0:06:06 | |
So lucky I made copies! | 0:06:06 | 0:06:08 | |
That I sent to you about three years ago, | 0:06:08 | 0:06:11 | |
I call it Ocean Bliss and it's me and you, we're water-skiing. | 0:06:11 | 0:06:15 | |
It's for you. And then I did this one... | 0:06:15 | 0:06:18 | |
-But you haven't signed it. -..which I call Barmy Summer. -Wow! | 0:06:18 | 0:06:21 | |
There's Barmy Summer. | 0:06:21 | 0:06:23 | |
This one is Contorting The Actress Mena Suvari With My Python Cock. | 0:06:23 | 0:06:27 | |
This is one... | 0:06:27 | 0:06:29 | |
LAUGHTER AND APPLAUSE | 0:06:29 | 0:06:31 | |
..I did. | 0:06:31 | 0:06:33 | |
I really, really want that one. | 0:06:34 | 0:06:37 | |
-They're all for you and I meant to send them, but... -This is amazing. | 0:06:37 | 0:06:42 | |
What am I thinking in this? I'm kind of looking off. | 0:06:42 | 0:06:44 | |
I think fear is what I was... | 0:06:44 | 0:06:47 | |
-You shaved, I see? -I have a very hairless body. -Yes, it's nice. | 0:06:47 | 0:06:51 | |
SHE GIGGLES | 0:06:51 | 0:06:53 | |
I'm very into male grooming. Anal bleaching as well, I do that. | 0:06:53 | 0:06:55 | |
Seriously, when I bend over, it's like opening a fridge door. | 0:06:55 | 0:06:59 | |
It lights up the room. | 0:06:59 | 0:07:00 | |
McFly, you might want to take notes here, | 0:07:03 | 0:07:05 | |
this is a little bit of a masterclass in flirting. | 0:07:05 | 0:07:08 | |
-We actually got sent a tampon in the post. -What?! -There we are. | 0:07:08 | 0:07:13 | |
Was it blue like the advert? | 0:07:13 | 0:07:15 | |
-Yeah, blue! -Let's go back to the Jonas Brothers. Have you met them? | 0:07:15 | 0:07:20 | |
-Erm, I have actually, yeah. We performed with them once. -Really? | 0:07:20 | 0:07:25 | |
They actually liked one of our songs and performed it at Wembley. | 0:07:25 | 0:07:28 | |
I bet their version sucked balls. | 0:07:28 | 0:07:31 | |
I bet you were like, "Rrrr." I bet you sent them the voodoo doll. | 0:07:31 | 0:07:34 | |
And the toenails. So, can I push you for an answer? | 0:07:36 | 0:07:39 | |
What were the Jonas Brothers sent by a crazed fan? | 0:07:39 | 0:07:44 | |
I think the toenails thing, maybe. | 0:07:44 | 0:07:46 | |
I'm from Australia. We just get... Sharks is just normal. | 0:07:46 | 0:07:49 | |
It's like bills, bills, shark, bills, shark. | 0:07:49 | 0:07:52 | |
No big deal, so we'll go with toenails as well. | 0:07:52 | 0:07:55 | |
OK. That is the wrong answer, I'm afraid. The correct answer was B. | 0:07:55 | 0:07:59 | |
The Jonas Brothers were once sent a dead shark as a gift from a fan. | 0:07:59 | 0:08:02 | |
Kevin Jonas said, "How did they buy it? | 0:08:02 | 0:08:04 | |
"Is there a website called Buy A Dead Shark?" Of course not, you idiot. | 0:08:04 | 0:08:07 | |
It's called we-buy-any-shark.com. | 0:08:07 | 0:08:09 | |
Noel, Paul and Mena, have a look at this. | 0:08:10 | 0:08:13 | |
# Romeo, Romeo... # | 0:08:13 | 0:08:17 | |
She's a '60s sex symbol. Think what comes after cougar | 0:08:17 | 0:08:21 | |
and then go two more after that. It's country legend Dolly Parton. | 0:08:21 | 0:08:25 | |
# I ain't never seen a cowboy look that good in jeans... # | 0:08:25 | 0:08:30 | |
Dolly Parton with Romeo, but which of these objects was left on Dolly's doorstep by a fan? | 0:08:30 | 0:08:36 | |
Was it A, a baby, B, a cowboy or C, a baby cow? | 0:08:36 | 0:08:40 | |
AUDIENCE LAUGHS AND GROANS | 0:08:41 | 0:08:44 | |
-That baby. -That's an ugly baby. -That... | 0:08:44 | 0:08:49 | |
If I had a child and it looked like that, | 0:08:49 | 0:08:51 | |
I'd leave it on Dolly Parton's step. | 0:08:51 | 0:08:54 | |
I'd go, "Oh, you're beautiful. Get on the step!" | 0:08:54 | 0:08:56 | |
-That improves it. -Dolly, I love you! | 0:08:59 | 0:09:01 | |
-Look at you, you're so motherly. -My child. -What the...?! | 0:09:04 | 0:09:07 | |
I mean, really? That's Chucky! "I'm going to get you!" | 0:09:07 | 0:09:11 | |
"I'm going to get you." Let's put him in the boot, Jesus Christ. | 0:09:11 | 0:09:14 | |
Someone from Social Services is going to watch this | 0:09:16 | 0:09:18 | |
and have a heart attack. | 0:09:18 | 0:09:20 | |
Mena, before we guess what the answer is, we thought | 0:09:21 | 0:09:24 | |
we would play a little game in honour | 0:09:24 | 0:09:26 | |
of you being on the show, based on my favourite scene | 0:09:26 | 0:09:29 | |
in American Beauty where cryptic clues are hidden beneath petals. | 0:09:29 | 0:09:33 | |
I call it Petal Detector. | 0:09:33 | 0:09:36 | |
JAZZY MUSIC PLAYS | 0:09:36 | 0:09:37 | |
-OK. -Let's play Petal Detectors! | 0:09:39 | 0:09:44 | |
APPLAUSE | 0:09:44 | 0:09:46 | |
MUSIC: "Any Other Name" by Thomas Newman | 0:09:46 | 0:09:49 | |
This is your first cryptic clue. Mena, guess what it is. | 0:09:49 | 0:09:53 | |
Is it a murderer who's put those pictures there on a bit of board. | 0:09:53 | 0:09:58 | |
"Oh, there's my new victims!" | 0:09:58 | 0:10:01 | |
That's Kevin from Grand Designs. | 0:10:01 | 0:10:05 | |
-Kevin and what's the next picture? -Ah, Kevin Spacey! -Yeah! | 0:10:05 | 0:10:08 | |
Woo! Kevin Spacey cos he was in the film. | 0:10:08 | 0:10:11 | |
With Mena in it! | 0:10:11 | 0:10:14 | |
Here's the next one. What's it going to be? Let's play Petal Detectors! | 0:10:14 | 0:10:18 | |
-MELANCHOLY PIANO MUSIC -Oh, it doesn't work to that dance. | 0:10:18 | 0:10:21 | |
-Oh, cryptic clues. -Lincoln... | 0:10:21 | 0:10:24 | |
-Oh, pie. -American Pie! -Yeah! | 0:10:24 | 0:10:29 | |
APPLAUSE | 0:10:29 | 0:10:31 | |
That's not really a pie, is it? It's an estimation of pie. | 0:10:31 | 0:10:35 | |
It should be American estimation of pie. | 0:10:35 | 0:10:40 | |
-Shall we play the final one? -Yes. | 0:10:40 | 0:10:42 | |
Wrong video! Wrong! No, stop! | 0:10:42 | 0:10:46 | |
-Yeah! -What's going on there? | 0:10:47 | 0:10:51 | |
You were smooth, like a Ken doll. What's that? | 0:10:51 | 0:10:54 | |
I let myself go a little bit. | 0:10:54 | 0:10:56 | |
Um, so let's get back to the game in hand, | 0:10:56 | 0:11:01 | |
the Dolly Parton - who left what on her doorstep? What do we reckon? | 0:11:01 | 0:11:05 | |
You couldn't leave a live calf - it'd be against the law. | 0:11:05 | 0:11:07 | |
-Versus a baby! -Leaving a baby's pretty bad. | 0:11:07 | 0:11:11 | |
Not if it's dead. You can leave a dead baby. | 0:11:12 | 0:11:15 | |
GROANING AND LAUGHTER | 0:11:15 | 0:11:17 | |
I mean, obviously it's technically against the law | 0:11:17 | 0:11:21 | |
-but it won't cause any inconvenience to anyone, will it? -God. | 0:11:21 | 0:11:25 | |
She... | 0:11:25 | 0:11:26 | |
Can I... Can I push you for an answer? | 0:11:28 | 0:11:31 | |
-Was the cowboy dead? -Um... | 0:11:31 | 0:11:33 | |
When a cowboy dies, | 0:11:35 | 0:11:37 | |
they've reached the end of their natural usefulness. | 0:11:37 | 0:11:39 | |
I normally steer him into a swimming pool. | 0:11:39 | 0:11:42 | |
LAUGHTER | 0:11:42 | 0:11:43 | |
Take them up to the diving board | 0:11:43 | 0:11:45 | |
and give them one last jump. | 0:11:45 | 0:11:47 | |
Like a synchronised swimming Brokeback Mountain? | 0:11:47 | 0:11:49 | |
Yeah. | 0:11:49 | 0:11:50 | |
LAUGHTER | 0:11:50 | 0:11:51 | |
Would you like to tell me the answer? I would listen to you a lot. | 0:11:51 | 0:11:55 | |
-Cowboy. -You've gone with "cowboy"? | 0:11:55 | 0:11:58 | |
I'm afraid it is not a cowboy. | 0:11:58 | 0:12:00 | |
Dolly came home one day to find a baby in a box on her doorstep, | 0:12:00 | 0:12:03 | |
with a note in it saying, | 0:12:03 | 0:12:04 | |
"My name is Jolene, my momma has left me and wants you to have me." | 0:12:04 | 0:12:09 | |
-Hm? -It's actually quite a heart-warming story. | 0:12:09 | 0:12:12 | |
After discovering the mite on her doorstep, | 0:12:12 | 0:12:14 | |
Dolly gave it to Social Services and never saw it again. | 0:12:14 | 0:12:16 | |
CHEERING AND APPLAUSE | 0:12:16 | 0:12:19 | |
Time now for everyone's favourite - the intros round. | 0:12:19 | 0:12:22 | |
Phill and Danny from McFly, here are yours for Celia. | 0:12:22 | 0:12:24 | |
I'll try and remember how that goes. | 0:12:24 | 0:12:27 | |
...Any way I'm going to know this. | 0:12:27 | 0:12:29 | |
BOTH: Da-da-dum-dum-da-dun, Da-da-dum-dum-da-dun. | 0:12:29 | 0:12:32 | |
Ooh! Na-na-ni-now. | 0:12:32 | 0:12:33 | |
Da-da-da-dum, dum-dum. | 0:12:33 | 0:12:35 | |
Da-da-da-dum, dum-dum. | 0:12:35 | 0:12:36 | |
Da-da-da-dow. | 0:12:36 | 0:12:38 | |
Ah! No idea. | 0:12:38 | 0:12:41 | |
Erm... Da-da-da-da. | 0:12:41 | 0:12:43 | |
-Da-da-da-dum. -That might be a bit wrong, actually. | 0:12:43 | 0:12:45 | |
The Da-da-da-dum(!) | 0:12:45 | 0:12:46 | |
Oh, close! | 0:12:46 | 0:12:48 | |
-Is it?! -No. | 0:12:48 | 0:12:49 | |
Da-da-da-da. | 0:12:49 | 0:12:50 | |
-I'll throw it over. -Daft Punk. | 0:12:50 | 0:12:53 | |
Oh. Daft Punk. | 0:12:53 | 0:12:54 | |
It's not Daft Punk. | 0:12:54 | 0:12:56 | |
-Oh, sorry. -LAUGHTER | 0:12:56 | 0:12:57 | |
I didn't think so. | 0:12:57 | 0:12:58 | |
-The correct answer was The Black Keys, Gold On The Ceiling. -Oh! | 0:12:58 | 0:13:02 | |
Here's how it should have sounded. | 0:13:02 | 0:13:03 | |
MUSIC: "Gold On The Ceiling" by The Black Keys | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:15 | 0:13:17 | |
Yeah, rock star! | 0:13:18 | 0:13:20 | |
Chung, chung, chung! | 0:13:20 | 0:13:22 | |
-Argh, ah! -LAUGHTER | 0:13:24 | 0:13:26 | |
Next one, please. | 0:13:26 | 0:13:29 | |
Bum-dabba-dow, da-bum. | 0:13:29 | 0:13:30 | |
Dig-a-dig-a-ding. | 0:13:30 | 0:13:32 | |
Bum-dabba-dow, da-bum, bum, bum. | 0:13:32 | 0:13:35 | |
Ting. | 0:13:35 | 0:13:36 | |
-Bum-dabba-dow, da-bum. -Dig-a-dig-a-ding. | 0:13:36 | 0:13:38 | |
Bum-dalla-low, da-bum. | 0:13:38 | 0:13:40 | |
BOTH: Diddle-a-dum-ba-bum. | 0:13:40 | 0:13:42 | |
That was bloody good, actually. | 0:13:42 | 0:13:45 | |
That was lovely. That was a beautiful rendition. | 0:13:45 | 0:13:48 | |
APPLAUSE | 0:13:48 | 0:13:50 | |
I'm just going to go to the airport and deport myself. | 0:13:50 | 0:13:52 | |
-LAUGHTER -D'you want to guess? | 0:13:52 | 0:13:54 | |
I, I, I... I don't even know. | 0:13:54 | 0:13:57 | |
Give me a hint. | 0:13:57 | 0:13:58 | |
It's by Destiny's Child. | 0:13:58 | 0:14:00 | |
I should know Destiny's Child! It's not Survivor? | 0:14:00 | 0:14:03 | |
-That would be wrong. -Bills, Bills, Bills! | 0:14:03 | 0:14:05 | |
Bills, Bills, Bills - it was, exactly! | 0:14:05 | 0:14:07 | |
CHEERING AND APPLAUSE | 0:14:07 | 0:14:08 | |
Mena! Mena! Tune! | 0:14:08 | 0:14:11 | |
Bills, Bills, Bills? | 0:14:11 | 0:14:13 | |
By Destiny's Child? | 0:14:13 | 0:14:16 | |
Put this on... come round, I'll cook you a shepherd's pie... | 0:14:16 | 0:14:19 | |
open a bottle of merlot... | 0:14:19 | 0:14:21 | |
couple of episodes of Ice Road Truckers. | 0:14:21 | 0:14:23 | |
-Oh, yeah! -LAUGHTER | 0:14:23 | 0:14:24 | |
MUSIC: "Bills, Bills, Bills" by Destiny's Child | 0:14:24 | 0:14:27 | |
Destiny's Child - Bills, Bills, Bills. | 0:14:27 | 0:14:28 | |
When Beyonce had her baby, she and Jay-Z hired the entire floor of a New York hospital. | 0:14:30 | 0:14:33 | |
"What would THAT cost?", I hear you ask. | 0:14:33 | 0:14:36 | |
Well... three pensioners, someone waiting for a heart transplant, | 0:14:36 | 0:14:38 | |
and I had to wait four hours for what should have been | 0:14:38 | 0:14:41 | |
a routine cucumber removal. | 0:14:41 | 0:14:43 | |
LAUGHTER | 0:14:43 | 0:14:46 | |
We also heard Black Keys with Gold On The Ceiling. | 0:14:46 | 0:14:48 | |
Some people have accused The Black Keys of sounding a bit samey. | 0:14:48 | 0:14:51 | |
That's nonsense. That's a signature sound. | 0:14:51 | 0:14:54 | |
You might as well say McFly songs are a bit samey. | 0:14:54 | 0:14:57 | |
-The "samey" as Busted. -Yeah! | 0:14:57 | 0:14:59 | |
LAUGHTER | 0:14:59 | 0:15:01 | |
Now, Mena, here are yours... for Paul. | 0:15:01 | 0:15:04 | |
-Oh, my God! -Are you confident? | 0:15:04 | 0:15:06 | |
-You come in strong with this one, yeah? -OK. | 0:15:06 | 0:15:09 | |
BOTH: Ding-ding-ding-ding Ding-ding-ding-ding | 0:15:09 | 0:15:11 | |
Dig-a-dig-a-diggy | 0:15:11 | 0:15:13 | |
Eh-neh, eh-neh. | 0:15:13 | 0:15:14 | |
Eh-neh, Eh-neh, eh-neh, eh-neh. | 0:15:14 | 0:15:16 | |
Dum-dum-dum-dum... | 0:15:16 | 0:15:18 | |
Eh-neh, eh-neh, eh-neh... | 0:15:18 | 0:15:20 | |
LAUGHTER | 0:15:20 | 0:15:22 | |
Well, the first thing is to isolate the genre, time. | 0:15:22 | 0:15:26 | |
-Yeah. -That would be... | 0:15:26 | 0:15:29 | |
melodies of the... '90s, I'd say. | 0:15:29 | 0:15:32 | |
LAUGHTER | 0:15:32 | 0:15:34 | |
So, then, I have to analyse | 0:15:34 | 0:15:36 | |
which of the gangs... | 0:15:36 | 0:15:38 | |
bands, they were, in the '90s. | 0:15:38 | 0:15:41 | |
In the '90s, there would have been The Spice Girls | 0:15:41 | 0:15:44 | |
-and Take That was the '90s. -Yep. | 0:15:44 | 0:15:47 | |
So, sounded not like The Spice Girls. | 0:15:47 | 0:15:49 | |
They were more, "Wooh!" - like that. | 0:15:49 | 0:15:52 | |
LAUGHTER | 0:15:52 | 0:15:54 | |
You don't know, do you? | 0:15:54 | 0:15:56 | |
I've thought of a singer from the '90s. | 0:15:56 | 0:15:58 | |
-Final answer? -"Celina" Dion. -It's NOT "Celina" Dion. | 0:15:58 | 0:16:01 | |
LAUGHTER | 0:16:01 | 0:16:03 | |
I reckon we could play the actual song and he might not still get it. | 0:16:03 | 0:16:07 | |
-Let's hear the actual song. -I think that's a better way of playing the game with you. | 0:16:07 | 0:16:10 | |
MUSIC: "Banquet" by Bloc Party | 0:16:10 | 0:16:14 | |
SHE LAUGHS | 0:16:18 | 0:16:20 | |
Oh, you're mean! | 0:16:24 | 0:16:26 | |
Paul, the answer is...? | 0:16:26 | 0:16:28 | |
Sounds like a band... | 0:16:29 | 0:16:32 | |
Could it be...? | 0:16:32 | 0:16:34 | |
Could it be Guns'N'Roses? | 0:16:34 | 0:16:36 | |
Guns N' Roses is not the right answer! | 0:16:36 | 0:16:38 | |
It's Banquet by Bloc Party, | 0:16:38 | 0:16:40 | |
-and that's how it should have sounded. -Oh! | 0:16:40 | 0:16:43 | |
Final chance. These guys are pretty big. | 0:16:43 | 0:16:46 | |
Famous now, famous for a long time. | 0:16:46 | 0:16:48 | |
Famous now and for a long time? | 0:16:48 | 0:16:50 | |
I feel we should just wing it. | 0:16:50 | 0:16:52 | |
Fuck it, I'll tell you who they are - it's Coldplay. | 0:16:52 | 0:16:54 | |
-All you have to do is get the song. -OK. | 0:16:54 | 0:16:57 | |
Oh! | 0:16:57 | 0:16:58 | |
I can't believe they're making me do this. | 0:16:58 | 0:17:00 | |
Is Coldplay the one with James Blunt? | 0:17:00 | 0:17:03 | |
LAUGHTER | 0:17:03 | 0:17:04 | |
APPLAUSE | 0:17:04 | 0:17:07 | |
I've told you it's Coldplay playing the song, and then you try and guess. | 0:17:10 | 0:17:13 | |
OK. | 0:17:13 | 0:17:15 | |
MUSIC: "Paradise" by Coldplay | 0:17:15 | 0:17:18 | |
Why don't we write it out like hangman's? | 0:17:18 | 0:17:21 | |
AMBIENT SYNTH | 0:17:23 | 0:17:25 | |
# When she was just a girl... # | 0:17:35 | 0:17:37 | |
Paul? Paul, there's your clue. | 0:17:37 | 0:17:39 | |
Paul? Paul! Paul, there's the clue! Look at the clue. | 0:17:39 | 0:17:42 | |
Paul, look! | 0:17:42 | 0:17:44 | |
Paradi...para...pu... | 0:17:46 | 0:17:49 | |
Oh, I see - Paradise. | 0:17:49 | 0:17:51 | |
Yes! | 0:17:51 | 0:17:52 | |
CHEERING AND APPLAUSE | 0:17:52 | 0:17:55 | |
The answer was Coldplay, Paradise, one point to Paul! | 0:17:55 | 0:17:59 | |
And at the end of that round, Noel's team has one point | 0:17:59 | 0:18:02 | |
and Philll's team have one point. | 0:18:02 | 0:18:03 | |
CHEERING AND APPLAUSE | 0:18:03 | 0:18:05 | |
Mena, as one final gift for being such a lovely guest on the show, | 0:18:09 | 0:18:13 | |
I actually, in honour of my second favourite film of yours, | 0:18:13 | 0:18:16 | |
decided I would bake you a pie with your face on it. | 0:18:16 | 0:18:18 | |
-My God. -So there is the pie I have baked for you to keep. | 0:18:18 | 0:18:21 | |
-Oh, my God! -It's apple. | 0:18:21 | 0:18:23 | |
-PAUL: It's got a hole in it. -Sh! | 0:18:25 | 0:18:28 | |
I was just testing to see whether it was still warm. | 0:18:28 | 0:18:31 | |
Round three is the identity parade. | 0:18:36 | 0:18:38 | |
Philll's team, it's Eminem and Robbie Williams. | 0:18:38 | 0:18:41 | |
# I'm Slim Shady Yes, I'm the real Shady | 0:18:41 | 0:18:42 | |
# All you other Slim Shadys Are just imitating | 0:18:42 | 0:18:45 | |
# So won't the real Slim Shady Please, stand up | 0:18:45 | 0:18:47 | |
# Please, stand up Please, stand up... # | 0:18:47 | 0:18:49 | |
# Bodies in the Bodhi tree Bodies making chemistry | 0:18:49 | 0:18:54 | |
# Bodies on my family Bodies in the way of me | 0:18:54 | 0:18:57 | |
# Bodies in the cemetery And that's the way it's gonna be. # | 0:18:57 | 0:19:00 | |
That was Eminem with The Real Slim Shady | 0:19:00 | 0:19:02 | |
and Robbie Williams with Bodies, | 0:19:02 | 0:19:04 | |
but which of our line-up is Kimberly Lee | 0:19:04 | 0:19:06 | |
who was presumably forced to do a kiss and tell | 0:19:06 | 0:19:09 | |
on both Robbie and Eminem? | 0:19:09 | 0:19:11 | |
Is it number one, kiss and tell, | 0:19:11 | 0:19:13 | |
number two, kiss the boys and make them cry, | 0:19:13 | 0:19:16 | |
number three, I kissed a girl and I liked it, | 0:19:16 | 0:19:19 | |
number four, I kissed a girl and it wasn't really for me, | 0:19:19 | 0:19:22 | |
or number five, kiss of death. | 0:19:22 | 0:19:24 | |
LAUGHTER | 0:19:24 | 0:19:27 | |
-What was she in? -No - did a kiss and tell, like... -HE MAKES KISSING SOUNDS | 0:19:29 | 0:19:32 | |
And then... Actually, I don't think they write them themselves. | 0:19:32 | 0:19:36 | |
I sort of don't want to know. | 0:19:36 | 0:19:38 | |
-You don't want to know? -I don't want to know. | 0:19:38 | 0:19:41 | |
Can we draw kittens? | 0:19:41 | 0:19:43 | |
Instead? Can we just draw kittens? | 0:19:43 | 0:19:45 | |
Yes...? | 0:19:45 | 0:19:47 | |
I've got a pen here, is that all right? | 0:19:47 | 0:19:48 | |
-Would you judge the best kitten? -All right, yeah. -Thanks. | 0:19:48 | 0:19:51 | |
Should we put a time on this and race or are we going for artistic...? | 0:19:51 | 0:19:55 | |
-NOEL: -30 seconds, go! | 0:19:55 | 0:19:57 | |
Danny from McFly drawing a pussy from memory. | 0:19:57 | 0:20:01 | |
You legend. You absolute legend. | 0:20:04 | 0:20:07 | |
-NOEL: -Have you finished? | 0:20:07 | 0:20:08 | |
-DANNY: -Yeah, I finished. | 0:20:08 | 0:20:10 | |
I said kitten! You've drawn a vagina! | 0:20:10 | 0:20:13 | |
-Yes, we've actually drawn kittens! -Oh, I thought you were... | 0:20:15 | 0:20:18 | |
I don't think I want Mena to have to see that. | 0:20:18 | 0:20:20 | |
-It's very smutty, Mena, I'm sorry. -I did mine as a Philll Kitten. | 0:20:20 | 0:20:24 | |
-Oh, that Philll Kitten? -See? -That's beautiful. | 0:20:24 | 0:20:26 | |
My one has small bowl of cream. | 0:20:26 | 0:20:28 | |
-Danny, let's see it. -Just show it. -You dirty boy! | 0:20:30 | 0:20:32 | |
Just show what you've done, you despicable man! | 0:20:32 | 0:20:35 | |
Show the cameras, Danny from McFly! | 0:20:35 | 0:20:37 | |
Oh, you sick bastard! | 0:20:37 | 0:20:39 | |
LAUGHTER AND APPLAUSE | 0:20:39 | 0:20:41 | |
This is a family show! | 0:20:41 | 0:20:44 | |
Did you really think we were all going to draw...? | 0:20:45 | 0:20:47 | |
-I thought kittens was a nicer way of putting it. -You've put him off his cream! | 0:20:47 | 0:20:51 | |
I think the winner is definitely Philll. That is a brilliant cat. | 0:20:53 | 0:20:56 | |
CHEERING AND APPLAUSE | 0:20:56 | 0:20:58 | |
-PAUL: I think I know which one it is. -Just from behind? | 0:21:00 | 0:21:04 | |
Well, number two, about five minutes ago she just went like that... | 0:21:06 | 0:21:10 | |
And, sort of, did something to herself in a kind of dismissive, | 0:21:10 | 0:21:13 | |
"What am I wasting my time here for? | 0:21:13 | 0:21:15 | |
"I've done a kiss and tell, I'm the real one," way, whereas the others | 0:21:15 | 0:21:18 | |
have been more professional, so I think number two is the real one. | 0:21:18 | 0:21:24 | |
Would the real Kimberly Lee please step forward? | 0:21:24 | 0:21:28 | |
You have to step forward a bit more, actually. | 0:21:30 | 0:21:33 | |
Now studying to be an actress with a role in Downton Abbey - | 0:21:33 | 0:21:36 | |
only one of those facts is true - it's Kimberly Lee. | 0:21:36 | 0:21:38 | |
APPLAUSE | 0:21:38 | 0:21:41 | |
Now, Noel, Paul and Mena - | 0:21:42 | 0:21:45 | |
how about some classic early '90s butch boy-band action? | 0:21:45 | 0:21:48 | |
It's Take That. | 0:21:48 | 0:21:49 | |
# Oh, you can do what you like | 0:21:49 | 0:21:52 | |
# Do what you like | 0:21:52 | 0:21:54 | |
# No need to ask me | 0:21:54 | 0:21:55 | |
# Do what you want | 0:21:55 | 0:21:57 | |
# Do what you like | 0:21:57 | 0:22:00 | |
# Do what you like | 0:22:00 | 0:22:02 | |
# No need to tell me | 0:22:02 | 0:22:04 | |
# Do what you want. # | 0:22:04 | 0:22:06 | |
That was to Take That with Do What You Like, | 0:22:06 | 0:22:09 | |
but which of our line-up is Paul Ellard | 0:22:09 | 0:22:12 | |
who was very nearly a member of Take That? | 0:22:12 | 0:22:14 | |
Is it number one, take that, | 0:22:14 | 0:22:16 | |
number two, take that hand off my leg, | 0:22:16 | 0:22:19 | |
number three, take a long hard look at yourself, | 0:22:19 | 0:22:23 | |
number four, take two of these after meals | 0:22:23 | 0:22:26 | |
or number five, take this one back - it's broken. | 0:22:26 | 0:22:29 | |
Why are they all dressed like this? Is that what Take That were like? | 0:22:30 | 0:22:33 | |
Yeah, they were in the early days. | 0:22:33 | 0:22:34 | |
All leather and flesh. | 0:22:34 | 0:22:36 | |
-Are you liking that? -I'm liking it. | 0:22:36 | 0:22:39 | |
-You want to get over there, don't you? -I want to get over, yeah. | 0:22:39 | 0:22:42 | |
Go on, get over there. Have a feel. | 0:22:42 | 0:22:44 | |
Yeah, have a feel. | 0:22:44 | 0:22:45 | |
CHEERING AND APPLAUSE | 0:22:45 | 0:22:49 | |
Well, this man is quite strong. | 0:22:50 | 0:22:54 | |
Yeah, they would have had a strong one in there. | 0:22:54 | 0:22:56 | |
He's got a good face. He looks like he could be in a boy band. | 0:22:56 | 0:22:59 | |
We're all on a level playing field | 0:22:59 | 0:23:01 | |
cos that guy could be Jason Orange and I wouldn't know. | 0:23:01 | 0:23:03 | |
Oh, that isn't Take That? I thought number three was Gary Barlow. | 0:23:04 | 0:23:08 | |
He looks like he's going to hit you. | 0:23:09 | 0:23:11 | |
He can't hit me, I've got show business immunity. | 0:23:13 | 0:23:17 | |
So, he looks relaxed about his life. I reckon this man, in reality | 0:23:17 | 0:23:21 | |
works in a council, dealing with council tax rebates. | 0:23:21 | 0:23:27 | |
This man is not making eye contact with me. | 0:23:30 | 0:23:33 | |
His favourite... Ooh! | 0:23:33 | 0:23:34 | |
He looks like he's in a gay porn version of Mad Max The Thunderdome. | 0:23:36 | 0:23:39 | |
This man, his face is... | 0:23:40 | 0:23:44 | |
gnarled by years of bitterness. | 0:23:44 | 0:23:47 | |
And he's worn a sort of codpiece thing tonight, | 0:23:47 | 0:23:50 | |
and I think he did that cos he was like, "Whatever! | 0:23:50 | 0:23:54 | |
"I just want to get on the telly! I'm wearing a codpiece!" | 0:23:54 | 0:23:57 | |
I think I've seen enough to make my decision. | 0:23:57 | 0:24:00 | |
If you'd like to make your way back to the desk. | 0:24:00 | 0:24:02 | |
APPLAUSE | 0:24:05 | 0:24:09 | |
-It's number one or number four. -Number three? He'd get it! | 0:24:09 | 0:24:13 | |
Yeah, you know I'm talking about you. | 0:24:14 | 0:24:16 | |
Look down at the floor, little cheeky smile. | 0:24:16 | 0:24:18 | |
And I wouldn't want any eye contact, so that's good. | 0:24:18 | 0:24:21 | |
You keep looking straight ahead, big guy. | 0:24:21 | 0:24:24 | |
Wring you out like a wet towel. Ooh! You like that! | 0:24:24 | 0:24:27 | |
Yeah! Yeah! | 0:24:27 | 0:24:30 | |
Do you want to make an educated guess? | 0:24:30 | 0:24:33 | |
It's number one, but we'd like to think it would be number four, | 0:24:33 | 0:24:36 | |
cos that would be somehow more amusing if it were. | 0:24:36 | 0:24:39 | |
Well, let's find out. Would the real Paul Ellard please step forward. | 0:24:39 | 0:24:43 | |
Oh! Yeah! | 0:24:45 | 0:24:47 | |
APPLAUSE AND CHEERING | 0:24:47 | 0:24:50 | |
Paul, what happened? You went to the audition? | 0:24:54 | 0:24:57 | |
I got to the auditions in London. They came in and said to us, | 0:24:57 | 0:25:00 | |
"Don't worry, you don't have to be able to sing." | 0:25:00 | 0:25:03 | |
Dancing, 18 hours straight, | 0:25:03 | 0:25:04 | |
some man walked in and said "I'll have him, him, him and him." | 0:25:04 | 0:25:07 | |
Now, Jack. Can we find out more about the others? | 0:25:07 | 0:25:10 | |
Number two, what is your real job? | 0:25:12 | 0:25:14 | |
Do you really work in the council sorting out rebates? | 0:25:14 | 0:25:18 | |
Sitting there all day saying, "Yeah, yeah, you'll get that rebate." | 0:25:18 | 0:25:21 | |
And you're just thinking, "What's the point of it? | 0:25:21 | 0:25:23 | |
"Life is so pointless I can't be bothered with it all. | 0:25:23 | 0:25:26 | |
"I'm going on Buzzcocks next week, give me a chance to get out." | 0:25:26 | 0:25:29 | |
Everyone in the office will be saying, "Ooh! Saw you on Buzzcocks!" | 0:25:29 | 0:25:32 | |
In real life, I'm a gangster. | 0:25:32 | 0:25:34 | |
-A gangster? -Yes. -That's not really a job, though, is it? | 0:25:34 | 0:25:38 | |
NOEL: You are in so much trouble. | 0:25:38 | 0:25:41 | |
It's about time the Inland Revenue looked into this man. | 0:25:41 | 0:25:45 | |
That was the least gangster gesture I've ever seen. | 0:25:45 | 0:25:48 | |
Yeah, you watch it, baby. | 0:25:48 | 0:25:50 | |
My life is in danger, but, hopefully, | 0:25:50 | 0:25:53 | |
Her Majesty's Revenue and Customs will get to you, first. | 0:25:53 | 0:25:55 | |
LAUGHTER | 0:25:55 | 0:25:56 | |
He is going to find you. He's gone to hunt you down. | 0:25:56 | 0:25:59 | |
He's gone to bust a cap in your ass. | 0:25:59 | 0:26:02 | |
-Oh, is that nice? -LAUGHTER | 0:26:02 | 0:26:04 | |
I've never had that before. | 0:26:04 | 0:26:06 | |
Right, and on that note. | 0:26:06 | 0:26:08 | |
Now, running his very own cabaret business, | 0:26:08 | 0:26:11 | |
under the alias Mr Cabaret, Paul Ellard, ladies and gentlemen! | 0:26:11 | 0:26:14 | |
APPLAUSE | 0:26:14 | 0:26:17 | |
So, we end with Next Lines. | 0:26:20 | 0:26:22 | |
Phill's team, you go first. | 0:26:22 | 0:26:24 | |
Your time starts, now! | 0:26:24 | 0:26:26 | |
"His palms are sweaty, knees weak, arms are heavy..." | 0:26:26 | 0:26:28 | |
That's Eminem! Vomit on his sweater already, mom's spaghetti. | 0:26:28 | 0:26:31 | |
"Forgetting what he wrote down, the whole crowd goes so loud, | 0:26:31 | 0:26:34 | |
"he opens his mouth, but the words don't come out." | 0:26:34 | 0:26:36 | |
Sorry, right. "She's just a loner with a sexy attitude. | 0:26:36 | 0:26:38 | |
-"I'd like to phone her, cos she puts me in the mood." -Five Colours, McFly. | 0:26:38 | 0:26:42 | |
-Yeah, but you've got to say the rest. -Oh, what is it again? | 0:26:42 | 0:26:45 | |
You wrote it! | 0:26:45 | 0:26:47 | |
# She's just a loner, with a sexy attitude. # | 0:26:47 | 0:26:49 | |
That's Tom's, that Tom's. | 0:26:49 | 0:26:50 | |
-That doesn't count! You still sang it! -What is it? | 0:26:50 | 0:26:53 | |
-# I'd like to phone her, cos she puts me in the mood. -# | 0:26:53 | 0:26:56 | |
The rumour's spreading round that she could be a dude? | 0:26:56 | 0:27:00 | |
Cooks in the nude! Not, "could be a dude!" | 0:27:00 | 0:27:02 | |
It's the live version, could be a dude. Why don't you give me my bit? | 0:27:02 | 0:27:05 | |
-That's Tom's part. -Because he wrote all the good ones! | 0:27:05 | 0:27:07 | |
Oops, I did it again. | 0:27:09 | 0:27:11 | |
-You played with my heart. -Louder! | 0:27:11 | 0:27:13 | |
# You played with my heart... # | 0:27:13 | 0:27:15 | |
That's lovely. Britney Spears, Oops! I Did It Again. Correct. | 0:27:15 | 0:27:19 | |
END OF ROUND MUSIC | 0:27:19 | 0:27:21 | |
APPLAUSE | 0:27:21 | 0:27:23 | |
Noel's team, you need five points to win. Your time starts now. | 0:27:23 | 0:27:26 | |
-"We started singing bye, bye, Miss American Pie." -Oh, come on. | 0:27:26 | 0:27:29 | |
Took the Chevy to the levee, but the levee was dry. | 0:27:29 | 0:27:32 | |
Correct. Don McLean, American Pie. | 0:27:32 | 0:27:34 | |
"You know the preachers like the cold, he knows I'm going to stay." | 0:27:34 | 0:27:37 | |
-California dreaming. -Yeah, that's right. | 0:27:37 | 0:27:39 | |
"Tumble out of bed, and I stumble to the kitchen." | 0:27:39 | 0:27:42 | |
And then make myself baked beans on toast. | 0:27:42 | 0:27:44 | |
No, it's "pour myself a cup of ambition." Dolly Parton, 9 to 5. | 0:27:45 | 0:27:49 | |
END OF ROUND MUSIC | 0:27:49 | 0:27:51 | |
APPLAUSE | 0:27:53 | 0:27:56 | |
So, the final scores are, Noel's team have four points, | 0:27:56 | 0:27:58 | |
but Philll's team are tonight's winners with five points! | 0:27:58 | 0:28:01 | |
APPLAUSE | 0:28:01 | 0:28:03 | |
Thanks to Philll, Danny from McFly, Celia Pacquola, | 0:28:06 | 0:28:09 | |
Noel, Paul Foot, and Mena Suvari. | 0:28:09 | 0:28:11 | |
This has been Never Mind The Buzzcocks, | 0:28:11 | 0:28:14 | |
I've been Jack Whitehall. | 0:28:14 | 0:28:15 | |
I don't think I'm ever going to be allowed near Mena Suvari again. | 0:28:15 | 0:28:18 | |
Thank you very much. | 0:28:18 | 0:28:19 | |
And, over the credits, in honour of American Beauty, | 0:28:19 | 0:28:22 | |
I'm going to show you the most beautiful thing I have ever filmed. | 0:28:22 | 0:28:26 | |
There's just so much beauty in the world. Good night. | 0:28:26 | 0:28:28 | |
MUSIC: "Any Other Name (American Beauty)" by Thomas Newman | 0:28:28 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:28:43 | 0:28:45 |