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CHEERS AND APPLAUSE | 0:00:20 | 0:00:23 | |
Hello, and welcome to Never Mind The Buzzcocks. I'm Richard Ayoade. | 0:00:34 | 0:00:37 | |
When I was asked to host the show, | 0:00:37 | 0:00:40 | |
I said I would do so on one condition. | 0:00:40 | 0:00:43 | |
But when my financial demands weren't met - not even close - | 0:00:43 | 0:00:47 | |
I said, "Yes, I'll do it for this low fee. | 0:00:47 | 0:00:50 | |
"I have no other work. My career's in a tailspin. | 0:00:50 | 0:00:53 | |
"But I want you to treat pop and soft funk | 0:00:53 | 0:00:56 | |
"with the seriousness and respect it deserves." | 0:00:56 | 0:00:59 | |
We all like a chuckle. Not now, obviously. It's dead silent. | 0:00:59 | 0:01:03 | |
LAUGHTER | 0:01:03 | 0:01:05 | |
We all like a chuckle, and that's your prerogative, | 0:01:06 | 0:01:09 | |
as Bobby Brown once said in his hit song of the same name. | 0:01:09 | 0:01:13 | |
For once, on NMTB, let's put our heads down and have an informative popular music-based quiz | 0:01:13 | 0:01:19 | |
without resorting to jokes. | 0:01:19 | 0:01:21 | |
-The coward's way out. -LAUGHTER | 0:01:21 | 0:01:24 | |
On Phill's team tonight... | 0:01:24 | 0:01:26 | |
# I feel like a winner... # | 0:01:26 | 0:01:29 | |
It's the lead singer of Noisettes, recently described by the Guardian | 0:01:30 | 0:01:33 | |
as the best live band in Britain. | 0:01:33 | 0:01:35 | |
Her favourite song to sing in the shower is Where Is Love? | 0:01:35 | 0:01:39 | |
A fine choice for a song for shower singing purposes. | 0:01:39 | 0:01:42 | |
-Shingai Shaniwa. -CHEERS AND APPLAUSE | 0:01:42 | 0:01:45 | |
And a comedian who came back from a hugely successful Edinburgh fringe | 0:01:48 | 0:01:52 | |
gaining five-star reviews for Pappy's Last Show Ever. | 0:01:52 | 0:01:55 | |
So, SINCERE congratulations from all of us here. Comedian Matthew Crosby. | 0:01:55 | 0:02:00 | |
CHEERS AND APPLAUSE | 0:02:00 | 0:02:02 | |
And on Noel's team tonight... | 0:02:03 | 0:02:06 | |
..is a singer who started from a young age. | 0:02:07 | 0:02:10 | |
He used to sing in the church choir with his mother when he was four | 0:02:10 | 0:02:14 | |
and, despite a brief dalliance with yoyos, wisely stuck with music | 0:02:14 | 0:02:18 | |
and went on to win two Brit Awards. Seems like an absolutely knock-out chap. It's Ed Sheeran. | 0:02:18 | 0:02:24 | |
CHEERS AND APPLAUSE | 0:02:24 | 0:02:26 | |
And the television presenter | 0:02:26 | 0:02:28 | |
who started her working life in a pork factory, | 0:02:28 | 0:02:31 | |
before getting the taste for show business as a magician's assistant | 0:02:31 | 0:02:34 | |
and finally finding her true calling | 0:02:34 | 0:02:36 | |
as a co-presenter on the companion show to the X Factor, the Xtra Factor. | 0:02:36 | 0:02:41 | |
-It's Caroline Flack. -CHEERS AND APPLAUSE | 0:02:41 | 0:02:44 | |
Can I just add, on a personal note, it's an absolute honour to be quizzing with you tonight. | 0:02:46 | 0:02:52 | |
We begin with Who Do You Think You Are? Phill, Shingai and Matthew, look at this. | 0:02:52 | 0:02:56 | |
# I'm addicted to you Don't you know that you're toxic # | 0:02:56 | 0:03:00 | |
Yes, it's the Queen of Pop with over 13 hard-won years in the business - | 0:03:00 | 0:03:04 | |
and it IS a business - Britney Spears. | 0:03:04 | 0:03:07 | |
# With a taste of a poison paradise | 0:03:07 | 0:03:09 | |
# I'm addicted to you Don't you know that you're toxic # | 0:03:09 | 0:03:13 | |
OK, that was Britney Spears with Toxic. | 0:03:13 | 0:03:16 | |
Which of the following was it reported that Britney demanded | 0:03:16 | 0:03:19 | |
be in her dressing room whilst she was here on tour? | 0:03:19 | 0:03:22 | |
Was it A, a framed picture of Princess Diana? | 0:03:22 | 0:03:25 | |
B, a compilation CD of Simon Cowell's words of wisdom? | 0:03:25 | 0:03:29 | |
Or C, a dartboard with Christina Aguillera's face on? | 0:03:29 | 0:03:34 | |
I brought this anyway, so it's a happy coincidence. | 0:03:34 | 0:03:37 | |
-That's yours(!) -I don't see Britney as a darts playing type. | 0:03:37 | 0:03:42 | |
You say that, but a lot of people don't know that Britney's middle name is The Viking. | 0:03:42 | 0:03:47 | |
Britney "The Viking" Spears. | 0:03:47 | 0:03:50 | |
-Right. -She's a very prosperous Norwegian darts player. | 0:03:50 | 0:03:53 | |
-I wonder why people don't know that. -LAUGHTER | 0:03:53 | 0:03:56 | |
That's why we're watching the show. | 0:03:56 | 0:03:58 | |
Why ARE we watching this show? It's very hard to know. | 0:03:58 | 0:04:02 | |
Sometimes it's just company, loneliness. | 0:04:02 | 0:04:04 | |
LAUGHTER | 0:04:04 | 0:04:06 | |
-Thoughts. -ED: Does this CD actually exist? | 0:04:06 | 0:04:09 | |
This is one of the many metaphysical questions we're addressing tonight. Does it exist? | 0:04:09 | 0:04:14 | |
SHINGAI: Maybe Simon had things to say and she thought that would be worth taking on board. | 0:04:14 | 0:04:20 | |
Caroline, does this ring true? | 0:04:20 | 0:04:22 | |
When I started X-factor, he buys everyone presents, | 0:04:22 | 0:04:25 | |
and he bought me a framed picture of himself to keep in my dressing room. | 0:04:25 | 0:04:29 | |
Why did he BUY it? Did he not own a picture of himself? | 0:04:29 | 0:04:34 | |
-It's in my bathroom now. -Doing what? | 0:04:34 | 0:04:36 | |
Looking at me. LAUGHING: Watching me shower. | 0:04:36 | 0:04:39 | |
It wakes me up when I walk in there in the morning to have a shower! | 0:04:39 | 0:04:43 | |
There's waking up and then there's, "Aargh!" | 0:04:43 | 0:04:46 | |
SHINGAI: Let's guess. MATTHEW: Yeah, guess. Why not? | 0:04:46 | 0:04:50 | |
That is very much what you have to do within this quiz. | 0:04:50 | 0:04:54 | |
I don't feel that Britney would have the malice in her heart | 0:04:54 | 0:04:57 | |
to start throwing darts at people. | 0:04:57 | 0:04:59 | |
Her management used to have someone across the corner of her room. | 0:04:59 | 0:05:03 | |
-Whenever Britney became enraged... -BLOWS | 0:05:03 | 0:05:06 | |
Who was that? Eric Bristow? | 0:05:07 | 0:05:10 | |
-Cos he's got the yips, hasn't he? -When you can't throw a dart? | 0:05:11 | 0:05:15 | |
You can't let it go. What happens is, you throw it then you carry on. | 0:05:15 | 0:05:20 | |
-Ed, any thoughts? -Personally, I don't think the Simon Cowell CD exists. | 0:05:20 | 0:05:25 | |
-No to the CD. What about the dartboard? -I'd say the dartboard... | 0:05:25 | 0:05:29 | |
-Cos they were in Disney... I'm getting too deep into this. -No. Get deep. | 0:05:29 | 0:05:34 | |
What I like about you, Ed, is you're trying to get to the bottom of this. | 0:05:34 | 0:05:38 | |
That, for me, is what good quizzing is all about. | 0:05:38 | 0:05:41 | |
Christina Aguillera and Britney were in The Disney Club together. They were mates. | 0:05:41 | 0:05:46 | |
-She's going to be happy for her mate being happy. Yanks are obsessed with Brits. -Who? | 0:05:46 | 0:05:50 | |
"The Yanks" is a condition you get when compulsively masturbating. | 0:05:50 | 0:05:55 | |
-You can't release your genitals. -I'm saying Diana, but I'm not on their team. | 0:05:55 | 0:06:00 | |
But you fell into his trap, Sheeran! | 0:06:00 | 0:06:03 | |
This is 101 stuff. | 0:06:03 | 0:06:05 | |
You've just given them sound reasoning. It's their round. | 0:06:05 | 0:06:09 | |
-Why did you do it? -LAUGHTER | 0:06:09 | 0:06:12 | |
-Cos you asked me to do it. -Oh, Ed, that's so simple. | 0:06:12 | 0:06:15 | |
-AUDIENCE: Ah. -I'm sorry. Don't "ah" him. | 0:06:15 | 0:06:18 | |
He's got to learn, if he's gonna keep in the quiz. | 0:06:18 | 0:06:21 | |
-Next time, shall I keep quiet? -Absolutely. Stone-face killer. | 0:06:21 | 0:06:26 | |
-What are you saying, Phill? -Unless it's a Sheeran double-bluff, let's go with Diana. | 0:06:26 | 0:06:30 | |
-You are correct. -CHEERING AND APPLAUSE | 0:06:30 | 0:06:33 | |
While Britney was performing at the O2 last year, | 0:06:37 | 0:06:39 | |
it was reported she had requested a framed picture of Princess Diana, | 0:06:39 | 0:06:44 | |
as she found her to be an inspiration. | 0:06:44 | 0:06:46 | |
-Good for her. -LAUGHTER | 0:06:46 | 0:06:48 | |
-Good for her. -Good for her. Let's not stoop to jokes. | 0:06:48 | 0:06:52 | |
LAUGHTER | 0:06:52 | 0:06:54 | |
Noel, Ed and Caroline, have a look at this. | 0:06:54 | 0:06:57 | |
# Going to the jungle We got fun and games... # | 0:06:57 | 0:07:01 | |
Yes, it's classic firearms and horticulture themed rockers, | 0:07:01 | 0:07:05 | |
Guns 'n' Roses. | 0:07:05 | 0:07:07 | |
# ..if you got the money, honey We got your disease... # | 0:07:08 | 0:07:12 | |
That was GnR with Welcome To The Jungle. | 0:07:12 | 0:07:15 | |
Which of the following objects did Axl Rose demand he have backstage at one of their gigs? | 0:07:15 | 0:07:20 | |
Was it A, an inflatable bike? | 0:07:20 | 0:07:22 | |
B, a bilingual parrot? Not really an object. That's a mammal. | 0:07:22 | 0:07:26 | |
Or C, a square melon? | 0:07:26 | 0:07:29 | |
Ed, please apply your diagnostic approach to this particular question. | 0:07:29 | 0:07:34 | |
I've seen these have been created. Is it on The Simpsons where they have square melons? | 0:07:34 | 0:07:39 | |
I feel I could be playing into Sheeran's hands if I point out | 0:07:39 | 0:07:43 | |
that The Simpsons is not a documentary. | 0:07:43 | 0:07:46 | |
LAUGHTER | 0:07:46 | 0:07:47 | |
-CAROLINE: What would you want...? -I'm going to interrupt you. | 0:07:47 | 0:07:51 | |
-For a pop fact. -OK. -I'm going to go with euro pop. | 0:07:51 | 0:07:54 | |
Since the dissolution of the euro pop band Aqua in 2001... | 0:07:54 | 0:07:58 | |
-I liked Aqua. -Who didn't? | 0:07:58 | 0:08:01 | |
..the lead singer Rene Diff has released several successful solo tracks, including The Uhh Uhh Song, | 0:08:01 | 0:08:07 | |
still proving the endurance of the genre. | 0:08:07 | 0:08:10 | |
-Caroline, you have that for your records. -Thank you. | 0:08:10 | 0:08:13 | |
-Let's get back to the quiz. -Your outfit matches the bike. | 0:08:13 | 0:08:17 | |
I want to see you drive home on that bike. | 0:08:17 | 0:08:20 | |
I'm scared of riding bikes. I'm a bit scared of the road. | 0:08:20 | 0:08:23 | |
-Roads ARE scary. -They are in London. -The way they go on for ages. | 0:08:23 | 0:08:26 | |
-I think driving is scary. -So, what are we saying? | 0:08:26 | 0:08:30 | |
Ed, you got their one. Get our one. | 0:08:30 | 0:08:32 | |
-I'm saying melon. -Really? | 0:08:32 | 0:08:34 | |
What's your answer? | 0:08:34 | 0:08:36 | |
-It's Noel's team, not mine. -Listen, Ed... | 0:08:36 | 0:08:39 | |
-Hey, come on, Ed. -I'm saying square melon, yeah. | 0:08:39 | 0:08:42 | |
-Don't get dramatic, though. He's going with square melon. -Yeah? | 0:08:42 | 0:08:47 | |
-You're right. -CHEERING AND APPLAUSE | 0:08:47 | 0:08:49 | |
Axl Rose demanded that the band be provided with wine, beer, vodka, white roses and a square melon, | 0:08:54 | 0:08:59 | |
claiming it was essential to his performance. | 0:08:59 | 0:09:02 | |
So, at the end of that round, Phill's team have one and Noel's team have one. | 0:09:02 | 0:09:07 | |
CHEERING AND APPLAUSE | 0:09:07 | 0:09:09 | |
Let's have another pop fact. Here's a soft rock fact. | 0:09:12 | 0:09:16 | |
-Nice. -Yeah. | 0:09:16 | 0:09:17 | |
One of the greatest soft rock bands, Crowded House, | 0:09:17 | 0:09:20 | |
are known to their Australian fans as Crowdies. | 0:09:20 | 0:09:23 | |
LAUGHTER | 0:09:23 | 0:09:25 | |
-Crowdies. -Like it. | 0:09:25 | 0:09:27 | |
Richard, these facts are extraordinary. | 0:09:27 | 0:09:29 | |
No need for jokes. No need. | 0:09:29 | 0:09:32 | |
Time, now, for the nation's favourite the Intros Round. | 0:09:32 | 0:09:35 | |
Shingai and Phill, here are yours for Matthew. | 0:09:35 | 0:09:38 | |
PHILL HUMS IN A WHISPER | 0:09:38 | 0:09:41 | |
-Could you do it so I can hear it as well? -No. | 0:09:41 | 0:09:44 | |
It's a really tricky way of doing it. | 0:09:44 | 0:09:47 | |
One, two. A-one, two, three, four. | 0:09:47 | 0:09:50 | |
-# Bm-sh-bm-sh-bm-sh -Sh-sh-sh | 0:09:50 | 0:09:54 | |
-# Ba-do-down-down-down-down -Dooo | 0:09:54 | 0:09:57 | |
-# Down-down-down-down-down -Dooo | 0:09:57 | 0:10:00 | |
-# Bow-da-ba-bow -Dooo | 0:10:00 | 0:10:03 | |
-# Ba-dow-bown -Mmmmmm..... | 0:10:03 | 0:10:06 | |
# Yeuh! # | 0:10:06 | 0:10:08 | |
LAUGHTER | 0:10:08 | 0:10:10 | |
Is it Let's Spend The Night Together? | 0:10:10 | 0:10:12 | |
LAUGHTER | 0:10:12 | 0:10:14 | |
-That was close! -Ooh! | 0:10:14 | 0:10:17 | |
-Hang on. -It Was Close. -It really wasn't. -Oh. | 0:10:17 | 0:10:20 | |
Any ideas? | 0:10:20 | 0:10:23 | |
I watch this on TV. I always think I've got it. Then I don't. | 0:10:23 | 0:10:26 | |
It's a real insight into your television viewing habits. | 0:10:26 | 0:10:30 | |
It's a lot easier here, perhaps, than at home? | 0:10:30 | 0:10:33 | |
Which is often the opposite. | 0:10:33 | 0:10:35 | |
Of what, often, people say on TV. "It's really easy at home." | 0:10:36 | 0:10:39 | |
What's interesting about what you said... "Even at home it's bloody hard." | 0:10:39 | 0:10:45 | |
I know it, but I can't think what it is. | 0:10:45 | 0:10:47 | |
Caroline, I don't want to be pedantic but that's the same as not knowing. | 0:10:47 | 0:10:52 | |
LAUGHTER | 0:10:52 | 0:10:53 | |
-I take no pleasure as I say that neither of you are right. I'm sorry. -Wait one sec. | 0:10:53 | 0:10:58 | |
You know this. | 0:10:58 | 0:11:00 | |
I'm only going to know it when they tell me what it is. | 0:11:00 | 0:11:04 | |
That's the same as not knowing. It's all the same as not knowing. | 0:11:04 | 0:11:07 | |
-The answer, of course, is Chris Rea, Road To Hell. -Oh! | 0:11:07 | 0:11:11 | |
-I knew it! -You didn't know it! | 0:11:11 | 0:11:13 | |
You didn't! | 0:11:13 | 0:11:15 | |
MUSIC: Intro to "Road To Hell" by Chris Rea | 0:11:15 | 0:11:18 | |
# Do-do-do | 0:11:19 | 0:11:21 | |
CAROLINE: # ..on a road to hell # | 0:11:23 | 0:11:25 | |
Oh, my God! It's cos you're scared of roads! | 0:11:29 | 0:11:32 | |
LAUGHTER AND APPLAUSE | 0:11:32 | 0:11:34 | |
Can we do a fact about Road To Hell? | 0:11:36 | 0:11:39 | |
-Coming up. But I like your enthusiasm. -OK. | 0:11:39 | 0:11:42 | |
-You two are definitely on the same page. -Yeah. | 0:11:42 | 0:11:45 | |
We dress very similarly. We share a look. | 0:11:45 | 0:11:47 | |
-Like teacher, supply teacher. -LAUGHTER | 0:11:47 | 0:11:50 | |
Next one, please, fellas. | 0:11:55 | 0:11:57 | |
-# Ssshhhh -Do-do-do-do-do do-do-do | 0:11:57 | 0:12:01 | |
-# Didididdi -Ahhhhh | 0:12:01 | 0:12:04 | |
MATTHEW JOINS IN | 0:12:04 | 0:12:06 | |
-# Da-da-dow... # -We know it. | 0:12:06 | 0:12:10 | |
OK, now, I KNOW it... | 0:12:10 | 0:12:12 | |
-LAUGHTER This time, I really do. -Yeah. | 0:12:12 | 0:12:16 | |
But I don't know its... Destiny's Child. | 0:12:16 | 0:12:18 | |
-Noel's team. -Justin Timberlake, Cry Me A River. | 0:12:18 | 0:12:21 | |
-SHINGAI SCREAMS -It is. | 0:12:21 | 0:12:24 | |
This is how it should have sounded. | 0:12:24 | 0:12:27 | |
MUSIC: Intro to "Cry Me A River" by Justin Timberlake | 0:12:27 | 0:12:31 | |
# You were my sun... # | 0:12:34 | 0:12:36 | |
We also heard Chris Rea with Road To Hell. | 0:12:36 | 0:12:38 | |
Chris wrote Road To Hell in a traffic jam on the M25. | 0:12:38 | 0:12:42 | |
The M25 can be a frustrating road, but if you time your journey right, | 0:12:42 | 0:12:47 | |
it should be fairly free-flowing. | 0:12:47 | 0:12:49 | |
The times to avoid are between 8am and 10am, and 4pm to 7pm. | 0:12:49 | 0:12:53 | |
I mean rush hour. Just use your common sense. | 0:12:53 | 0:12:56 | |
Rich, you haven't got any jazz funk facts, have you? | 0:12:56 | 0:13:00 | |
-I do. Let's have a jazz funk fact. -LAUGHTER | 0:13:00 | 0:13:03 | |
Jazz funk characteristics include a departure from ternary rhythm towards a more binary rhythm, | 0:13:03 | 0:13:09 | |
which you'll probably know by its more common name, groove. | 0:13:09 | 0:13:13 | |
Noel and Ed, here are yours for Caroline. | 0:13:13 | 0:13:16 | |
-Honestly! -Sorry. That was aggressive. | 0:13:16 | 0:13:19 | |
I'm feeling just so pumped from all these facts. | 0:13:21 | 0:13:25 | |
Caroline, by the way, if you want to play this really well, don't get all of them wrong. | 0:13:25 | 0:13:30 | |
That's the trap I fell into. | 0:13:30 | 0:13:32 | |
SHINGAI: I'm just happy we get to spend the night together. | 0:13:32 | 0:13:36 | |
ED: Didn't know that was happening. | 0:13:36 | 0:13:39 | |
LAUGHTER AND APPLAUSE | 0:13:39 | 0:13:41 | |
Logistically, that sounds VERY complicated. | 0:13:44 | 0:13:47 | |
Hope it's not all night, I have to say. | 0:13:47 | 0:13:50 | |
I usually pass out around the second time. | 0:13:50 | 0:13:54 | |
LAUGHTER AND APPLAUSE | 0:13:54 | 0:13:57 | |
-Wow! -OK, time out. Ed, let's get into that. | 0:13:57 | 0:14:01 | |
-Are we talking before, during or after? -After. | 0:14:01 | 0:14:05 | |
You pass out? Out cold? | 0:14:06 | 0:14:08 | |
I can manage a couple more if I haven't had too much of a heavy day. | 0:14:08 | 0:14:12 | |
As long as he has a glass of squash and a Club biscuit, he's good to go. | 0:14:12 | 0:14:16 | |
Just have a segment of orange, like in football. | 0:14:16 | 0:14:20 | |
-Does that work? -No. | 0:14:20 | 0:14:22 | |
But...it is delicious. | 0:14:22 | 0:14:24 | |
-Second time? You're a young man. You're 21. -Yeah. | 0:14:26 | 0:14:29 | |
That's not great. You want to be ranging seven or eight and then passing out, at your age. | 0:14:29 | 0:14:34 | |
Ed, you don't HAVE to share this much. | 0:14:34 | 0:14:37 | |
I'm not saying don't, but I'm just saying... Actually, just tell me. | 0:14:38 | 0:14:42 | |
Do you often wake up and all your stuff from your flat's gone? | 0:14:44 | 0:14:48 | |
Are you sure you're not being drugged? | 0:14:48 | 0:14:51 | |
When we were in the green room, there's a few things you mentioned. | 0:14:52 | 0:14:55 | |
I said, "I could bring that up." You said, "Please don't mention that. I'm a role model." | 0:14:55 | 0:15:00 | |
Then you just said you pass out the second time of having sex. | 0:15:00 | 0:15:04 | |
Kids are gonna be, "You know what's cool? Passing out second time." | 0:15:04 | 0:15:08 | |
They're gonna be faking it. | 0:15:08 | 0:15:10 | |
-I slightly love you. -Oh, good. | 0:15:13 | 0:15:15 | |
AUDIENCE: Ah! | 0:15:17 | 0:15:18 | |
You're a good lad. Just have a coffee. | 0:15:18 | 0:15:22 | |
-Or a tea. -Then I'll need a wee halfway through. | 0:15:22 | 0:15:25 | |
LAUGHTER AND APPLAUSE | 0:15:25 | 0:15:28 | |
You'd end up in a weird situation when you're shooting... | 0:15:31 | 0:15:34 | |
-AUDIENCE GROANS -Classic Sheeran! -Wow! Wow! | 0:15:34 | 0:15:39 | |
If you went for a wee in Caroline's flat, there's a good chance you'd piss on Simon Cowell's face. | 0:15:39 | 0:15:45 | |
-Let's bloody crack on. -Let's do it. You know there are two? | 0:15:46 | 0:15:50 | |
I haven't got to do the last one on my own, have I? | 0:15:50 | 0:15:54 | |
LAUGHTER AND APPLAUSE | 0:15:54 | 0:15:57 | |
# Dow-dow-dow dicka-dicka Dow-dow-dow dicka-dicka | 0:16:02 | 0:16:06 | |
-# Dow-dow-dow dicka-dicka dooo -Mm ch mm ch | 0:16:06 | 0:16:10 | |
-# Dow-dow-dow dicka-dicka -Mm ch mm ch | 0:16:10 | 0:16:14 | |
-# Dow-dow-dow dicka-dicka -Mm ch mm ch. # | 0:16:14 | 0:16:18 | |
-That was genius. -LAUGHTER | 0:16:18 | 0:16:21 | |
APPLAUSE | 0:16:21 | 0:16:23 | |
We didn't know this song. | 0:16:24 | 0:16:27 | |
-I've got to say, that was great. -You know it? -Yeah. | 0:16:27 | 0:16:30 | |
-It's written here. -LAUGHTER | 0:16:30 | 0:16:33 | |
ED: The person that did the song, when I did the Queen's Jubilee, we got invited to the party. | 0:16:33 | 0:16:38 | |
-I brought my parents... -Please don't say you fell asleep. | 0:16:38 | 0:16:41 | |
No, but my mum disappeared and no-one could find her. | 0:16:41 | 0:16:45 | |
And we found my mum two bottles of wine deep with this person. | 0:16:45 | 0:16:49 | |
-On a sofa. -When you say "two bottles of wine deep"? | 0:16:49 | 0:16:53 | |
I've got to say, I need five minutes just to shower my mind. | 0:16:55 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:01 | |
She Tweeted her the next day to say thank you. | 0:17:03 | 0:17:06 | |
LAUGHTER | 0:17:06 | 0:17:08 | |
Did she fall asleep during the second bottle? | 0:17:08 | 0:17:12 | |
She's going to be watching this. It's going to be awkward. | 0:17:12 | 0:17:16 | |
-Caroline, have you got it? -It's Kylie Minogue. -Which song, though? | 0:17:16 | 0:17:20 | |
ED: If you were to tattoo two letters on your arse and bend over, it would spell it out. | 0:17:20 | 0:17:26 | |
LAUGHTER | 0:17:26 | 0:17:28 | |
It's Kylie Minogue, Wow. | 0:17:28 | 0:17:30 | |
COUGHS | 0:17:30 | 0:17:32 | |
-What's happened, Richard? -I'm just thinking of that tattoo image. | 0:17:34 | 0:17:39 | |
Just to bring this to a close, I'm going to say, you're right. | 0:17:39 | 0:17:43 | |
And this is how it should have sounded. | 0:17:43 | 0:17:45 | |
MUSIC: "Wow" by Kylie Minogue | 0:17:45 | 0:17:47 | |
# Read my lips, I'm into you... # | 0:17:57 | 0:17:59 | |
-Next one, please. -ED IMITATES GUITAR | 0:17:59 | 0:18:03 | |
-ED CONTINUES RIFF -# Prr prr | 0:18:06 | 0:18:09 | |
# Prr prr | 0:18:09 | 0:18:11 | |
# Prr prr prr prrr prrang prrang | 0:18:11 | 0:18:14 | |
THEY CONTINUE | 0:18:14 | 0:18:17 | |
# Prrang! # | 0:18:19 | 0:18:20 | |
Yeah. | 0:18:20 | 0:18:21 | |
Is it Mumford & Sons? What's the song? | 0:18:21 | 0:18:24 | |
Is it Little Lion Man? Yes. | 0:18:24 | 0:18:26 | |
CHEERING AND APPLAUSE | 0:18:26 | 0:18:28 | |
I probably need to take a rest now. | 0:18:29 | 0:18:32 | |
For God's sake, Ed. Sit down. Have some fluids. | 0:18:32 | 0:18:36 | |
You were absolutely right. This is how it should have sounded. | 0:18:36 | 0:18:40 | |
MUSIC: Intro to "Little Lion Man" by Mumford & Sons | 0:18:40 | 0:18:44 | |
# Weep for yourself my man... # | 0:18:53 | 0:18:55 | |
We also heard Kylie Minogue with Wow. | 0:18:55 | 0:18:58 | |
The song Wow came off Kylie's album X, but how many studio albums had she released at that point? | 0:18:58 | 0:19:04 | |
Seven. ED: I'm saying like 11 or something. | 0:19:04 | 0:19:07 | |
-You're saying "like" 11? -I'm gonna say nine. | 0:19:07 | 0:19:10 | |
-LAUGHTER -That's quite like 11, isn't it? | 0:19:10 | 0:19:13 | |
-Kinda like 11. -There was a clue in the question. The album's called X. | 0:19:13 | 0:19:17 | |
The answer was ten. Kylie making characteristically good use of Roman numerals. | 0:19:17 | 0:19:22 | |
That means, at the end of that round, Phill's team have one. | 0:19:22 | 0:19:26 | |
And Noel's team have three. | 0:19:26 | 0:19:28 | |
CHEERING AND APPLAUSE | 0:19:28 | 0:19:31 | |
Time now, for round three. | 0:19:34 | 0:19:36 | |
I thought we should look at the other talents that our greatest music stars have. | 0:19:36 | 0:19:41 | |
Tonight's Identity Parade is an artistic one. | 0:19:41 | 0:19:43 | |
Phill's team, one of the last living Beatles doing what he does best, | 0:19:43 | 0:19:47 | |
ripping it up on mandolin, here is Sir Paul McCartney. | 0:19:47 | 0:19:51 | |
# You can do anything you wanna do | 0:19:51 | 0:19:56 | |
# Everybody gonna stamp their feet | 0:19:57 | 0:19:59 | |
# Everybody's gonna feel the beat | 0:19:59 | 0:20:02 | |
# Everybody's gonna dance around tonight... # | 0:20:02 | 0:20:06 | |
That was Paul McCartney with Dance Tonight. | 0:20:07 | 0:20:10 | |
Which one of our line-up of artwork was actually painted by Sir Paul? | 0:20:10 | 0:20:14 | |
Was it number one? This rather stunning landscape | 0:20:14 | 0:20:17 | |
with blue water crashing against the rocks | 0:20:17 | 0:20:20 | |
in an awesome display of nature's power. | 0:20:20 | 0:20:23 | |
Or number two? A more Russian feeling, | 0:20:23 | 0:20:26 | |
kind of multi-coloured, very vibrant. | 0:20:26 | 0:20:28 | |
Relatively dodgy brushwork there, though. | 0:20:28 | 0:20:31 | |
Number three? Almost with a kind of David Hockney feel. | 0:20:31 | 0:20:35 | |
Very simple. And now, something that looks like a lozenge. | 0:20:35 | 0:20:38 | |
Number four? | 0:20:38 | 0:20:41 | |
Not much to say. Bit dull. | 0:20:41 | 0:20:43 | |
Black and white. Poor-man's Cezanne. | 0:20:43 | 0:20:45 | |
Number five? | 0:20:45 | 0:20:47 | |
Moving on to a naive work. | 0:20:47 | 0:20:49 | |
Girl surrounded by fried eggs. | 0:20:49 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:53 | |
SHINGAI: Number one is something I think Uncle Mac could pull off. | 0:20:53 | 0:20:59 | |
Two, market, I'm not feeling that. | 0:20:59 | 0:21:02 | |
Four's what they do in an over-60s art class. | 0:21:02 | 0:21:04 | |
He IS over 60. | 0:21:04 | 0:21:06 | |
I'm tempted by number five. | 0:21:06 | 0:21:09 | |
-LIVERPUDLIAN ACCENT -She's just covered in eyes! | 0:21:09 | 0:21:11 | |
We think it's either one, two, three, four or five. | 0:21:11 | 0:21:14 | |
-I just think one or three. -We think three. -Three. | 0:21:16 | 0:21:20 | |
Well, let's find out which painting is the real McCartney. | 0:21:20 | 0:21:24 | |
SHINGAI: Yes! | 0:21:25 | 0:21:27 | |
Painted in 1990, part of his Sand, Water, Sky collection. | 0:21:32 | 0:21:35 | |
Beach Towels by Paul McCartney. | 0:21:35 | 0:21:39 | |
There it is! Beach Towels. | 0:21:39 | 0:21:41 | |
Noel, Ed and Caroline, how about some pure '70s glam rock stardust? It's David Bowie. | 0:21:44 | 0:21:49 | |
# The Jean Genie lives on his back | 0:21:49 | 0:21:51 | |
# The Jean Genie loves chimney stacks | 0:21:52 | 0:21:55 | |
# He's outrageous He screams and he bawls | 0:21:56 | 0:21:59 | |
# Jean Genie, let yourself go... # | 0:21:59 | 0:22:03 | |
David Bowie with Jean Genie, but which of our artwork line-up is one of David Bowie's own masterpieces? | 0:22:03 | 0:22:09 | |
Is it number one? | 0:22:09 | 0:22:11 | |
Sort of looks like John Lydon being attacked by monkeys | 0:22:11 | 0:22:14 | |
and giving him a semi. | 0:22:14 | 0:22:16 | |
LAUGHTER | 0:22:16 | 0:22:18 | |
Number two? | 0:22:18 | 0:22:20 | |
Which looks a bit like an abstract Um Bungo packet. | 0:22:20 | 0:22:23 | |
Number three? A naked man with a knee up, just relaxing. | 0:22:23 | 0:22:28 | |
Number four? | 0:22:28 | 0:22:30 | |
A hand and a foot. | 0:22:30 | 0:22:32 | |
Locked in, perhaps, a deathless battle for supremacy. | 0:22:32 | 0:22:36 | |
LAUGHTER | 0:22:36 | 0:22:38 | |
Number five? Bit rushed. | 0:22:38 | 0:22:40 | |
Bit rushed here. Lot of colours, but very little focus. | 0:22:41 | 0:22:45 | |
Let's find out which one you think is the real Bowie. | 0:22:45 | 0:22:49 | |
I've seen a David Bowie painting but it doesn't look like any of those. | 0:22:49 | 0:22:53 | |
Number three looks like an exercise in life drawing | 0:22:53 | 0:22:56 | |
that you do in the first year of art college. No way is it that. | 0:22:56 | 0:22:59 | |
One looks like a bad self-portrait of him. | 0:22:59 | 0:23:02 | |
-With that sort of ginger flat-top. -ED: Maybe he was trying to paint me. | 0:23:02 | 0:23:07 | |
Please tell me you didn't fall asleep on Bowie. | 0:23:08 | 0:23:12 | |
-Do you paint, Richard? -Do I paint? Let's talk through the process. | 0:23:12 | 0:23:16 | |
-I don't. No. -LAUGHTER | 0:23:16 | 0:23:19 | |
-What are you saying? -Caroline thinks it's five. Do you? | 0:23:19 | 0:23:22 | |
-I always thought it was five. -I think it's number one. | 0:23:22 | 0:23:25 | |
I'll be a gracious captain and go with my team. Number five. | 0:23:25 | 0:23:29 | |
Let's find out which one is the real David Bowie. | 0:23:29 | 0:23:32 | |
-Ah! -AUDIENCE GROANS | 0:23:34 | 0:23:37 | |
-ED: I'm sorry. -Sold for £4,500 earlier this year. | 0:23:37 | 0:23:42 | |
Ancestor by David Bowie, ladies and gentlemen. | 0:23:42 | 0:23:44 | |
APPLAUSE | 0:23:44 | 0:23:46 | |
-These two dickheads got it wrong! -LAUGHTER | 0:23:48 | 0:23:52 | |
Let's have a pop fact. This is a aquacrunk fact. | 0:23:52 | 0:23:55 | |
Or AN aquacrunk fact. | 0:23:55 | 0:23:58 | |
Aquacrunk is made of slowed down, low-slung beats | 0:23:58 | 0:24:01 | |
with lashings of electronic mutterings and morphing basslines on top. | 0:24:01 | 0:24:05 | |
Performers of crunk music are sometimes referred to as crunksters. | 0:24:05 | 0:24:09 | |
-I preferred the jazz funk. -We can't go back. It's dead now. | 0:24:10 | 0:24:14 | |
So, we end with Next Lines. Noel's team, you are in the lead. | 0:24:15 | 0:24:19 | |
-Let's get down to the bloody quiz. -Right, Ed. This is all about you. | 0:24:19 | 0:24:23 | |
-And Flacky. Come on. -Come on, Flacky. | 0:24:23 | 0:24:25 | |
I want to fall from the stars. | 0:24:25 | 0:24:29 | |
It's a thing I like to do. | 0:24:27 | 0:24:29 | |
# ..straight into your arms. # | 0:24:29 | 0:24:32 | |
Simply Red, Stars. Don't do the whole song, cos time... | 0:24:32 | 0:24:35 | |
Maybe next time, use your eyes and look at me. | 0:24:35 | 0:24:40 | |
Ed, are you in a coma? | 0:24:38 | 0:24:40 | |
Maybe next time, use your eyes and look at me. | 0:24:41 | 0:24:43 | |
I'm a drama queen, if that's your thing, baby. | 0:24:43 | 0:24:45 | |
-Geri Halliwell, Look At Me. -How are we gonna know that? | 0:24:45 | 0:24:48 | |
-That's not music. -LAUGHTER | 0:24:48 | 0:24:50 | |
-It's not poetry. -What IS it? -It's her heart. | 0:24:50 | 0:24:54 | |
People think I'm bound to blow up | 0:24:54 | 0:24:56 | |
I've done around a thousand shows. | 0:24:56 | 0:25:01 | |
I haven't got a house but I live on a couch. | 0:24:58 | 0:25:01 | |
Ed Sheeran - You Need Me, I Don't Need You, I'm Already Asleep. | 0:25:01 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:06 | |
END-OF-ROUND JINGLE | 0:25:06 | 0:25:08 | |
CHEERING AND APPLAUSE | 0:25:08 | 0:25:11 | |
So, Phill's team, you're next. | 0:25:11 | 0:25:15 | |
You just need more points than Noel's total to win. | 0:25:15 | 0:25:18 | |
So, let me show you something super-beautiful. | 0:25:19 | 0:25:22 | |
Oh! SINGS TO HERSELF | 0:25:22 | 0:25:24 | |
-Can you start again? -So let me show you something super-beautiful. | 0:25:24 | 0:25:28 | |
-Let's rock the boat. The magic... -The magic is unstoppable. | 0:25:28 | 0:25:30 | |
-Noisettes, Don't Upset The Rhythm. -Is that your song? -Almost! | 0:25:30 | 0:25:34 | |
-Cos you knew none of the words! -SHINGAI: Almost! | 0:25:34 | 0:25:37 | |
-Your face is so serious. -I know. | 0:25:37 | 0:25:39 | |
-Can we do one with a face...? -A different mouth? Yeah. | 0:25:39 | 0:25:42 | |
So what you're asking me to do is not have my face? | 0:25:42 | 0:25:46 | |
-LAUGHTER -I want your ugly. I want your disease. | 0:25:46 | 0:25:50 | |
-I want your everything as long as it's free. -Lady Gaga, Bar... Bad Romance. | 0:25:50 | 0:25:54 | |
Lady Gaga, Bad Romance. Or Bard Romance, a song about Shakespeare. | 0:25:54 | 0:25:59 | |
END-OF-ROUND JINGLE | 0:25:59 | 0:26:01 | |
CHEERING AND APPLAUSE | 0:26:01 | 0:26:03 | |
So, the final scores are, Phill's team have six. | 0:26:05 | 0:26:09 | |
And Noel's team also have six. | 0:26:09 | 0:26:11 | |
CHEERING AND APPLAUSE | 0:26:11 | 0:26:13 | |
The teams have failed to reach a majority score. It is a tie. | 0:26:15 | 0:26:18 | |
As Caroline knows, in entertaining television, that means one thing. | 0:26:18 | 0:26:21 | |
-We've gone to deadlock. -DRAMATIC JINGLE | 0:26:21 | 0:26:24 | |
The tension here is...unbearable and sexual. | 0:26:30 | 0:26:33 | |
Palpable. | 0:26:33 | 0:26:34 | |
-No, it's not palpable. -Oh, sorry. -You, literally, can't touch it. | 0:26:34 | 0:26:38 | |
-As MC Hammer said in his hit song. -LAUGHTER | 0:26:39 | 0:26:42 | |
-It's now down to this final question to decide who will be tonight's winner. -Oh, my God! | 0:26:43 | 0:26:48 | |
It's fastest finger... with the right answer. | 0:26:48 | 0:26:51 | |
Not just whoever has the fastest finger. You're born with that. | 0:26:51 | 0:26:55 | |
I am medium height, nearly 5ft 10. | 0:26:55 | 0:26:58 | |
Ed Sheeran. | 0:26:59 | 0:27:01 | |
-No. You need to buzz. -BUZZER | 0:27:01 | 0:27:04 | |
-Ed Sheeran. -No. I was nominated for a Grammy for Best New Artist | 0:27:04 | 0:27:08 | |
in 1988 and I was really happy about it. | 0:27:08 | 0:27:11 | |
BELL YOU were nominated for a Grammy? | 0:27:11 | 0:27:15 | |
No. After I retired as a solo star, | 0:27:15 | 0:27:18 | |
I auditioned for a film role in Last Action Hero, which I didn't get. | 0:27:18 | 0:27:23 | |
BELL Is it the guy out of Wham? | 0:27:23 | 0:27:27 | |
It's not the guy out of Wham. | 0:27:25 | 0:27:27 | |
I have a deep singing voice and some people say I... | 0:27:27 | 0:27:31 | |
-BUZZER -Barry White. | 0:27:31 | 0:27:34 | |
I was nominated for a Grammy for Best New Artist in 1988? | 0:27:34 | 0:27:39 | |
-Barry White? -I'm drinking buddies with Matt Goss, Adam Ant | 0:27:39 | 0:27:43 | |
-and Tony Hadley. -BELL | 0:27:43 | 0:27:45 | |
Was it Rick Astley? | 0:27:45 | 0:27:49 | |
That is correct. | 0:27:47 | 0:27:49 | |
CHEERING AND APPLAUSE | 0:27:49 | 0:27:51 | |
Phill's team won there, with a late spurt. | 0:27:58 | 0:28:01 | |
LAUGHTER | 0:28:01 | 0:28:03 | |
-Come on! -A late spurt! | 0:28:03 | 0:28:05 | |
It's just a noun. Get over it. | 0:28:05 | 0:28:08 | |
Thanks to Phill, Shingai Shaniwa and Matthew Crosby, Noel, Ed Sheeran and Caroline Flack. | 0:28:08 | 0:28:13 | |
This has been Never Mind The Buzzcocks. It still is. I've been Richard Ayoade. | 0:28:13 | 0:28:17 | |
As you enjoy the credits, without our team knowing who, we intend to digitally alter one of them. | 0:28:17 | 0:28:23 | |
CHEERING AND APPLAUSE | 0:28:23 | 0:28:25 | |
Subtitles by Red Bee Media Ltd | 0:28:29 | 0:28:32 | |
E-mail [email protected] | 0:28:32 | 0:28:34 |