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This programme contains some strong language | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Welcome your host for this evening - it's Dizzee Rascal! | 0:00:30 | 0:00:36 | |
CHEERING AND APPLAUSE | 0:00:36 | 0:00:38 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:01 | |
Good evening, bitches, and welcome | 0:01:01 | 0:01:03 | |
to Never Mind The Buzzcocks. I'm Dizzee Rascal. | 0:01:03 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:07 | |
On Phill's team tonight... | 0:01:08 | 0:01:10 | |
# I'm on the edge of something... # | 0:01:10 | 0:01:13 | |
..is a musician who this year was nominated for UK Jazz Artist | 0:01:13 | 0:01:17 | |
of the Year at the Jazz FM Awards. | 0:01:17 | 0:01:19 | |
It's quite a small scene. There are four nominations | 0:01:19 | 0:01:21 | |
and they're all him, and he's presenting the award to himself. | 0:01:21 | 0:01:24 | |
It's Jamie Cullum. | 0:01:24 | 0:01:26 | |
CHEERING AND APPLAUSE | 0:01:26 | 0:01:28 | |
And a comedian who recently dressed up as Nicki Minaj for Comic Relief. | 0:01:32 | 0:01:35 | |
The last time anyone performed with a massive comedy arse is | 0:01:35 | 0:01:38 | |
when I duetted with James Corden. | 0:01:38 | 0:01:40 | |
It's Katherine Ryan. | 0:01:40 | 0:01:41 | |
CHEERING AND APPLAUSE | 0:01:41 | 0:01:43 | |
And on Noel's team tonight... | 0:01:44 | 0:01:46 | |
# Don't tell me our youth is running out... # | 0:01:46 | 0:01:50 | |
..is a singer who performs as Foxes. | 0:01:50 | 0:01:51 | |
She's certainly foxy in that she stinks, | 0:01:51 | 0:01:54 | |
makes an annoying sound and we found her going through the bins. | 0:01:54 | 0:01:57 | |
It's Foxes. | 0:01:57 | 0:01:59 | |
CHEERING AND APPLAUSE | 0:01:59 | 0:02:01 | |
# Everybody in love, go on Put your hands up... # | 0:02:01 | 0:02:04 | |
And the singer from JLS, who recently announced | 0:02:04 | 0:02:06 | |
they're splitting up in order to move on to bigger | 0:02:06 | 0:02:08 | |
and better projects - and yet, he's here tonight. | 0:02:08 | 0:02:11 | |
It's Aston Merrygold. | 0:02:11 | 0:02:12 | |
CHEERING AND APPLAUSE | 0:02:12 | 0:02:14 | |
So we begin with a round we're calling... | 0:02:19 | 0:02:21 | |
FROM DIZZEE'S TRACK: 'Bonkers!' | 0:02:21 | 0:02:23 | |
DIZZEE SIGHS | 0:02:23 | 0:02:25 | |
Phill, Jamie and Katherine, take a look at this. | 0:02:25 | 0:02:28 | |
# You say I'm crazy | 0:02:28 | 0:02:30 | |
# I got your crazy... # | 0:02:30 | 0:02:32 | |
That's right, it's head shaving, trailer-park singing | 0:02:32 | 0:02:35 | |
vagina flasher Britney Spears. | 0:02:35 | 0:02:37 | |
# Womanizer, woman-womanizer | 0:02:38 | 0:02:40 | |
# You're a womanizer | 0:02:40 | 0:02:41 | |
# Oh, womanizer, oh | 0:02:41 | 0:02:43 | |
# You're a womanizer, baby. # | 0:02:43 | 0:02:45 | |
That was Britney with Womanizer, | 0:02:45 | 0:02:47 | |
but how has her music been proved useful? | 0:02:47 | 0:02:50 | |
Is it A - to help pandas mate? | 0:02:50 | 0:02:53 | |
B - to transmit encoded MI6 messages? | 0:02:54 | 0:02:57 | |
Or C - to scare off Somali pirates? | 0:02:59 | 0:03:01 | |
What would scare pirates about Britney's music? Are they feminists? | 0:03:03 | 0:03:06 | |
# I was born to make you happy. # | 0:03:06 | 0:03:08 | |
"No, no, we won't have this, no! Leave them alone." | 0:03:08 | 0:03:11 | |
-Is that how Somali pirates talk? -No, that's Britney. | 0:03:11 | 0:03:14 | |
If you played Britney's music to a panda, | 0:03:14 | 0:03:15 | |
its children would be taken immediately into care. | 0:03:15 | 0:03:18 | |
I do think, in the words of the internet, | 0:03:18 | 0:03:20 | |
we need to leave Britney alone, because it's not fair. | 0:03:20 | 0:03:23 | |
She's clearly gone mad. | 0:03:23 | 0:03:24 | |
-I like Britney. I don't really mind that she's a bit mad. -She's amazing. | 0:03:24 | 0:03:28 | |
That's what makes her great, cos she's mad. | 0:03:28 | 0:03:30 | |
I feel like she should just go off to a cottage somewhere | 0:03:30 | 0:03:32 | |
and just retire and have a lovely life. | 0:03:32 | 0:03:34 | |
Who are you - Enid Blyton? | 0:03:34 | 0:03:36 | |
LAUGHTER | 0:03:36 | 0:03:38 | |
-JAMIE: -This panda, he's got really heavy legs. | 0:03:38 | 0:03:40 | |
That's the thing about bamboo - goes straight to your feet. | 0:03:41 | 0:03:45 | |
D'you think the panda gets to see the videos as well, | 0:03:46 | 0:03:48 | |
or it just hears the music? | 0:03:48 | 0:03:50 | |
Do any animals find humans sexy? | 0:03:50 | 0:03:52 | |
My Labrador used to. | 0:03:52 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:56 | |
Yeah, I got pumped by, erm... | 0:03:56 | 0:03:58 | |
LAUGHTER | 0:03:58 | 0:04:01 | |
By... Not a whippet, the big... A greyhound, when I was, like, seven. | 0:04:01 | 0:04:05 | |
I was just running in for my tea | 0:04:05 | 0:04:07 | |
and all of a sudden, the next thing...! | 0:04:07 | 0:04:09 | |
"Get off me!" | 0:04:09 | 0:04:10 | |
I think parents are complicit because parents will lie. | 0:04:10 | 0:04:13 | |
You'll say, "Mummy, the greyhound," and your mum'll go, "He was dancing." | 0:04:13 | 0:04:17 | |
-JAMIE: -I had a tortoise hump my foot before. | 0:04:19 | 0:04:21 | |
I did, it was my first girlfriend's house and she had a tortoise. | 0:04:21 | 0:04:24 | |
And she was showing it to me | 0:04:24 | 0:04:25 | |
and it kind of wandered up to my foot and kind of mounted it. | 0:04:25 | 0:04:28 | |
And just went like that. | 0:04:28 | 0:04:30 | |
That's the closest I ever got to any action at her house. | 0:04:32 | 0:04:35 | |
How big a tortoise was it that you couldn't get away? | 0:04:37 | 0:04:39 | |
It was a big tortoise and it had a big angry shell... | 0:04:40 | 0:04:43 | |
PHILL LAUGHS | 0:04:43 | 0:04:45 | |
Erm, I know that Britney has got a tour in Vegas. | 0:04:46 | 0:04:49 | |
It's not really a tour - she's in one place. | 0:04:49 | 0:04:51 | |
I bet she still gets lost. | 0:04:51 | 0:04:54 | |
-JAMIE: -When Barry Manilow had his hip replaced, | 0:04:54 | 0:04:56 | |
I did his gig instead of him in Vegas. | 0:04:56 | 0:04:59 | |
-How was it? -It was awful. | 0:04:59 | 0:05:01 | |
Cos they were expecting Barry Manilow, instead they got me | 0:05:02 | 0:05:05 | |
in a Barry Manilow T-shirt, which they didn't find funny. | 0:05:05 | 0:05:08 | |
I haven't been back to Vegas since. | 0:05:10 | 0:05:12 | |
You probably want to do Vegas once at least, don't you, | 0:05:12 | 0:05:15 | |
-if you're a big star? -You're asking the wrong guy. Ask Dizzee. | 0:05:15 | 0:05:20 | |
-Dizzee, you done Vegas? -I did do Vegas. -Did you? | 0:05:20 | 0:05:23 | |
I didn't do a show there, I did Vegas. | 0:05:23 | 0:05:25 | |
LAUGHTER AND APPLAUSE | 0:05:26 | 0:05:28 | |
What was the question? | 0:05:31 | 0:05:32 | |
It was, did they play Britney's music to help, erm, sexy pandas? | 0:05:32 | 0:05:36 | |
Did they send coded messages in her music? | 0:05:36 | 0:05:38 | |
Yeah, or was it to scare off Somali pirates? | 0:05:38 | 0:05:41 | |
-Pirates. -Pirates. | 0:05:41 | 0:05:42 | |
Yeah, that's the right answer, man. | 0:05:42 | 0:05:44 | |
CHEERING AND APPLAUSE | 0:05:46 | 0:05:48 | |
Yeah, so the Merchant Navy blast out Britney songs | 0:05:48 | 0:05:50 | |
to deter kidnap attacks by Somali pirates. | 0:05:50 | 0:05:53 | |
Now, this is where I'm supposed to tell some jokes, all right, yeah? | 0:05:53 | 0:05:56 | |
AUDIENCE CHEER | 0:05:56 | 0:05:58 | |
-Jamie, we've worked together in the past, yeah? -Yeah. -I trust you, yeah? | 0:05:58 | 0:06:02 | |
-OK. -So, I've got a keyboard here. | 0:06:02 | 0:06:04 | |
You're going to let me know through the medium of mood music | 0:06:04 | 0:06:07 | |
if I'm doing it right, if I'm funny. So here we go. | 0:06:07 | 0:06:11 | |
Britney's music is used to scare off Somali pirates. | 0:06:11 | 0:06:13 | |
To be fair to Britney, she doesn't like them either. | 0:06:13 | 0:06:16 | |
Why can't they pay to download music like everybody else? | 0:06:16 | 0:06:19 | |
JAMIE PLAYS JAUNTY FANFARE | 0:06:21 | 0:06:23 | |
CHEERING AND APPLAUSE | 0:06:25 | 0:06:27 | |
For the record, I don't write this shit. Just to let you know. | 0:06:30 | 0:06:34 | |
Noel, Foxes and Ashton, check this out. | 0:06:34 | 0:06:36 | |
# Jojo was a man who thought he was a loner | 0:06:36 | 0:06:40 | |
# But he knew it couldn't last... # | 0:06:40 | 0:06:43 | |
That's right - it's that band from Liverpool | 0:06:43 | 0:06:46 | |
that Scousers hate mentioning. It's the Beatles. | 0:06:46 | 0:06:48 | |
# Get back | 0:06:51 | 0:06:53 | |
# Get back | 0:06:53 | 0:06:54 | |
# Get back to where you once belonged | 0:06:54 | 0:06:58 | |
# Get back | 0:06:58 | 0:07:00 | |
# Get back | 0:07:00 | 0:07:02 | |
# Get back to where you once belonged... # | 0:07:02 | 0:07:05 | |
OK, so that was the Beatles with Get Back. | 0:07:05 | 0:07:08 | |
But why has a Beatles fan recently spent 20 grand | 0:07:08 | 0:07:11 | |
on Beatles memorabilia? | 0:07:11 | 0:07:13 | |
Was it A - to contact George Harrison from beyond the grave | 0:07:13 | 0:07:16 | |
via his childhood teddy bear? | 0:07:16 | 0:07:18 | |
B - to clone John Lennon using DNA from a tooth he bought at auction? | 0:07:18 | 0:07:23 | |
Or C - to obtain original recordings of Ringo's voice to create | 0:07:23 | 0:07:27 | |
platform announcements for his model railway? | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:32 | |
Wow. | 0:07:32 | 0:07:33 | |
I didn't know John Lennon had such big teeth. | 0:07:33 | 0:07:36 | |
-Is this your train set, or...? -I love that you've got a train set. | 0:07:38 | 0:07:41 | |
It's not exactly the sturdiest of train sets. | 0:07:41 | 0:07:43 | |
I know that you requested the grass, though. | 0:07:43 | 0:07:46 | |
Well, no, cos earlier on it was just like this one little bit of train, | 0:07:46 | 0:07:49 | |
and I was like, "Well..." | 0:07:49 | 0:07:50 | |
You want a station. | 0:07:50 | 0:07:52 | |
"Do you know who I am? I'll have a station, young man!" | 0:07:53 | 0:07:57 | |
-Do you have a train set, Foxy? -Yeah, I did. | 0:07:57 | 0:08:00 | |
Are you ending that answer there? | 0:08:00 | 0:08:02 | |
"Yeah, I did, move on." | 0:08:02 | 0:08:04 | |
This is a creepy business, innit? | 0:08:06 | 0:08:07 | |
Look at the eyes, though - it looks possessed. | 0:08:07 | 0:08:10 | |
It looks at you at any point as well. | 0:08:10 | 0:08:12 | |
LAUGHTER | 0:08:15 | 0:08:17 | |
You've got to worry about who from props brought that in, | 0:08:17 | 0:08:20 | |
and has a three-year-old at home being like, "Where is Teddy?!" | 0:08:20 | 0:08:25 | |
LAUGHTER | 0:08:26 | 0:08:28 | |
I've forgotten the question. | 0:08:30 | 0:08:31 | |
-Let's go back to the tooth. -The tooth. | 0:08:33 | 0:08:35 | |
-JAMIE: -What would he do with a cloned John Lennon? | 0:08:35 | 0:08:37 | |
Would he force him to make music when he was older? | 0:08:37 | 0:08:40 | |
NOEL: Can you clone someone from just a tooth? | 0:08:40 | 0:08:43 | |
I've never tried it personally - I don't know. | 0:08:43 | 0:08:45 | |
Oh, come on, what are we thinking? What is it? | 0:08:45 | 0:08:48 | |
I think rich people are cloning things now. | 0:08:48 | 0:08:51 | |
Like, Simon Cowell wishes to be cryogenically frozen in case | 0:08:51 | 0:08:54 | |
they come up with a cure for being a dickhead. | 0:08:54 | 0:08:56 | |
I mean, Aston, you could have taken a tooth from all the JLS members | 0:08:58 | 0:09:01 | |
-and re-cloned your band. -They're still going to be here, though. | 0:09:01 | 0:09:04 | |
I know, but what's the answer, though, seriously?! | 0:09:04 | 0:09:07 | |
LAUGHTER | 0:09:07 | 0:09:09 | |
-What d'you think, Fox-Face? -Erm, teeth. | 0:09:09 | 0:09:12 | |
-I'd say teeth as well. -Yeah? -Yeah. | 0:09:12 | 0:09:14 | |
-You're right. It's true. -Are we right? -Yeah. | 0:09:14 | 0:09:18 | |
CHEERING AND APPLAUSE | 0:09:18 | 0:09:20 | |
So at the end of that round, Noel's team have 1 | 0:09:23 | 0:09:25 | |
and Phill's team have 1. | 0:09:25 | 0:09:27 | |
CHEERING AND APPLAUSE | 0:09:27 | 0:09:29 | |
Aston, JLS have sadly split up. | 0:09:33 | 0:09:36 | |
You look sad about that, bro(!) Smiling at me! | 0:09:36 | 0:09:38 | |
I mean, how much did we get to really know you all? | 0:09:40 | 0:09:43 | |
Well, let's find out as we play JLS Or JL-No? | 0:09:44 | 0:09:47 | |
DRAMATIC MUSIC PLAYS | 0:09:47 | 0:09:50 | |
I'm going to read out some facts about JLS. | 0:09:52 | 0:09:54 | |
All the teams have to do is say whether the fact is true, JLS, | 0:09:54 | 0:09:58 | |
or false, JL-no. | 0:09:58 | 0:10:00 | |
Hold on, I should technically know the right answers... | 0:10:00 | 0:10:03 | |
You need to fall back, player. | 0:10:03 | 0:10:04 | |
LAUGHTER | 0:10:04 | 0:10:07 | |
The band was originally called UFO, | 0:10:11 | 0:10:13 | |
which stood for Unique Famous Outrageous. | 0:10:13 | 0:10:16 | |
JLS or JL-no? | 0:10:16 | 0:10:18 | |
JL-no. | 0:10:18 | 0:10:19 | |
-JL-yes. -JL-yes! | 0:10:19 | 0:10:21 | |
Wait a minute, you called your band UFO? | 0:10:21 | 0:10:24 | |
Hey, listen, I didn't call my band UFO. | 0:10:24 | 0:10:27 | |
Who did call your band UFO, sir? | 0:10:27 | 0:10:31 | |
I bet it was Oritse. | 0:10:31 | 0:10:32 | |
Oritse, to be fair, did come up with that name first. | 0:10:32 | 0:10:34 | |
He come up with that name. Big up Oritse. | 0:10:34 | 0:10:37 | |
I don't hate it. Is it too late? | 0:10:37 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:40 | |
Was it called UFO cos in the beginning | 0:10:40 | 0:10:42 | |
only really crazy people believed in you? | 0:10:42 | 0:10:45 | |
LAUGHTER | 0:10:45 | 0:10:48 | |
APPLAUSE | 0:10:48 | 0:10:50 | |
I love you, but in the beginning... | 0:10:51 | 0:10:54 | |
Anyway, so, since leaving the band, | 0:10:54 | 0:10:56 | |
JB has embarked on a new career as a deer farmer. | 0:10:56 | 0:10:59 | |
-Yes! JL-yes! -JL-no! | 0:10:59 | 0:11:01 | |
-So the answer, yeah, is yes. -Yeah. | 0:11:01 | 0:11:04 | |
Has he got a deer farm or is he just collecting roadkill | 0:11:04 | 0:11:06 | |
and putting it in a box? | 0:11:06 | 0:11:08 | |
Charging people a pound to look at it. | 0:11:09 | 0:11:11 | |
What does one do on a deer farm? | 0:11:11 | 0:11:14 | |
Listen, I don't know! I'm, I... | 0:11:14 | 0:11:16 | |
I don't know! He... He's doing that. | 0:11:16 | 0:11:19 | |
-Supposed to back the cause. -I'm trying to back the cause | 0:11:19 | 0:11:23 | |
but I haven't got a clue about it, or else I would. | 0:11:23 | 0:11:25 | |
Are they for eating? | 0:11:25 | 0:11:27 | |
You know it's illegal, don't you, to eat deers? | 0:11:27 | 0:11:29 | |
Oh, no, that's swans. Let him off. | 0:11:29 | 0:11:31 | |
LAUGHTER | 0:11:31 | 0:11:33 | |
OK, Aston is contractually... | 0:11:33 | 0:11:36 | |
I'm going to have to say that one slowly. | 0:11:36 | 0:11:39 | |
I'm contractually what? | 0:11:39 | 0:11:41 | |
Contractually obliged... | 0:11:41 | 0:11:43 | |
Let me do that shit again. | 0:11:43 | 0:11:44 | |
Aston is congratu...! | 0:11:46 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:50 | |
Aston is congra... Con... | 0:11:50 | 0:11:53 | |
Aston has been told he has to fucking back flip every time... | 0:11:54 | 0:11:57 | |
LAUGHTER AND APPLAUSE | 0:11:57 | 0:11:59 | |
Aston has to back flip on every single show he appears on. | 0:12:03 | 0:12:07 | |
-JLS or JL-no? -JLS. | 0:12:07 | 0:12:09 | |
KATHERINE: I'd say he does it for the love of back flipping, | 0:12:09 | 0:12:12 | |
but is not contractually obliged. | 0:12:12 | 0:12:14 | |
How come she can say it so easily? | 0:12:14 | 0:12:15 | |
Can we get a back flip? | 0:12:17 | 0:12:19 | |
CHEERING AND APPLAUSE | 0:12:19 | 0:12:21 | |
Hold up, hold up. Can we get some music to get up the vibe? | 0:12:22 | 0:12:26 | |
JAMIE PLAYS COCKTAIL JAZZ | 0:12:27 | 0:12:30 | |
Am I supposed to do it to this?! | 0:12:30 | 0:12:32 | |
CHEERING AND CLAPPING | 0:12:36 | 0:12:38 | |
CHEERING AND APPLAUSE | 0:12:46 | 0:12:48 | |
JAMIE PLAYS FANFARE | 0:12:48 | 0:12:51 | |
CHEERING AND APPLAUSE | 0:12:53 | 0:12:56 | |
-You still want to do the cartwheel? -I've gone off the idea. | 0:12:56 | 0:12:59 | |
What about a handstand and I catch your legs like a weird PE teacher? | 0:12:59 | 0:13:02 | |
The other way round, cos I think you're stronger. | 0:13:04 | 0:13:06 | |
-What, I do a handstand and you catch my legs? -Yeah. | 0:13:06 | 0:13:08 | |
CHEERING AND APPLAUSE | 0:13:08 | 0:13:10 | |
No, no, no! | 0:13:10 | 0:13:12 | |
Help! | 0:13:13 | 0:13:14 | |
That's not going to work. | 0:13:15 | 0:13:17 | |
It's not happening. | 0:13:20 | 0:13:22 | |
I can't do a handstand. This is getting nerve-wracking. | 0:13:22 | 0:13:25 | |
All right! | 0:13:25 | 0:13:27 | |
AUDIENCE CLAPS IN TIME | 0:13:27 | 0:13:29 | |
LAUGHTER AND APPLAUSE | 0:13:35 | 0:13:38 | |
CHEERING | 0:13:42 | 0:13:44 | |
That didn't work! | 0:13:46 | 0:13:47 | |
I've broken both my knees. | 0:13:56 | 0:13:59 | |
JAMIE: You could take that to Vegas. | 0:13:59 | 0:14:01 | |
I've gone blind in one eye. | 0:14:02 | 0:14:04 | |
My cock's loose in my pants. | 0:14:06 | 0:14:08 | |
I've no idea what went on there. | 0:14:08 | 0:14:11 | |
I've got internal bleeding, Dizzee, help me. | 0:14:11 | 0:14:13 | |
You landed on me!! | 0:14:15 | 0:14:16 | |
Well, the answer was yes, anyway. | 0:14:18 | 0:14:20 | |
LAUGHTER AND APPLAUSE | 0:14:20 | 0:14:22 | |
Thank you for playing JLS Or JL-No? | 0:14:27 | 0:14:29 | |
Time now for the Intros round. Hand over card. | 0:14:33 | 0:14:36 | |
THAT is the kind of hosting I like! | 0:14:37 | 0:14:39 | |
# Du-duh, dshh! Du-duh, dshh! Du-duh, dshh! Du-duh, dshh! | 0:14:44 | 0:14:49 | |
BOTH: # Bo-ba-do-ba-bo-ba-do-bah | 0:14:49 | 0:14:52 | |
# Bo-bom, bo-bom | 0:14:52 | 0:14:54 | |
KATHERINE: # Doo-ba-doo-ba-doo-ba... | 0:14:54 | 0:14:56 | |
# Buh-bum, buh-bum, buh-bum | 0:14:56 | 0:14:58 | |
BOTH: # Yah-ba-dah-ba dah-ba-dah-ba! # | 0:14:58 | 0:15:01 | |
This is actually really good. | 0:15:01 | 0:15:03 | |
BOTH: # Yah-ba-dah-ba dah-ba-dah-ba! # | 0:15:03 | 0:15:05 | |
-NOEL: -It's sent you into a trance. -I know it. | 0:15:08 | 0:15:10 | |
APPLAUSE AND CHEERING | 0:15:10 | 0:15:12 | |
-When was the last time you played Grand Theft Auto? -Oh, never! | 0:15:17 | 0:15:21 | |
I'm going to pass it over, anyway, so... | 0:15:23 | 0:15:25 | |
-Is it The Message? -It is The Message. | 0:15:25 | 0:15:27 | |
Yeah, you're right, and this is how it should have sounded. | 0:15:31 | 0:15:34 | |
MUSIC: "The Message" by Grandmaster Flash | 0:15:34 | 0:15:37 | |
# Check yourself before you wreck yourself. # | 0:15:37 | 0:15:39 | |
I always think of the Ice Cube version when I hear that. | 0:15:39 | 0:15:42 | |
All right, so, next one, please. | 0:15:44 | 0:15:46 | |
All right, that one. | 0:15:46 | 0:15:47 | |
# Baow, waow! Baow, waow! Baow, waow! Baow, waow! | 0:15:47 | 0:15:54 | |
-# Oo-oo-ooh! -Baow, waow! Baow, waow! | 0:15:54 | 0:15:57 | |
# Baow, waow! Baow, waow! Baow, waow! | 0:15:57 | 0:16:00 | |
-# Oo-oo-ooh! -# Baow, waow! Baow, wa-a-a-ah! | 0:16:00 | 0:16:05 | |
# Baow, wa-a-a-ah! # | 0:16:05 | 0:16:09 | |
APPLAUSE AND CHEERING | 0:16:11 | 0:16:14 | |
I just today don't know the names of any songs. Good job, though. | 0:16:17 | 0:16:21 | |
See, if you had Britney, I would know. | 0:16:23 | 0:16:25 | |
JLS, I would smash it, I would. | 0:16:25 | 0:16:29 | |
# Everybody in love... # | 0:16:29 | 0:16:30 | |
-Yes! -I'm going to have to pass it over now. | 0:16:30 | 0:16:33 | |
Ah, annoyingly, I think I know who it is again, | 0:16:33 | 0:16:35 | |
but I can't remember the name of the song. | 0:16:35 | 0:16:37 | |
Is it Noel Gallagher and the Chemical Brothers? | 0:16:37 | 0:16:40 | |
One that's ripping off Tomorrow Never Knows. | 0:16:40 | 0:16:43 | |
"Booooooo! Waow!" | 0:16:43 | 0:16:45 | |
Oh, I don't know. | 0:16:45 | 0:16:48 | |
You're almost right. | 0:16:48 | 0:16:49 | |
It's the Chemical Brothers, Setting Sun. | 0:16:49 | 0:16:52 | |
-(Oh, Setting Sun.) -This is how it should sound. | 0:16:52 | 0:16:56 | |
MUSIC: "Setting Sun" by the Chemical Brothers | 0:16:56 | 0:16:59 | |
# You're the devil in me... # | 0:17:09 | 0:17:11 | |
The single Setting Sun was said to be a tribute to the Beatles song Tomorrow Never Knows. | 0:17:11 | 0:17:16 | |
In fact, it sounded so much like the Beatles Oasis sued them. | 0:17:16 | 0:17:19 | |
HE PLAYS DRAMATIC MUSIC | 0:17:22 | 0:17:25 | |
APPLAUSE | 0:17:25 | 0:17:27 | |
-Any requests? -Suit And Tie cover. | 0:17:30 | 0:17:32 | |
-Suit And Tie? Justin Timberlake? -Yeah, his cover's nice. | 0:17:32 | 0:17:35 | |
WHOOPING | 0:17:35 | 0:17:37 | |
# All dressed up in black and white | 0:17:40 | 0:17:43 | |
# And you're dressed in that dress I like | 0:17:43 | 0:17:45 | |
# Love is singing in the air tonight | 0:17:45 | 0:17:47 | |
# Gonna show you a few things | 0:17:47 | 0:17:50 | |
# As long as I got my suit and tie | 0:17:50 | 0:17:52 | |
# And you're dressed in that dress I like | 0:17:52 | 0:17:55 | |
# Love is singing in the air tonight | 0:17:55 | 0:17:57 | |
# Gonna show you a few things. # | 0:17:57 | 0:17:59 | |
APPLAUSE AND CHEERING | 0:18:03 | 0:18:05 | |
HE PLAYS FANFARE | 0:18:05 | 0:18:08 | |
That's my back flip. | 0:18:12 | 0:18:13 | |
I would prefer to do the back flip. | 0:18:14 | 0:18:16 | |
-Really? -You get more girls if you do the back flip. | 0:18:16 | 0:18:19 | |
Yeah, you've done all right, Cullum! | 0:18:19 | 0:18:20 | |
You guys could get girls with your back flip, | 0:18:22 | 0:18:24 | |
like nurses and paramedics... | 0:18:24 | 0:18:26 | |
LAUGHTER AND APPLAUSE | 0:18:26 | 0:18:28 | |
Noel and Foxes, here are yours for Aston. Here you go. | 0:18:33 | 0:18:37 | |
-Come on, then. -Oh, my God. -You've got to do the first bit, yeah? | 0:18:37 | 0:18:41 | |
D'you remember? | 0:18:41 | 0:18:42 | |
# Dum-dum-dum, de-dum-de-dum-dum | 0:18:42 | 0:18:45 | |
# Dum-dum-dum, de-dum-de-dum-dum | 0:18:45 | 0:18:47 | |
# Baow, baow, baow, ba-baow, baow, baow | 0:18:47 | 0:18:50 | |
# Ba-daow, baow, baow, ba-baow ba-baow, baow | 0:18:50 | 0:18:54 | |
BOTH: # A-a-a-a-a-ah | 0:18:54 | 0:18:58 | |
# Aah-ee-yah-ee-yah ee-yah-ee-yah-ee-yah. # | 0:18:58 | 0:19:02 | |
NOEL SIGHS | 0:19:02 | 0:19:04 | |
LAUGHTER | 0:19:04 | 0:19:05 | |
Oh, I'm... I really don't know, like, I'm sorry. I don't know. | 0:19:07 | 0:19:10 | |
-I'm going to have to pass it over. -Please pass it over. -Kasabian, Fire? | 0:19:10 | 0:19:14 | |
-Did you see that on my card? -No, I didn't! | 0:19:14 | 0:19:16 | |
Ah, but you're wrong anyway, so it's cool. | 0:19:19 | 0:19:21 | |
It's Kasabian, Days Are Forgotten, | 0:19:22 | 0:19:24 | |
and this is how it's supposed to sound. | 0:19:24 | 0:19:26 | |
MUSIC: "Days Are Forgotten" by Kasabian | 0:19:26 | 0:19:29 | |
NOEL: We forgot that bit. | 0:19:29 | 0:19:31 | |
That's a beat, though. | 0:19:31 | 0:19:33 | |
My bad. | 0:19:43 | 0:19:44 | |
-I like that beat, though. -Nice. -OK, onto the next one please. | 0:19:44 | 0:19:48 | |
Erm... | 0:19:48 | 0:19:50 | |
# Oom-ch, oom-ch, oom-ch, oom-ch Oom-ch, oom-ch, oom-ch, oom-ch | 0:19:50 | 0:19:53 | |
# Oom-ch, oom-ch, oom-ch, oom-ch Oom-ch, oom-ch, oom-ch, oom-ch. # | 0:19:53 | 0:19:56 | |
NOEL WHOOSHES | 0:19:56 | 0:20:00 | |
# Urr, urr, urr, urr | 0:20:00 | 0:20:02 | |
# Urr, urr, urr, urr | 0:20:02 | 0:20:04 | |
# Aaow, aaow, aaow, aaow | 0:20:04 | 0:20:06 | |
# Aaow, aaow, aaow, aaow. # | 0:20:06 | 0:20:08 | |
Clearly I'm very bad at this game. | 0:20:08 | 0:20:10 | |
No, I'm going to have to pass it over. | 0:20:10 | 0:20:11 | |
-Dizz, it's Bonkers. -No, it is. It actually is Bonkers. | 0:20:11 | 0:20:15 | |
We should have got you to help. | 0:20:15 | 0:20:16 | |
-You want me to do it? -Yeah. -All right then, cool. | 0:20:16 | 0:20:19 | |
Give me a beat. Give me a beat. | 0:20:19 | 0:20:21 | |
THEY BEATBOX | 0:20:21 | 0:20:24 | |
Bonkers. | 0:20:24 | 0:20:25 | |
# I wake up, every day is a daydream | 0:20:28 | 0:20:30 | |
# Everything in my life ain't what it seems | 0:20:30 | 0:20:32 | |
# I wake up just go back to sleep | 0:20:32 | 0:20:34 | |
# I act real shallow but I'm in too deep | 0:20:34 | 0:20:36 | |
# All I care about is sex and violence | 0:20:36 | 0:20:37 | |
# A heavy baseline is my kind of silence | 0:20:37 | 0:20:39 | |
# Everybody says that I've got to get a grip | 0:20:39 | 0:20:41 | |
# But I let sanity give me the slip... # | 0:20:41 | 0:20:43 | |
Wait, wait, wait. | 0:20:43 | 0:20:44 | |
'Bonkers.' | 0:20:44 | 0:20:45 | |
LAUGHTER AND APPLAUSE | 0:20:45 | 0:20:47 | |
Thank you. | 0:20:50 | 0:20:51 | |
In 2009 I gave an interview | 0:20:51 | 0:20:53 | |
criticising the expense and inconvenience | 0:20:53 | 0:20:55 | |
of the London 2012 Olympics, | 0:20:55 | 0:20:57 | |
an opinion I held right up until the moment | 0:20:57 | 0:20:59 | |
they asked me to perform at the opening ceremony. | 0:20:59 | 0:21:02 | |
LAUGHTER AND APPLAUSE | 0:21:02 | 0:21:05 | |
Round three is the Identity Parade. | 0:21:09 | 0:21:11 | |
Phill's team, you are up first. | 0:21:11 | 0:21:12 | |
For the audience only, here are Soul II Soul with Back To Life. | 0:21:12 | 0:21:16 | |
# Back to life | 0:21:16 | 0:21:18 | |
# Back to reality | 0:21:18 | 0:21:20 | |
# Back to life | 0:21:20 | 0:21:23 | |
# Back to reality | 0:21:23 | 0:21:25 | |
# Back to the here and now, yeah | 0:21:25 | 0:21:29 | |
# However do you want me? | 0:21:29 | 0:21:32 | |
# However do you need me? How? | 0:21:32 | 0:21:33 | |
# However do you want me? | 0:21:33 | 0:21:36 | |
# However do you need me... # | 0:21:36 | 0:21:38 | |
That was Soul II Soul with Back To Life, | 0:21:38 | 0:21:41 | |
but which one of our line-up is Soul II Soul legend Caron Wheeler? | 0:21:41 | 0:21:44 | |
Is it number one, back to life? | 0:21:44 | 0:21:46 | |
Number two, back to front? | 0:21:47 | 0:21:49 | |
Number three, back to the future? | 0:21:51 | 0:21:53 | |
Number four, back from the dead? | 0:21:54 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:58 | |
Or number five, back passage? | 0:22:04 | 0:22:07 | |
LAUGHTER | 0:22:07 | 0:22:08 | |
Right, so me and Cullum got it as soon as she came through the door. | 0:22:11 | 0:22:14 | |
Oh, no. I have to say I have not seen so many fabulous ladies | 0:22:14 | 0:22:19 | |
since Destiny's Child was still together. | 0:22:19 | 0:22:21 | |
I say number two. | 0:22:21 | 0:22:23 | |
You're discounting number five, are you? | 0:22:23 | 0:22:27 | |
I don't know about the name "back passage". It puts me off, always. | 0:22:27 | 0:22:30 | |
Perhaps if this was a special occasion, I might consider it. | 0:22:32 | 0:22:36 | |
-LAUGHTER AND APPLAUSE -Perhaps. | 0:22:36 | 0:22:38 | |
I say number two. | 0:22:40 | 0:22:41 | |
OK, you'd be wrong. | 0:22:41 | 0:22:43 | |
Have another go. | 0:22:43 | 0:22:45 | |
-Let's say number one. -We're saying number one. -So let's find out. | 0:22:45 | 0:22:49 | |
Would the real Caron Wheeler please step forward? | 0:22:49 | 0:22:52 | |
CHEERING | 0:22:52 | 0:22:54 | |
Now on tour with Soul II Soul, the legendary Caron Wheeler, ladies and gentlemen. | 0:23:00 | 0:23:05 | |
CHEERING | 0:23:05 | 0:23:06 | |
Now, Noel, Foxes and Aston, | 0:23:10 | 0:23:12 | |
how about some classic ripped off your tits mid-'90s dance? | 0:23:12 | 0:23:15 | |
LAUGHTER | 0:23:15 | 0:23:17 | |
For the audience only, here is DJ Quicksilver with Bellissima. | 0:23:17 | 0:23:20 | |
That was DJ Quicksilver with Bellissima, | 0:23:35 | 0:23:37 | |
but which one of our line-up is DJ Quicksilver? | 0:23:37 | 0:23:39 | |
Is it number one, DJ Quicksilver? | 0:23:39 | 0:23:41 | |
Number two, DJ Quick Off The Mark? | 0:23:43 | 0:23:45 | |
Number three, DJ Quick One Off The Wrist? | 0:23:46 | 0:23:49 | |
Number four, DJ Cricket Bat? | 0:23:52 | 0:23:54 | |
Or number five, DJ Quick, No-one's Looking? | 0:23:57 | 0:24:00 | |
I like number five. | 0:24:04 | 0:24:06 | |
LAUGHTER | 0:24:06 | 0:24:08 | |
Number five looks like you could actually go out | 0:24:12 | 0:24:14 | |
and have a proper good time, he could proper go out on the town. | 0:24:14 | 0:24:16 | |
Where?! Victorian London?! | 0:24:16 | 0:24:19 | |
-It looks like he's seen the world. -Oh, he's SEEN things. | 0:24:21 | 0:24:24 | |
He's seen things. | 0:24:24 | 0:24:26 | |
This round isn't just, "Whose van would you get inside?" | 0:24:26 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:31 | |
I'd quite like to see number five put them on, the headphones. | 0:24:32 | 0:24:35 | |
Can all of you put the headphones on, please? | 0:24:35 | 0:24:38 | |
I think number three puts it on most like the pro. | 0:24:38 | 0:24:41 | |
Number four looks like he should be on a runway guiding in a Spitfire. | 0:24:41 | 0:24:46 | |
LAUGHTER | 0:24:46 | 0:24:48 | |
Number three has got the face of a man who's seen | 0:24:51 | 0:24:54 | |
the sun coming up a million times. | 0:24:54 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:24:58 | |
-He looks like Ibiza. -I would say three, but I'll leave it up to you. | 0:24:59 | 0:25:03 | |
One or three? | 0:25:03 | 0:25:04 | |
-OK, we'll go with three. -Three? | 0:25:04 | 0:25:06 | |
Well, let's find out. Would the real DJ Quicksilver please step forward? | 0:25:06 | 0:25:10 | |
CHEERING | 0:25:11 | 0:25:12 | |
Still DJing and also president of a German soccer team, | 0:25:17 | 0:25:20 | |
DJ Quicksilver, ladies and gentlemen. | 0:25:20 | 0:25:22 | |
CHEERING | 0:25:22 | 0:25:24 | |
At the end of that round, Noel's team have three | 0:25:28 | 0:25:30 | |
and Phill's team have three. | 0:25:30 | 0:25:32 | |
CHEERING | 0:25:32 | 0:25:34 | |
So, we end with Next Lines. Noel's team, you're up first. | 0:25:37 | 0:25:40 | |
Your time starts now. | 0:25:40 | 0:25:41 | |
Whatever I did, I didn't mean it. | 0:25:41 | 0:25:43 | |
# Whatever I said, whatever I did | 0:25:43 | 0:25:45 | |
# I didn't mean it... # | 0:25:45 | 0:25:46 | |
-I just want you back for good. -Yeah. | 0:25:46 | 0:25:48 | |
-That's right. -I cannot believe we got that. | 0:25:48 | 0:25:50 | |
Back to life. | 0:25:50 | 0:25:51 | |
Back to reality. | 0:25:51 | 0:25:52 | |
-Yeah. Back To Life by Soul II Soul. -He's feeding me the answers. | 0:25:52 | 0:25:56 | |
Is that cheating? | 0:25:56 | 0:25:57 | |
Just get back together. | 0:25:57 | 0:25:59 | |
We should have never broke up. | 0:25:59 | 0:26:00 | |
Yeah. Beat Again by JLS. | 0:26:00 | 0:26:02 | |
Make it easy on yourself. | 0:26:02 | 0:26:04 | |
Is it you? | 0:26:04 | 0:26:05 | |
It's definitely not me. | 0:26:05 | 0:26:07 | |
It better not be me. | 0:26:07 | 0:26:09 | |
-Make it easy on yourself. -Make it easy on yourself. | 0:26:09 | 0:26:11 | |
Invest in moose, not deer. | 0:26:11 | 0:26:13 | |
Cos breaking up is so very hard to do. | 0:26:13 | 0:26:15 | |
-Who is that? -Oh! | 0:26:15 | 0:26:17 | |
That's Make It Easy On Yourself by The Walker Brothers. | 0:26:17 | 0:26:20 | |
END OF ROUND JINGLE | 0:26:20 | 0:26:22 | |
CHEERING AND APPLAUSE | 0:26:22 | 0:26:24 | |
Phill's team, you need four points to win. Your time starts now. | 0:26:25 | 0:26:28 | |
-Go on, Dizzee! -Shut it. | 0:26:28 | 0:26:31 | |
LAUGHTER | 0:26:31 | 0:26:33 | |
You're simply the best. | 0:26:33 | 0:26:34 | |
# You're better than all the rest. # | 0:26:34 | 0:26:36 | |
Bow, bow, bow! | 0:26:36 | 0:26:38 | |
Simply The Best by Tina Turner. | 0:26:38 | 0:26:40 | |
Even though now you don't want to know me. | 0:26:40 | 0:26:42 | |
I get on by and I go the extra mile. Is that right? | 0:26:42 | 0:26:45 | |
-Oh, it's your song. -Yeah, it is. | 0:26:45 | 0:26:48 | |
These Are The Days by Jamie Cullum. Can we hear that one? | 0:26:48 | 0:26:50 | |
Oh! Er... | 0:26:50 | 0:26:53 | |
# Even though now you don't want to know me | 0:26:53 | 0:26:56 | |
# Da, da, do, da, do | 0:26:56 | 0:26:58 | |
# I remember you and I start to smile... # | 0:26:58 | 0:27:00 | |
Yeah, there we go. | 0:27:02 | 0:27:04 | |
CHEERING | 0:27:04 | 0:27:05 | |
To the left, to the left. | 0:27:06 | 0:27:08 | |
# Everything you own in a box to the left | 0:27:08 | 0:27:10 | |
# In the closet, that's my stuff | 0:27:10 | 0:27:12 | |
# If I bought it then please don't touch | 0:27:12 | 0:27:14 | |
# Keep talking that mess, that's fine | 0:27:14 | 0:27:17 | |
# But could you walk and talk at the same time? # | 0:27:17 | 0:27:19 | |
CHEERING | 0:27:19 | 0:27:21 | |
That's right, Irreplaceable by Beyonce. | 0:27:23 | 0:27:25 | |
We all know that song, don't we, girls? | 0:27:25 | 0:27:27 | |
AUDIENCE: Yeah! | 0:27:27 | 0:27:29 | |
I used to think it was, | 0:27:29 | 0:27:30 | |
"Everything you own in MY box to the left," like it was sexual coaching. | 0:27:30 | 0:27:33 | |
LAUGHTER | 0:27:33 | 0:27:35 | |
-That could work. -Are you telling me that she uses it as a storage space? | 0:27:35 | 0:27:38 | |
LAUGHTER | 0:27:38 | 0:27:39 | |
We all do. | 0:27:39 | 0:27:41 | |
LAUGHTER | 0:27:41 | 0:27:42 | |
Do you know Beyonce? You do, don't you, Mr Dizzee Rascal? | 0:27:42 | 0:27:44 | |
-Oh, I'd love to. -Oh, she's so amazing. | 0:27:44 | 0:27:46 | |
Yeah, she is. She's the best. | 0:27:46 | 0:27:48 | |
# Better than all the rest. # | 0:27:48 | 0:27:50 | |
LAUGHTER | 0:27:50 | 0:27:52 | |
APPLAUSE | 0:27:52 | 0:27:54 | |
END OF ROUND JINGLE | 0:27:54 | 0:27:55 | |
CHEERING | 0:27:57 | 0:27:58 | |
So the final scores are - Noel's team have five, | 0:28:02 | 0:28:04 | |
but Phill's team are tonight's winners with six. | 0:28:04 | 0:28:07 | |
CHEERING | 0:28:07 | 0:28:09 | |
-How?! -So that's it. Thanks to Phill, Jamie Cullum and Katherine Ryan. | 0:28:15 | 0:28:19 | |
CHEERING AND APPLAUSE | 0:28:19 | 0:28:20 | |
Noel, Foxes and Aston Merrygold. | 0:28:21 | 0:28:23 | |
This has been Never Mind The Buzzcocks. | 0:28:25 | 0:28:27 | |
I've been Dizzee Rascal. | 0:28:27 | 0:28:28 | |
As you enjoy the credits, Jamie Cullum's going to provide the music. | 0:28:28 | 0:28:31 | |
Good night. | 0:28:31 | 0:28:32 | |
JAMIE PLAYS THEME MUSIC | 0:28:33 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:58 | |
Argh! | 0:29:05 | 0:29:06 | |
CHEERING | 0:29:06 | 0:29:07 |