Browse content similar to Episode 12. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
Earlier this year, a story appeared on the worldwide Internet, a claim | 0:00:05 | 0:00:08 | |
by this unnamed man, that he had attended a recording of the popular | 0:00:08 | 0:00:11 | |
music quiz, Never Mind The Buzzcocks. An episode that the BBC | 0:00:11 | 0:00:13 | |
and the programme makers would later deny had ever taken place. | 0:00:13 | 0:00:17 | |
Within hours, the story was removed from the Internet, | 0:00:17 | 0:00:20 | |
and all trace of the unnamed man disappeared. | 0:00:20 | 0:00:23 | |
And the story may have ended there, | 0:00:23 | 0:00:25 | |
had it not been for this piece of muffled audio. | 0:00:25 | 0:00:29 | |
'Ladies and gentlemen, | 0:00:29 | 0:00:31 | |
'welcome to episode 14 of series 27 of Never Mind The Buzzcocks. | 0:00:31 | 0:00:35 | |
'Please welcome your host for this, The Legends Of Music Special, it's... | 0:00:35 | 0:00:41 | |
AUDIO DISTORTS AND REWINDS | 0:00:41 | 0:00:45 | |
At this point, the audio becomes inaudible. | 0:00:45 | 0:00:49 | |
You can clearly hear them say, series 27, Buzzcocks, | 0:00:49 | 0:00:52 | |
episode 14, Legends Of Music Special, | 0:00:52 | 0:00:55 | |
but then, according to the BBC, it never happened. | 0:00:55 | 0:00:58 | |
There WAS no episode 14, Legends of music special. But did YOU see it? | 0:00:58 | 0:01:04 | |
When news of the recording came to light, | 0:01:04 | 0:01:06 | |
a flurry of celebrities quickly came forward to deny | 0:01:06 | 0:01:09 | |
they were the host of the missing 14th episode. | 0:01:09 | 0:01:13 | |
But does the missing episode in fact exist? | 0:01:13 | 0:01:16 | |
And if so, why are there no traces of it? | 0:01:16 | 0:01:18 | |
Why does nobody recall actually making it? | 0:01:18 | 0:01:21 | |
And how high does this wall of secrecy go? | 0:01:21 | 0:01:24 | |
Fielding, Jupitus? In the next half-hour, | 0:01:24 | 0:01:27 | |
we'll take you through a journalistic | 0:01:27 | 0:01:29 | |
journey of documentary discovery, looking through the evidence of | 0:01:29 | 0:01:33 | |
series 27, Never Mind The Buzzcocks, in the hunt for the missing episode. | 0:01:33 | 0:01:38 | |
This series of Buzzcocks began much like any other. A mildly amusing | 0:01:52 | 0:01:56 | |
mix of celebrity, music and attempted humour. | 0:01:56 | 0:01:59 | |
CHEERING AND APPLAUSE | 0:02:00 | 0:02:02 | |
Hello and welcome to Never Mind The Buzzcocks. I' Michael Bolton. | 0:02:02 | 0:02:07 | |
CHEERING AND APPLAUSE | 0:02:07 | 0:02:10 | |
Now, before we start, I may not have my trademark hair any more, | 0:02:11 | 0:02:15 | |
but don't worry, ladies, tonight, | 0:02:15 | 0:02:17 | |
I promise I will still be employing both of my trademark moves. | 0:02:17 | 0:02:22 | |
The smouldering Jesus. | 0:02:22 | 0:02:23 | |
# Tell me how I supposed to live without you? # | 0:02:23 | 0:02:28 | |
CHEERING AND APPLAUSE | 0:02:28 | 0:02:33 | |
And, of course, the pulling down on a rusty Victorian toilet chain. | 0:02:33 | 0:02:37 | |
# How can we be lovers if we can't be friends? | 0:02:37 | 0:02:42 | |
# How can we start over...? # | 0:02:42 | 0:02:44 | |
CHEERING AND APPLAUSE | 0:02:44 | 0:02:46 | |
OK. | 0:02:46 | 0:02:49 | |
# My heart won't beat again Won't beat again. # | 0:02:49 | 0:02:53 | |
Well, as you can see, | 0:02:53 | 0:02:55 | |
Aston Merrygold from JLS isn't actually here this evening. | 0:02:55 | 0:02:58 | |
I'll come clean with you, we got a call from his agent | 0:02:58 | 0:03:00 | |
about two hours ago to inform us Aston has been taken ill, so... Aww. | 0:03:00 | 0:03:05 | |
A little bit selfish. | 0:03:05 | 0:03:08 | |
The production team was left in a bit of a pickle | 0:03:08 | 0:03:10 | |
and have been desperately trying to find a replacement. | 0:03:10 | 0:03:12 | |
They've called literally everyone | 0:03:12 | 0:03:14 | |
that has even the remotest link to music, comedians, presenters, | 0:03:14 | 0:03:17 | |
Sugababes, and nothing, nothing came back. | 0:03:17 | 0:03:20 | |
They then said, Jack, do you know anyone? | 0:03:20 | 0:03:23 | |
I said, yes, I know the man that can save the day. He's a true champion. | 0:03:23 | 0:03:29 | |
Well, not exactly a champion, but he won a bronze medal in the | 0:03:29 | 0:03:33 | |
4x400 metre relay in 1992 Barcelona Olympic Games, | 0:03:33 | 0:03:36 | |
a man who couldn't be better suited to a contemporary pop quiz! | 0:03:36 | 0:03:41 | |
Ladies and gentlemen, it is Kriss Akabusi! | 0:03:41 | 0:03:44 | |
CHEERING AND APPLAUSE | 0:03:44 | 0:03:45 | |
# We are the champions, my friends | 0:03:45 | 0:03:50 | |
# And we'll keep on fighting till the end. # | 0:03:52 | 0:03:55 | |
You don't like people using the word dench as well? | 0:03:55 | 0:03:58 | |
-I do like it. -Well not according to this. | 0:03:58 | 0:04:00 | |
There's a guy called Panjabi MC who tries to use the word to | 0:04:00 | 0:04:03 | |
-promote a club. -Oh, yes. | 0:04:03 | 0:04:04 | |
This, for me is one of the greatest Twitter spats ever seen. | 0:04:04 | 0:04:07 | |
-Do you remember what you said to him? -Oh, gosh. | 0:04:07 | 0:04:10 | |
Well, let me remind you. The reason why I like this is just | 0:04:10 | 0:04:12 | |
because the hash tag you use at the end | 0:04:12 | 0:04:15 | |
links in no way to the rest of what you said. He said... | 0:04:15 | 0:04:18 | |
And here's the hash tag. | 0:04:24 | 0:04:25 | |
Hast tag fannys! I just... | 0:04:25 | 0:04:28 | |
-LAUGHTER AND APPLAUSE -I love it. | 0:04:28 | 0:04:33 | |
-Alice Levine, hello. -Hello! -So you're presenter? -Sure, yeah. | 0:04:33 | 0:04:37 | |
-Have you met Tori Amos? -Oh, no. | 0:04:37 | 0:04:40 | |
Ah. You look a lot like her. | 0:04:40 | 0:04:43 | |
-Right, well, maybe that's why we've never met. -Because you're her. | 0:04:43 | 0:04:46 | |
-Because I am her. -Have you met Beyonce? -No. | 0:04:46 | 0:04:51 | |
-Have you met Elizabeth Taylor? -No. | 0:04:51 | 0:04:54 | |
-Have you met Princess Diana? -No. | 0:04:54 | 0:04:58 | |
-What about, like, her ghost? Have you met Kate Middleton? -No. | 0:04:58 | 0:05:04 | |
-What about the new one? George? -The bambino? -Yeah. -Yeah. | 0:05:04 | 0:05:07 | |
-You've met him? -No, sorry, I misheard. No, I haven't. Sorry. | 0:05:07 | 0:05:12 | |
Lesbians, it's not widely known this, no-one likes to say it. | 0:05:12 | 0:05:15 | |
-Are you going to? -I'm going to say it. | 0:05:15 | 0:05:18 | |
There's not a lot that lesbians can do with each other. | 0:05:18 | 0:05:21 | |
That's why they've built that thing underneath Switzerland, | 0:05:21 | 0:05:25 | |
so they can fire two lesbians so fast that they can finally fuse together. | 0:05:25 | 0:05:31 | |
Because up to this point, they have had to go on the Circle Line | 0:05:31 | 0:05:34 | |
on opposite trains. | 0:05:34 | 0:05:35 | |
Because as you know, the Circle Line doesn't go in a circle, does it? | 0:05:35 | 0:05:39 | |
It goes round in like a slingshot down to Hammersmith, | 0:05:39 | 0:05:42 | |
-so what's happening is the lesbians are never connecting. -Yeah. | 0:05:42 | 0:05:46 | |
The only time there is any chance of lesbians connecting is at | 0:05:46 | 0:05:49 | |
Edgware Road. | 0:05:49 | 0:05:50 | |
What's the getting up thing? I don't get up that much. | 0:05:57 | 0:06:00 | |
Basically, you have to sit and kind of concentrate, | 0:06:00 | 0:06:02 | |
because you have to do it all at once. | 0:06:02 | 0:06:04 | |
Because when you get up ahead of each other... | 0:06:04 | 0:06:07 | |
-So, if we say, three, two, one, then we're all going to get up. -OK. | 0:06:07 | 0:06:11 | |
Right, on one though, yeah? | 0:06:11 | 0:06:12 | |
So, like three, key change is coming, two, one, and we all... | 0:06:12 | 0:06:16 | |
CHEERING AND APPLAUSE | 0:06:17 | 0:06:21 | |
OK, JL yes or JL no. | 0:06:26 | 0:06:28 | |
Aston is contractually, I'm going to have to say that one slowly. | 0:06:28 | 0:06:33 | |
-I am contractually what? -Contractually obliged... | 0:06:33 | 0:06:37 | |
Let me do that shit. Aston is, concract... | 0:06:37 | 0:06:40 | |
LAUGHTER | 0:06:40 | 0:06:43 | |
Aston is concract... concract... | 0:06:43 | 0:06:46 | |
Aston has been told he has to fucking backflip every time...! | 0:06:47 | 0:06:51 | |
CHEERING AND APPLAUSE | 0:06:51 | 0:06:54 | |
Let's play the lightning Bolton round! | 0:06:56 | 0:06:59 | |
-True or false? -False. LAUGHTER | 0:07:04 | 0:07:08 | |
The slogan maybe it's Maybelline was originally going to be maybe | 0:07:08 | 0:07:12 | |
it's Michael Bolton. | 0:07:12 | 0:07:14 | |
But then I cut my hair. True or false? | 0:07:16 | 0:07:19 | |
# Maybe it's Michael Bolton. # | 0:07:19 | 0:07:21 | |
Sound convincing? | 0:07:21 | 0:07:23 | |
# Maybe it's Michael Bolton. # | 0:07:23 | 0:07:24 | |
Oh, yeah! | 0:07:24 | 0:07:26 | |
CHEERING | 0:07:26 | 0:07:28 | |
Pray silence for Alfie Boe with the Squirrel Ate The Cake. | 0:07:29 | 0:07:33 | |
# The squirrels | 0:07:44 | 0:07:47 | |
-# They ate my cake! -# | 0:07:47 | 0:07:53 | |
APPLAUSE | 0:07:53 | 0:07:57 | |
P Diddy may have won three Grammys, be the richest figure in hip-hop | 0:07:59 | 0:08:03 | |
and have a vast business empire. But come back to me | 0:08:03 | 0:08:05 | |
when you've got your own show on two British TV channels - | 0:08:05 | 0:08:08 | |
ITV2 and ITV2 plus 1. | 0:08:08 | 0:08:11 | |
Action! | 0:08:18 | 0:08:20 | |
BASSLINE PLAYS | 0:08:20 | 0:08:23 | |
And cut! | 0:08:30 | 0:08:32 | |
Sharon recently threatened to divorce Ozzy... | 0:08:32 | 0:08:35 | |
Argh! | 0:08:35 | 0:08:37 | |
-Get out of the set! -No, Jack! | 0:08:37 | 0:08:39 | |
Kris, come and do the joke for me. | 0:08:39 | 0:08:41 | |
Oh, my word. OK. | 0:08:41 | 0:08:43 | |
(Sharon recently threatened to divorce Aussie.) | 0:08:48 | 0:08:51 | |
Sharon recently threatened to divorce Aussie. | 0:08:51 | 0:08:53 | |
(As it was revealed he was back on the drink and drugs.) | 0:08:53 | 0:08:56 | |
(As it was revealed he was back on the drink and drugs.) | 0:08:56 | 0:08:58 | |
(Luckily, they've moved on.) | 0:08:58 | 0:09:00 | |
But luckily they've moved on. | 0:09:00 | 0:09:02 | |
-(And Sharon's surgeon...) -And Sharon's surgeon... | 0:09:02 | 0:09:05 | |
-(..has put a brave face on her.) -..has put a brave face on her. | 0:09:05 | 0:09:09 | |
Oh! | 0:09:09 | 0:09:11 | |
But soon, the series was clouded in controversy as the story | 0:09:16 | 0:09:19 | |
from the unnamed man was shared between literally | 0:09:19 | 0:09:22 | |
tens of Buzzcocks fans on their computers. | 0:09:22 | 0:09:25 | |
I'm here at the BBC, who are refusing to take part in this programme | 0:09:25 | 0:09:28 | |
but they have issued this statement. | 0:09:28 | 0:09:31 | |
But if that is indeed the case, how do they explain this? | 0:09:37 | 0:09:42 | |
A torn fragment from what appears to be a script of some sort. | 0:09:42 | 0:09:46 | |
Quite clearly, you can see | 0:09:46 | 0:09:48 | |
in the top right-hand corner "RX," or recording, | 0:09:48 | 0:09:51 | |
"14 - TLMS." | 0:09:51 | 0:09:54 | |
Is this a torn fragment from a Buzzcocks script | 0:09:54 | 0:09:57 | |
and could TLMS stand for the Legends of Music Special? | 0:09:57 | 0:10:02 | |
Even more intriguing, on the same page is a reference | 0:10:02 | 0:10:06 | |
to Tub Thumping by Chumbawamba, a song that never appeared in series 27. | 0:10:06 | 0:10:11 | |
Could this be more evidence of a missing episode 14? | 0:10:11 | 0:10:16 | |
And could Tub Thumping have featured in the iconic Intros Round | 0:10:16 | 0:10:20 | |
of the missing episode? | 0:10:20 | 0:10:22 | |
Time now for the Intros Round. Hand over card. | 0:10:22 | 0:10:25 | |
That is the kind of hosting I like! | 0:10:27 | 0:10:29 | |
APPLAUSE | 0:10:29 | 0:10:31 | |
One, two, three, four... | 0:10:32 | 0:10:35 | |
# Djah djah. Woo-ooo! | 0:10:35 | 0:10:40 | |
# Djah, djah! Woo-ooo! | 0:10:40 | 0:10:44 | |
# Bwow, bwow! Wah-wah! | 0:10:44 | 0:10:49 | |
Bond. | 0:10:51 | 0:10:53 | |
Pretend I'm a man. | 0:10:53 | 0:10:55 | |
# Du du du du du du du du | 0:10:55 | 0:10:58 | |
# Du du du du du | 0:10:58 | 0:10:59 | |
# Du du du du du du du du du... | 0:10:59 | 0:11:01 | |
It's not Miley Cyrus. | 0:11:01 | 0:11:03 | |
# Du du du du du du du du | 0:11:03 | 0:11:04 | |
# Du du du du | 0:11:04 | 0:11:05 | |
# Du du du du du du du du... # | 0:11:05 | 0:11:08 | |
I have never felt more uncomfortable in a television studio in my life. | 0:11:08 | 0:11:13 | |
What are they doing? | 0:11:13 | 0:11:14 | |
You just have to go... # Dum dum dum dum dum... | 0:11:14 | 0:11:17 | |
# Dum dum dum dum dum dum dum... | 0:11:17 | 0:11:18 | |
Keep doing that. | 0:11:18 | 0:11:20 | |
# Dum dum dum dum dum dum dum... | 0:11:20 | 0:11:22 | |
# Da da da da | 0:11:22 | 0:11:25 | |
# Da na | 0:11:25 | 0:11:27 | |
# Da da da da da | 0:11:27 | 0:11:29 | |
Quick, one... | 0:11:29 | 0:11:31 | |
# Dum dum dum dum... | 0:11:31 | 0:11:33 | |
# Dum da da da da da | 0:11:36 | 0:11:38 | |
Just... # Dum dum dum dum... | 0:11:38 | 0:11:41 | |
We can do it, for the kids! | 0:11:41 | 0:11:43 | |
# Dum dum dum dum dum dum... | 0:11:43 | 0:11:45 | |
# Da da da da da da | 0:11:45 | 0:11:47 | |
# Dum dum dum dum dum dum... | 0:11:47 | 0:11:49 | |
# Flash, ah! | 0:11:49 | 0:11:51 | |
# He served every universe | 0:11:51 | 0:11:53 | |
Gordon's alive! | 0:11:53 | 0:11:55 | |
I just managed to get him set. | 0:11:55 | 0:11:58 | |
Stop confusing the Ryder! | 0:12:00 | 0:12:01 | |
# Dum dum dum... | 0:12:01 | 0:12:03 | |
Not now. We're done! | 0:12:03 | 0:12:05 | |
# Ba da dum, wah! Ba da dum, wah! | 0:12:10 | 0:12:12 | |
# Ba da dum, wah! Ba da dum, wah! | 0:12:12 | 0:12:15 | |
# Ba da dum, wah! Ba da dum, wah! | 0:12:15 | 0:12:18 | |
# Da da da da da da da da! # | 0:12:18 | 0:12:20 | |
Oh! | 0:12:20 | 0:12:22 | |
APPLAUSE | 0:12:22 | 0:12:24 | |
-This is the worst round ever. -I know. It's so hard! | 0:12:24 | 0:12:28 | |
You just keep doing the same thing again and again. | 0:12:28 | 0:12:31 | |
If I don't know it the first time, if you do it 36 times, I'm not going | 0:12:31 | 0:12:35 | |
to suddenly go, "Oh! I tell you what this is, it's some Snoop song." | 0:12:35 | 0:12:38 | |
-It's not Snoop! -I know it's not Snoop!! | 0:12:38 | 0:12:42 | |
LAUGHTER | 0:12:42 | 0:12:44 | |
Oh, God. It's Too Much Lube by Anal Danger. | 0:12:46 | 0:12:50 | |
LAUGHTER AND APPLAUSE | 0:12:50 | 0:12:53 | |
It's not Anal Danger. | 0:12:54 | 0:12:56 | |
Oh, who had money on Bolton saying that tonight? | 0:12:58 | 0:13:01 | |
I want to hear him singing it. | 0:13:03 | 0:13:05 | |
# It's not anal danger # It's anal danger... # | 0:13:05 | 0:13:11 | |
Yeah! | 0:13:13 | 0:13:15 | |
ELECTRIC GUITAR RIFF PLAYS | 0:13:18 | 0:13:22 | |
APPLAUSE | 0:13:37 | 0:13:40 | |
Great. | 0:13:48 | 0:13:51 | |
Excellent. | 0:13:53 | 0:13:56 | |
-Keep it going! -And moving on. | 0:13:57 | 0:14:00 | |
AUDIENCE CLAPS IN TIME | 0:14:06 | 0:14:09 | |
# Da da da da da... | 0:14:13 | 0:14:16 | |
Give me a beat. Give me a beat. | 0:14:18 | 0:14:20 | |
THEY BEATBOX | 0:14:20 | 0:14:23 | |
# I wake up, every day is a daydream | 0:14:27 | 0:14:29 | |
# Everything in my life ain't what it seems | 0:14:29 | 0:14:31 | |
# I wake up just to go back to sleep, I act real shallow | 0:14:31 | 0:14:33 | |
# But I'm in too deep, and all I care about is sex and violence | 0:14:33 | 0:14:36 | |
# A heavy bass line is my kind of silence | 0:14:36 | 0:14:38 | |
# Everybody says that I gotta get a grip | 0:14:38 | 0:14:39 | |
# But I let sanity give me the slip. # | 0:14:39 | 0:14:41 | |
Wait, wait, wait, wait, wait! | 0:14:41 | 0:14:43 | |
# Bonkers! # | 0:14:43 | 0:14:44 | |
Thank you. Nobody knows. Nobody knows. It was Kaiser Chefs. | 0:14:48 | 0:14:52 | |
Kaiser... | 0:14:52 | 0:14:53 | |
Kaiser Chefs. | 0:15:00 | 0:15:01 | |
# Everyday I love you less and less | 0:15:01 | 0:15:04 | |
# And I love my chopping board! | 0:15:04 | 0:15:06 | |
# Ooh-ooh!# | 0:15:08 | 0:15:09 | |
# What's that coming over the hill? It is a blender! It is a blender! # | 0:15:11 | 0:15:16 | |
Chris Martin is said to be worried that Gwyneth Paltrow is | 0:15:19 | 0:15:22 | |
starting to annoy people. | 0:15:22 | 0:15:24 | |
Oh, Chris! That ship has sailed, my friend. | 0:15:24 | 0:15:26 | |
In fact, not only has it sailed, it's arrived at port, | 0:15:27 | 0:15:29 | |
docked and allowed its passengers off for a few hours, sightseeing, | 0:15:29 | 0:15:32 | |
on Aloof, Comes Across As A Bit Of A Bitch In Every Interview Island. | 0:15:32 | 0:15:36 | |
Little help from Kenny Loggins with | 0:15:40 | 0:15:42 | |
Playing With The Boys from the film Top Gun. | 0:15:42 | 0:15:45 | |
The song features in the volleyball scene between Maverick | 0:15:45 | 0:15:48 | |
and Goose, recently voted the gayest scene in film history. What? | 0:15:48 | 0:15:52 | |
That was gayer than the sauna scene in Hot Cock And Two Smoking Towels? | 0:15:52 | 0:15:56 | |
Great film, that. | 0:15:57 | 0:15:59 | |
We recently had a Twitter spat with Wiley. | 0:15:59 | 0:16:01 | |
Basically, Wiley reacted angrily to a harmless joke about his single | 0:16:01 | 0:16:04 | |
and it went all a bit... Bit out of hand. | 0:16:04 | 0:16:07 | |
Anyway, it's probably a good idea, while we have this platform, | 0:16:07 | 0:16:09 | |
speaking to the entire nation, | 0:16:09 | 0:16:11 | |
to take the opportunity to apologise wholeheartedly to Wiley. | 0:16:11 | 0:16:14 | |
For any offence caused to him, we really didn't mean to upset you. | 0:16:14 | 0:16:19 | |
I'm joking. Of course I'm joking. But you are insane. | 0:16:19 | 0:16:21 | |
Now, I remember my first threesome in the music biz. | 0:16:22 | 0:16:25 | |
And if the Pet Shop Boys are watching... | 0:16:25 | 0:16:28 | |
I'm going to, er, do that joke for ITV2. | 0:16:33 | 0:16:36 | |
Threesome! Aargh! | 0:16:38 | 0:16:40 | |
During the making of this programme, | 0:16:46 | 0:16:48 | |
I was delighted to be contacted by an attractive woman, | 0:16:48 | 0:16:51 | |
Dannae, who claims to have been booked for the show's famous | 0:16:51 | 0:16:54 | |
ID Parade, as what they call a nonperson, a wrong answer, | 0:16:54 | 0:16:58 | |
on the night of the reported missing 14th episode. | 0:16:58 | 0:17:02 | |
Dannae thinks she has the answer to why the episode, which she | 0:17:02 | 0:17:05 | |
says does exist, so mysteriously went missing. | 0:17:05 | 0:17:08 | |
And most incredible of all, the reason was that the Legends Of | 0:17:08 | 0:17:12 | |
Music special was hosted by someone the world had long thought was dead. | 0:17:12 | 0:17:16 | |
It was definitely him. It was Elvis Presley. | 0:17:17 | 0:17:20 | |
Maybe he's trying to cover up coming back from the dead, | 0:17:20 | 0:17:22 | |
and that's why everyone's trying to hide it. But it was definitely him. | 0:17:22 | 0:17:26 | |
I was close to him. I even filmed him on my phone. | 0:17:26 | 0:17:29 | |
Was this the answer? | 0:17:30 | 0:17:31 | |
Was this grainy footage the proof we were looking for, that there | 0:17:31 | 0:17:35 | |
was, indeed, a missing episode of the show, episode 14, | 0:17:35 | 0:17:39 | |
the Legends Of Music special? | 0:17:39 | 0:17:42 | |
And more than that, that the | 0:17:42 | 0:17:43 | |
King himself had returned from the dead to host the show. | 0:17:43 | 0:17:46 | |
But on closer inspection, | 0:17:46 | 0:17:48 | |
it was revealed that this was just badly shot phone | 0:17:48 | 0:17:50 | |
footage from episode six, Eamonn Holmes, who, for some strange | 0:17:50 | 0:17:53 | |
reason, had come dressed as Elvis for the whole programme. | 0:17:53 | 0:17:57 | |
It confused everybody, nobody more so than Dannae, it seemed. | 0:17:57 | 0:18:00 | |
Ain't No Doubt, Jimmy Nail, | 0:18:00 | 0:18:02 | |
but which of our line-up is vocalist Sylvia Mason-James? | 0:18:02 | 0:18:07 | |
Number five looks really pissed off. | 0:18:07 | 0:18:09 | |
-So I don't think it's her. -Is that not... That's sexy, isn't it? | 0:18:11 | 0:18:15 | |
-Yes, it is. Not for me, but I think... -What? Are you mental? | 0:18:15 | 0:18:20 | |
No, just gay, so... | 0:18:20 | 0:18:21 | |
Which one of our line-up is Soul II Soul legend Caron Wheeler? | 0:18:29 | 0:18:33 | |
Is it number one, Back To Life? | 0:18:33 | 0:18:36 | |
Number two, Back To Front? | 0:18:36 | 0:18:37 | |
Number three, Back To The Future? | 0:18:39 | 0:18:41 | |
Number four, Back From The Dead? | 0:18:43 | 0:18:45 | |
Or number five, Back Passage? | 0:18:53 | 0:18:55 | |
-I say number two. -You're discounting number five, are you? | 0:18:59 | 0:19:04 | |
I don't know about the name Back Passage. It puts me off, always. | 0:19:04 | 0:19:07 | |
Perhaps if this was a special occasion, I might consider it. | 0:19:09 | 0:19:12 | |
Perhaps. | 0:19:14 | 0:19:16 | |
I like number five. | 0:19:16 | 0:19:17 | |
Number five actually looks like you could go out | 0:19:23 | 0:19:25 | |
and have a proper good time. Like, you could proper go out on the town. | 0:19:25 | 0:19:28 | |
Where?! Victorian London? | 0:19:28 | 0:19:31 | |
Sean said he thought "they might put one of the Mondays on. | 0:19:33 | 0:19:35 | |
"I probably wouldn't recognise him." | 0:19:35 | 0:19:38 | |
Most magnificent cheekbones I've ever seen on a human being in my life. | 0:19:42 | 0:19:47 | |
Looks like a mixture of The Scream and Ian Brown. | 0:19:47 | 0:19:49 | |
Number four's lovely. | 0:19:58 | 0:19:59 | |
Looks like he should be on, like, a strong mustard tin. | 0:19:59 | 0:20:02 | |
"Madam, try my mustard." Doesn't it? | 0:20:05 | 0:20:08 | |
Number four looks like a slightly melted Ian Wright. | 0:20:08 | 0:20:10 | |
Tussauds left his waxwork out the back. | 0:20:13 | 0:20:15 | |
Four looks all sad, like he's had a sad life. | 0:20:17 | 0:20:21 | |
And then, just once, at work, he just said something. | 0:20:23 | 0:20:27 | |
He didn't mean it, but he made a racist comment. It was a joke. | 0:20:27 | 0:20:31 | |
It was a joke. | 0:20:31 | 0:20:32 | |
But it was misinterpreted, and then he had to go to a tribunal. | 0:20:32 | 0:20:37 | |
He lost his job. | 0:20:37 | 0:20:39 | |
I was a big fan of Whigfield. | 0:20:39 | 0:20:42 | |
I knew all the dance moves to it. I danced at my school disco. | 0:20:42 | 0:20:46 | |
Show us. Come on! | 0:20:46 | 0:20:48 | |
MUSIC: "Saturday Night" by Whigfield | 0:20:55 | 0:21:01 | |
Oh, I wish I were dead! | 0:21:01 | 0:21:02 | |
Look, I can't fully remember all the moves to it. Was it like that? | 0:21:06 | 0:21:11 | |
MUSIC: "Saturday Night" by Whigfield | 0:21:11 | 0:21:19 | |
So, was the mystery of the missing episode | 0:21:41 | 0:21:44 | |
The Legends of Music Special | 0:21:44 | 0:21:45 | |
nothing more than an elaborate hoax, | 0:21:45 | 0:21:48 | |
possibly made up by the Buzzcocks team themselves? | 0:21:48 | 0:21:51 | |
A shoddy last-minute idea to package up the best bits of the series? | 0:21:51 | 0:21:55 | |
The programme you're watching right now? | 0:21:55 | 0:21:58 | |
After all, they're no strangers to controversy. | 0:21:58 | 0:22:00 | |
I'm Krishnan Guru-Murthy. | 0:22:00 | 0:22:02 | |
I hurt my lower lumbar. You know we'll never get far. | 0:22:02 | 0:22:06 | |
Ride around in a stolen police car, following criminals... | 0:22:06 | 0:22:09 | |
-You all right with that? -Totally all right with that. | 0:22:09 | 0:22:11 | |
-You look so upset, man. -No, no, I'm not. | 0:22:11 | 0:22:13 | |
I just thought you guys would do something | 0:22:13 | 0:22:15 | |
-different for a change. -Ooh! | 0:22:15 | 0:22:17 | |
Not give me my own lyrics over and over. | 0:22:17 | 0:22:20 | |
It's part of the game, Huey! | 0:22:20 | 0:22:23 | |
People sit on the show | 0:22:23 | 0:22:24 | |
and the way you tie in the fact is it's kind of funny. | 0:22:24 | 0:22:26 | |
"Oh, look, it's your own lyrics," you forget them... | 0:22:26 | 0:22:29 | |
-I've been on the show, nine times. -Shall I make it up, then? | 0:22:29 | 0:22:31 | |
Yeah, just pick some shit. | 0:22:31 | 0:22:32 | |
Pick some shit? Get ready for the next episode. | 0:22:32 | 0:22:36 | |
-Snoop Dogg... -What's the next line? | 0:22:36 | 0:22:39 | |
Cos we ain't got no lovers... | 0:22:40 | 0:22:42 | |
-No. -Oh, Lieutenant, I ain't... Pussy put my... | 0:22:42 | 0:22:46 | |
LAUGHTER | 0:22:46 | 0:22:48 | |
No. Baby, I can make you feel good. | 0:22:48 | 0:22:50 | |
But then someone goes # I can make you feel good... # | 0:22:50 | 0:22:52 | |
then someone goes # I can make you feel good... # | 0:22:52 | 0:22:54 | |
Technically, that's the line afterwards. | 0:22:54 | 0:22:56 | |
-Backing vocals aren't included. -I did not know the rules! | 0:22:56 | 0:22:59 | |
Now you know the rules, answer the question. | 0:22:59 | 0:23:01 | |
Someone should have told me... | 0:23:01 | 0:23:02 | |
OK, it's "Let me lay this good love on ya" - | 0:23:02 | 0:23:05 | |
I Can Make You Feel Good by Kavana. | 0:23:05 | 0:23:07 | |
Who was that?! | 0:23:07 | 0:23:09 | |
APPLAUSE | 0:23:10 | 0:23:12 | |
Who's that? | 0:23:12 | 0:23:13 | |
Are you all right? Why are you so annoyed about the next line game? | 0:23:13 | 0:23:16 | |
-Let's go on with this. -So angry about it. | 0:23:16 | 0:23:19 | |
You know you've just got to sing the next line, yeah? | 0:23:19 | 0:23:21 | |
We're not trying to piss you... | 0:23:21 | 0:23:23 | |
No, no, you're not upsetting me. It's fine. | 0:23:23 | 0:23:25 | |
OK, Kavana, man. That's some dangerous music. | 0:23:25 | 0:23:27 | |
LAUGHTER | 0:23:27 | 0:23:29 | |
I just don't roll like a punk, I'm sorry. | 0:23:29 | 0:23:31 | |
Huey, it's the game, bro! | 0:23:31 | 0:23:33 | |
I say a line, you sing the other line! | 0:23:33 | 0:23:35 | |
It was just there on the show. | 0:23:35 | 0:23:36 | |
You don't have to smash a mug in my hair! | 0:23:36 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
Right, let's carry on. You're upset, I know. We're sorry. | 0:23:41 | 0:23:43 | |
-Next time will be... -You ain't seen me upset. -I know. | 0:23:43 | 0:23:46 | |
"You don't want to see me when I'm angry." | 0:23:46 | 0:23:48 | |
Phill's team, you can go first and your time starts now! | 0:23:48 | 0:23:52 | |
Honey, bring it close to my? | 0:23:52 | 0:23:54 | |
-Body? -No. | 0:23:54 | 0:23:55 | |
It's "Honey bring it close to my lips," | 0:23:55 | 0:23:57 | |
Professional Widow, by Tori Amos. | 0:23:57 | 0:23:59 | |
You bet your life it is... | 0:23:59 | 0:24:01 | |
# You bet your life... # | 0:24:01 | 0:24:03 | |
No, it's "Oh, you bet your life" - | 0:24:03 | 0:24:05 | |
-Cornflake Girl by Tori Amos. -It's the Tori Amos round! | 0:24:05 | 0:24:08 | |
I was frying on the bench slide in the park across the street... | 0:24:08 | 0:24:11 | |
# Frying on the bench slide in the park across the street... # | 0:24:11 | 0:24:13 | |
Oh, I love you! Not got a clue what it is, but you just sing it. | 0:24:13 | 0:24:16 | |
-Do you know what it is? -Yes. -You don't. -Yes, we do. -What is it, then? | 0:24:16 | 0:24:19 | |
No, we want to know, I mean. | 0:24:19 | 0:24:21 | |
LAUGHTER | 0:24:21 | 0:24:23 | |
My noon, my midnight, my talk, my song. | 0:24:23 | 0:24:29 | |
My Sharona. | 0:24:29 | 0:24:30 | |
LAUGHTER | 0:24:30 | 0:24:32 | |
He took my hand and closed the door. | 0:24:37 | 0:24:39 | |
Oh, I know this. | 0:24:39 | 0:24:42 | |
You should. | 0:24:43 | 0:24:44 | |
I know this song! | 0:24:44 | 0:24:46 | |
Yes, it's yours. | 0:24:46 | 0:24:48 | |
LAUGHTER | 0:24:48 | 0:24:50 | |
Oh, my God, I know this song! I wrote it! I wrote it! | 0:24:50 | 0:24:54 | |
There are actually goldfish at home watching this going, "Come on!" | 0:24:54 | 0:24:58 | |
"It's your song!" | 0:24:58 | 0:25:01 | |
He took my hand and closed the door. Now, go! | 0:25:01 | 0:25:04 | |
# It was just one kiss, baby... # | 0:25:04 | 0:25:06 | |
Mad at Me, by Diana Vickers. | 0:25:06 | 0:25:08 | |
Right song, wrong lyric. | 0:25:08 | 0:25:11 | |
LAUGHTER | 0:25:11 | 0:25:12 | |
APPLAUSE | 0:25:12 | 0:25:15 | |
To the left, to the left. | 0:25:15 | 0:25:16 | |
# Everything you want in a box to the left | 0:25:16 | 0:25:18 | |
# In the closet, that's my stuff | 0:25:18 | 0:25:20 | |
# If I bought it, then please don't touch | 0:25:20 | 0:25:23 | |
# I keep talking that mess, that's fine | 0:25:23 | 0:25:25 | |
# But could you walk and talk at the same time? # | 0:25:25 | 0:25:27 | |
BUZZER | 0:25:27 | 0:25:29 | |
APPLAUSE | 0:25:29 | 0:25:31 | |
Well, for me, it's waking up beside you. | 0:25:31 | 0:25:34 | |
# To watch the sunrise on your face... # | 0:25:34 | 0:25:36 | |
That's correct. | 0:25:36 | 0:25:38 | |
Flying Without Wings by Westlife. | 0:25:38 | 0:25:41 | |
Tune, by the way. | 0:25:41 | 0:25:43 | |
LAUGHTER | 0:25:43 | 0:25:44 | |
Tune. | 0:25:44 | 0:25:46 | |
APPLAUSE | 0:25:46 | 0:25:47 | |
Right, so Noel's team, you need five points to win, | 0:25:47 | 0:25:50 | |
but I'd maybe suggest not winning, otherwise Huey... | 0:25:50 | 0:25:53 | |
LAUGHTER | 0:25:53 | 0:25:55 | |
..might get a bit cross. | 0:25:55 | 0:25:58 | |
OK, your time starts now! | 0:26:00 | 0:26:03 | |
Mama, do the hump. | 0:26:03 | 0:26:04 | |
The humpty hump. | 0:26:04 | 0:26:06 | |
Close. | 0:26:06 | 0:26:07 | |
Listen! | 0:26:07 | 0:26:09 | |
LAUGHTER | 0:26:09 | 0:26:12 | |
No! | 0:26:12 | 0:26:14 | |
Right, Phill's team, you need one point to win. OK? | 0:26:14 | 0:26:18 | |
If you believe it. | 0:26:18 | 0:26:20 | |
All we hear is radio ga ga. | 0:26:20 | 0:26:22 | |
Radio goo goo. | 0:26:22 | 0:26:23 | |
Yeah. Radio Ga Ga by Queen. | 0:26:23 | 0:26:24 | |
No! No! | 0:26:24 | 0:26:27 | |
APPLAUSE | 0:26:27 | 0:26:29 | |
LAUGHTER | 0:26:36 | 0:26:39 | |
Take her back to America! | 0:26:39 | 0:26:41 | |
Suck it! | 0:26:41 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:44 | |
So, that's it. Thanks to Phill, Huey Morgan and Laura Whitmore. | 0:26:44 | 0:26:48 | |
Noel, Lissie and Paul Foot. | 0:26:48 | 0:26:51 | |
Huey has just stormed off. | 0:26:51 | 0:26:52 | |
This has been Never Mind the Buzzcocks | 0:26:52 | 0:26:54 | |
and we've been Rizzle Kicks. | 0:26:54 | 0:26:56 | |
'It appeared we had hit a dead end in our investigation, stonewalled by | 0:26:56 | 0:26:59 | |
'a complete lack of actual information or evidence | 0:26:59 | 0:27:02 | |
'of any kind whatsoever. | 0:27:02 | 0:27:04 | |
'In a last-ditch attempt to uncover the truth, I paid Phill Jupitus, | 0:27:04 | 0:27:08 | |
'the long-standing Buzzcocks team captain, a surprise visit.' | 0:27:08 | 0:27:12 | |
So, we've come to the house of Phill Jupitus to see | 0:27:12 | 0:27:14 | |
if he's finally prepared to tell the truth about episode 14. | 0:27:14 | 0:27:18 | |
Phill Jupitus, hello. Krishnan Guru-Murthy. | 0:27:22 | 0:27:25 | |
We are here to find out the truth about episode 14 of Buzzcocks. | 0:27:25 | 0:27:28 | |
Did you take part in that? | 0:27:28 | 0:27:30 | |
Were you there? Did you record episode 14? | 0:27:30 | 0:27:34 | |
Who hosted it? | 0:27:34 | 0:27:36 | |
Was it Mick Hucknall? | 0:27:36 | 0:27:38 | |
Do you have anything to say? Have you got nothing to say about this? | 0:27:38 | 0:27:42 | |
Phill, I mean, what have you got to hide? What have you... | 0:27:42 | 0:27:46 | |
There's no episode 14! | 0:27:46 | 0:27:49 | |
Fuck off! | 0:27:49 | 0:27:50 | |
I'm making a documentary! | 0:27:50 | 0:27:52 | |
As we come to the end of our investigation in the hunt | 0:27:52 | 0:27:55 | |
for the missing episode, we are | 0:27:55 | 0:27:56 | |
left with the stark possibility that perhaps series 27 of | 0:27:56 | 0:28:01 | |
Never Mind the Buzzcocks was just as it seemed, a simple pop quiz. | 0:28:01 | 0:28:06 | |
Perhaps the mystery of the missing episode 14 was no mystery at all. | 0:28:06 | 0:28:11 | |
Perhaps, we'll never know. | 0:28:11 | 0:28:14 | |
I'm Krishnan Guru-Murthy. | 0:28:14 | 0:28:16 | |
SILENT MONTAGE AS MUSIC PLAYS | 0:28:26 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:45 | 0:28:48 |