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This programme contains some strong language. | 0:00:02 | 0:00:08 | |
Ladies and gentlemen, please welcome your host | 0:00:30 | 0:00:33 | |
for this evening, Peter Andre. | 0:00:33 | 0:00:37 | |
MUSIC: "It's My Life" by Bon Jovi | 0:00:37 | 0:00:39 | |
APPLAUSE AND CHEERING | 0:00:44 | 0:00:46 | |
Hello, and welcome to Never Mind The Buzzcocks - My Life. | 0:00:53 | 0:00:57 | |
I'm Peter Andre. APPLAUSE AND CHEERING | 0:00:57 | 0:00:59 | |
VOICE-OVER: Peter settles down to host the ailing pop quiz. | 0:01:01 | 0:01:05 | |
So far, so good, as Peter prepares to introduce the teams. | 0:01:05 | 0:01:08 | |
On Phill's team tonight... | 0:01:10 | 0:01:11 | |
..is the lead singer of the Scissor Sisters, the only band to be | 0:01:13 | 0:01:16 | |
named after a sexual position, apart from Take That. | 0:01:16 | 0:01:20 | |
It's Ana Matronic. | 0:01:20 | 0:01:21 | |
APPLAUSE | 0:01:21 | 0:01:23 | |
And a judge on Stepping Out, ITV's bold | 0:01:26 | 0:01:29 | |
and original celebrity ballroom dancing show. | 0:01:29 | 0:01:32 | |
Next week he's a guest on ITV's bold new pop quiz | 0:01:32 | 0:01:35 | |
Never Mind the Cockbuzz. | 0:01:35 | 0:01:37 | |
It's Jason Gardiner. | 0:01:37 | 0:01:38 | |
APPLAUSE | 0:01:38 | 0:01:40 | |
And on Noel's team... | 0:01:44 | 0:01:47 | |
is the bass guitarist with the White Lies, Charles Cave, | 0:01:47 | 0:01:51 | |
which is, coincidentally, the Queen's nickname for Camilla. | 0:01:51 | 0:01:54 | |
It's Charles Cave. | 0:01:54 | 0:01:56 | |
APPLAUSE | 0:01:56 | 0:01:58 | |
And a comedian, originally from Canada, | 0:02:01 | 0:02:04 | |
but who makes his living in Britain. | 0:02:04 | 0:02:06 | |
Honestly, these foreign celebrities come over here with a weird act, | 0:02:06 | 0:02:09 | |
take advantage of the good nature of this great country... | 0:02:09 | 0:02:12 | |
It's Tony Law! | 0:02:12 | 0:02:13 | |
APPLAUSE | 0:02:13 | 0:02:15 | |
We begin with a round called Sorry Seems To Be The Hardest Word. | 0:02:21 | 0:02:24 | |
Noel, Charles and Tony, check this out. | 0:02:24 | 0:02:27 | |
# As I walk through the valley of the shadow of death | 0:02:27 | 0:02:30 | |
# I take a look at my life and realise there's nothing left...# | 0:02:30 | 0:02:33 | |
That's right, it's crazy-haired, temperature-driven rapper Coolio. | 0:02:33 | 0:02:38 | |
# But I ain't never crossed a man that didn't deserve it | 0:02:38 | 0:02:42 | |
# Me be treated like a punk, you know that's unheard of | 0:02:42 | 0:02:45 | |
# Been spending most our lives | 0:02:45 | 0:02:47 | |
# Living in the Gangsta's Paradise...# | 0:02:47 | 0:02:52 | |
That was Coolio with Gangsta's Paradise. | 0:02:52 | 0:02:54 | |
But what did Coolio do that meant he had to flee his house? | 0:02:54 | 0:02:58 | |
Did he, A - get chased out of the house by his girlfriend after | 0:02:58 | 0:03:02 | |
bringing home a woman with the hope that she would agree to a threesome? | 0:03:02 | 0:03:07 | |
Did he, B - flee after all the animals | 0:03:07 | 0:03:09 | |
from his private zoo escaped? | 0:03:09 | 0:03:11 | |
Did he, C - flee to escape a chip-pan fire? | 0:03:12 | 0:03:17 | |
He had a dinosaur in his private zoo. | 0:03:17 | 0:03:20 | |
Is he selling off his royalties to have cooking lessons? | 0:03:20 | 0:03:26 | |
That's what we heard. | 0:03:26 | 0:03:27 | |
We heard that he can no longer express himself | 0:03:27 | 0:03:30 | |
through the body of music. | 0:03:30 | 0:03:31 | |
It's true. And he's going to make ham sandwiches or something instead. | 0:03:31 | 0:03:35 | |
Because no-one in the history of the world has ever been able to | 0:03:35 | 0:03:38 | |
express themselves through the music. | 0:03:38 | 0:03:40 | |
Just not happened! I don't feel nothing. | 0:03:40 | 0:03:42 | |
Cooking - mmm! | 0:03:42 | 0:03:44 | |
If I'm furious I just show someone a shepherd's pie. | 0:03:44 | 0:03:46 | |
Oh, yeah. I find that they really quickly know that I'm angry. | 0:03:46 | 0:03:50 | |
Souffle? That's foreplay. | 0:03:50 | 0:03:52 | |
Threesome - we've all been there, it's always the wrong idea. | 0:03:54 | 0:03:58 | |
Am I right? | 0:03:58 | 0:03:59 | |
Always a bad idea. | 0:04:00 | 0:04:02 | |
It's got to be that, that's the most, like, human-like thing. | 0:04:02 | 0:04:05 | |
I like the idea of him having a display stand for his sexual handcuffs, | 0:04:05 | 0:04:08 | |
as opposed to just pulling them out the drawer. | 0:04:08 | 0:04:10 | |
You arrive knowing exactly what kind of furry discipline you're in for. | 0:04:10 | 0:04:14 | |
Furry discipline. | 0:04:15 | 0:04:16 | |
Every week on the show we get a new band name, and today... | 0:04:16 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:21 | |
..Furry Discipline. | 0:04:21 | 0:04:22 | |
The thing about Coolio, a lot of people don't know this, I happen to know, | 0:04:22 | 0:04:25 | |
he was into 1970s Britain. | 0:04:25 | 0:04:28 | |
And part of that was buying a deep fat fryer. | 0:04:28 | 0:04:31 | |
"I'm going to fry some chips!" | 0:04:33 | 0:04:35 | |
Sorry about the racist voice I just did. | 0:04:35 | 0:04:37 | |
It was from the '70s and that's, technically, allowed. | 0:04:39 | 0:04:42 | |
Wasn't he on a really small tricycle once on one of his videos? | 0:04:42 | 0:04:45 | |
Was he? I think that's every rapper. | 0:04:45 | 0:04:49 | |
Yeah, they're all doing that, it's so cliched! | 0:04:49 | 0:04:51 | |
That's all they do, they go, "I'll get the tricycle out. | 0:04:51 | 0:04:54 | |
"Here we go again with the tricycle woman-hating." | 0:04:54 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
Um, I met Coolio. Did you? | 0:05:00 | 0:05:02 | |
Yep, we were in a studio together in New York | 0:05:02 | 0:05:05 | |
and we recorded this track together and guess what? | 0:05:05 | 0:05:08 | |
It's true, this. | 0:05:08 | 0:05:09 | |
It wasn't a hit. | 0:05:09 | 0:05:10 | |
It was called All Night All Right. | 0:05:11 | 0:05:13 | |
Radio 1 A-listed it for something like eight weeks. | 0:05:13 | 0:05:16 | |
Still wasn't a hit. | 0:05:16 | 0:05:17 | |
Does that mean the people definitely didn't like it? | 0:05:18 | 0:05:21 | |
Definitely. | 0:05:21 | 0:05:23 | |
It was a good tune though. It was a good tune. It's an underground hit. | 0:05:23 | 0:05:26 | |
The Wombles bought it. LAUGHTER | 0:05:26 | 0:05:29 | |
Guys, what are you going for? ALL: Chips. | 0:05:29 | 0:05:31 | |
You're going for chips? | 0:05:31 | 0:05:33 | |
Going for chips. | 0:05:33 | 0:05:34 | |
You are wrong. | 0:05:34 | 0:05:35 | |
The answer was A. Coolio was chased out of his house by his furious girlfriend | 0:05:35 | 0:05:39 | |
after bringing home a woman for a threesome. | 0:05:39 | 0:05:42 | |
Now, I remember my first threesome in the music biz, | 0:05:42 | 0:05:45 | |
and if the Pet Shop Boys are watching... | 0:05:45 | 0:05:47 | |
LAUGHTER AND APPLAUSE | 0:05:47 | 0:05:50 | |
I'm going to do that joke for ITV2. | 0:05:53 | 0:05:56 | |
Threesome! Waaah! | 0:05:57 | 0:06:00 | |
LAUGHTER AND APPLAUSE | 0:06:00 | 0:06:02 | |
Phill, Ana and Jason, take a look at this. | 0:06:06 | 0:06:08 | |
That's right, it's name-changing, bling-coated party rapper P Diddy. | 0:06:10 | 0:06:14 | |
# We ain't going nowhere | 0:06:16 | 0:06:18 | |
# We can't be stopped now, cos it's Bad Boy for life...# | 0:06:18 | 0:06:23 | |
That was P Diddy with Bad Boy For Life, | 0:06:23 | 0:06:25 | |
but why did someone try to sue him for one trillion dollars? | 0:06:25 | 0:06:29 | |
Was it, A - | 0:06:29 | 0:06:31 | |
Ken Dodd tried to sue him over the use of the word "diddy"? | 0:06:31 | 0:06:35 | |
Did he? | 0:06:35 | 0:06:38 | |
A party on his private yacht was | 0:06:38 | 0:06:40 | |
so loud it nearly caused a natural disaster. | 0:06:40 | 0:06:43 | |
Or was it C - he was accused of masterminding 9/11? | 0:06:43 | 0:06:47 | |
A trillion dollars. | 0:06:49 | 0:06:50 | |
I didn't even know that existed. | 0:06:50 | 0:06:52 | |
What, a trillion? | 0:06:52 | 0:06:53 | |
That's the sort of thing you say when you're seven, isn't it? | 0:06:53 | 0:06:56 | |
Trillion. Trillion. A million-billion-trillion-zillion. | 0:06:56 | 0:07:00 | |
Your dad says, "Well, you can have a raise in pocket money but not that much." | 0:07:00 | 0:07:03 | |
He's awfully busy, the P Diddy person. | 0:07:03 | 0:07:06 | |
Very busy. | 0:07:06 | 0:07:07 | |
And I don't think it was the natural disaster thing, | 0:07:07 | 0:07:10 | |
I think that really just describes his latest clothing range, really. | 0:07:10 | 0:07:15 | |
Yeah! | 0:07:15 | 0:07:16 | |
Meow! | 0:07:16 | 0:07:18 | |
There's the natural disaster caused by a boat, | 0:07:18 | 0:07:22 | |
I don't see how he could have done that. | 0:07:22 | 0:07:23 | |
I bet he was in Cannes or somewhere, | 0:07:23 | 0:07:25 | |
where they're really uptight about that. | 0:07:25 | 0:07:28 | |
MIMICS FRENCH ACCENT: This rap music is so loud you will cause a tsunami, you know. | 0:07:28 | 0:07:33 | |
The French are so up themselves, | 0:07:33 | 0:07:34 | |
they might just think hip-hop is a natural disaster. | 0:07:34 | 0:07:38 | |
MIMICS FRENCH ACCENT: Ugh! These rhymes of yours, they are terrible. | 0:07:38 | 0:07:43 | |
It's possible that someone from the Ken Dodd organisation might | 0:07:43 | 0:07:46 | |
have sued him for using the word "diddy", just for a PR laugh. | 0:07:46 | 0:07:49 | |
Which is why a trillion dollars would get the PR. | 0:07:49 | 0:07:51 | |
I don't know who Doddy Diddy is. | 0:07:51 | 0:07:54 | |
P Doddy? That would be good. | 0:07:54 | 0:07:56 | |
How did you discover how to extend your duster? | 0:07:56 | 0:07:59 | |
I just rubbed it and it did it naturally! | 0:07:59 | 0:08:01 | |
LAUGHTER | 0:08:01 | 0:08:04 | |
APPLAUSE AND CHEERING | 0:08:04 | 0:08:06 | |
Give me an answer. | 0:08:06 | 0:08:08 | |
Phill, you're the captain. Oh, captain. | 0:08:08 | 0:08:10 | |
Ken Dodd for a laugh. | 0:08:10 | 0:08:12 | |
You are wrong, my friend. | 0:08:12 | 0:08:13 | |
Sorry. The answer is C. | 0:08:13 | 0:08:16 | |
Believe it or not, P Diddy was once sued for one trillion dollars, | 0:08:16 | 0:08:19 | |
right, after someone accused him of being the mastermind behind 9/11. | 0:08:19 | 0:08:23 | |
It's true. | 0:08:23 | 0:08:24 | |
P Diddy may have won three Grammys, be the richest figure in hip hop | 0:08:24 | 0:08:27 | |
and have a vast business empire, but come back to me | 0:08:27 | 0:08:30 | |
when you've got your own show on two British TV channels - | 0:08:30 | 0:08:33 | |
ITV2 and ITV2+1. | 0:08:33 | 0:08:36 | |
LAUGHTER | 0:08:36 | 0:08:38 | |
Right, at the end of that round, Phill's team have nothing | 0:08:43 | 0:08:46 | |
and Noel's team have nothing! | 0:08:46 | 0:08:49 | |
CHEERING | 0:08:49 | 0:08:52 | |
Time now for the Intros Round. | 0:08:57 | 0:08:59 | |
Noel and Charles, here are yours for Tony. | 0:08:59 | 0:09:02 | |
All right. Yeah. | 0:09:02 | 0:09:04 | |
Come along, Charles. | 0:09:04 | 0:09:05 | |
OK. Charles is the best name ever. | 0:09:05 | 0:09:07 | |
Thanks a lot. | 0:09:07 | 0:09:08 | |
Come on. You're the only Charles I know who's not a butler. | 0:09:08 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
I actually have to get off quite soon. | 0:09:13 | 0:09:15 | |
Boom-boom-boom-boom. | 0:09:16 | 0:09:18 | |
CHARLES MIMICS DRUMS | 0:09:18 | 0:09:19 | |
NOEL MIMICS GUITAR STRUM It's under water! | 0:09:19 | 0:09:22 | |
NOEL MIMICS ELECTRIC GUITAR | 0:09:22 | 0:09:24 | |
It's Freddy, Get To Bed by The Sailor Boys. | 0:09:32 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:39 | |
I have no frickin' idea. | 0:09:39 | 0:09:40 | |
All right. Let me ask you guys. Any of you...? | 0:09:40 | 0:09:42 | |
It's not Is She Really Going Out With Him by Joe Jackson? | 0:09:42 | 0:09:45 | |
You're both wrong. | 0:09:45 | 0:09:47 | |
It is Scooby Snacks by Fun Lovin' Criminals. | 0:09:47 | 0:09:50 | |
And this is how it should sound. | 0:09:50 | 0:09:53 | |
MUSIC: "Scooby Snacks" by Fun Lovin' Criminals | 0:09:53 | 0:09:55 | |
It doesn't sound like "braaaaawmmm". | 0:09:55 | 0:09:58 | |
# Running around robbing banks | 0:10:01 | 0:10:03 | |
# All wacked on the Scooby Snacks. # | 0:10:03 | 0:10:06 | |
This is from the '90s, I should have known it. | 0:10:06 | 0:10:08 | |
Yeah. | 0:10:08 | 0:10:10 | |
It was my era. | 0:10:10 | 0:10:11 | |
Next one, please. | 0:10:11 | 0:10:12 | |
OK. This one's good. | 0:10:12 | 0:10:13 | |
I can't remember this one. Can you remember it? | 0:10:13 | 0:10:16 | |
Well, Pete can help us if we... Yeah. | 0:10:16 | 0:10:18 | |
You could probably help us with this one. | 0:10:18 | 0:10:20 | |
Mysterious Girl! | 0:10:20 | 0:10:22 | |
Are you just shouting at me, "Mysterious girl"? LAUGHTER | 0:10:22 | 0:10:25 | |
You really are a mystery! | 0:10:25 | 0:10:27 | |
LAUGHTER | 0:10:29 | 0:10:31 | |
Quite a penis you've got there, lady. | 0:10:32 | 0:10:35 | |
LAUGHTER | 0:10:35 | 0:10:36 | |
You guys want me to help you with this? A little bit, yeah. | 0:10:36 | 0:10:40 | |
He knows how to... | 0:10:40 | 0:10:42 | |
You know the first bit that goes...? | 0:10:42 | 0:10:44 | |
NOEL WARBLES MUSICALLY | 0:10:44 | 0:10:45 | |
CHARLES MIMICS ACOUSTIC GUITAR | 0:10:45 | 0:10:47 | |
No, it's nothing like the song at all. | 0:10:50 | 0:10:53 | |
We're going to hear it in a minute and you're going to be blown away by how accurate that is. | 0:10:53 | 0:10:56 | |
But it has something in it that's sort of like... | 0:10:56 | 0:10:59 | |
PETER HUMS A MELODY | 0:10:59 | 0:11:01 | |
CHARLES MIMICS ACOUSTIC GUITAR I'm doing the guitar! | 0:11:01 | 0:11:04 | |
NOEL HUMS That was... That was... | 0:11:04 | 0:11:06 | |
I'm not doing the vocal. Do you know what it is? You know what it is yet? | 0:11:06 | 0:11:10 | |
Of course I do, I read it off the card. | 0:11:10 | 0:11:12 | |
It's pretty insane sounding. | 0:11:14 | 0:11:15 | |
Sounds mental! | 0:11:16 | 0:11:19 | |
Yes, but it's more than insane. | 0:11:19 | 0:11:21 | |
It's insane-mous. | 0:11:21 | 0:11:25 | |
It's insanity times two. It's... | 0:11:25 | 0:11:29 | |
What's the mathematical term for insanity? | 0:11:29 | 0:11:31 | |
Insania! | 0:11:31 | 0:11:32 | |
He did it. He got it. | 0:11:32 | 0:11:33 | |
APPLAUSE AND CHEERING | 0:11:33 | 0:11:36 | |
That's how it should have sounded. | 0:11:37 | 0:11:39 | |
No, this is how it should have sounded. | 0:11:39 | 0:11:41 | |
MUSIC: "Insania" by Peter Andre | 0:11:41 | 0:11:43 | |
OK. | 0:11:49 | 0:11:51 | |
Cool. | 0:11:51 | 0:11:53 | |
Yep. | 0:11:53 | 0:11:55 | |
Great. | 0:11:55 | 0:11:56 | |
PHILL LAUGHS | 0:11:56 | 0:12:00 | |
Excellent. | 0:12:00 | 0:12:03 | |
Keep it going. | 0:12:03 | 0:12:05 | |
And it's moving on. | 0:12:05 | 0:12:07 | |
CROWD CLAPS ALONG WITH MUSIC | 0:12:07 | 0:12:08 | |
LAUGHTER | 0:12:14 | 0:12:16 | |
MUSIC STOPS | 0:12:26 | 0:12:28 | |
Touch me. Touch me. Touch me. | 0:12:28 | 0:12:31 | |
Touch me. | 0:12:31 | 0:12:32 | |
CHEERING | 0:12:32 | 0:12:34 | |
So, that was me with Insania. | 0:12:36 | 0:12:37 | |
Look, I know I've apologised for Insania many times, | 0:12:37 | 0:12:40 | |
but hundreds and thousands of you bought it. | 0:12:40 | 0:12:42 | |
They did. I did it, but you let it happen. | 0:12:42 | 0:12:45 | |
So there's blood on all our hands! | 0:12:45 | 0:12:47 | |
I remember when I wrote that song, I was sleeping rough, | 0:12:47 | 0:12:50 | |
deep in the bush... | 0:12:50 | 0:12:51 | |
eating anus. | 0:12:51 | 0:12:53 | |
And I was jetlagged cos we'd only just come back from the jungle... | 0:12:53 | 0:12:55 | |
LAUGHTER | 0:12:55 | 0:12:58 | |
APPLAUSE AND CHEERING | 0:12:58 | 0:13:01 | |
We also heard Fun Lovin' Criminals with Scooby Snacks. | 0:13:03 | 0:13:06 | |
Scooby Snacks got to number 22 in the charts, but I'm guessing | 0:13:06 | 0:13:09 | |
it's not the highest the Fun Lovin' Criminals have ever been. | 0:13:09 | 0:13:12 | |
VOICE-OVER: Peter is upset that his joke about the Fun Lovin' Criminals | 0:13:15 | 0:13:18 | |
didn't go as well as he'd hoped. | 0:13:18 | 0:13:20 | |
It is upsetting when a joke doesn't quite happen as planned. | 0:13:21 | 0:13:24 | |
I wasn't sure about it and, to be honest, I don't even get it. | 0:13:24 | 0:13:28 | |
Phill and Ana, here are yours to give Jason. | 0:13:32 | 0:13:34 | |
Oh, God. Whenever you're ready, guys. | 0:13:35 | 0:13:38 | |
ANA CLEARS HER THROAT | 0:13:38 | 0:13:40 | |
THEY HUM TOGETHER | 0:13:40 | 0:13:41 | |
Oh, my God. I haven't got a clue. | 0:13:56 | 0:13:58 | |
No? No. Really? | 0:13:58 | 0:13:59 | |
Yeah. What is it? | 0:13:59 | 0:14:01 | |
Guys, did you hear that? | 0:14:01 | 0:14:02 | |
We think it was that I'll Be There song but we don't know who it's by. | 0:14:02 | 0:14:05 | |
# I'll be there. # | 0:14:05 | 0:14:06 | |
You're right. Reach Out I'll Be There by the Four Tops. | 0:14:06 | 0:14:10 | |
APPLAUSE | 0:14:10 | 0:14:12 | |
This is how it should have sounded. | 0:14:12 | 0:14:14 | |
MUSIC: "Reach Out I'll Be There" by Four Tops | 0:14:14 | 0:14:17 | |
I always dance like that. | 0:14:19 | 0:14:21 | |
Oh, wow. There a horse in that. | 0:14:21 | 0:14:23 | |
From a zoo...looking for Coolio. | 0:14:25 | 0:14:28 | |
THEY LAUGH | 0:14:28 | 0:14:31 | |
OK. Next one please. | 0:14:31 | 0:14:34 | |
ANA MIMICS GUITAR CHORDS | 0:14:34 | 0:14:36 | |
But not the one you think it is! | 0:14:38 | 0:14:40 | |
THEY MIMIC CHORDS | 0:14:42 | 0:14:44 | |
PHILL MIMICS PIANO | 0:14:45 | 0:14:48 | |
PHILL MIMICS ELECTRIC GUITAR CHORDS | 0:14:49 | 0:14:51 | |
ANA SCREAMS | 0:14:51 | 0:14:53 | |
It's the sound of their fans. | 0:14:53 | 0:14:55 | |
That's giving too much away. | 0:14:55 | 0:14:57 | |
I'm not really good at this, clearly. | 0:14:57 | 0:14:59 | |
Just take a stab in the dark. | 0:14:59 | 0:15:01 | |
Haven't got a clue. | 0:15:01 | 0:15:02 | |
Good. Guys. | 0:15:02 | 0:15:04 | |
# Out here in the fields | 0:15:04 | 0:15:06 | |
# I fight for my meals | 0:15:06 | 0:15:09 | |
# I don't need to be forgiven, yeah, yeah, yeah, yeah. # | 0:15:09 | 0:15:15 | |
HE MIMICS ELECTRIC GUITAR CHORDS | 0:15:15 | 0:15:16 | |
APPLAUSE AND CHEERING | 0:15:18 | 0:15:20 | |
It actually isn't that song. Think more naff and more current. | 0:15:23 | 0:15:27 | |
You're all going to be so appalled, and I think Tony might be | 0:15:27 | 0:15:30 | |
a little bit sick in his own mouth in a moment. | 0:15:30 | 0:15:32 | |
Tony, that was really good but it was wrong, | 0:15:32 | 0:15:34 | |
so I'm going to tell you what it is. | 0:15:34 | 0:15:37 | |
It was One Direction - Best Song Ever. | 0:15:37 | 0:15:40 | |
Nooooo! | 0:15:40 | 0:15:42 | |
This is how it should have sounded. | 0:15:43 | 0:15:45 | |
That's not how it should have sounded. | 0:15:45 | 0:15:47 | |
MUSIC: "Best Song Ever" by One Direction | 0:15:47 | 0:15:49 | |
Yeah, so... | 0:15:49 | 0:15:52 | |
ANA: I got it wrong. | 0:15:52 | 0:15:54 | |
You're not allowed to do that. | 0:15:59 | 0:16:01 | |
How was I going to get that? | 0:16:01 | 0:16:02 | |
That was One Direction with Best Song Ever. | 0:16:06 | 0:16:08 | |
Some people point out similarities between Best Song Ever | 0:16:08 | 0:16:11 | |
and Baba O'Riley by The Who, | 0:16:11 | 0:16:12 | |
but Pete Townshend responded by saying, "It's not a problem, | 0:16:12 | 0:16:15 | |
"we're all using the same three chords in basic music." | 0:16:15 | 0:16:18 | |
A... | 0:16:21 | 0:16:23 | |
G and... | 0:16:23 | 0:16:25 | |
H? LAUGHTER | 0:16:25 | 0:16:27 | |
Now, Best Song Ever, I do like that sort of confidence. | 0:16:27 | 0:16:30 | |
That's why I wrote a song yesterday called Album Filler | 0:16:30 | 0:16:32 | |
and it's on the b-side of That'll Do. | 0:16:32 | 0:16:35 | |
LAUGHTER | 0:16:35 | 0:16:36 | |
APPLAUSE | 0:16:36 | 0:16:38 | |
Time now for a bonus game based on one of the greatest pop songs | 0:16:43 | 0:16:46 | |
ever written in a jungle. | 0:16:46 | 0:16:49 | |
Ladies and gentlemen, let's play Insania. | 0:16:49 | 0:16:51 | |
MUSIC: "Insania" by Peter Andre | 0:16:51 | 0:16:53 | |
I'm going to give you guys clues leading to a famous pop star | 0:16:57 | 0:17:00 | |
who has gone a little insania in the head. | 0:17:00 | 0:17:03 | |
All both teams have to do is guess which insania pop star I'm | 0:17:03 | 0:17:06 | |
talking about. | 0:17:06 | 0:17:07 | |
Are you guys ready to play? | 0:17:07 | 0:17:09 | |
ALL: Yes! | 0:17:09 | 0:17:10 | |
OK. Who am I? | 0:17:10 | 0:17:12 | |
Peter! Yes. | 0:17:12 | 0:17:14 | |
Who am I? Peter. Yes. | 0:17:16 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:22 | |
Who...? Peter. Yeah. | 0:17:22 | 0:17:23 | |
LAUGHTER AND APPLAUSE | 0:17:23 | 0:17:25 | |
Do it again. | 0:17:29 | 0:17:31 | |
Who am I? MUMBLED: Peter! | 0:17:31 | 0:17:33 | |
LAUGHTER | 0:17:33 | 0:17:35 | |
I love accessorising my outfits with human teeth. | 0:17:35 | 0:17:39 | |
Keisha. | 0:17:39 | 0:17:40 | |
Peter. Hang on a second... | 0:17:40 | 0:17:42 | |
What did you just say? I just said Keisha. | 0:17:42 | 0:17:45 | |
Yes! | 0:17:45 | 0:17:46 | |
CHEERING | 0:17:46 | 0:17:48 | |
Who am I? Peter. | 0:17:53 | 0:17:54 | |
Oh... LAUGHTER | 0:17:54 | 0:17:56 | |
OK. Ask me. Ask me. Who am I? Peter. Yeah... | 0:17:56 | 0:17:58 | |
LAUGHTER | 0:17:58 | 0:18:01 | |
Jeez, you guys...! Ask me. Ask me. | 0:18:01 | 0:18:03 | |
Who am I? | 0:18:03 | 0:18:04 | |
Jordan's ex-husband. | 0:18:04 | 0:18:05 | |
CHEERING | 0:18:05 | 0:18:08 | |
I think you should come back to me. | 0:18:14 | 0:18:16 | |
LAUGHTER | 0:18:16 | 0:18:19 | |
Who am I? | 0:18:19 | 0:18:21 | |
Peter. | 0:18:21 | 0:18:22 | |
Seriously, ask me one more time. | 0:18:22 | 0:18:24 | |
OK. I will. | 0:18:24 | 0:18:25 | |
I will. | 0:18:25 | 0:18:26 | |
WHISPERS: Who am I? | 0:18:27 | 0:18:28 | |
One of the nicest people I've ever met, frankly. | 0:18:28 | 0:18:30 | |
AUDIENCE: Awwww! | 0:18:30 | 0:18:33 | |
Right. | 0:18:36 | 0:18:38 | |
Who am I? | 0:18:38 | 0:18:39 | |
For years, I let a camera crew follow me | 0:18:39 | 0:18:41 | |
around and record my every move for a TV... Peter Andre! Peter Andre! | 0:18:41 | 0:18:46 | |
No. | 0:18:46 | 0:18:47 | |
I once dragged a dead shark into my hotel room and then dismembered it. | 0:18:47 | 0:18:50 | |
Oh, that was me. Ozzy Osbourne. Ozzy Osbourne. Brilliant! | 0:18:50 | 0:18:53 | |
All right. | 0:18:53 | 0:18:56 | |
One more, one more, one more. | 0:18:56 | 0:18:58 | |
One more, one more, one more. Who am I? | 0:18:58 | 0:19:01 | |
I recently employed a DNA team to forensically clean my dressing | 0:19:01 | 0:19:04 | |
room of all hair, skin and saliva when I leave. | 0:19:04 | 0:19:07 | |
Chris Martin from Coldplay. ANA: Madonna. | 0:19:07 | 0:19:10 | |
Madonna! Brilliant! | 0:19:10 | 0:19:11 | |
APPLAUSE | 0:19:11 | 0:19:13 | |
Well done, everyone, and thanks for playing Insania. | 0:19:17 | 0:19:21 | |
MUSIC: "Insania" by Peter Andre | 0:19:21 | 0:19:26 | |
Round three is the Identity Parade. | 0:19:26 | 0:19:29 | |
Noel, Charles and Tony, how about some feel-good, | 0:19:29 | 0:19:31 | |
ocean-based muscle pop? | 0:19:31 | 0:19:34 | |
For the audience only, here is me with Mysterious Girl. | 0:19:34 | 0:19:38 | |
# Oh, oh, oh, oh, oh, oh, | 0:19:38 | 0:19:40 | |
# Mysterious girl | 0:19:40 | 0:19:42 | |
# Move your body close to mine | 0:19:42 | 0:19:48 | |
# Well I've been sitting by the phone hoping you'd call | 0:19:48 | 0:19:51 | |
# When time me hear your voice I feel ten feet tall | 0:19:51 | 0:19:54 | |
# Body weh you have a make de man dem a bawl | 0:19:54 | 0:19:57 | |
# Man a trip over man when time your name call...# | 0:19:57 | 0:20:00 | |
That was me with Mysterious Girl, but which of our line-up was | 0:20:00 | 0:20:03 | |
the true star in the video, Bubbler Ranx? | 0:20:03 | 0:20:06 | |
Is it number one - Bubbler Ranx? | 0:20:06 | 0:20:09 | |
Number two - Bubble And Squeak? | 0:20:09 | 0:20:12 | |
Number three - Bubble Bath? | 0:20:12 | 0:20:14 | |
Number four - Bubble Butt? | 0:20:14 | 0:20:17 | |
Or number five - Hubba Bubba? | 0:20:17 | 0:20:21 | |
Do you now what, I think it's uncomfortable for these dudes | 0:20:21 | 0:20:24 | |
to be standing there wearing no shirt. | 0:20:24 | 0:20:27 | |
I think you and you should get your shirts off in support. | 0:20:27 | 0:20:29 | |
I'll be the waterfall. | 0:20:29 | 0:20:31 | |
LAUGHTER | 0:20:31 | 0:20:33 | |
He'll start singing his bit. | 0:20:36 | 0:20:38 | |
Which is the main bit, right? | 0:20:38 | 0:20:39 | |
It's the main bit. What were you doing? | 0:20:39 | 0:20:42 | |
Just standing around with your six pack? | 0:20:42 | 0:20:44 | |
# Oh, oh, oh, oh, oh. # | 0:20:44 | 0:20:46 | |
I know that. I used to do it all the time. | 0:20:47 | 0:20:50 | |
Was that how you got a six pack, from the waterfall? | 0:20:50 | 0:20:52 | |
Just from doing this constantly for months. | 0:20:52 | 0:20:54 | |
LAUGHTER | 0:20:54 | 0:20:56 | |
AUSTRALIAN ACCENT: I've never done a fucking sit-up in my life, mate. | 0:20:56 | 0:21:00 | |
LAUGHTER | 0:21:00 | 0:21:02 | |
APPLAUSE | 0:21:05 | 0:21:07 | |
I'm judging it now by the ones that look like they want to have | 0:21:09 | 0:21:13 | |
a drink with you afterwards, considering this is your friend. | 0:21:13 | 0:21:15 | |
And number two looks just so ready to drive home. | 0:21:15 | 0:21:20 | |
I think I saw number four checking out Peter in a, kind of, | 0:21:20 | 0:21:23 | |
where's my royalties...? | 0:21:23 | 0:21:25 | |
LAUGHTER | 0:21:25 | 0:21:27 | |
I'm pretty sure it's one. | 0:21:27 | 0:21:30 | |
He's so stoic and confident and he just looks like he's ready to | 0:21:30 | 0:21:33 | |
bring up Insania once again with you after the show. | 0:21:33 | 0:21:36 | |
Different song, but no worries. | 0:21:36 | 0:21:39 | |
Shall we find out who it is? | 0:21:39 | 0:21:40 | |
Let Charles have a stab at it. | 0:21:40 | 0:21:42 | |
I think it's one. Let's find out. | 0:21:42 | 0:21:44 | |
Would the real Bubbler, please, step forward? | 0:21:44 | 0:21:47 | |
NOEL: It's four, isn't it? He's laughing. | 0:21:47 | 0:21:49 | |
Oh...! | 0:21:49 | 0:21:52 | |
THEY CHEER | 0:21:52 | 0:21:55 | |
APPLAUSE | 0:21:55 | 0:21:57 | |
Bubbler! | 0:21:57 | 0:21:59 | |
VOICE-OVER: Peter and Bubbler are reunited | 0:22:01 | 0:22:04 | |
for the first time in many years. | 0:22:04 | 0:22:06 | |
Despite their solemn promises to keep in touch | 0:22:06 | 0:22:08 | |
and have a beer together after the show, | 0:22:08 | 0:22:10 | |
this hug would prove to be the last time they would ever see each other. | 0:22:10 | 0:22:14 | |
LAUGHTER AND APPLAUSE | 0:22:14 | 0:22:17 | |
Now running his own music production company - Bubbler Ranx, | 0:22:21 | 0:22:25 | |
ladies and gentlemen! | 0:22:25 | 0:22:26 | |
CHEERING | 0:22:27 | 0:22:29 | |
Phill's team, how about some alternative UK androgo-rock? | 0:22:33 | 0:22:36 | |
Here is Placebo with Pure Morning. | 0:22:36 | 0:22:40 | |
# Day's dawning, skins crawling | 0:22:40 | 0:22:51 | |
# Day's dawning, skins crawling... # | 0:22:51 | 0:22:57 | |
That was Placebo with Pure Morning, | 0:22:59 | 0:23:01 | |
but which of our line-up is David Fox, | 0:23:01 | 0:23:03 | |
the now grown-up boy from the iconic | 0:23:03 | 0:23:06 | |
front cover of Placebo's album Placebo? | 0:23:06 | 0:23:09 | |
Is it...Number one - David Fox? | 0:23:09 | 0:23:12 | |
Number two - Doctor Fox? | 0:23:12 | 0:23:15 | |
Number three - Samantha Fox? | 0:23:15 | 0:23:18 | |
Number four - Foxy Knoxy? | 0:23:18 | 0:23:20 | |
Or number five - what the fox!? | 0:23:22 | 0:23:25 | |
Why is that I suddenly want to rent Home Alone? | 0:23:26 | 0:23:29 | |
LAUGHTER | 0:23:29 | 0:23:31 | |
It's like a kindergarten version of Edvard Munch's Scream. | 0:23:31 | 0:23:35 | |
Looks like a really upset lifeboat crew. | 0:23:35 | 0:23:37 | |
"Ah, we didn't save them"! | 0:23:37 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:42 | |
Jason, what do you reckon? | 0:23:42 | 0:23:44 | |
I think it's number one. | 0:23:44 | 0:23:47 | |
I think he's really been completely traumatised by it all | 0:23:47 | 0:23:50 | |
and he's never quite got over it. | 0:23:50 | 0:23:52 | |
He hasn't combed his hair since the shoot. | 0:23:52 | 0:23:55 | |
You going to go with one? I think... Yep. Let's give it a go. | 0:23:55 | 0:23:58 | |
So would the real David Fox, please, step forward? | 0:23:58 | 0:24:01 | |
APPLAUSE | 0:24:04 | 0:24:06 | |
It's the Placebo boy David Fox. | 0:24:12 | 0:24:13 | |
Ladies and gentlemen... | 0:24:13 | 0:24:15 | |
APPLAUSE | 0:24:15 | 0:24:18 | |
At the end of that round Phill's team have nothing | 0:24:18 | 0:24:21 | |
and Noel's team have three. | 0:24:21 | 0:24:23 | |
CHEERING | 0:24:23 | 0:24:25 | |
So we end with Next Lines. | 0:24:27 | 0:24:29 | |
Noel's team, you're in the lead so you go first. | 0:24:29 | 0:24:32 | |
And your time starts now. | 0:24:32 | 0:24:35 | |
"It's like rain on your wedding day." | 0:24:35 | 0:24:37 | |
"It's the free ride that you just can't take." | 0:24:37 | 0:24:39 | |
Close enough. "It's a free ride, you've already paid." Isn't It Ironic - Alanis Morissette. | 0:24:39 | 0:24:43 | |
"Oh, oh, oh, oh, oh, oh, oh, oh." | 0:24:43 | 0:24:45 | |
Mysterious Girl! | 0:24:45 | 0:24:47 | |
You were right. It was Mysterious Girl by... | 0:24:47 | 0:24:49 | |
Peter Andre. | 0:24:49 | 0:24:51 | |
And Bubble...Wrap. | 0:24:51 | 0:24:53 | |
Yep. Next one. | 0:24:53 | 0:24:54 | |
"Let's grow old together." | 0:24:54 | 0:24:56 | |
"And die at the same time." | 0:24:56 | 0:24:58 | |
To Lose My Life by White Lies. | 0:24:58 | 0:25:01 | |
Here's the next one. | 0:25:01 | 0:25:02 | |
# Your personality alone light up de room... # | 0:25:04 | 0:25:08 | |
CHEERING | 0:25:08 | 0:25:11 | |
Mysterious Girl by Peter Andre. | 0:25:18 | 0:25:20 | |
Yes, but what is the line? | 0:25:20 | 0:25:21 | |
# Mysterious girl...# | 0:25:21 | 0:25:22 | |
No, but hang on, hang on. Hang on. | 0:25:22 | 0:25:25 | |
"Your personality alone light de room," | 0:25:25 | 0:25:28 | |
"just one kiss alone a make me heart go boom." | 0:25:28 | 0:25:31 | |
Mysterious Girl by...Peter Andre, and featuring Bubbler Ranx. Yes! | 0:25:31 | 0:25:37 | |
CHEERING | 0:25:37 | 0:25:39 | |
# Baby girl, I said tonight is your lucky night. # | 0:25:44 | 0:25:47 | |
CHEERING | 0:25:47 | 0:25:49 | |
Close enough. | 0:25:54 | 0:25:55 | |
Peter Andre along with Bubbler Ranx on the mic. | 0:25:55 | 0:25:59 | |
END OF ROUND JINGLE | 0:25:59 | 0:26:00 | |
CHEERING | 0:26:00 | 0:26:02 | |
Phill's team, you need eight points to win, your time starts...now. | 0:26:07 | 0:26:12 | |
"When you call my name it's like a little prayer..." | 0:26:12 | 0:26:15 | |
# Get down on my knees and I'll take you there. # | 0:26:15 | 0:26:19 | |
She's a dirty cow! Yeah. | 0:26:19 | 0:26:23 | |
OK. "Come into my garden..." | 0:26:23 | 0:26:25 | |
"And watch my penis harden." | 0:26:25 | 0:26:26 | |
LAUGHTER | 0:26:26 | 0:26:28 | |
"Check out these ideas I've planted." Garden by Rizzle Kicks. | 0:26:33 | 0:26:36 | |
"But I don't feel like dancing..." | 0:26:36 | 0:26:38 | |
"I don't feel like dancing when the Joanna plays, | 0:26:38 | 0:26:40 | |
"my heart goes..." SHE MUMBLES | 0:26:40 | 0:26:43 | |
It's one of yours, isn't it? | 0:26:43 | 0:26:44 | |
Well, I don't sing lead on it, so... I know. | 0:26:44 | 0:26:47 | |
Would it help if I did this? | 0:26:47 | 0:26:49 | |
# I don't feel like dancing. # | 0:26:49 | 0:26:51 | |
Maybe if you put on Noel's outfit. | 0:26:51 | 0:26:53 | |
That's simply not going to happen. | 0:26:53 | 0:26:55 | |
As we know, Noel is petite...and I'm medium. | 0:26:55 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
# I don't feel like dancing. # | 0:27:01 | 0:27:03 | |
"When the old Joanna plays my heart goes..." | 0:27:03 | 0:27:05 | |
SHE MUMBLES | 0:27:05 | 0:27:07 | |
"No sir, no dancin' today." | 0:27:07 | 0:27:09 | |
I Don't Feel Like Dancin' by the Scissor Sisters. | 0:27:09 | 0:27:12 | |
"All right. | 0:27:12 | 0:27:14 | |
"Stop. Collaborate and listen..." | 0:27:14 | 0:27:16 | |
"Ice is back with a brand new invention, | 0:27:16 | 0:27:17 | |
"something grabs a hold of me tightly..." SHE MUMBLES | 0:27:17 | 0:27:20 | |
"Daily and nightly. Will it ever stop? Yo - I don't know, | 0:27:20 | 0:27:23 | |
"turn off the lights and I'll glow. | 0:27:23 | 0:27:25 | |
"To the extreme I rock a mic like a vandal, | 0:27:25 | 0:27:27 | |
"light up a stage and wax a chump like a candle." CHEERING | 0:27:27 | 0:27:31 | |
END OF ROUND JINGLE | 0:27:31 | 0:27:33 | |
So the final scores are - Phill's team have two, | 0:27:35 | 0:27:39 | |
and Noel's team have seven. | 0:27:39 | 0:27:42 | |
CHEERING | 0:27:42 | 0:27:44 | |
So that's it. | 0:27:47 | 0:27:48 | |
Thanks to Phill, Ana Matronic | 0:27:48 | 0:27:50 | |
and Jason Gardiner, Noel, Charles Cave and Tony Law. | 0:27:50 | 0:27:52 | |
APPLAUSE AND CHEERING | 0:27:52 | 0:27:55 | |
This has been Never Mind The Buzzcocks - My Life. | 0:27:59 | 0:28:02 | |
I've been Peter Andre, and as you enjoy the credits, | 0:28:02 | 0:28:05 | |
we're going to see just how good at gardening Jason Gardiner really is. | 0:28:05 | 0:28:08 | |
Good night. | 0:28:08 | 0:28:10 | |
CHEERING | 0:28:10 | 0:28:12 | |
Subtitles by Red Bee Media Ltd | 0:28:30 | 0:28:32 |