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Welcome to Never Mind The Buzzcocks! | 0:00:30 | 0:00:33 | |
Please welcome your host for this evening, | 0:00:33 | 0:00:36 | |
all the way from the radio, | 0:00:36 | 0:00:38 | |
which is no different from the TV, except for the cameras... | 0:00:38 | 0:00:41 | |
It's Sara Cox! | 0:00:41 | 0:00:43 | |
MUSIC: "Chase Status" by Blind Faith ft. Liam Bailey | 0:00:47 | 0:00:51 | |
Hello, hello, hello, | 0:01:13 | 0:01:14 | |
and welcome to Never Mind The Buzzcocks. | 0:01:14 | 0:01:16 | |
I'm Sara Cox, and on Phill's team tonight | 0:01:16 | 0:01:18 | |
is a singer who played | 0:01:18 | 0:01:21 | |
the UK's first ever show on Facebook, | 0:01:21 | 0:01:24 | |
saying, "It was really strange performing | 0:01:24 | 0:01:27 | |
"without any faces looking back at me." | 0:01:27 | 0:01:29 | |
Now you know how Matt Cardle feels when he's on tour. | 0:01:29 | 0:01:31 | |
It's Eliza Doolittle. | 0:01:31 | 0:01:33 | |
CHEERING AND APPLAUSE | 0:01:33 | 0:01:35 | |
And a stand-up comedian | 0:01:38 | 0:01:39 | |
who was inspired after going to see Jimmy Carr. | 0:01:39 | 0:01:42 | |
He went straight to his mum and said, | 0:01:42 | 0:01:43 | |
"When I grow up, I'm never going to pay tax". It's Matt Richardson. | 0:01:43 | 0:01:47 | |
CHEERING AND APPLAUSE | 0:01:47 | 0:01:49 | |
And on Noel's team tonight... | 0:01:51 | 0:01:53 | |
a singer who was born in the tiny Australian town of Mullumbimby | 0:01:53 | 0:01:58 | |
and had to travel to Sydney to take part in rap battles. | 0:01:58 | 0:02:01 | |
It's the inspiration for the film 4,728 Mile. | 0:02:01 | 0:02:04 | |
It's Iggy Azalea. | 0:02:04 | 0:02:06 | |
CHEERING AND APPLAUSE | 0:02:06 | 0:02:07 | |
And one of the most loved sports presenters in the country. | 0:02:07 | 0:02:11 | |
He was best known for his work on the BBC | 0:02:11 | 0:02:14 | |
and since becoming the face of BT Sport, | 0:02:14 | 0:02:15 | |
he's still best known for his work on the BBC. | 0:02:15 | 0:02:18 | |
It's Jake Humphrey. | 0:02:18 | 0:02:20 | |
CHEERING AND APPLAUSE | 0:02:20 | 0:02:21 | |
We begin with Buzzcocks' Advisory Explicit Content. | 0:02:25 | 0:02:29 | |
I'll show you a series of pop videos | 0:02:29 | 0:02:31 | |
that have been bleeped and blurred by us. | 0:02:31 | 0:02:33 | |
All you've got to do is decide which of the videos actually needed censoring | 0:02:33 | 0:02:37 | |
due to explicit content. | 0:02:37 | 0:02:39 | |
Phill, Eliza and Matt, let's have a look at yours. | 0:02:39 | 0:02:41 | |
# Giant steps are what you take | 0:02:44 | 0:02:46 | |
# BLEEP on the moon | 0:02:46 | 0:02:48 | |
# I hope my legs don't break | 0:02:50 | 0:02:53 | |
# BLEEP on the moon... # | 0:02:53 | 0:02:55 | |
# Blurred lines | 0:02:57 | 0:02:58 | |
# I know you want it | 0:02:58 | 0:03:03 | |
# But you're a good girl... # | 0:03:03 | 0:03:05 | |
# Don't you know I'm still standing | 0:03:07 | 0:03:09 | |
# Better than I've ever been | 0:03:09 | 0:03:11 | |
# BLEEP like a true survivor | 0:03:12 | 0:03:14 | |
# BLEEP like a little kid... # | 0:03:14 | 0:03:16 | |
# I know some day that it'll all turn out | 0:03:19 | 0:03:21 | |
# You'll make me work so we can work to work it out | 0:03:21 | 0:03:25 | |
# And I promise you, kid | 0:03:27 | 0:03:28 | |
# that I'll give so much more than I get | 0:03:28 | 0:03:31 | |
# I just haven't BLEEP you yet... # | 0:03:33 | 0:03:36 | |
That was my favourite. | 0:03:39 | 0:03:40 | |
So that was the Police, Robin Thicke, Elton John and Michael Buble. | 0:03:40 | 0:03:44 | |
But who was genuinely being explicit in their pop video? | 0:03:44 | 0:03:48 | |
So Buble was running across some freezers in a supermarket. | 0:03:48 | 0:03:52 | |
It could be Bubes. | 0:03:52 | 0:03:54 | |
Might it be him? Have you met any of these people? | 0:03:54 | 0:03:56 | |
I met Buble once. He married the girl in the video. | 0:03:56 | 0:04:00 | |
I met her as well. Couldn't he just have paid her? | 0:04:00 | 0:04:02 | |
Eliza, have you met Robin Thicke? | 0:04:02 | 0:04:05 | |
No. Good. Don't. | 0:04:05 | 0:04:07 | |
Stay away from that man. You listen to your Auntie Sara. | 0:04:07 | 0:04:10 | |
Stay away. Dish! | 0:04:10 | 0:04:12 | |
Tell us about him. Oh, nowt, really. | 0:04:12 | 0:04:13 | |
He leaves a bit of a slick behind him. | 0:04:13 | 0:04:16 | |
Phwoarr, phwoarr! | 0:04:18 | 0:04:19 | |
I know what you want to do to stop that - salt. | 0:04:19 | 0:04:22 | |
Yeah! | 0:04:22 | 0:04:23 | |
And then we had Elton John, Still Standing. | 0:04:24 | 0:04:26 | |
Yeah. I remember reading an article about him, where he said that | 0:04:26 | 0:04:30 | |
in an average weekend, he'd do an ounce of cocaine, | 0:04:30 | 0:04:32 | |
and pots and pots and pots of whelks. | 0:04:32 | 0:04:35 | |
You'd do the cocaine and think, "Seafood! | 0:04:36 | 0:04:38 | |
"We're going to Margate!" | 0:04:38 | 0:04:40 | |
Cheap whizz and crabsticks. | 0:04:42 | 0:04:44 | |
In that video where they all fell over, | 0:04:46 | 0:04:48 | |
do you think that was on purpose, or just one guy at the front just...? | 0:04:48 | 0:04:52 | |
They shouldn't have put Wobbly Bob at the front - he always falls over. | 0:04:52 | 0:04:55 | |
Bob's like, "Sorry!" | 0:04:55 | 0:04:57 | |
Wobbly Bob! | 0:04:57 | 0:04:58 | |
So, whose video has really been censored for being a massive rudey-pants? | 0:04:58 | 0:05:03 | |
The Thickeness. Robin Thicke. | 0:05:03 | 0:05:04 | |
You're absolutely right. It was Robin Thicke. | 0:05:04 | 0:05:07 | |
Robin Thicke there with Blurred Lines, which we had to censor because, aside from loads | 0:05:07 | 0:05:11 | |
of naked ladies, he blew up some balloons | 0:05:11 | 0:05:13 | |
saying "Robin Thicke has a big...widgie". | 0:05:13 | 0:05:17 | |
Oh to be there and change the word "has" for "is"! | 0:05:19 | 0:05:22 | |
That would have been good. | 0:05:22 | 0:05:23 | |
I think that says "Robin Thicke has a big duck". | 0:05:25 | 0:05:27 | |
The way she's stood, though, makes it look like "Robin Thicke has a bi duck". | 0:05:29 | 0:05:33 | |
This bisexual duck that also likes geese as well. | 0:05:33 | 0:05:35 | |
For a bonus point, can you tell me where the song Blurred Lines | 0:05:37 | 0:05:41 | |
has been banned from being played? | 0:05:41 | 0:05:43 | |
Is it A - student unions, | 0:05:43 | 0:05:46 | |
B - from a leading opticians | 0:05:46 | 0:05:48 | |
or is it C - from Buckingham Palace? | 0:05:48 | 0:05:50 | |
Where's the song been banned from? | 0:05:50 | 0:05:52 | |
Opticians. | 0:05:52 | 0:05:53 | |
Cos they can't take a joke, famously. | 0:05:53 | 0:05:55 | |
I don't like the opticians, cos I don't like being in a dark room, | 0:05:55 | 0:05:58 | |
when the lady puts her face so close to me | 0:05:58 | 0:06:01 | |
and it's so dark, I just want to go "mwah!" on her. | 0:06:01 | 0:06:03 | |
It is weird, isn't it? "And what about if I do this?" | 0:06:05 | 0:06:08 | |
It's really freaky. | 0:06:08 | 0:06:09 | |
"Which one's clearer - the red or the green?" | 0:06:09 | 0:06:13 | |
And sometimes you say "Green" and they go "Really?" | 0:06:13 | 0:06:16 | |
Did anybody else used to pretend...? | 0:06:17 | 0:06:19 | |
My eyes were all right when I was at school, and they'd do one of those rubbish eye tests | 0:06:19 | 0:06:23 | |
and they'd show you summat and you'd have to identify a number in it to see if you were colour blind, | 0:06:23 | 0:06:27 | |
and everyone was desperate to be colour blind, so you'd be like | 0:06:27 | 0:06:30 | |
"seven" though you could clearly see it was a nine. | 0:06:30 | 0:06:32 | |
JAKE: See, I am colour blind, | 0:06:32 | 0:06:34 | |
and I did have the dots test when I was seven years old and my grandpa was a policeman | 0:06:34 | 0:06:37 | |
and I always wanted to be a cop. | 0:06:37 | 0:06:38 | |
And at seven years old, I failed the colour blindness test | 0:06:38 | 0:06:41 | |
and they went, "You are colour blind. There's a list of jobs you can't do." | 0:06:41 | 0:06:46 | |
ALL: Aww! | 0:06:46 | 0:06:47 | |
What was at the top? Police officer. | 0:06:47 | 0:06:49 | |
I can't believe that policeman was at the top. | 0:06:49 | 0:06:52 | |
What about rainbow shepherd? | 0:06:52 | 0:06:54 | |
Why can't you be a policeman? I don't understand. | 0:07:02 | 0:07:04 | |
I think when I say, "The guy took off in the brown car" and they're all looking for the brown car... | 0:07:04 | 0:07:08 | |
"It was a guy with long blond hair and a brown jumper" | 0:07:08 | 0:07:11 | |
and they're running around West London looking for you... | 0:07:11 | 0:07:14 | |
All right, I've got it now. | 0:07:14 | 0:07:15 | |
We've got to leave the colour blind thing now. | 0:07:17 | 0:07:19 | |
I can't, though, can I? | 0:07:19 | 0:07:20 | |
So, your answer, then? | 0:07:26 | 0:07:28 | |
I've forgotten what we were doing. | 0:07:28 | 0:07:29 | |
Student unions. | 0:07:29 | 0:07:31 | |
But students are allowed to do anything. | 0:07:31 | 0:07:34 | |
Not really. Aren't they? | 0:07:34 | 0:07:35 | |
Oh, it's Freshers' - I killed a guy! | 0:07:35 | 0:07:37 | |
That's your final answer? I think it'll be the student unions. | 0:07:40 | 0:07:43 | |
You're absolutely right. It is the student unions. Well done. | 0:07:43 | 0:07:45 | |
APPLAUSE | 0:07:45 | 0:07:47 | |
Blurred Lines was banned from a number of British student unions, | 0:07:51 | 0:07:54 | |
as they said it encourages misogynistic culture. | 0:07:54 | 0:07:56 | |
Robin Thicke didn't go to university, | 0:07:56 | 0:07:58 | |
but neither did his mates Nick Numpty and Derek Durbrain. | 0:07:58 | 0:08:01 | |
Many of you know who Robin Thicke is. | 0:08:01 | 0:08:03 | |
He's the guy who twerked with Miley Cyrus at the VMAs. | 0:08:03 | 0:08:07 | |
I used to have a dog who used to twerk all the time, | 0:08:07 | 0:08:10 | |
but it turned out to be worms. | 0:08:10 | 0:08:12 | |
Noel's team, have a look at this. Tell me which of the following pop stars really did need censoring. | 0:08:14 | 0:08:18 | |
# Baby, I'll try to love again but I know | 0:08:21 | 0:08:25 | |
# The first BLEEP is the deepest | 0:08:28 | 0:08:31 | |
# Baby, I know | 0:08:31 | 0:08:34 | |
# The first BLEEP is the deepest... # | 0:08:34 | 0:08:37 | |
# BLEEP like an Egyptian | 0:08:40 | 0:08:42 | |
# BLEEP like an Egyptian... # | 0:08:45 | 0:08:47 | |
# Could have entered me lightly | 0:08:53 | 0:08:57 | |
# Restoring my blisses... # | 0:08:57 | 0:09:01 | |
# What we want to | 0:09:02 | 0:09:03 | |
# It's our house We can love who we want to | 0:09:03 | 0:09:06 | |
# It's our song We can sing if we want to | 0:09:06 | 0:09:09 | |
# It's my mouth I can BLEEP what I want to... # | 0:09:09 | 0:09:12 | |
There you go. Rod Stewart, the Bangles, Bjork and Miley Cyrus. | 0:09:15 | 0:09:18 | |
Who was being actually explicit in their pop video? Who's the rudey-pants? | 0:09:18 | 0:09:22 | |
There's so much there that blew my mind. | 0:09:22 | 0:09:24 | |
Rod Stewart's haircut... | 0:09:24 | 0:09:26 | |
Is it similar to mine or not? I got a bit paranoid when I saw the video. | 0:09:26 | 0:09:30 | |
No, no. Not as good, yours. | 0:09:30 | 0:09:32 | |
I don't mind. | 0:09:32 | 0:09:34 | |
I will bow down to Rod. Not in that way. That's disgusting. | 0:09:34 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:38 | |
Excuse me, your laugh is not acceptable. | 0:09:38 | 0:09:40 | |
It's like you've carried a goat in. | 0:09:42 | 0:09:44 | |
My dad used to have a goat and the vet said it was the biggest... | 0:09:45 | 0:09:48 | |
He's a farmer. He was called Leroy. | 0:09:51 | 0:09:52 | |
Not me dad - the goat was called Leroy. | 0:09:52 | 0:09:55 | |
It was about this big. I never liked it. I was happy when it died. Sorry, Dad. | 0:09:55 | 0:09:59 | |
If ever you see a goat and you want it to skip away, | 0:09:59 | 0:10:03 | |
just give it a tickle under its tail. | 0:10:03 | 0:10:05 | |
Same with Jake, actually. | 0:10:05 | 0:10:07 | |
And I was thinking I would be left out of the conversation because I know nothing about music. | 0:10:07 | 0:10:11 | |
What do you think, Iggy? I had a goat too. | 0:10:16 | 0:10:18 | |
Iggy had a goat! I knew we'd bond over something. What was it called? | 0:10:18 | 0:10:22 | |
Georgica. | 0:10:22 | 0:10:24 | |
Georgica? Yeah. Not Georgia, Georgica. | 0:10:24 | 0:10:27 | |
I had to give it away to my mum's friend and I would visit it sometimes | 0:10:27 | 0:10:31 | |
and see it, like, "Uh, there you are!" | 0:10:31 | 0:10:33 | |
NOEL GUFFAWS | 0:10:33 | 0:10:36 | |
Who else was on there? Miley Cyrus? | 0:10:36 | 0:10:39 | |
I'm looking at that video and thinking, | 0:10:39 | 0:10:41 | |
"Someone needs to explain to her what you do on an exercise bike", because that is not it. | 0:10:41 | 0:10:45 | |
Just rubbing herself around the place. | 0:10:45 | 0:10:48 | |
Billy Ray must be furious. | 0:10:50 | 0:10:52 | |
What's happened to Miley? She's just sort of gone a bit mad. | 0:10:52 | 0:10:55 | |
I don't know, but at the VMAs, her tongue looked like a big piece of Spam | 0:10:55 | 0:10:59 | |
or like... | 0:10:59 | 0:11:00 | |
It is quite fascinating, the way she moves around. | 0:11:02 | 0:11:04 | |
But she had a lot of metal objects. | 0:11:04 | 0:11:07 | |
Maybe she's got a magnetic vagina. | 0:11:07 | 0:11:10 | |
How do you feel about the whole, you know, rubbing yourself on the fixtures? | 0:11:11 | 0:11:15 | |
I don't know. I've been spayed, so... | 0:11:17 | 0:11:20 | |
Which one, then? Who do you think...? | 0:11:25 | 0:11:27 | |
Bjork was naked. | 0:11:27 | 0:11:28 | |
You know a little bit about that stuff, don't you? | 0:11:28 | 0:11:31 | |
Well, it doesn't count as being nude if you don't have breasts. | 0:11:31 | 0:11:34 | |
Mine are quite small, so it's technically just nipples. | 0:11:34 | 0:11:37 | |
And that's legal. | 0:11:37 | 0:11:39 | |
What inspired your desire for nakedness? | 0:11:39 | 0:11:41 | |
I think that would probably have to be... | 0:11:41 | 0:11:43 | |
Bon Jovi. | 0:11:43 | 0:11:45 | |
Jon Bon? Mm-hm. I saw him once. | 0:11:47 | 0:11:49 | |
Did you? In London, yeah. Is he very small? | 0:11:49 | 0:11:52 | |
He's about the size of an iPhone. | 0:11:52 | 0:11:54 | |
But your grandparents will see that. | 0:11:54 | 0:11:57 | |
No, no, they won't see that. | 0:11:57 | 0:11:59 | |
It's on the internet. They're not... | 0:11:59 | 0:12:02 | |
AUSSIE ACCENT: "Bob, somebody phoned up and said our Iggy was on the internet in the nude!" | 0:12:02 | 0:12:06 | |
"Put that goat down. We've got to look at this internet." | 0:12:08 | 0:12:11 | |
Grandparents are the most liberal people in the world. | 0:12:12 | 0:12:15 | |
They've seen everything. People always imagine old people are going to go, "Aargh!" | 0:12:15 | 0:12:19 | |
When really, they just go, "Yeah, another pair of tits." | 0:12:19 | 0:12:22 | |
What's your answer, then? Jon Bon Jovi. | 0:12:23 | 0:12:26 | |
He's not in the list. He should be. | 0:12:27 | 0:12:29 | |
You haven't done your research. | 0:12:29 | 0:12:31 | |
I think it's Bjork. You think it's Bjork? Definitely. | 0:12:34 | 0:12:37 | |
That's the right answer. Well done. | 0:12:37 | 0:12:38 | |
The answer was Bjork with Cocoon, which we censored | 0:12:42 | 0:12:44 | |
because she had red ribbons shooting from her nipples. | 0:12:44 | 0:12:47 | |
I wouldn't mind that, really. | 0:12:47 | 0:12:48 | |
If you like a fun run, you could do the finishing line... | 0:12:48 | 0:12:52 | |
Like that! | 0:12:53 | 0:12:54 | |
Kids' hair in the morning... "Here you go, darling - pigtails." | 0:12:54 | 0:12:57 | |
That one's a bit weird, admittedly. | 0:12:57 | 0:12:59 | |
For a bonus point, can you tell me what Bjork did in her video Pagan Poetry | 0:13:00 | 0:13:04 | |
that was so graphic that it actually got her banned from MTV? | 0:13:04 | 0:13:07 | |
Was it A - she interfered with a druid...? | 0:13:07 | 0:13:09 | |
Was it she made a corset out of her own skin | 0:13:12 | 0:13:15 | |
or she ate a cat? | 0:13:15 | 0:13:17 | |
Is there an option for all of the above? | 0:13:17 | 0:13:20 | |
I think it's the skin thing, isn't it? | 0:13:20 | 0:13:22 | |
You think she made a corset out of her own skin. Absolutely right. Well done. Yes! | 0:13:22 | 0:13:26 | |
So, in the video for Pagan Poetry, Bjork is seen making a corset out of her own skin. | 0:13:29 | 0:13:35 | |
Bjork, the second nuttiest woman in Iceland, | 0:13:35 | 0:13:38 | |
just after Kerry Katona. | 0:13:38 | 0:13:39 | |
Time for the Intros round. Noel and Iggy, here are yours | 0:13:42 | 0:13:45 | |
for the lovely Jake. Here we go. Good luck. | 0:13:45 | 0:13:47 | |
Are you excited? | 0:13:47 | 0:13:50 | |
I'm scared! | 0:13:50 | 0:13:51 | |
Come on, Iggy, you can do it. | 0:13:51 | 0:13:53 | |
Draw on the inner artist. | 0:13:53 | 0:13:55 | |
Wow, you're so tall, it's ridiculous! | 0:13:55 | 0:13:58 | |
I don't even know any of these. | 0:14:00 | 0:14:02 | |
# Der-der der der-der der der | 0:14:02 | 0:14:04 | |
# Der der der der der der | 0:14:04 | 0:14:05 | |
# Der-der der der-der der der | 0:14:05 | 0:14:09 | |
# Der-der der der-der der der Der der der der der der... # | 0:14:09 | 0:14:11 | |
Am I only getting half the performance here, or is this meant to be you on your own? | 0:14:11 | 0:14:15 | |
I told you, I don't know this song. | 0:14:15 | 0:14:16 | |
What if I give you Charades help? | 0:14:16 | 0:14:20 | |
OK, ready? | 0:14:20 | 0:14:22 | |
PHILL LAUGHS | 0:14:22 | 0:14:24 | |
Pretend I'm a man. | 0:14:24 | 0:14:27 | |
# Der-der der der-der der der Der der der der der der | 0:14:27 | 0:14:29 | |
# Der-der der der-der der der... # | 0:14:29 | 0:14:31 | |
It's not Miley Cyrus. | 0:14:31 | 0:14:33 | |
# Der-der der der-der der der Der der der der der der | 0:14:33 | 0:14:35 | |
# Der-der der der-der der der Der der der der der der... # | 0:14:35 | 0:14:37 | |
I've never felt more uncomfortable in a television studio in my life! | 0:14:39 | 0:14:43 | |
What are they doing?! | 0:14:43 | 0:14:45 | |
Did it help at all, Jake? | 0:14:45 | 0:14:46 | |
It helped me! | 0:14:46 | 0:14:48 | |
A gorgeous woman pretending to masturbate on Noel Fielding | 0:14:49 | 0:14:52 | |
and you're asking me to name the song?! | 0:14:52 | 0:14:54 | |
Pretend Noel is a girl. | 0:14:54 | 0:14:57 | |
OK. | 0:14:57 | 0:14:58 | |
Now do the song again. | 0:14:58 | 0:15:00 | |
Going again, are you? Seems a waste not to! | 0:15:03 | 0:15:06 | |
Noel, I'm really confused now... | 0:15:09 | 0:15:10 | |
He's a girl! Just go with it. | 0:15:10 | 0:15:12 | |
# Der-der der der-der der der Der der der der der der | 0:15:12 | 0:15:17 | |
# Der-der der der-der der der Der der der der der der... # | 0:15:17 | 0:15:20 | |
AUSSIE ACCENT: Bob, we've had the neighbours on the phone again! | 0:15:20 | 0:15:23 | |
Apparently Iggy's been rubbing herself up and down against the girl out of the Addams Family. | 0:15:25 | 0:15:30 | |
APPLAUSE | 0:15:30 | 0:15:33 | |
Any ideas? Oh, yes, I've got loads of ideas about what that might be(!) | 0:15:36 | 0:15:40 | |
Don't let the visual... It must be difficult for you because you can't see colours. | 0:15:40 | 0:15:44 | |
It's right in front of your face! | 0:15:45 | 0:15:47 | |
I know it's right in front of my face! Any idea, Jake? | 0:15:47 | 0:15:50 | |
What are you getting from that, apart from maybe...? | 0:15:50 | 0:15:53 | |
I'm getting the Snow Queen and Mr Tumnus. | 0:15:53 | 0:15:55 | |
What about you, Sara? How's that working out for you? | 0:15:55 | 0:15:58 | |
I must say that Iggy's bottom looked like it was being worked by a couple of puppeteers from behind. | 0:15:58 | 0:16:03 | |
It was awesome. | 0:16:03 | 0:16:05 | |
It was like... | 0:16:05 | 0:16:06 | |
"Hey, Bert!" "Hey, Ernie!" Like that. | 0:16:07 | 0:16:09 | |
But in a bottom. It was brilliant. | 0:16:09 | 0:16:11 | |
Iggy has got some moves. | 0:16:11 | 0:16:14 | |
I'm going to pass it over. Any ideas? | 0:16:14 | 0:16:16 | |
I think I need to see it about eight more times. | 0:16:16 | 0:16:18 | |
Gay Bar, Electric Six? Yes, it is! Well done. | 0:16:18 | 0:16:21 | |
SONG PLAYS | 0:16:21 | 0:16:24 | |
I don't know... | 0:16:26 | 0:16:28 | |
Yes! | 0:16:28 | 0:16:30 | |
# You | 0:16:30 | 0:16:31 | |
# I want to take you to a gay bar... # | 0:16:31 | 0:16:34 | |
So, go on, then - go for it! | 0:16:35 | 0:16:37 | |
OK, so I don't know what physical movements you're going to have to do... | 0:16:37 | 0:16:40 | |
I know exactly what to do. | 0:16:40 | 0:16:42 | |
If we don't get our own spin-off show, I'm going to be furious. | 0:16:44 | 0:16:47 | |
SUNDRY GRUNTS AND SQUEAKS FROM NOEL | 0:16:49 | 0:16:52 | |
MORE THROATY GRUNTING | 0:16:57 | 0:17:00 | |
IGGY SQUEALS MANIACALLY | 0:17:00 | 0:17:02 | |
Baaah! | 0:17:04 | 0:17:07 | |
Ba-da-dah! | 0:17:07 | 0:17:09 | |
Jay, an answer? | 0:17:09 | 0:17:11 | |
Sorry. No idea either? OK. | 0:17:11 | 0:17:14 | |
It actually was Jamiroquai with Feels Just Like It Should. | 0:17:14 | 0:17:18 | |
Here's how it should have sounded. | 0:17:18 | 0:17:20 | |
SONG INTRO PLAYS | 0:17:20 | 0:17:21 | |
# Bow-ba-ba-bow-ow! # Why didn't you do this bit? | 0:17:27 | 0:17:30 | |
Jamiroquai's recently designed a 20-piece clothing collection. | 0:17:30 | 0:17:35 | |
I'm not sure what the 20 pieces were, | 0:17:35 | 0:17:37 | |
but I'm guessing one of them was a stupid hat. | 0:17:37 | 0:17:40 | |
We also heard Electric Six with Gay Bar. | 0:17:41 | 0:17:44 | |
Now, Electric Six's video for Gay Bar featured a series of homosexual Abraham Lincolns | 0:17:44 | 0:17:48 | |
and they were dubbed the Gaybrahams. | 0:17:48 | 0:17:50 | |
Bit out of date, to be honest. | 0:17:50 | 0:17:52 | |
Why didn't they just go with Barack O'Bummer? | 0:17:52 | 0:17:54 | |
The video for Gay Bar contained sexual metaphors | 0:17:55 | 0:17:58 | |
such as a train going into a tunnel. | 0:17:58 | 0:18:00 | |
Although if it was actually going to reflect some of the activities I've heard about in gay bars, | 0:18:00 | 0:18:05 | |
there would be lots of trains going into lots of tunnels | 0:18:05 | 0:18:08 | |
while lots of other trains stood around watching. | 0:18:08 | 0:18:11 | |
Phill and Eliza, here are yours for Matt. | 0:18:13 | 0:18:15 | |
There you go. | 0:18:15 | 0:18:16 | |
See that there? Yes. | 0:18:16 | 0:18:19 | |
OK? OK. | 0:18:19 | 0:18:20 | |
Here we go. | 0:18:20 | 0:18:22 | |
# De-ding de doo Dong ding de-dong | 0:18:22 | 0:18:25 | |
# Ding ding doo Ding doo | 0:18:25 | 0:18:27 | |
# Di-di-di-li-di bing ding | 0:18:27 | 0:18:29 | |
# Jing jing jing | 0:18:29 | 0:18:31 | |
# Jing jing jing Jing jing jing Jing jing jing | 0:18:31 | 0:18:33 | |
# Jing jing jing Jing jing jing Jing jing jing... # | 0:18:33 | 0:18:36 | |
You're standing there singing "Gin, gin, gin!" You're like my mum. | 0:18:36 | 0:18:39 | |
I don't know it. You've no idea? | 0:18:39 | 0:18:42 | |
OK, pass it over to the others. Is it Blur? With...? | 0:18:42 | 0:18:44 | |
Coffee And TV? Yes, it is. | 0:18:44 | 0:18:46 | |
Well done! Exactly right. | 0:18:46 | 0:18:48 | |
And here's how it should have sounded. Let's have a listen. | 0:18:48 | 0:18:51 | |
INTRO PLAYS | 0:18:51 | 0:18:53 | |
No, never. You're joking?! No, never heard this. | 0:18:53 | 0:18:56 | |
When were you born? | 0:18:56 | 0:18:58 | |
Before this came out. | 0:18:58 | 0:19:00 | |
Nice. That's nice. Next one, then. | 0:19:03 | 0:19:05 | |
One, two, three, four... | 0:19:05 | 0:19:07 | |
# Mwow mwow mwow mwow-mwow Ding ding! | 0:19:07 | 0:19:14 | |
# Tshhhhhhhhhhh... # | 0:19:14 | 0:19:15 | |
I can't do the bwoof and the mwow-ow at the same time. | 0:19:15 | 0:19:18 | |
There's too much going on at once. | 0:19:18 | 0:19:19 | |
I'll do the bwoof. | 0:19:19 | 0:19:21 | |
# Bwoof, bwoof, bwoof, bwoof | 0:19:21 | 0:19:22 | |
# Mwow mwow mwow mwow-mwow Ding ding! | 0:19:22 | 0:19:24 | |
# Bwoof, bwoof, bwoof, bwoof | 0:19:24 | 0:19:26 | |
# Mwow mwow mwow mwow-mwow Ding ding! | 0:19:26 | 0:19:28 | |
# Bwoof, bwoof, bwoof, bwoof... # | 0:19:28 | 0:19:29 | |
I mean, I don't even know it and I'm in the band now. | 0:19:29 | 0:19:32 | |
I've got no idea. No idea? | 0:19:32 | 0:19:34 | |
No clue, sorry. Any idea over here? You can nick a point. | 0:19:34 | 0:19:37 | |
That was equally confusing for us, I'm pleased to say. | 0:19:37 | 0:19:40 | |
To make you feel better. | 0:19:40 | 0:19:42 | |
OK, it's actually Room 5 and Make Luv. | 0:19:42 | 0:19:44 | |
Here's how it should have sounded. | 0:19:44 | 0:19:46 | |
FUNKY INTRO PLAYS | 0:19:46 | 0:19:48 | |
Ah, when you hear it, you see - Balearic. Woo! | 0:19:48 | 0:19:51 | |
Yeah, it's nice. | 0:19:57 | 0:19:59 | |
You also heard Blur with Coffee And TV. | 0:19:59 | 0:20:03 | |
Damon Albarn was recently named the fourth greatest front man | 0:20:03 | 0:20:06 | |
of all time, which sounds incredible, | 0:20:06 | 0:20:09 | |
until you realise it was a survey of Blur. | 0:20:09 | 0:20:12 | |
In 2001, | 0:20:14 | 0:20:15 | |
a cleaner at EMI accidentally threw away priceless photos of Blur on tour. | 0:20:15 | 0:20:19 | |
Now, the cleaner wasn't sacked, because she also threw away a demo tape from Blue, | 0:20:19 | 0:20:24 | |
which she then went on to receive a BRIT Award | 0:20:24 | 0:20:27 | |
for Outstanding Contribution to Music. | 0:20:27 | 0:20:29 | |
Well done, her. | 0:20:29 | 0:20:30 | |
So that means at the end of that round, Phill's team have three | 0:20:30 | 0:20:33 | |
and Noel's team have three. | 0:20:33 | 0:20:35 | |
CHEERING AND APPLAUSE | 0:20:35 | 0:20:37 | |
Round three is the Identity Parade. | 0:20:41 | 0:20:43 | |
Noel, Iggy and Jake, how about a little mid-'90s forgetto pop? | 0:20:43 | 0:20:47 | |
For the audience only, here are Deuce with I Need You. | 0:20:47 | 0:20:50 | |
Hi! We're Deuce. | 0:20:50 | 0:20:52 | |
It's Thursday night. It's seven o'clock... | 0:20:52 | 0:20:54 | |
It must be... ALL: Top Of The Pops! | 0:20:54 | 0:20:56 | |
# I need you | 0:20:56 | 0:20:58 | |
# To show me the way | 0:20:58 | 0:21:00 | |
# Every day it's stronger and stronger | 0:21:00 | 0:21:04 | |
# I need you | 0:21:04 | 0:21:06 | |
# In every way | 0:21:06 | 0:21:08 | |
# What can I say to keep you satisfied? | 0:21:08 | 0:21:12 | |
That was Deuce there with Call It Love. | 0:21:12 | 0:21:14 | |
But which of our line-up is band member Paul Holmes? | 0:21:14 | 0:21:17 | |
Is it Number 1 - Deuce? | 0:21:17 | 0:21:19 | |
Number 2 - Double fault? | 0:21:19 | 0:21:22 | |
Number 3 - New balls, please? | 0:21:22 | 0:21:25 | |
Number 4 - You cannot be serious? | 0:21:26 | 0:21:29 | |
Or Number 5 - Out? | 0:21:30 | 0:21:32 | |
Noel's team. | 0:21:34 | 0:21:35 | |
I'm so jealous of Number 4. | 0:21:35 | 0:21:37 | |
It's only October. He thinks it's November. | 0:21:38 | 0:21:40 | |
Number 4's lovely, He looks like he should be on a strong mustard tin. | 0:21:41 | 0:21:45 | |
Madam, try my mustard! | 0:21:48 | 0:21:50 | |
Doesn't he? | 0:21:50 | 0:21:51 | |
Great 'tache. Have you ever tried to grow a 'tache, Jake? | 0:21:51 | 0:21:54 | |
I couldn't. This is like two days' growth for me. | 0:21:54 | 0:21:56 | |
I'm looking at Phill. He's a special man. | 0:21:56 | 0:21:58 | |
Special bear! Special bear. | 0:21:58 | 0:22:01 | |
I'd like to take him home and cuddle him. | 0:22:01 | 0:22:03 | |
That can be arranged. | 0:22:03 | 0:22:04 | |
Iggy, which of those men would you be most likely to go a date with? | 0:22:06 | 0:22:10 | |
Just out of curiosity? | 0:22:10 | 0:22:11 | |
4 is the only one who looks like he has any pubic hair, | 0:22:11 | 0:22:14 | |
so I'm going to go with him. | 0:22:14 | 0:22:16 | |
Iggy's got a method for this. Go on. | 0:22:21 | 0:22:23 | |
It's a scientific fact... OK. | 0:22:23 | 0:22:24 | |
..that singers are the shortest people in the room. | 0:22:24 | 0:22:27 | |
Besides me - I'm the exception. | 0:22:27 | 0:22:29 | |
But that guy, I knew he was the guy, because he was the shortest guy, | 0:22:29 | 0:22:33 | |
and that's why we have to go with 2, because he's clearly the shortest. | 0:22:33 | 0:22:36 | |
Number 5's got a fresh face. | 0:22:36 | 0:22:40 | |
It's not. It's 2. Twinkle. | 0:22:40 | 0:22:42 | |
I don't think it's 3... | 0:22:42 | 0:22:44 | |
It's 2. | 0:22:44 | 0:22:46 | |
The white jackets... Was that their look, Deuce? | 0:22:47 | 0:22:49 | |
No, they're all mine. | 0:22:49 | 0:22:52 | |
It's 2. What? They're my jackets. | 0:22:52 | 0:22:54 | |
They're your jackets? Yeah. | 0:22:54 | 0:22:55 | |
I think 2 looks a bit like Joe Pasquale. | 0:22:55 | 0:22:58 | |
You definitely think it's 2? | 0:22:58 | 0:22:59 | |
I can see some sort of Iggy rage coming out | 0:22:59 | 0:23:03 | |
if I don't go with 2. | 0:23:03 | 0:23:05 | |
The way he's smiling... | 0:23:05 | 0:23:06 | |
He knows that it's true about entertainers! That's why he's smiling! | 0:23:06 | 0:23:10 | |
He's like, "You're onto something!" | 0:23:10 | 0:23:12 | |
Well, if it's him... | 0:23:12 | 0:23:13 | |
It's him, man! | 0:23:13 | 0:23:14 | |
AUSSIE ACCENT: Bob, you should send a goat across to England to calm Iggy down! | 0:23:14 | 0:23:18 | |
Are you going to go with 2? | 0:23:25 | 0:23:26 | |
I just feel like I have to go with the whole height thing. | 0:23:26 | 0:23:30 | |
Let's see if she's right. Will the real Paul Holmes please step forward? | 0:23:30 | 0:23:34 | |
Just saying...just saying... | 0:23:43 | 0:23:45 | |
Still quite petite. | 0:23:45 | 0:23:47 | |
About to release a brand-new single - Paul Holmes, ladies and gentlemen! | 0:23:50 | 0:23:53 | |
CHEERING AND APPLAUSE | 0:23:53 | 0:23:56 | |
Phill's team, how about some classic early '90s Euro-dance? | 0:23:59 | 0:24:03 | |
For the audience only, this is amazing. | 0:24:03 | 0:24:05 | |
Here is Haddaway with What Is Love? | 0:24:05 | 0:24:08 | |
# What is love? | 0:24:08 | 0:24:11 | |
# Baby, don't hurt me | 0:24:11 | 0:24:12 | |
# Don't hurt me | 0:24:12 | 0:24:14 | |
# No more | 0:24:14 | 0:24:15 | |
# What is love? | 0:24:17 | 0:24:18 | |
# Baby, don't hurt me | 0:24:18 | 0:24:20 | |
# Don't hurt me | 0:24:20 | 0:24:21 | |
# No more... # | 0:24:21 | 0:24:23 | |
So that was Haddaway with What Is Love? | 0:24:25 | 0:24:27 | |
But which of our line-up is Haddaway? | 0:24:27 | 0:24:30 | |
Is it Number 1 - Haddaway? | 0:24:30 | 0:24:32 | |
Number 2 - Had a go? | 0:24:32 | 0:24:35 | |
Number 3 - Had a wife? | 0:24:36 | 0:24:38 | |
Number 4 - Had a string of convictions? | 0:24:38 | 0:24:41 | |
Or Number 5 - Had a shit time on Buzzcocks? | 0:24:42 | 0:24:45 | |
Phill. | 0:24:47 | 0:24:48 | |
I feel like Number 1's got something in his eyes. | 0:24:48 | 0:24:51 | |
The way he's staring, cataracts, surely? | 0:24:51 | 0:24:53 | |
Number 4 looks like a slightly melted Ian Wright. | 0:24:53 | 0:24:57 | |
Tussauds left his waxwork out the back. | 0:25:00 | 0:25:02 | |
ELIZA: I think it's 2. | 0:25:02 | 0:25:04 | |
It's 2. | 0:25:04 | 0:25:06 | |
I think it's 4 - he looks like he had fun in the '90s. | 0:25:06 | 0:25:08 | |
I never ever saw it performed, | 0:25:10 | 0:25:12 | |
and Eliza and Matt | 0:25:12 | 0:25:14 | |
are both 12. | 0:25:14 | 0:25:16 | |
2. You're going for Number 2? | 0:25:18 | 0:25:20 | |
OK, let's find out. Will the real Haddaway | 0:25:20 | 0:25:22 | |
please step forward? | 0:25:22 | 0:25:24 | |
Still gigging, with up to 100 shows a year, | 0:25:33 | 0:25:35 | |
it's Haddaway, ladies and gentlemen! | 0:25:35 | 0:25:37 | |
CHEERING AND APPLAUSE | 0:25:37 | 0:25:39 | |
Wow! | 0:25:42 | 0:25:43 | |
At the end of that round, Phill's team have three and Noel's team also have three. | 0:25:46 | 0:25:50 | |
So, then, we're going to end with Next Lines. | 0:25:54 | 0:25:57 | |
Phill's team, we're going to begin with you, if that's OK. | 0:25:57 | 0:26:00 | |
That's OK, Sara Cox. | 0:26:00 | 0:26:02 | |
What is love? | 0:26:02 | 0:26:03 | |
Don't hurt me. | 0:26:03 | 0:26:05 | |
Don't hurt me...at all. | 0:26:05 | 0:26:07 | |
No more. Nearly. | 0:26:07 | 0:26:09 | |
What Is Love? by Haddaway. | 0:26:09 | 0:26:10 | |
It's just to test your ability. | 0:26:10 | 0:26:12 | |
It's your song! Oh, yeah! | 0:26:12 | 0:26:14 | |
It's just to test your ability. Come on! | 0:26:14 | 0:26:17 | |
# It's just to test your ability... # | 0:26:17 | 0:26:20 | |
Let's count... | 0:26:20 | 0:26:21 | |
To infinity. Yes! Pack Up Your Troubles by Eliza Doolittle. Well done. | 0:26:21 | 0:26:25 | |
You've got to fight for your right... | 0:26:25 | 0:26:27 | |
ALL: ..to party! | 0:26:27 | 0:26:29 | |
Beastie Boys. Make love and listen to the music. | 0:26:29 | 0:26:31 | |
Everybody does. | 0:26:31 | 0:26:33 | |
You've got to let yourself go. Yes, Make Luv, Room 5. | 0:26:33 | 0:26:37 | |
Don't stop me now. | 0:26:37 | 0:26:39 | |
I've got to go. No! | 0:26:39 | 0:26:40 | |
I'm having such a good time. | 0:26:40 | 0:26:42 | |
Yes, Don't Stop Me Now by Queen. | 0:26:42 | 0:26:43 | |
END OF ROUND JINGLE | 0:26:43 | 0:26:45 | |
There you go. | 0:26:45 | 0:26:46 | |
CHEERING AND APPLAUSE | 0:26:46 | 0:26:48 | |
Noel's team, you need four points to win, OK? | 0:26:48 | 0:26:51 | |
Just the four points. You ready? Yeah. | 0:26:51 | 0:26:53 | |
Time starts now. Oops! I did it again. | 0:26:53 | 0:26:55 | |
I played with your heart. | 0:26:55 | 0:26:57 | |
Got lost in the game. Yes, Iggy! Oops! I Did It Again, Britney Spears. | 0:26:57 | 0:27:00 | |
I've been up all night, trying to get that rich. | 0:27:00 | 0:27:03 | |
Tea biscuit. | 0:27:03 | 0:27:04 | |
It's you, Iggy! | 0:27:04 | 0:27:06 | |
It's you, Iggy! Go on! | 0:27:06 | 0:27:07 | |
Oh, my God, I don't know this! I've been up all night, trying to get that rich. It's your song. | 0:27:07 | 0:27:13 | |
I've been work, work, work, work, work, work, work, | 0:27:13 | 0:27:15 | |
working on my shit. | 0:27:15 | 0:27:16 | |
Work by Iggy Azalea. Very good. | 0:27:16 | 0:27:18 | |
Dum diddy dum diddy-duddy dum dum. | 0:27:18 | 0:27:21 | |
# Dum, da-da-dum, da-da-da-dum dum dum dum. # | 0:27:21 | 0:27:26 | |
# Ner ner ner | 0:27:26 | 0:27:27 | |
# Ba-ba bum ba-ba-bum bum bum bum | 0:27:27 | 0:27:29 | |
# Ner ner ner | 0:27:29 | 0:27:30 | |
# Wa wa wa wa wa wa wa-wa | 0:27:30 | 0:27:33 | |
# Da da dum da dum doo... # | 0:27:33 | 0:27:34 | |
The Chain by Fleetwood Mac. I think Phill should get the point for that one. | 0:27:34 | 0:27:38 | |
I knew you were trouble when you walked in. | 0:27:38 | 0:27:40 | |
# I knew you were trouble | 0:27:40 | 0:27:42 | |
# When you walked in... | 0:27:42 | 0:27:44 | |
# Now I'm laying on the cold hard ground... # | 0:27:44 | 0:27:46 | |
NO! | 0:27:46 | 0:27:48 | |
WHOA! Goat! Goat! | 0:27:48 | 0:27:50 | |
Goat! | 0:27:50 | 0:27:51 | |
Real goat, NOW! | 0:27:51 | 0:27:53 | |
YOU MISSED A WHOLE LINE! | 0:27:53 | 0:27:55 | |
I hate it when Mummy and Daddy shout. | 0:27:55 | 0:27:57 | |
So shame on me now. Trouble by Taylor Swift. | 0:27:58 | 0:28:01 | |
END OF ROUND JINGLE | 0:28:01 | 0:28:03 | |
CHEERING AND APPLAUSE | 0:28:03 | 0:28:05 | |
So, the final scores, then. Phill's team have six | 0:28:06 | 0:28:08 | |
and Noel's team have seven. | 0:28:08 | 0:28:10 | |
CHEERING AND APPLAUSE | 0:28:10 | 0:28:12 | |
So that's it, then. Thanks very much to Phill, Eliza Doolittle and Matt Richardson, | 0:28:17 | 0:28:21 | |
to Noel, Iggy Azalea and Jake Humphrey. | 0:28:21 | 0:28:24 | |
CHEERING AND APPLAUSE | 0:28:24 | 0:28:26 | |
This has been Never Mind The Buzzcocks. I've been Sara Cox. | 0:28:26 | 0:28:29 | |
As you enjoy the credits, we're going to replace ourselves | 0:28:29 | 0:28:32 | |
with a member of the audience who we think looks most like us. Good night! | 0:28:32 | 0:28:35 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:28:58 |