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This programme contains some strong language. | 0:00:03 | 0:00:08 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:25 | |
Welcome...Eamonn Holmes! | 0:00:33 | 0:00:37 | |
US ACCENT: Welcome to Never Mind The Buzzcocks. | 0:01:19 | 0:01:22 | |
I'm not Elvis Presley...I'm really Eamonn Holmes! | 0:01:22 | 0:01:26 | |
CHEERING | 0:01:26 | 0:01:28 | |
On Phill's team tonight... | 0:01:30 | 0:01:33 | |
is a man who, by the age of 27, | 0:01:33 | 0:01:35 | |
still couldn't recite the alphabet. | 0:01:35 | 0:01:39 | |
He just couldn't get past the E. | 0:01:39 | 0:01:42 | |
It's Shaun Ryder. | 0:01:42 | 0:01:43 | |
CHEERING AND APPLAUSE | 0:01:43 | 0:01:45 | |
And a man called Greg from Scotland. | 0:01:49 | 0:01:51 | |
There are many great Gregs in Scotland. | 0:01:51 | 0:01:53 | |
There's one in Fife, | 0:01:53 | 0:01:55 | |
one in Dundee | 0:01:55 | 0:01:56 | |
and the one on Princes Street in Edinburgh | 0:01:56 | 0:01:58 | |
is a particular favourite of mine. | 0:01:58 | 0:02:00 | |
It's Greg McHugh. | 0:02:00 | 0:02:02 | |
CHEERING AND APPLAUSE | 0:02:02 | 0:02:03 | |
And on Noel's team tonight... | 0:02:06 | 0:02:08 | |
# So you know that I'll carry you... # | 0:02:08 | 0:02:11 | |
..it's a singer who's recently written his memoirs. | 0:02:11 | 0:02:13 | |
I won't say there's not a lot to talk about, | 0:02:13 | 0:02:16 | |
but Chapter 2 starts, "I went on Buzzcocks". | 0:02:16 | 0:02:17 | |
It's Union J's Jaymi. | 0:02:17 | 0:02:20 | |
CHEERING AND APPLAUSE | 0:02:20 | 0:02:22 | |
And the comedian who recently Tweeted | 0:02:25 | 0:02:27 | |
that whenever she orders a curry, | 0:02:27 | 0:02:29 | |
she takes her bra off. | 0:02:29 | 0:02:31 | |
Me too! It's Sarah Millican. | 0:02:31 | 0:02:33 | |
CHEERING AND APPLAUSE | 0:02:33 | 0:02:34 | |
Were you all fooled? Did you think that was really Elvis? | 0:02:39 | 0:02:41 | |
I've got to be honest, Eamonn. A bit of me did think, | 0:02:41 | 0:02:44 | |
"Good Lord - Elvis!" | 0:02:44 | 0:02:45 | |
A larger part of me thought | 0:02:45 | 0:02:46 | |
we were at a very odd North Korean rally. | 0:02:46 | 0:02:49 | |
You know what? I put on this outfit and I just feel... | 0:02:52 | 0:02:56 | |
# Just a hunk A hunk of burning love | 0:02:56 | 0:02:59 | |
# Just a hunk A hunk of burning love | 0:03:00 | 0:03:02 | |
# Just a hunk A hunk of burning love... # | 0:03:03 | 0:03:06 | |
Anyway, we begin with a round called Who Do You Think You Are? | 0:03:10 | 0:03:14 | |
Phill, Shaun and Greg, take a look at this. | 0:03:14 | 0:03:16 | |
# Don't stop, make it pop | 0:03:16 | 0:03:19 | |
# DJ, blow my speakers up | 0:03:19 | 0:03:21 | |
# Tonight I'mma fight | 0:03:21 | 0:03:23 | |
# Till we see the sunlight... # | 0:03:23 | 0:03:25 | |
That's right - it's breakdown-courting PR grenade Ke$ha. | 0:03:25 | 0:03:29 | |
Well, that was Ke$ha with Tik Tok. | 0:03:33 | 0:03:36 | |
But what does she reportedly get her assistants to do for her | 0:03:36 | 0:03:39 | |
when she is feeling tired? | 0:03:39 | 0:03:41 | |
Is it A - sing her lullabies based on Ozzy Osbourne's life, | 0:03:41 | 0:03:45 | |
B - talk to her in dinosaur language | 0:03:45 | 0:03:50 | |
or C - | 0:03:50 | 0:03:51 | |
repeatedly jump over a fence dressed as a sheep? | 0:03:51 | 0:03:55 | |
To sing to her in a dinosaur language... | 0:03:58 | 0:04:00 | |
Barney the dinosaur. | 0:04:00 | 0:04:03 | |
I watch it about five times a week. | 0:04:07 | 0:04:09 | |
Puts you to sleep, big time. | 0:04:12 | 0:04:13 | |
Is he the purple one, Barney? Yeah. | 0:04:13 | 0:04:15 | |
Oh, here we go! You too. | 0:04:15 | 0:04:17 | |
I've seen his work. He's good. His work?! | 0:04:17 | 0:04:19 | |
Yes! | 0:04:19 | 0:04:20 | |
He's the leading dinosaur of our times. | 0:04:20 | 0:04:23 | |
Do you really watch Barney the dinosaur? | 0:04:23 | 0:04:25 | |
I do. Him and Peppa Pig. | 0:04:25 | 0:04:28 | |
That's right. SARAH: Is it because you're addicted to them? | 0:04:28 | 0:04:31 | |
I'm down to two Peppa Pigs a day! | 0:04:31 | 0:04:33 | |
Cos when they dig up their bones and they draw the dinosaurs, | 0:04:35 | 0:04:38 | |
they assume they were, like, reptilian, | 0:04:38 | 0:04:41 | |
but what if they WERE all felt? | 0:04:41 | 0:04:44 | |
What if the T Rex was a massive snooker table with teeth? | 0:04:47 | 0:04:50 | |
What is the sheep one again? | 0:04:50 | 0:04:52 | |
She pays, apparently, | 0:04:52 | 0:04:55 | |
her assistants to dress as sheep... | 0:04:55 | 0:04:57 | |
Sheep. You're supposed to count sheep jumping over a fence. | 0:04:57 | 0:04:59 | |
She pays one... Just one, though? | 0:04:59 | 0:05:02 | |
Like, over and over again? That's knackering, isn't it? | 0:05:02 | 0:05:05 | |
The assistant has to pretend to be different sheep every time. | 0:05:05 | 0:05:08 | |
Slightly changing their hairstyle. | 0:05:08 | 0:05:10 | |
Mehhhh! | 0:05:10 | 0:05:12 | |
Change the hairstyle... Baaaa! | 0:05:12 | 0:05:13 | |
Change the hairstyle. Maaaaah! | 0:05:13 | 0:05:15 | |
I'm running out of sheep impressions! | 0:05:15 | 0:05:18 | |
Why can't she just, um... | 0:05:20 | 0:05:21 | |
I feel I'm in the right team. ..why can't she just take some drugs and go to sleep? | 0:05:21 | 0:05:25 | |
She could rub her button. That helps me nod off sometimes. | 0:05:26 | 0:05:29 | |
APPLAUSE | 0:05:33 | 0:05:35 | |
What do you think it is, gentlemen? | 0:05:38 | 0:05:40 | |
I'd like to think it's the assistant jumping over a gate in an outfit. | 0:05:40 | 0:05:43 | |
Shaun, have you ever had an assistant? Me? | 0:05:43 | 0:05:45 | |
We've just about got a tour bus, never mind an assistant. | 0:05:45 | 0:05:49 | |
Who drives it? Bez. | 0:05:50 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:54 | |
And try stopping him! | 0:05:54 | 0:05:55 | |
I'm imagining the tour bus going 90mph | 0:05:58 | 0:06:00 | |
and you go, "Are we going the right way?" | 0:06:00 | 0:06:02 | |
"Bez knows where he's going." | 0:06:02 | 0:06:03 | |
And then look up and there's no-one there in the seat! | 0:06:03 | 0:06:06 | |
He's on the roof! | 0:06:06 | 0:06:08 | |
What do you reckon, Shaun? The dinosaur. | 0:06:15 | 0:06:17 | |
Dinosaur song. | 0:06:17 | 0:06:19 | |
Dinosaur song. Tonight we're going to play the Ryder system. Yes? | 0:06:19 | 0:06:23 | |
Funny you should say that. | 0:06:23 | 0:06:26 | |
# I said see you See, see rider | 0:06:26 | 0:06:29 | |
# Oh, see what you have done | 0:06:30 | 0:06:33 | |
# Yeah yeah yeah | 0:06:33 | 0:06:34 | |
# I said see you See, see rider... # | 0:06:34 | 0:06:37 | |
I have a song for everything. | 0:06:37 | 0:06:39 | |
You fancy... Let's go with dinosaurs. | 0:06:40 | 0:06:43 | |
He thinks it's dinosaurs. | 0:06:43 | 0:06:45 | |
He's right! The answer is B. | 0:06:45 | 0:06:48 | |
When Ke$ha gets tired, she refuses to talk | 0:06:52 | 0:06:55 | |
and insists that her assistants only speak to her | 0:06:55 | 0:06:57 | |
in dinosaur. | 0:06:57 | 0:06:59 | |
We don't know exactly what dinosaur is spoken like, | 0:06:59 | 0:07:02 | |
but we're fairly certain one of the last phrases was | 0:07:02 | 0:07:05 | |
"Does that look like a meteor to you?" | 0:07:05 | 0:07:08 | |
I also assume other phrases include | 0:07:10 | 0:07:13 | |
"Welcome to Strictly Come Dancing!" | 0:07:13 | 0:07:15 | |
Noel, Jaymi and Sarah, check this out. | 0:07:17 | 0:07:20 | |
# Don't stop, keep it moving | 0:07:20 | 0:07:22 | |
# Put your drinks up | 0:07:22 | 0:07:23 | |
# It's getting ill It's getting sick on the floor... # | 0:07:23 | 0:07:26 | |
That's right - the biggest arse in music, | 0:07:26 | 0:07:30 | |
after Kanye West. | 0:07:30 | 0:07:32 | |
It's J-Lo. | 0:07:32 | 0:07:33 | |
# Brazil, Morocco London to Ibiza | 0:07:33 | 0:07:38 | |
# Straight to LA New York, Vegas to Africa... # | 0:07:38 | 0:07:41 | |
Well, there we go. That was J-Lo, On The Floor. | 0:07:41 | 0:07:44 | |
Let's not forget, featuring Pitbull. | 0:07:44 | 0:07:46 | |
PHILL LAUGHS But what demands is it claimed J-Lo makes... | 0:07:46 | 0:07:49 | |
This is very important. | 0:07:49 | 0:07:52 | |
A lot of people might not know Pitbull was in that. | 0:07:52 | 0:07:54 | |
It's just you - "And let's not forget..." | 0:07:54 | 0:07:57 | |
I can see Pitbull watching at home, going, "Yo, thanks! | 0:07:57 | 0:08:01 | |
"Mad thanks to Eamonn, my brother!" | 0:08:01 | 0:08:03 | |
We're all brothers in the music industry. | 0:08:03 | 0:08:06 | |
But what demands is it claimed J-Lo makes to her assistants | 0:08:06 | 0:08:09 | |
about the way her favourite hot drink is made? | 0:08:09 | 0:08:14 | |
OK, Noel's team. Is it that A - her hot chocolate... | 0:08:14 | 0:08:18 | |
is made using her own... | 0:08:18 | 0:08:21 | |
That's disgusting! | 0:08:21 | 0:08:23 | |
A - her hot chocolate is made using her own breast milk... | 0:08:24 | 0:08:28 | |
AUDIENCE GROANS | 0:08:28 | 0:08:30 | |
..B - her herbal tea | 0:08:30 | 0:08:32 | |
is made in a hypoallergenic chamber | 0:08:32 | 0:08:35 | |
or C - her coffee is only stirred | 0:08:35 | 0:08:39 | |
anti-clockwise? | 0:08:39 | 0:08:41 | |
That's witchcraft, that is. | 0:08:43 | 0:08:45 | |
I recognise the sound. | 0:08:47 | 0:08:48 | |
Um... | 0:08:48 | 0:08:49 | |
It can't be the boob one. Why? | 0:08:53 | 0:08:55 | |
Well, because aren't her kids older than breastfeeding age? | 0:08:55 | 0:08:58 | |
Yeah, but her boyfriend's about 14. | 0:08:58 | 0:09:00 | |
I thought she was married. Am I behind the times? | 0:09:00 | 0:09:03 | |
She got rid of him. She murdered him? | 0:09:03 | 0:09:05 | |
She divorced him. She's now with a dancer. | 0:09:05 | 0:09:08 | |
He was lactose-intolerant. | 0:09:08 | 0:09:10 | |
They're all suitably bonkers, aren't they? | 0:09:12 | 0:09:14 | |
This one feels like there might be a theory behind it. | 0:09:14 | 0:09:18 | |
That is just odd. | 0:09:18 | 0:09:20 | |
Who milks her? | 0:09:20 | 0:09:21 | |
Do you have to get her on all fours in a stall and...? | 0:09:24 | 0:09:27 | |
Our drummer drinks his own piss. | 0:09:29 | 0:09:31 | |
Who does? Our drummer. | 0:09:31 | 0:09:32 | |
Why? | 0:09:32 | 0:09:33 | |
Cos he's fucking mental. | 0:09:33 | 0:09:35 | |
Well, it's an amazing insight into the world of showbusiness, I have to say. | 0:09:36 | 0:09:40 | |
Before we hear any more revelations from Shaun there, | 0:09:40 | 0:09:43 | |
let's find out about your showbiz demands, | 0:09:43 | 0:09:46 | |
as we play a little game called Shaun Ryder's Rider. | 0:09:46 | 0:09:50 | |
OK, teams, I have here some genuine celebrity riders - | 0:09:59 | 0:10:02 | |
the things celebrities demand for their dressing rooms | 0:10:02 | 0:10:04 | |
when they go on television shows like this one, | 0:10:04 | 0:10:07 | |
one of which is Shaun Ryder's actual dressing room rider | 0:10:07 | 0:10:12 | |
for being here tonight. | 0:10:12 | 0:10:14 | |
I'll read them out and all you have to do is decide | 0:10:16 | 0:10:18 | |
whether you think it's Shaun Ryder's rider | 0:10:18 | 0:10:20 | |
or not Ryder's rider | 0:10:20 | 0:10:21 | |
and therefore, someone else's reported rider. | 0:10:21 | 0:10:24 | |
Here we go. | 0:10:24 | 0:10:26 | |
They demanded that their dressing room carpet be ironed. | 0:10:26 | 0:10:29 | |
Is that Shaun Ryder's rider or not Ryder's rider? | 0:10:29 | 0:10:31 | |
No. Not? That's Kanye West. | 0:10:31 | 0:10:34 | |
That is spot-on. Well done! | 0:10:34 | 0:10:37 | |
They demanded a dressing room | 0:10:40 | 0:10:42 | |
full of fluffy kittens, puppies and bunnies. | 0:10:42 | 0:10:44 | |
Is that Shaun Ryder's rider or not Ryder's rider? | 0:10:44 | 0:10:46 | |
Is that Mariah Carey? Well done. | 0:10:46 | 0:10:49 | |
That is not Ryder's rider. | 0:10:49 | 0:10:51 | |
Well done. | 0:10:51 | 0:10:52 | |
I've interviewed Mariah Fair...Care...what's her name? | 0:10:56 | 0:10:58 | |
Went well, did it? | 0:10:58 | 0:11:00 | |
I've interviewed Mariah Carey a few times | 0:11:02 | 0:11:04 | |
and she's seriously weird. | 0:11:04 | 0:11:05 | |
So I go into her dressing room | 0:11:05 | 0:11:07 | |
and she's lying down. | 0:11:07 | 0:11:09 | |
Getting milked. | 0:11:09 | 0:11:11 | |
Her PR says to me, | 0:11:13 | 0:11:15 | |
"Miss Carey will be doing this interview lying down." | 0:11:15 | 0:11:18 | |
I said, "Will she indeed? Then I'll lie down with her." | 0:11:18 | 0:11:22 | |
He said, "No, no, no, she won't." | 0:11:22 | 0:11:24 | |
I said, "Well, either she sits up | 0:11:24 | 0:11:27 | |
"or I lie down with her. One or the other." | 0:11:27 | 0:11:29 | |
He says, "That's not going to happen. Miss Carey is tired." | 0:11:29 | 0:11:32 | |
Oddly enough, the interview was called off. | 0:11:32 | 0:11:35 | |
I did think that was going towards a really positive ending there, but not at all! | 0:11:36 | 0:11:40 | |
What you should have done... Is? | 0:11:40 | 0:11:42 | |
Turned the room around. | 0:11:42 | 0:11:43 | |
OK, so there we go - that is not Ryder's rider. | 0:11:46 | 0:11:49 | |
Here is a real diva one. This one really is. | 0:11:49 | 0:11:53 | |
They demanded a banana, | 0:11:53 | 0:11:55 | |
a bar of nut-free chocolate - | 0:11:55 | 0:11:58 | |
not just chocolate, nut-free chocolate - | 0:11:58 | 0:12:01 | |
and a can of full-fat Coke. | 0:12:01 | 0:12:04 | |
Ryder. So you say that's Shaun Ryder's rider? Yes. | 0:12:04 | 0:12:07 | |
Wrong. Ah! | 0:12:07 | 0:12:08 | |
Sarah Millican's rider. | 0:12:08 | 0:12:10 | |
But you hadn't finished reading it. | 0:12:17 | 0:12:19 | |
GEORDIE: And just a little bit of heroin. | 0:12:19 | 0:12:21 | |
Just to take the edge off. | 0:12:22 | 0:12:24 | |
You make me sound like Elmo! | 0:12:26 | 0:12:28 | |
Next one. They demanded absolutely nothing. | 0:12:30 | 0:12:33 | |
No matter how much we secretly tried to coax something out of his agent, | 0:12:33 | 0:12:37 | |
not a sparkling water | 0:12:37 | 0:12:39 | |
or even an apple. | 0:12:39 | 0:12:41 | |
Nothing? That was Ryder. He didn't ask for anything. | 0:12:41 | 0:12:43 | |
That was Shaun Ryder's rider, yes! | 0:12:43 | 0:12:46 | |
# I said see, see, see rider | 0:12:47 | 0:12:50 | |
# Oh, see what you have done... # | 0:12:51 | 0:12:54 | |
Anyway. | 0:12:55 | 0:12:56 | |
Well done, everybody, and thank you for playing Shaun Ryder's rider. | 0:12:56 | 0:13:00 | |
Let's get back to J-Lo. | 0:13:07 | 0:13:08 | |
What is it she demands? | 0:13:08 | 0:13:10 | |
I know someone that has the equivalent of OCD. | 0:13:10 | 0:13:13 | |
They have to do it 20 times one way and 20 times the other way. | 0:13:13 | 0:13:16 | |
That's OCD, yeah? Yeah. | 0:13:16 | 0:13:18 | |
I would say that's the most logical. | 0:13:18 | 0:13:20 | |
You believe that her coffee is only stirred | 0:13:20 | 0:13:23 | |
anti-clockwise? | 0:13:23 | 0:13:25 | |
You're absolutely right! The answer is C. Well done. | 0:13:25 | 0:13:28 | |
J-Lo demands that her coffee is only stirred anti-clockwise. | 0:13:33 | 0:13:37 | |
I imagine whichever direction it's been stirred, | 0:13:37 | 0:13:39 | |
it's done thoroughly, | 0:13:39 | 0:13:40 | |
so there's absolutely no trace of spit left in it. | 0:13:40 | 0:13:43 | |
When she was growing up, J-Lo was nicknamed La Guitarra, | 0:13:45 | 0:13:48 | |
because of her curvy shape. | 0:13:48 | 0:13:50 | |
And because she was wooden and completely hollow inside. | 0:13:50 | 0:13:54 | |
APPLAUSE | 0:13:57 | 0:13:59 | |
And at the end of that round, Phill's team have one | 0:13:59 | 0:14:02 | |
and Noel's team have one. | 0:14:02 | 0:14:04 | |
CHEERING AND APPLAUSE | 0:14:04 | 0:14:06 | |
OK, it's time now for the Intros round. | 0:14:10 | 0:14:12 | |
Phill and Shaun, here are your intros. | 0:14:12 | 0:14:15 | |
I am so shit at this! | 0:14:16 | 0:14:18 | |
You just have to go dum-dum-dum-dum-dum... | 0:14:20 | 0:14:23 | |
Dum dum dum dum dum dum... | 0:14:23 | 0:14:25 | |
Keep doing that. | 0:14:25 | 0:14:27 | |
Dum dum dum dum dum dum | 0:14:27 | 0:14:28 | |
# Da da da da da da-da | 0:14:28 | 0:14:31 | |
Dum dum dum dum dum dum | 0:14:31 | 0:14:33 | |
# Da-na | 0:14:33 | 0:14:34 | |
# Da da da Da | 0:14:34 | 0:14:36 | |
Dum dum dum dum dum dum | 0:14:36 | 0:14:37 | |
Just... | 0:14:37 | 0:14:39 | |
SHAUN KEEPS DUMMING | 0:14:39 | 0:14:40 | |
# Da-na Dum dum dum dum da-na | 0:14:42 | 0:14:44 | |
Dum dum dum dum dum dum | 0:14:44 | 0:14:45 | |
Just...dum dum dum dum dum dum! | 0:14:45 | 0:14:47 | |
# Da-na | 0:14:47 | 0:14:48 | |
Dum dum dum dum dum dum... We can do it - for the kids! | 0:14:48 | 0:14:51 | |
Dum dum dum dum dum dum | 0:14:51 | 0:14:53 | |
# Da-na Dum dum dum dum da-na | 0:14:53 | 0:14:55 | |
Dum dum dum dum dum dum... | 0:14:55 | 0:14:56 | |
# Flash! Ah-aaaah... # | 0:14:56 | 0:14:58 | |
# Saviour of the universe! # | 0:14:58 | 0:15:00 | |
Gordon's alive! SHAUN STOPS DUMMING | 0:15:00 | 0:15:02 | |
Don't throw the Ryder! I've just managed to get him set. | 0:15:02 | 0:15:05 | |
You're confusing the Ryder! | 0:15:07 | 0:15:09 | |
Dum dum dum dum dum dum... Not now! We're done! | 0:15:09 | 0:15:11 | |
I don't want to make anyone feel bad, | 0:15:17 | 0:15:19 | |
but I don't know if I got that one. Sorry. We're going to throw it. | 0:15:19 | 0:15:22 | |
Pointer Sisters, I'm So Excited? | 0:15:22 | 0:15:25 | |
Oh, my goodness, you should be so excited, because that is the right answer! Well done. | 0:15:25 | 0:15:29 | |
CHEERING AND APPLAUSE | 0:15:29 | 0:15:30 | |
Here is how it should have sounded. | 0:15:30 | 0:15:33 | |
INTRO PLAYS | 0:15:33 | 0:15:34 | |
This is even bleedin' worse, this! | 0:15:34 | 0:15:37 | |
You know what? | 0:15:40 | 0:15:41 | |
Elvis should have recorded that. | 0:15:41 | 0:15:43 | |
Next one, please. | 0:15:45 | 0:15:47 | |
Right, here we go. | 0:15:47 | 0:15:49 | |
# Dee dee dee | 0:15:49 | 0:15:53 | |
# Deeee | 0:15:53 | 0:15:55 | |
# Da-doo, da-doo | 0:15:55 | 0:15:57 | |
SHAUN BEATBOXES | 0:15:57 | 0:15:59 | |
# Doo doo doo | 0:15:59 | 0:16:07 | |
# Dooo | 0:16:07 | 0:16:09 | |
# Doo Doo | 0:16:09 | 0:16:10 | |
# Dur-nurr-nurr-nurr De dur-nurr-nurr... # | 0:16:10 | 0:16:13 | |
It's not the Prodigy. | 0:16:13 | 0:16:16 | |
The White Stripes. | 0:16:16 | 0:16:17 | |
I don't know. | 0:16:17 | 0:16:19 | |
The Arctic Stripes... | 0:16:19 | 0:16:21 | |
The Monkey People. | 0:16:21 | 0:16:22 | |
Young Things. | 0:16:22 | 0:16:24 | |
The Teenagers. The Kids. | 0:16:24 | 0:16:26 | |
I don't know. | 0:16:26 | 0:16:28 | |
At least he's honest. | 0:16:28 | 0:16:30 | |
We'll pass it. | 0:16:30 | 0:16:32 | |
Is it the A Team? Not even close. | 0:16:32 | 0:16:34 | |
Linkin Park, Faint. And here's how it should have sounded, | 0:16:34 | 0:16:38 | |
which was nothing like that. | 0:16:38 | 0:16:39 | |
INTRO PLAYS | 0:16:39 | 0:16:41 | |
I'm not surprised. | 0:16:46 | 0:16:48 | |
I forgot the beat. | 0:16:51 | 0:16:52 | |
That was Linkin Park with Faint. | 0:17:02 | 0:17:04 | |
In 2012, 19 people were injured at a Linkin Park concert. | 0:17:04 | 0:17:07 | |
That's the last time I go crowd-surfing. | 0:17:07 | 0:17:10 | |
Linkin Park were the first band to have over a billion hits on YouTube, | 0:17:13 | 0:17:17 | |
but only because the video was called | 0:17:17 | 0:17:19 | |
"Panda sneezing and two girls pooing in a cup". | 0:17:19 | 0:17:21 | |
OK, Noel and Jaymi, here are yours | 0:17:26 | 0:17:28 | |
for Sarah. | 0:17:28 | 0:17:29 | |
Cool. | 0:17:29 | 0:17:31 | |
BOTH: # Doo doo Doo doo | 0:17:33 | 0:17:35 | |
# Uh-ah-aaah | 0:17:35 | 0:17:38 | |
# Ooh ooh | 0:17:38 | 0:17:40 | |
# Tssh tssh tssh | 0:17:40 | 0:17:41 | |
# Ooh ah-aaah | 0:17:41 | 0:17:43 | |
# Ner ner ner nerrrr | 0:17:43 | 0:17:44 | |
# Tssh tssh tssh... # | 0:17:44 | 0:17:45 | |
Jaymi's doing B*Witched. | 0:17:45 | 0:17:48 | |
Yeah! # Ooh oooh-oooh! # | 0:17:48 | 0:17:50 | |
# Uh oh-oh-ooohhh. # | 0:17:50 | 0:17:52 | |
See, you did! | 0:17:52 | 0:17:53 | |
What are you like? | 0:17:53 | 0:17:55 | |
Um... | 0:17:55 | 0:17:56 | |
Can I have it again, without any B*Witched? | 0:17:58 | 0:18:00 | |
# Ba ba ah-aaah... # | 0:18:00 | 0:18:02 | |
Is it B*Witched? I don't know. | 0:18:04 | 0:18:05 | |
Any takers? | 0:18:05 | 0:18:07 | |
Any idea? | 0:18:07 | 0:18:09 | |
It actually was... | 0:18:09 | 0:18:11 | |
The Cardigans with Erase And Rewind. | 0:18:11 | 0:18:14 | |
And here's how it should have sounded. | 0:18:14 | 0:18:17 | |
INTRO PLAYS | 0:18:17 | 0:18:18 | |
Totally ruined. | 0:18:22 | 0:18:24 | |
Right, next one. | 0:18:31 | 0:18:32 | |
# Wah wah-ahhh | 0:18:32 | 0:18:34 | |
EVIL LAUGHTER FROM NOEL | 0:18:34 | 0:18:36 | |
# Wah wah-ahhh | 0:18:36 | 0:18:37 | |
MORE LAUGHTER | 0:18:37 | 0:18:39 | |
# Wah wah-ahhh... # | 0:18:41 | 0:18:43 | |
# Dum dum dum dum | 0:18:43 | 0:18:44 | |
# Dum dum dum dum dum Mmm mmm mmm mmm mmm | 0:18:44 | 0:18:47 | |
# Mmm mmm mmm mmm mmm | 0:18:47 | 0:18:50 | |
# Doo doo doo doo-doo | 0:18:50 | 0:18:53 | |
# Rum-dum dum dum dum | 0:18:53 | 0:18:56 | |
# Boo boo boo boo boo | 0:18:56 | 0:18:59 | |
# Rum-pum pa-da-bum... # | 0:18:59 | 0:19:01 | |
I love it, whatever it is. | 0:19:02 | 0:19:04 | |
I think it's awesome, especially the bit at the beginning, | 0:19:04 | 0:19:07 | |
with the laughing. | 0:19:07 | 0:19:08 | |
I don't know. I sort of like Take That. | 0:19:08 | 0:19:11 | |
Sorry. | 0:19:11 | 0:19:12 | |
So we'll count you out there. | 0:19:12 | 0:19:14 | |
I don't know. Sorry. | 0:19:14 | 0:19:16 | |
OK. It was... | 0:19:16 | 0:19:17 | |
Whoa, whoa, whoa! | 0:19:17 | 0:19:19 | |
HE WHISTLES | 0:19:19 | 0:19:21 | |
It was Clint Eastwood by Gorillaz. | 0:19:21 | 0:19:24 | |
Absolutely right. You're right. | 0:19:24 | 0:19:26 | |
And here's how it should have sounded. | 0:19:26 | 0:19:28 | |
INTRO PLAYS | 0:19:28 | 0:19:31 | |
EVIL LAUGHTER | 0:19:31 | 0:19:32 | |
That was good, right? | 0:19:36 | 0:19:37 | |
SARAH: Your bit was better, if anything. | 0:19:39 | 0:19:41 | |
I DO know it now! | 0:19:41 | 0:19:43 | |
Good song. | 0:19:45 | 0:19:46 | |
There you go. I know it now! | 0:19:48 | 0:19:49 | |
So that was Gorillaz with Clint Eastwood. | 0:19:49 | 0:19:52 | |
When performing with Gorillaz, Damon Albarn | 0:19:52 | 0:19:55 | |
shares the stage with ludicrous two-dimensional characters. | 0:19:55 | 0:19:58 | |
I know the feeling. I worked with Anthea Turner for years. | 0:19:58 | 0:20:01 | |
MIXED AUDIENCE REACTION | 0:20:01 | 0:20:03 | |
We also heard the Cardigans with Erase And Rewind. | 0:20:07 | 0:20:10 | |
The Cardigans are from Scandinavia, and what is there not to love about Scandinavia? | 0:20:10 | 0:20:14 | |
Everybody loves a Swede, everybody loves a Danish | 0:20:14 | 0:20:16 | |
and most of all, everybody loves a happy Finnish. | 0:20:16 | 0:20:18 | |
Round three is the Identity Parade. | 0:20:25 | 0:20:27 | |
Phill's team, how about some early '90s saxo-funk? | 0:20:27 | 0:20:31 | |
For the audience in the studio and the viewers at home only, | 0:20:31 | 0:20:33 | |
here is Chad Jackson with Hear The Drummer (Get Wicked). | 0:20:33 | 0:20:37 | |
Hear the drummer get wicked! | 0:20:37 | 0:20:39 | |
Chad Jackson with Hear The Drummer (Get Wicked), | 0:20:57 | 0:21:00 | |
but which of our line-up is the real Chad Jackson? | 0:21:00 | 0:21:03 | |
Is it Number 1 - | 0:21:03 | 0:21:05 | |
Chad Jackson? | 0:21:05 | 0:21:07 | |
Number 2 - Michael Jackson? | 0:21:07 | 0:21:09 | |
Number 3 - Colin Jackson? | 0:21:10 | 0:21:12 | |
Number 4 - Basement Jackson? | 0:21:14 | 0:21:16 | |
Or Number 5- Sorry, Miss Jackson, I'm For Real? | 0:21:17 | 0:21:20 | |
I hesitate to say...do you remember this one? | 0:21:24 | 0:21:26 | |
Yeah. | 0:21:26 | 0:21:28 | |
Good! I do. | 0:21:28 | 0:21:30 | |
I remember the tune. | 0:21:30 | 0:21:31 | |
Admittedly, before the show, Shaun said, | 0:21:31 | 0:21:33 | |
"They might put one of the Mondays on. I probably wouldn't recognise them". | 0:21:33 | 0:21:38 | |
It is Bez! Number 2 is Bez! | 0:21:39 | 0:21:41 | |
The most magnificent cheekbones I've ever seen on a human being. | 0:21:42 | 0:21:46 | |
It's like a mixture of The Scream and Ian Brown. | 0:21:46 | 0:21:49 | |
Come on! | 0:21:54 | 0:21:55 | |
Do you remember this tune, Eamonn? | 0:21:58 | 0:22:00 | |
Did you used to bust moves on the floor to this one in the '90s? | 0:22:00 | 0:22:03 | |
IRISH ACCENT: I'm throwing some shapes! | 0:22:03 | 0:22:05 | |
My feet are on fire! | 0:22:07 | 0:22:09 | |
Phill, you're honing in on... | 0:22:11 | 0:22:13 | |
4. | 0:22:13 | 0:22:15 | |
Would the real Chad Jackson | 0:22:16 | 0:22:20 | |
please step forward? | 0:22:20 | 0:22:22 | |
Ohhhh! | 0:22:24 | 0:22:26 | |
Currently just putting the finishing touches | 0:22:29 | 0:22:31 | |
to the updated version of Hear The Drummer (Get Wicked), | 0:22:31 | 0:22:34 | |
Chad Jackson, ladies and gentlemen. | 0:22:34 | 0:22:36 | |
CHEERING AND APPLAUSE | 0:22:36 | 0:22:37 | |
Now, Noel, Jaymi and Sarah, great bit of music | 0:22:41 | 0:22:44 | |
coming up for you. | 0:22:44 | 0:22:45 | |
A bit of Geordie crooner pop. | 0:22:45 | 0:22:48 | |
For the audience in the studio and you viewers at home only, | 0:22:48 | 0:22:51 | |
here's Jimmy Nail with Ain't No Doubt. | 0:22:51 | 0:22:54 | |
# I don't want nobody else I love you | 0:22:56 | 0:22:58 | |
# She's lying | 0:22:58 | 0:22:59 | |
# There won't be somebody else And that's true | 0:22:59 | 0:23:03 | |
# She's lying | 0:23:03 | 0:23:04 | |
# Say you'll always be my friend Sweet darling | 0:23:04 | 0:23:07 | |
# Why does she pretend? | 0:23:09 | 0:23:12 | |
# Ain't no doubt, it's plain to see | 0:23:12 | 0:23:15 | |
# A woman like you's no good for me... # | 0:23:18 | 0:23:20 | |
Let's just say she's carrying that tune. | 0:23:20 | 0:23:22 | |
Ain't No Doubt, Jimmy Nail. | 0:23:25 | 0:23:27 | |
But which of our line-up is vocalist | 0:23:27 | 0:23:29 | |
Sylvia Mason-James, who duetted with Jimmy on that song? | 0:23:29 | 0:23:35 | |
Is it Number 1 - Ain't No Doubt? | 0:23:35 | 0:23:37 | |
Number 2 - Reasonable Doubt? | 0:23:37 | 0:23:40 | |
Number 3 - Twist And Doubt? | 0:23:42 | 0:23:44 | |
Number 4 - Mrs Doubtfire? | 0:23:44 | 0:23:47 | |
Or Number 5 - You Can Ask Her, But I Doubt It? | 0:23:47 | 0:23:51 | |
When did the song come out? I don't know the song. | 0:23:54 | 0:23:57 | |
Oh, bless you! | 0:23:57 | 0:23:58 | |
It was a great song! Do you know who Jimmy Nail is? | 0:24:00 | 0:24:02 | |
No. No? You're better off for it. | 0:24:02 | 0:24:04 | |
I've got that one on my iPod. | 0:24:06 | 0:24:08 | |
Have you? Yeah. Because I've got a playlist for when I drive home | 0:24:08 | 0:24:12 | |
with loads of Geordie people on singing... | 0:24:12 | 0:24:14 | |
What's on it? | 0:24:14 | 0:24:15 | |
Chris Rea's on and Sting's on... | 0:24:15 | 0:24:18 | |
Sting?! ..and Ant and Dec are on it. | 0:24:18 | 0:24:21 | |
STING?! | 0:24:21 | 0:24:22 | |
And Robson and Jerome. | 0:24:22 | 0:24:25 | |
It just makes me drive home quicker. | 0:24:27 | 0:24:29 | |
3's got a wicked barnet. | 0:24:32 | 0:24:34 | |
Number 5 looks really pissed off. She's like... | 0:24:34 | 0:24:37 | |
I don't think it's her. | 0:24:37 | 0:24:39 | |
Is that not....? That's sexy, isn't it? | 0:24:39 | 0:24:42 | |
Yes, it is. Not for me, but I think... | 0:24:42 | 0:24:44 | |
What?! Are you mental?! | 0:24:44 | 0:24:46 | |
No, just gay. | 0:24:46 | 0:24:48 | |
I didn't know! The whole group? | 0:24:55 | 0:24:57 | |
Whole group - what, all four of us? Yeah. No. | 0:24:57 | 0:25:00 | |
It's not that kind of party. | 0:25:01 | 0:25:03 | |
You'd never get any work done. | 0:25:05 | 0:25:06 | |
So, er, yes...3, maybe? | 0:25:10 | 0:25:12 | |
Let's find out | 0:25:12 | 0:25:14 | |
who is the real Sylvia Mason-James. | 0:25:14 | 0:25:18 | |
It is Number 3, yes! | 0:25:21 | 0:25:22 | |
She's still gigging across the UK. | 0:25:25 | 0:25:28 | |
Sylvia Mason-James! | 0:25:28 | 0:25:30 | |
CHEERING AND APPLAUSE | 0:25:30 | 0:25:31 | |
And at the end of that round, Phill's team | 0:25:34 | 0:25:36 | |
have one, and Noel's team have four. | 0:25:36 | 0:25:39 | |
CHEERING AND APPLAUSE | 0:25:39 | 0:25:41 | |
OK, a lot of work to do. | 0:25:44 | 0:25:46 | |
We end with Next Lines. | 0:25:46 | 0:25:48 | |
Noel's team are in the lead so they get to go first. | 0:25:48 | 0:25:50 | |
And your time starts... | 0:25:50 | 0:25:53 | |
now. | 0:25:53 | 0:25:54 | |
A little less conversation. | 0:25:54 | 0:25:56 | |
A little more action. | 0:25:56 | 0:25:57 | |
By? Elvis. Well done. | 0:25:57 | 0:25:58 | |
Don't ever say you're lonely. | 0:25:58 | 0:26:00 | |
Just lay your problems on me. | 0:26:02 | 0:26:04 | |
Carry You by Union J, yes! | 0:26:04 | 0:26:07 | |
Strumming my pain with his fingers. | 0:26:10 | 0:26:12 | |
Singing my life with his words. | 0:26:12 | 0:26:14 | |
Yes. Killing Me Softly, Roberta Flack. | 0:26:14 | 0:26:17 | |
Everybody in the whole cell block. | 0:26:17 | 0:26:19 | |
Was doing the jailhouse rock. | 0:26:19 | 0:26:20 | |
Mmm... | 0:26:20 | 0:26:22 | |
Since I'm here, I gotta be real strict with y'all. | 0:26:22 | 0:26:25 | |
Dancing to the jailhouse rock. | 0:26:26 | 0:26:29 | |
# Was dancing to the jailhouse rock. # Well done. | 0:26:29 | 0:26:31 | |
Jailhouse Rock by Elvis, yes! | 0:26:31 | 0:26:32 | |
END OF ROUND JINGLE | 0:26:32 | 0:26:34 | |
That was very, very good. | 0:26:36 | 0:26:37 | |
What that means is you have got to get seven points to win. | 0:26:37 | 0:26:41 | |
Let's not waste any more time. Here we go. | 0:26:41 | 0:26:43 | |
I'm so excited. | 0:26:43 | 0:26:45 | |
I've just met Anthea Turner. | 0:26:45 | 0:26:46 | |
I am so excited. | 0:26:48 | 0:26:50 | |
IRISH ACCENT: Are you, now? | 0:26:50 | 0:26:51 | |
Yes! | 0:26:51 | 0:26:52 | |
And... I just can't hide it. | 0:26:57 | 0:26:59 | |
That's I'm So Excited by the Pointer Sisters, yes. | 0:26:59 | 0:27:01 | |
You ain't nothing but a hound dog. | 0:27:01 | 0:27:04 | |
Crying all the time. | 0:27:04 | 0:27:06 | |
Yes. By Elvis. | 0:27:06 | 0:27:07 | |
Remember me? | 0:27:07 | 0:27:09 | |
Shaun, do you remember anything? | 0:27:10 | 0:27:12 | |
I remember two of them. | 0:27:14 | 0:27:16 | |
GREG HUMS THE TUNE | 0:27:17 | 0:27:19 | |
What's that - remember me? | 0:27:19 | 0:27:21 | |
Remember me... HUMS | 0:27:21 | 0:27:22 | |
Whatever they say. | 0:27:22 | 0:27:24 | |
I'm the one who had your babies. By Blue Boy. | 0:27:24 | 0:27:26 | |
24-hour party people. | 0:27:26 | 0:27:28 | |
Plastic face can't smile the white out. Well done. | 0:27:28 | 0:27:32 | |
Happy Mondays. Come on! | 0:27:32 | 0:27:33 | |
CHEERING AND APPLAUSE | 0:27:35 | 0:27:37 | |
END OF ROUND JINGLE | 0:27:40 | 0:27:42 | |
Was that performance enough? | 0:27:43 | 0:27:45 | |
The final scores... | 0:27:45 | 0:27:47 | |
Phill's team... | 0:27:47 | 0:27:48 | |
..have four. | 0:27:50 | 0:27:51 | |
And Noel's team are the winners with seven! | 0:27:51 | 0:27:53 | |
CHEERING AND APPLAUSE | 0:27:53 | 0:27:55 | |
So, there you go, that is it. | 0:27:59 | 0:28:00 | |
So thank you to Phill, Shaun Ryder, Greg McHugh. | 0:28:00 | 0:28:04 | |
CHEERING AND APPLAUSE | 0:28:04 | 0:28:06 | |
To Noel, to Jaymi from Union J and Sarah Millican. | 0:28:07 | 0:28:10 | |
CHEERING AND APPLAUSE | 0:28:10 | 0:28:12 | |
And as you enjoy the credits, we're going to write down some important events from the '90s, | 0:28:14 | 0:28:18 | |
to see if Shaun Ryder remembers any of them. | 0:28:18 | 0:28:20 | |
This has been Never Mind The Buzzcocks. | 0:28:20 | 0:28:22 | |
I've been Eamonn Holmes | 0:28:22 | 0:28:24 | |
and Elvis has left the building. Good night. | 0:28:24 | 0:28:26 | |
CHEERING AND APPLAUSE | 0:28:26 | 0:28:28 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:39 |