Browse content similar to Episode 8. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:06 | 0:00:10 | |
Welcome to the Never Mind The Buzzcocks Sexy Special. | 0:00:33 | 0:00:37 | |
Oh, my God, it's Michael Bolton! | 0:00:38 | 0:00:42 | |
# When a man loves a woman | 0:00:42 | 0:00:46 | |
# Deep down in his soul | 0:00:48 | 0:00:51 | |
# She can bring him such misery... # | 0:00:51 | 0:00:58 | |
CHEERING | 0:00:58 | 0:01:01 | |
Hello and welcome to Never Mind The Buzzcocks. | 0:01:03 | 0:01:06 | |
I'm Michael Bolton. CHEERING | 0:01:06 | 0:01:09 | |
Yeah! | 0:01:09 | 0:01:11 | |
Now, before we start, I may not have my trademark hair any more, | 0:01:12 | 0:01:17 | |
but don't worry, ladies, tonight I promise | 0:01:17 | 0:01:19 | |
I will still be employing both of my trademark moves. | 0:01:19 | 0:01:23 | |
The smouldering Jesus... | 0:01:23 | 0:01:25 | |
# Tell me, how am I supposed to live without you? # | 0:01:25 | 0:01:43 | |
# How can we start over...? # LAUGHTER | 0:01:43 | 0:01:48 | |
OK. | 0:01:48 | 0:01:49 | |
You're welcome. | 0:01:52 | 0:01:54 | |
On Phill's team tonight... | 0:01:54 | 0:01:56 | |
# Some girls wanna dance in the spotlight... # | 0:01:56 | 0:01:58 | |
..is a singer who was recently in a film called The Perfect Wave, | 0:01:58 | 0:02:02 | |
which in fact was a documentary about my hair in the mid-'80s. | 0:02:02 | 0:02:06 | |
It's Diana Vickers. | 0:02:06 | 0:02:07 | |
# Got the eye of the tiger... # | 0:02:12 | 0:02:15 | |
And a presenter who is so brilliant at maths, | 0:02:15 | 0:02:18 | |
on her last birthday | 0:02:18 | 0:02:20 | |
she made 51 plus 1 equal 39. | 0:02:20 | 0:02:23 | |
Again. It's Carol Vorderman. | 0:02:23 | 0:02:25 | |
And on Noel's team tonight... | 0:02:30 | 0:02:32 | |
# But some... # CHEERING | 0:02:32 | 0:02:34 | |
..is a singer from the boy band Westlife, | 0:02:34 | 0:02:54 | |
# Oh, no | 0:02:54 | 0:02:55 | |
# Not, not, not me... # | 0:02:55 | 0:02:57 | |
And the stand-up comedian who has been described | 0:02:57 | 0:03:00 | |
as the person you'd most like to meet down the pub. | 0:03:00 | 0:03:03 | |
What? A drunk woman on the rebound who loves '80s power ballads? | 0:03:03 | 0:03:07 | |
It's Seann Walsh. | 0:03:07 | 0:03:09 | |
So, Shane, did Westlife have a trademark move, like a power grab? | 0:03:12 | 0:03:16 | |
It kind of goes - it kind of goes something like this. | 0:03:16 | 0:03:19 | |
You're sitting... | 0:03:19 | 0:03:20 | |
Key change is about to come... | 0:03:24 | 0:03:26 | |
APPLAUSE Yes! | 0:03:29 | 0:03:31 | |
Did someone improvise standing up? Did someone just go... | 0:03:36 | 0:03:39 | |
No, no, no! What the fuck was that, when you got up?! | 0:03:41 | 0:04:03 | |
Or is that Boyzone? | 0:04:03 | 0:04:05 | |
# If I let you go... # | 0:04:05 | 0:04:06 | |
Oh, that's your move. That's like when you're at a clothes shop | 0:04:06 | 0:04:09 | |
and you're trying to get the clothes out of the way of the rail. | 0:04:09 | 0:04:11 | |
What's the getting up thing? I don't get up that much. | 0:04:11 | 0:04:14 | |
You've got to sit and kind of concentrate, | 0:04:14 | 0:04:16 | |
cos you've got to do it all at once, | 0:04:16 | 0:04:17 | |
don't want to get up ahead of each other. | 0:04:17 | 0:04:19 | |
So, if we say, "Three, two, one," then we're all going to get up. Yeah? | 0:04:20 | 0:04:24 | |
OK. OK. On one, though, yeah? | 0:04:24 | 0:04:25 | |
So, it's like, three, key change is coming, two, one, and we all... | 0:04:25 | 0:04:30 | |
CHEERING AND APPLAUSE | 0:04:30 | 0:04:33 | |
Actually, Seann, I gotta say, you've got a great look. | 0:04:40 | 0:04:42 | |
It's very Boltonesque. | 0:04:42 | 0:04:44 | |
LAUGHTER Thank you. | 0:04:46 | 0:04:47 | |
Let's see a picture. | 0:04:47 | 0:04:49 | |
AUDIENCE: Woo! | 0:04:50 | 0:04:52 | |
We need some smoke... | 0:05:14 | 0:05:16 | |
we need some wind... | 0:05:16 | 0:05:19 | |
and we need some music. | 0:05:19 | 0:05:21 | |
# When a man loves a woman... # OK. | 0:05:21 | 0:05:26 | |
First, spread... | 0:05:26 | 0:05:28 | |
APPLAUSE | 0:05:28 | 0:05:30 | |
Oh, you nailed it. | 0:05:32 | 0:05:34 | |
He's a pro, man, he's a pro. You nailed it. | 0:05:34 | 0:05:37 | |
Yeah! | 0:05:37 | 0:05:38 | |
Bravo. | 0:05:42 | 0:05:43 | |
Wow. | 0:05:44 | 0:05:46 | |
I feel sexy, thank you. | 0:05:46 | 0:05:48 | |
I think we're going to begin now. | 0:05:48 | 0:05:50 | |
This is Round One, called Sorry, No Refunds. | 0:05:50 | 0:05:54 | |
Noel, Shane and Seann, check this out. | 0:05:54 | 0:05:56 | |
# The things I think I did | 0:05:59 | 0:06:02 | |
# I do, I think I did... # | 0:06:03 | 0:06:24 | |
B, his nut allergy? | 0:06:24 | 0:06:27 | |
C, a swarm of grasshoppers? | 0:06:27 | 0:06:29 | |
You've got one lone grasshopper. | 0:06:31 | 0:06:33 | |
Which is meant to be loads. | 0:06:33 | 0:06:35 | |
They ruined the gig. Maybe they were tutting. | 0:06:35 | 0:06:37 | |
THEY TUT | 0:06:38 | 0:06:40 | |
THEY TUT RAPIDLY | 0:06:43 | 0:06:46 | |
Right, I'm going off, I've had enough of this. | 0:06:46 | 0:06:48 | |
You've met Paul, haven't you? | 0:06:48 | 0:06:50 | |
I actually did meet Paul. Yeah, I did meet Sir Paul once. | 0:06:50 | 0:06:53 | |
It was actually on my honeymoon. | 0:06:53 | 0:06:55 | |
You got married to Paul McCartney? I did. | 0:06:55 | 0:06:58 | |
We were in the Maldives, and basically the hotel staff said, | 0:06:58 | 0:07:01 | |
um, "You've a very famous neighbour," you know? | 0:07:01 | 0:07:03 | |
And I was like, "Who is it?" They were like, "Sir Paul McCartney." | 0:07:03 | 0:07:06 | |
I was like... Wow! | 0:07:06 | 0:07:07 | |
When I actually got to meet him, It was a bit of a weird moment. | 0:07:07 | 0:07:10 | |
I was going into the spa to get a massage... | 0:07:10 | 0:07:13 | |
You're getting very close with Paul on this trip. Yeah! | 0:07:13 | 0:07:32 | |
Have you met Paul, Michael? I haven't been introduced to him, no. | 0:07:34 | 0:07:37 | |
No, really?! I've come close, but... What, come close... | 0:07:37 | 0:07:40 | |
Someone went, "Hey, come and meet... Oh, no, don't bother. It's fine." | 0:07:40 | 0:07:44 | |
I saw him on a bus in Soho, actually. Did you?! | 0:07:44 | 0:07:47 | |
I said to him, "How are you getting a bus?!" And he said, | 0:07:47 | 0:07:49 | |
"No-one thinks, cos you're so famous, that you'd get a bus. | 0:07:49 | 0:07:52 | |
"So I just get the bus, it's easier." | 0:07:52 | 0:07:54 | |
And I thought, "Oh, my God," | 0:07:54 | 0:07:55 | |
and then I realised it wasn't him, it was just an Indian guy. | 0:07:55 | 0:07:57 | |
So, what do we think? I think it's the float. | 0:08:01 | 0:08:04 | |
With the toucan on it. We're going to go with the float. | 0:08:04 | 0:08:07 | |
We're going to go with the float. You are wrong. | 0:08:07 | 0:08:09 | |
Agh! | 0:08:09 | 0:08:10 | |
For God's sake! It's the grasshoppers, isn't it? | 0:08:10 | 0:08:12 | |
It is C, a swarm of grasshoppers. | 0:08:12 | 0:08:15 | |
Earlier this year a swarm of grasshoppers invaded the stage | 0:08:15 | 0:08:19 | |
and forced him to complete his three-hour gig covered in insects. | 0:08:19 | 0:08:24 | |
Now, if you're wondering what a Brazilian grasshopper looks like, | 0:08:24 | 0:08:43 | |
That's right, it's musical button-presser Moby. | 0:08:43 | 0:08:47 | |
# Cos we are all made of stars | 0:08:47 | 0:08:49 | |
# Cos we are all made of stars... # | 0:08:49 | 0:08:51 | |
That was Moby with We Are All Made Of Stars. | 0:08:51 | 0:08:55 | |
But who attacked Moby on stage in Toronto? | 0:08:55 | 0:08:58 | |
Was it A, a man with a harpoon? | 0:08:58 | 0:09:01 | |
B, Bryan Adams? | 0:09:01 | 0:09:04 | |
Or C, a man dressed as a ten-foot tree? | 0:09:04 | 0:09:08 | |
Bryan Adams is obviously Canadian. He's tiny. | 0:09:09 | 0:09:12 | |
This is actually his guitar. | 0:09:12 | 0:09:14 | |
Tiny, tiny guitar! Yeah. | 0:09:14 | 0:09:16 | |
NOEL: I saw him in Soho once, and he had a motorbike helmet on, | 0:09:16 | 0:09:19 | |
and his head was so small it was like an otter's head. | 0:09:19 | 0:09:22 | |
When he opened his visor, there was sort of room, you know...? | 0:09:22 | 0:09:25 | |
Loads of room in there. | 0:09:25 | 0:09:28 | |
Maybe he was living in it. | 0:09:28 | 0:09:29 | |
It was his house. | 0:09:29 | 0:09:30 | |
This is how big he is... | 0:09:30 | 0:09:32 | |
This, apparently, represents... I don't know. Bryan Adams' garden. | 0:09:33 | 0:09:54 | |
We think it was a man, Mr Bolton, dressed as a tree. | 0:09:54 | 0:09:56 | |
And you are right. | 0:09:56 | 0:09:58 | |
It is C. Yeah! | 0:09:58 | 0:10:00 | |
Moby has revealed that a man dressed as a giant ten-foot tree | 0:10:03 | 0:10:07 | |
once ran onto a stage and wrestled him onto the ground. | 0:10:07 | 0:10:10 | |
Luckily, Moby was in the middle of a song, | 0:10:10 | 0:10:13 | |
so he had two minutes until he had to click on the mouse | 0:10:13 | 0:10:15 | |
to start the next song. | 0:10:15 | 0:10:17 | |
At the end of the round, Noel's team have done nothing. | 0:10:20 | 0:10:23 | |
They have nothing. They are worth nothing. | 0:10:23 | 0:10:26 | |
And Phill's team have one. | 0:10:27 | 0:10:30 | |
Now, teams, how do you fancy some quick-fire questions all about me? | 0:10:35 | 0:10:39 | |
Yeah! Oh-ho-ho! | 0:10:39 | 0:10:40 | |
Let's play the Lightning Bolton Round. | 0:10:40 | 0:10:43 | |
# Whoa-oa Lightning Bolton. # | 0:10:43 | 0:11:02 | |
That's not how it works. | 0:11:02 | 0:11:04 | |
I think it's false. | 0:11:04 | 0:11:05 | |
Wrong, it is true. Oh! | 0:11:05 | 0:11:08 | |
True or false... | 0:11:08 | 0:11:11 | |
was originally going to be "maybe it's Michael Bolton." | 0:11:11 | 0:11:14 | |
# Maybe it's Maybelline. # | 0:11:14 | 0:11:16 | |
But then I cut my hair. | 0:11:16 | 0:11:18 | |
True or false? | 0:11:18 | 0:11:19 | |
# Maybe it's Michael Bolton. # | 0:11:19 | 0:11:22 | |
Sound convincing? | 0:11:22 | 0:11:23 | |
# Maybe it's Michael Bolton. # | 0:11:23 | 0:11:26 | |
CHEERING | 0:11:26 | 0:11:27 | |
It was false. | 0:11:29 | 0:11:31 | |
True or false... | 0:11:31 | 0:11:32 | |
I am actually Dr Bolton. | 0:11:32 | 0:11:34 | |
Michael, say, "Pop your top off." | 0:11:34 | 0:11:37 | |
I beg your pardon? Say... | 0:11:37 | 0:11:39 | |
Say, "Pop your top off." | 0:11:39 | 0:11:41 | |
Pop your top off. | 0:11:41 | 0:11:43 | |
He's not a doctor. | 0:11:43 | 0:11:44 | |
You got it just cos you're Michael Bolton, | 0:11:46 | 0:11:48 | |
like a doctor thing with the cap and all that. | 0:11:48 | 0:11:50 | |
You probably did, didn't you? You probably did. | 0:11:50 | 0:11:52 | |
CAROL: Yeah. We trust you, Michael. | 0:11:52 | 0:11:53 | |
I knew I wasn't going to get through this line. | 0:12:12 | 0:12:14 | |
In the Disney film Pocahontas. | 0:12:14 | 0:12:18 | |
True or false? False! | 0:12:18 | 0:12:20 | |
I don't know, he can reach. False! He's got a range! He's got a range. | 0:12:20 | 0:12:23 | |
Wherever you think he's going, he's going one higher. Yeah. | 0:12:23 | 0:12:26 | |
I don't think it is, no. I think it's false. | 0:12:26 | 0:12:28 | |
It is false. Yes! | 0:12:28 | 0:12:29 | |
It is false. | 0:12:29 | 0:12:31 | |
All right, everyone, thanks for playing the Lightning Bolton Round. | 0:12:31 | 0:12:34 | |
Thank you. | 0:12:34 | 0:12:35 | |
# Whoa-oa Lightning Bolton. # | 0:12:35 | 0:12:39 | |
Time, now, for the Intros Round. | 0:12:39 | 0:12:42 | |
Phill and Diana, here are your intros for Carol. | 0:12:42 | 0:12:45 | |
Right. | 0:12:45 | 0:12:46 | |
One, two... Three, four... | 0:12:46 | 0:12:49 | |
Pack-a-didda, pack-a-didda, pack-a-didda... | 0:12:49 | 0:12:51 | |
Beep-bo bap-ba-da da-didda beep-bo bap-ba-da da-didda... | 0:12:51 | 0:12:54 | |
Pack-a-didda, pack-a-didda... | 0:12:54 | 0:12:56 | |
Do-do, do da-didda do-do... Pack-a-didda, pack-a-didda... | 0:12:56 | 0:12:59 | |
Do-do-do, do-do-do dicka-di-do... Pack-a-didda, pack-a-didda... | 0:12:59 | 0:13:21 | |
PHILL: They're back! | 0:13:21 | 0:13:22 | |
They are back! | 0:13:22 | 0:13:25 | |
It's not Anal Danger. | 0:13:25 | 0:13:26 | |
Oh, who had money on Bolton saying that tonight? | 0:13:28 | 0:13:30 | |
I want to hear him singing it. | 0:13:32 | 0:13:35 | |
# It's not Anal Danger, it's... | 0:13:36 | 0:13:40 | |
# Anal Danger. # | 0:13:40 | 0:13:41 | |
Woo, yeah! | 0:13:41 | 0:13:43 | |
Noel... | 0:13:43 | 0:13:44 | |
APPLAUSE | 0:13:44 | 0:13:47 | |
Woo! | 0:13:47 | 0:13:49 | |
Was it Bazzam by Gedebbidorm? | 0:13:49 | 0:13:51 | |
No, it wasn't Garbagarbagarba, no. | 0:13:53 | 0:13:55 | |
That was Disclosure by White Noise, | 0:13:55 | 0:13:59 | |
and here is how it should have sounded. | 0:13:59 | 0:14:01 | |
MUSIC: "White Noise" by Disclosure | 0:14:01 | 0:14:04 | |
BOTH: Wooo... | 0:14:30 | 0:14:34 | |
Dum, dum-dum-dum... | 0:14:34 | 0:14:38 | |
Dum, dum, dum, dum-dum-dum... | 0:14:38 | 0:14:41 | |
Dum, dum, dum, dum-dum-dum... SHE IMITATES A TRUMPET | 0:14:41 | 0:14:46 | |
Dum, dum, dum, dum-dum dah... | 0:14:46 | 0:14:50 | |
Dat-dat! | 0:14:50 | 0:14:51 | |
Oh, Mum! | 0:14:51 | 0:14:53 | |
Oh, I know that one! | 0:14:53 | 0:14:55 | |
Give me something, Carol. | 0:14:55 | 0:14:57 | |
Da-da da-da-da... | 0:14:57 | 0:14:59 | |
Just give me an hour. | 0:14:59 | 0:15:00 | |
NOEL: Carol, you need a blackboard to work this out. | 0:15:02 | 0:15:04 | |
I think we have to go over to the other team right now. Noel? | 0:15:06 | 0:15:08 | |
Baby Give It Up? | 0:15:08 | 0:15:09 | |
# Give it up, give it up Baby give it up... # | 0:15:09 | 0:15:12 | |
That is correct! | 0:15:12 | 0:15:13 | |
And here is how it should have sounded. | 0:15:15 | 0:15:17 | |
MUSIC: "Give It Up" by KC The Sunshine Band | 0:15:17 | 0:15:20 | |
Sorry. | 0:15:20 | 0:15:21 | |
are officially the funkiest disco band of all time. | 0:15:39 | 0:15:42 | |
They're so disco, even their testicles are mirrored. | 0:15:42 | 0:15:46 | |
Noel and Shane, here are yours for Seann. | 0:15:48 | 0:15:51 | |
Let's do this. The lion doesn't... | 0:15:53 | 0:15:55 | |
He's never heard music, he doesn't know what this is. | 0:15:55 | 0:15:58 | |
No idea. | 0:15:58 | 0:15:59 | |
All right, on, two, three, four... | 0:15:59 | 0:16:02 | |
HE IMITATES ELECTRIC GUITAR | 0:16:02 | 0:16:04 | |
Bam! | 0:16:04 | 0:16:07 | |
Bam! | 0:16:07 | 0:16:08 | |
I just love you guys, yeah? | 0:16:10 | 0:16:12 | |
I just really love you, do you know what I mean? | 0:16:13 | 0:16:16 | |
I've always loved you. | 0:16:16 | 0:16:17 | |
That's kind of what the lead singer does, in the band. Yeah. | 0:16:17 | 0:16:20 | |
If it's an indie song, it's probably someone going... | 0:16:20 | 0:16:23 | |
HE YELPS VOCALS | 0:16:23 | 0:16:27 | |
# With the arms behind the back | 0:16:28 | 0:16:30 | |
# Oh oh oh oh... # | 0:16:30 | 0:16:50 | |
If necessary, we will hand this over to Phill's team. | 0:16:50 | 0:16:54 | |
I know it, I don't know... | 0:16:54 | 0:16:55 | |
Nobody knows, nobody knows. | 0:16:55 | 0:16:57 | |
It was Kaiser Chefs... Kaiser Chiefs... | 0:16:57 | 0:17:01 | |
Kaiser Chefs. | 0:17:07 | 0:17:08 | |
# Every day I love you less and less | 0:17:08 | 0:17:10 | |
# And I love my chopping board | 0:17:10 | 0:17:14 | |
# Oh oh oh... # | 0:17:14 | 0:17:17 | |
# What's that coming over the hill? | 0:17:17 | 0:17:19 | |
# It is a blender | 0:17:19 | 0:17:20 | |
# It is a blender. # | 0:17:20 | 0:17:23 | |
Ahh. What a band! | 0:17:23 | 0:17:26 | |
It was the Kaiser Chiefs, Everyday I Love You Less And Less. | 0:17:26 | 0:17:31 | |
And here is how it should have sounded. | 0:17:31 | 0:17:33 | |
MUSIC: "Everyday I Love You Less And Less" by Kaiser Chiefs | 0:17:33 | 0:17:36 | |
Ba ba-da ba-da. | 0:18:01 | 0:18:03 | |
Ba ba-da ba-da. Dood-oo-doo. | 0:18:03 | 0:18:05 | |
Ba ba-da ba-da. So smooth. | 0:18:05 | 0:18:08 | |
RAPS: You'd like to see me fly now. Ba ba-da ba-da. | 0:18:08 | 0:18:10 | |
You'd like to see the tiger. Ba ba-da ba-da. | 0:18:10 | 0:18:13 | |
You'd like to see my eyes roll. Ba ba-da ba-da. | 0:18:13 | 0:18:16 | |
Because this is 2013 we be rockin' out the streets, | 0:18:16 | 0:18:19 | |
we be going out there, we be taking it to the flavours | 0:18:19 | 0:18:21 | |
and hitting the beats. | 0:18:21 | 0:18:22 | |
You know what I'm saying? It's definitely not that. | 0:18:22 | 0:18:25 | |
Is it not that? Oh, right. | 0:18:25 | 0:18:26 | |
It's a sexy song. It's a sexy song. | 0:18:28 | 0:18:30 | |
Seann, I'm a little upset you don't know this one, | 0:18:30 | 0:18:32 | |
because I thought you were my son. | 0:18:32 | 0:18:34 | |
Ah... There might be a clue there. | 0:18:34 | 0:18:36 | |
Yeah, yeah. | 0:18:36 | 0:18:38 | |
It's That Sexy Look You Give Me by Michael Bolton. | 0:18:38 | 0:18:41 | |
We have turned it over to Phill. | 0:18:41 | 0:18:42 | |
Is it Touch Me There? | 0:18:42 | 0:18:44 | |
Yes, that's close enough. | 0:18:44 | 0:18:45 | |
Can I Touch You There? Michael Bolton. | 0:18:45 | 0:18:47 | |
And this is how it should have sounded. | 0:18:47 | 0:18:50 | |
MUSIC: Can I Touch You There? by Michael Bolton | 0:18:50 | 0:19:09 | |
Oh, my God, it's so sexy. | 0:19:09 | 0:19:12 | |
# Baby... # MUSIC FADES | 0:19:12 | 0:19:13 | |
Keep playing it! Keep playing the song. | 0:19:13 | 0:19:16 | |
MUSIC RESUMES # Come to me... # | 0:19:16 | 0:19:18 | |
Carol. | 0:19:18 | 0:19:19 | |
People often ask, "Why did you cut off your magnificent hair?" | 0:19:25 | 0:19:29 | |
I didn't cut it, ladies. | 0:19:29 | 0:19:30 | |
It smouldered off. | 0:19:30 | 0:19:32 | |
Now, I've written one or two love songs in my time, like... | 0:19:37 | 0:19:41 | |
# How can we be lovers if we can't be friends? | 0:19:41 | 0:19:46 | |
# How can we start over when the fighting never ends? | 0:19:46 | 0:19:49 | |
# Oh, baby. # | 0:19:49 | 0:19:51 | |
Of course... APPLAUSE | 0:19:51 | 0:19:54 | |
..now I'm older, and I realise the answer is, just pop a Viagra, | 0:19:56 | 0:19:59 | |
close your eyes and think of someone else. | 0:19:59 | 0:20:21 | |
I don't know what that means. | 0:20:27 | 0:20:29 | |
Round Three is the Identity Parade. | 0:20:31 | 0:20:34 | |
Phill's team, how about some classic kiddie party pop? | 0:20:34 | 0:20:37 | |
For the audience only, | 0:20:37 | 0:20:38 | |
here are Marvin and Tamara with Groove Machine. | 0:20:38 | 0:20:42 | |
# G to the R, double O, V-E | 0:20:42 | 0:20:44 | |
# Here on that groove machine | 0:20:44 | 0:20:45 | |
# Oh, oh | 0:20:45 | 0:20:47 | |
# Let's get this party jumping | 0:20:47 | 0:20:49 | |
# Bumping Let's get it jumpin' | 0:20:49 | 0:20:51 | |
# G to the R, double O, V-E | 0:20:51 | 0:20:52 | |
# Got all my crew and me | 0:20:52 | 0:20:55 | |
# Here we go for the whole weekend. # | 0:20:55 | 0:20:59 | |
That was Marvin and Tamara with Groove Machine. | 0:20:59 | 0:21:02 | |
But which of our line-up is the now-grown-up Marvin Simmonds? | 0:21:02 | 0:21:07 | |
Is it number one, groove machine... | 0:21:07 | 0:21:09 | |
number two, love machine... | 0:21:09 | 0:21:29 | |
Vickers went off like a car alarm when she heard that, didn't you? | 0:21:29 | 0:21:31 | |
You did. Yeah, I didn't really know I knew it, but I knew it! | 0:21:31 | 0:21:34 | |
You did! # G to the R to the groovy E. # | 0:21:34 | 0:21:37 | |
I loved it. | 0:21:37 | 0:21:39 | |
I can't remember the video. I can't remember Tamara, either. | 0:21:39 | 0:21:42 | |
Ahh. Um... This isn't going to help us. | 0:21:42 | 0:21:44 | |
Tamara's not there. She's not there. | 0:21:44 | 0:21:46 | |
Tamara's not there. | 0:21:46 | 0:21:48 | |
I know number four, I think. If not, I've met him before. | 0:21:48 | 0:21:51 | |
I know him. Number four, for shame. | 0:21:51 | 0:21:54 | |
I think it might be number one, now. Number one. What?! | 0:21:56 | 0:22:00 | |
No, just pick one, I don't mean ONE, I mean, like, just pick one of them | 0:22:00 | 0:22:04 | |
and let me know what happened. | 0:22:04 | 0:22:06 | |
If you get it wrong it's not the end of the world. | 0:22:08 | 0:22:10 | |
Pick someone. | 0:22:10 | 0:22:12 | |
I'm so indecisive. | 0:22:12 | 0:22:14 | |
REALLY?! | 0:22:14 | 0:22:15 | |
Guys, I actually have a plane I have to catch. | 0:22:17 | 0:22:20 | |
Watch. | 0:22:39 | 0:22:40 | |
Ohh... | 0:22:40 | 0:22:42 | |
No! | 0:22:42 | 0:22:44 | |
Now working as a financial adviser, Marvin Simmonds, | 0:22:48 | 0:22:51 | |
ladies and gentlemen. | 0:22:51 | 0:22:53 | |
Now, Noel, Shane and Seann, how about some iconic, sexy saxo-pop? | 0:23:00 | 0:23:06 | |
For the audience only, here is Guru Josh with Infinity. | 0:23:06 | 0:23:09 | |
That was Guru Josh with Infinity. | 0:23:28 | 0:23:48 | |
..number four, short of dosh... | 0:23:48 | 0:23:50 | |
..or number five, needs a wash? | 0:23:52 | 0:23:54 | |
Number one's Wayne Rooney, innit? | 0:23:56 | 0:23:58 | |
The one at the end looks like, sort of, God, in a cloud. | 0:24:00 | 0:24:03 | |
He's sort of, like, peering over a cloud, | 0:24:06 | 0:24:08 | |
going, "Ooh. I hope everyone's OK." | 0:24:08 | 0:24:11 | |
Who looks mad? Mad Mick, we're looking for, aren't we? | 0:24:12 | 0:24:15 | |
That's correct. Number two looks like he's... | 0:24:15 | 0:24:19 | |
Confused. ..mad, but in a real way. | 0:24:19 | 0:24:21 | |
In a frightening, dark way. | 0:24:21 | 0:24:24 | |
Number three... He still hasn't reacted to your comment! | 0:24:24 | 0:24:27 | |
..absolutely is not mad, and shouldn't be in those clothes. | 0:24:27 | 0:24:30 | |
I would say number one, but I'm opening it up to my team. | 0:24:31 | 0:24:34 | |
Yeah, one. I definitely think number one. | 0:24:34 | 0:24:36 | |
Well, let's find out. | 0:24:36 | 0:24:37 | |
Would the real Mad Mick please step forward? | 0:24:37 | 0:24:57 | |
So, we end with a Sexy Special Next Lines. | 0:25:03 | 0:25:06 | |
Phill's team, you are in the lead, so you go first. | 0:25:06 | 0:25:10 | |
And your time starts now. | 0:25:10 | 0:25:12 | |
LAUGHTER | 0:25:13 | 0:25:15 | |
"Touch me, touch me." | 0:25:15 | 0:25:17 | |
Please, for God's sake, touch me. | 0:25:17 | 0:25:20 | |
It was, "I want to feel your body." Touch Me by Samantha Fox. | 0:25:24 | 0:25:28 | |
"Feel your hands inside my soul." | 0:25:28 | 0:25:30 | |
CAROL GIGGLES | 0:25:30 | 0:25:32 | |
"Feel a baker's sausage roll." | 0:25:34 | 0:25:37 | |
IRISH ACCENT: "Feel me cock, I'll fill your hole." | 0:25:39 | 0:25:41 | |
I wish I had written that one. | 0:25:47 | 0:25:49 | |
That's a beauty. | 0:25:49 | 0:26:06 | |
You should. | 0:26:06 | 0:26:07 | |
I know this song. | 0:26:07 | 0:26:09 | |
Yes, it's yours. | 0:26:09 | 0:26:11 | |
Oh, my God, I know this song! | 0:26:12 | 0:26:14 | |
Apparently not! I wrote it! | 0:26:14 | 0:26:16 | |
NOEL: There are actually goldfish at home going, "Come on! | 0:26:16 | 0:26:20 | |
"It's your song!" | 0:26:20 | 0:26:22 | |
"He took my hand and closed the door," now, go! | 0:26:24 | 0:26:27 | |
"It was just one kiss, baby." Mad At Me by Diana Vickers. | 0:26:27 | 0:26:32 | |
Right song, wrong lyric. | 0:26:32 | 0:26:34 | |
LAUGHTER | 0:26:34 | 0:26:35 | |
"I pushed him up against the wall." | 0:26:38 | 0:26:40 | |
"I pushed him up against the wall." | 0:26:40 | 0:26:43 | |
END-OF-ROUND JINGLE | 0:26:43 | 0:26:45 | |
So, Noel's team, you need four points to win. | 0:26:47 | 0:26:50 | |
And your time starts now. | 0:26:50 | 0:26:52 | |
"Let me lick you up and down till you say stop." | 0:26:53 | 0:26:57 | |
Anal Danger. | 0:26:57 | 0:26:58 | |
"Take your heart and make it sing." | 0:27:16 | 0:27:18 | |
Or use your mouth, it's up to you. | 0:27:18 | 0:27:20 | |
It actually was, "Love, love is a wonderful thing," | 0:27:24 | 0:27:27 | |
by Michael Bolton. Ah! Ah. | 0:27:27 | 0:27:31 | |
"Well, for me, it's waking up beside you." | 0:27:31 | 0:27:34 | |
"To watch the sunrise on your face." | 0:27:34 | 0:27:36 | |
That's correct. Flying Without Wings, by Westlife. | 0:27:36 | 0:27:40 | |
Tune, by the way. | 0:27:40 | 0:27:42 | |
Tune. | 0:27:43 | 0:27:45 | |
"Looking for some hot stuff, baby, this evening." | 0:27:46 | 0:27:48 | |
# Looking for some hot stuff, baby, this evening | 0:27:48 | 0:27:52 | |
# Looking for some hot stuff, baby, tonight. # | 0:27:52 | 0:27:55 | |
That is correct. Hot Stuff by Donna Summer. | 0:27:55 | 0:27:58 | |
Yes! | 0:27:58 | 0:27:59 | |
So, the final scores are... | 0:28:03 | 0:28:05 | |
Noel's team have three, | 0:28:05 | 0:28:07 | |
and Phill's team are tonight's winners with four. | 0:28:07 | 0:28:26 | |
CHEERING | 0:28:26 | 0:28:28 | |
And, as you enjoy the credits, | 0:28:31 | 0:28:33 | |
we're all going to do our very best '80s power grabs. | 0:28:33 | 0:28:36 | |
Good night. | 0:28:36 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:29:04 | 0:29:07 |