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SONG PLAYS | 0:00:04 | 0:00:05 | |
-Got any plans tomorrow, Lucy? -Nothing special. Why? | 0:00:05 | 0:00:08 | |
Because your clever little flatmate | 0:00:08 | 0:00:10 | |
has managed to wangle two VIP guest tickets to Wimbledon. | 0:00:10 | 0:00:13 | |
Oh my God, the tennis? | 0:00:13 | 0:00:16 | |
The dogs. | 0:00:16 | 0:00:17 | |
Come on, it'll be a laugh. | 0:00:18 | 0:00:20 | |
Where else do you get to lose money and shout abuse at a whippet? | 0:00:20 | 0:00:23 | |
Every month when your rent's due. | 0:00:23 | 0:00:25 | |
Look, Lee, it's very kind of you, but it's not my sort of thing. | 0:00:25 | 0:00:29 | |
What isn't, me or the dog racing? | 0:00:29 | 0:00:32 | |
What? | 0:00:32 | 0:00:33 | |
Nothing. Forget it. | 0:00:35 | 0:00:37 | |
Drop me off here. I'll walk now. | 0:00:37 | 0:00:38 | |
Oh, don't be ridiculous, we're miles away. | 0:00:38 | 0:00:41 | |
Well, I need the exercise. | 0:00:41 | 0:00:42 | |
I'm in trap six and those wide bends are always tricky. | 0:00:42 | 0:00:45 | |
Look, why don't we leave the car here? We can walk back together. | 0:00:52 | 0:00:56 | |
I'm fine thanks, Lucy. I'm a big boy now. | 0:00:56 | 0:00:59 | |
I don't need someone holding my hand when I cross the road. | 0:00:59 | 0:01:02 | |
SCREECHING | 0:01:02 | 0:01:04 | |
Ow. | 0:01:08 | 0:01:09 | |
# We're not going out | 0:01:15 | 0:01:17 | |
# Not staying in | 0:01:17 | 0:01:18 | |
# Just hanging around with my head in a spin | 0:01:18 | 0:01:22 | |
# But there is no need to scream and shout | 0:01:22 | 0:01:25 | |
# We're not going out | 0:01:25 | 0:01:28 | |
# We are not going out. # | 0:01:28 | 0:01:31 | |
Either I'm at home or God shops at IKEA. | 0:01:44 | 0:01:47 | |
Oh. | 0:01:47 | 0:01:50 | |
Thank God you're awake! | 0:01:50 | 0:01:52 | |
-What's happened? -You've had a severe head injury. | 0:01:52 | 0:01:55 | |
-You were hit by a car. -What was the reg? -I don't know. | 0:01:55 | 0:01:59 | |
Lucy, where there's blame, there's a claim. | 0:01:59 | 0:02:01 | |
Carol Vorderman doesn't say these things for fun. | 0:02:01 | 0:02:04 | |
Why am I dressed like a 1960s transvestite? | 0:02:06 | 0:02:09 | |
Lucy, what's going on? Why am I not in hospital? | 0:02:12 | 0:02:15 | |
I told the doctors I wanted to take care of you, so I discharged you. | 0:02:15 | 0:02:19 | |
-But you're not qualified. -Well, who would you rather have treating you? | 0:02:19 | 0:02:22 | |
Someone who may have a framed medical certificate hanging from his wall, but who doesn't know you, | 0:02:22 | 0:02:28 | |
or someone who might not have the medical background | 0:02:28 | 0:02:31 | |
but who does know you. | 0:02:31 | 0:02:33 | |
And not only likes you, cares about you. | 0:02:33 | 0:02:36 | |
Really cares about you. | 0:02:36 | 0:02:38 | |
Definitely the first one. | 0:02:38 | 0:02:40 | |
It's a severe head injury, Lucy. It's not a splinter. | 0:02:41 | 0:02:44 | |
You can't pull it out with your teeth, then rinse your mouth out with gin. | 0:02:44 | 0:02:48 | |
-That's not what you do for a splinter. -I always thought Mum was being swayed by the gin. | 0:02:48 | 0:02:53 | |
I'm going to take care of you, Lee, and then we're going dog racing. | 0:02:53 | 0:02:57 | |
I'm even going to buy you your own greyhound, and we'll watch it race | 0:02:57 | 0:03:01 | |
while eating pie and peas and sipping a pint of bitter under the moonlight. | 0:03:01 | 0:03:05 | |
It's like watching a Yorkshire remake of Gone With The Wind. | 0:03:05 | 0:03:09 | |
Take me, now. | 0:03:14 | 0:03:16 | |
Do you mean sex or dog racing? | 0:03:16 | 0:03:19 | |
You know what I mean. | 0:03:22 | 0:03:24 | |
I want you to make love to me right here, right now. | 0:03:24 | 0:03:27 | |
No buts. | 0:03:27 | 0:03:30 | |
I wouldn't dream of asking for that. | 0:03:30 | 0:03:31 | |
-Oh, I see. I get it. -What? | 0:03:34 | 0:03:37 | |
This. It's a dream, isn't it? | 0:03:37 | 0:03:39 | |
What makes you say that? | 0:03:39 | 0:03:41 | |
Because I don't remember asking Dad to stand there dressed as me mum. | 0:03:41 | 0:03:44 | |
All right, son. I reckon you're in there. | 0:03:52 | 0:03:56 | |
Bloody hell. What are you wearing? | 0:03:57 | 0:04:00 | |
You look ridiculous. | 0:04:00 | 0:04:02 | |
OK, Lee, none of this is real. It's a dream. | 0:04:04 | 0:04:08 | |
You're actually lying in a hospital bed in a coma. We're all there. | 0:04:08 | 0:04:12 | |
Me, Tim, Daisy. | 0:04:12 | 0:04:14 | |
I don't think Daisy's fully grasped the enormity of the situation. | 0:04:14 | 0:04:18 | |
She's brought you a jigsaw. | 0:04:18 | 0:04:20 | |
And the doctor's just been in to see us. | 0:04:21 | 0:04:24 | |
It's not good news. | 0:04:24 | 0:04:26 | |
He says you might not...make it. | 0:04:26 | 0:04:29 | |
Not the jigsaw. | 0:04:30 | 0:04:33 | |
He says you might not pull through. | 0:04:33 | 0:04:36 | |
Lee? | 0:04:37 | 0:04:39 | |
Lee, can you hear me? | 0:04:39 | 0:04:42 | |
Lee, it's Lucy, I need to know if you can hear me. | 0:04:42 | 0:04:45 | |
Can you hear me, Lee? Lee, can you hear me? | 0:04:45 | 0:04:48 | |
Yes, I can bloody hear you. I'm in shock. Shut up! | 0:04:48 | 0:04:51 | |
Lee, can you hear me? | 0:04:55 | 0:04:58 | |
Lee, it's Lucy, can you hear me? | 0:04:58 | 0:05:01 | |
It's no use, Lucy. He doesn't know we're here. | 0:05:01 | 0:05:04 | |
All we can do now is pray that he eventually wakes up. | 0:05:04 | 0:05:07 | |
Would you say this bit is a piece of cloud or some spilt milk? | 0:05:07 | 0:05:13 | |
We've got more important things to worry about at the moment, Daisy. | 0:05:13 | 0:05:16 | |
You should always start with the four corners. | 0:05:16 | 0:05:20 | |
The doctor said he might never fully recover. | 0:05:20 | 0:05:22 | |
He might need round-the-clock care. | 0:05:22 | 0:05:25 | |
It's a good job he's got us as friends, isn't it? | 0:05:25 | 0:05:28 | |
I'll always be there for him, Lucy, whatever. | 0:05:28 | 0:05:30 | |
Talking to him, feeding him, mopping his brow. | 0:05:30 | 0:05:34 | |
He said he might not even be able to go to the toilet on his own. | 0:05:34 | 0:05:38 | |
Wake up, Lee, for God's sake! | 0:05:38 | 0:05:40 | |
I wonder what he's dreaming about. | 0:05:41 | 0:05:44 | |
I don't even want to think about it. | 0:05:44 | 0:05:47 | |
Trapped inside his own mind like a prison. | 0:05:47 | 0:05:50 | |
God only knows what kind of hellish time he's having in there. | 0:05:50 | 0:05:53 | |
Just give it to me, big boy. | 0:05:53 | 0:05:56 | |
Then afterwards, I'll make you a lovely fry-up, | 0:05:56 | 0:05:59 | |
or I could go and buy you some of your favourite chocolate. | 0:05:59 | 0:06:02 | |
I quite fancy a nibble on a fun-size Mars Bar. | 0:06:02 | 0:06:07 | |
It's like being in Carry On Up The Coma. | 0:06:08 | 0:06:12 | |
I wouldn't complain, son. | 0:06:12 | 0:06:14 | |
Dad! Would you go home and put some proper clothes on? | 0:06:14 | 0:06:18 | |
Standing there in Mum's dress with your big hairy moustache and beer belly! | 0:06:18 | 0:06:22 | |
It's like looking at... Well, it's like looking at Mum, actually. | 0:06:22 | 0:06:25 | |
Oh, for... | 0:06:29 | 0:06:31 | |
Look, Lee, we may never get another opportunity like this. | 0:06:31 | 0:06:35 | |
You might wake up soon and then we're back to how it always is. | 0:06:35 | 0:06:38 | |
-What does that mean? -You know exactly what I mean. | 0:06:38 | 0:06:41 | |
Me and you sharing a flat, | 0:06:41 | 0:06:42 | |
with me constantly looking at you with adoring eyes, | 0:06:42 | 0:06:46 | |
but knowing you're unobtainable because you're too mysterious, too enigmatic, | 0:06:46 | 0:06:52 | |
too good-looking for a simple girl like me to... | 0:06:52 | 0:06:54 | |
Blimey, this really is your dream, isn't it? | 0:06:54 | 0:06:57 | |
Make love to me, Lee. | 0:06:58 | 0:07:01 | |
I need time to think about this, Lucy. | 0:07:04 | 0:07:06 | |
It doesn't feel right taking advantage of you like this. | 0:07:06 | 0:07:09 | |
-Having said that, I don't suppose that fry-up's... -No. | 0:07:09 | 0:07:12 | |
-So how are you feeling? -Yeah, I'm fine, thanks, yeah. | 0:07:19 | 0:07:22 | |
I've been feeling a bit under the weather for the last few days, | 0:07:22 | 0:07:25 | |
but not bad considering I'm in a bloody coma. | 0:07:25 | 0:07:27 | |
You'll be fine, you hypochondriac. | 0:07:27 | 0:07:30 | |
I know what you're like, it won't be a real coma. It'll be a man coma. | 0:07:30 | 0:07:34 | |
It's not me that goes to A&E when I don't need to. | 0:07:34 | 0:07:37 | |
That drawing pin went in very deep, actually. | 0:07:37 | 0:07:40 | |
Anyway, stop panicking. | 0:07:40 | 0:07:42 | |
You may be lying in bed all day in a near-vegetative state, | 0:07:42 | 0:07:45 | |
but soon you'll be back to your old self. | 0:07:45 | 0:07:47 | |
Lying in bed all day in a near-vegetative state. | 0:07:47 | 0:07:51 | |
-Why are you being like this? -Like what? | 0:07:51 | 0:07:53 | |
This. All unbothered and casual. | 0:07:53 | 0:07:55 | |
This isn't my doing, it's your dream. | 0:07:55 | 0:07:58 | |
But whether you like it or not, we're really close, you and me. | 0:07:58 | 0:08:02 | |
You're the best friend I've ever had | 0:08:02 | 0:08:05 | |
and I don't want any harm coming to you. | 0:08:05 | 0:08:07 | |
You know your sister wants to have sex with me? | 0:08:07 | 0:08:10 | |
Lay a finger on her and I'll punch your lights out. | 0:08:10 | 0:08:13 | |
If only I'd said yes to what he wanted, | 0:08:14 | 0:08:17 | |
he never would have got out of the car. | 0:08:17 | 0:08:20 | |
Why? What was he asking you to do? | 0:08:20 | 0:08:21 | |
He asked me to go dog racing. | 0:08:21 | 0:08:24 | |
What, like on a date? | 0:08:24 | 0:08:25 | |
I'd hardly call dog racing a date. | 0:08:25 | 0:08:28 | |
Where he's from, it's virtually an offer of marriage. | 0:08:28 | 0:08:31 | |
-SHE SIGHS -I can't find the four corners. | 0:08:31 | 0:08:34 | |
I can't believe you, Tim. | 0:08:41 | 0:08:43 | |
Your best friend is in a coma and all you care about is whether he asked me out. | 0:08:43 | 0:08:47 | |
You're right. | 0:08:47 | 0:08:49 | |
I'm sorry, Lee. | 0:08:51 | 0:08:53 | |
I know I've always given you a hard time when it comes to you and Lucy, | 0:08:53 | 0:08:56 | |
but if you wake up, | 0:08:56 | 0:08:59 | |
I promise you can take her anywhere you like. | 0:08:59 | 0:09:01 | |
I'll even let you walk through Kew Gardens hand in hand | 0:09:01 | 0:09:06 | |
and you can woo her in the new exotic plant life exhibition. | 0:09:06 | 0:09:09 | |
It's like being pimped by Alan Titchmarsh. | 0:09:09 | 0:09:12 | |
Please wake up, Lee. | 0:09:15 | 0:09:17 | |
Lee, it's Tim, can you hear me? | 0:09:17 | 0:09:20 | |
-Lee, can you hear me? -What? | 0:09:20 | 0:09:23 | |
I just said I'd give you permission, | 0:09:23 | 0:09:26 | |
to sleep with Lucy. | 0:09:26 | 0:09:28 | |
I can't do that. | 0:09:28 | 0:09:29 | |
Why not? She's a very good-looking girl, my sister. | 0:09:29 | 0:09:32 | |
She's got Dad's powerful nose and my Romanesque jaw line. | 0:09:32 | 0:09:36 | |
I'll bear that in mind when we're doing it. | 0:09:36 | 0:09:39 | |
It'll certainly make it last longer. | 0:09:39 | 0:09:41 | |
Go on, Lee, I mean it. Knock yourself out. | 0:09:44 | 0:09:46 | |
Sorry. | 0:09:46 | 0:09:48 | |
Are you sure it's morally the right thing to do? | 0:09:52 | 0:09:55 | |
Absolutely. And maybe you could, you know, return the favour. | 0:09:55 | 0:10:00 | |
-How? -Well, let's just say if in this dream of yours I get back to my flat | 0:10:00 | 0:10:05 | |
and Margaret from The Apprentice tells me I'm a naughty little boy, | 0:10:05 | 0:10:09 | |
I take my punishment like a man. | 0:10:09 | 0:10:12 | |
Deal. | 0:10:12 | 0:10:14 | |
He's in for a shock when she turns into Alan Sugar. | 0:10:15 | 0:10:18 | |
SMOOTH JAZZ PLAYS | 0:10:22 | 0:10:24 | |
What's with the flowers? | 0:10:26 | 0:10:28 | |
It was supposed to be a way of sweet-talking you into bed, | 0:10:28 | 0:10:31 | |
but it looks like I needn't have bothered. | 0:10:31 | 0:10:34 | |
It took me ages to untie them from that lamppost as well. | 0:10:34 | 0:10:37 | |
Why don't you join me? | 0:10:40 | 0:10:42 | |
There's room for two. | 0:10:42 | 0:10:43 | |
-Well? -What? | 0:10:50 | 0:10:53 | |
Aren't you going to kiss me? | 0:10:53 | 0:10:56 | |
Give us a minute. I'm psyching myself up. | 0:10:56 | 0:10:59 | |
It's like when I went bungee jumping. | 0:11:00 | 0:11:02 | |
I was so terrified I could hardly move, | 0:11:02 | 0:11:04 | |
and then I just went for it and it was all over in seconds. | 0:11:04 | 0:11:08 | |
This is getting better by the minute. | 0:11:08 | 0:11:10 | |
Look, Lee, you don't have to do this, you know. | 0:11:10 | 0:11:14 | |
I want to. | 0:11:14 | 0:11:16 | |
I just want to know that YOU want to. | 0:11:16 | 0:11:18 | |
Of course I want to. | 0:11:18 | 0:11:20 | |
Yeah. But this is my dream, isn't it? Does the real you want to? | 0:11:20 | 0:11:24 | |
Yes, she does. | 0:11:24 | 0:11:26 | |
She really does. | 0:11:26 | 0:11:28 | |
Blimey, that's big. | 0:11:32 | 0:11:34 | |
It feels like a foot. | 0:11:34 | 0:11:37 | |
Like I said, it's my dream. | 0:11:37 | 0:11:40 | |
No, I mean, it REALLY feels like a foot. | 0:11:40 | 0:11:43 | |
If that's mine, I'm more flexible than I thought. | 0:11:47 | 0:11:50 | |
All right, son? | 0:11:53 | 0:11:55 | |
Do you mind if I watch? | 0:11:55 | 0:11:57 | |
Dad, I mind if you breathe. Get out! | 0:11:57 | 0:12:01 | |
Where were we? | 0:12:07 | 0:12:08 | |
MACHINE BEEPS RAPIDLY | 0:12:09 | 0:12:10 | |
Well, you're right, his heart rate has definitely increased. | 0:12:10 | 0:12:13 | |
When did you notice this? | 0:12:13 | 0:12:15 | |
It just started. Less than a minute ago. | 0:12:15 | 0:12:18 | |
BEEPING SLOWS | 0:12:18 | 0:12:20 | |
It seems fine now. | 0:12:20 | 0:12:22 | |
Well, whatever it was, it didn't last very long. | 0:12:24 | 0:12:28 | |
It was probably something simple. Like a synaptic membrane spasm of the Buccal cavity. | 0:12:29 | 0:12:34 | |
I heard them say it once on Holby City. | 0:12:36 | 0:12:40 | |
I don't know what it means. | 0:12:40 | 0:12:42 | |
But to be honest, I'm not sure Patsy Kensit really knew either. | 0:12:42 | 0:12:46 | |
Wow, Lee, that was so... | 0:12:50 | 0:12:54 | |
I know. | 0:12:54 | 0:12:55 | |
..quick. | 0:12:57 | 0:12:58 | |
Don't worry, it's a myth that women want it for a long time. | 0:13:00 | 0:13:04 | |
-Anything more than 60 seconds, it stops becoming enjoyable. -Really? | 0:13:04 | 0:13:08 | |
It's your dream, sweetheart. | 0:13:08 | 0:13:10 | |
I feel so... | 0:13:13 | 0:13:15 | |
Tingly? | 0:13:15 | 0:13:16 | |
No... | 0:13:16 | 0:13:18 | |
All warm inside? | 0:13:18 | 0:13:20 | |
No. | 0:13:20 | 0:13:22 | |
I was going to say I feel so... | 0:13:22 | 0:13:25 | |
pregnant. | 0:13:25 | 0:13:27 | |
What? | 0:13:28 | 0:13:29 | |
You just got me pregnant. Isn't it lovely? | 0:13:30 | 0:13:34 | |
How do you know, we only just... | 0:13:34 | 0:13:35 | |
-Trust me, all the telltale signs are there. -Like what? | 0:13:35 | 0:13:39 | |
Well, there's that for a start. | 0:13:39 | 0:13:42 | |
It's a baby. | 0:13:44 | 0:13:46 | |
Or should I say babies. | 0:13:46 | 0:13:47 | |
No, you shouldn't. You really shouldn't. | 0:13:47 | 0:13:50 | |
Right, won't be a moment, I've just got to pop to the kitchen and puke in the sink. | 0:13:50 | 0:13:54 | |
Don't worry, that's because of the morning sickness, not the sex. | 0:13:57 | 0:14:01 | |
Having said that, that thing you did with your... | 0:14:01 | 0:14:03 | |
SHE RETCHES | 0:14:03 | 0:14:05 | |
Don't panic, Lee. | 0:14:07 | 0:14:08 | |
Just remind yourself this is all a dream. | 0:14:08 | 0:14:11 | |
You're going to wake up very soon. | 0:14:11 | 0:14:12 | |
You mean, you hope you'll wake up. | 0:14:12 | 0:14:15 | |
-What are you dressed like that for? -Like what? | 0:14:17 | 0:14:19 | |
Like a Chuckle brother in an ice-cream factory sketch. | 0:14:19 | 0:14:23 | |
I'm representing the doctor treating you. | 0:14:23 | 0:14:25 | |
There's no guarantee that you're going to wake up. | 0:14:25 | 0:14:28 | |
You have to accept this reality for what it is and make the most of it. | 0:14:28 | 0:14:32 | |
What happened to me real dad? | 0:14:32 | 0:14:34 | |
Right, I'm going to check out that good-looking bird in Ward Six. | 0:14:34 | 0:14:39 | |
Brush up on my gynaecology skills. | 0:14:39 | 0:14:41 | |
And there he is. | 0:14:41 | 0:14:43 | |
SHE COUGHS | 0:14:48 | 0:14:49 | |
-You OK? -Yeah, I'm fine. | 0:14:50 | 0:14:54 | |
-Where's Lucy? Did you eat her? -It's me. | 0:14:58 | 0:15:02 | |
What happened? | 0:15:02 | 0:15:04 | |
Women put on a few pounds when they're pregnant, you know. | 0:15:04 | 0:15:07 | |
A few pounds, yeah. Not a banker's bonus. | 0:15:07 | 0:15:12 | |
You still love me, don't you? | 0:15:12 | 0:15:13 | |
Hang on, we never discussed the love thing. | 0:15:13 | 0:15:17 | |
Well, what about what we just did? | 0:15:17 | 0:15:19 | |
We made love. | 0:15:19 | 0:15:20 | |
Two became one. | 0:15:20 | 0:15:22 | |
Two became one? Look at you. It must have been an orgy! | 0:15:22 | 0:15:25 | |
You don't love me anymore! SHE SOBS | 0:15:27 | 0:15:30 | |
Come here. | 0:15:32 | 0:15:33 | |
Of course I do. | 0:15:35 | 0:15:37 | |
Great! Let's discuss the wedding. | 0:15:37 | 0:15:39 | |
Wedding?! | 0:15:39 | 0:15:41 | |
Yeah. We've got to get married. | 0:15:41 | 0:15:42 | |
You don't want bastard children, do you? | 0:15:42 | 0:15:44 | |
Not really, but it looks like I haven't got any bastard choice. | 0:15:44 | 0:15:48 | |
Great. We've got loads to organise. | 0:15:49 | 0:15:51 | |
I want a big white marquee, plus I've got to find a wedding dress. | 0:15:51 | 0:15:55 | |
Why don't you just get two marquees? | 0:15:55 | 0:15:57 | |
Look, can we sit down and talk about this properly? | 0:16:00 | 0:16:04 | |
You've made your mind up, haven't you? | 0:16:04 | 0:16:06 | |
-Let's go. -Lucy, there is loads to organise. You haven't even booked a car. | 0:16:09 | 0:16:14 | |
Your carriage awaits, madam. | 0:16:16 | 0:16:19 | |
Have you got shares in a fancy dress shop? | 0:16:19 | 0:16:21 | |
That was the best day ever. | 0:16:34 | 0:16:36 | |
I loved your choice of music for me walking down the aisle. | 0:16:36 | 0:16:39 | |
My Heart Will Go On, beautiful. | 0:16:39 | 0:16:43 | |
Well, something from Titanic, it seemed appropriate. | 0:16:43 | 0:16:46 | |
Ooh! | 0:16:48 | 0:16:50 | |
I think the babies are coming. | 0:16:50 | 0:16:53 | |
I'll get a doctor! | 0:16:53 | 0:16:54 | |
Change of plan. | 0:16:59 | 0:17:00 | |
Ooh! | 0:17:00 | 0:17:02 | |
It's too late. Here they come! | 0:17:02 | 0:17:05 | |
Ooooh... | 0:17:05 | 0:17:06 | |
Does the same one keep going round the back? | 0:17:14 | 0:17:16 | |
SHE GRUNTS AND STRAINS | 0:17:16 | 0:17:20 | |
Last one out, turn out the lights. | 0:17:20 | 0:17:22 | |
Ooooh! | 0:17:26 | 0:17:28 | |
Anything else in there, Dr Who? | 0:17:32 | 0:17:35 | |
KIDS SHOUT, GLASS SMASHES Oof! That feels good. | 0:17:36 | 0:17:40 | |
Better out than in. | 0:17:40 | 0:17:41 | |
Right, you better help me get this lot bathed and ready for bed. | 0:17:43 | 0:17:46 | |
You start your new job in an hour. | 0:17:46 | 0:17:48 | |
-What do you mean, job? -Unbelievable. | 0:17:48 | 0:17:51 | |
Everything that's happened in this dream so far | 0:17:51 | 0:17:54 | |
and THAT'S the bit that shocked you the most. | 0:17:54 | 0:17:56 | |
You're the breadwinner now. | 0:17:56 | 0:17:58 | |
-So what's this job? -Guess. | 0:17:59 | 0:18:02 | |
The way this dream is going, either rock cracker in Siberia | 0:18:02 | 0:18:05 | |
or a professional backside wiper to John McCririck. | 0:18:05 | 0:18:08 | |
But knowing my luck, probably both. | 0:18:08 | 0:18:11 | |
Why did I say it? Why did I say it? | 0:18:15 | 0:18:19 | |
I hope you're enjoying your sit down. | 0:18:35 | 0:18:37 | |
It's all right for you, I've been working all day. | 0:18:37 | 0:18:40 | |
What did you say? | 0:18:40 | 0:18:42 | |
I said it's all right for me, I've had the slightly easier life | 0:18:42 | 0:18:46 | |
of going out to work whilst you stay at home all day with the children | 0:18:46 | 0:18:49 | |
doing a job which is much harder, | 0:18:49 | 0:18:51 | |
but goes totally unappreciated by society. | 0:18:51 | 0:18:53 | |
Come here. Give me that. | 0:18:56 | 0:18:58 | |
Sit yourself down. | 0:18:58 | 0:19:00 | |
You can do that later. | 0:19:00 | 0:19:03 | |
What are you doing? | 0:19:13 | 0:19:15 | |
Well, you've been working hard all day, | 0:19:15 | 0:19:17 | |
the least I can do is have sex with you. | 0:19:17 | 0:19:19 | |
Lee, I told you last night, I haven't got time for that anymore. | 0:19:21 | 0:19:24 | |
Oh, I've had enough of this! | 0:19:24 | 0:19:26 | |
The kids were hard enough, but now I've got to add on to the list | 0:19:26 | 0:19:29 | |
celibacy and the job from hell. You know my right arm's gone numb? | 0:19:29 | 0:19:33 | |
A bit of manual labour never killed anyone. | 0:19:33 | 0:19:35 | |
It was the celibacy caused the numb arm. | 0:19:35 | 0:19:39 | |
Well, maybe I should take the kids and live with my mum. | 0:19:39 | 0:19:41 | |
Leave you to a single life with no responsibilities. | 0:19:41 | 0:19:44 | |
You can jack your job in and turn the flat into a lap-dancing club | 0:19:44 | 0:19:47 | |
that shows greyhound racing. Would that make you happy? | 0:19:47 | 0:19:50 | |
Go on, trap five! Go on, yes! | 0:19:54 | 0:19:58 | |
Ohhh. I'll tell you what, you can say what you want | 0:19:58 | 0:20:02 | |
about being hit by a Ford Escort at 50mph, but it's got its upsides. | 0:20:02 | 0:20:07 | |
I can't lie, he's not progressed much in the last few hours. | 0:20:09 | 0:20:13 | |
Almost like he doesn't want to wake up. | 0:20:13 | 0:20:15 | |
Are there any relatives who can speak to him, see if that makes him come round? | 0:20:15 | 0:20:19 | |
Well, I've left his dad a message. | 0:20:19 | 0:20:21 | |
Hopefully, he's on his way. | 0:20:21 | 0:20:24 | |
Maybe I could try. He's unconscious. He might not know the difference. | 0:20:24 | 0:20:28 | |
-LANCASHIRE ACCENT: -Hello, son. How's thee fetlin'? | 0:20:30 | 0:20:33 | |
It's your old fella here, come from t'up north on t'choo choo train. | 0:20:33 | 0:20:37 | |
Ee by gum, he don't look too clever. | 0:20:37 | 0:20:40 | |
Why not waken thee sen up, son, and I'll make thee thee favourite, sugar butties. | 0:20:40 | 0:20:45 | |
Maybe you should try it with a cap on. | 0:20:47 | 0:20:49 | |
Me and your old mother are worried sick about thee, son. | 0:20:49 | 0:20:53 | |
Aren't we, me duck? | 0:20:53 | 0:20:56 | |
-EXAGGERATED CHINESE ACCENT: -Ah, yes, me very sad, my wittle boy. | 0:20:56 | 0:21:00 | |
Me cry and cry and me think you are very close to dying. | 0:21:00 | 0:21:04 | |
And this make your mummy a vely, vely sad rady. | 0:21:04 | 0:21:08 | |
If he thinks his mum has turned Chinese, I thought the shock might wake him up. | 0:21:12 | 0:21:16 | |
Who knows, maybe it's me. | 0:21:19 | 0:21:21 | |
In the past, I've always been able to handle a woman. | 0:21:21 | 0:21:24 | |
Sorry, it's just the club rules. | 0:21:24 | 0:21:26 | |
Not you, I'm talking about Lucy. | 0:21:26 | 0:21:29 | |
OK, I admit it, I've always liked her | 0:21:29 | 0:21:32 | |
and I suppose I've always wanted to be with her, but... | 0:21:32 | 0:21:35 | |
-it just wasn't what I was expecting. -What were you expecting? | 0:21:35 | 0:21:39 | |
I don't know. Me and her lying on the sofa, kissing and cuddling. | 0:21:39 | 0:21:44 | |
She playfully hits me with a cushion and then laughs uncontrollably. | 0:21:44 | 0:21:48 | |
Yeah, I know you might say it's not what relationships are really about, | 0:21:48 | 0:21:52 | |
but they seem to manage it on the DFS adverts. | 0:21:52 | 0:21:55 | |
I suppose I've just got to forget about Lucy and the kids and move on. | 0:21:55 | 0:21:59 | |
Sorry, can you move them back a bit? | 0:22:01 | 0:22:03 | |
The last thing I saw when I hit the windscreen was the airbags going off and it's giving me flashbacks. | 0:22:03 | 0:22:08 | |
Listen, son, it doesn't have to be over between you and Lucy. | 0:22:10 | 0:22:14 | |
Oh, for the love of God! | 0:22:16 | 0:22:18 | |
Dad, what are you doing? | 0:22:22 | 0:22:24 | |
I'm here to give you two bits of very important advice | 0:22:24 | 0:22:27 | |
that may save your life, son. | 0:22:27 | 0:22:28 | |
Well, go on, then. | 0:22:30 | 0:22:32 | |
Do you know what makes a real man? | 0:22:40 | 0:22:43 | |
Not even a hint of irony in his eyes. | 0:22:43 | 0:22:46 | |
I'll tell you. It's somebody who knows about responsibility. | 0:22:47 | 0:22:50 | |
It's someone who understands about caring for his wife and children. | 0:22:50 | 0:22:54 | |
Do you know what the alternative is? | 0:22:54 | 0:22:56 | |
You'll end up like me, old and alone. | 0:22:56 | 0:23:00 | |
And I don't want that for you. | 0:23:00 | 0:23:02 | |
So get your head out of the clouds and wake up, son. | 0:23:02 | 0:23:05 | |
And what's the other bit of advice? | 0:23:05 | 0:23:07 | |
You can look, but don't handle the goods. | 0:23:07 | 0:23:10 | |
Hello. | 0:23:27 | 0:23:29 | |
I'm the sheet monster. | 0:23:29 | 0:23:31 | |
I live in your dirty laundry. | 0:23:31 | 0:23:32 | |
Your mum let me in. | 0:23:34 | 0:23:36 | |
-What does she have to say to you? -She said just cos it was my dream I couldn't act like I wanted | 0:23:36 | 0:23:41 | |
and assume everyone existed just for my amusement. | 0:23:41 | 0:23:44 | |
And what did you say? | 0:23:44 | 0:23:46 | |
Put the whip down and put some clothes on. | 0:23:46 | 0:23:49 | |
Come back home, Lucy. | 0:23:50 | 0:23:52 | |
What about the kids? | 0:23:52 | 0:23:54 | |
Do you want them back too? | 0:23:54 | 0:23:55 | |
-Course I do. -All of them? | 0:23:55 | 0:23:58 | |
Eric, Ernie, Pele, Cassius, Charlton, | 0:23:58 | 0:24:03 | |
Stan, Olly, Harpo, Groucho, | 0:24:03 | 0:24:06 | |
Brucie, Keegan, Sid and James? | 0:24:06 | 0:24:09 | |
All of them. | 0:24:09 | 0:24:12 | |
Even little Nobby Stiles? | 0:24:12 | 0:24:14 | |
Of course I do. She's my little princess. | 0:24:14 | 0:24:18 | |
I love you, Lucy. | 0:24:20 | 0:24:22 | |
I love you, too. | 0:24:24 | 0:24:26 | |
My mum's looking after the kids. | 0:24:31 | 0:24:33 | |
It looks like we've got half an hour to spare. | 0:24:33 | 0:24:36 | |
Oh, for God's sake, not again! | 0:24:38 | 0:24:40 | |
You're like Christopher Biggins. | 0:24:42 | 0:24:44 | |
I hardly see you for 20 years, then you're never out of me face. | 0:24:44 | 0:24:47 | |
I'm sorry. It's not my fault this time. | 0:24:52 | 0:24:55 | |
-They sent me to fetch you. -"LIFE ON MARS" PLAYS | 0:24:55 | 0:24:58 | |
It's time to go home, son. | 0:24:58 | 0:25:00 | |
What's that? | 0:25:02 | 0:25:04 | |
If those bloody kids have ripped off those roof tiles again, I'll kill them. | 0:25:04 | 0:25:08 | |
Off you go, son. | 0:25:08 | 0:25:10 | |
We're all waiting for you. | 0:25:10 | 0:25:13 | |
I can't leave Lucy and the kids. | 0:25:13 | 0:25:16 | |
It's fine. None of this is real. | 0:25:16 | 0:25:18 | |
But if you wake up, you might be able to make it all come true. | 0:25:18 | 0:25:22 | |
All of it? | 0:25:22 | 0:25:25 | |
All of it. | 0:25:25 | 0:25:26 | |
-Even the bit where you got all... -All of it. -Great. | 0:25:34 | 0:25:38 | |
The bigger the 'taters, the creamier the mash. | 0:25:38 | 0:25:40 | |
Size isn't important anyway. | 0:25:41 | 0:25:43 | |
We could do a deal on that if you like. | 0:25:43 | 0:25:46 | |
TINKLING | 0:25:49 | 0:25:50 | |
This is like being born again. | 0:25:50 | 0:25:53 | |
Except you're here this time, Dad. | 0:25:54 | 0:25:56 | |
# Is there life on Mars? # | 0:25:58 | 0:26:05 | |
-He's waking up. -Will he be OK? | 0:26:05 | 0:26:07 | |
Oh, I should think so. | 0:26:07 | 0:26:10 | |
In fact, people who have near-death experiences often become all the better for it. | 0:26:10 | 0:26:14 | |
I wouldn't be surprised if the old Lee has gone | 0:26:14 | 0:26:17 | |
and what you're left with is a wiser, deeper, more insightful version of Lee. | 0:26:17 | 0:26:22 | |
Oh, Lucy. Thank God. | 0:26:25 | 0:26:28 | |
For a horrible minute then I thought you were going to be a great big fat pig of a woman. | 0:26:28 | 0:26:33 | |
When you were in a coma, did you dream? | 0:26:49 | 0:26:52 | |
A bit. | 0:26:52 | 0:26:53 | |
What about? | 0:26:53 | 0:26:55 | |
Just my recurring one about being chased by a giant orang-utan | 0:26:55 | 0:26:59 | |
whilst he's strangling a cat. | 0:26:59 | 0:27:00 | |
I'm going to have to stop watching those Simply Red videos. | 0:27:00 | 0:27:03 | |
Come on, what did you dream about? | 0:27:07 | 0:27:09 | |
I dreamt about you, actually. | 0:27:11 | 0:27:12 | |
-Did you? -Yeah. | 0:27:12 | 0:27:15 | |
-You were married with kids. -Who to? | 0:27:15 | 0:27:18 | |
-I don't know who it was. -Was he good looking? | 0:27:20 | 0:27:23 | |
I would. | 0:27:23 | 0:27:24 | |
In fact, I have. | 0:27:26 | 0:27:29 | |
-What was he like? -Oh, you know the type, witty and erudite | 0:27:29 | 0:27:33 | |
with a fine line in sarcasm that stays on the right side of endearing, | 0:27:33 | 0:27:36 | |
and a nice light touch when it came to risque banter | 0:27:36 | 0:27:39 | |
that always managed to be cheeky and never blue. | 0:27:39 | 0:27:42 | |
He sounds like an absolute wanker. | 0:27:42 | 0:27:44 | |
-Have you got any plans next Friday? -Nothing special. Why? | 0:27:47 | 0:27:51 | |
Thought you might like to go to the tennis. | 0:27:51 | 0:27:53 | |
I'd rather go to the dogs. | 0:27:53 | 0:27:56 | |
That's not funny. I've seen you when you've gone to the dogs. | 0:27:56 | 0:28:00 | |
Is it a date or not? | 0:28:00 | 0:28:02 | |
It's a date. | 0:28:03 | 0:28:04 | |
Good. | 0:28:05 | 0:28:07 | |
I'll take that. | 0:28:09 | 0:28:11 | |
Subtitles by Red Bee Media Ltd | 0:28:30 | 0:28:33 | |
E-mail [email protected] | 0:28:33 | 0:28:35 |