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"Thank you, Old Gus, for brightening our lives, | 0:00:02 | 0:00:04 | |
"our hearts, and most importantly, our shoes." | 0:00:04 | 0:00:07 | |
This truly is a day of mixed emotions for me. | 0:00:08 | 0:00:11 | |
I'm sad that Old Gus is leaving, | 0:00:11 | 0:00:14 | |
but it allows me to help Andy restart his life | 0:00:14 | 0:00:16 | |
as Pioneer Hall's new shoeshine guy. | 0:00:16 | 0:00:19 | |
Well, I've been listening to your boring speeches | 0:00:19 | 0:00:21 | |
for the last 50 years, | 0:00:21 | 0:00:23 | |
and now it's time for you to listen to one of mine. | 0:00:23 | 0:00:25 | |
LAUGHTER | 0:00:25 | 0:00:27 | |
You know, a day like this makes a man reflect upon his life, | 0:00:27 | 0:00:30 | |
and I've come to the conclusion that I've completely wasted mine. | 0:00:30 | 0:00:34 | |
MUTED LAUGHTER | 0:00:34 | 0:00:35 | |
And just for the record, I never ever liked being called "Old Gus." | 0:00:35 | 0:00:40 | |
I didn't understand it when I was in my 20s, and I sure hate it now. | 0:00:40 | 0:00:44 | |
So go to hell, every single one of you. | 0:00:44 | 0:00:46 | |
Screw Pawnee, and screw your damn shoes. | 0:00:46 | 0:00:49 | |
Oh, God. That's classic. | 0:00:52 | 0:00:54 | |
So, I propose that we change our name from | 0:01:15 | 0:01:18 | |
the Sub-committee for Pit Beautification | 0:01:18 | 0:01:20 | |
to the Sub-committee for Lot Beautification. | 0:01:20 | 0:01:23 | |
April, stop that. Who are you texting? | 0:01:23 | 0:01:25 | |
You. | 0:01:25 | 0:01:26 | |
Aw. She's texting me. | 0:01:26 | 0:01:29 | |
I'm sorry you're bored. | 0:01:31 | 0:01:33 | |
Uh, hey, everyone. Oh, hey, Ann. | 0:01:34 | 0:01:37 | |
Leslie, can I talk to you for a minute? | 0:01:37 | 0:01:38 | |
Fine. Tom, you're in charge. | 0:01:38 | 0:01:40 | |
Keep the momentum going. Keep these minds working. | 0:01:40 | 0:01:43 | |
Absolutely, chief. OK. | 0:01:43 | 0:01:45 | |
Would you rather be able to fly, or speak fluent French? | 0:01:45 | 0:01:48 | |
Donna, go. | 0:01:48 | 0:01:50 | |
French. | 0:01:48 | 0:01:50 | |
I don't want to freak you out, | 0:01:50 | 0:01:51 | |
but another department filed a planning claim for Lot 48. | 0:01:51 | 0:01:54 | |
Who? | 0:01:54 | 0:01:55 | |
No. | 0:01:57 | 0:01:59 | |
Yeah. | 0:01:58 | 0:01:59 | |
Damn it. The library? | 0:01:59 | 0:02:03 | |
Pawnee's library department is the most diabolical, | 0:02:03 | 0:02:05 | |
ruthless bunch of bureaucrats I've ever seen. | 0:02:05 | 0:02:07 | |
They're like a biker gang, | 0:02:07 | 0:02:09 | |
but instead of shotguns and crystal meth, | 0:02:09 | 0:02:12 | |
they use political savvy and shushing. | 0:02:12 | 0:02:16 | |
It's going to be OK. It's not a done deal. | 0:02:16 | 0:02:19 | |
Yeah, you're right. Thanks for pulling me out of there. | 0:02:19 | 0:02:22 | |
I need a good plan, though. You know, I don't want to cause a panic. | 0:02:22 | 0:02:25 | |
Newsflash, we're screwed. We got a big problem with the library. | 0:02:25 | 0:02:28 | |
Punk-ass book jockeys. | 0:02:28 | 0:02:30 | |
Wait. Why do we hate the library? | 0:02:30 | 0:02:32 | |
The library is the worst group of people ever assembled in history. | 0:02:32 | 0:02:35 | |
They're mean, conniving, rude, and extremely well read, | 0:02:35 | 0:02:37 | |
which makes them very dangerous. | 0:02:37 | 0:02:39 | |
And they're trying to steal Lot 48 for a new branch. | 0:02:39 | 0:02:41 | |
What? Get out of here! | 0:02:41 | 0:02:43 | |
-Yeah. Yeah. -On 48? | 0:02:43 | 0:02:45 | |
I actually think a library would be nice that close to my house. | 0:02:45 | 0:02:48 | |
-Let's bring the library down! -Yeah. | 0:02:48 | 0:02:50 | |
But I'm not about to say that in there. | 0:02:50 | 0:02:52 | |
A new branch? Jerks. | 0:02:52 | 0:02:53 | |
You're kidding. Oh, I hate them. | 0:02:53 | 0:02:56 | |
OK. We need to make contact with someone there. | 0:02:56 | 0:02:58 | |
Does anybody know anybody that works at the library? | 0:02:58 | 0:03:01 | |
Well, we actually kind of do. | 0:03:01 | 0:03:04 | |
The new Deputy Director of the department is Tammy Swanson. | 0:03:04 | 0:03:08 | |
Ron's ex-wife? That's terrific. | 0:03:08 | 0:03:11 | |
Or is that awful? I mean, he hates her, but he knows her. | 0:03:11 | 0:03:14 | |
Everything's OK. Or is it just the same? | 0:03:14 | 0:03:16 | |
Leslie, you're thinking out loud again. | 0:03:16 | 0:03:18 | |
Am I? I am. | 0:03:18 | 0:03:20 | |
Of course. That bitch of an ex-wife is working for the library now. | 0:03:20 | 0:03:24 | |
That is perfect. | 0:03:24 | 0:03:25 | |
The worst person in the world working at the worst place in the world. | 0:03:25 | 0:03:29 | |
I have to go talk to her. And you got to give me something I can use. | 0:03:29 | 0:03:32 | |
Does she have any weaknesses? | 0:03:32 | 0:03:34 | |
No. | 0:03:34 | 0:03:35 | |
What do you mean, no? Everybody has a weakness. | 0:03:35 | 0:03:37 | |
Not machines. I honestly believe that she was programmed by someone from the future | 0:03:37 | 0:03:41 | |
to come back and destroy all happiness. | 0:03:41 | 0:03:44 | |
I see. I knew that you had two ex-wives named Tammy, | 0:03:44 | 0:03:47 | |
so I was hoping that there was one that you got along with and... | 0:03:47 | 0:03:49 | |
Nope. I hate them both. | 0:03:49 | 0:03:52 | |
On my deathbed, my final wish is to have my ex-wives rushed to my side, | 0:03:52 | 0:03:56 | |
so I can use my dying breath to tell them both to go to hell one last time. | 0:03:56 | 0:04:01 | |
Would I get married again? Oh, absolutely. | 0:04:01 | 0:04:04 | |
If you don't believe in love, what's the point of living? | 0:04:04 | 0:04:07 | |
I'm just looking forward to a thoughtful debate with Tammy | 0:04:07 | 0:04:10 | |
about the relative merits of parks versus libraries. | 0:04:10 | 0:04:14 | |
And in case something bad goes down, I wore my sharpest rings. | 0:04:14 | 0:04:18 | |
This one will tear you up. | 0:04:18 | 0:04:19 | |
Hello? | 0:04:23 | 0:04:24 | |
Hi. I'm Leslie Knope. I called a little while ago. | 0:04:24 | 0:04:27 | |
You have a lot of nerve showing your face here. | 0:04:27 | 0:04:30 | |
Excuse me? | 0:04:30 | 0:04:32 | |
You have overdue book fees totaling 3, missy. | 0:04:32 | 0:04:35 | |
That is so typical. I should have known you'd use a low blow, | 0:04:35 | 0:04:39 | |
dirty pool BS move like that. | 0:04:39 | 0:04:41 | |
No... | 0:04:40 | 0:04:41 | |
That's why everybody hates the library. Here's your 3. | 0:04:41 | 0:04:44 | |
Leslie, no... | 0:04:44 | 0:04:45 | |
And I'll see you in hell. | 0:04:44 | 0:04:45 | |
Leslie, Leslie, Leslie. I'm just kidding. | 0:04:45 | 0:04:48 | |
My gosh, I mean, you did have 3 worth of fines, but I cleared them. | 0:04:48 | 0:04:52 | |
We government gals have to watch each other's backs, right? | 0:04:52 | 0:04:56 | |
I know this is a trap. But I don't know how. | 0:04:56 | 0:04:58 | |
OK. Did you talk to Ron? | 0:04:58 | 0:05:01 | |
Ron tends to exaggerate when it comes to me. | 0:05:02 | 0:05:06 | |
I swear I don't have cloven feet. | 0:05:06 | 0:05:08 | |
Please. Sit down. | 0:05:08 | 0:05:10 | |
Shine, shine, shine your shoes. | 0:05:12 | 0:05:14 | |
What do you say, sir? Ma'am? Shoeshine? | 0:05:14 | 0:05:17 | |
I won't look up your skirt. | 0:05:17 | 0:05:18 | |
Ann. Whoa. Oh, my gosh. | 0:05:18 | 0:05:21 | |
Crazy. What are you doing? It's me. It's Andy. | 0:05:21 | 0:05:23 | |
Hi, Andy. | 0:05:23 | 0:05:26 | |
So, Ann, how you been? | 0:05:24 | 0:05:26 | |
Good. Yeah, Leslie told me you were working here now. | 0:05:26 | 0:05:28 | |
Yeah, I just joined the rat race. Chasing the cheese. | 0:05:28 | 0:05:31 | |
Racing the rats, trying to get the cheese. | 0:05:31 | 0:05:33 | |
Enough technical business talk. You look ravishing. | 0:05:33 | 0:05:36 | |
Not a lot of customers, huh? | 0:05:36 | 0:05:38 | |
Yeah, business is a little slow. | 0:05:37 | 0:05:38 | |
It is definitely due to the economy. | 0:05:38 | 0:05:43 | |
I've been hearing a lot of people say that a lot about a lot of stuff. | 0:05:43 | 0:05:47 | |
Whoa, Mark. You want those shoes shined? | 0:05:47 | 0:05:50 | |
I'll give you a discount because you're a friend of Ann's. | 0:05:50 | 0:05:53 | |
Well, I'm more than a friend of Ann's. | 0:05:53 | 0:05:55 | |
Not for long. | 0:05:55 | 0:05:56 | |
Sorry? | 0:05:56 | 0:05:57 | |
I don't know. At least he finally has a real job. | 0:05:57 | 0:06:00 | |
When we were dating, the only job he had | 0:06:00 | 0:06:02 | |
was sending audition tapes to Survivor and Deal or No Deal. | 0:06:02 | 0:06:05 | |
Hi, my name is Andy Dwyer, | 0:06:05 | 0:06:07 | |
and I would be a perfect contestant for Deal or No Deal. | 0:06:07 | 0:06:10 | |
I want it to be a perfect park | 0:06:13 | 0:06:15 | |
with a state-of-the-art swing set, | 0:06:15 | 0:06:17 | |
and basketball courts, and off to the side, | 0:06:17 | 0:06:19 | |
a lovely sitting area for kids with asthma to watch other kids play. | 0:06:19 | 0:06:22 | |
Wow. If I'd had a park like that when I was growing up, | 0:06:22 | 0:06:25 | |
I probably wouldn't have gone through such a prolonged mall-slut phase. | 0:06:25 | 0:06:30 | |
Well, that's the goal, Tammy. | 0:06:30 | 0:06:33 | |
Listen, you guys got there first. | 0:06:33 | 0:06:35 | |
I'm going to withdraw my request for the lot, | 0:06:35 | 0:06:37 | |
as a professional courtesy to you. | 0:06:37 | 0:06:40 | |
Government gals, right? | 0:06:40 | 0:06:42 | |
Government gals. | 0:06:42 | 0:06:44 | |
So you talked to Tammy? | 0:06:45 | 0:06:47 | |
What's it like to stare into the eye of Satan's butthole? | 0:06:47 | 0:06:50 | |
She's changed, Ron. She's a different person. | 0:06:50 | 0:06:53 | |
I think it would be healthy for you to get a sense of closure. | 0:06:53 | 0:06:56 | |
Look at Mark and me. We slept together. | 0:06:56 | 0:06:57 | |
We talked about it, we're still friends. | 0:06:57 | 0:06:59 | |
You slept with Brendanawicz? | 0:06:59 | 0:07:01 | |
No. | 0:07:01 | 0:07:03 | |
Look, Tammy and I don't work. We are oil and water. | 0:07:03 | 0:07:06 | |
Or oil, and TNT, and C-4, and a detonator, and a butane torch. | 0:07:06 | 0:07:11 | |
Nothing good will come... | 0:07:11 | 0:07:14 | |
Wait. | 0:07:14 | 0:07:15 | |
She's here, isn't she? | 0:07:19 | 0:07:21 | |
Hi, Ron. | 0:07:26 | 0:07:27 | |
Tammy. | 0:07:30 | 0:07:32 | |
Good. Good start. | 0:07:32 | 0:07:34 | |
I'm sorry about this, but I just really want to talk to you. | 0:07:36 | 0:07:39 | |
Couldn't we go have a cup of coffee? | 0:07:39 | 0:07:41 | |
Let's get this over with. | 0:07:44 | 0:07:46 | |
Thanks, Ron. It means a lot. | 0:07:47 | 0:07:50 | |
You're a miracle worker. | 0:07:50 | 0:07:51 | |
Oh. | 0:07:51 | 0:07:52 | |
Do you know what you just did? | 0:07:54 | 0:07:55 | |
Yes, Donna. I got two people to put aside years of hostility | 0:07:55 | 0:07:58 | |
and open a door to the possibility of friendship. | 0:07:58 | 0:08:00 | |
You were not here when Ron and Tammy got divorced. I was. | 0:08:00 | 0:08:03 | |
Those two are crazy. | 0:08:03 | 0:08:04 | |
Yeah. And you just opened the gates to Crazytown. | 0:08:04 | 0:08:08 | |
Frankly, I think Ron was acting like a baby, a little bit. | 0:08:08 | 0:08:12 | |
I mean, what is he afraid of? Tammy's just a woman. | 0:08:12 | 0:08:15 | |
A nice woman. You know, she's not a murderer. | 0:08:15 | 0:08:19 | |
She's not a dragon. | 0:08:19 | 0:08:20 | |
It's really good to see you, Ron. | 0:08:20 | 0:08:23 | |
You've aged horribly. | 0:08:23 | 0:08:25 | |
You son of a bitch. | 0:08:25 | 0:08:28 | |
That didn't take long. | 0:08:28 | 0:08:30 | |
Oh, my God. What is your problem? Nothing's changed, has it? | 0:08:30 | 0:08:33 | |
Who set the bed on fire, huh? | 0:08:33 | 0:08:35 | |
Excuse me, folks. | 0:08:34 | 0:08:35 | |
I did! OK?! Is that what you want to hear? | 0:08:35 | 0:08:37 | |
Please, folks. | 0:08:37 | 0:08:39 | |
We're fine. We're fine. | 0:08:37 | 0:08:39 | |
OK. I'm so sorry. | 0:08:38 | 0:08:39 | |
Fine. Take it easy. | 0:08:39 | 0:08:41 | |
Oh, my God. | 0:08:40 | 0:08:41 | |
When you meddle in someone's personal life, | 0:08:41 | 0:08:44 | |
it's just so rewarding. | 0:08:44 | 0:08:46 | |
Oh, God, yes. Oh, God. | 0:08:51 | 0:08:53 | |
Oh, wow. Yeah. | 0:08:53 | 0:08:54 | |
Sir. Ma'am. | 0:08:54 | 0:08:56 | |
Oh, God. | 0:08:56 | 0:08:57 | |
Oh, yes. Baby. Gun it. | 0:08:57 | 0:08:59 | |
The usual place. | 0:08:59 | 0:09:00 | |
TYRES SCREECH | 0:09:00 | 0:09:02 | |
# Have Gun Will Travel reads the card of a man | 0:09:13 | 0:09:17 | |
# A knight without armour in a savage land. # | 0:09:17 | 0:09:21 | |
Good morning, Jerry. That is a beautiful sweater vest. | 0:09:21 | 0:09:23 | |
April. You look like you could use 20. Am I right? | 0:09:23 | 0:09:27 | |
Why? | 0:09:27 | 0:09:28 | |
Cos you're a kid, and kids always need money. | 0:09:28 | 0:09:30 | |
I need money. | 0:09:30 | 0:09:32 | |
Ha! That's why you're my favourite, Tom. | 0:09:32 | 0:09:34 | |
'When Tiger Woods feels invincible, he wears a red shirt and black pants.' | 0:09:34 | 0:09:37 | |
Good morning, Deputy! | 0:09:37 | 0:09:39 | |
Ron wears the same thing after he's had sex. | 0:09:39 | 0:09:41 | |
I'm a simple man. | 0:09:41 | 0:09:43 | |
I like pretty, dark-haired women and breakfast food. | 0:09:43 | 0:09:45 | |
But this stock photo I bought at a framing store isn't real. | 0:09:45 | 0:09:49 | |
Today, I got the real thing. | 0:09:49 | 0:09:51 | |
A naked Tammy made me breakfast this morning. | 0:09:51 | 0:09:55 | |
I should have taken a picture of it. | 0:09:55 | 0:09:58 | |
Hey, Tom. What's up? | 0:09:58 | 0:10:00 | |
My girlfriend's ex is working 100 feet away from my desk, | 0:10:00 | 0:10:03 | |
and he's been pretty clear about wanting her back. | 0:10:03 | 0:10:05 | |
What do I do with that? | 0:10:05 | 0:10:07 | |
Mmm. That's a tough one. | 0:10:07 | 0:10:08 | |
You should break up with her, and tell her to go out with me. | 0:10:08 | 0:10:10 | |
That's good. Can I ask you another question? | 0:10:10 | 0:10:12 | |
Why did I come to you for advice? | 0:10:12 | 0:10:14 | |
OK. I think you should play this one cool, man. | 0:10:14 | 0:10:17 | |
Be the grown-up. Take the high road. | 0:10:17 | 0:10:19 | |
Yeah. | 0:10:18 | 0:10:19 | |
Ann's a classy chick. | 0:10:19 | 0:10:21 | |
If you get down in the mud, you're just going to lose her respect. | 0:10:21 | 0:10:24 | |
You've just made a surprising amount of sense, Tom. Thank you. | 0:10:24 | 0:10:28 | |
I've never taken the high road. But I tell other people to. | 0:10:28 | 0:10:31 | |
Cos then there's more room for me on the low road. | 0:10:31 | 0:10:34 | |
So, how did your coffee with Tammy go? | 0:10:36 | 0:10:39 | |
Leslie, I can't thank you enough | 0:10:39 | 0:10:41 | |
for sticking your nose where it didn't belong. | 0:10:41 | 0:10:43 | |
I knew it. So what did you guys talk about? Old times? | 0:10:43 | 0:10:46 | |
Oh, I love talking about old times. New times are great, too, | 0:10:46 | 0:10:49 | |
but there's just something about old times, you know what I mean? | 0:10:49 | 0:10:52 | |
We didn't talk. We made love. | 0:10:52 | 0:10:54 | |
Oh, my. Mmm. Good. | 0:10:54 | 0:10:57 | |
Well, spare me the details. I'm just happy. | 0:10:57 | 0:10:59 | |
It was so intense, I didn't know where my flesh stopped | 0:10:59 | 0:11:02 | |
and hers began. You know what I mean? | 0:11:02 | 0:11:04 | |
Yeah. | 0:11:04 | 0:11:06 | |
Our marriage was always a complete disaster, but we did have that. | 0:11:06 | 0:11:11 | |
The two of us. It's like doing peyote and sneezing, slowly, for six hours. | 0:11:11 | 0:11:15 | |
This seems like a private matter, but I'm so... | 0:11:15 | 0:11:18 | |
That woman really knows her way around a penis. | 0:11:18 | 0:11:21 | |
OK. Well, I'm happy that it went well and that you enjoyed your coffee. | 0:11:22 | 0:11:27 | |
I truly believe that everyone should be friends with their exes. | 0:11:27 | 0:11:31 | |
I can't even tell you how many of my exes' weddings I've been to. | 0:11:31 | 0:11:34 | |
They're reading their old divorce papers. | 0:11:39 | 0:11:42 | |
"Three fistfuls of hair." That's not even possible. | 0:11:42 | 0:11:46 | |
Well, I'm too classy to say "I told you so," Donna. | 0:11:46 | 0:11:49 | |
So I wrote it on a Post-it. | 0:11:49 | 0:11:51 | |
Leslie. | 0:11:55 | 0:11:56 | |
Why don't you take the rest of the day off? | 0:11:56 | 0:12:00 | |
I mean, you spend so much time worrying about this park, | 0:12:00 | 0:12:03 | |
but really, who cares? | 0:12:03 | 0:12:06 | |
I care. I care a lot. It's kind of my thing, remember? | 0:12:06 | 0:12:10 | |
But at the end of the day, what does it matter | 0:12:10 | 0:12:12 | |
if the lot becomes a park, or a museum, or a megachurch? | 0:12:12 | 0:12:18 | |
Or a library. | 0:12:18 | 0:12:20 | |
Nobody said "library." | 0:12:20 | 0:12:21 | |
Ron, have you been talking to Tammy about the lot? | 0:12:21 | 0:12:25 | |
No. | 0:12:25 | 0:12:27 | |
I swear on a grave. | 0:12:27 | 0:12:30 | |
Oh, my God. Ron, tell me the truth. | 0:12:30 | 0:12:33 | |
Are you giving her the lot? | 0:12:33 | 0:12:35 | |
Not giving. | 0:12:35 | 0:12:37 | |
We have discussed a trade. | 0:12:37 | 0:12:39 | |
For what? | 0:12:39 | 0:12:40 | |
More... | 0:12:40 | 0:12:41 | |
Excuse me? | 0:12:41 | 0:12:43 | |
More sex. | 0:12:43 | 0:12:44 | |
Ugh! | 0:12:44 | 0:12:46 | |
Tammy, can I speak with you for a second? | 0:12:47 | 0:12:50 | |
I know what you're doing. You don't care about Ron. | 0:12:50 | 0:12:53 | |
You're just using him to get Lot 48 for your library. | 0:12:53 | 0:12:55 | |
Leslie, that's crazy. And correct. | 0:12:55 | 0:12:58 | |
Why are you doing this? | 0:12:58 | 0:13:00 | |
Les, there are two kinds of women in this world. | 0:13:00 | 0:13:03 | |
There are women who work hard and stress out about doing the right thing. | 0:13:03 | 0:13:07 | |
And then there are women who are cool. | 0:13:07 | 0:13:10 | |
You could either be a Cleopatra or you could be an Eleanor Roosevelt. | 0:13:10 | 0:13:14 | |
I'd rather be Cleopatra. | 0:13:14 | 0:13:17 | |
What kind of lunatic would want to be Cleopatra over Eleanor Roosevelt? | 0:13:17 | 0:13:21 | |
Haven't you ever messed with a man's head | 0:13:21 | 0:13:24 | |
just to see what you could get him to do for you? | 0:13:24 | 0:13:26 | |
We do it all the time in the Library Department. | 0:13:26 | 0:13:29 | |
You should come join us sometime. | 0:13:29 | 0:13:31 | |
I would never work at the Library Department. | 0:13:31 | 0:13:33 | |
I'm going to tell Ron what you just said, | 0:13:33 | 0:13:35 | |
and this little game that you're playing is going to be over. | 0:13:35 | 0:13:38 | |
Okeydoke. | 0:13:36 | 0:13:38 | |
Yeah, you better run. | 0:13:38 | 0:13:39 | |
We're no longer government gals. | 0:13:39 | 0:13:42 | |
Look, we need to talk. | 0:13:42 | 0:13:43 | |
Ron, no. | 0:13:43 | 0:13:45 | |
The Planning Department Re-prioritization Document? | 0:13:45 | 0:13:47 | |
Calm down, I haven't signed it yet. | 0:13:47 | 0:13:50 | |
Yeah, well, you're going to. | 0:13:49 | 0:13:50 | |
Because Tammy wants you to, and you do everything that she wants. | 0:13:50 | 0:13:53 | |
She made some really good points about libraries. | 0:13:53 | 0:13:55 | |
Are you even listening to yourself? You're defending the library now? | 0:13:55 | 0:13:58 | |
Ron, the library? | 0:13:58 | 0:14:00 | |
Of all the horrifying, miserable things in the world? | 0:14:00 | 0:14:02 | |
Some people like libraries. | 0:14:02 | 0:14:04 | |
I can't even believe what I'm hearing. | 0:14:04 | 0:14:06 | |
"Some people like libraries." Ron, she's in your head. | 0:14:06 | 0:14:09 | |
You said that she was a manipulative monster, and you were right. | 0:14:09 | 0:14:12 | |
No. No. Tammy's changed. | 0:14:12 | 0:14:14 | |
Look me in the eye and tell me that she's changed. | 0:14:14 | 0:14:16 | |
Look me in the eye. | 0:14:17 | 0:14:19 | |
I'm so screwed, Knope. | 0:14:22 | 0:14:23 | |
-Her hooks are in my brain. -Yep. | 0:14:23 | 0:14:25 | |
She has all the power and I have nothing. | 0:14:25 | 0:14:29 | |
I'm so little. | 0:14:29 | 0:14:30 | |
Why don't you just break up with her? | 0:14:41 | 0:14:43 | |
I don't think I can. | 0:14:43 | 0:14:45 | |
We would just end up naked, | 0:14:45 | 0:14:47 | |
and I'd give her your lot, and my house, and God knows what else. | 0:14:47 | 0:14:51 | |
I have no control over my actions. | 0:14:51 | 0:14:53 | |
It's like she's crawled up inside of me. | 0:14:53 | 0:14:54 | |
Oh, God, Ron, I don't want to hear about your disgusting sex any more. | 0:14:54 | 0:14:58 | |
OK? Now sack up. | 0:14:58 | 0:15:00 | |
You are Ron freaking Swanson. | 0:15:00 | 0:15:03 | |
Not around her, I'm not. | 0:15:03 | 0:15:05 | |
It took years of intense, focused hatred to get over her, | 0:15:05 | 0:15:09 | |
and now I've undone all that great work. | 0:15:09 | 0:15:12 | |
You've got to help me break up with her. | 0:15:12 | 0:15:15 | |
I don't think I should get involved in this. | 0:15:15 | 0:15:17 | |
Oh, now you don't want to get involved? | 0:15:17 | 0:15:20 | |
"It's just coffee, Ron." "She's changed, Ron." | 0:15:20 | 0:15:23 | |
"I let Mark nail me and we're still friends." | 0:15:23 | 0:15:25 | |
OK. I would never use those words. | 0:15:25 | 0:15:27 | |
I never said... Point taken. | 0:15:27 | 0:15:29 | |
Let's go dump your ex. | 0:15:31 | 0:15:33 | |
Thank you. | 0:15:33 | 0:15:35 | |
So, would you like to be in the room when I tell her it's over, or would you rather wait outside? | 0:15:35 | 0:15:39 | |
In the room. I don't want her to think I'm a wimp. | 0:15:39 | 0:15:42 | |
Here're the ground rules. Don't talk to her. | 0:15:42 | 0:15:44 | |
Do not make eye contact with her. Don't believe anything she says. | 0:15:44 | 0:15:47 | |
Just sit there, like a potted plant. Can you do that? | 0:15:47 | 0:15:51 | |
Come on. | 0:15:51 | 0:15:53 | |
Do you have any tong... | 0:15:53 | 0:15:55 | |
Mark! | 0:15:53 | 0:15:55 | |
Hey. Donna. | 0:15:55 | 0:15:57 | |
So, how's the shoeshine game? | 0:15:57 | 0:15:59 | |
I'm on a break, one of the many advantages of owning your own business. | 0:15:59 | 0:16:04 | |
You know that's not your situation, right? | 0:16:04 | 0:16:06 | |
Yeah. Listen, Donna. | 0:16:07 | 0:16:09 | |
Quick question. Ann is trying to decide between Mark and myself. | 0:16:09 | 0:16:12 | |
No, she's not, actually. | 0:16:12 | 0:16:14 | |
If you had to choose, who would you choose? Right now, on the spot. | 0:16:14 | 0:16:16 | |
I'm not sure. Why don't you spin around for me? | 0:16:16 | 0:16:19 | |
You know what? Can we talk privately? | 0:16:19 | 0:16:21 | |
Sure. | 0:16:21 | 0:16:22 | |
Just out here. | 0:16:21 | 0:16:22 | |
Mmm. | 0:16:25 | 0:16:27 | |
Andy. | 0:16:27 | 0:16:28 | |
So, Tammy, for that and many other reasons, | 0:16:28 | 0:16:30 | |
Ron has decided to end this relationship. | 0:16:30 | 0:16:33 | |
Wait a minute. Ron brought you here to break up with me for him? | 0:16:37 | 0:16:41 | |
She volunteered. | 0:16:41 | 0:16:43 | |
Leslie, Ron doesn't want to break up with me. | 0:16:45 | 0:16:49 | |
What Ron wants to do is leave here right now, | 0:16:49 | 0:16:54 | |
go to the sleaziest motel in town, | 0:16:54 | 0:16:57 | |
and wrap himself around me like a coiled snake. | 0:16:57 | 0:17:01 | |
No, he doesn't. | 0:17:01 | 0:17:02 | |
I'm pretty sure he does. | 0:17:02 | 0:17:04 | |
See? He's completely over you. | 0:17:06 | 0:17:09 | |
Look, I understand that this Ann situation is awkward. | 0:17:09 | 0:17:14 | |
But I like you a lot as a dude. | 0:17:14 | 0:17:16 | |
And I just hope that there is some way | 0:17:16 | 0:17:18 | |
that we can both be mature, and maybe be friends. | 0:17:18 | 0:17:22 | |
Yeah. I doubt it. | 0:17:22 | 0:17:24 | |
I mean, I think you're a cool dude, too. I like you as well. | 0:17:24 | 0:17:28 | |
But I'm still in love with Ann. | 0:17:28 | 0:17:31 | |
I couldn't have been more upfront about that. | 0:17:31 | 0:17:34 | |
Is punching allowed on the high road? | 0:17:34 | 0:17:37 | |
I'm sorry, Leslie. | 0:17:37 | 0:17:39 | |
She wins. | 0:17:39 | 0:17:42 | |
I can't resist her. | 0:17:42 | 0:17:43 | |
God, Ron, you have to. | 0:17:43 | 0:17:45 | |
Stay out of this. This is our relationship. | 0:17:45 | 0:17:47 | |
He's my man. And we have something twisted and beautiful. | 0:17:47 | 0:17:51 | |
Oh. | 0:17:51 | 0:17:53 | |
You want Ron. That's what this is all about. | 0:17:53 | 0:17:55 | |
No. That's insane. | 0:17:55 | 0:17:57 | |
Fine, I had one dream. But no, no. | 0:17:59 | 0:18:01 | |
Baby, don't you see what's happening here? | 0:18:01 | 0:18:03 | |
She's manipulating you because she's jealous of me, | 0:18:03 | 0:18:07 | |
and the things I get to do to your body and face. | 0:18:07 | 0:18:10 | |
I'm here because Ron is my friend, | 0:18:10 | 0:18:13 | |
and I don't like seeing my friends miserable. | 0:18:13 | 0:18:14 | |
And you, Tammy, you make him miserable. | 0:18:14 | 0:18:16 | |
So, Ron, you can give her the lot, or don't, whatever. | 0:18:16 | 0:18:19 | |
Just, please, find a way to be happy. | 0:18:19 | 0:18:23 | |
Knope. Wait. | 0:18:27 | 0:18:28 | |
Ron, it's OK. Just sign the thing. | 0:18:28 | 0:18:30 | |
No, Leslie, it's not OK. You just put my needs in front of your own. | 0:18:30 | 0:18:34 | |
No woman has ever done that for me before. | 0:18:34 | 0:18:36 | |
I'm sure that's not true. | 0:18:36 | 0:18:37 | |
You see the kind of women that I choose, right? | 0:18:37 | 0:18:40 | |
Look, just wait for me downstairs. | 0:18:40 | 0:18:42 | |
If I'm not down in five minutes, | 0:18:42 | 0:18:43 | |
it's only because I'm receiving a pleasure so intense... | 0:18:43 | 0:18:45 | |
Oh, my God. | 0:18:45 | 0:18:47 | |
What the hell are you doing? | 0:18:50 | 0:18:52 | |
"Andy and Ann's Family Shoeshine"? | 0:18:52 | 0:18:54 | |
Andy, Ann, I thought it had a nice ring to it. | 0:18:54 | 0:18:56 | |
Oh, my God. Look, Mark has been really cool about all this, | 0:18:56 | 0:18:59 | |
and you're throwing it in his face. | 0:18:59 | 0:19:00 | |
Look, I still have feelings for you. OK? | 0:19:00 | 0:19:02 | |
I said it. What do you want me to do? | 0:19:02 | 0:19:04 | |
Not mention those feelings to your boyfriend? | 0:19:04 | 0:19:06 | |
-Yes. -Yes. | 0:19:06 | 0:19:08 | |
And you might want to take these pictures down. | 0:19:08 | 0:19:10 | |
Oh, my God. Take those pictures down. | 0:19:10 | 0:19:12 | |
What? Fine. | 0:19:12 | 0:19:13 | |
All of them! | 0:19:13 | 0:19:15 | |
I'm going to. | 0:19:14 | 0:19:15 | |
Now. Oh, my God. | 0:19:15 | 0:19:17 | |
Give me the bikini one. | 0:19:17 | 0:19:19 | |
The teeny one? | 0:19:19 | 0:19:20 | |
Bikini one. | 0:19:20 | 0:19:21 | |
You didn't give her the lot. | 0:19:29 | 0:19:31 | |
Let's get out of here. | 0:19:30 | 0:19:31 | |
Is part of your moustache missing? | 0:19:31 | 0:19:34 | |
Yes. Just keep walking. | 0:19:32 | 0:19:34 | |
There's a pushpin in your face. | 0:19:34 | 0:19:36 | |
Leave it in. | 0:19:35 | 0:19:36 | |
Can't you walk faster? | 0:19:36 | 0:19:40 | |
My legs are shorter than yours. | 0:19:38 | 0:19:40 | |
Mmm. | 0:19:43 | 0:19:45 | |
We had a good run. | 0:19:45 | 0:19:46 | |
Thank you for saving my future park. | 0:19:50 | 0:19:52 | |
I know that must've been hard for you. | 0:19:52 | 0:19:55 | |
You didn't kill Tammy, did you? | 0:19:55 | 0:19:57 | |
I'm afraid she can't be killed. | 0:19:57 | 0:19:59 | |
To exes. May they always stay that way. | 0:20:01 | 0:20:05 | |
Tammy is a mean person. | 0:20:05 | 0:20:09 | |
Come on, Ron. You can do better than that. | 0:20:09 | 0:20:12 | |
She's a grade-A bitch. | 0:20:12 | 0:20:14 | |
There we go. | 0:20:14 | 0:20:15 | |
Every time she laughs, an angel dies. | 0:20:15 | 0:20:18 | |
Even telemarketers avoid her. | 0:20:18 | 0:20:20 | |
Her birth was payback for the sins of man. | 0:20:20 | 0:20:23 | |
But you know the worst thing about her? | 0:20:23 | 0:20:26 | |
She works for the library. | 0:20:26 | 0:20:28 | |
She works for the library. | 0:20:28 | 0:20:30 |