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OK. As everybody knows, The Spirit of Pawnee | 0:00:02 | 0:00:04 | |
was defaced again last night. | 0:00:04 | 0:00:05 | |
What was it this time? | 0:00:05 | 0:00:06 | |
Chocolate pudding. | 0:00:06 | 0:00:07 | |
Huh. That's new. | 0:00:07 | 0:00:09 | |
The mural that normally resides here | 0:00:09 | 0:00:11 | |
is called The Spirit of Pawnee. | 0:00:11 | 0:00:13 | |
And it's very controversial. | 0:00:13 | 0:00:14 | |
We've had someone throw acid at it, tomato sauce. | 0:00:14 | 0:00:18 | |
Someone tried to stab it once. | 0:00:18 | 0:00:20 | |
We really need better security here. | 0:00:20 | 0:00:23 | |
We also need better, less offensive history. | 0:00:23 | 0:00:27 | |
So, the city council has decided that The Spirit of Pawnee | 0:00:27 | 0:00:29 | |
should be changed to something just a little less horrifying. | 0:00:29 | 0:00:33 | |
Now, since the murals were made | 0:00:33 | 0:00:34 | |
by government employees back in the 1930s, | 0:00:34 | 0:00:38 | |
we thought it might be fun | 0:00:38 | 0:00:39 | |
if each department submitted a design for a new mural. | 0:00:39 | 0:00:43 | |
And you'll submit your concepts tomorrow afternoon. | 0:00:43 | 0:00:46 | |
All righty, folks? Thank you very much. | 0:00:46 | 0:00:49 | |
Hey, Leslie. What's your design going to be? A tree? | 0:00:49 | 0:00:51 | |
Joe, you work in Sewage. Your department literally specialises in crap. | 0:00:51 | 0:00:55 | |
You really want to do this? | 0:00:55 | 0:00:56 | |
I told you before. "Crap" is a slang term. And I don't like that term. | 0:00:56 | 0:01:00 | |
But at least we don't specialise in losing, like you guys. | 0:01:00 | 0:01:04 | |
Sewage. Let's roll. | 0:01:04 | 0:01:06 | |
Damn! How does Sewage always get the hottest interns? | 0:01:06 | 0:01:09 | |
Guys, this department has the chance to design something | 0:01:39 | 0:01:41 | |
that could be in this building for ever. This could be our legacy. | 0:01:41 | 0:01:45 | |
I thought building a park on Lot 48 was going to be our legacy. | 0:01:45 | 0:01:48 | |
Well, you can have two legacies. | 0:01:48 | 0:01:50 | |
Look at Madonna. Great singer, amazing arms. | 0:01:50 | 0:01:52 | |
Look at OJ Simpson. Heisman Trophy winner, Naked Gun. | 0:01:52 | 0:01:55 | |
-Mmm-hmm. -No offence, Leslie, but I'm not an artist. | 0:01:55 | 0:01:57 | |
Oh, that's not true, Donna. I've seen your fingernails. | 0:01:57 | 0:02:00 | |
Um, I pay someone to do this. | 0:02:00 | 0:02:02 | |
Really? Oh, well, shoot. | 0:02:02 | 0:02:05 | |
Anyway, I'm ordering all of you to design a mural. | 0:02:05 | 0:02:08 | |
Uh, only Ron can order the whole department to do something. | 0:02:08 | 0:02:12 | |
Ron? Order them to do this. | 0:02:12 | 0:02:13 | |
Do whatever Leslie says. | 0:02:13 | 0:02:14 | |
OK. So, here are your supplies. | 0:02:14 | 0:02:17 | |
I want you to go and find the spirit of Pawnee. | 0:02:17 | 0:02:19 | |
And make me a sketch. | 0:02:19 | 0:02:21 | |
And it needs to be breathtaking and moving and historical | 0:02:21 | 0:02:24 | |
and better than every department. And you have one hour. | 0:02:24 | 0:02:27 | |
Designers. Make it work. | 0:02:27 | 0:02:31 | |
Tim Gunn. | 0:02:31 | 0:02:32 | |
You, my friend, are ready to go dancing. | 0:02:33 | 0:02:35 | |
-Thank you, sir. -All right. Next? | 0:02:35 | 0:02:38 | |
Andrew. Looking good. | 0:02:38 | 0:02:40 | |
-Business is booming. -Yeah. | 0:02:40 | 0:02:42 | |
Hey. Ron, how about you? Need a little dog waxing? | 0:02:42 | 0:02:44 | |
It's only five bucks, and I'll let you cut in front of this guy. | 0:02:44 | 0:02:46 | |
-What? -Come on. Beat it. | 0:02:46 | 0:02:48 | |
This is Ron Swanson we're talking about. | 0:02:48 | 0:02:51 | |
I'm impressed with Andy. Pulling himself up by his bootstraps. | 0:02:51 | 0:02:54 | |
He reminds me of me. | 0:02:55 | 0:02:56 | |
I got my first job when I was nine. | 0:02:56 | 0:02:58 | |
Worked at a sheet metal factory. | 0:02:58 | 0:03:00 | |
In two weeks, I was running the floor. | 0:03:00 | 0:03:03 | |
Child labour laws are ruining this country. | 0:03:04 | 0:03:07 | |
Do you have a key in your shoe? | 0:03:09 | 0:03:11 | |
No. No, I have a bunion that's practically its own toe. | 0:03:11 | 0:03:14 | |
Normally, the pain howls through my loafers like a banshee on the moors. | 0:03:14 | 0:03:19 | |
But for these past three minutes, | 0:03:19 | 0:03:20 | |
it's been reduced to a faint growl. | 0:03:20 | 0:03:23 | |
OK. That's neat. | 0:03:23 | 0:03:26 | |
Well, hey. We are all finished. | 0:03:26 | 0:03:29 | |
Well, that was great. | 0:03:29 | 0:03:33 | |
Thank you, son. | 0:03:33 | 0:03:34 | |
No sweat. | 0:03:34 | 0:03:36 | |
Next? | 0:03:36 | 0:03:37 | |
You shouldn't let your friends cut in line. It's not good business. | 0:03:37 | 0:03:40 | |
You want to know what else isn't good business? | 0:03:40 | 0:03:43 | |
That guy's my friend. | 0:03:43 | 0:03:44 | |
Right. | 0:03:44 | 0:03:45 | |
I'm saying you shouldn't let your friends cut in line. | 0:03:45 | 0:03:48 | |
All right. Sorry, pal. Here. Give me this. Next. | 0:03:48 | 0:03:52 | |
So, what are you looking for exactly? | 0:03:52 | 0:03:55 | |
I don't know, man. | 0:03:55 | 0:03:56 | |
"The Spirit of Pawnee." That's all I got. | 0:03:56 | 0:03:59 | |
Here. Just give me 20 worth of art. | 0:03:59 | 0:04:01 | |
Just something that seems personal, that only I could have done. | 0:04:01 | 0:04:04 | |
Tell me about yourself. | 0:04:04 | 0:04:06 | |
No. Just paint. | 0:04:06 | 0:04:07 | |
I have no interest in art. | 0:04:09 | 0:04:11 | |
Let me clarify. I have no interest in non-nude images. | 0:04:11 | 0:04:14 | |
Dude, what the hell kind of art is this? | 0:04:15 | 0:04:17 | |
It looks like a lizard puking up Skittles. | 0:04:17 | 0:04:19 | |
I'm an abstract expressionist. | 0:04:19 | 0:04:21 | |
No, you're a con artist. | 0:04:21 | 0:04:22 | |
And I'm a guy that's out 20 bucks. Ugh. Whatever. | 0:04:22 | 0:04:26 | |
'I'm a terrible artist.' | 0:04:26 | 0:04:27 | |
But the Parks Department has done so much for me | 0:04:27 | 0:04:29 | |
that if I can help them out in any way, I will. | 0:04:29 | 0:04:33 | |
Oh, God. | 0:04:33 | 0:04:35 | |
Maybe I should just give them all free flu shots. | 0:04:35 | 0:04:38 | |
I know everything about this town and these murals. | 0:04:38 | 0:04:41 | |
And that's why this is a dream come true. Literally. | 0:04:41 | 0:04:44 | |
I have had a dream where I designed a mural. | 0:04:44 | 0:04:47 | |
But then it turned into a nightmare, because the mural started talking, | 0:04:47 | 0:04:50 | |
and it came alive and it was whispering. And I couldn't hear what it was saying, | 0:04:50 | 0:04:53 | |
so I leaned in close, and then it ate me. | 0:04:53 | 0:04:55 | |
At one point, Gina Gershon was there. | 0:04:55 | 0:04:58 | |
My piece is truly going to capture the spirit of Pawnee. | 0:04:58 | 0:05:02 | |
I never understood the term "elbow grease." | 0:05:06 | 0:05:09 | |
I guess it's not really grease. Just hard work. | 0:05:09 | 0:05:13 | |
Oh, hey, Ron. Nice shiny shoes you got there. | 0:05:15 | 0:05:17 | |
Oh, hey. I was just... I think... Oh, no. Shoot. | 0:05:17 | 0:05:21 | |
Actually, it looks like I scuffed this one. | 0:05:21 | 0:05:23 | |
Do you need your money back, Ron? Because I already spent it. | 0:05:25 | 0:05:28 | |
Really? How did... | 0:05:28 | 0:05:30 | |
Never mind. I think I'll just take another full polish. | 0:05:30 | 0:05:35 | |
Can I cut in line again? | 0:05:35 | 0:05:36 | |
'I feel right at home as a shoeshine.' | 0:05:36 | 0:05:38 | |
I have no idea what I'm doing, | 0:05:38 | 0:05:40 | |
but I know I'm doing it really, really well. | 0:05:40 | 0:05:43 | |
OK! Let's get going with the spirit of Pawnee. | 0:05:44 | 0:05:47 | |
Ann, you go first. | 0:05:47 | 0:05:49 | |
OK. | 0:05:49 | 0:05:50 | |
Um... OK. | 0:05:50 | 0:05:53 | |
Well, since it's the Parks Department, | 0:05:53 | 0:05:55 | |
I thought I would design a pretty park. | 0:05:55 | 0:05:57 | |
With dogs playing. And I can't really draw, | 0:05:57 | 0:06:01 | |
so I just cut some stuff out of a magazine. | 0:06:01 | 0:06:04 | |
That looks like something a death row convict would make in art therapy. | 0:06:04 | 0:06:08 | |
Dude, I tried. | 0:06:08 | 0:06:09 | |
And you failed. | 0:06:09 | 0:06:11 | |
It's dogs and people playing in a park. It's cute. | 0:06:11 | 0:06:14 | |
It's OK, sweetheart. You can't make art, because you are art. | 0:06:14 | 0:06:17 | |
You're beautiful. But that sucks. | 0:06:17 | 0:06:20 | |
OK. Let's see yours. | 0:06:20 | 0:06:22 | |
Fine. Mine is amazing. | 0:06:22 | 0:06:24 | |
It's going to blow your mind. | 0:06:24 | 0:06:26 | |
OK. This is some professional-ass art right here. | 0:06:31 | 0:06:34 | |
I'm not quite sure what I'm looking at. | 0:06:34 | 0:06:36 | |
It's abstract, Leslie. | 0:06:36 | 0:06:38 | |
Over here, you've got some shapes. | 0:06:38 | 0:06:40 | |
And then you come over to this side... | 0:06:40 | 0:06:42 | |
You know, it's actually kind of interesting. | 0:06:43 | 0:06:46 | |
Each shape is its own thing. But then when it comes together... | 0:06:46 | 0:06:50 | |
..it really gives you a sense of... | 0:06:52 | 0:06:54 | |
..completion. | 0:06:55 | 0:06:57 | |
Hmm. | 0:06:58 | 0:06:59 | |
A piece of art caused me to have an emotional reaction. | 0:06:59 | 0:07:02 | |
Is that normal? | 0:07:02 | 0:07:04 | |
So, it's the Last Supper, but with famous people from Indiana. | 0:07:04 | 0:07:08 | |
Mmm-hmm. | 0:07:08 | 0:07:09 | |
John Mellencamp, Larry Bird, Michael Jackson, | 0:07:09 | 0:07:13 | |
uh, David Letterman, Vivica A Fox. | 0:07:13 | 0:07:16 | |
OK, so, here's where it gets a little dicey. | 0:07:16 | 0:07:19 | |
Because there's not that many celebrities from Indiana. | 0:07:19 | 0:07:21 | |
So, a NASCAR. | 0:07:21 | 0:07:23 | |
Uh, my friend, Becky. Ron Swanson. | 0:07:23 | 0:07:27 | |
Donna? Who's the Jesus? | 0:07:27 | 0:07:29 | |
That would be Greg Kinnear. | 0:07:29 | 0:07:32 | |
-I didn't know he was from Indiana. -Yeah, you know, I read that he was. | 0:07:32 | 0:07:35 | |
Oh. Do you think he's the best choice for Jesus? I mean, he was great on ER. | 0:07:35 | 0:07:39 | |
-Greg Kinnear wasn't in ER. -Yeah, he was. | 0:07:39 | 0:07:41 | |
I don't think that he was. | 0:07:41 | 0:07:42 | |
Who am I thinking of? | 0:07:44 | 0:07:46 | |
OK. Next? | 0:07:46 | 0:07:47 | |
Wow. Really good, Jerry. | 0:07:52 | 0:07:54 | |
For my murinal, I was inspired by the death of my grandma. | 0:07:54 | 0:07:58 | |
-You said "murinal." -She... | 0:07:58 | 0:07:59 | |
No, I didn't. | 0:08:00 | 0:08:01 | |
Yes, you did. You said "murinal." I heard it. | 0:08:01 | 0:08:03 | |
-Anyway, she... -Jerry. | 0:08:03 | 0:08:05 | |
Why don't you put that murinal in the men's room | 0:08:05 | 0:08:06 | |
so people can murinate all over it? | 0:08:06 | 0:08:08 | |
Jerry. Go to the doctor. You might have a murinary tract infection. | 0:08:09 | 0:08:14 | |
I just wanted to show you my art. | 0:08:14 | 0:08:16 | |
Murinal! Murinal! Murinal! | 0:08:16 | 0:08:18 | |
Disqualified! | 0:08:18 | 0:08:19 | |
It's pointillism. And each dot is a photo of a citizen of the town. | 0:08:21 | 0:08:26 | |
No-one cares. At all. | 0:08:26 | 0:08:28 | |
OK. So, this is a multimedia project. | 0:08:29 | 0:08:32 | |
First, a bunch of rats made out of garbage. | 0:08:32 | 0:08:36 | |
And this is a TV screen. It'll be like a big, flat-screen TV, | 0:08:36 | 0:08:40 | |
and it will play looped video of knee surgeries. | 0:08:40 | 0:08:42 | |
And then this is a human-sized hamster wheel | 0:08:42 | 0:08:45 | |
that will be next to the mural if we can get one. | 0:08:45 | 0:08:47 | |
And it will be spinning and there will be, like, a fat guy in it all the time, | 0:08:47 | 0:08:50 | |
like, screaming and, like, eating raw beef and, like, bleeding. | 0:08:50 | 0:08:53 | |
And, like, blood will, like, come out of his mouth and stuff. | 0:08:53 | 0:08:55 | |
And that'll be, like, right next to...the mural. | 0:08:55 | 0:09:00 | |
I have one question. Why? | 0:09:00 | 0:09:03 | |
If you have to ask, you don't get it. | 0:09:03 | 0:09:06 | |
'I don't think they really got the assignment.' | 0:09:06 | 0:09:08 | |
If we're going to beat all the other departments, | 0:09:08 | 0:09:10 | |
we have to choose something that will stand the test of time. | 0:09:10 | 0:09:13 | |
Like the Mona Lisa. | 0:09:13 | 0:09:15 | |
Or the music of Squeeze. | 0:09:15 | 0:09:17 | |
June 8th, 1922. The Pawnee Bread Factory burned to the ground. | 0:09:18 | 0:09:23 | |
We lost a lot of good bread that day. | 0:09:23 | 0:09:25 | |
As well as several human lives. | 0:09:25 | 0:09:28 | |
And it also made the whole town smell like toast. | 0:09:28 | 0:09:31 | |
Which one resident described as "disturbingly enticing." | 0:09:31 | 0:09:35 | |
But I digress. | 0:09:35 | 0:09:36 | |
The point is we rebuilt Pawnee | 0:09:36 | 0:09:37 | |
to the wonderful town that it is today. | 0:09:37 | 0:09:40 | |
Why would you want a mural that shows people dying | 0:09:40 | 0:09:42 | |
when you could have shapes that come alive? | 0:09:42 | 0:09:44 | |
Well, because it's the most famous event in our town's history. | 0:09:44 | 0:09:47 | |
And people love voting for tragedy. | 0:09:47 | 0:09:50 | |
Look at the Oscars. This is our Holocaust movie. | 0:09:50 | 0:09:54 | |
This is our English Patient. | 0:09:54 | 0:09:56 | |
It sounds like you're exploiting the tragedy. | 0:09:56 | 0:09:59 | |
See, Ann gets it. OK. Time to vote, everybody. | 0:09:59 | 0:10:02 | |
Cast your votes. May the best, most tragic project win. | 0:10:02 | 0:10:07 | |
When we started this, we were six different voices | 0:10:07 | 0:10:09 | |
with six ideas for a mural. | 0:10:09 | 0:10:12 | |
And then those six voices came together as a team. | 0:10:12 | 0:10:15 | |
There are no losers today. | 0:10:15 | 0:10:17 | |
But there is one winner. Us. | 0:10:17 | 0:10:20 | |
The Parks Department. | 0:10:20 | 0:10:22 | |
Tom, the results of the vote, please. | 0:10:22 | 0:10:24 | |
One-to-one-to-one- to-one-to-one-to-one. | 0:10:24 | 0:10:27 | |
We all voted for ourselves, didn't we? | 0:10:28 | 0:10:30 | |
Yeah. OK. | 0:10:32 | 0:10:34 | |
Third time today. | 0:10:36 | 0:10:38 | |
Mmm. That's a good shoeshine. | 0:10:39 | 0:10:42 | |
HE GROANS | 0:10:44 | 0:10:47 | |
HE LAUGHS | 0:10:59 | 0:11:02 | |
What the BLEEP man? | 0:11:02 | 0:11:04 | |
I... I don't know what happened. Frankly. | 0:11:04 | 0:11:08 | |
'I emitted a noise. | 0:11:08 | 0:11:11 | |
'The noise was involuntary.' | 0:11:11 | 0:11:13 | |
Sometimes, a sound is just a sound. You know? | 0:11:16 | 0:11:19 | |
We need to whittle these down. | 0:11:20 | 0:11:22 | |
Can we all agree on eliminating any of these designs? | 0:11:22 | 0:11:25 | |
Ann's blows. | 0:11:25 | 0:11:26 | |
Wow. Don't hold back. | 0:11:26 | 0:11:27 | |
No offence, but it's a giant picture of a park. That's not art. | 0:11:27 | 0:11:30 | |
Well, at least it's not a fat human hamster eating meat. | 0:11:30 | 0:11:33 | |
You don't even work here. | 0:11:33 | 0:11:34 | |
OK, guys, you both have a point. | 0:11:34 | 0:11:36 | |
Ann, yours was a little trite. | 0:11:36 | 0:11:39 | |
And April, yours was hellish and might make someone vomit. | 0:11:39 | 0:11:42 | |
Thank you. | 0:11:42 | 0:11:44 | |
Look, there's something about those shapes. | 0:11:44 | 0:11:46 | |
There's some emotional art right there. | 0:11:46 | 0:11:48 | |
Any kid could do that. | 0:11:48 | 0:11:49 | |
No kid could do that. | 0:11:49 | 0:11:50 | |
Only God could do that. | 0:11:50 | 0:11:51 | |
What is so great about the shapes? | 0:11:51 | 0:11:53 | |
He likes the shapes, OK? And he's part of the team. | 0:11:53 | 0:11:56 | |
So, here. Take these scissors and cut out your favourite shapes. | 0:11:56 | 0:12:00 | |
And then we'll put them on a new team mural. | 0:12:00 | 0:12:03 | |
We're going to make a new design | 0:12:04 | 0:12:06 | |
that takes the best parts of all of our designs. | 0:12:06 | 0:12:10 | |
It's like if you got Michelangelo and Andy Warhol | 0:12:10 | 0:12:14 | |
and Jackson Pollock and Jim Davis | 0:12:14 | 0:12:16 | |
from Garfield to do one painting. | 0:12:16 | 0:12:20 | |
Imagine how good that painting would be. | 0:12:20 | 0:12:22 | |
I think it's really good. | 0:12:25 | 0:12:27 | |
I'll be right back. | 0:12:31 | 0:12:33 | |
Brendanawicz! We need you for something. | 0:12:34 | 0:12:36 | |
Can it wait? I am so swamped here. | 0:12:36 | 0:12:39 | |
Ann's in trouble. We think it might be pills. | 0:12:39 | 0:12:42 | |
-What? -No. | 0:12:42 | 0:12:44 | |
That's a lie. But this is just as important. | 0:12:44 | 0:12:46 | |
We need you to look at a piece of art. | 0:12:46 | 0:12:48 | |
Oh, God. | 0:12:49 | 0:12:50 | |
What is that? | 0:12:52 | 0:12:53 | |
This is our entry for the mural contest. | 0:12:53 | 0:12:56 | |
We couldn't decide on one design, | 0:12:56 | 0:12:57 | |
so we took parts that we all liked | 0:12:57 | 0:12:59 | |
of our designs, and then we just kind of smushed it into a thing. | 0:12:59 | 0:13:03 | |
Well, you made a camel. | 0:13:05 | 0:13:07 | |
You've never heard that saying? | 0:13:08 | 0:13:10 | |
The camel was actually a horse designed by a committee. | 0:13:10 | 0:13:12 | |
And what you guys have here is one ugly camel. | 0:13:12 | 0:13:15 | |
-Featuring Bill Paxton. -Greg Kinnear. | 0:13:16 | 0:13:19 | |
-Right. Greg Kinnear. -Oh! | 0:13:19 | 0:13:20 | |
Is Bill Paxton from Indiana? | 0:13:20 | 0:13:22 | |
You have to save us. You have to design something. | 0:13:22 | 0:13:24 | |
Leslie, I'm not an artist. | 0:13:24 | 0:13:26 | |
Yes, you are. | 0:13:26 | 0:13:27 | |
I've seen you sketch things. | 0:13:27 | 0:13:28 | |
Uh, yeah, like poles for stop signs. | 0:13:28 | 0:13:30 | |
That everybody stops and looks at. | 0:13:30 | 0:13:32 | |
By law, Leslie. They're required to. | 0:13:32 | 0:13:34 | |
Look, Mark. Please. You're the only one of us who's actually got any talent. | 0:13:34 | 0:13:37 | |
I know you'll do something good. | 0:13:37 | 0:13:39 | |
And I really, really want to win this. | 0:13:39 | 0:13:41 | |
Please? What are you going to do tonight? | 0:13:41 | 0:13:43 | |
I was going to go to Arby's and watch Frontline. | 0:13:43 | 0:13:46 | |
OK. Here we go. | 0:13:52 | 0:13:54 | |
OK. So, it is an old man feeding pigeons in a park. | 0:13:56 | 0:14:01 | |
Uh... The spirit of Pawnee? Maybe? | 0:14:01 | 0:14:03 | |
You got to be kidding me. | 0:14:03 | 0:14:04 | |
How is that better than my park scene? | 0:14:04 | 0:14:06 | |
It isn't. And that's saying something. | 0:14:06 | 0:14:08 | |
And who's the man? Is he famous? Is it Martin Landau? | 0:14:08 | 0:14:11 | |
Look, I have no dog in this fight. | 0:14:11 | 0:14:13 | |
I'm just saying that this will win. | 0:14:13 | 0:14:15 | |
It's nothing. It's mush. | 0:14:15 | 0:14:17 | |
There's not even one shape in there, Mark. Where are the shapes? | 0:14:17 | 0:14:20 | |
I'm not saying that this is any good. | 0:14:20 | 0:14:21 | |
I'm saying that this will win. It's mass appeal. | 0:14:21 | 0:14:23 | |
It's like what motels put up, | 0:14:23 | 0:14:25 | |
and it hangs there for years, and no-one ever throws acid at it. | 0:14:25 | 0:14:29 | |
Mmm. Who did this? I like it. | 0:14:29 | 0:14:31 | |
Seriously? I mean... | 0:14:31 | 0:14:34 | |
Sorry. | 0:14:34 | 0:14:35 | |
Yeah. It comforts me. | 0:14:35 | 0:14:37 | |
That'll win. | 0:14:39 | 0:14:41 | |
This is garbage. | 0:14:41 | 0:14:43 | |
-We've got to go back to the shapes. -No. This is boring. | 0:14:43 | 0:14:46 | |
-We got to go back to the garbage. -I would take the shapes over this. I mean, come on. | 0:14:46 | 0:14:49 | |
I wouldn't take the shapes over anything. I'd take Jerry's murinal over this. | 0:14:49 | 0:14:53 | |
No, guys. This is the one. | 0:14:53 | 0:14:55 | |
-What? -Sorry. Mark's right. | 0:14:55 | 0:14:57 | |
This is an outrage. Mark's not even in the department. | 0:14:57 | 0:14:59 | |
-Right. -Neither is Ann! | 0:14:59 | 0:15:00 | |
But Ann's hot. And that counts for something. | 0:15:00 | 0:15:02 | |
Whatever happened to, "We're the Parks Department! Rah-rah-rah! | 0:15:02 | 0:15:06 | |
"Down with the Sewage Department!" | 0:15:06 | 0:15:07 | |
Yeah, we spent all day here for no reason. | 0:15:07 | 0:15:09 | |
We have a reason. We're going to win. That's our reason. | 0:15:09 | 0:15:12 | |
Our designs are not going to win. Mark's might win. | 0:15:12 | 0:15:15 | |
How great would it be if we won, you guys? | 0:15:15 | 0:15:17 | |
You'll feel a lot better, I promise you, after you win. | 0:15:17 | 0:15:20 | |
We're going with this one. | 0:15:20 | 0:15:21 | |
All right. I'll see you at the presentation tomorrow. | 0:15:21 | 0:15:24 | |
That is an order, team. Go, team! | 0:15:24 | 0:15:26 | |
Team dismissed. | 0:15:28 | 0:15:29 | |
'Yes, we are a team. But I am the team leader.' | 0:15:29 | 0:15:32 | |
So, I made a bold decision. We're playing it safe. | 0:15:32 | 0:15:35 | |
Hey, Knope. How's life in the Parks De-fart-ment? | 0:15:43 | 0:15:46 | |
Better than life in the Sewage De-fart-ment. | 0:15:46 | 0:15:49 | |
Which makes more sense. | 0:15:49 | 0:15:50 | |
Whatever. | 0:15:50 | 0:15:51 | |
-You guys are screwed. -Get used to this. | 0:15:51 | 0:15:54 | |
Because it's going to be hanging on the wall right outside your door | 0:15:55 | 0:15:58 | |
for the next 100 years. | 0:15:58 | 0:16:01 | |
That was pretty good. | 0:16:05 | 0:16:06 | |
-You think they're going to win? -No. No. | 0:16:06 | 0:16:09 | |
They went super patriotic. It's a classic mistake. | 0:16:09 | 0:16:12 | |
It seems crowd-pleasing, but it's still a stance. | 0:16:12 | 0:16:14 | |
And in government, there's always someone who will oppose a stance. | 0:16:14 | 0:16:17 | |
Us? Old man feeding pigeons? No stance. | 0:16:17 | 0:16:21 | |
Absolutely no point of view whatsoever. | 0:16:21 | 0:16:24 | |
No point of view. Smart. | 0:16:24 | 0:16:25 | |
'No. I haven't been back. | 0:16:27 | 0:16:30 | |
'I wish him good luck in his business. | 0:16:30 | 0:16:33 | |
'And yes, I will absolutely go back to get my shoes shined soon.' | 0:16:33 | 0:16:38 | |
I don't, frankly, see why this is a topic for discussion. | 0:16:39 | 0:16:44 | |
Oh, hey, Ron. What's up? | 0:16:57 | 0:17:00 | |
Uh... | 0:17:00 | 0:17:02 | |
Andy, you know the, er, thing the other day? | 0:17:02 | 0:17:08 | |
Other day, other day... Yeah. | 0:17:08 | 0:17:10 | |
Oh, yesterday? | 0:17:10 | 0:17:11 | |
I am... | 0:17:11 | 0:17:13 | |
That... That was... I feel... | 0:17:13 | 0:17:15 | |
I'm OK... You know, I'd be OK if we... | 0:17:15 | 0:17:16 | |
I'd be OK if we never mentioned it again. | 0:17:18 | 0:17:22 | |
Never mention what again? | 0:17:22 | 0:17:25 | |
The moan, Ron. The weird moan you made. That was super weird. | 0:17:25 | 0:17:28 | |
Do you not remember that? | 0:17:28 | 0:17:29 | |
I talked about it with the lady who went after you for a half an hour. | 0:17:29 | 0:17:32 | |
-She said she thought it was an animal... -OK. | 0:17:32 | 0:17:35 | |
It was just an odd moment. Let's just... | 0:17:35 | 0:17:37 | |
Let's just not talk about it any more. | 0:17:37 | 0:17:39 | |
That's what I was trying to say. But, yeah. OK. | 0:17:39 | 0:17:43 | |
-OK. -Good time. | 0:17:43 | 0:17:45 | |
-Ms Knope. -Chief Konner. | 0:17:52 | 0:17:54 | |
What do you got there? | 0:17:54 | 0:17:56 | |
Well, we aren't really artists. But we gave it a shot. | 0:17:56 | 0:17:59 | |
It's your basic dogs playing poker, | 0:17:59 | 0:18:01 | |
but with an everything's-on-fire theme. | 0:18:01 | 0:18:04 | |
-This is my nephew over here. -Hmm. | 0:18:04 | 0:18:07 | |
And this is an attractive lady with a hamburger for a head. | 0:18:07 | 0:18:10 | |
Just some stuff we liked, you know? | 0:18:10 | 0:18:12 | |
Anyway, we had a lot of fun putting it together. | 0:18:12 | 0:18:14 | |
-Well, good luck. -Thanks. | 0:18:15 | 0:18:17 | |
We think it's a winner. | 0:18:17 | 0:18:19 | |
-Go ahead. -What? | 0:18:25 | 0:18:27 | |
Camel's way more fun. | 0:18:27 | 0:18:29 | |
I want my team back. | 0:18:31 | 0:18:32 | |
And my team made this hot, crazy camel mess. | 0:18:32 | 0:18:36 | |
So, this is what we're going to submit. Even if it means we lose. | 0:18:36 | 0:18:40 | |
God, I hope we win. But we're definitely going to lose. | 0:18:40 | 0:18:43 | |
Probably. All right. Let's get in there | 0:18:43 | 0:18:44 | |
-and show them how Parks gets it done. -Yeah. | 0:18:44 | 0:18:46 | |
And Ann. How Ann gets it done. | 0:18:46 | 0:18:48 | |
Yes! | 0:18:48 | 0:18:49 | |
Let's go! | 0:18:49 | 0:18:50 | |
What are the shapes? | 0:18:57 | 0:18:58 | |
The shapes are awesome, is what they are. You can't handle it. | 0:18:58 | 0:19:01 | |
No, I actually like them. | 0:19:01 | 0:19:04 | |
Forgive me. Is that Michael Jackson? | 0:19:04 | 0:19:06 | |
Yes. The pride of Indiana. | 0:19:06 | 0:19:09 | |
That's right. So, it's relevant. | 0:19:09 | 0:19:10 | |
Who is he carrying? | 0:19:10 | 0:19:12 | |
Jesus Greg Kinnear. | 0:19:12 | 0:19:14 | |
You know, it looks like he's carrying | 0:19:14 | 0:19:15 | |
Kinnear INTO the burning building. | 0:19:15 | 0:19:18 | |
Oh, well, that's because he is moonwalking. | 0:19:18 | 0:19:21 | |
So, he should be going the other way. | 0:19:21 | 0:19:25 | |
That did not occur to me. | 0:19:25 | 0:19:26 | |
Sorry. So, there you go. | 0:19:30 | 0:19:32 | |
The Spirit of Pawnee. | 0:19:32 | 0:19:34 | |
We didn't win. | 0:19:34 | 0:19:36 | |
But neither did anyone else. | 0:19:36 | 0:19:37 | |
They realised it was going to cost | 0:19:37 | 0:19:39 | |
a ton of money to hire a muralist. | 0:19:39 | 0:19:41 | |
So, they're just going to restore the old one. | 0:19:41 | 0:19:43 | |
They're changing the title to The Diversity Express. | 0:19:43 | 0:19:46 | |
Oh, well. | 0:19:46 | 0:19:47 | |
CHEERING AND APPLAUSE | 0:19:49 | 0:19:52 | |
No. No. It's not as good as the other one. | 0:19:54 | 0:19:56 | |
I don't know what you mean by "good." | 0:19:56 | 0:19:57 | |
Neither do I! Just do another one. | 0:19:57 | 0:20:00 | |
You know, I have actual assignments that I have to finish for art school? | 0:20:00 | 0:20:03 | |
Shut up and do more art for me. | 0:20:03 | 0:20:06 | |
This one's racist. | 0:20:08 | 0:20:10 | |
It's beautiful. | 0:20:10 | 0:20:12 | |
I've looked at this for five hours now. | 0:20:14 | 0:20:17 | |
I like the green one. And the red circle right here. | 0:20:18 | 0:20:22 | |
I'm tearing up, man. | 0:20:26 | 0:20:28 |