Browse content similar to Competition. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
GARAGE MUSIC PLAYS | 0:00:02 | 0:00:05 | |
Whack one up there, Steves. | 0:00:08 | 0:00:10 | |
This program contains some strong language. | 0:00:11 | 0:00:14 | |
That lamppost there, Steves, quick time, quick time. | 0:00:16 | 0:00:19 | |
All right, go. | 0:00:19 | 0:00:21 | |
Fuck it. Fuck it. That'll do. | 0:00:26 | 0:00:28 | |
That'll do, Steves, that'll do! Right, let's go. | 0:00:28 | 0:00:31 | |
You lot have got to hold it down, yeah? | 0:00:44 | 0:00:47 | |
Like, I cannot get caught on this moped, like. | 0:00:47 | 0:00:50 | |
Since my driving ban, Roche gets very weird about it. | 0:00:50 | 0:00:53 | |
Oh, fuck, what's he doing up? | 0:00:54 | 0:00:58 | |
He tells his mum everything. | 0:00:58 | 0:01:00 | |
There's no man code, do you know what I mean? | 0:01:00 | 0:01:02 | |
There should be a man code. | 0:01:02 | 0:01:03 | |
If I want to watch pornos, let me, don't tell your mum. | 0:01:05 | 0:01:08 | |
If I want to drive the moped, let me, don't tell your mum. | 0:01:08 | 0:01:11 | |
Them ones. | 0:01:11 | 0:01:13 | |
Little snake. | 0:01:13 | 0:01:14 | |
Here you are, Craig, made you a breakfast. | 0:01:21 | 0:01:23 | |
-Cheers. -Want the ketchup? -Yeah, just put it there. | 0:01:23 | 0:01:25 | |
Ah, he's a man of hidden talents, isn't he? | 0:01:25 | 0:01:27 | |
I'm not hiding anything, | 0:01:27 | 0:01:29 | |
so just making sure that Big Man gets a decent breakfast, like. | 0:01:29 | 0:01:33 | |
What time did you get in last night? | 0:01:33 | 0:01:34 | |
I heard you creeping about like a pervert in the middle of the night. | 0:01:34 | 0:01:37 | |
About two. | 0:01:37 | 0:01:39 | |
More like four. | 0:01:39 | 0:01:40 | |
Yeah, maybe it was four, actually. Thank you, Craig. | 0:01:41 | 0:01:44 | |
So are you trying to work out a man code with Craig? | 0:01:45 | 0:01:48 | |
Yeah, but it's a bit weird cos it's not like a mate man code, | 0:01:48 | 0:01:51 | |
so I'm just trying to... | 0:01:51 | 0:01:53 | |
I'm trying to pally it up | 0:01:53 | 0:01:54 | |
until we're proper connected, and then I'll bring the code in. | 0:01:54 | 0:02:01 | |
Be good, Craig, catch you later. | 0:02:01 | 0:02:04 | |
-Weapon X? -Here. | 0:02:19 | 0:02:21 | |
-Fantasy? -Here. | 0:02:21 | 0:02:22 | |
-Beats? -Here. | 0:02:22 | 0:02:24 | |
Decoy? | 0:02:24 | 0:02:25 | |
Decoy? | 0:02:29 | 0:02:30 | |
I drove you here. | 0:02:30 | 0:02:31 | |
Yeah, but just say here, then, don't... | 0:02:31 | 0:02:34 | |
try and overrule everything constantly. | 0:02:34 | 0:02:37 | |
-Right, so obviously today's a very special day. -Yeah. | 0:02:39 | 0:02:43 | |
-It is the day of the live caller competition! -Competition. | 0:02:43 | 0:02:46 | |
So, I've got everyone here today basically to come up with | 0:02:46 | 0:02:49 | |
the question that one of our number one fans would be able to answer, | 0:02:49 | 0:02:53 | |
like, someone who's worthy of it, do you know what I mean? | 0:02:53 | 0:02:56 | |
-Not just trying to get a bit of free perfume and that. -Yeah, exactly. | 0:02:56 | 0:02:59 | |
So, everyone needs to think, yeah, let's think of a question. | 0:02:59 | 0:03:02 | |
Steven? | 0:03:02 | 0:03:03 | |
You all right? | 0:03:05 | 0:03:07 | |
Fucking hell, it's the bear people. | 0:03:07 | 0:03:09 | |
Yeah, Kurupt FM is so popular, like, | 0:03:09 | 0:03:11 | |
if you go anywhere in this area, then there's a few places that | 0:03:11 | 0:03:15 | |
play it. Like, there's a cafe down there that sometimes | 0:03:15 | 0:03:17 | |
when I pop in there they're playing Kurupt and I think | 0:03:17 | 0:03:20 | |
he's just out there and everyone's listening to his voice, like, | 0:03:20 | 0:03:23 | |
it's amazing. | 0:03:23 | 0:03:24 | |
See, it's very, very big in Brentford area. | 0:03:24 | 0:03:26 | |
We should probably base it around someone, someone on this station... | 0:03:26 | 0:03:29 | |
-Hmm. -I don't know, maybe one of the main ones or something like that. | 0:03:29 | 0:03:32 | |
What do you lot think? Like, who's... | 0:03:32 | 0:03:34 | |
who's one of the main ones on the... | 0:03:34 | 0:03:35 | |
I'm just trying to think, do we...do we do... | 0:03:35 | 0:03:37 | |
-Probably you. -Huh? Probably me? | 0:03:37 | 0:03:39 | |
-Yeah, yeah, that's... That could work, couldn't it? -Yes. | 0:03:39 | 0:03:42 | |
What if we did a thing, yeah, how do crop circles get formed? | 0:03:42 | 0:03:44 | |
No, just come on, think about something, think. | 0:03:44 | 0:03:46 | |
That is interesting, like, cos I don't even know. | 0:03:46 | 0:03:48 | |
That's proper good. That's interesting. | 0:03:48 | 0:03:50 | |
Yeah, I mean we've always | 0:03:50 | 0:03:51 | |
-done competitions, really. -Yeah. | 0:03:51 | 0:03:53 | |
Like, it's a part of the whole | 0:03:53 | 0:03:55 | |
sort of pirate radio culture, | 0:03:55 | 0:03:57 | |
-do you know what I mean? -Yeah, it's a standard thing. | 0:03:57 | 0:03:59 | |
It's like our way of giving back something to the fans, | 0:03:59 | 0:04:02 | |
you know what I mean? Like, that's why... | 0:04:02 | 0:04:04 | |
But this time we've got a special little surprise in store for them. | 0:04:04 | 0:04:08 | |
Yeah, we normally give 'em, like, a £5 phone credit and that, | 0:04:08 | 0:04:11 | |
but this time, erm, they're getting designer perfume, so. | 0:04:11 | 0:04:15 | |
Yeah, well, that's...that's what they think anyway, innit? | 0:04:15 | 0:04:18 | |
-Oh, are they not getting the perfume? -No, they are, but... -Oh. | 0:04:18 | 0:04:21 | |
Got an extra little twist this time, yeah. | 0:04:21 | 0:04:24 | |
Yeah, me and Grindah are going to surprise 'em. | 0:04:24 | 0:04:26 | |
Don't say it when I've... | 0:04:26 | 0:04:28 | |
Cos there's a video, yeah, on YouTube where the Crost... | 0:04:28 | 0:04:31 | |
What's it called? Roswell, where the thing landed, crashed down, | 0:04:31 | 0:04:35 | |
and they had a dead one, they actually did a autopsy on it. | 0:04:35 | 0:04:37 | |
-Right, can we just... -And it's all there, like, it's all proof. | 0:04:37 | 0:04:40 | |
Can we just focus now, yeah? Focus on the question. | 0:04:40 | 0:04:42 | |
Ah, what about what was Grindah's old MC name? | 0:04:42 | 0:04:45 | |
-That's... I don't know, could that...? -Is that...? | 0:04:45 | 0:04:47 | |
Do you think anyone would know that or...? | 0:04:47 | 0:04:49 | |
Do I think everyone...? Of course they'd know it. | 0:04:49 | 0:04:51 | |
Everyone knows who I am. | 0:04:51 | 0:04:53 | |
Don't you think it's too easy, mate? | 0:04:53 | 0:04:54 | |
-I could think of a harder one if you like. -Don't... Just sshh. | 0:04:54 | 0:04:57 | |
Stop getting in his head, all right, | 0:04:57 | 0:04:58 | |
cos you're making it all about you again when it's actually about | 0:04:58 | 0:05:01 | |
giving something back to one of the fans, all right? | 0:05:01 | 0:05:03 | |
Here we go. | 0:05:08 | 0:05:10 | |
This is the prize | 0:05:10 | 0:05:11 | |
that I've kindly donated. | 0:05:11 | 0:05:12 | |
It is Sean Paul Gaultier, | 0:05:12 | 0:05:15 | |
world exclusive. | 0:05:15 | 0:05:17 | |
Only available from Chabuddy's Worldwide Internet Cabin Cafe. | 0:05:17 | 0:05:21 | |
Um, they've started to go a bit stagnant | 0:05:21 | 0:05:23 | |
so I thought might as well shift a... | 0:05:23 | 0:05:25 | |
VACUUM CLEANER HUMS | 0:05:25 | 0:05:27 | |
Ho-ho-ho! | 0:05:27 | 0:05:28 | |
There we go. What every man needs, a bloody good woman, isn't it? | 0:05:28 | 0:05:33 | |
Aldona! | 0:05:33 | 0:05:36 | |
I missed you! HE LAUGHS | 0:05:36 | 0:05:39 | |
-Move. -All right. | 0:05:39 | 0:05:41 | |
She, er... Big day today for Aldona. | 0:05:41 | 0:05:44 | |
Her brother's coming over from Poland | 0:05:44 | 0:05:46 | |
and she's just doing a bit of cleaning. | 0:05:46 | 0:05:48 | |
Um... She doesn't clean like this for me. | 0:05:48 | 0:05:51 | |
SHE SPEAKS POLISH | 0:05:51 | 0:05:53 | |
Ah, I forgive you. | 0:05:53 | 0:05:55 | |
Very good, very good. | 0:05:56 | 0:05:57 | |
What's it like on competition days? | 0:06:03 | 0:06:06 | |
It's tiring and you've got to put in a lot of energy, | 0:06:06 | 0:06:09 | |
-and also you're blazing all day, so... -Kevin? | 0:06:09 | 0:06:11 | |
..don't want to get a headache. | 0:06:11 | 0:06:13 | |
-Huh? -I could've sworn that moped was facing the other way yesterday. | 0:06:13 | 0:06:18 | |
Is it? Really? | 0:06:18 | 0:06:20 | |
Yeah. No-one's been using it, have they? | 0:06:20 | 0:06:22 | |
-No. -Sure? | 0:06:22 | 0:06:24 | |
Oh, yeah, er... Cos I must've | 0:06:25 | 0:06:28 | |
moved it cos the sunlight's hitting one side | 0:06:28 | 0:06:32 | |
and so the colour was fading, so I turned it round so that it's even. | 0:06:32 | 0:06:37 | |
Forgot about that. | 0:06:37 | 0:06:38 | |
You do remember our little deal, though, don't you? | 0:06:38 | 0:06:40 | |
-Yeah, yeah, of course. -Do you want to tell these lot about it? | 0:06:40 | 0:06:43 | |
Yeah, man's on a driving ban right now, | 0:06:43 | 0:06:44 | |
-so I can't really drive the moped, like. -And? | 0:06:44 | 0:06:47 | |
-And we've got a deal where I can't drive the moped. -And? | 0:06:48 | 0:06:51 | |
And if I do drive the ped, then I've got to pick up all the hard tissues | 0:06:53 | 0:06:56 | |
from under Craig's bed. | 0:06:56 | 0:06:58 | |
I don't even want to think about how many there must be under that bed | 0:06:58 | 0:07:01 | |
right now. It's probably like papier-mache. | 0:07:01 | 0:07:04 | |
Sorry, mate. | 0:07:05 | 0:07:06 | |
-What? -Nothing, mate, you just eat your ham. -Nothing. | 0:07:11 | 0:07:14 | |
-All right. -Take it up, take that with you. | 0:07:14 | 0:07:16 | |
Get your strength up, love. | 0:07:16 | 0:07:17 | |
Do you enjoy spending time with the family, then? | 0:07:20 | 0:07:23 | |
Yeah, I really... I've start... | 0:07:23 | 0:07:24 | |
At first I, like, just come in to see Roche, just checking her | 0:07:24 | 0:07:28 | |
every now and then, do you know what I mean? No strings attached, simple. | 0:07:28 | 0:07:32 | |
But then I met the little man and it all changed. I felt passion. | 0:07:32 | 0:07:37 | |
And, er... Do you, er, do you like older women? | 0:07:37 | 0:07:42 | |
-Who me? -Yeah. | 0:07:42 | 0:07:43 | |
I get whatever I can, to be honest with you, | 0:07:45 | 0:07:47 | |
and it just so happened that Roche liked man, | 0:07:47 | 0:07:49 | |
so I just went true on it. | 0:07:49 | 0:07:51 | |
What? | 0:07:51 | 0:07:53 | |
TANNOY: The next train to arrive on platform one will be... | 0:07:53 | 0:07:56 | |
He should be coming now. | 0:07:56 | 0:07:57 | |
Excited? | 0:07:58 | 0:08:00 | |
Is that him? No, that's just a black woman. It's OK. | 0:08:00 | 0:08:04 | |
-Dalek! -That's him. | 0:08:04 | 0:08:07 | |
That's nice. | 0:08:11 | 0:08:13 | |
They are really affectionate, you know, that's the thing. | 0:08:13 | 0:08:16 | |
How are you doing, you all right? | 0:08:16 | 0:08:17 | |
SHE SPEAKS POLISH | 0:08:17 | 0:08:18 | |
-You came on train, yeah? -Train, yeah. | 0:08:20 | 0:08:23 | |
Yeah. | 0:08:23 | 0:08:24 | |
All right, jump in the Merc. | 0:08:27 | 0:08:28 | |
MC'ING | 0:08:34 | 0:08:37 | |
Right about now we're running a competition, yeah. | 0:08:42 | 0:08:44 | |
Live callers, come through. | 0:08:44 | 0:08:46 | |
-Come through. -So the question is, what is my old MC name? | 0:08:46 | 0:08:50 | |
So that is, what is MC Grindah's old MC name? | 0:08:50 | 0:08:54 | |
-Phone line number to get you through will be... -07700 9001 108.9. | 0:08:54 | 0:08:59 | |
So to get your hands on some exclusive perfume | 0:08:59 | 0:09:03 | |
-you know what to do. -Call us. | 0:09:03 | 0:09:06 | |
Don't say it, they already know, just... All right. | 0:09:06 | 0:09:09 | |
So, OK, next up we're just going to run a little message | 0:09:09 | 0:09:13 | |
from one of our sponsors letting you know that | 0:09:13 | 0:09:15 | |
if you want to be winning yourself something, something, | 0:09:15 | 0:09:18 | |
tonight, tonight then you'd better get to know. | 0:09:18 | 0:09:20 | |
-RECORDING: -If you are one of our lucky competition winners today, | 0:09:20 | 0:09:24 | |
you can collect your prize, an exclusive bottle of | 0:09:24 | 0:09:26 | |
limited edition Sean Paul Gaultier perfume | 0:09:26 | 0:09:28 | |
from Chabuddy's Worldwide Internet Cabin Cafe. | 0:09:28 | 0:09:30 | |
-But wait, that's not all... -No, no, that is all. | 0:09:30 | 0:09:32 | |
Did you lot hear that? | 0:09:33 | 0:09:35 | |
HE LAUGHS | 0:09:36 | 0:09:37 | |
Oh, it's just me on bloody radio again, isn't it? | 0:09:37 | 0:09:40 | |
Bit of advice for you actually, mate, | 0:09:40 | 0:09:42 | |
I know you're fresh off the boat and that, | 0:09:42 | 0:09:44 | |
-ladies love a disco jockey, mate. -A DJ? -Yeah, a DJ. | 0:09:44 | 0:09:48 | |
No, I like man in kitchen. | 0:09:48 | 0:09:50 | |
-I like when I hear you cook. -Yeah? | 0:09:51 | 0:09:54 | |
-Mm. -OK. | 0:09:54 | 0:09:57 | |
I think I know what you want. | 0:09:57 | 0:09:58 | |
Aldona, I'm chopping stuff. | 0:10:04 | 0:10:07 | |
-Mmm. -You like that, yeah? -Mmm, nice. | 0:10:07 | 0:10:11 | |
Did you hear that? I'm chopping. I was chopping stuff just then. | 0:10:11 | 0:10:14 | |
-Yes, it's, er... -You heard it? | 0:10:14 | 0:10:16 | |
-..very sexy. -Yeah? | 0:10:16 | 0:10:18 | |
-You chop more? -More? -Mm. | 0:10:18 | 0:10:21 | |
You're greedy. | 0:10:21 | 0:10:22 | |
THEY SPEAK POLISH | 0:10:26 | 0:10:29 | |
I'm marinating. | 0:10:30 | 0:10:31 | |
You can't hear it, but I'm marinating. | 0:10:33 | 0:10:36 | |
They're his moped keys. | 0:10:50 | 0:10:52 | |
Craig! | 0:10:52 | 0:10:54 | |
Have you seen Kevin on his moped? | 0:10:54 | 0:10:56 | |
-Yeah, why? -When? | 0:10:56 | 0:10:58 | |
Last night. | 0:10:58 | 0:10:59 | |
Right, then. | 0:11:01 | 0:11:03 | |
What use is he to us in prison? | 0:11:03 | 0:11:04 | |
"What use is he to us?" is more the question. | 0:11:06 | 0:11:09 | |
Who's going to be my selector on point? | 0:11:13 | 0:11:15 | |
Don't know, don't know. | 0:11:15 | 0:11:17 | |
Ladies and gentlemen, if you're listening, this is one of | 0:11:17 | 0:11:19 | |
the famous Kurupt FM giveaways, yeah. Make sure you dial the number. | 0:11:19 | 0:11:23 | |
-Exactly. Do not miss out! -It's a competition, yeah? | 0:11:23 | 0:11:26 | |
-Exactly. -So, and the question is... | 0:11:26 | 0:11:29 | |
What is my old MC name? | 0:11:29 | 0:11:32 | |
PHONE RINGS | 0:11:33 | 0:11:35 | |
Ah, shh, everyone quiet, be quiet. Come on, turn it down. | 0:11:35 | 0:11:40 | |
Caller, you're live. What's your name and where do you come from? | 0:11:40 | 0:11:43 | |
-Ah, yeah, it's Ben from Isleworth. -Hold tight, Ben. | 0:11:43 | 0:11:46 | |
Ah, big up the Isleworth mandem. I sees ya. | 0:11:46 | 0:11:49 | |
-What's the question? -What, are you... | 0:11:49 | 0:11:51 | |
What is my MC name? | 0:11:51 | 0:11:53 | |
Which one are you? | 0:11:54 | 0:11:55 | |
Oh, for f... Cut him, cut him off. | 0:11:55 | 0:11:57 | |
Well, that was pointless, wasn't it? | 0:11:59 | 0:12:01 | |
Big up all the pointless ringers, like, make sure... | 0:12:01 | 0:12:03 | |
No, let me illiterate, yeah? | 0:12:03 | 0:12:05 | |
If you call up, make sure you've got the right answer. | 0:12:05 | 0:12:08 | |
Caller, you're blocked. | 0:12:08 | 0:12:09 | |
Yeah, you're blocked, mate, your number's blocked. | 0:12:09 | 0:12:11 | |
You can't even get no shout-outs, no relays. | 0:12:11 | 0:12:13 | |
So, you've made your bed, now sit in it. You lose. | 0:12:13 | 0:12:16 | |
We always have, like, a little sort of VIP party | 0:12:16 | 0:12:18 | |
when there's something special going on at radio. | 0:12:18 | 0:12:20 | |
Having mocktails, aren't we, Ange? | 0:12:20 | 0:12:23 | |
There you go. | 0:12:23 | 0:12:25 | |
I tried to put, like, a bit of salt round the edge so that, you know, | 0:12:25 | 0:12:27 | |
it'd be like a proper cocktail, but it all just sort of fell in. | 0:12:27 | 0:12:30 | |
Here's to a big night, hey? Yeah. | 0:12:30 | 0:12:33 | |
Down it in one. | 0:12:34 | 0:12:35 | |
Or you don't have to. | 0:12:35 | 0:12:36 | |
Little bit more sugar? | 0:12:40 | 0:12:43 | |
Yeah, all right. | 0:12:43 | 0:12:44 | |
THEY SPEAK IN POLISH | 0:12:46 | 0:12:49 | |
Ah, this is so much fun, guys. | 0:13:05 | 0:13:07 | |
Er, what shall we do tonight? | 0:13:07 | 0:13:10 | |
I'll tell you what, | 0:13:10 | 0:13:11 | |
I'll get the CDs out, have a little disco party, DJ party, | 0:13:11 | 0:13:14 | |
what do you reckon, huh? | 0:13:14 | 0:13:16 | |
HE SPEAKS POLISH | 0:13:16 | 0:13:19 | |
He's bang on it. | 0:13:19 | 0:13:20 | |
-Baby? -Yes, baby? | 0:13:22 | 0:13:24 | |
-Yes? -Get me more beer? | 0:13:25 | 0:13:27 | |
OK, OK, I can do that. Drinking games? I like that. | 0:13:27 | 0:13:31 | |
Go hard or go home back to bloody Poland. | 0:13:31 | 0:13:33 | |
-Can you go now? -Now? | 0:13:33 | 0:13:35 | |
OK, OK, all the way, | 0:13:35 | 0:13:37 | |
if you tell me to. You know I like to be bossed around. | 0:13:37 | 0:13:39 | |
OK, go now or I hit you. | 0:13:39 | 0:13:40 | |
OK, OK. | 0:13:40 | 0:13:42 | |
I like that, I like that. | 0:13:42 | 0:13:44 | |
Treat me mean, keep me keen. Keep me erect, more like. | 0:13:44 | 0:13:47 | |
It's alL right, he doesn't understand. | 0:13:49 | 0:13:52 | |
Me and Aldona like to role-play, you know, | 0:13:52 | 0:13:54 | |
she'd call me, like, these funny racist names and things, | 0:13:54 | 0:13:57 | |
like "you dirty, curry-eating bastard" | 0:13:57 | 0:13:59 | |
and "get back into the lorry that you climbed out of" | 0:13:59 | 0:14:02 | |
and stuff like that. | 0:14:02 | 0:14:03 | |
I bloody love it, to be fair. I really like it, you know. | 0:14:03 | 0:14:06 | |
She'll say things like, er, that my penis is like a really weird colour | 0:14:06 | 0:14:10 | |
and that it's tiny and stuff like that, you know. | 0:14:10 | 0:14:12 | |
Sexy, you know. | 0:14:12 | 0:14:13 | |
Maybe we should change the question. | 0:14:15 | 0:14:17 | |
No, we're not going to change the question until someone | 0:14:17 | 0:14:19 | |
gets it right, and then there's no point to change it anyway, so, no. | 0:14:19 | 0:14:24 | |
Actually, you know what it is, just one last... | 0:14:25 | 0:14:27 | |
Let me use your phone? | 0:14:27 | 0:14:30 | |
I mean give it a bell, see if it works. | 0:14:31 | 0:14:34 | |
Cos it might not be... | 0:14:34 | 0:14:35 | |
-It might be signal cos of the cameras and that. -Yeah. | 0:14:35 | 0:14:37 | |
PHONE RINGS Hello. | 0:14:40 | 0:14:41 | |
Oh, for... No, it's working. | 0:14:41 | 0:14:43 | |
Pointless, then, innit? | 0:14:43 | 0:14:45 | |
Ah, you know what? Whatever, leave it. | 0:14:45 | 0:14:47 | |
MUFFLED DANCE MUSIC PLAYS | 0:14:53 | 0:14:57 | |
MUFFLED LAUGHTER FROM INSIDE | 0:14:58 | 0:14:59 | |
Aldona! | 0:15:01 | 0:15:03 | |
Sweetie face. | 0:15:05 | 0:15:07 | |
Sugar tits. | 0:15:09 | 0:15:10 | |
Ah, it's all steamed up. | 0:15:22 | 0:15:24 | |
They must've found my Wii dance mat. | 0:15:26 | 0:15:28 | |
Authentic Polish beers. | 0:15:34 | 0:15:35 | |
Absolutely pointless. | 0:15:45 | 0:15:47 | |
PHONE RINGS | 0:15:49 | 0:15:52 | |
Hello and welcome to the Kurupt FM hotline. | 0:15:54 | 0:15:57 | |
-What's your name and that? -It's Joe from Brentford. | 0:15:58 | 0:16:01 | |
Yes, Joseph. Erm... | 0:16:01 | 0:16:03 | |
What's the answer? | 0:16:04 | 0:16:05 | |
Er, did he used to be called MC Sniper? | 0:16:07 | 0:16:10 | |
-Oi! -Oh-h! | 0:16:10 | 0:16:13 | |
Sound! Sound! | 0:16:13 | 0:16:14 | |
Ho! Ho! Ho! | 0:16:14 | 0:16:16 | |
-Ah, mate! It's going absolutely... -They're going absolutely... | 0:16:16 | 0:16:19 | |
-..wild inside! -Yeah. It's like rampage. | 0:16:19 | 0:16:21 | |
-Everyone inside's going mental, like. -It's like rampage, a carnival here. | 0:16:21 | 0:16:25 | |
It is, mate. How are you feeling, Joe, mate? | 0:16:25 | 0:16:26 | |
-Good, yeah, cheers, guys, yeah. -Sounds over the moon, doesn't he? | 0:16:26 | 0:16:30 | |
Can I get the perfume posted just cos I'm working? | 0:16:30 | 0:16:32 | |
Er, sorry, mate, you can't get it posted. | 0:16:32 | 0:16:34 | |
You're going to have to go down Chabuddy's internet cafe. | 0:16:34 | 0:16:36 | |
We'll text you the address. | 0:16:36 | 0:16:38 | |
Ah, God, you're going to have such a great time. | 0:16:38 | 0:16:40 | |
-All right, no worries. Cheers, guys. -All right. Uh-uh. | 0:16:40 | 0:16:42 | |
Any final words, mate? | 0:16:42 | 0:16:44 | |
-Er... -No, he's been cut off. -He's probably overexcited. | 0:16:44 | 0:16:47 | |
Yeah, probably smiling too much the cheek pressed the button. | 0:16:47 | 0:16:49 | |
-Yeah, uh-huh. -Big up Joe. | 0:16:49 | 0:16:52 | |
That was so nerve-racking, like, such an amazing day for Joe, though. | 0:16:52 | 0:16:58 | |
Ah, little lightweight. She can't party like her mum can. | 0:16:58 | 0:17:01 | |
Shall we get a couple of beers in? | 0:17:03 | 0:17:05 | |
Yeah, let's get the beers in. | 0:17:05 | 0:17:06 | |
Wepster, up with you, mate, let's get a few beers. | 0:17:06 | 0:17:08 | |
-You boys up for a few beers? -Yeah. -Let's go, mate, come on. | 0:17:08 | 0:17:11 | |
-Er, mate! Jesus, that is... -And we're going to surprise him. | 0:17:11 | 0:17:15 | |
-Whoo! -Boys, I've been sick, bruv. -Huh? -I've been sick, bruv. | 0:17:15 | 0:17:18 | |
Er, we'll get him to clean it up himself in the morning | 0:17:18 | 0:17:20 | |
since it's part of his morning clear-up. | 0:17:20 | 0:17:22 | |
-Ah, that's a fucking success. -That is a fucking success, mate. | 0:17:22 | 0:17:25 | |
Grindah... | 0:17:25 | 0:17:26 | |
Graffiti style, so. | 0:17:28 | 0:17:29 | |
I might even do a little... | 0:17:29 | 0:17:32 | |
-headphone sign there as well. -Yeah. | 0:17:32 | 0:17:33 | |
Er, it looks like a penis, mate. Just don't... | 0:17:33 | 0:17:37 | |
We'll go... | 0:17:37 | 0:17:38 | |
-We turned it into a K, so... -Oh, yeah. | 0:17:40 | 0:17:42 | |
Kurupt. It's like our logo. | 0:17:42 | 0:17:44 | |
Kuruption. | 0:17:44 | 0:17:45 | |
MUFFLED DANCE MUSIC PLAYS | 0:17:47 | 0:17:48 | |
I'll probably just wait in the Merc, it's a bit warmer in here. | 0:17:50 | 0:17:52 | |
They're obviously having some kind of dance-off tournament | 0:17:59 | 0:18:01 | |
or something, you know. | 0:18:01 | 0:18:03 | |
It's lucky I'm not involved, bro, I'd probably win every round. | 0:18:03 | 0:18:06 | |
Probably... Probably call it a night, yeah, lads, yeah? | 0:18:17 | 0:18:20 | |
-Quite a lot this time, yeah? -Yeah. | 0:18:33 | 0:18:35 | |
-You know how I like it, don't ya? -Yeah, I know. -Loads. | 0:18:35 | 0:18:37 | |
No, don't have it all sticking up and that, I'm not in a boy band. | 0:18:37 | 0:18:40 | |
No, that's just... | 0:18:40 | 0:18:41 | |
-Just make sure your head's straight. -OK. -Thank you. | 0:18:41 | 0:18:43 | |
Make sure it's all forward with the bits, like... | 0:18:43 | 0:18:46 | |
Yeah, no, I know how to do it. I invented this one for you. | 0:18:46 | 0:18:49 | |
It's one of the things I like most about the job actually, | 0:18:49 | 0:18:51 | |
-is the, er... If I'm honest, is the public appearances, innit? -Yeah. | 0:18:51 | 0:18:55 | |
It must be, like, so exciting, | 0:18:55 | 0:18:56 | |
like, meeting your real-life heroes in real life. | 0:18:56 | 0:18:59 | |
Yeah, it is. It's, yeah, in our industry, yeah, | 0:18:59 | 0:19:02 | |
-we have to give back to the fans, do you know what I mean? -Yeah. | 0:19:02 | 0:19:05 | |
It's like, one little moment in my life will change a fan's life | 0:19:05 | 0:19:09 | |
-forever, probably, so. -Yeah. | 0:19:09 | 0:19:11 | |
No, I don't really get jealous, cos, like, | 0:19:11 | 0:19:14 | |
I understand what it takes to be in this sort of industry, like. | 0:19:14 | 0:19:16 | |
I read a lot of celeb magazines. | 0:19:16 | 0:19:18 | |
Like, obviously I'm going to have to get used to, | 0:19:18 | 0:19:20 | |
like, girls chasing after Grindah and that kind of thing, | 0:19:20 | 0:19:23 | |
but you just have that trust between you. | 0:19:23 | 0:19:26 | |
And anyway, like, if anything was going on I'd know about it | 0:19:26 | 0:19:28 | |
cos I look through all his e-mails and texts. | 0:19:28 | 0:19:31 | |
That's perfect, that is. Looks good, doesn't it? | 0:19:31 | 0:19:33 | |
-Yeah, looks really nice. -What hat shall I wear with it? | 0:19:33 | 0:19:35 | |
Oh, no, you don't need a hat, like, no. | 0:19:35 | 0:19:37 | |
Sshh... I'm an MC, I need a hat, OK? | 0:19:37 | 0:19:40 | |
Get me a hat. | 0:19:41 | 0:19:42 | |
There you go. | 0:19:44 | 0:19:45 | |
-Spot on. -Yeah. | 0:19:51 | 0:19:53 | |
Now get the jeans. | 0:19:55 | 0:19:56 | |
Quite nervous actually. Erm, about to meet a fan, | 0:20:09 | 0:20:13 | |
-so never done that before, it's real exciting. -You going out? | 0:20:13 | 0:20:17 | |
-Huh? -Where are you going? | 0:20:20 | 0:20:22 | |
Just got this, this radio thing... | 0:20:22 | 0:20:24 | |
All right, I was just wondering, | 0:20:24 | 0:20:26 | |
um, what's better out of Nuts and Zoo magazine? | 0:20:26 | 0:20:28 | |
Nuts, more posters. Why? | 0:20:30 | 0:20:33 | |
Well, I was just thinking I'd get Craig a bit of afternoon reading. | 0:20:33 | 0:20:36 | |
Are they...? They're my moped keys, yeah? | 0:20:37 | 0:20:40 | |
Yeah, they are. | 0:20:40 | 0:20:43 | |
Look, Roche, I'm really sorry, yeah, | 0:20:43 | 0:20:44 | |
but I had to, like, ride it the other night. | 0:20:44 | 0:20:47 | |
It didn't mean anything, though. | 0:20:47 | 0:20:48 | |
Well, it does mean something, doesn't it? | 0:20:48 | 0:20:50 | |
It means you've broken the deal. | 0:20:50 | 0:20:52 | |
Is Roche the boss? | 0:20:52 | 0:20:53 | |
Nah, not of me. I'm my own boss. | 0:20:53 | 0:20:57 | |
I control my own chakra. | 0:20:57 | 0:20:59 | |
Looked like you'd been in a bit of trouble recently, though. | 0:20:59 | 0:21:01 | |
Yeah, yeah, I've been in a bit of trouble recently but, still, | 0:21:01 | 0:21:04 | |
it doesn't make me not the boss of my own life. | 0:21:04 | 0:21:07 | |
Nah, she is in charge, though, to be fair. | 0:21:08 | 0:21:10 | |
Realistically, yeah, she's in charge. | 0:21:10 | 0:21:13 | |
-Cos you know, she'll be seeing this. -Yeah, exactly, that's why I said it. | 0:21:13 | 0:21:16 | |
All right, well, I'm really sorry. I'll do it when I get back, yeah? | 0:21:16 | 0:21:19 | |
-Mm-hm. -All right, sweet. | 0:21:19 | 0:21:22 | |
Well, you might want to pick up some gloves on your way back | 0:21:22 | 0:21:25 | |
to stop the fresh ones from sticking to your hands. | 0:21:25 | 0:21:27 | |
-Disappointed in you, son. -Why? | 0:21:33 | 0:21:35 | |
So, brother, nice one. Easy, boys. | 0:21:43 | 0:21:46 | |
-You're ready for fan signing, yeah? -Wah-hey! -Good balls! He loves it. | 0:21:48 | 0:21:51 | |
-Both of them are. -So this is our, um, our little fan day, | 0:21:51 | 0:21:55 | |
-do you know what I mean? They're going to love it, yeah. -Yeah, yeah. | 0:21:55 | 0:21:58 | |
-Chabsy! -Chabsy! -Let me do it first. -OK. | 0:21:59 | 0:22:02 | |
-Think he's in the van. -Chab... Oh. | 0:22:04 | 0:22:06 | |
-Is that him? -Oh, he's asleep. Sh-sh. | 0:22:06 | 0:22:10 | |
-Pranked him. -Shall I? -Classic prank. | 0:22:10 | 0:22:12 | |
I'll prank him as well. | 0:22:12 | 0:22:13 | |
WHISPERING | 0:22:15 | 0:22:16 | |
Chabsy! | 0:22:16 | 0:22:18 | |
Where the fuck have you been? You look fucked, mate. | 0:22:19 | 0:22:22 | |
Yeah... | 0:22:22 | 0:22:24 | |
I had a bit of a mental one last night in the Portakabin, | 0:22:24 | 0:22:27 | |
a little party. | 0:22:27 | 0:22:28 | |
Er...I must've drunk about eight or nine beers. | 0:22:28 | 0:22:30 | |
I fell asleep in the van by accident. | 0:22:30 | 0:22:32 | |
-Is that Aldona's brother, yeah? -Yeah. | 0:22:32 | 0:22:34 | |
-They're a bit close, aren't they? -Hey, don't judge, mate, all right? | 0:22:34 | 0:22:37 | |
If you haven't been to Poland, then you don't understand it, | 0:22:37 | 0:22:39 | |
-it's different. -All right, see that. -I might just go and help him pack. | 0:22:39 | 0:22:43 | |
-He's got to catch a train or something. -All right there, mate? | 0:22:43 | 0:22:45 | |
-Have a shower or something, yeah? -All right, mate. | 0:22:45 | 0:22:47 | |
-Is it all right to use your van? -The van? Oh, the Merc? | 0:22:47 | 0:22:50 | |
-Yeah. -All right, nice one. -Ah-h! | 0:22:50 | 0:22:51 | |
Now we can burst out like a music video, like get out the way! | 0:22:51 | 0:22:54 | |
BOTH: Get out the way, someone's getting shot, wah-hey! | 0:22:54 | 0:22:58 | |
So if you hadn't been in music, | 0:22:58 | 0:22:59 | |
where would you be now, do you think? | 0:22:59 | 0:23:01 | |
Probably in a slammer, like, you know, the street life | 0:23:01 | 0:23:04 | |
technology, like, do you know what I mean? | 0:23:04 | 0:23:06 | |
When you're in that, life-street mentality, yeah, | 0:23:06 | 0:23:09 | |
when you're raised in this, yeah, | 0:23:09 | 0:23:11 | |
you've got either music or jail, like, do you know what I mean? | 0:23:11 | 0:23:15 | |
-Yeah. -I'd probably work in Megabulb, Felton, | 0:23:15 | 0:23:17 | |
-cos my cousin's got a little job there, so... -Yeah. | 0:23:17 | 0:23:19 | |
..he'd probably hook me up with that. | 0:23:19 | 0:23:22 | |
-Right, so basically, yeah, you're going to be standing there... -Yeah. | 0:23:22 | 0:23:25 | |
..and then all you do is, it's simple, you just say, | 0:23:25 | 0:23:28 | |
"I ain't got the perfume | 0:23:28 | 0:23:29 | |
-"but maybe Grindah can help you out with that," yeah? -Yeah. | 0:23:29 | 0:23:32 | |
And I'm just like, bang, boot the door open, like. | 0:23:32 | 0:23:35 | |
-you know what I mean, yeah? -Yeah. | 0:23:35 | 0:23:37 | |
Ah, it's going to be mental, I'm going to love this. | 0:23:37 | 0:23:40 | |
And they will as well, so. | 0:23:40 | 0:23:41 | |
You lot filmed fan stuff before? | 0:23:45 | 0:23:47 | |
It's pretty... It can get a bit... | 0:23:47 | 0:23:50 | |
on top. | 0:23:50 | 0:23:51 | |
It's started raining out here now, so. | 0:23:53 | 0:23:55 | |
-Are you talking to me? -Yeah. | 0:23:57 | 0:23:59 | |
Well, I'm in the van. | 0:23:59 | 0:24:00 | |
Obviously it ain't always about the glamorous lifestyle, | 0:24:02 | 0:24:05 | |
do you know what I mean? But we'll probably eventually | 0:24:05 | 0:24:07 | |
have our own merchandise, raves, er...aftershave line. | 0:24:07 | 0:24:11 | |
I Am Kurupt. | 0:24:11 | 0:24:13 | |
That's the name of it. | 0:24:13 | 0:24:14 | |
Yeah, we actually spoke to someone at Debenhams about it | 0:24:14 | 0:24:17 | |
and they seemed... Said they was going to get in contact, so. | 0:24:17 | 0:24:20 | |
She wasn't really sure, the girl on the perfume bit. | 0:24:20 | 0:24:22 | |
Obviously we need to speak to people higher up. | 0:24:22 | 0:24:25 | |
I should've just gone round the back of the van. | 0:24:25 | 0:24:29 | |
Just walked out. This is a bit of a piss-take now. | 0:24:29 | 0:24:32 | |
Let me ask if he can see him. | 0:24:32 | 0:24:35 | |
Any sign of him or what? | 0:24:35 | 0:24:36 | |
Nothing yet, mate. Dead up. | 0:24:36 | 0:24:38 | |
-Hold on. -HE WHISTLES | 0:24:40 | 0:24:42 | |
-I can see him now. -Don't forget the signal. | 0:24:42 | 0:24:45 | |
No, I won't. | 0:24:45 | 0:24:47 | |
-You all right, mate? -Hi there. | 0:24:47 | 0:24:49 | |
You all right? Er, we were going to give you perfume, but we've run out. | 0:24:49 | 0:24:55 | |
-What? -Yeah, we've run out, | 0:24:59 | 0:25:02 | |
but maybe... | 0:25:02 | 0:25:04 | |
just maybe... | 0:25:04 | 0:25:06 | |
Huh? | 0:25:07 | 0:25:08 | |
You've locked the door, fuck's sake! Beats! This is a fucking joke. | 0:25:08 | 0:25:11 | |
Oh, for fuck... That's not it, for fuck's sake, you've ruined it! | 0:25:11 | 0:25:15 | |
You fucked up the whole thing! That's not how it was meant to go! | 0:25:15 | 0:25:18 | |
You've completely ruined it! | 0:25:18 | 0:25:20 | |
-Should we go again? -Do you want to just... Well, we can't go again, | 0:25:20 | 0:25:23 | |
he's seen me now, look at him. | 0:25:23 | 0:25:25 | |
He's not going to be surprised, it's a waste of time now, | 0:25:25 | 0:25:27 | |
the whole vibe's been ruined, so... | 0:25:27 | 0:25:29 | |
Let's do a photo, let's do a picture. | 0:25:29 | 0:25:31 | |
-Sure. -Steves. -I've got a camera. | 0:25:31 | 0:25:33 | |
Whatever, come on, just... | 0:25:33 | 0:25:34 | |
I've got to shoot off in a second | 0:25:34 | 0:25:35 | |
cos I'm just on my lunch break, so... | 0:25:35 | 0:25:37 | |
Yeah, well, I'm in a rush as well, so. | 0:25:37 | 0:25:39 | |
That's it. | 0:25:40 | 0:25:42 | |
Actually, have you got one without all the writing on it? | 0:25:42 | 0:25:45 | |
That's signed by us, that's the whole point. | 0:25:45 | 0:25:48 | |
Well, it's actually a present. | 0:25:48 | 0:25:49 | |
Go in there afterwards, he'll sort you out one. | 0:25:49 | 0:25:51 | |
Have you lot got a signing cos this is a joke, right? | 0:25:51 | 0:25:54 | |
What's the point without us signing anything, like? | 0:25:54 | 0:25:57 | |
What about the shirt, like a footballer? | 0:25:57 | 0:25:59 | |
Fuck it, yeah, let's just use my shirt. | 0:26:01 | 0:26:03 | |
-Yeah? Sign the shirt, yeah? -Huh? His... | 0:26:03 | 0:26:05 | |
-Said we can sign his shirt. -Sign his shirt? -Yeah. | 0:26:05 | 0:26:08 | |
Celebrity fan signing, do you know what I mean? It's... It's... | 0:26:08 | 0:26:11 | |
This is what happens, part and parcel of the business, really, innit? | 0:26:11 | 0:26:14 | |
-Yeah, pass the parcel. -Ah, see now, come on, let's go, let's go. | 0:26:14 | 0:26:16 | |
-Aargh. -Ah. | 0:26:16 | 0:26:19 | |
-Do the... -Smiling yeah? | 0:26:19 | 0:26:21 | |
Do Kurupt K. Yeah. | 0:26:21 | 0:26:22 | |
So, nice one, mate, see you later. Pop yourself off, yeah? | 0:26:22 | 0:26:27 | |
He loved it. Did you lot get that, yeah? | 0:26:27 | 0:26:28 | |
Signed his shirt and everything. | 0:26:28 | 0:26:30 | |
It does happen quite a lot, doesn't it? See you later, mate. | 0:26:30 | 0:26:33 | |
Yeah, I got one, so. | 0:26:33 | 0:26:34 | |
Yeah, yeah, yeah. | 0:26:34 | 0:26:35 | |
-Cheers, see you. -See you later, mate. Yeah. | 0:26:35 | 0:26:37 | |
That was really draining, though, wasn't it? | 0:26:37 | 0:26:39 | |
Yeah, no, it is. You'll have to get used to it, actually, yeah. | 0:26:39 | 0:26:42 | |
MUSIC: "Neighbourhood" by Zed Bias | 0:26:42 | 0:26:45 | |
I just love the way that she kind of treats me like shit. | 0:26:52 | 0:26:56 | |
That's real, you know. | 0:26:56 | 0:26:58 | |
I'd rather be with someone like that | 0:26:58 | 0:27:00 | |
than be with some bloody bimbo bitch, cos, let's be honest, | 0:27:00 | 0:27:03 | |
most of girls are like that with me. | 0:27:03 | 0:27:04 | |
They see the money, they see the moustache, | 0:27:04 | 0:27:07 | |
they see the Gucci, the Prada, Versace and that, yeah. | 0:27:07 | 0:27:10 | |
They're like, "He's obviously got money," isn't it, yeah? | 0:27:10 | 0:27:12 | |
But I don't want that. I don't get that. | 0:27:12 | 0:27:14 | |
I want a real bitch, you know, a real tom needs a real bitch, | 0:27:14 | 0:27:17 | |
and she's a real bitch. | 0:27:17 | 0:27:19 | |
She's my bitch. | 0:27:19 | 0:27:20 | |
Ah-h! | 0:27:29 | 0:27:30 | |
Absolutely bloody mental. | 0:27:30 | 0:27:33 | |
Oh, my God. How did it go? | 0:27:33 | 0:27:35 | |
Yeah, good, actually. | 0:27:35 | 0:27:37 | |
I ended up signing his shirt, so just standard for me, really. | 0:27:37 | 0:27:41 | |
What, his actual shirt? | 0:27:41 | 0:27:42 | |
Yeah, yeah, yeah. Got you something as well. | 0:27:42 | 0:27:44 | |
What did you get me? | 0:27:44 | 0:27:46 | |
Nothing, just a little Sean Paul Gaultier perfume. | 0:27:46 | 0:27:49 | |
What? | 0:27:50 | 0:27:52 | |
For free as well. Don't even worry about giving me any money. | 0:27:52 | 0:27:55 | |
-Amazing. -Yeah. | 0:27:55 | 0:27:56 | |
-Actual Sean Paul Gaultier? -Yeah, yeah, yeah. | 0:27:56 | 0:27:58 | |
-Aw, thank you so much. -Cool, just... | 0:27:58 | 0:28:02 | |
Aw. | 0:28:02 | 0:28:04 | |
It's lovely. Love you. | 0:28:05 | 0:28:07 | |
Huh? | 0:28:07 | 0:28:08 | |
Come on, give me a kiss. | 0:28:08 | 0:28:09 | |
-Love you. -You too. | 0:28:11 | 0:28:13 | |
And Beats signed it, too, that's nice. | 0:28:15 | 0:28:17 | |
WHISPERS | 0:28:18 | 0:28:19 | |
BEATS RETCHES | 0:28:19 | 0:28:20 | |
That smells like crab. | 0:28:20 | 0:28:22 | |
Not putting this on the telly. | 0:28:26 | 0:28:28 | |
Stop. | 0:28:28 | 0:28:29 |