Browse content similar to A Touch of Class. Check below for episodes and series from the same categories and more!
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Jeffrey can't hear you, hi-de-hi. | 0:00:10 | 0:00:12 | |
ALL: Hi-de-ho. | 0:00:12 | 0:00:14 | |
Give me strength. | 0:00:14 | 0:00:15 | |
No, Sergeant Major. | 0:00:18 | 0:00:20 | |
-IMITATES MOCKINGLY: -No, Sergeant Major. | 0:00:20 | 0:00:22 | |
SHOUTING | 0:00:25 | 0:00:27 | |
Oh, 'eck! | 0:00:30 | 0:00:31 | |
My grandfather was a butler. And they were always on the fiddle. | 0:00:35 | 0:00:38 | |
Why are you topping it up with soda? | 0:00:38 | 0:00:40 | |
Strong whiskey is not good for his Lordship's gout. | 0:00:40 | 0:00:43 | |
"Use your loaf, son, or you'll be back at school." | 0:00:43 | 0:00:47 | |
He means Cambridge. | 0:00:47 | 0:00:48 | |
All our shows have strong class influences. | 0:00:49 | 0:00:53 | |
It still applies today, I'm sure. | 0:00:53 | 0:00:55 | |
SHE SHOUTS | 0:00:55 | 0:00:57 | |
Hi-de-hi! | 0:01:03 | 0:01:05 | |
'The important thing with any sitcom is that it's real, | 0:01:08 | 0:01:12 | |
'you care about the characters and the situation is real.' | 0:01:12 | 0:01:16 | |
Why shouldn't I drink their wine? | 0:01:16 | 0:01:18 | |
'We take turns to write, too, that's the other thing.' | 0:01:18 | 0:01:21 | |
-Cos nobody actually wants to write it down. -Writing it down... | 0:01:21 | 0:01:24 | |
That's a chore. While you're writing, you can't be creative - | 0:01:24 | 0:01:27 | |
the other person's thinking of all the funny lines. | 0:01:27 | 0:01:29 | |
Do you know she hadn't even... | 0:01:29 | 0:01:31 | |
she hadn't even tried tomato sauce before she met me?! | 0:01:31 | 0:01:34 | |
Now, You Rang M'Lord? | 0:02:01 | 0:02:02 | |
The latest comedy series to come from the pen | 0:02:02 | 0:02:05 | |
of Jimmy Perry and David Croft. | 0:02:05 | 0:02:06 | |
It's outrageous that we should be sitting down here, | 0:02:06 | 0:02:09 | |
guzzling ourselves, while the family are up there hungry. | 0:02:09 | 0:02:12 | |
It's not my fault that they're self-denying themselves. | 0:02:12 | 0:02:14 | |
-But it's for the poor. -We are the poor! | 0:02:14 | 0:02:17 | |
Any more sprouts, Mrs Lipton? | 0:02:17 | 0:02:19 | |
It must be terrible to have to marry somebody you don't love. | 0:02:19 | 0:02:22 | |
With the upper classes, happiness is a secondary consideration. | 0:02:22 | 0:02:25 | |
They're more concerned with the preservation of the bloodline. | 0:02:25 | 0:02:28 | |
Where do you think the Royal Family would be today | 0:02:28 | 0:02:30 | |
if they married common people? | 0:02:30 | 0:02:32 | |
-You can cut that, can't you? -It's chaos here. Chaos. | 0:02:35 | 0:02:39 | |
-HE CHUCKLES -Do you want some cake, Jeffrey? | 0:02:39 | 0:02:42 | |
No, thank you! I'm... No, I'm not into cake. | 0:02:42 | 0:02:44 | |
-Go on, have some cake, Jeffrey. -Get...! | 0:02:44 | 0:02:46 | |
HE BARKS | 0:02:46 | 0:02:49 | |
'What are you working on at the moment?' | 0:02:49 | 0:02:51 | |
It's called You Rang M'Lord? | 0:02:51 | 0:02:53 | |
It's a sort of a comedy Upstairs, Downstairs. | 0:02:53 | 0:02:55 | |
You know, on an occasion such as this, | 0:03:10 | 0:03:12 | |
one realises, whether one lives up here or below stairs, | 0:03:12 | 0:03:15 | |
we are all one big happy family. | 0:03:15 | 0:03:18 | |
-FLATLY: -Hear, hear. | 0:03:18 | 0:03:20 | |
As a token of my appreciation, | 0:03:21 | 0:03:23 | |
I would like to present you with something, personally. | 0:03:23 | 0:03:27 | |
-ALL: -Thank you. -No, no, no, | 0:03:27 | 0:03:29 | |
you deserve it, you saved £85 from being lost | 0:03:29 | 0:03:32 | |
and £85 is a great deal of money. | 0:03:32 | 0:03:35 | |
Here is five shillings for you, Stokes. | 0:03:35 | 0:03:37 | |
Five for you, James. | 0:03:37 | 0:03:39 | |
And five shillings for you, Mr Lipton. | 0:03:39 | 0:03:41 | |
Ivy, half a crown. | 0:03:41 | 0:03:44 | |
Mabel, a shilling. | 0:03:44 | 0:03:46 | |
Oh, how very kind, Your Lordship. | 0:03:46 | 0:03:48 | |
And Henry, sixpence. | 0:03:50 | 0:03:51 | |
We started in... It was supposed to be 1927. | 0:04:16 | 0:04:19 | |
I was only about four or five at the time. | 0:04:19 | 0:04:22 | |
When you start thinking about it, | 0:04:22 | 0:04:24 | |
it all rubs off somehow and you do have recollections | 0:04:24 | 0:04:27 | |
of the atmosphere and the feeling of life in those days. | 0:04:27 | 0:04:30 | |
All the sets look right and the people are dressed right | 0:04:32 | 0:04:35 | |
and their attitudes to each other, | 0:04:35 | 0:04:38 | |
from the servants to the posh people upstairs, | 0:04:38 | 0:04:41 | |
the attitudes are right. | 0:04:41 | 0:04:44 | |
# Saucy flappers in cloche hats | 0:04:44 | 0:04:47 | |
# Natty chappies in white spats | 0:04:47 | 0:04:49 | |
# The upper set is going bats... # | 0:04:49 | 0:04:52 | |
What started this was that David Croft came from a very lah-di family. | 0:04:58 | 0:05:04 | |
They had a cook and a maid and a chauffeur and all that. | 0:05:04 | 0:05:07 | |
I came from a well-off, middle-class family. | 0:05:08 | 0:05:11 | |
I went to a very good public school. | 0:05:11 | 0:05:13 | |
And so I, you know, I can't say... I didn't have it rough at all. | 0:05:13 | 0:05:18 | |
SHOUTING | 0:05:20 | 0:05:24 | |
# I've got the brains You've got the looks | 0:05:31 | 0:05:34 | |
# Let's make lots of money... # | 0:05:34 | 0:05:37 | |
We've laid the economic foundations of a decent and prosperous future. | 0:05:37 | 0:05:41 | |
# I've had enough of scheming And messing around with jerks | 0:05:45 | 0:05:50 | |
# My car is parked outside I'm afraid it doesn't work | 0:05:50 | 0:05:53 | |
# I'm looking for a partner Someone who gets things fixed | 0:05:53 | 0:05:58 | |
# Ask yourself this question Do you want to be rich? # | 0:05:58 | 0:06:03 | |
With respect, Miss Poppy, if I may say so, that's not fair. | 0:06:03 | 0:06:07 | |
I beg your pardon? | 0:06:08 | 0:06:10 | |
Mrs Lipton is the finest cook of any household in the street. | 0:06:10 | 0:06:12 | |
In all the years I've served His Lordship, we've had many | 0:06:12 | 0:06:15 | |
distinguished guests to dinner and there's never been any complaints. | 0:06:15 | 0:06:18 | |
On the contrary, she's only ever received the very highest praise. | 0:06:18 | 0:06:22 | |
How dare you question my father's judgment?! | 0:06:22 | 0:06:24 | |
I shall see you in his study now. | 0:06:24 | 0:06:26 | |
Properly dressed. | 0:06:27 | 0:06:29 | |
Cor, what a little bitch! | 0:06:31 | 0:06:33 | |
Having shepherd's pie, are you? | 0:06:55 | 0:06:57 | |
Yes, Mabel, we're having shepherd's pie. | 0:06:57 | 0:07:00 | |
That's nice. | 0:07:00 | 0:07:03 | |
I can't remember the last time I sat down to a big plate | 0:07:03 | 0:07:06 | |
of shepherd's pie | 0:07:06 | 0:07:08 | |
with onions and gravy. | 0:07:08 | 0:07:10 | |
There's a bit of cheddar cheese in the larder | 0:07:10 | 0:07:12 | |
you can take home with you, Mabel. | 0:07:12 | 0:07:14 | |
That'll be nice. | 0:07:14 | 0:07:16 | |
There's plenty of pie in the oven. | 0:07:18 | 0:07:20 | |
Be quiet, Ivy! | 0:07:20 | 0:07:22 | |
Mrs Lipton, which bit is it, the big bit or the little bit? | 0:07:22 | 0:07:26 | |
The little bit! | 0:07:26 | 0:07:27 | |
Thanks! | 0:07:28 | 0:07:30 | |
It's been there for days, it's all wizened. | 0:07:30 | 0:07:34 | |
All she's got to do is cut the mould off! | 0:07:34 | 0:07:36 | |
Are you sure you don't want it for the mouse trap? | 0:07:38 | 0:07:40 | |
There's no need to be sarcastic, Mabel, you don't have to take it | 0:07:42 | 0:07:45 | |
-if you don't want it. -Oh, I'll take it. | 0:07:45 | 0:07:48 | |
I'll make a Welsh rabbit... | 0:07:48 | 0:07:50 | |
a green one! | 0:07:50 | 0:07:52 | |
We didn't want to make it a cosy series, Eamonn. | 0:07:55 | 0:07:57 | |
It's a sort of comedy/drama, that's the whole point. | 0:07:57 | 0:08:00 | |
Some of it is quite heavy, just after the General Strike. | 0:08:02 | 0:08:05 | |
# Times are getting hard, boys | 0:08:07 | 0:08:11 | |
# Money's getting scarce | 0:08:13 | 0:08:17 | |
# If times don't get no better, boys | 0:08:17 | 0:08:22 | |
# I'm going to leave this place | 0:08:24 | 0:08:28 | |
# Take my sweetheart by the hand | 0:08:29 | 0:08:34 | |
# Lead her through the town | 0:08:34 | 0:08:38 | |
# Say goodbye to everyone | 0:08:40 | 0:08:45 | |
# Goodbye to everyone... # | 0:08:45 | 0:08:49 | |
I mean, the toffs upstairs treat the servants appallingly | 0:08:57 | 0:09:00 | |
and the servants have no regard for them ones upstairs. | 0:09:00 | 0:09:04 | |
My grandfather was a butler. | 0:09:23 | 0:09:26 | |
He told my dad all the terrible stories | 0:09:26 | 0:09:30 | |
where the staff had to wait up until the toffs came in | 0:09:30 | 0:09:35 | |
at four o'clock in the morning. | 0:09:35 | 0:09:37 | |
Good morning, Sir, I trust you had a pleasant evening. | 0:09:39 | 0:09:41 | |
Yes, but I find these late nights rather exhausting. | 0:09:41 | 0:09:44 | |
I know the feeling, Sir! | 0:09:44 | 0:09:46 | |
Jerry took us all to The Silver Slipper. | 0:09:46 | 0:09:48 | |
It's got a glass dance floor. | 0:09:48 | 0:09:49 | |
Damned dangerous! | 0:09:49 | 0:09:51 | |
-Sorry to keep you up so late, Ivy. -It's all right, Miss Cissy. | 0:09:53 | 0:09:56 | |
-What time do you have to get up? -Six o'clock. | 0:09:56 | 0:09:58 | |
-Have a lie in tomorrow, Ivy. -Oh, thank you, M'Lord. | 0:09:58 | 0:10:01 | |
Make it 6.30. | 0:10:01 | 0:10:03 | |
I should like to live in a world where opportunity is for everyone. | 0:10:20 | 0:10:24 | |
Where peace is truly universal | 0:10:24 | 0:10:27 | |
and where freedom is secure. | 0:10:27 | 0:10:29 | |
We're a very class ridden society and it's all very well | 0:10:29 | 0:10:32 | |
trying to be classless, but it doesn't seem to work. | 0:10:32 | 0:10:35 | |
We still laugh at it. | 0:10:35 | 0:10:37 | |
United Workers' Party! | 0:10:37 | 0:10:39 | |
Oh, my God! | 0:10:39 | 0:10:41 | |
No! | 0:10:41 | 0:10:42 | |
No. No! | 0:10:42 | 0:10:44 | |
What do you want to get mixed up with all that lot for? | 0:10:44 | 0:10:47 | |
They're all barely Bolsheviks. | 0:10:47 | 0:10:49 | |
It's time somebody did something for the poor! | 0:10:49 | 0:10:51 | |
Do you feel better now, M'Lord? | 0:10:51 | 0:10:52 | |
I shall be all right in a minute. | 0:10:52 | 0:10:54 | |
Old age pension? | 0:10:54 | 0:10:56 | |
12/6 a week! | 0:10:56 | 0:10:58 | |
It'll ruin the country. | 0:10:59 | 0:11:01 | |
Nearly all of my shows, anyway, are historical shows | 0:11:03 | 0:11:05 | |
so they can look back on that particular aspect of British life | 0:11:05 | 0:11:09 | |
and enjoy it and laugh at it. | 0:11:09 | 0:11:11 | |
Hi-de-Hi is set at a holiday camp in the 1950s | 0:11:14 | 0:11:17 | |
and, like their previous successes, | 0:11:17 | 0:11:19 | |
it's based on the author's own experiences. | 0:11:19 | 0:11:21 | |
A beautifully observed period piece, | 0:11:21 | 0:11:23 | |
much of the humour comes from the startlingly different | 0:11:23 | 0:11:26 | |
backgrounds of the two main characters - | 0:11:26 | 0:11:28 | |
the graduate entertainment manager, Jeffrey Fairbrother | 0:11:28 | 0:11:31 | |
and the more earthy experienced host, Ted Bovis. | 0:11:31 | 0:11:34 | |
Now he takes the crown and he puts it on her head. | 0:11:34 | 0:11:37 | |
When he's done that he puts all his arms around her and kisses her. | 0:11:37 | 0:11:40 | |
Then somebody says, "Take your tentacles off that girl, you naughty octopus." | 0:11:40 | 0:11:44 | |
Whereupon Olly turns and squirts him all over with black ink. | 0:11:44 | 0:11:47 | |
I see. | 0:11:47 | 0:11:49 | |
Who says, "Take your tentacles off that girl, you naughty octopus?" | 0:11:49 | 0:11:52 | |
You'll get a belter, there's no doubt about it. | 0:11:52 | 0:11:55 | |
You mean, you-you want me to say it? | 0:11:58 | 0:12:00 | |
Well, one of the first rules of comedy | 0:12:00 | 0:12:02 | |
is that a line like that must be said in a posh voice. | 0:12:02 | 0:12:05 | |
You're the only one with a posh voice! | 0:12:05 | 0:12:07 | |
We wanted a contrast and I remembered | 0:12:14 | 0:12:18 | |
the entertainments manager at Butlin's | 0:12:18 | 0:12:20 | |
had been a university professor. | 0:12:20 | 0:12:24 | |
You should be setting an example and what do you do? | 0:12:35 | 0:12:39 | |
Take a job at a holiday camp as an entertainment manager. Why? | 0:12:39 | 0:12:43 | |
Just tell me why? | 0:12:43 | 0:12:45 | |
Because I'm in a rut, Mother, | 0:12:45 | 0:12:46 | |
and my wife's left me because she says I'm boring. | 0:12:46 | 0:12:49 | |
My students fall asleep at lectures because I bore them. | 0:12:49 | 0:12:52 | |
And, worst of all, I'm boring myself. | 0:12:52 | 0:12:54 | |
What's that got to do with it? | 0:12:54 | 0:12:55 | |
Your father was boring, as well! | 0:12:55 | 0:12:57 | |
He didn't bother other people with it. | 0:12:59 | 0:13:01 | |
He just went to his club every day and dozed off! | 0:13:01 | 0:13:04 | |
Well, I've been dozing too. | 0:13:04 | 0:13:07 | |
-Now I've woken up. -But Maplins holiday camp... | 0:13:07 | 0:13:10 | |
Working class people go there. | 0:13:11 | 0:13:14 | |
What's wrong with that? They have a damned good holiday! | 0:13:14 | 0:13:17 | |
TANNOY: Hello, campers! | 0:13:24 | 0:13:26 | |
We've got a fun packed programme for you today. | 0:13:26 | 0:13:29 | |
A holiday princess competition, knobbly knees competition... | 0:13:29 | 0:13:32 | |
..kiddies' fancy dress and lots more. | 0:13:36 | 0:13:39 | |
Things like spaghetti-eating competition | 0:13:41 | 0:13:43 | |
and knobbly knees competition, we invented some worse ones after that, | 0:13:43 | 0:13:47 | |
mainly to play off against Jeffrey. | 0:13:47 | 0:13:49 | |
Did you ever see that programme on telly called What's My Line? | 0:13:49 | 0:13:52 | |
Occasionally. | 0:13:52 | 0:13:54 | |
Well, we used to do one called That's Your Bum. | 0:13:54 | 0:13:56 | |
You see instead of going and doing a bit of mime | 0:14:00 | 0:14:02 | |
and guessing your occupation, | 0:14:02 | 0:14:04 | |
you show your bum and the campers have to guess who it belongs to. | 0:14:04 | 0:14:06 | |
CAMPERS: That's Your Bum! | 0:14:08 | 0:14:11 | |
That was an essential part of the programme, | 0:14:16 | 0:14:18 | |
the complete inadequacy of him as a character | 0:14:18 | 0:14:21 | |
and also his embarrassment, actually, at what was going on around him, really. | 0:14:21 | 0:14:25 | |
Yes. Yes, indeed. | 0:14:25 | 0:14:26 | |
# Boom! | 0:14:26 | 0:14:28 | |
# Why did my heart go boom | 0:14:28 | 0:14:30 | |
# Me and my heart go boom | 0:14:30 | 0:14:31 | |
# Bump-ity boom | 0:14:31 | 0:14:33 | |
# When I'm around you | 0:14:33 | 0:14:35 | |
# Boom... # | 0:14:35 | 0:14:37 | |
Well done, everyone, it's going awfully well. | 0:14:41 | 0:14:43 | |
The campers are lapping it up. | 0:14:43 | 0:14:45 | |
You've dealt mainly with the staff, there's very little about the guests. | 0:14:49 | 0:14:53 | |
Yes, that's the basis of the series, we're sticking to the staff. | 0:14:53 | 0:14:57 | |
May I remind you that when I first took you up | 0:14:57 | 0:15:01 | |
you were a third rate chorus boy? I taught you everything. | 0:15:01 | 0:15:04 | |
I taught you how to dress, how to speak. | 0:15:04 | 0:15:07 | |
How to stand up when a lady entered the room. | 0:15:07 | 0:15:10 | |
I stopped you using your table knife like a pen. | 0:15:10 | 0:15:13 | |
I even allowed you to use my name, my family name Stuart-Hargreaves. | 0:15:13 | 0:15:17 | |
And what a mouthful that is, Yvonne and Barry Stuart-Hargreaves. | 0:15:17 | 0:15:21 | |
And just how far do you think you would have got in this profession | 0:15:21 | 0:15:25 | |
-with a name like Bert Pratt! -That's right... | 0:15:25 | 0:15:27 | |
..tell the whole camp. | 0:15:29 | 0:15:30 | |
TYRES SCREECH | 0:15:40 | 0:15:42 | |
Hi-de-Hi! | 0:15:42 | 0:15:43 | |
I'm Clive Dempster, I've come to work here. | 0:15:46 | 0:15:49 | |
I'm in charge of something, or other. | 0:15:49 | 0:15:50 | |
-Yeah, you are the new camp entertainments manager. -That's it. | 0:15:50 | 0:15:53 | |
I don't know much about it but I expect I'll pick it up as I go along. | 0:15:53 | 0:15:57 | |
I'm Peggy Ollerenshaw, chalet maintenance. | 0:15:57 | 0:15:59 | |
Glad to meet you, Peggy. | 0:15:59 | 0:16:01 | |
What a lovely car. Do you know, I've never been in one of these. | 0:16:03 | 0:16:06 | |
I'll soon fix that. Hop in, we'll go for a spin. | 0:16:06 | 0:16:09 | |
What shall I do with my toilet rolls? | 0:16:09 | 0:16:11 | |
You can leave them there, pick 'em up later. | 0:16:11 | 0:16:13 | |
Everybody else, when doing a series about holiday camps, makes jokes about the holiday camp. | 0:16:15 | 0:16:19 | |
We don't make jokes about the holiday camp, it's all about the characters who worked there. | 0:16:19 | 0:16:23 | |
In reality, people have a wonderful time at holiday camps. | 0:16:23 | 0:16:26 | |
Yes, it was with both our experience. We were both there. | 0:16:26 | 0:16:28 | |
I was producing shows about the same time that Jimmy was a red coat. | 0:16:28 | 0:16:31 | |
So we knew what it was like and it's always been much maligned in the past. | 0:16:31 | 0:16:35 | |
People do have an hilarious time, and come back year after year. | 0:16:35 | 0:16:38 | |
# Well, come on, let's go | 0:16:38 | 0:16:41 | |
# Let's go, little darlin' | 0:16:41 | 0:16:44 | |
# Tell me that you'll never leave me | 0:16:44 | 0:16:46 | |
# Come on, come on, let's go again | 0:16:46 | 0:16:49 | |
# Go again and again | 0:16:49 | 0:16:51 | |
# Well, swing me, swing me | 0:16:51 | 0:16:54 | |
# All the way down here. | 0:16:54 | 0:16:55 | |
# Come on, let's go, little darlin' | 0:16:55 | 0:16:58 | |
# Let's go, let's go again once more... # | 0:16:58 | 0:17:03 | |
# Do nowt if you want to | 0:17:04 | 0:17:05 | |
# Step out if you want to | 0:17:05 | 0:17:08 | |
# Feel free to have the fun that's really free | 0:17:08 | 0:17:11 | |
# You'll have a really wonderful time | 0:17:11 | 0:17:15 | |
# It's free and easy | 0:17:15 | 0:17:19 | |
# Simply sublime at Butlin's by the sea! # | 0:17:19 | 0:17:25 | |
Jimmy's a great enthusiast. He also had total recall, | 0:17:25 | 0:17:28 | |
he remembers everything that ever happened to him in his life | 0:17:28 | 0:17:31 | |
and that's very useful when you're writing things. | 0:17:31 | 0:17:34 | |
Take one. | 0:17:34 | 0:17:35 | |
I had so much in my head that it just came up. | 0:17:35 | 0:17:40 | |
Evening, gents. | 0:17:43 | 0:17:44 | |
-Name? -My card. | 0:17:44 | 0:17:46 | |
Joe Walker, wholesale supplier? | 0:17:50 | 0:17:52 | |
In Oxford Street, there were huge lines of spivs. | 0:18:18 | 0:18:23 | |
They'd have two suitcases. | 0:18:23 | 0:18:25 | |
The contents inside, nylon stockings. | 0:18:25 | 0:18:28 | |
Now, the thing is, the shops in Oxford Street didn't have anything | 0:18:28 | 0:18:32 | |
to sell and the spivs were filling the gap. | 0:18:32 | 0:18:35 | |
Anything there you fancy? | 0:18:37 | 0:18:40 | |
The spiv was always the one that was well-dressed | 0:18:40 | 0:18:43 | |
and when he opened his wallet, it was stuffed full of notes. | 0:18:43 | 0:18:47 | |
Where did it come from? But people had a sneaky admiration for him. | 0:18:47 | 0:18:50 | |
# I'm a guy who's always late | 0:18:50 | 0:18:53 | |
# Any time we have a date | 0:18:53 | 0:18:55 | |
# But I love her | 0:18:55 | 0:18:58 | |
# Yes, I love her... # | 0:18:58 | 0:19:01 | |
-Would you do me a favour? -What is it? | 0:19:01 | 0:19:04 | |
Will you nip outside into the street | 0:19:04 | 0:19:06 | |
-and watch out in case a copper comes by. -Yeah... | 0:19:06 | 0:19:09 | |
-I beg your pardon! -Well, I've got some things outside | 0:19:09 | 0:19:12 | |
for Miss Fortescue in the car. I want to bring them in. | 0:19:12 | 0:19:14 | |
Now look, once and for all, Walker, I want nothing to do with your black market activities. | 0:19:14 | 0:19:19 | |
Right... I'll cancel that order of yours for whisky. | 0:19:19 | 0:19:22 | |
You use snobbery to great effect. Captain Mainwaring is sensational. | 0:19:25 | 0:19:29 | |
I mean, a wonderful snob, isn't he? Are you a snob at all? | 0:19:29 | 0:19:33 | |
-He is, terribly. -Of course I'm not. That's absolute rubbish. | 0:19:33 | 0:19:36 | |
Dreadful snob. Awful. | 0:19:36 | 0:19:37 | |
There's a very fine picture of my late father, Edmund Mainwaring. | 0:20:02 | 0:20:06 | |
A wonderful man... | 0:20:06 | 0:20:08 | |
He had a flourishing tailoring business on The Parade at Eastbourne. | 0:20:08 | 0:20:12 | |
A member of the Master Tailors' Guild. | 0:20:12 | 0:20:14 | |
Did he make the suit you're wearing now, Mr Mainwaring? | 0:20:14 | 0:20:17 | |
Don't be silly, boy, he died in 1922. | 0:20:17 | 0:20:20 | |
So did that suit! | 0:20:20 | 0:20:22 | |
I've known Eastbourne for 50 years, | 0:20:26 | 0:20:29 | |
his father never had a posh tailor shop on The Parade. | 0:20:29 | 0:20:32 | |
He had a pokey little draper shop up a side street | 0:20:32 | 0:20:35 | |
and he'd got all old workman's trousers hanging up | 0:20:35 | 0:20:39 | |
and my brother bought a pair and the gusset fell out. | 0:20:39 | 0:20:42 | |
I suppose you might call that a comment on the society of the '40s | 0:20:44 | 0:20:47 | |
which was terribly snob ridden and terribly class conscious. | 0:20:47 | 0:20:51 | |
We do a little bit of it. | 0:20:51 | 0:20:53 | |
Perhaps you would care to explain? | 0:21:16 | 0:21:18 | |
Yes, well you see, one of my uncles died without leaving any children | 0:21:18 | 0:21:21 | |
so that meant that my side of the family moved up one place, | 0:21:21 | 0:21:25 | |
so to speak, and therefore I am now The Honourable... | 0:21:25 | 0:21:29 | |
Bless my soul. | 0:21:32 | 0:21:34 | |
Yes, well, I don't really see why it should make any | 0:21:34 | 0:21:36 | |
difference to you and me. | 0:21:36 | 0:21:38 | |
You can bet your bottom dollar it won't make any difference to you and me! | 0:21:40 | 0:21:43 | |
You needn't think you can roll in here 20 minutes late after lunch. Where have you been? | 0:21:43 | 0:21:47 | |
I went up to the golf club and had a bite to eat up there. | 0:21:47 | 0:21:50 | |
-The golf club? -Yes. -Who took you? | 0:21:50 | 0:21:52 | |
Well, I'm a member. | 0:21:52 | 0:21:54 | |
You're a member, since when? | 0:21:54 | 0:21:56 | |
Yes, well you see, when the committee heard about this | 0:21:56 | 0:21:59 | |
title thing they asked me if I would, you know, like to join. | 0:21:59 | 0:22:03 | |
I've been trying for years to get in there! | 0:22:06 | 0:22:09 | |
I believe they're awfully particular. | 0:22:09 | 0:22:17 | |
My mother used to say, | 0:22:46 | 0:22:47 | |
"Dreadful common man... | 0:22:47 | 0:22:49 | |
HE CHUCKLES | 0:22:49 | 0:22:51 | |
"Have you seen his fingernails? | 0:22:51 | 0:22:53 | |
"Greengrocer." | 0:22:53 | 0:22:55 | |
Only half a pound of them onions, Mabel, they're like gold. | 0:22:57 | 0:23:00 | |
Shove them under the counter. | 0:23:00 | 0:23:01 | |
So, during the war, | 0:23:01 | 0:23:03 | |
people from a more humble station were given jobs like | 0:23:03 | 0:23:08 | |
air raid wardens and it was a very necessary job | 0:23:08 | 0:23:11 | |
and people who had never had any power in life | 0:23:11 | 0:23:15 | |
and never been anything but looked down on, | 0:23:15 | 0:23:18 | |
suddenly found they had power and they could order people about | 0:23:18 | 0:23:21 | |
and knock on their doors and fine them for showing a light. | 0:23:21 | 0:23:25 | |
-What's going on here? -We're having a party. | 0:23:25 | 0:23:28 | |
Watch the blackout. | 0:23:28 | 0:23:30 | |
Attention! | 0:23:42 | 0:23:44 | |
The air raid warden, played by Bill Pertwee, has a little speech. | 0:23:44 | 0:23:48 | |
I've had enough of you, Mainwaring. | 0:23:48 | 0:23:50 | |
I hope you stay up there forever so I can enjoy this war in peace | 0:23:50 | 0:23:54 | |
because I do enjoy this war. | 0:23:54 | 0:23:56 | |
In fact, I've never enjoyed anything so much in all my life, | 0:23:56 | 0:23:59 | |
as being chief warden! I love it! | 0:23:59 | 0:24:02 | |
And you, you always spoil it! | 0:24:02 | 0:24:04 | |
That sums up the character of Chief Warden Hodges. | 0:24:04 | 0:24:09 | |
"I had power, never had power before." | 0:24:09 | 0:24:12 | |
Our theory is, isn't it David, we do something that I don't think many do, that is adventure comedy. | 0:24:12 | 0:24:18 | |
# Mad dogs and Englishmen go out in the midday sun | 0:24:18 | 0:24:20 | |
# The toughest Burmese bandit can never understand it | 0:24:20 | 0:24:23 | |
# In Rangoon, the heat of noon, is just what the natives shun | 0:24:23 | 0:24:27 | |
# They put their Scotch or Rye down and lie down | 0:24:27 | 0:24:31 | |
# In a jungle town, where the sun beats down | 0:24:31 | 0:24:33 | |
# To the rage of man and beast | 0:24:33 | 0:24:35 | |
# The English garb of English sahib merely gets a bit more creased | 0:24:35 | 0:24:38 | |
# In Bangkok at 12 o'clock they foam at the mouth and run | 0:24:38 | 0:24:42 | |
# But mad dogs and Englishmen go out in the midday sun! # | 0:24:42 | 0:24:46 | |
David Croft was a major in the war, in the Far East | 0:24:46 | 0:24:51 | |
and I was a sergeant. | 0:24:51 | 0:24:53 | |
Whenever we went filming it always reverted with this big film unit, | 0:24:53 | 0:24:57 | |
he was the blooming major and I was a sergeant. | 0:24:57 | 0:25:01 | |
I'm afraid there's nothing else for it, | 0:25:01 | 0:25:03 | |
things are getting very desperate. | 0:25:03 | 0:25:05 | |
We'll have to break into the cocktail snacks. | 0:25:05 | 0:25:08 | |
-Surely not, Sir. -Yes, I'm afraid so. | 0:25:08 | 0:25:11 | |
The bottle of maraschino cherries, | 0:25:11 | 0:25:13 | |
the tin of football wafers | 0:25:13 | 0:25:15 | |
and the bottle of miniature gherkins. | 0:25:15 | 0:25:18 | |
Supposing somebody drops in for drinks? | 0:25:18 | 0:25:20 | |
-It's a chance we have to take. Go get the cocktail snacks. -All right. | 0:25:22 | 0:25:26 | |
Basically, it all happened, the two officers were idiots. | 0:25:32 | 0:25:38 | |
The captain and the colonel and they talked like that. | 0:25:38 | 0:25:42 | |
-You're not nervous, are you? -Not very, anyway. -Good. | 0:25:54 | 0:25:57 | |
-You're going first, are you? -Yes, sir. | 0:25:57 | 0:25:59 | |
-What's your name? -Arthur Parker. | 0:25:59 | 0:26:01 | |
Arthur Parker and who are you going to talk to? | 0:26:01 | 0:26:03 | |
-My wife. -Your wife. | 0:26:03 | 0:26:05 | |
-Well, there she is in front. -Hello, Gladys, darling. | 0:26:05 | 0:26:08 | |
It's a long time since I saw you. | 0:26:08 | 0:26:09 | |
The grammar school boys did come up through the ranks to sort of | 0:26:11 | 0:26:14 | |
officer class. It was the way they spoke and the way they behaved. | 0:26:14 | 0:26:18 | |
In fact, they were mainly worried about whether they'd get | 0:26:22 | 0:26:25 | |
their gin and tonic on time, that sort of thing. | 0:26:25 | 0:26:28 | |
-La-de-dah Gunner Graham is next, Sir. -Why do you call him that? | 0:26:30 | 0:26:34 | |
It's the way he talks, Sir. | 0:26:34 | 0:26:35 | |
He's got an awfully affected accent. I can't stand that. | 0:26:35 | 0:26:39 | |
Yes, sir, well he makes me feel like a bad smell under his nose. | 0:26:41 | 0:26:44 | |
Still, we must be absolutely fair and impartial. | 0:26:44 | 0:26:47 | |
-Get him in, will you. -Sir! | 0:26:47 | 0:26:50 | |
Quick march, left-right, left-right, left-right, left-right, | 0:26:50 | 0:26:53 | |
left-right. Move yourself, move yourself. | 0:26:53 | 0:26:56 | |
Halt! Salute! | 0:26:56 | 0:26:58 | |
-I don't think so, do you, Ashwood? -Not really, Sir. | 0:26:58 | 0:27:01 | |
-I quite agree, Sir. -That'll be all, thank you. -Salute! | 0:27:01 | 0:27:04 | |
About turn, left-right, left-right... | 0:27:04 | 0:27:06 | |
The sergeant major had a rag but he ran the army. | 0:27:09 | 0:27:12 | |
The officers indicate what they want to be done | 0:27:12 | 0:27:14 | |
but they're the personalities that actually make it happen. | 0:27:14 | 0:27:18 | |
Move yourselves, move yourselves! | 0:27:18 | 0:27:19 | |
The colonel has asked me | 0:27:19 | 0:27:21 | |
to conduct a survey as to the state of your minds. Gunner Graham? | 0:27:21 | 0:27:24 | |
Yes, Sergeant Major. What is the state of your mind? | 0:27:24 | 0:27:27 | |
Stagnating, Sergeant Major. | 0:27:27 | 0:27:29 | |
IMITATES MOCKINGLY: Stagnating, Sergeant Major. You... | 0:27:29 | 0:27:31 | |
Useless by James Joyce. | 0:27:31 | 0:27:33 | |
-Whose is this? -It's mine, Sergeant Major. | 0:27:40 | 0:27:43 | |
"Useless" just about sums you up. | 0:27:43 | 0:27:45 | |
Actually, it's Ulysses by James Joyce. | 0:27:45 | 0:27:48 | |
It concerns the peregrinations of an apostate theological... | 0:27:49 | 0:27:53 | |
I know what's it all about! | 0:27:53 | 0:27:55 | |
Now if you have any queries, you can ask me, or Sylvia. | 0:28:06 | 0:28:10 | |
She's an old stager and she has had a lot of experience, | 0:28:10 | 0:28:13 | |
-haven't you, Sylvia? -Yes, Gladys, not quite as much as you. | 0:28:13 | 0:28:16 | |
A lot of interesting little stories going on, interesting relationships. | 0:28:18 | 0:28:22 | |
This is the first series we've done that we've had girls in. | 0:28:22 | 0:28:25 | |
They're not real girls, Sir. | 0:28:25 | 0:28:28 | |
They're men dressed up as girls. | 0:28:28 | 0:28:30 | |
WOLF WHISTLE | 0:28:30 | 0:28:33 | |
Have you got a free hand to deal with the knob? | 0:28:33 | 0:28:35 |