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This programme contains some strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:06 | |
MUSIC: I Touch Myself by Divinyls | 0:00:06 | 0:00:09 | |
# I don't want anybody else | 0:00:09 | 0:00:13 | |
# When I think about you I touch myself | 0:00:13 | 0:00:17 | |
# Ooh, ohh, I don't want anybody else | 0:00:17 | 0:00:22 | |
# Oh, no, oh, no, oh, no | 0:00:22 | 0:00:26 | |
# I want you | 0:00:26 | 0:00:28 | |
# I don't want anybody else | 0:00:28 | 0:00:30 | |
# And when I think about ya | 0:00:30 | 0:00:32 | |
# I touch meself | 0:00:32 | 0:00:34 | |
# Ooh. # | 0:00:34 | 0:00:36 | |
HE LAUGHS | 0:00:42 | 0:00:46 | |
Harry Potter! What do you reckon? | 0:00:46 | 0:00:49 | |
Magic! | 0:00:49 | 0:00:50 | |
Whoa, yeah. Yeah, it is tight, that, you're right. | 0:00:55 | 0:00:58 | |
-As a nun's chuff. -Ooh. | 0:00:58 | 0:01:01 | |
No WD knocking about? | 0:01:02 | 0:01:04 | |
Have you not brought your wand? | 0:01:04 | 0:01:06 | |
THEY CHUCKLE | 0:01:06 | 0:01:08 | |
Jesus! | 0:01:10 | 0:01:11 | |
HE LAUGHS | 0:01:11 | 0:01:14 | |
No, it's Hagrid. | 0:01:14 | 0:01:16 | |
-She wonders why she's single. -Shut up, you. | 0:01:16 | 0:01:19 | |
-I can't believe you've talked me into this. -You look fantastic. | 0:01:19 | 0:01:22 | |
I look ridiculous. I said I wanted to go as Madonna. | 0:01:22 | 0:01:25 | |
-That's funnier than Madonna. -Oh, yeah, funny for who? | 0:01:25 | 0:01:29 | |
-It certainly made me laugh. -You can eff off. | 0:01:29 | 0:01:31 | |
We gotta get a photo of this. Come here. | 0:01:31 | 0:01:33 | |
-Must we? Oh, let me pull me beard down a bit. -No, keep it up. | 0:01:33 | 0:01:37 | |
Come on, I'll do a selfie. | 0:01:37 | 0:01:39 | |
-Say "Quidditch!" -Quidditch. | 0:01:39 | 0:01:43 | |
-RADIO: -'Forever FM in the evenings with Paul Banter. | 0:01:43 | 0:01:46 | |
'Loving the banter, Forever FM.' | 0:01:46 | 0:01:51 | |
Stop fiddling, you look fine. | 0:01:51 | 0:01:53 | |
I'm burning up, here. | 0:01:53 | 0:01:55 | |
-Is the air con on? -It's on full. | 0:01:55 | 0:01:58 | |
I can't wear this all night. | 0:01:58 | 0:02:00 | |
-You can't take it off, can you? -Why not? | 0:02:00 | 0:02:03 | |
Cos...you'll lose the full effect. Stop playing with it. | 0:02:03 | 0:02:06 | |
Just put it on. | 0:02:06 | 0:02:08 | |
How am I going to eat with this on? | 0:02:08 | 0:02:10 | |
I've got a full Chinese banquet to wade through yet. | 0:02:10 | 0:02:12 | |
Oh, aye, I forgot about that. | 0:02:12 | 0:02:15 | |
Six courses. I'm ready for that tonight. | 0:02:15 | 0:02:18 | |
I'm going to have hair in me kung po. | 0:02:19 | 0:02:22 | |
I'll tell you something - they know how to put a good spread on, | 0:02:22 | 0:02:25 | |
t'Chinese, don't they? | 0:02:25 | 0:02:26 | |
-What were it last year? -Er, Indian tapas. | 0:02:26 | 0:02:29 | |
Oh, yeah. Weren't so clever, that. | 0:02:29 | 0:02:31 | |
-I went as Pocahontas. -What did we have the year before that? | 0:02:31 | 0:02:35 | |
She didn't have a beard. | 0:02:35 | 0:02:38 | |
-It's itching me face! -Just leave it alone. | 0:02:38 | 0:02:41 | |
Gastro pub. Stavros Flatley. Cracked me up, that. | 0:02:41 | 0:02:46 | |
Father and son, those two. | 0:02:46 | 0:02:48 | |
-Father and son. -Will anyone actually know who I'm supposed to be? | 0:02:48 | 0:02:51 | |
Well, they will if you stick with Harry Potter. | 0:02:51 | 0:02:54 | |
I haven't even seen Harry Potter, John. | 0:02:54 | 0:02:56 | |
I might win the fancy dress, then you'll be laughing, won't you? | 0:02:56 | 0:02:59 | |
Don't like it when you go for something obvious. | 0:02:59 | 0:03:01 | |
Look at Joyce last year, she went as a chest of drawers. | 0:03:01 | 0:03:04 | |
Stapled some knickers to her busters. | 0:03:04 | 0:03:06 | |
Her busters? | 0:03:06 | 0:03:08 | |
Whatever the kids call them. | 0:03:08 | 0:03:10 | |
What do you call yours? | 0:03:10 | 0:03:12 | |
Cagney and Lacey. | 0:03:13 | 0:03:15 | |
-You call your breasts Cagney and Lacey? -Yeah. -Why? | 0:03:15 | 0:03:19 | |
I don't know, just always have. | 0:03:19 | 0:03:21 | |
Although I always preferred Cagney to Lacey. | 0:03:23 | 0:03:26 | |
Haven't I, Mary Beth? | 0:03:26 | 0:03:28 | |
# I'm a dreamer... # | 0:03:30 | 0:03:34 | |
It seems funny hearing the radio this time of night, don't it? | 0:03:34 | 0:03:38 | |
Never normally listen to it now. Much more dancey. | 0:03:38 | 0:03:42 | |
I like it. | 0:03:42 | 0:03:44 | |
I love this song, it reminds me of Brunel's in Rhyl. | 0:03:44 | 0:03:48 | |
Did you ever go raving? | 0:03:48 | 0:03:49 | |
-What do you reckon? -No. -SHE LAUGHS | 0:03:50 | 0:03:53 | |
MUSIC: Crazy Frog by Axel F | 0:03:53 | 0:03:56 | |
-Oh, this is shite! -What? | 0:03:56 | 0:03:58 | |
Crazy Frog. | 0:03:58 | 0:04:01 | |
-Had a little willy. -He did have a little willy, remember that. | 0:04:01 | 0:04:04 | |
-How rude! -Yeah. | 0:04:04 | 0:04:06 | |
Crash helmet and cock out. | 0:04:06 | 0:04:08 | |
And his bike. | 0:04:08 | 0:04:10 | |
He didn't even have a bike. He were just in mid-air, weren't he? | 0:04:10 | 0:04:13 | |
Flying around. Little green penis. With his helmet on. | 0:04:13 | 0:04:17 | |
SHE LAUGHS | 0:04:17 | 0:04:19 | |
-RADIO: -'Any exciting plans tonight, Jenny from Bolton?' | 0:04:19 | 0:04:21 | |
'Yeah, meeting a friend for a glass of wine, or maybe two.' | 0:04:21 | 0:04:24 | |
'Good work. Don't have too many, Jenny. | 0:04:24 | 0:04:26 | |
'Hello, Forever FM, who's this?' | 0:04:26 | 0:04:28 | |
-'It's Mark from Preston.' -'You up to anything tonight, Mark?' | 0:04:28 | 0:04:30 | |
'Yeah, going out on the piss for me mate's birthday.' | 0:04:30 | 0:04:33 | |
'Can't be saying things like that. This is Forever FM.' | 0:04:33 | 0:04:36 | |
MUSIC: The Key, The Secret by Urban Cookie Collective | 0:04:36 | 0:04:39 | |
# I got the key to | 0:04:39 | 0:04:41 | |
# Another way | 0:04:41 | 0:04:43 | |
# I've got the key... # | 0:04:43 | 0:04:44 | |
HE YAWNS | 0:04:44 | 0:04:47 | |
-Think it's past Harry Potter's bedtime. -Mm? | 0:04:47 | 0:04:50 | |
You, yawning your head off. | 0:04:50 | 0:04:52 | |
-Oh, shattered. Woke up again last night. -Same time? | 0:04:52 | 0:04:56 | |
-Yeah, 1:21. That's three nights on t'bounce, that, now. -Weird. | 0:04:56 | 0:05:00 | |
-I know. It's freaking me out. -Why's that, then? | 0:05:00 | 0:05:02 | |
HE BURPS Lord knows. It's doing me head in. | 0:05:02 | 0:05:05 | |
Ended up watching telly for four hours. | 0:05:05 | 0:05:08 | |
Documentary about Lance Armstrong. | 0:05:08 | 0:05:10 | |
Him who went to the moon? | 0:05:10 | 0:05:13 | |
Jesus Christ, no. | 0:05:13 | 0:05:15 | |
I wonder what it is. | 0:05:16 | 0:05:18 | |
-What? -Why you keep waking up at 1:21. -I don't know. | 0:05:18 | 0:05:21 | |
It's doing me bloody head in. | 0:05:21 | 0:05:22 | |
Maybe it's the other side. | 0:05:22 | 0:05:25 | |
Ian and Margaret? No, they're in Buxton, they're on a retreat. | 0:05:25 | 0:05:28 | |
-I'm drawing the curtains for them. -No, the spirit world. | 0:05:28 | 0:05:32 | |
Maybe they're trying to tell you something. | 0:05:33 | 0:05:35 | |
They pick their moments. I daren't ring anyone after nine. | 0:05:35 | 0:05:39 | |
Anyway, you don't believe in all that hocus pocus, do you? | 0:05:39 | 0:05:42 | |
He says, dressed as a wizard. | 0:05:42 | 0:05:44 | |
MUSIC: Milkshake by Kelis | 0:05:52 | 0:05:54 | |
Here we are. | 0:05:54 | 0:05:56 | |
Oh, look at George! | 0:05:58 | 0:06:00 | |
Don't he look better with ringlets? | 0:06:00 | 0:06:02 | |
Really suits him. | 0:06:02 | 0:06:04 | |
Oh, look at this cowboy. | 0:06:04 | 0:06:06 | |
He can ride me any time he likes. | 0:06:09 | 0:06:12 | |
Look at him, he can't help helping. | 0:06:15 | 0:06:17 | |
Least he's dressed for once. | 0:06:18 | 0:06:20 | |
# My milkshake brings all the boys to the yard... # | 0:06:20 | 0:06:23 | |
You were saying? | 0:06:23 | 0:06:24 | |
That's bang out of order, that. | 0:06:24 | 0:06:26 | |
# I can teach you but I have to charge | 0:06:26 | 0:06:29 | |
# My milkshake brings all the boys to the yard... # | 0:06:29 | 0:06:31 | |
-I'm ready for this free bar. -What free bar? | 0:06:34 | 0:06:37 | |
We had a free bar last year. | 0:06:39 | 0:06:41 | |
-No, we didn't. -Well, nobody stopped me. | 0:06:41 | 0:06:45 | |
You're off your arse. | 0:06:45 | 0:06:47 | |
I've not brought me purse. | 0:06:47 | 0:06:49 | |
Go on! | 0:06:54 | 0:06:56 | |
Hey, me crown's slipping! | 0:06:56 | 0:06:59 | |
You're damn right! | 0:06:59 | 0:07:01 | |
Oi! D'you mind? I've just had her waxed. | 0:07:01 | 0:07:05 | |
Give me a minute, I'm nearly done. | 0:07:05 | 0:07:07 | |
Ooh, look! It's Harry Potter. | 0:07:07 | 0:07:10 | |
Let the boy watch. | 0:07:10 | 0:07:12 | |
Hey, young Gareth, on your way. | 0:07:12 | 0:07:14 | |
-We'll be having bloody words in t'morning. -Sorry, Mr Redmond. | 0:07:14 | 0:07:18 | |
Hey, hang on, where you going? | 0:07:18 | 0:07:20 | |
I'm half-cocked here! | 0:07:20 | 0:07:22 | |
Rabbits. | 0:07:22 | 0:07:24 | |
-John! -What? | 0:07:25 | 0:07:28 | |
-Mr Redmond! -John! -What? | 0:07:28 | 0:07:31 | |
Can we give Elsie a lift home? Please? | 0:07:32 | 0:07:35 | |
See, what it is, Mr Redmond, there's no taxis, that's the Ramadan. | 0:07:35 | 0:07:39 | |
-She can't get home. -Can't get home. | 0:07:39 | 0:07:41 | |
-What? -It's on our way. Fine. | 0:07:41 | 0:07:43 | |
Where's your beard? | 0:07:43 | 0:07:45 | |
Tell him. | 0:07:45 | 0:07:46 | |
Had a little bit of an accident, truth be told. | 0:07:48 | 0:07:53 | |
I was a bit sick... | 0:07:53 | 0:07:55 | |
if truth be told, but I'm fine. | 0:07:55 | 0:07:57 | |
She threw up over it, she couldn't wear it. | 0:07:57 | 0:08:00 | |
Was better out than in, love. | 0:08:00 | 0:08:02 | |
-It went right down... -Couldn't get her wee hand round the U. | 0:08:02 | 0:08:05 | |
..in the toilet. | 0:08:05 | 0:08:06 | |
Well, that's that, innit? | 0:08:06 | 0:08:08 | |
It's free. | 0:08:08 | 0:08:09 | |
-Free now, John. -It's not free, it's my deposit up the river! | 0:08:09 | 0:08:13 | |
Hey, hey, hey! | 0:08:13 | 0:08:14 | |
It's only money! | 0:08:14 | 0:08:16 | |
You can't take it with you. | 0:08:16 | 0:08:18 | |
-There's no pockets in shrouds. -All right. | 0:08:18 | 0:08:20 | |
There's no cash machines in heaven. | 0:08:20 | 0:08:23 | |
Is that the motor? | 0:08:23 | 0:08:24 | |
-Just love her. -Where's she live? | 0:08:26 | 0:08:29 | |
# In a midnight sky | 0:08:35 | 0:08:37 | |
# Oh, oh | 0:08:37 | 0:08:40 | |
-BOTH: -# Zoom | 0:08:40 | 0:08:43 | |
# You chased the day away | 0:08:43 | 0:08:48 | |
# High noon | 0:08:48 | 0:08:51 | |
-# The moon and stars... # -RADIO OFF | 0:08:51 | 0:08:54 | |
-Oh! -Oh! | 0:08:54 | 0:08:57 | |
-Party pooper! -I was enjoying that! | 0:08:57 | 0:08:59 | |
Killjoy. | 0:08:59 | 0:09:01 | |
You've upset her. | 0:09:04 | 0:09:06 | |
Mm! | 0:09:06 | 0:09:08 | |
You've upset me. | 0:09:08 | 0:09:09 | |
We work our bollocks off all during the week. | 0:09:09 | 0:09:12 | |
The one night of the year when we party... | 0:09:12 | 0:09:15 | |
and you're pissing on our bonfire. | 0:09:15 | 0:09:19 | |
Come on, John, it's a party. | 0:09:19 | 0:09:21 | |
There, happy? | 0:09:21 | 0:09:23 | |
# Loving you... # | 0:09:25 | 0:09:27 | |
-Aww! -Oh, I love this. | 0:09:27 | 0:09:30 | |
-Turn it up... -# Because you're beautiful... # | 0:09:30 | 0:09:32 | |
Don't put you off your driving, sorry. | 0:09:32 | 0:09:34 | |
# Making love with you | 0:09:34 | 0:09:36 | |
# Is all I wanna do | 0:09:36 | 0:09:40 | |
# La-la-la-la-la | 0:09:40 | 0:09:42 | |
# La-la-la-la-la | 0:09:42 | 0:09:44 | |
# La-la-la-la-la-la-la-la-ah-ah | 0:09:44 | 0:09:49 | |
# Doot-n-doo-doo-doo | 0:09:49 | 0:09:52 | |
-HIGH-PITCHED: -# Ah-ah-ah-ah! # | 0:09:52 | 0:09:55 | |
-RADIO: -'Ah, what a lovely message. | 0:10:00 | 0:10:02 | |
'We'll dedicate the next song to you guys. | 0:10:02 | 0:10:04 | |
'This is Forever FM with Phyllis Nelson.' | 0:10:04 | 0:10:07 | |
# Hey, baby | 0:10:07 | 0:10:09 | |
# You go your way... # | 0:10:09 | 0:10:11 | |
Here, Mr Redmond, can you turn that heat down? | 0:10:11 | 0:10:14 | |
I'm sweating like a blind lesbian in a fish shop. | 0:10:14 | 0:10:17 | |
Please. | 0:10:19 | 0:10:21 | |
Don't feel me up, you dirty pig! | 0:10:21 | 0:10:23 | |
LAUGHTER | 0:10:23 | 0:10:25 | |
# And our bodies... # | 0:10:32 | 0:10:36 | |
Here, Mr Redmond, can I spark up? | 0:10:36 | 0:10:39 | |
-No. -No. -Oh, come on, please, I'm gasping. | 0:10:39 | 0:10:42 | |
-Well, you'll have to get out. -Why, we stopping? | 0:10:42 | 0:10:45 | |
-No. -He's anti-smoking, Elsie. | 0:10:45 | 0:10:48 | |
Is she? Do I know her? | 0:10:48 | 0:10:50 | |
-Eh? -What do you call your auntie? Does she work at our place? | 0:10:50 | 0:10:55 | |
-What you pappin' on about? -She said your auntie was a smoker. | 0:10:55 | 0:11:00 | |
Oh, I could murder a cup of tea. Could you? | 0:11:04 | 0:11:07 | |
No tea for me, love, not at this hour of the night. | 0:11:07 | 0:11:09 | |
See, what it is, I'm a slave to the heartburn. | 0:11:09 | 0:11:12 | |
-Elsie? -Mm? -Me too. Me too. | 0:11:12 | 0:11:15 | |
-Brown toast with me. -Oooh! | 0:11:15 | 0:11:18 | |
-And sour cream Pringles. -I knew you were going to say that. -I love 'em! | 0:11:18 | 0:11:23 | |
Very moreish, Elsie. | 0:11:23 | 0:11:25 | |
Like crack. | 0:11:25 | 0:11:27 | |
Oh, don't talk to me about sour cream Pringles, they're lethal. | 0:11:27 | 0:11:31 | |
Four hours I spent in the A&E on Boxing Day night | 0:11:31 | 0:11:35 | |
with my arm wedged into the tube. | 0:11:35 | 0:11:38 | |
Apparently I have very wide wrists. | 0:11:38 | 0:11:40 | |
Have you tried the Gaviscon? | 0:11:40 | 0:11:42 | |
What, for my wrists? | 0:11:42 | 0:11:44 | |
-For your heartburn. -Oh, Gaviscon? Oh, no, thank you. | 0:11:44 | 0:11:48 | |
Last thing I want's a little fireman in my mouth. | 0:11:48 | 0:11:51 | |
-Then again... -GIGGLING | 0:11:51 | 0:11:54 | |
Did you see Dave Thompson? | 0:12:00 | 0:12:02 | |
-Billy big bollocks. -What was he thinking? | 0:12:02 | 0:12:05 | |
-Dressed as Mr T again. -See he likes to limbo. | 0:12:05 | 0:12:09 | |
-Who? -Dave Thompson, blurgh! | 0:12:09 | 0:12:11 | |
Wants to take it easy after what he's been through. | 0:12:11 | 0:12:14 | |
Triple bypass. He's had two stents put in since Jubilee. | 0:12:14 | 0:12:18 | |
-He's only 51. That's no age... -No. | 0:12:18 | 0:12:22 | |
Have you heard about Trevor on the back door? | 0:12:22 | 0:12:24 | |
Kayleigh, sure I told you. | 0:12:24 | 0:12:26 | |
What's up with him? | 0:12:26 | 0:12:28 | |
They've given him till Christmas. | 0:12:28 | 0:12:31 | |
Loan sharks? | 0:12:31 | 0:12:33 | |
No. He's riddled. Absolutely riddled. | 0:12:33 | 0:12:36 | |
He didn't have a clue till he shaved his beard off. | 0:12:36 | 0:12:39 | |
That's awful. | 0:12:39 | 0:12:41 | |
Well, I hear you, but we all have our crosses to bear. | 0:12:41 | 0:12:44 | |
And I'm a slave to jogger's nipple. | 0:12:44 | 0:12:47 | |
Christ, how much jogging do you do? | 0:12:47 | 0:12:50 | |
I have never jogged a day in my life. | 0:12:50 | 0:12:52 | |
LAUGHTER | 0:12:52 | 0:12:57 | |
She's so funny! | 0:12:57 | 0:12:58 | |
-COUGHING: -Where's me inhaler? | 0:13:00 | 0:13:03 | |
What about Rick and Donna? | 0:13:10 | 0:13:13 | |
That were a bit of a shock, weren't it? | 0:13:13 | 0:13:15 | |
-Getting engaged! -I've known about that for months. | 0:13:15 | 0:13:19 | |
Big Dianne off non-foods told me but I never said nothing. | 0:13:19 | 0:13:23 | |
Very romantic. | 0:13:23 | 0:13:25 | |
-So lovely. -I must admit, I was filling up, blubbing... | 0:13:25 | 0:13:29 | |
I'm such a big softie, aren't I? | 0:13:29 | 0:13:31 | |
-Tacky, though, weren't it? -Ooh, rough as arseholes. | 0:13:34 | 0:13:38 | |
Imagine her proposing. That's a man's job. | 0:13:38 | 0:13:41 | |
You'd be mortified in front of all those people, wouldn't you? | 0:13:41 | 0:13:45 | |
And Rick looked like a right dick dressed as Mrs Brown. Anyway... | 0:13:45 | 0:13:49 | |
never mind them - what about yous two, huh? | 0:13:49 | 0:13:52 | |
-What's going on with you two? -What do you mean? -What? | 0:13:52 | 0:13:55 | |
-You know. -No, I don't. What you on about? | 0:13:55 | 0:13:58 | |
You'll be next, the two of you. | 0:13:58 | 0:14:00 | |
You're not fooling me, you're not fooling no-one. | 0:14:00 | 0:14:02 | |
You can't kid a kidder. You're the talk of the store, the two of yous. | 0:14:02 | 0:14:06 | |
-What you on about? -Why? | 0:14:06 | 0:14:08 | |
-Wouldn't you like to know? -Yeah, I would. | 0:14:08 | 0:14:11 | |
I am saying nothing. | 0:14:11 | 0:14:14 | |
I might be many things but I am not a gossip. | 0:14:14 | 0:14:17 | |
Go on, what have you heard? | 0:14:17 | 0:14:19 | |
Well, we all know who you'll be picking for your Christmas team | 0:14:19 | 0:14:21 | |
this year, I'll put it that way. | 0:14:21 | 0:14:23 | |
-What do you mean by that? -You can drop the act, the pair of yous. | 0:14:23 | 0:14:26 | |
Cos you're not fooling no-one. | 0:14:26 | 0:14:28 | |
I told you, you can't con a conner and you can't kid a kidder. | 0:14:28 | 0:14:32 | |
-She's talking shit. -Why, what they been saying? | 0:14:32 | 0:14:35 | |
Well, you tell me, Kayleigh. | 0:14:35 | 0:14:37 | |
I've said too much already. Loose lips sinks ships. | 0:14:37 | 0:14:42 | |
So I am saying nothing. My lips is firmly sealed. | 0:14:42 | 0:14:47 | |
I wish. | 0:14:47 | 0:14:48 | |
Anyhoo, it's none of my business what you get up to with this... | 0:14:48 | 0:14:53 | |
this...um... | 0:14:53 | 0:14:55 | |
Well, he's no longer a boy but he's not yet a man, know what I mean? | 0:14:55 | 0:14:59 | |
He's a man...boy. | 0:14:59 | 0:15:01 | |
Uh-huh, a man boy. | 0:15:01 | 0:15:03 | |
A man-bo. | 0:15:03 | 0:15:04 | |
A mambo! | 0:15:04 | 0:15:05 | |
Mambo... | 0:15:05 | 0:15:08 | |
It's the quiet ones you have to watch, isn't it, Kayleigh? | 0:15:08 | 0:15:10 | |
-It is, it is. -Know what I'm saying? Look at his wee face. | 0:15:10 | 0:15:12 | |
Look, he's morto! He's beaming away. | 0:15:12 | 0:15:14 | |
She's a scream. | 0:15:16 | 0:15:18 | |
She's a scream, isn't she, John? | 0:15:18 | 0:15:20 | |
She's a scream. | 0:15:20 | 0:15:21 | |
Well, as I say, I'm mental. I do not care! | 0:15:21 | 0:15:24 | |
She doesn't. She doesn't! | 0:15:24 | 0:15:26 | |
-Happen that's why you're on your third written warning. -Oh... | 0:15:26 | 0:15:30 | |
-Are we nearly there yet, anyway? -I'm saying nothing. | 0:15:30 | 0:15:33 | |
Yeah, well, you'd best say something when I run out of diesel. | 0:15:33 | 0:15:36 | |
SIREN WAILS | 0:15:43 | 0:15:45 | |
And I hear Joyce Chung | 0:15:46 | 0:15:49 | |
has an S-shaped vagina... | 0:15:49 | 0:15:52 | |
but that's her business. | 0:15:52 | 0:15:54 | |
I'm saying nothing. I'm not a gossip. | 0:15:54 | 0:15:57 | |
Are you done? | 0:15:57 | 0:15:58 | |
MUSIC: Perfect Moment by Martine McCutcheon | 0:15:58 | 0:16:00 | |
I'm just drip-drying. | 0:16:00 | 0:16:02 | |
# This is my moment... # | 0:16:02 | 0:16:04 | |
Give me a minute. | 0:16:04 | 0:16:05 | |
# This is my perfect moment... # | 0:16:05 | 0:16:07 | |
Oh, I need to go myself, now. | 0:16:07 | 0:16:10 | |
Oh, my dear God. | 0:16:10 | 0:16:11 | |
THUNDER RUMBLES | 0:16:12 | 0:16:14 | |
-RADIO: -'Timeless songs, timeless love, | 0:16:14 | 0:16:17 | |
'late-night love songs - Forever FM.' | 0:16:17 | 0:16:21 | |
Which way now? | 0:16:21 | 0:16:22 | |
Straight on. | 0:16:22 | 0:16:23 | |
-What? -Straight on! | 0:16:23 | 0:16:25 | |
Do you know where she lives? | 0:16:25 | 0:16:27 | |
I think she lives round... | 0:16:27 | 0:16:29 | |
MUSIC: Crazy For You by Madonna | 0:16:29 | 0:16:32 | |
HE CRUNCHES | 0:16:32 | 0:16:34 | |
-SHE SINGS ALONG: -# Swaying room as the music starts | 0:16:35 | 0:16:40 | |
# Strangers making the most of the dark | 0:16:40 | 0:16:45 | |
# Two by two their bodies become one... # | 0:16:45 | 0:16:52 | |
# I see you through the smoky air | 0:16:55 | 0:17:00 | |
# Can't you feel the weight of my stare? | 0:17:00 | 0:17:05 | |
# You're so close but still a world away | 0:17:05 | 0:17:11 | |
# What I'm dying to say is that | 0:17:11 | 0:17:14 | |
# I'm crazy for you | 0:17:14 | 0:17:18 | |
# Touch me once and you'll know it's true | 0:17:18 | 0:17:22 | |
# I never wanted anyone like this | 0:17:22 | 0:17:27 | |
# It's all brand-new | 0:17:27 | 0:17:29 | |
# You'll feel it in my kiss | 0:17:29 | 0:17:32 | |
# You'll feel it in my kiss | 0:17:32 | 0:17:34 | |
# Because I'm crazy for you | 0:17:34 | 0:17:38 | |
# Touch me once and you'll know it's true | 0:17:38 | 0:17:43 | |
# I never wanted anyone like this | 0:17:43 | 0:17:47 | |
# It's all brand-new | 0:17:47 | 0:17:49 | |
# You'll feel it in my kiss | 0:17:49 | 0:17:53 | |
# I'm crazy for you | 0:17:53 | 0:17:58 | |
# Crazy for you | 0:17:58 | 0:18:02 | |
# Crazy for you | 0:18:04 | 0:18:06 | |
# It's all brand-new | 0:18:11 | 0:18:14 | |
# I'm crazy for you | 0:18:14 | 0:18:16 | |
# You know it's true | 0:18:16 | 0:18:18 | |
# I'm crazy... # | 0:18:18 | 0:18:20 | |
# Make dreams come true with Garden Tiles! # | 0:18:20 | 0:18:24 | |
Elsie, which way now? Left or right? | 0:18:25 | 0:18:28 | |
Straight on! | 0:18:28 | 0:18:30 | |
What, through the pub? | 0:18:30 | 0:18:32 | |
Oh, no. No, no, no, you've passed it. | 0:18:32 | 0:18:35 | |
Go back on yourself. | 0:18:35 | 0:18:36 | |
Make a U and then straight on. | 0:18:36 | 0:18:40 | |
I might as well drive straight to work, at this rate. | 0:18:40 | 0:18:42 | |
MUSIC: How 'Bout Us by Champaign | 0:18:42 | 0:18:45 | |
# No sense in draggin' on past our needs | 0:18:45 | 0:18:51 | |
# Let's don't keep it hangin' on... # | 0:18:51 | 0:18:55 | |
You should put me on your Christmas team this year, Mr Redmond. | 0:18:55 | 0:18:59 | |
I could be your Mrs Santa Claus. | 0:18:59 | 0:19:02 | |
SHE GIGGLES | 0:19:02 | 0:19:04 | |
(Mr Redmond, Kayleigh's asleep.) | 0:19:07 | 0:19:11 | |
# Some people can love one another for life | 0:19:11 | 0:19:16 | |
# How 'bout us? # | 0:19:16 | 0:19:18 | |
SHE LAUGHS | 0:19:18 | 0:19:20 | |
# Some people can hold it together... # | 0:19:20 | 0:19:23 | |
# I think we're alone now... # | 0:19:23 | 0:19:25 | |
SHE GIGGLES | 0:19:27 | 0:19:29 | |
# Can we? # | 0:19:29 | 0:19:31 | |
Aye, Mrs Santa Claus, sat down all day, that'd be the ticket. | 0:19:31 | 0:19:38 | |
You could come in my grotto... | 0:19:38 | 0:19:41 | |
25/7. | 0:19:41 | 0:19:43 | |
Think about it. | 0:19:44 | 0:19:46 | |
Think...about...it. | 0:19:47 | 0:19:49 | |
I'll... I'll think about it, all right? | 0:19:49 | 0:19:52 | |
Oh, anything to get me away from | 0:19:52 | 0:19:54 | |
standing in that fucking deli all day long. | 0:19:54 | 0:19:57 | |
My oul' knees are shot. | 0:19:57 | 0:20:00 | |
Here, when we get to the house, | 0:20:00 | 0:20:01 | |
you're going to have to walk me to my door. | 0:20:01 | 0:20:04 | |
Walk you to your door? | 0:20:04 | 0:20:05 | |
I just said to you, my knees are shot! | 0:20:05 | 0:20:07 | |
There's nobody else to help me since my Eddie left me in the shit. | 0:20:07 | 0:20:13 | |
He shacked up with his physio. | 0:20:13 | 0:20:15 | |
Massaging his stump, my brown eye... | 0:20:15 | 0:20:18 | |
And under my nose, too! | 0:20:18 | 0:20:20 | |
She's supposed to be helping him to walk, not walk out on me. | 0:20:20 | 0:20:23 | |
She's just after his benefits and his raspberry ripple badge, | 0:20:25 | 0:20:28 | |
the dirty Welsh whore! | 0:20:28 | 0:20:30 | |
You live and you learn. | 0:20:33 | 0:20:35 | |
You do that. | 0:20:36 | 0:20:37 | |
# How 'bout us? How about us, baby? | 0:20:37 | 0:20:40 | |
# How 'bout us? | 0:20:40 | 0:20:41 | |
# How 'bout us, baby? # | 0:20:41 | 0:20:43 | |
You live on your own, don't you? | 0:20:43 | 0:20:46 | |
What? | 0:20:46 | 0:20:48 | |
You live on your own. | 0:20:48 | 0:20:49 | |
Yeah, yeah, I do, yeah. | 0:20:51 | 0:20:53 | |
It's hard, isn't it? | 0:20:53 | 0:20:55 | |
Here, listen to me, | 0:20:57 | 0:21:00 | |
seriously, | 0:21:00 | 0:21:03 | |
if ever you want to go halfsies on a Pot Noodle, | 0:21:03 | 0:21:07 | |
you just let me know. | 0:21:07 | 0:21:08 | |
# How 'bout us, baby? | 0:21:11 | 0:21:13 | |
# Some people can hold it together... # | 0:21:13 | 0:21:16 | |
ENGINE RUMBLES | 0:21:16 | 0:21:18 | |
Right, we're here. | 0:21:20 | 0:21:23 | |
'Forever FM news...' | 0:21:23 | 0:21:24 | |
Finally. | 0:21:24 | 0:21:26 | |
I tell you, I'd have been quicker walking. | 0:21:26 | 0:21:28 | |
You're welcome. | 0:21:28 | 0:21:30 | |
Oh, bloody hell, there's my whole life all over the floor. | 0:21:30 | 0:21:35 | |
Here, is that my Nutri-Grain? | 0:21:35 | 0:21:37 | |
Just take it. Take the Nutri-Grain. | 0:21:37 | 0:21:40 | |
Right, Kayleigh, love, I will see you soon. | 0:21:40 | 0:21:43 | |
-Mm-hmm. -We'll have to have a girls' night out, eh? | 0:21:43 | 0:21:45 | |
Def. That will be a right laugh. | 0:21:45 | 0:21:46 | |
Oh, they can do a lot of things, our kid, | 0:21:46 | 0:21:49 | |
but they cannot stop us laughing. | 0:21:49 | 0:21:51 | |
They can't. | 0:21:51 | 0:21:52 | |
They broke the mould when they made you, Elsie. | 0:21:52 | 0:21:54 | |
Didn't they, John? | 0:21:54 | 0:21:55 | |
They shut the factory. | 0:21:55 | 0:21:57 | |
Oh... | 0:21:57 | 0:21:59 | |
You hang onto this one. | 0:21:59 | 0:22:01 | |
He is a keeper. | 0:22:01 | 0:22:03 | |
I would ride him like I had stole him if I was you. | 0:22:03 | 0:22:06 | |
I am here. I can hear you. | 0:22:06 | 0:22:08 | |
Well, are you going to walk me up my path, Mr Lover-Lover? | 0:22:08 | 0:22:11 | |
GIGGLING | 0:22:11 | 0:22:13 | |
What do you...? | 0:22:13 | 0:22:14 | |
Laters. | 0:22:14 | 0:22:17 | |
-Elsie, your trophy. -For God's sake... | 0:22:17 | 0:22:19 | |
Bless. Nighty-night. | 0:22:19 | 0:22:23 | |
Lock your doors. It's like the bloody Bronx round here. | 0:22:23 | 0:22:25 | |
I've just seen a pram on fire back there. | 0:22:25 | 0:22:28 | |
MUSIC: Baby I Love Your Way/Freebird by Will To Power | 0:22:28 | 0:22:32 | |
# Wanna tell you I love your... # | 0:22:32 | 0:22:33 | |
Here, hold that. | 0:22:47 | 0:22:48 | |
Where have you been? | 0:22:48 | 0:22:50 | |
Where have I been? | 0:22:50 | 0:22:51 | |
The bloody headcase is running a bath for me now. | 0:22:51 | 0:22:54 | |
I just walked out. | 0:22:54 | 0:22:55 | |
-WITH MOUTH FULL: -She's a nightmare. | 0:22:55 | 0:22:57 | |
Nightmare? You said they broke the mould. | 0:22:57 | 0:22:59 | |
You wanted to give her a lift home. | 0:22:59 | 0:23:01 | |
I thought she'd never stop talking, John. | 0:23:01 | 0:23:03 | |
I know. "I'm saying nothing," | 0:23:03 | 0:23:05 | |
and then she never shut her bloody mouth. | 0:23:05 | 0:23:07 | |
Well, she's a right nosy cow - | 0:23:07 | 0:23:09 | |
just wants to know everyone's business. | 0:23:09 | 0:23:11 | |
Eh? What about Joyce Chung's vagina? | 0:23:14 | 0:23:17 | |
I'm saying nothing. | 0:23:17 | 0:23:19 | |
MUSIC: A Groovy Kind Of Love by Phil Collins | 0:23:19 | 0:23:22 | |
# When I'm feeling blue | 0:23:32 | 0:23:35 | |
# All I have to do | 0:23:35 | 0:23:38 | |
# Is take a look at you | 0:23:38 | 0:23:42 | |
# Then I'm not so blue | 0:23:42 | 0:23:45 | |
# When I'm in your arms | 0:23:45 | 0:23:49 | |
# Nothing seems to matter... # | 0:23:49 | 0:23:52 | |
Here you are - home, sweet home. | 0:23:53 | 0:23:55 | |
-Oh, quick, put your foot down. Keep going. -Why? | 0:23:55 | 0:23:58 | |
Cos he's still up and about with his bike. | 0:23:58 | 0:24:01 | |
Does the man not sleep? | 0:24:01 | 0:24:03 | |
He'd sleep out here if he could. | 0:24:03 | 0:24:04 | |
Just, quick, drive past. Quick, go down there. | 0:24:04 | 0:24:08 | |
Let's have a minute. | 0:24:08 | 0:24:10 | |
Have a minute? | 0:24:10 | 0:24:11 | |
We've had five hours. | 0:24:11 | 0:24:12 | |
# We've got a groovy kind of love... # | 0:24:17 | 0:24:21 | |
Are you all right? | 0:24:24 | 0:24:26 | |
I'm fine. I'm fine. Fine. | 0:24:26 | 0:24:29 | |
I was just checking the... | 0:24:29 | 0:24:32 | |
So... | 0:24:34 | 0:24:36 | |
Mm-hmm. | 0:24:36 | 0:24:38 | |
Apparently, we're the talk of the shop. | 0:24:39 | 0:24:42 | |
Aye. | 0:24:42 | 0:24:43 | |
According to Elsie, the woman who says nothing... | 0:24:43 | 0:24:46 | |
Mmm. | 0:24:46 | 0:24:47 | |
I'll believe that when I see it. | 0:24:47 | 0:24:49 | |
'Late-night love songs...' | 0:24:49 | 0:24:50 | |
-We've got tongues wagging, John. -'..Forever FM. (Forever FM.)' | 0:24:50 | 0:24:53 | |
# Feels like... # | 0:24:53 | 0:24:56 | |
Don't you love this song? | 0:24:56 | 0:24:58 | |
-Donna Lewis, '95... -Listen to the words. | 0:24:58 | 0:25:00 | |
MUSIC: I Love You Always Forever by Donna Lewis | 0:25:00 | 0:25:03 | |
-# Of light mists -And rain is | 0:25:03 | 0:25:06 | |
-# Of pale amber rose -Pale afternoons | 0:25:06 | 0:25:09 | |
# Feels like | 0:25:11 | 0:25:14 | |
# I'm lost in a deep cloud... | 0:25:14 | 0:25:18 | |
# Of heavenly smell | 0:25:18 | 0:25:21 | |
# Touching, discovering you... # | 0:25:21 | 0:25:24 | |
Are you laughing? | 0:25:24 | 0:25:26 | |
You're drunk. | 0:25:26 | 0:25:28 | |
-I'm not drunk. -You're so drunk. | 0:25:28 | 0:25:30 | |
I'm not drunk! | 0:25:30 | 0:25:31 | |
You're not drunk? You're leathered. | 0:25:31 | 0:25:34 | |
-I am a bit. -You are. | 0:25:34 | 0:25:35 | |
A little bit drunk. | 0:25:35 | 0:25:36 | |
-You're leathered. -A little bit tiddly. -Steaming! | 0:25:36 | 0:25:39 | |
-KAYLEIGH LAUGHS -Nice-drunk. | 0:25:39 | 0:25:41 | |
-Mm-hmm. -Fluffy. | 0:25:41 | 0:25:42 | |
I'm fluffy-drunk. | 0:25:42 | 0:25:44 | |
Funny. I don't know about fluffy, but you're funny-drunk. | 0:25:44 | 0:25:47 | |
-Am I? -Yeah. | 0:25:47 | 0:25:49 | |
Do I make you laugh? | 0:25:49 | 0:25:51 | |
Yeah, you do, very much. | 0:25:52 | 0:25:55 | |
Do I make you happy? | 0:25:57 | 0:26:00 | |
Yeah. | 0:26:00 | 0:26:02 | |
Yeah, you do, very much. | 0:26:02 | 0:26:04 | |
-# I don't want a lot for Christmas... # -Oh! | 0:26:08 | 0:26:10 | |
Who's that? What? Mariah Carey? | 0:26:10 | 0:26:13 | |
No. It's Elsie. | 0:26:13 | 0:26:15 | |
Oh, no. Oh, no, don't answer it. Bloody hell, don't answer it. | 0:26:15 | 0:26:18 | |
-Ignore it. Ignore her. -Should I? | 0:26:18 | 0:26:21 | |
Yes, ignore her. Trust me, ignore her. | 0:26:21 | 0:26:24 | |
-No, no, no, no, no. -Oh, no. -John, John, John, John... | 0:26:24 | 0:26:26 | |
Hiya. Are you all right? | 0:26:26 | 0:26:28 | |
What's the matter? | 0:26:30 | 0:26:32 | |
Are you all right, Elsie? You sound... | 0:26:32 | 0:26:34 | |
She left her inhaler. | 0:26:34 | 0:26:36 | |
Has she left her inhaler? | 0:26:36 | 0:26:38 | |
I don't know. I don't know! | 0:26:38 | 0:26:40 | |
-Oh, no... -Hold on a minute. | 0:26:42 | 0:26:44 | |
Oh, yeah, you have, Elsie. It's here on the floor. | 0:26:44 | 0:26:47 | |
-I've got it. -Bloody hell. | 0:26:47 | 0:26:49 | |
Wh-what? Don't worry, John will give it you. | 0:26:49 | 0:26:52 | |
Tell her I'll bring it in to work in four hours. | 0:26:52 | 0:26:55 | |
Bring it in to work in four... | 0:26:55 | 0:26:56 | |
She says she wants it now. | 0:26:56 | 0:26:58 | |
Christ. We'll be in work in three hours, can she not wait? | 0:26:58 | 0:27:01 | |
She sounds in a bad way. She can't breathe. | 0:27:01 | 0:27:04 | |
Good. | 0:27:04 | 0:27:05 | |
I'm... | 0:27:05 | 0:27:07 | |
I'm on my way, tell her. | 0:27:07 | 0:27:09 | |
He's on his way, Elsie. Sit tight, love. Yeah. | 0:27:09 | 0:27:13 | |
Yeah, he'll be with you in a bit. OK. I'll tell him. | 0:27:13 | 0:27:16 | |
She said ta very much, and you've still got her fork. | 0:27:16 | 0:27:20 | |
MUSIC: Oh Patti by Scritti Politti | 0:27:21 | 0:27:24 | |
All right? | 0:27:24 | 0:27:25 | |
-You'd best go. -Mmm. | 0:27:25 | 0:27:27 | |
John to the rescue. | 0:27:27 | 0:27:30 | |
My hero. | 0:27:30 | 0:27:31 | |
John the bloody mug, more like. | 0:27:31 | 0:27:33 | |
Well, I'll see you in the morning. | 0:27:33 | 0:27:35 | |
The morning? | 0:27:35 | 0:27:36 | |
I'll pick you up in two hours. | 0:27:36 | 0:27:38 | |
ENGINE RUMBLES | 0:27:39 | 0:27:42 | |
# Don't lead the life that I left you with | 0:27:42 | 0:27:45 | |
# Listen to the cars call in the rain | 0:27:45 | 0:27:50 | |
# I got so tired of concluding | 0:27:53 | 0:27:57 | |
# That there's nothing for us to conclude | 0:27:57 | 0:28:01 | |
# Oh, Patti, don't look for certainty in your life | 0:28:02 | 0:28:07 | |
# I've gone where a lost cause can be found | 0:28:07 | 0:28:11 | |
# And don't feel sorry for lover boy | 0:28:13 | 0:28:17 | |
# You know, he wants the world to love him | 0:28:17 | 0:28:21 | |
# Then he goes and spoils it all | 0:28:21 | 0:28:24 | |
# Don't feel sorry for lover boy | 0:28:24 | 0:28:28 | |
# He wants the world to love him | 0:28:28 | 0:28:32 | |
# Then he goes and spoils it all for love. # | 0:28:32 | 0:28:35 |