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-I wondered if you'd come to my 18th. -You're not my boyfriend. | 0:00:02 | 0:00:03 | |
We're just two people who had a kid. | 0:00:03 | 0:00:05 | |
Well, if you fancy going for a drink sometime, just give me a call. | 0:00:05 | 0:00:09 | |
-I was kind of surprised you called me. -Me too! | 0:00:26 | 0:00:29 | |
Oh, God, I'm sorry. | 0:00:32 | 0:00:35 | |
It's fine. | 0:00:35 | 0:00:37 | |
PHONE BUZZES Oh, one second. Hello? | 0:00:37 | 0:00:41 | |
-PANTING: -So, how's it going? | 0:00:41 | 0:00:43 | |
Fine. I can't really talk. | 0:00:43 | 0:00:45 | |
We're going to keep this to essentials. Is she fit? | 0:00:45 | 0:00:49 | |
-What are you doing? -Kettlebells. | 0:00:49 | 0:00:51 | |
20 minutes a day and I'll be shaped like a Soviet superhero. | 0:00:51 | 0:00:55 | |
Got them on this deal with this muscle supplement. | 0:00:57 | 0:01:00 | |
'That doesn't sound safe.' | 0:01:00 | 0:01:02 | |
Of course it's safe, they're Russian. | 0:01:02 | 0:01:04 | |
OK, you probably shouldn't be doing that, but let's talk later. | 0:01:04 | 0:01:07 | |
OK. But tell her you're on the rebound so it's casual sex only. | 0:01:07 | 0:01:10 | |
I'm not doing that. | 0:01:10 | 0:01:12 | |
Just let me know if she's more than a four. | 0:01:12 | 0:01:13 | |
If she's more than a four, just hang up. | 0:01:13 | 0:01:16 | |
Bye. Sorry. | 0:01:16 | 0:01:18 | |
-So was that your parachute call? -My what? | 0:01:18 | 0:01:21 | |
You know, in case it's going badly, | 0:01:21 | 0:01:23 | |
-your mate calls with a sudden emergency and then you can bail. -Do people do that? | 0:01:23 | 0:01:26 | |
Oh, yeah, me and my mate Julie have a whole system. | 0:01:26 | 0:01:29 | |
If we're out together, we do the straws code. | 0:01:29 | 0:01:31 | |
What's the straws code? | 0:01:31 | 0:01:33 | |
Left means, "Not keen." Right means, "I really like this guy." | 0:01:36 | 0:01:41 | |
Ahh, it's very clever. | 0:01:41 | 0:01:44 | |
Then there's this one. That's, "Get me the hell out of here." | 0:01:44 | 0:01:48 | |
-PHONE RINGS -Oh. Oh, look, it's Julie. | 0:01:48 | 0:01:54 | |
So you going to bail? | 0:01:54 | 0:01:56 | |
Hi. He's all right, I suppose. | 0:01:56 | 0:02:00 | |
Bit nervous, and he threw his drink at me. | 0:02:00 | 0:02:03 | |
But he's cute, so I'm going to give him a chance. | 0:02:04 | 0:02:08 | |
He's definitely paying, though. | 0:02:08 | 0:02:10 | |
Keith, are you watching her? Keith? | 0:02:13 | 0:02:17 | |
Yep, she's fine. | 0:02:17 | 0:02:20 | |
Are you sure now? She hasn't been kidnapped? | 0:02:20 | 0:02:22 | |
When did you take her? | 0:02:25 | 0:02:26 | |
About five minutes ago. Come on, get up. | 0:02:26 | 0:02:29 | |
She needs to go for a stroll. | 0:02:29 | 0:02:30 | |
Ah, now, come on, I'm about to watch the match. | 0:02:30 | 0:02:33 | |
Where's Jamie anyway? | 0:02:33 | 0:02:34 | |
He's out having a bit of fun, for once. | 0:02:34 | 0:02:36 | |
Why does he get to have all the fun? I don't get to have any fun. | 0:02:36 | 0:02:40 | |
You could have a bit of fun helping me | 0:02:40 | 0:02:41 | |
-clean the grout out in the shower, if you like? -I'll get the buggy. | 0:02:41 | 0:02:45 | |
So I... I had fun. | 0:02:50 | 0:02:52 | |
Yeah, me too. | 0:02:52 | 0:02:54 | |
Well, there's this gig coming up at my local. | 0:02:59 | 0:03:02 | |
A few of us are going. Me, Julie. | 0:03:02 | 0:03:05 | |
Right. | 0:03:05 | 0:03:06 | |
You could come along too? | 0:03:07 | 0:03:09 | |
Oh, right, yeah. I guess I could do that. | 0:03:09 | 0:03:15 | |
Have you seen me, Jamie? I'm quite a good-looking girl. | 0:03:16 | 0:03:21 | |
And I'm funny, and smart. | 0:03:21 | 0:03:24 | |
Seriously, would you make me work this hard to get a second date? | 0:03:24 | 0:03:27 | |
I absolutely would not. | 0:03:27 | 0:03:29 | |
There you go. | 0:03:29 | 0:03:30 | |
-And I'm taller than him. -I'm right here. Just... | 0:03:30 | 0:03:33 | |
Yeah, I'd love to go, thanks. | 0:03:35 | 0:03:37 | |
Sorry, I'm just not good at the whole dating thing. | 0:03:38 | 0:03:41 | |
Well, if it goes badly, I'll just ditch you | 0:03:41 | 0:03:43 | |
and get off with one of the band. | 0:03:43 | 0:03:45 | |
I'm kidding. | 0:03:47 | 0:03:48 | |
OK! | 0:03:48 | 0:03:50 | |
-Would you like to add a tip? -I absolutely would not. | 0:03:50 | 0:03:54 | |
Do you do cashback? | 0:03:54 | 0:03:55 | |
Yeah, go on, go on, that's... Go on, shoot, shoot! | 0:03:56 | 0:04:01 | |
Oh, she is beautiful. What's her name? | 0:04:02 | 0:04:05 | |
Knobhead! Oh, sorry. | 0:04:05 | 0:04:08 | |
Your daughter, she's very cute. | 0:04:08 | 0:04:10 | |
Thank you. I'm actually the grandfather. | 0:04:10 | 0:04:14 | |
Oh, right. Have you ever considered modelling? | 0:04:14 | 0:04:17 | |
No. Well, I suppose... When I was younger, I suppose... | 0:04:20 | 0:04:24 | |
For her. | 0:04:24 | 0:04:25 | |
Zara Lang. I'm a model agent. | 0:04:26 | 0:04:29 | |
-Oh! -And she's gorgeous. Yes! | 0:04:29 | 0:04:33 | |
So, she could make some cash then? | 0:04:33 | 0:04:36 | |
Oh, yeah. Photoshoots are usually a couple of hundred, plus the chaperone fee. | 0:04:36 | 0:04:41 | |
-I'd get a fee? -If you're the chaperone. | 0:04:41 | 0:04:43 | |
-I would be the chaperone. -Then you'd get the fee. | 0:04:43 | 0:04:46 | |
Why not discuss it with your family and get back to me? | 0:04:48 | 0:04:51 | |
OK, right, cheers. | 0:04:51 | 0:04:53 | |
I'm available too if they needed like a family group thing? | 0:04:53 | 0:04:57 | |
That's, er, good to know. | 0:04:59 | 0:05:01 | |
You and me, kid. | 0:05:04 | 0:05:05 | |
14... | 0:05:05 | 0:05:07 | |
15. | 0:05:07 | 0:05:11 | |
There's a lot of weird ingredients in here. | 0:05:11 | 0:05:15 | |
I know, it's fantastic. I've only been on them for a week | 0:05:15 | 0:05:18 | |
and I can feel something's definitely happening. | 0:05:18 | 0:05:21 | |
I've just got so much more stamina. | 0:05:21 | 0:05:23 | |
Aren't there usually side effects with these things? | 0:05:23 | 0:05:25 | |
Yeah, men are intimidated, women find you irresistible. | 0:05:25 | 0:05:29 | |
Plus water retention, mood swings and liver failure. | 0:05:29 | 0:05:33 | |
Nah, these are high-end supplements. The ones that Vladimir Putin uses. | 0:05:33 | 0:05:37 | |
Argh, argh, here comes the lactic build-up. | 0:05:37 | 0:05:40 | |
So, how did it go with Hannah? | 0:05:42 | 0:05:43 | |
Yeah, did you let her know you were on the rebound | 0:05:43 | 0:05:46 | |
and only up for a bit of casual sex? | 0:05:46 | 0:05:48 | |
It wasn't like that. She's a nice girl. | 0:05:48 | 0:05:50 | |
Oh, she's just not that into you. | 0:05:50 | 0:05:52 | |
Probably prefers a man with a little bit of bulk. | 0:05:52 | 0:05:53 | |
No. We got on really well. | 0:05:53 | 0:05:55 | |
Hmm, probably just being polite. | 0:05:55 | 0:05:57 | |
It's best not to embarrass yourself by chasing her. It's undignified. | 0:05:57 | 0:06:01 | |
Actually, she's asked me out again. | 0:06:01 | 0:06:03 | |
To a gig, with her mates. | 0:06:03 | 0:06:05 | |
-Oh, female mates? -Yes. | 0:06:05 | 0:06:06 | |
-We should probably go to that. -We? | 0:06:06 | 0:06:08 | |
Oh, not if he's not ready, we shouldn't. | 0:06:08 | 0:06:10 | |
-We? You're coming too? -OK, if you want me there, I'll come. | 0:06:10 | 0:06:14 | |
Jamie, it's fine, we're coming. | 0:06:14 | 0:06:16 | |
It'll be a great opportunity for me to test-drive my new body as well. | 0:06:16 | 0:06:20 | |
What's this, Keith? | 0:06:20 | 0:06:21 | |
Oh, some woman collared us in the street today. | 0:06:21 | 0:06:25 | |
Said we should consider Emily for modelling work. | 0:06:25 | 0:06:28 | |
And what did you say? | 0:06:28 | 0:06:29 | |
I told her where she could stick it, of course. | 0:06:30 | 0:06:33 | |
Why the hell did you do that? | 0:06:33 | 0:06:35 | |
Um, because, you know, it's wrong, isn't it? | 0:06:36 | 0:06:42 | |
People exploiting their kids. | 0:06:42 | 0:06:44 | |
And I thought you'd be against it. | 0:06:44 | 0:06:46 | |
What? | 0:06:46 | 0:06:48 | |
Against getting a load of money for Emily's future, | 0:06:48 | 0:06:50 | |
and having some lovely photographs taken? | 0:06:50 | 0:06:52 | |
Of course I'm not against it, you eejit. | 0:06:52 | 0:06:54 | |
Oh, well, good news! | 0:06:54 | 0:06:57 | |
I signed her up, she's already got a casting. | 0:06:57 | 0:07:00 | |
-You signed her up without consulting me? -But you said... | 0:07:00 | 0:07:03 | |
And then you lied to me too! God Almighty, Keith. | 0:07:03 | 0:07:07 | |
-Hey, how are you? -All right, sweetheart. | 0:07:21 | 0:07:24 | |
-I'll just go and get the big bag. -OK. | 0:07:24 | 0:07:26 | |
We should tell her. It is her baby. | 0:07:30 | 0:07:32 | |
Let's see if Emily actually gets it first | 0:07:32 | 0:07:35 | |
and then it'll be a nice surprise. | 0:07:35 | 0:07:37 | |
But I feel bad about not telling her. | 0:07:39 | 0:07:41 | |
You had no problem not telling me, so keep your mouth shut. | 0:07:41 | 0:07:43 | |
There we are. | 0:07:43 | 0:07:45 | |
Are you sure you're OK looking after her today? | 0:07:45 | 0:07:48 | |
We love spending time with her. | 0:07:48 | 0:07:51 | |
Yeah, we might take her for a walk, actually. | 0:07:51 | 0:07:55 | |
It's nice to see someone putting the effort in. | 0:07:55 | 0:07:58 | |
You do know that you're looking after her on Friday? | 0:07:58 | 0:08:01 | |
I can't Friday, I'm going out. | 0:08:01 | 0:08:02 | |
Well, where are you going that's | 0:08:04 | 0:08:06 | |
so important that you can't look after Emily? | 0:08:06 | 0:08:08 | |
Just to a gig with some new friends. | 0:08:08 | 0:08:10 | |
New friends? What new friends? | 0:08:10 | 0:08:12 | |
Actually, a friend. Hannah. I met her at my 18th. | 0:08:12 | 0:08:16 | |
You'd have met her too if you'd stuck around. | 0:08:16 | 0:08:19 | |
Well, you can't, it's your turn. | 0:08:19 | 0:08:21 | |
Well, I've already told Hannah I'm going. It's a date. | 0:08:21 | 0:08:24 | |
Oh! | 0:08:25 | 0:08:27 | |
So you think that's OK, do you? | 0:08:27 | 0:08:29 | |
To just go out on dates whilst I'm stuck at home with our daughter? | 0:08:29 | 0:08:34 | |
Well, yeah, actually, I do. | 0:08:34 | 0:08:36 | |
Well, I'm not sure that I do. | 0:08:36 | 0:08:37 | |
-Right, so I can't even go on dates now? -Nope. | 0:08:38 | 0:08:43 | |
Can't be in a relationship? Have sex with anyone ever again? | 0:08:43 | 0:08:47 | |
One go on the merry-go-round and that's it for the rest of my life, is it? | 0:08:47 | 0:08:50 | |
No, nope, you're absolutely right, sorry. I am being hypocritical. | 0:08:50 | 0:08:54 | |
The reason I want you to baby-sit is because I have a date. | 0:08:54 | 0:08:59 | |
-Really? -Mm. With a man. | 0:09:01 | 0:09:03 | |
Well, good. | 0:09:06 | 0:09:08 | |
Yes. It is good. | 0:09:08 | 0:09:11 | |
I'm very happy for you. | 0:09:13 | 0:09:15 | |
So, er, we might take her for that walk now. Say bye. | 0:09:18 | 0:09:23 | |
Bye. | 0:09:23 | 0:09:25 | |
Hi. All right? | 0:09:35 | 0:09:38 | |
-Oh, she's a cutie, what's her name? -Tilly. | 0:09:45 | 0:09:50 | |
Hello, Tilly. Hello, Tilly. | 0:09:51 | 0:09:55 | |
JABBERS | 0:09:55 | 0:09:59 | |
TILLY CRIES | 0:10:00 | 0:10:03 | |
What the hell did you do? | 0:10:03 | 0:10:04 | |
-Nothing, I... -Don't look at her. | 0:10:04 | 0:10:07 | |
-Sorry. -She doesn't like direct eye contact. | 0:10:07 | 0:10:10 | |
-I was just... -Can't you see she's trying to focus? | 0:10:10 | 0:10:13 | |
Sorry, I didn't... I... I'm sorry. | 0:10:13 | 0:10:18 | |
Keith. | 0:10:18 | 0:10:19 | |
Ignore her, we're not all monsters. This is Kyle. | 0:10:19 | 0:10:25 | |
Oh, he's lovely. | 0:10:25 | 0:10:26 | |
And he's a wonderful performer. Smiles on cue. | 0:10:26 | 0:10:29 | |
-Really? -Hmm, yes, | 0:10:29 | 0:10:31 | |
we just bring out Mr Happy Bear | 0:10:31 | 0:10:35 | |
and the sun comes out. | 0:10:35 | 0:10:36 | |
Right, trick of the trade. | 0:10:38 | 0:10:41 | |
We've never really done this kind of thing before. | 0:10:41 | 0:10:43 | |
It's just nice to see people coming down just to have a go | 0:10:43 | 0:10:46 | |
for the fun of it without any expectation of getting an actual gig. | 0:10:46 | 0:10:49 | |
Good for you. | 0:10:49 | 0:10:50 | |
Jamie, it seems, is seeing someone. | 0:10:57 | 0:10:59 | |
Sneaky little bastard. | 0:10:59 | 0:11:01 | |
Exactly. How dare he whilst I'm single and stuck at home. | 0:11:01 | 0:11:05 | |
So unreasonable. | 0:11:05 | 0:11:06 | |
So I'm taking action in the form of this guy. | 0:11:06 | 0:11:09 | |
-Ooh, nice. -He is a non-smoker, | 0:11:09 | 0:11:12 | |
homeowner, graduate professional, which is great because... | 0:11:12 | 0:11:15 | |
Because he can buy you stuff. | 0:11:15 | 0:11:17 | |
Because I can have adult conversation. | 0:11:17 | 0:11:19 | |
Oh, my God, he is ancient. | 0:11:22 | 0:11:24 | |
-He's 30. -I know, you've really gone for the other end of the scale. | 0:11:24 | 0:11:27 | |
He is a man, not a boy. | 0:11:27 | 0:11:29 | |
And does this "man" know about Emily? | 0:11:29 | 0:11:31 | |
Not yet, shall I tell him? | 0:11:31 | 0:11:33 | |
-I wouldn't. -I haven't. -Good call. | 0:11:33 | 0:11:35 | |
She's seeing someone? Oh, Jamie, man, I am so sorry. | 0:11:38 | 0:11:44 | |
How does that make you feel? | 0:11:44 | 0:11:46 | |
Feel? I don't know. You know... | 0:11:47 | 0:11:51 | |
Well, not exactly great, actually. | 0:11:54 | 0:11:56 | |
That's good, that's good. Open up, come on, share. | 0:11:56 | 0:11:58 | |
I don't even know why I'm worrying about her. | 0:11:58 | 0:12:02 | |
Nothing's ever going to happen between us, she's moved on. | 0:12:02 | 0:12:05 | |
Selfish, selfish girl. | 0:12:05 | 0:12:08 | |
And then there's Hannah, who's actually very attractive | 0:12:08 | 0:12:11 | |
and who I have a lot in common with and seems to really like me. | 0:12:11 | 0:12:14 | |
I mean, what's wrong with me? | 0:12:14 | 0:12:16 | |
Hey, hey, there is nothing wrong with you. Nothing at all. | 0:12:16 | 0:12:21 | |
It's Laura. She's the one with the problem, not... | 0:12:21 | 0:12:24 | |
not you. | 0:12:24 | 0:12:26 | |
How many of those things have you had today? | 0:12:27 | 0:12:29 | |
-I'm fine. It's just... She makes me so frustrated. -Who? | 0:12:29 | 0:12:34 | |
Laura. God! Concentrate. | 0:12:34 | 0:12:38 | |
Sorry. | 0:12:38 | 0:12:40 | |
Hey, it's OK, it's OK. It's not your fault. | 0:12:40 | 0:12:43 | |
It's not your fault. | 0:12:43 | 0:12:44 | |
-Agh. -What? | 0:12:44 | 0:12:46 | |
It's my nipples, they've become really sensitive. | 0:12:46 | 0:12:51 | |
Well, I'm glad she didn't get it. | 0:12:53 | 0:12:56 | |
Those kids looked really unhappy. | 0:12:56 | 0:12:58 | |
You should never have signed her up for it in the first place. | 0:12:58 | 0:13:01 | |
It's just wrong making them work at that age. | 0:13:01 | 0:13:03 | |
Sorry. What happened to securing some money for her future | 0:13:03 | 0:13:06 | |
and getting some nice photos? | 0:13:06 | 0:13:08 | |
Well, we haven't got either of those, have we? | 0:13:08 | 0:13:10 | |
That's why I was against this from the very start. | 0:13:10 | 0:13:13 | |
PHONE RINGS | 0:13:14 | 0:13:15 | |
Wait. | 0:13:15 | 0:13:17 | |
Hello? | 0:13:18 | 0:13:20 | |
Yeah. | 0:13:20 | 0:13:23 | |
Oh, right. | 0:13:23 | 0:13:24 | |
What, this Friday? | 0:13:26 | 0:13:27 | |
OK, so, can you just wait a second, Zara? | 0:13:29 | 0:13:31 | |
Um, they want to see her for another casting. | 0:13:31 | 0:13:33 | |
Photographer thinks she'd be perfect for this poster campaign. | 0:13:33 | 0:13:37 | |
No. | 0:13:38 | 0:13:39 | |
Yeah. | 0:13:41 | 0:13:42 | |
Ah, well, if it's just for a couple of photos. | 0:13:42 | 0:13:44 | |
I don't see why she should miss out on that money. | 0:13:44 | 0:13:47 | |
Yeah, I mean, really, we owe it to her to give it another chance. | 0:13:47 | 0:13:51 | |
Who are we to stand in her way? | 0:13:51 | 0:13:54 | |
Well, don't keep the woman waiting. | 0:13:54 | 0:13:56 | |
Oh, yeah, sorry. Hi, Zara, yeah, that sounds great. | 0:13:56 | 0:14:00 | |
I was just relieved that you actually looked like your photo. | 0:14:02 | 0:14:06 | |
Ah, don't be fooled. I got here two hours early | 0:14:06 | 0:14:08 | |
and set up the lighting to make me look better. | 0:14:08 | 0:14:10 | |
Well, it's working. | 0:14:10 | 0:14:11 | |
Thank you. | 0:14:14 | 0:14:16 | |
So you were saying you're on a gap year? | 0:14:17 | 0:14:19 | |
Yeah, I didn't want to rush into uni. | 0:14:21 | 0:14:25 | |
Very wise. A couple of wrong choices and suddenly, five years later, | 0:14:25 | 0:14:28 | |
you're trying to fight your way out. | 0:14:28 | 0:14:30 | |
And I mean, you can't live your life for other people, can you? | 0:14:30 | 0:14:32 | |
It sounds like there's a nightmare ex in the background. | 0:14:32 | 0:14:36 | |
Oh, yeah, it's a bit complex. | 0:14:36 | 0:14:40 | |
PHONE VIBRATES | 0:14:44 | 0:14:45 | |
Oh, sorry, it's just a friend checking up on me. | 0:14:47 | 0:14:50 | |
Tell her the food's awful. | 0:14:50 | 0:14:52 | |
Yours too? This is mainly bay leaves. | 0:14:52 | 0:14:54 | |
I don't think it's a steak, it's someone's wallet. | 0:14:54 | 0:14:57 | |
OK, well, in the spirit of not doing things | 0:14:57 | 0:14:59 | |
for other people's sakes, let's not eat any more. | 0:14:59 | 0:15:02 | |
Yes, but let me make it up to you. | 0:15:02 | 0:15:04 | |
I will cook you dinner tomorrow. | 0:15:04 | 0:15:06 | |
It will not contain bay leaves and furthermore, | 0:15:06 | 0:15:08 | |
we'll put a ban on discussing old relationships. | 0:15:08 | 0:15:11 | |
Ahh, that sounds good, I mean, after all, | 0:15:11 | 0:15:13 | |
-exes are exes for a reason, right? -Exactly. And it was all their fault. | 0:15:13 | 0:15:17 | |
Bastards. So, what should we do now? | 0:15:17 | 0:15:21 | |
Finish the wine, refuse to pay and then go and get some chips. | 0:15:21 | 0:15:26 | |
Oh! Done! | 0:15:26 | 0:15:27 | |
Gluttons for punishment, I see? | 0:15:32 | 0:15:34 | |
Well, we thought we'd give it another go. You never know. | 0:15:34 | 0:15:37 | |
When you've done a few of these, you realise, you sort of do. | 0:15:37 | 0:15:40 | |
WOMAN: Kyle, please. | 0:15:40 | 0:15:42 | |
Oh, that's us. Right, come on, superstar. | 0:15:42 | 0:15:45 | |
Here, let me give you a hand there. | 0:15:47 | 0:15:49 | |
Thank you. | 0:15:49 | 0:15:50 | |
All right there, now. Good luck. | 0:15:50 | 0:15:53 | |
Oh, thanks. Not like we'll need it, though. | 0:15:53 | 0:15:57 | |
Oh, my God! So he turned up? | 0:16:01 | 0:16:04 | |
-Yeah. -And he brought all of his hair with him. | 0:16:04 | 0:16:06 | |
-Yeah. -And he wasn't, like, five foot? | 0:16:06 | 0:16:08 | |
No, no, he's cute. | 0:16:08 | 0:16:10 | |
-So what's wrong with him? -Nothing. As far as I can tell. | 0:16:10 | 0:16:13 | |
He's invited me to his place for dinner. | 0:16:13 | 0:16:15 | |
-And it's definitely his place, not his parents'? -Yeah. | 0:16:15 | 0:16:18 | |
Hmmm, I wonder what it is, then. | 0:16:18 | 0:16:21 | |
What what is? | 0:16:21 | 0:16:22 | |
The thing that's wrong with him. | 0:16:22 | 0:16:25 | |
Nothing, he's just a nice guy. I think he's got potential. | 0:16:25 | 0:16:28 | |
I should definitely tell him about Emily this time. | 0:16:28 | 0:16:31 | |
Oh, my God, what if he's one of those guys that seems nice, | 0:16:31 | 0:16:34 | |
but then locks you in a basement? | 0:16:34 | 0:16:37 | |
He's not one of those guys. Plus he lives in a flat. | 0:16:37 | 0:16:40 | |
Hmm, he may have a special cupboard. | 0:16:40 | 0:16:42 | |
He's not going to have a special cupboard. | 0:16:42 | 0:16:45 | |
Even so, I think you should send me a text. | 0:16:45 | 0:16:47 | |
BABY KYLE CRYING | 0:16:47 | 0:16:49 | |
Bloody hell, someone's having an off day. | 0:16:49 | 0:16:51 | |
He's usually very professional. | 0:16:55 | 0:16:58 | |
Oh, shame. | 0:16:58 | 0:17:00 | |
WOMAN: OK, er, Tilly, please. | 0:17:00 | 0:17:02 | |
Come on, Tilly, darling. Let's go get this, sweetie pie. | 0:17:03 | 0:17:07 | |
TILLY CRIES | 0:17:10 | 0:17:12 | |
We're just going to need five minutes, OK? | 0:17:12 | 0:17:15 | |
We're ready if you want. | 0:17:17 | 0:17:19 | |
WOMAN: Come through. | 0:17:19 | 0:17:20 | |
This was under the chair. | 0:17:20 | 0:17:23 | |
-Did you? -Come on, let's go. | 0:17:27 | 0:17:30 | |
I'm pretty sure they're working, I'm bulking up. | 0:17:31 | 0:17:34 | |
Yeah, but, it's like it's all around your waist. | 0:17:34 | 0:17:37 | |
That's just a bit of water retention. That'll soon go. | 0:17:37 | 0:17:39 | |
And my pecs are definitely growing. | 0:17:39 | 0:17:42 | |
-Except... -What? | 0:17:42 | 0:17:45 | |
Don't you think they're a little bit, you know... | 0:17:45 | 0:17:49 | |
Pointy? | 0:17:49 | 0:17:50 | |
Exactly. | 0:17:50 | 0:17:51 | |
Hi, Hannah. This is Mike and Beth. | 0:17:55 | 0:17:59 | |
-Hi. -No. | 0:17:59 | 0:18:00 | |
All right. | 0:18:00 | 0:18:01 | |
Oh. Hi. This is my friend Julie. | 0:18:01 | 0:18:05 | |
Hi, I'm Mike. | 0:18:05 | 0:18:08 | |
Come on, let's get a seat. | 0:18:13 | 0:18:15 | |
-I think I'm in there. -I wouldn't be too sure. | 0:18:17 | 0:18:20 | |
BAND PLAYS "WHAT MAKES YOU BEAUTIFUL" BY ONE DIRECTION | 0:18:24 | 0:18:26 | |
These lyrics are amazing. So powerful. | 0:18:32 | 0:18:34 | |
So, yeah, we were going to form a band. | 0:18:38 | 0:18:40 | |
Seriously? Just the two of you? | 0:18:40 | 0:18:43 | |
Yeah, Mike was supposed to be on keyboards and me on drums. | 0:18:43 | 0:18:47 | |
Oh, come on, you're front man material. | 0:18:47 | 0:18:49 | |
So, Jamie, who's baby-sitting tonight? | 0:18:50 | 0:18:53 | |
Mum and Dad are covering. | 0:18:53 | 0:18:56 | |
Ah, is Laura not available? | 0:18:56 | 0:18:57 | |
Yeah, apparently she's seeing someone. | 0:18:57 | 0:19:01 | |
Are you OK with that? | 0:19:01 | 0:19:03 | |
Yes. She's moved on, I'm moving on. | 0:19:04 | 0:19:08 | |
I'm having a good time. | 0:19:08 | 0:19:09 | |
So what's her name? | 0:19:12 | 0:19:13 | |
Laura? Her name's Laura. | 0:19:13 | 0:19:17 | |
You mean the baby, not my girl... Not my ex. | 0:19:18 | 0:19:23 | |
Not Laura. | 0:19:25 | 0:19:27 | |
Emily. | 0:19:27 | 0:19:28 | |
Her name's Emily. | 0:19:28 | 0:19:30 | |
I thought you meant what's Laura's name and I... | 0:19:30 | 0:19:34 | |
No, I know who Laura is. | 0:19:34 | 0:19:36 | |
Yeah. Yeah, we're not talking about her, so... | 0:19:36 | 0:19:41 | |
Easy mistake to make, she's obviously still on your mind. | 0:19:41 | 0:19:43 | |
I'm going to the bar, do you want anything? | 0:19:53 | 0:19:56 | |
Beth? | 0:20:02 | 0:20:04 | |
Can I just ask, is Laura your mate? | 0:20:05 | 0:20:09 | |
No. | 0:20:09 | 0:20:10 | |
Oh, right, I get it, so you fancy him yourself. | 0:20:11 | 0:20:16 | |
No, no, I mean, what... | 0:20:16 | 0:20:18 | |
Why would anyone want to get in the middle of that mess? | 0:20:18 | 0:20:21 | |
He's got a kid for starters, and he's not even over Laura. | 0:20:21 | 0:20:25 | |
And we're just mates. I'd be mad to get involved. | 0:20:30 | 0:20:34 | |
But, hey, that's just me. | 0:20:37 | 0:20:40 | |
You have fun. In fact, I'm going to go. | 0:20:41 | 0:20:45 | |
OK, bye, then. | 0:20:46 | 0:20:49 | |
Thank you so much for dinner. The food was amazing. | 0:20:54 | 0:20:58 | |
I'm a man of hidden depths. | 0:20:58 | 0:21:00 | |
DOOR BUZZER | 0:21:01 | 0:21:02 | |
Here you go. I'll just, um... | 0:21:02 | 0:21:05 | |
No. No way, they're supposed to be at Grandma and Grandpa's. | 0:21:11 | 0:21:14 | |
Yes, well, Grandma and Grandpa are stuck on the M1. | 0:21:14 | 0:21:17 | |
Can't you just have them for a couple more hours? | 0:21:17 | 0:21:19 | |
Look, it's once a fortnight, Marcus, they are your children too. | 0:21:19 | 0:21:23 | |
-Daddy, who's that lady? -Um, she's Daddy's friend. | 0:21:23 | 0:21:29 | |
Hello. | 0:21:29 | 0:21:30 | |
Daddy's got a lot of friends, hasn't he? | 0:21:30 | 0:21:33 | |
Look, I am sort of busy here. | 0:21:33 | 0:21:35 | |
Yes, so am I, just take your damn kids. | 0:21:35 | 0:21:37 | |
Right, OK, good night, Mummy will see you in two sleeps, OK? | 0:21:37 | 0:21:41 | |
Bye-bye. | 0:21:41 | 0:21:42 | |
Right, straight to bed. | 0:21:44 | 0:21:45 | |
I'm so... My ex is a bitch. | 0:21:48 | 0:21:52 | |
It's cool. | 0:21:52 | 0:21:54 | |
Argh, she does this deliberately. | 0:21:54 | 0:21:56 | |
I'll understand if you want to leave. | 0:21:56 | 0:21:59 | |
Daddy, can you read Hungry Moose? | 0:21:59 | 0:22:02 | |
No. | 0:22:02 | 0:22:04 | |
It's fine, go, I'll wait. | 0:22:06 | 0:22:09 | |
Well, I'll be two minutes. | 0:22:09 | 0:22:11 | |
And we're going to be together for the rest of our lives, in a way. | 0:22:14 | 0:22:19 | |
I wish I could find a way to get through to her. | 0:22:20 | 0:22:22 | |
Hey, hey, it is not your fault. | 0:22:22 | 0:22:25 | |
This man, this man is the most loving, caring man that I know. | 0:22:25 | 0:22:33 | |
And, yeah, on paper, he might not be the brightest guy in the world, | 0:22:33 | 0:22:37 | |
but this heart, this heart is a good heart. | 0:22:37 | 0:22:41 | |
Yeah, thank you. Thank you, Mike. | 0:22:41 | 0:22:46 | |
And Laura doesn't know what she's missing. | 0:22:46 | 0:22:48 | |
-They are lucky to have you in their lives. -Yep. | 0:22:48 | 0:22:53 | |
Even though it's never going to happen for you as a couple. | 0:22:53 | 0:22:55 | |
Oh, God, it is never going to happen, is it? | 0:23:00 | 0:23:04 | |
No, no! And I am so angry at her for that. | 0:23:04 | 0:23:11 | |
We're just nipping to the loos. | 0:23:14 | 0:23:17 | |
OK, so, let me explain. | 0:23:21 | 0:23:24 | |
-It's fine. -No, it's not. | 0:23:24 | 0:23:26 | |
-They're cute. -No, they're not, they're a bloody nightmare. | 0:23:26 | 0:23:29 | |
Daddy, I want the light on. | 0:23:29 | 0:23:32 | |
-Not the big light. -Go to sleep. | 0:23:35 | 0:23:39 | |
I'm sorry I didn't tell you, | 0:23:42 | 0:23:43 | |
it's just some people find it a real turn-off. | 0:23:43 | 0:23:45 | |
No, I think it's cool. | 0:23:45 | 0:23:47 | |
That's very evolved of you. Frankly, I'd have done a runner. | 0:23:47 | 0:23:51 | |
No, I'm actually kind of relieved. | 0:23:51 | 0:23:54 | |
I have a tiny, small confession to make myself. | 0:23:54 | 0:23:58 | |
I have a daughter. | 0:23:58 | 0:23:59 | |
You have a kid? | 0:24:03 | 0:24:05 | |
Mmm-hmm. Emily. She... | 0:24:05 | 0:24:07 | |
No, no, I don't want to see your photos, | 0:24:07 | 0:24:09 | |
your profile said no children. | 0:24:09 | 0:24:11 | |
-So did yours. -That's different. | 0:24:11 | 0:24:13 | |
How is that different? | 0:24:13 | 0:24:15 | |
They're her kids, I'm just the father. | 0:24:15 | 0:24:17 | |
-But... -The last thing I need is another bloody child in my life. | 0:24:17 | 0:24:20 | |
-But you're not... -I'll call you a cab. | 0:24:20 | 0:24:22 | |
No, that's fine, I will get myself a cab. | 0:24:22 | 0:24:25 | |
God, you are such a dick. | 0:24:25 | 0:24:28 | |
Oh, and I lied, the chicken was dry. | 0:24:28 | 0:24:30 | |
I think the thing is, deep down... | 0:24:32 | 0:24:37 | |
..I've actually just wanted to be with Laura and Emily and, | 0:24:38 | 0:24:43 | |
you know, just be one big family. | 0:24:43 | 0:24:46 | |
Well, family's important. | 0:24:46 | 0:24:49 | |
And all this time, I've been looking at it like it was a massive mistake. | 0:24:49 | 0:24:54 | |
But really, it was the best mistake I ever made. | 0:24:56 | 0:25:00 | |
That's so beautiful. | 0:25:02 | 0:25:04 | |
Yeah, but now Laura's moved on and I've totally blown it with her. | 0:25:05 | 0:25:12 | |
-Oh, God. -No, don't you cry, Mike. | 0:25:12 | 0:25:16 | |
I think I'm going to. | 0:25:16 | 0:25:18 | |
If you cry, I'll cry. | 0:25:18 | 0:25:21 | |
OK, OK, I'll be strong. | 0:25:21 | 0:25:25 | |
No, here it comes. | 0:25:26 | 0:25:29 | |
SOBS LOUDLY | 0:25:29 | 0:25:34 | |
So, I think we're heading off. | 0:25:34 | 0:25:38 | |
Yep, OK. | 0:25:38 | 0:25:41 | |
-Thanks for a lovely evening. -Thank you. | 0:25:43 | 0:25:46 | |
-Sorry about this. -Sorry. | 0:25:46 | 0:25:49 | |
I'm just... I don't think I'm ready to move on. | 0:25:49 | 0:25:52 | |
Yeah, I think I'm getting that. | 0:25:52 | 0:25:55 | |
I'm ready to move on. | 0:25:55 | 0:25:57 | |
Oh! Don't be ashamed to cry. | 0:25:57 | 0:26:00 | |
What have I done, Mike? | 0:26:00 | 0:26:01 | |
I think I'm developing breasts. | 0:26:04 | 0:26:06 | |
THEY GASP | 0:26:06 | 0:26:08 | |
DOORBELL CHIMES | 0:26:08 | 0:26:10 | |
Hi. | 0:26:13 | 0:26:14 | |
Hello. | 0:26:16 | 0:26:17 | |
-Shall I...? -Oh, yeah. | 0:26:17 | 0:26:20 | |
Thanks. | 0:26:20 | 0:26:21 | |
So, did you have a good weekend? | 0:26:24 | 0:26:26 | |
Yeah, yeah, you? | 0:26:26 | 0:26:29 | |
Yeah, yeah, it was good. Good. | 0:26:29 | 0:26:31 | |
Good. | 0:26:31 | 0:26:33 | |
So, you be good, Emily. Bye-bye, bye-bye. | 0:26:34 | 0:26:39 | |
Hello, beautiful. | 0:26:40 | 0:26:42 | |
So how was your date? | 0:26:47 | 0:26:49 | |
Um, yeah, not really what I expected. | 0:26:49 | 0:26:54 | |
Not good then? | 0:26:54 | 0:26:56 | |
-No, no, it was good, yeah, it's good. -Oh. | 0:26:56 | 0:26:58 | |
-It was great. -Oh, right. | 0:26:58 | 0:27:01 | |
How was yours? | 0:27:01 | 0:27:03 | |
Yeah, yeah, it was good. | 0:27:03 | 0:27:05 | |
It was... We had a really good time. | 0:27:05 | 0:27:08 | |
SHE SIGHS | 0:27:10 | 0:27:12 | |
OK, well, we'll see you next time. | 0:27:12 | 0:27:16 | |
-Yeah. See you later. -OK. | 0:27:16 | 0:27:19 | |
Bye. | 0:27:19 | 0:27:20 | |
HE SIGHS | 0:27:28 | 0:27:30 | |
DOORBELL RINGS | 0:27:34 | 0:27:35 | |
KNOCKING | 0:27:35 | 0:27:38 | |
Thank God you're in. | 0:27:38 | 0:27:40 | |
MIKE PANTS | 0:27:41 | 0:27:43 | |
I think I need professional help. | 0:27:43 | 0:27:44 | |
I don't think these are the ones that Putin uses. | 0:27:44 | 0:27:47 | |
Let's get you to a doctor. | 0:27:51 | 0:27:53 | |
OK. Can we stop off at a newsagent's? | 0:27:53 | 0:27:57 | |
-I'd really like some chocolate. -Yeah. | 0:27:57 | 0:27:59 | |
LAPTOP BEEPS | 0:27:59 | 0:28:00 | |
Zara's just emailed, the photos are here. | 0:28:00 | 0:28:05 | |
Oh, magic. Bet Emily looks amazing. | 0:28:05 | 0:28:08 | |
Oh, God. | 0:28:11 | 0:28:13 | |
Nice one, Keith! | 0:28:13 | 0:28:14 | |
Laura's an idiot to let you go, do you know that? | 0:28:17 | 0:28:20 | |
Yeah. | 0:28:26 | 0:28:27 | |
Everything sucks. | 0:28:37 | 0:28:39 | |
Bloody hell, you sound like Beth. It's not that bad. | 0:28:39 | 0:28:41 | |
Laura's got a boyfriend, I'm about to fail my exams. | 0:28:41 | 0:28:44 | |
I'm going to end up with a crap job, no girlfriend and a crap life. | 0:28:44 | 0:28:48 | |
It's a masked ball, you can be whoever you want to be. | 0:28:48 | 0:28:51 | |
Laura, you are bloody coming! | 0:28:51 | 0:28:53 | |
-I'm going to head home. -It's all got to be about you, hasn't it? | 0:28:53 | 0:28:55 | |
I don't even know why I try to be friends with you any more. | 0:28:55 | 0:28:59 | |
# Another Saturday, another careless move | 0:28:59 | 0:29:04 | |
# Tells the world that you're thinking of what to do | 0:29:04 | 0:29:07 | |
# A window opens up | 0:29:07 | 0:29:08 | |
# And someone calls your name | 0:29:08 | 0:29:10 | |
# But I can tell you don't know how to play this game | 0:29:10 | 0:29:14 | |
# I know this isn't it | 0:29:14 | 0:29:17 | |
# Oo-ooh-ooh-ooh | 0:29:18 | 0:29:21 | |
# You'll hit your targets someday...# | 0:29:22 | 0:29:24 |