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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | 0:00:00 | 0:00:06 | |
CHEERING AND APPLAUSE | 0:00:26 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:30 | |
Good evening, good evening, good evening, good evening, good evening, good evening, good evening. | 0:00:30 | 0:00:37 | |
And welcome to an idiot-proof episode of QI for a quite interesting look at intelligence. | 0:00:37 | 0:00:44 | |
Joining us tonight are some of the biggest brains of Britain. | 0:00:44 | 0:00:48 | |
The discerning David Mitchell. | 0:00:48 | 0:00:51 | |
The judicious Jo Brand. | 0:00:54 | 0:00:56 | |
The perspicacious Phill Jupitus! | 0:01:00 | 0:01:03 | |
And the...Alan Davies. | 0:01:08 | 0:01:11 | |
And they're absolutely buzzing with intelligence. David goes... | 0:01:16 | 0:01:21 | |
-BEGINNING OF MASTERMIND THEME -Jo goes... | 0:01:22 | 0:01:25 | |
NEXT BIT OF MASTERMIND THEME | 0:01:26 | 0:01:28 | |
-Phill goes... -LAST BIT OF MASTERMIND THEME | 0:01:30 | 0:01:34 | |
-And Alan goes... -"Er, pass." | 0:01:34 | 0:01:37 | |
LAUGHTER AND APPLAUSE | 0:01:38 | 0:01:40 | |
There we are. | 0:01:40 | 0:01:42 | |
Don't forget your "Nobody knows" jokers. Would you dream of forgetting them? | 0:01:43 | 0:01:48 | |
Yes, in this series there is one question to which nobody knows the answer. | 0:01:48 | 0:01:54 | |
Question one is pretty challenging and very much what is discussed by academics in the finest universities | 0:01:54 | 0:02:01 | |
so you may want to make notes. How do you get a goose interested in volleyball? | 0:02:01 | 0:02:07 | |
Jo? | 0:02:08 | 0:02:09 | |
I'd like to reply with a question. How do you get ANYONE interested in volleyball? | 0:02:09 | 0:02:15 | |
I believe the removal of clothes is part of the... | 0:02:15 | 0:02:18 | |
That's beach volleyball. | 0:02:18 | 0:02:21 | |
Well, when I say "in volleyball", I should use an indefinite article. | 0:02:21 | 0:02:26 | |
-There's being interested in volleyball and in A volleyball. -Ah! Make one out of goose food. | 0:02:26 | 0:02:31 | |
Oddly enough, you don't need to do that. Their natural egg is light blue and flecked with grey. | 0:02:31 | 0:02:39 | |
Scientists have found that you can make the eggs bigger and bigger and really bright blue | 0:02:39 | 0:02:45 | |
with great big black polka dots and they'll sit on those instead. | 0:02:45 | 0:02:50 | |
-There's no upper limit... -It's about the shape and the colour. | 0:02:50 | 0:02:54 | |
It's like us. We should eat enough food to keep ourselves alive, but we have no upper limit. | 0:02:54 | 0:03:01 | |
-We'll eat another bar of chocolate and end up looking like me. -Is that why you wear the Cadbury's livery? | 0:03:01 | 0:03:09 | |
LAUGHTER | 0:03:09 | 0:03:11 | |
Hoping for a freebie as always. | 0:03:11 | 0:03:14 | |
It is, evolutionarily speaking, the bigger the egg, the more likely it is to want to sit on it | 0:03:14 | 0:03:20 | |
-because it's more likely to be a healthy, larger chick. -"This will be the most amazing goose ever!" | 0:03:20 | 0:03:27 | |
And so they'll sit on a volleyball. That's a kind of flaw in nature, if you like. | 0:03:27 | 0:03:33 | |
We have to include ourselves in this. There are certain things we don't need in excess, | 0:03:33 | 0:03:39 | |
like sugar and fat and sex, but we spend lots of time eating chocolate and doing things on the internet. | 0:03:39 | 0:03:45 | |
Sounds like my perfect holiday. Sugar, fat and sex. Yes, please! | 0:03:45 | 0:03:50 | |
-But we've got the awareness that we do that. -We do. -The goose on the volleyball isn't thinking, | 0:03:51 | 0:03:57 | |
"This is a bit much. The world doesn't need giant geese." | 0:03:57 | 0:04:02 | |
You're right. We have the extra curse of consciousness | 0:04:02 | 0:04:05 | |
that we are fools. They're fools without knowing it. It's called | 0:04:05 | 0:04:09 | |
supernormal stimuli and it seems to exist in a lot of species, actually. | 0:04:09 | 0:04:14 | |
Anyway, geese like their eggs the bigger the better. | 0:04:14 | 0:04:17 | |
They don't know when to stop, which seems stupid, but name an intelligent bird. | 0:04:17 | 0:04:23 | |
Yes? | 0:04:23 | 0:04:25 | |
Me. | 0:04:26 | 0:04:27 | |
LAUGHTER AND APPLAUSE | 0:04:27 | 0:04:30 | |
I was going to say Shirley Williams. | 0:04:35 | 0:04:38 | |
-She is much more intelligent than I am. -Nonsense. | 0:04:38 | 0:04:41 | |
I've got to big myself up. I've got a very low IQ. No-one else will. | 0:04:41 | 0:04:44 | |
I don't believe that for a second. | 0:04:44 | 0:04:46 | |
-It's 83. -Oh, my God! You're barely human. | 0:04:46 | 0:04:48 | |
I don't think there are any intelligent birds. Their brains are so incredibly tiny. | 0:04:50 | 0:04:55 | |
-Well... -Like an owl. I know this as a thing. | 0:04:55 | 0:04:59 | |
-65% of the skull is the eyes. The brain is virtually nothing. -You're right. | 0:05:01 | 0:05:06 | |
It's very hard to judge intelligence in a bird. | 0:05:06 | 0:05:09 | |
Can they count, is one. There are birds that can count. | 0:05:09 | 0:05:13 | |
Cormorants can count to eight. | 0:05:13 | 0:05:16 | |
You may say, "No, hang on..." but they are used by Chinese fishermen. | 0:05:16 | 0:05:22 | |
-They catch a fish and drop it on the boat... -One! -And the eighth one they keep for themselves. -Eight! | 0:05:22 | 0:05:28 | |
-"That's mine." -Finished. | 0:05:29 | 0:05:32 | |
"Nine!" Erp! | 0:05:32 | 0:05:35 | |
But the generally smartest group is not smart because they count, but because they solve problems. | 0:05:35 | 0:05:42 | |
-These are the corvids. -Crows! -The crows, the ravens, the jackdaws, | 0:05:42 | 0:05:48 | |
the magpies. What's interesting is they can look at a problem. | 0:05:48 | 0:05:52 | |
I've seen experiments where they've had a gate that's pulled up on a string | 0:05:52 | 0:05:57 | |
which goes round a sort of pulley system and they will look at it | 0:05:57 | 0:06:02 | |
and then go straight to pull the right piece of string to raise the door. | 0:06:02 | 0:06:07 | |
We've got film here, for example, of a crow. There. It hasn't seen this hook at all. | 0:06:07 | 0:06:12 | |
Ever. It's its first time. | 0:06:12 | 0:06:15 | |
It's working it out. It's seen that it has a bent end. | 0:06:15 | 0:06:20 | |
-And now it's pulling that out. -How bizarre. -Quite extraordinary. | 0:06:20 | 0:06:25 | |
And now it's got its food. | 0:06:25 | 0:06:27 | |
-They do seem like the most evil birds. -They're often considered creatures of ill omen. | 0:06:27 | 0:06:31 | |
In Shakespeare, they're often used as such. | 0:06:31 | 0:06:35 | |
But you're just seeing them with Carmina Burana playing. | 0:06:35 | 0:06:39 | |
-Imagine a crow... -I should get something else for my iPod? -Tijuana Taxi by Herb Alpert. | 0:06:39 | 0:06:45 | |
That's a nice crow. Put a sombrero on it, take the edge off it. | 0:06:45 | 0:06:50 | |
-But if you had Carmina Burana and a robin, you wouldn't think it was evil. -I would! -Would you? | 0:06:50 | 0:06:56 | |
Dirty bastard robin! | 0:06:56 | 0:06:59 | |
Anyway, there are intelligent birds, and the crow family display intelligence aplenty. | 0:06:59 | 0:07:05 | |
Who first cracked the Enigma code? | 0:07:05 | 0:07:07 | |
Was it the Poles? | 0:07:10 | 0:07:13 | |
Top man! Absolutely right. | 0:07:13 | 0:07:16 | |
APPLAUSE | 0:07:16 | 0:07:18 | |
You're a good soul. | 0:07:18 | 0:07:19 | |
There's a general feeling that we did all the work, but in fact, | 0:07:21 | 0:07:26 | |
it was a Pole in 1932, as early as that, | 0:07:26 | 0:07:28 | |
who first cracked how an Enigma machine worked. | 0:07:28 | 0:07:31 | |
But in the late 1930s, the Germans changed the way they worked, | 0:07:31 | 0:07:35 | |
I think it was something like 364 billion possible settings | 0:07:35 | 0:07:39 | |
each day to the daily code. That's not something you could guess. | 0:07:39 | 0:07:44 | |
But the first one to crack it in the beginning | 0:07:44 | 0:07:46 | |
was a young Polish mathematician called Marian Rejewski. | 0:07:46 | 0:07:50 | |
And if you ever go to Bletchley Park, | 0:07:50 | 0:07:52 | |
and I do urge you to do so, there is a splendid statue to him... | 0:07:52 | 0:07:55 | |
-Have they got a good shop? -They have a very nice shop. They also | 0:07:55 | 0:07:59 | |
have a museum of computing, which I know would excite you. | 0:07:59 | 0:08:01 | |
Oh, indeed(!) I'm already moist. | 0:08:01 | 0:08:04 | |
It is well established. | 0:08:09 | 0:08:11 | |
The work on Enigma did do a great deal to hasten | 0:08:11 | 0:08:13 | |
the end of the war. Eisenhower estimated that a shortened | 0:08:13 | 0:08:17 | |
the war by two years, which is hundreds of thousands of lives. | 0:08:17 | 0:08:20 | |
So it was an extraordinary important thing that these boffins got together. | 0:08:20 | 0:08:25 | |
But how were they first brought together at Bletchley Park? | 0:08:25 | 0:08:28 | |
What was the first move the Government made to assemble the boffins? | 0:08:28 | 0:08:32 | |
-Singles club. -It was almost that. | 0:08:32 | 0:08:35 | |
It was a Telegraph crossword competition. | 0:08:35 | 0:08:39 | |
Specially fiendish crossword, and the winners were sent letters | 0:08:39 | 0:08:42 | |
saying, "You might be our kind of chap." | 0:08:42 | 0:08:45 | |
Anyway, they then soon became aware that having people | 0:08:45 | 0:08:48 | |
who knew that "carthorse" was an anagram of "orchestra" | 0:08:48 | 0:08:51 | |
was not going to win them the war. | 0:08:51 | 0:08:53 | |
They needed really great mathematical minds. | 0:08:53 | 0:08:57 | |
It was when the world changed. | 0:08:57 | 0:08:58 | |
"It will be fascinating conundrums that the Nazis will set us! | 0:08:58 | 0:09:02 | |
"We will have to find clues and follow them!" | 0:09:04 | 0:09:07 | |
No, you just need a supercomputer. | 0:09:07 | 0:09:09 | |
Fortunately, there was a man ready for it. | 0:09:09 | 0:09:11 | |
It just happened to be that history had thrown up | 0:09:11 | 0:09:13 | |
a brilliant mathematician called Alan Turing | 0:09:13 | 0:09:16 | |
who was at Cambridge at the time. | 0:09:16 | 0:09:18 | |
He's considered the father of computing, | 0:09:18 | 0:09:20 | |
one of the truly great men of his time. | 0:09:20 | 0:09:23 | |
You may remember Gordon Brown making an impassioned but far too late apology | 0:09:23 | 0:09:27 | |
on behalf of the British Government for his terrible death. | 0:09:27 | 0:09:30 | |
He was persecuted for his homosexuality | 0:09:30 | 0:09:32 | |
and chemically castrated and then committed suicide | 0:09:32 | 0:09:35 | |
by eating a poisoned apple. | 0:09:35 | 0:09:37 | |
There are many to this day who believe that Apple computers | 0:09:37 | 0:09:40 | |
named their apple with the bite out of it in honour of Alan Turing, | 0:09:40 | 0:09:43 | |
the father of computing. | 0:09:43 | 0:09:45 | |
I was in a position to ask one of the founders, Steve Jobs, | 0:09:45 | 0:09:48 | |
and he said, "It isn't true, but God, we wish it were." | 0:09:48 | 0:09:52 | |
It is just a coincidence, but they're very proud that people think it might be, | 0:09:52 | 0:09:56 | |
because he was an extraordinary man. | 0:09:56 | 0:09:58 | |
But the real fiendish thing was not Enigma. It was called Lorenz. | 0:09:58 | 0:10:02 | |
Lorenz was used by German High Command and Hitler himself, basically. | 0:10:02 | 0:10:07 | |
Lorenz was unbelievably difficult, | 0:10:07 | 0:10:08 | |
and for that, Turing and his team built what really was | 0:10:08 | 0:10:11 | |
the world's first computer. It was called Colossus. | 0:10:11 | 0:10:15 | |
It was way ahead of its time, it was quite extraordinary. | 0:10:15 | 0:10:18 | |
It was all a complete national secret until very recently, wasn't it? | 0:10:18 | 0:10:23 | |
Or quite recently. | 0:10:23 | 0:10:24 | |
Absolutely. There is Bletchley Park. It is open to the public. | 0:10:24 | 0:10:28 | |
I'm a big advocate for it. I make no apology for banging its drum. | 0:10:28 | 0:10:31 | |
It's a great place. | 0:10:31 | 0:10:32 | |
It's an interesting choice that we took as a nation, though, | 0:10:32 | 0:10:35 | |
during the Second World War, which was an expensive experience for us | 0:10:35 | 0:10:38 | |
and left us bankrupt, but out of it we had, basically, | 0:10:38 | 0:10:41 | |
invented the computer, and we decided to make it a secret. | 0:10:41 | 0:10:44 | |
-Yes! -Without in any sense attempting to monetise it. | 0:10:44 | 0:10:48 | |
Actually, we gave the secret of Colossus to the CIA. | 0:10:48 | 0:10:51 | |
Oh, superb(!) | 0:10:51 | 0:10:53 | |
What an excellent move. No-one will be needing that(!) | 0:10:55 | 0:10:59 | |
There were a lot of people in British Government who thought, | 0:10:59 | 0:11:02 | |
"What are these people in damp tweed with pipes and glasses doing | 0:11:02 | 0:11:06 | |
"writing on bits of paper?" | 0:11:06 | 0:11:07 | |
It was quite a big budget. "What are they doing?" | 0:11:07 | 0:11:10 | |
Churchill had a look round and the fellow explained what they were doing, | 0:11:10 | 0:11:14 | |
and there's a famous memo in Churchill's hand that just says "Give them what they want." | 0:11:14 | 0:11:18 | |
Fantastic, that, isn't it? | 0:11:18 | 0:11:19 | |
Can I just ask, and you may not be able to answer this, | 0:11:19 | 0:11:23 | |
but what was the nature of the Enigma code? | 0:11:23 | 0:11:26 | |
-Was it mathematical? -Yes. Don't ask me to give you precise details. | 0:11:26 | 0:11:30 | |
I'm really no expert, but it was purely physical, mechanical device, | 0:11:30 | 0:11:35 | |
but it had so many different rotors that had so many different angles | 0:11:35 | 0:11:39 | |
and positions that there were hundreds of billions of permutations. | 0:11:39 | 0:11:42 | |
It was our job to intercept or work out what the codeword | 0:11:42 | 0:11:46 | |
of the day was and then we could translate the messages. | 0:11:46 | 0:11:50 | |
But they were very lazy. | 0:11:50 | 0:11:52 | |
The Germans made mistakes by using the names of their dogs and things. | 0:11:52 | 0:11:56 | |
A lot of intelligence was gathered about people in Naval Intelligence, | 0:11:56 | 0:11:59 | |
in particular about their dogs, their girlfriends. | 0:11:59 | 0:12:02 | |
It's a bit like passwords. | 0:12:02 | 0:12:03 | |
I'm beginning to think that | 0:12:03 | 0:12:05 | |
people might be able to hack into my John Lewis account. | 0:12:05 | 0:12:08 | |
Not named after your dog, surely? | 0:12:10 | 0:12:12 | |
It's ironic, though, that they invented a computer which finished the war early, | 0:12:12 | 0:12:16 | |
but the cyber war being waged by China will be the death of all of us. | 0:12:16 | 0:12:20 | |
Yes. There is some... The worry about it is, I was speaking to | 0:12:20 | 0:12:23 | |
a man at Los Alamos, which is where they developed the nuclear bomb. | 0:12:23 | 0:12:28 | |
They said they had something like one million attacks an hour | 0:12:28 | 0:12:32 | |
on their cyber front-end security. I said, "What, hackers?" | 0:12:32 | 0:12:36 | |
And they said, "No. Nations. Well, let's be honest, one nation." | 0:12:36 | 0:12:40 | |
And I was interviewing him on camera, and I said, | 0:12:40 | 0:12:43 | |
"Would it rhyme with 'bina'?" | 0:12:43 | 0:12:45 | |
He said, "It might well do." I said, "That's how many times | 0:12:45 | 0:12:49 | |
"they're battering on the doors of your security?" | 0:12:49 | 0:12:52 | |
They've got thousands of computers trying to work it out | 0:12:52 | 0:12:55 | |
24 hours a day. | 0:12:55 | 0:12:57 | |
Presumably, we're attempting in our own befuddled way to do the same. | 0:12:57 | 0:13:01 | |
We've got a ZX80 on it 24/7! | 0:13:01 | 0:13:04 | |
Except when Wimbledon's on! | 0:13:07 | 0:13:10 | |
Yes, we've got a crow that can get a tiny bucket out of a Perspex tube! | 0:13:10 | 0:13:15 | |
Take that, China! | 0:13:15 | 0:13:17 | |
How long does the perfect job interview last? | 0:13:19 | 0:13:23 | |
Yes, Jo? | 0:13:23 | 0:13:24 | |
How long does a blowjob take? | 0:13:26 | 0:13:28 | |
LAUGHTER AND APPLAUSE | 0:13:28 | 0:13:30 | |
The extraordinary thing is the answer is exactly what I've got on my card - | 0:13:35 | 0:13:40 | |
it's 12 seconds! | 0:13:40 | 0:13:42 | |
-LAUGHTER -You're absolutely right! | 0:13:42 | 0:13:46 | |
Wow. Very good. It does seem that 12 seconds is enough. | 0:13:46 | 0:13:51 | |
And, bizarrely, you don't even have to hear. You can see video of someone and most people will agree | 0:13:51 | 0:13:57 | |
to give him or her the job. After 12 seconds, the mind has been made up, it seems. | 0:13:57 | 0:14:03 | |
Something about the attitude, the confidence, whatever it is, | 0:14:03 | 0:14:07 | |
if it hasn't come across in 12 seconds, it won't. | 0:14:07 | 0:14:11 | |
-Or so it would seem. Have you ever had to apply for a job? -Loads. | 0:14:11 | 0:14:16 | |
-Never got any of them. -You're here, aren't you? -True. | 0:14:16 | 0:14:20 | |
-But I slept with you, as you well know. -One of the best 12 seconds of my life! | 0:14:20 | 0:14:26 | |
LAUGHTER AND APPLAUSE | 0:14:26 | 0:14:28 | |
But I have applied for loads of jobs and not got a lot of them, | 0:14:34 | 0:14:38 | |
but so much is to do with appearance, isn't it? | 0:14:38 | 0:14:42 | |
As a fat person, you are pretty swiftly written off if there's a thin person in the offing. | 0:14:42 | 0:14:48 | |
-That sort of thing makes a really big difference. -And they would never dare admit it. | 0:14:48 | 0:14:55 | |
Well, they told me a few times. | 0:14:55 | 0:14:58 | |
"We'd love to employ you, but we've got a thin person." | 0:14:58 | 0:15:03 | |
-"I understand." -Outrageous! How about you, Alan? What have you done before you went into comedy? | 0:15:03 | 0:15:09 | |
-I never wanted to have a job. -Really?! | 0:15:09 | 0:15:13 | |
-In the event of an interview, wear flip-flops. -LAUGHTER | 0:15:13 | 0:15:18 | |
You will never be employed. Go in, put your feet up on the desk. | 0:15:18 | 0:15:22 | |
-And they'll get the next person in! -That's fair. | 0:15:23 | 0:15:28 | |
We have here a list of job interview questions you shouldn't ask, if we're the interviewing panel. | 0:15:28 | 0:15:34 | |
You're not to ask, "Are you a smoker?" "Are you originally from the OK?" The UK! | 0:15:34 | 0:15:42 | |
But if you're interviewing for a cowboy, it's a good question. | 0:15:42 | 0:15:46 | |
I was going to say it's not OK to say, "Are you originally from the UK?" I screwed it up. | 0:15:46 | 0:15:52 | |
-"Do you have children who need to be looked after?" -"In the event of a fire, will you stop working?" | 0:15:52 | 0:15:59 | |
"Do you plan to have children in future?" And then, "What are your weaknesses?" is a common one. | 0:15:59 | 0:16:06 | |
The temptation, of course, is to attempt to subvert it by naming a weakness that is a strength. | 0:16:06 | 0:16:13 | |
"Oh, my trouble is I'm just a terrible perfectionist. I can't stop until it's perfect." | 0:16:13 | 0:16:19 | |
-"I'm so punctual!" -"My problem is I'm really nice. I'm too nice." | 0:16:19 | 0:16:25 | |
That is transparent. Don't do that. Say one that is not terrible, | 0:16:25 | 0:16:30 | |
like, "I tend to get bogged down in details, but I'm making an effort." | 0:16:30 | 0:16:35 | |
-"I'm a terrible thief." -LAUGHTER | 0:16:35 | 0:16:37 | |
-"I love other people's stuff." -"I can't concentr... Oh, look! A squirrel!" | 0:16:40 | 0:16:45 | |
"What are your weaknesses?" "Heroin and masturbating, not necessarily in that order." | 0:16:45 | 0:16:52 | |
-"What are your strengths?" Here's another one. -"My odour. I've got a powerful odour. | 0:16:53 | 0:16:59 | |
"It only gets stronger as the day goes on." | 0:16:59 | 0:17:03 | |
LAUGHTER | 0:17:03 | 0:17:05 | |
-You're still wearing your "I don't want a bloody job" hat! -"These feet stink by four o'clock." | 0:17:07 | 0:17:15 | |
Don't say, "I work well without supervision," | 0:17:15 | 0:17:18 | |
which may seem good, but it sounds, "I resent management," is what you're saying. | 0:17:18 | 0:17:22 | |
So say, "I work equally well with or without supervision." | 0:17:22 | 0:17:26 | |
"I relish working in a team." | 0:17:26 | 0:17:29 | |
Yes! Eugh! Vomit-worthy, isn't it? | 0:17:29 | 0:17:32 | |
Don't say, "I'm confident, outgoing and a natural leader." That suggests a reincarnation of Adolf Hitler. | 0:17:32 | 0:17:39 | |
Say, "I have good interpersonal skills." | 0:17:39 | 0:17:42 | |
If I met someone who said who said they had good interpersonal skills, | 0:17:42 | 0:17:45 | |
I'd get a rusty knife and do that in their stomach. | 0:17:45 | 0:17:48 | |
-Until they bled to death! -"I've got good interpersonal skills" is proof that you don't! -Exactly! | 0:17:48 | 0:17:52 | |
You immediately annoy the person you're talking to. | 0:17:52 | 0:17:56 | |
"I'm comfortable taking instructions from idiots like you." | 0:17:56 | 0:18:00 | |
LAUGHTER | 0:18:00 | 0:18:02 | |
There are weird things like the person interviewing you might just fall asleep. | 0:18:02 | 0:18:06 | |
Apparently, the smart thing to do | 0:18:06 | 0:18:09 | |
-is leave a note saying, "I enjoyed meeting you." -Is it?! | 0:18:09 | 0:18:13 | |
-I'd say that's an incredibly unassertive thing to do. -I agree. | 0:18:13 | 0:18:18 | |
"Wake up, you lazy sod! This is my life we're talking about!" | 0:18:18 | 0:18:22 | |
So you mustn't lick their face? | 0:18:22 | 0:18:25 | |
-LAUGHTER -Now, that would be good. | 0:18:25 | 0:18:28 | |
Imagine them waking up and you're there with your tongue on their nose. | 0:18:28 | 0:18:33 | |
I had a job in the Civil Service - loved that(!) - for six months and they asked me the wrong question. | 0:18:37 | 0:18:44 | |
If they'd said to me, "Are you likely in three months' time to get pissed in the club bar, | 0:18:44 | 0:18:49 | |
"go back to your desk, fall asleep and then fall off your chair?" | 0:18:49 | 0:18:54 | |
I could have said yes and they could have not given me the job, but that is what happened and I got sacked. | 0:18:54 | 0:19:00 | |
-They stupidly didn't have a question for that. -The wrong question. -No-one but themselves to blame. -Absolutely. | 0:19:00 | 0:19:06 | |
They also ask, "How many piano tuners are there in the UK?" | 0:19:06 | 0:19:11 | |
-What?! -It tests your initiative or your wit when you give an answer. | 0:19:11 | 0:19:16 | |
"Will you take advantage of Bring Your Kestrel To Work Thursday?" | 0:19:16 | 0:19:20 | |
The whole thing sounds horrible, the world of job interviews. | 0:19:20 | 0:19:25 | |
The thing that seems unfair to me is people expected to pretend to care about jobs they don't care about. | 0:19:25 | 0:19:32 | |
You should be allowed to say, "You can't put in my contract that I have to seem like I give a shit." | 0:19:32 | 0:19:38 | |
-LAUGHTER -That's expecting too much. | 0:19:38 | 0:19:41 | |
I really like living in a country with such poor customer service. | 0:19:41 | 0:19:46 | |
I've got respect for that. | 0:19:46 | 0:19:48 | |
"This is a horrible train, you're tearing tickets. Of course you're in an awful mood." | 0:19:48 | 0:19:53 | |
Now that you've put it like that I shall feel better about it. | 0:19:55 | 0:19:59 | |
Why have a cheesy grin on your face if you work in an awful supermarket? | 0:19:59 | 0:20:05 | |
It's the sign either of a liar or a moron. | 0:20:05 | 0:20:08 | |
-Exactly. -It's funny when people are rude in shops, isn't it? It still takes you by surprise. | 0:20:08 | 0:20:13 | |
My wife went to a shop today to buy an ironing basket. "I've never heard of such a thing. | 0:20:13 | 0:20:20 | |
-"I have no idea where you would find something like that." -"You've just put two words next to each other | 0:20:20 | 0:20:27 | |
-"in a mad way!" -Me and my mates would deliberately go to a Chinese restaurant | 0:20:27 | 0:20:33 | |
in Wardour Street because they were so foul to you. | 0:20:33 | 0:20:37 | |
The best ever time we went there, we were actually moved mid-meal to a different floor. | 0:20:37 | 0:20:44 | |
LAUGHTER | 0:20:44 | 0:20:46 | |
"You go upstair now!" | 0:20:46 | 0:20:49 | |
"Excuse me?" "You go upstair now. This table booked." | 0:20:50 | 0:20:55 | |
"I'm in the middle of my dinner!" "You go upstair!" | 0:20:55 | 0:20:58 | |
An army of waiters moved our meal. I was pissing myself! | 0:20:58 | 0:21:03 | |
LAUGHTER Fantastic. | 0:21:03 | 0:21:06 | |
Job interviews only need to last 12 seconds, it seems. | 0:21:06 | 0:21:10 | |
Of course, it helps to believe in yourself as well. | 0:21:10 | 0:21:12 | |
How do you know if you're incompetent? | 0:21:12 | 0:21:16 | |
"MASTERMIND" THEME | 0:21:16 | 0:21:19 | |
Is it because you did very badly at your last job which | 0:21:19 | 0:21:22 | |
involved organising a piss-up in a brewery? | 0:21:22 | 0:21:25 | |
You'd think that would be hint wouldn't you? | 0:21:25 | 0:21:27 | |
No, there is a thing called the Dunning-Kruger effect | 0:21:27 | 0:21:32 | |
which is that if you're incompetent, you don't know it because the thing | 0:21:32 | 0:21:35 | |
that makes you incompetent means you don't realise what the competent thing is. | 0:21:35 | 0:21:40 | |
So lets imagine you've got a rather mediocre doctor who hasn't | 0:21:40 | 0:21:44 | |
diagnosed something that a smarter doctor would have done. | 0:21:44 | 0:21:47 | |
The incompetent doctor doesn't know he's incompetent because he doesn't | 0:21:47 | 0:21:51 | |
know what it is that he hasn't done. Do you see what I mean? | 0:21:51 | 0:21:54 | |
-Doesn't he realise that when the patient dies? -Patients die anyway. | 0:21:54 | 0:21:57 | |
Only if some really smart doctor goes, didn't you realise this? Then they go, "Oops!" | 0:21:57 | 0:22:00 | |
But the fact is they don't know they're incompetent | 0:22:00 | 0:22:02 | |
They don't know they're incompetent, | 0:22:02 | 0:22:05 | |
that's sort of what makes you incompetent. The fact is, we don't know...what we don't know. | 0:22:05 | 0:22:10 | |
Are you saying you can tell if you're incompetent if you're happy? | 0:22:10 | 0:22:14 | |
Basically! There are incompetent people who you feel, must know they're incompetent. | 0:22:14 | 0:22:20 | |
There were a couple of thieves in America, you'll be surprised to know, | 0:22:20 | 0:22:24 | |
who surprised themselves thus, using Magic Markers. | 0:22:24 | 0:22:27 | |
LAUGHTER | 0:22:27 | 0:22:29 | |
They thought the could get away with that! That was in Iowa. | 0:22:29 | 0:22:33 | |
There's a look of realisation in their eyes. | 0:22:33 | 0:22:37 | |
Yes, we now realise this wouldn't have been sufficient. | 0:22:37 | 0:22:41 | |
in 1994 a 30-year-old plumber and part time terrorist | 0:22:41 | 0:22:45 | |
in sunny Al Jahaleen entered the cinema in Al Zarqa in Jordan with a bomb. | 0:22:45 | 0:22:50 | |
It was showing x-rated films which he disapproved | 0:22:50 | 0:22:54 | |
so he planted his bomb under a seat but then got carried away | 0:22:54 | 0:23:00 | |
watching the film and it exploded and too away both his legs! | 0:23:00 | 0:23:04 | |
-The bomb? -Yes. -Thank god. | 0:23:04 | 0:23:08 | |
Isn't that excellent news? | 0:23:10 | 0:23:12 | |
Um, anyway... Very strange! | 0:23:12 | 0:23:16 | |
Now, would you like to see an ingenious interlude? | 0:23:16 | 0:23:19 | |
-I've been trying to get better at these chemistry experiments. -These are my favourite bits. | 0:23:19 | 0:23:24 | |
They are fun. This is a speaker, as you can see. | 0:23:24 | 0:23:27 | |
This is cornflour mixed with water, as you would buy in any high street cornflour shop or supermarket. | 0:23:27 | 0:23:34 | |
-It's used as a thickening agent. -It's not green, though. -We've made i green to make it stand out more. | 0:23:34 | 0:23:40 | |
It has a particular property. It's a non-Newtonian fluid. It's very peculiar. | 0:23:40 | 0:23:45 | |
I'm going to pour it here. Gloopy, I think, is the word. | 0:23:45 | 0:23:48 | |
And unlike most liquids which change their viscosity according to their temperature, | 0:23:48 | 0:23:54 | |
these change according to pressure | 0:23:54 | 0:23:57 | |
and we hope that a bit of sound played by Ben, our sound man... | 0:23:57 | 0:24:01 | |
-LOW VIBRATING SOUND Hello! -It's beginning to vibrate. | 0:24:01 | 0:24:04 | |
As it gets louder, the effect will get more extraordinary... It's a wonderful feeling. | 0:24:04 | 0:24:10 | |
-LAUGHTER -I might be able to give it a tickle with a spoon. There we go. | 0:24:10 | 0:24:15 | |
There you are. | 0:24:15 | 0:24:17 | |
If I keep... Oops! | 0:24:17 | 0:24:19 | |
And you start to get basically little Morphs making love with each other. | 0:24:19 | 0:24:25 | |
LAUGHTER | 0:24:25 | 0:24:27 | |
-It's so weird. -Isn't it? There you go. | 0:24:27 | 0:24:30 | |
You have just screwed every stereo of every QI viewer. | 0:24:30 | 0:24:35 | |
Isn't that creepy? | 0:24:36 | 0:24:39 | |
-Margaret, get the cornflour! -It's like little wavy, green people. | 0:24:39 | 0:24:44 | |
And they're all rising and making love. | 0:24:44 | 0:24:47 | |
-That's what you say! -You're adding that. -It looks like it. -I think they're being burned alive. | 0:24:47 | 0:24:54 | |
-Some of them are waving. -"Help me, I'm drowning!" | 0:24:54 | 0:24:58 | |
Isn't it extraordinary? | 0:24:58 | 0:25:00 | |
And all that is is water and cornflour. It's quite amazing. | 0:25:00 | 0:25:04 | |
-What?! -It's the actual vibrations, the physical effect that changes the viscosity. | 0:25:04 | 0:25:10 | |
Let's all gather round. | 0:25:10 | 0:25:12 | |
-They climb out... They look as if they're trying to climb out. -Yes. | 0:25:12 | 0:25:16 | |
-It's rather beautiful. -That is fantastic. -Isn't it? | 0:25:18 | 0:25:22 | |
It's like a glimpse into hell, isn't it? | 0:25:22 | 0:25:25 | |
-All the souls writhing around, trying to escape. -That's just what it looks like. | 0:25:25 | 0:25:30 | |
-Maybe it is. -Yes, souls in agony. | 0:25:30 | 0:25:33 | |
And then it goes quiet again and settles back into liquid form. | 0:25:33 | 0:25:38 | |
-Isn't that amazing? -APPLAUSE | 0:25:38 | 0:25:41 | |
Well, I've got, um... | 0:25:44 | 0:25:47 | |
I've got clingfilm, but they've not furnished me with a wet wipe. | 0:25:47 | 0:25:51 | |
Oh, look at the muck on 'ere! | 0:25:54 | 0:25:56 | |
-Would you like a tissue? -"I was at work tonight and I got green gunk all over me purple suit! | 0:25:56 | 0:26:02 | |
-"Eeh, I look like Jack Nicholson!" -Oh, there we are. | 0:26:02 | 0:26:05 | |
There are various non-Newtonian fluids. They are working on a liquid armour, | 0:26:05 | 0:26:10 | |
which is weird, but the higher the pressure of the bullet, the more solid the liquid will become. | 0:26:10 | 0:26:16 | |
-How am I only seeing this for the first time tonight? -It's exciting. | 0:26:16 | 0:26:20 | |
Every time I go round someone's house, why aren't they playing dub reggae and getting the cornflour out. | 0:26:20 | 0:26:26 | |
You know what to do next time. Now, what is this robot designed to do? | 0:26:26 | 0:26:32 | |
-"MASTERMIND" THEME -Blimey! Yes? | 0:26:34 | 0:26:36 | |
To overthrow the puny humans? | 0:26:36 | 0:26:39 | |
That's what most robots are designed to do. | 0:26:39 | 0:26:42 | |
-It's for hanging a jacket on. -This is actually an iron-shirt robot. | 0:26:42 | 0:26:47 | |
It irons your shirt. You put on a shirt and it puffs up and irons it, gets rid of its creases. | 0:26:47 | 0:26:53 | |
I think it might be a replacement husband because it's just sitting there doing fuck-all. | 0:26:53 | 0:26:58 | |
That would be a good job. The fact is, there was so much promise for robots | 0:26:59 | 0:27:04 | |
and a lot of artificial intelligence research. | 0:27:04 | 0:27:07 | |
Sorry, is it just this atmosphere? Are you thirsty? | 0:27:07 | 0:27:11 | |
Can we have a drink? Thank you. | 0:27:12 | 0:27:14 | |
-I've got a friend here who's going to give me a drink. -It's not like Yo! Sushi, is it? -No. Here we are. | 0:27:14 | 0:27:21 | |
APPLAUSE | 0:27:21 | 0:27:24 | |
'This is for you.' | 0:27:27 | 0:27:29 | |
Thank you. | 0:27:29 | 0:27:32 | |
That's very kind of you. Welcome to QI, Asimo. | 0:27:32 | 0:27:36 | |
'Thank you, Stephen. It is great to be here.' | 0:27:36 | 0:27:39 | |
Isn't he marvellous? | 0:27:39 | 0:27:41 | |
"Here I am, brain the size of a planet, opening doors..." | 0:27:41 | 0:27:46 | |
-You're the most advanced humanoid robot on the planet? Is that right? -'That is what they tell me.' | 0:27:47 | 0:27:54 | |
Why don't you show us what you can do? | 0:27:54 | 0:27:57 | |
'I would love to.' | 0:27:57 | 0:27:59 | |
-Is he going to kill me? -Honestly, I promise you you are going to be impressed. | 0:28:00 | 0:28:05 | |
I mean, this is... This movement that is so simple to us... | 0:28:06 | 0:28:12 | |
They can do calculations we could never dream of doing, any computer, but this movement he's doing... | 0:28:12 | 0:28:18 | |
He's going to go down a step, right? | 0:28:18 | 0:28:20 | |
-Give him time. -If he falls over, that's 20 million quid up the Swanee! | 0:28:20 | 0:28:25 | |
APPLAUSE | 0:28:25 | 0:28:28 | |
Now... | 0:28:28 | 0:28:29 | |
LAUGHTER | 0:28:33 | 0:28:35 | |
Now he'll do something that I think no-one in this room will ever have seen, which is truly miraculous. | 0:28:35 | 0:28:41 | |
"Studio audience killed by runaway robot!" | 0:28:41 | 0:28:44 | |
No, he's going to run. I'd like you to run, Asimo. This takes him a bit of time. | 0:28:44 | 0:28:50 | |
Both feet will leave the ground and he will run. | 0:28:50 | 0:28:53 | |
There he goes. | 0:28:53 | 0:28:55 | |
Ohh! APPLAUSE | 0:28:55 | 0:28:57 | |
Isn't that amazing? | 0:28:57 | 0:29:00 | |
-It is. -Isn't that incredible? | 0:29:00 | 0:29:02 | |
Well done. | 0:29:06 | 0:29:08 | |
Well done, Asimo. I think it's only fair that you get some points. | 0:29:08 | 0:29:13 | |
'Thanks, but what I would really like is a dance with Jo.' | 0:29:13 | 0:29:17 | |
LAUGHTER | 0:29:17 | 0:29:19 | |
-Oh, my word! -I think that can be arranged. | 0:29:19 | 0:29:22 | |
He wouldn't say that if he'd met me. | 0:29:27 | 0:29:30 | |
'Hi, Jo.' | 0:29:31 | 0:29:33 | |
Hi, Asimo. I'm married. Sorry. | 0:29:33 | 0:29:37 | |
DISCO MUSIC | 0:29:39 | 0:29:42 | |
Oh, yes! | 0:29:45 | 0:29:47 | |
CHEERING | 0:30:05 | 0:30:07 | |
Well done, everybody. | 0:30:16 | 0:30:18 | |
-CHEERING AND APPLAUSE -And he's bowing! | 0:30:18 | 0:30:21 | |
LAUGHTER | 0:30:23 | 0:30:25 | |
Amazing! | 0:30:26 | 0:30:27 | |
-I've scored! -Thank you very much, Asimo. | 0:30:27 | 0:30:31 | |
Goodbye then. | 0:30:31 | 0:30:33 | |
-What's the battery like on one of these? -Love you! | 0:30:33 | 0:30:37 | |
APPLAUSE | 0:30:37 | 0:30:39 | |
There he goes. | 0:30:44 | 0:30:46 | |
-Round the corner. -I can't help feeling he's heavily weaponised. | 0:30:46 | 0:30:50 | |
-Should be in the movies. -Why do you think he's called Asimo? | 0:30:50 | 0:30:54 | |
It's bloody depressing that even a robot can dance better than I can! | 0:30:54 | 0:30:59 | |
I presume it's an acronym, is it? | 0:31:00 | 0:31:03 | |
-Asimo? -Is it a tribute to Isaac Asimov? -No, that's what a lot of people assume. | 0:31:03 | 0:31:08 | |
It's a coincidence. It's from the Japanese. "Asi" means "feet" and "mo" is short for "movement". | 0:31:08 | 0:31:14 | |
They're most proud, you can see why, of his extraordinary ability. | 0:31:14 | 0:31:18 | |
The amount of technology that goes into a machine that can walk bipedally like that and run! | 0:31:18 | 0:31:24 | |
We're at that stage now, which is amazing, but how far are we | 0:31:24 | 0:31:27 | |
-from mechagodzilla? -Ah, that's what we need. | 0:31:27 | 0:31:29 | |
That's a great big tall one, bigger than buildings, running round Tokyo. | 0:31:29 | 0:31:35 | |
-Breathing fire as well, doesn't it? -I don't know that mechagodzilla breathed fire | 0:31:35 | 0:31:39 | |
-as much as had missiles in his fists. -Oh yes! Got to be one of the other, surely. | 0:31:39 | 0:31:43 | |
I'm not absolutely sure about the voice. It sounds a bit like Michael Jackson which is a bit chilling. | 0:31:43 | 0:31:48 | |
Yeah, it would be more reassuring if it was a mechanical voice. | 0:31:48 | 0:31:53 | |
What, like a more sort of... | 0:31:53 | 0:31:55 | |
GRUFF VOICE: "Hello, Jo, do you want to dance?" | 0:31:55 | 0:31:59 | |
Or maybe Bernard Manning? | 0:31:59 | 0:32:01 | |
-Or Ste-phen Haw-king, it could talk to you like him. -That's very good. | 0:32:01 | 0:32:05 | |
I think it would have been more reassuring if its dancing was like robotic dancing, | 0:32:05 | 0:32:10 | |
rather than trying to be human. | 0:32:10 | 0:32:12 | |
I find its attempts to be human tragic. | 0:32:12 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:18 | |
Well, aren't you easily pleased(?) | 0:32:18 | 0:32:20 | |
I'd like for it to be like Jerry Springer. The robot runs on and goes "Who are you cal-ling rub-bish?" | 0:32:20 | 0:32:26 | |
LAUGHTER | 0:32:26 | 0:32:28 | |
Then big blokes in QI black T-shirts have to pull it off... LAUGHTER | 0:32:28 | 0:32:33 | |
ROBOTIC VOICE: "Get off me, you slags! Get off me, you slags! | 0:32:33 | 0:32:36 | |
"He was asking for it." | 0:32:36 | 0:32:39 | |
"I want a DNA test!" | 0:32:39 | 0:32:42 | |
LAUGHTER | 0:32:42 | 0:32:44 | |
APPLAUSE | 0:32:44 | 0:32:45 | |
At the moment, he can recognise people, objects and gestures. | 0:32:49 | 0:32:53 | |
He has cameras in there. | 0:32:53 | 0:32:54 | |
He can calculate distances and the direction of movement and create flexible routes to a destination. | 0:32:54 | 0:33:01 | |
He can hear and speak to an extent. | 0:33:01 | 0:33:03 | |
He can understand about 50 different calls and greetings, | 0:33:03 | 0:33:06 | |
as well as 30 different commands and react to them accordingly. | 0:33:06 | 0:33:10 | |
There's a long way to go, but I was bloody impressed. Thank you very much to Asimo and his handlers. | 0:33:10 | 0:33:16 | |
APPLAUSE | 0:33:16 | 0:33:19 | |
That brings us to the all-too human world of general ignorance. Fingers on buzzers, if you please. | 0:33:22 | 0:33:28 | |
How many piano tuners are there in the UK? | 0:33:28 | 0:33:32 | |
Is the right answer! | 0:33:33 | 0:33:36 | |
-'Nobody knows.' -Yes, get in there... -APPLAUSE | 0:33:36 | 0:33:40 | |
Yes, it's a very strange thing, | 0:33:40 | 0:33:43 | |
but even the British Association of Piano Tuners has no idea how many piano tuners there are. | 0:33:43 | 0:33:49 | |
Somewhere between 1,000 and 10,000 is their guess. | 0:33:49 | 0:33:53 | |
-That's a very wide gap. -It is a very wide gap. They just don't know. | 0:33:53 | 0:33:57 | |
You could try and work it out. | 0:33:57 | 0:33:59 | |
You could look in the Yellow Pages and count them. | 0:33:59 | 0:34:02 | |
Don't people have to put what their job is in the Census? | 0:34:02 | 0:34:06 | |
A piano tuner is often a moonlighting job, not necessarily a full-time one. | 0:34:06 | 0:34:11 | |
I like the idea that the part-time masturbating terrorist was also a piano tuner as well. | 0:34:11 | 0:34:16 | |
-One of his many other jobs. -Indeed, indeed, | 0:34:16 | 0:34:19 | |
-and a dental technician. -Also delivered the Baghdad exchange and mark. -Yes. | 0:34:19 | 0:34:23 | |
On a clock face, how many times a day do the two hands overlap? | 0:34:23 | 0:34:29 | |
This is definitely one to avoid answering at all costs. | 0:34:32 | 0:34:37 | |
I mean... Isn't it every hour, surely? So 24, 12 times? | 0:34:37 | 0:34:43 | |
ALARM SOUNDS | 0:34:43 | 0:34:47 | |
Well you'd think it would be 24, | 0:34:47 | 0:34:49 | |
you'd think it would until you reason thusly - | 0:34:49 | 0:34:52 | |
that the first time it overlaps is at 12 o'clock. | 0:34:52 | 0:34:54 | |
And then at five past one, and ten past two and quarter past three. | 0:34:54 | 0:34:57 | |
Yes but you lose an hour, you lose one in 12. | 0:34:57 | 0:35:00 | |
In fact we can show it speeded up and you can count. | 0:35:00 | 0:35:02 | |
It starts with 1, 2, 3, 4, 5... | 0:35:02 | 0:35:06 | |
I feel like I'm getting older. | 0:35:14 | 0:35:17 | |
22 is the answer, yeah, and you can do the math! | 0:35:17 | 0:35:22 | |
In as much as the hour hand moves forward to the one it takes a minute | 0:35:22 | 0:35:26 | |
and a little more than 65 minutes to catch up with it, not 60. | 0:35:26 | 0:35:29 | |
There are 1,440 minutes in the day, | 0:35:29 | 0:35:31 | |
divided by 65 equals 22 and a tiny bit. | 0:35:31 | 0:35:34 | |
So that's 22 overlaps a day. You look pleased. | 0:35:34 | 0:35:38 | |
Can I just say, I used to think I was intelligent but I'm not. | 0:35:38 | 0:35:42 | |
Oh, you are. It's one of those things, you can make up for it | 0:35:42 | 0:35:46 | |
by telling us where the biggest clock face in Britain is. | 0:35:46 | 0:35:48 | |
Is it going to be in a public place like a railway station? | 0:35:48 | 0:35:52 | |
-Is it one of those, like, garden ones? Is it a floral? -No, it's not. | 0:35:52 | 0:35:56 | |
-It's not far from here. -Palace of Westminster? | 0:35:56 | 0:35:58 | |
-ALARM -Oh, no, I'm afraid it's not, no. | 0:35:58 | 0:36:01 | |
It's not what is commonly called Big Ben or St Stephen's tower, | 0:36:01 | 0:36:05 | |
it's not that one, though that is a jolly big one, that's 23ft in diameter. | 0:36:05 | 0:36:09 | |
The one we're after is opposite it. | 0:36:09 | 0:36:10 | |
-Is it the wheel, the Millennium Wheel? -No, that doesn't count, | 0:36:10 | 0:36:14 | |
it's opposite the Millennium Wheel, virtually. | 0:36:14 | 0:36:17 | |
-Oh, the Shell building? -The Shell Mex building on The Strand, absolutely right. | 0:36:17 | 0:36:22 | |
It's now the headquarters of Penguin, the publishers, | 0:36:22 | 0:36:25 | |
there it is. Rather splendid - | 0:36:25 | 0:36:27 | |
it's the biggest clock face in Britain. The second biggest after that | 0:36:27 | 0:36:32 | |
is the Royal Liver Building clock which is also slightly bigger | 0:36:32 | 0:36:36 | |
than what we'll call Big Ben. | 0:36:36 | 0:36:38 | |
-LIVERPUDLIAN ACCENT: -That's it, the Liver Building now, like, eh? | 0:36:38 | 0:36:41 | |
-Eh? -Eh? | 0:36:41 | 0:36:45 | |
Now then! | 0:36:45 | 0:36:48 | |
So, the hands on a clock overlap 22 times a day. | 0:36:48 | 0:36:53 | |
Now, when was time immemorial? | 0:36:53 | 0:36:56 | |
# The Simpsons! # | 0:36:56 | 0:36:58 | |
LAUGHTER | 0:36:58 | 0:37:00 | |
HUMS "THE SIMPSONS" THEME TUNE | 0:37:02 | 0:37:05 | |
-The time before The Simpsons started? -That would count. | 0:37:08 | 0:37:11 | |
-I don't understand what "time immemorial" means. -If you say, for example... | 0:37:11 | 0:37:16 | |
If you can prove in a court of law that you've been grazing your sheep on some land since time immemorial, | 0:37:16 | 0:37:22 | |
you don't have to re-justify your right to do it. | 0:37:22 | 0:37:25 | |
-It's an established practice that has been done since time immemorial. -It doesn't mean "for ever"? -No. | 0:37:25 | 0:37:32 | |
It specifically, originally meant the 6th of July, 1189. | 0:37:32 | 0:37:36 | |
LAUGHTER | 0:37:36 | 0:37:38 | |
There must have been a lot of excitement in the run-up to that. "It's time immemorial tomorrow!" | 0:37:38 | 0:37:45 | |
-And there'd be... -"At last we can get things sorted. | 0:37:46 | 0:37:49 | |
"Whatever's happening tomorrow, we stick to." | 0:37:49 | 0:37:53 | |
It was the day of the coronation of a particular sovereign in our country. | 0:37:54 | 0:38:00 | |
-Richard I. -You read History and that's damn good. It wasn't a wasted education. It was indeed Richard I | 0:38:00 | 0:38:06 | |
who was crowned in 1189. | 0:38:06 | 0:38:09 | |
It was decided then that the first Statute of Westminster, | 0:38:09 | 0:38:13 | |
which was a few years after his reign, it defined his reign as the limit of legal memory. | 0:38:13 | 0:38:19 | |
Did they have to raise such an army just to catch those two seagulls? | 0:38:19 | 0:38:23 | |
LAUGHTER | 0:38:23 | 0:38:27 | |
"There they are! | 0:38:27 | 0:38:29 | |
"After them, men! | 0:38:29 | 0:38:31 | |
"They've been flying since time immemorial!" | 0:38:31 | 0:38:35 | |
The one on the right is saying, "I can't believe we're doing all this for those two poxy seagulls!" | 0:38:35 | 0:38:41 | |
Do you think the French, when they saw them, thought, "Oh, my God, it's the Red Cross people! | 0:38:41 | 0:38:46 | |
"Try and not meet their eye. Sorry, mate, I've got to go. I can't stop." | 0:38:46 | 0:38:52 | |
What is the brakeman's job during a bobsleigh race? | 0:38:52 | 0:38:56 | |
Oh, he puts the brakes on. | 0:38:56 | 0:38:58 | |
-ALARM SOUNDS -Oh, Jo, no, no, no. | 0:38:58 | 0:39:00 | |
I was just trying to move us on! | 0:39:00 | 0:39:03 | |
He's the last one to jump on. He's the one who gives it the biggest push, he's the biggest, usually, | 0:39:03 | 0:39:09 | |
he's the one who gets it really accelerating. | 0:39:09 | 0:39:12 | |
You're not allowed to brake during the race cos you'd ruin the smooth surface of the ice. | 0:39:12 | 0:39:17 | |
Um, there are other versions that are done on bobsleigh courses, such as luging, what does luging involve? | 0:39:17 | 0:39:23 | |
-Going down on a tea tray. -Yeah, | 0:39:23 | 0:39:25 | |
that's right. In which direction, as it were? | 0:39:25 | 0:39:27 | |
Feet-first is luging, and what's the other one where you're head-first? | 0:39:27 | 0:39:30 | |
-Suicide. -Yeah, you'd think! | 0:39:30 | 0:39:32 | |
The Cresta Run is a skeleton which is where you're head-first | 0:39:32 | 0:39:35 | |
and you slide down at incredible speed. | 0:39:35 | 0:39:38 | |
There was a time in the late 19th century when the fastest people on the planet were the people | 0:39:38 | 0:39:44 | |
who did the Cresta Run, until the invention of the aeroplane. | 0:39:44 | 0:39:46 | |
-I've got a supplementary question which might help you get some points. -Can you remember | 0:39:46 | 0:39:51 | |
which Caribbean country surprisingly came 29th in the 88th... | 0:39:51 | 0:39:52 | |
"MASTERMIND" THEME Jamaica. | 0:39:52 | 0:39:55 | |
-ALARM -Oh, dear. | 0:39:55 | 0:39:58 | |
No, no, I'm afraid Jamaica came 30th. The surprising thing is | 0:39:58 | 0:40:02 | |
there was another Caribbean country about which they didn't make a film. | 0:40:02 | 0:40:07 | |
The film, as you see, there's John Candy, was Cool Runnings, a fine film. | 0:40:07 | 0:40:13 | |
But for some reason they decided the heroic achievement | 0:40:13 | 0:40:17 | |
of the Dutch Lesser Antilles team was not worthy of a film. | 0:40:17 | 0:40:21 | |
-Just wasn't as cool as Jamaica, they don't have a Bob Marley figure I suppose. -But also, they've not got a catchy name for their country. | 0:40:21 | 0:40:28 | |
It's confusing because it's got the nationality | 0:40:28 | 0:40:31 | |
-of a different country in it. -And it's lesser. | 0:40:31 | 0:40:34 | |
-Yeah, it's... -Dutch Lesser Antilles. | 0:40:34 | 0:40:37 | |
Bizarre you should say that because it not longer exists - | 0:40:37 | 0:40:40 | |
The Netherlands and Antilles went their separate ways | 0:40:40 | 0:40:42 | |
and it ceased to exist in 2010 | 0:40:42 | 0:40:45 | |
and its national anthem when it did exist was called Anthem Without a Title. | 0:40:45 | 0:40:49 | |
Because the title of our country is so poor we can't trust ourselves | 0:40:49 | 0:40:53 | |
to think of another one. We'll call it French Song or something! | 0:40:53 | 0:40:58 | |
It's terribly sad. Anyway, so that was the story of the Dutch Lesser Antilles | 0:40:58 | 0:41:03 | |
and their famous bobsleigh team | 0:41:03 | 0:41:05 | |
who came 29th in the '88 winter Olympics. | 0:41:05 | 0:41:08 | |
It brings us to the end of this QI IQ test, | 0:41:08 | 0:41:12 | |
so hand in your papers and I'll tally up the scores and oh, my goodness me! | 0:41:12 | 0:41:17 | |
Well, it's very exciting, actually. | 0:41:17 | 0:41:19 | |
Top of the class | 0:41:19 | 0:41:22 | |
with four points | 0:41:22 | 0:41:24 | |
is David Mitchell! | 0:41:24 | 0:41:26 | |
APPLAUSE | 0:41:26 | 0:41:28 | |
In second place with minus four is Phill Jupitus. | 0:41:31 | 0:41:37 | |
APPLAUSE | 0:41:37 | 0:41:40 | |
And in third place with minus eight is Jo Brand. | 0:41:44 | 0:41:48 | |
APPLAUSE | 0:41:48 | 0:41:51 | |
In clear last place with minus 16 is Alan Davies. | 0:41:53 | 0:41:59 | |
APPLAUSE | 0:41:59 | 0:42:00 | |
But... | 0:42:02 | 0:42:04 | |
the clear, clear winner this week with an extraordinary 32 points | 0:42:04 | 0:42:09 | |
is the magnificent Asimo! | 0:42:09 | 0:42:12 | |
CHEERING AND APPLAUSE | 0:42:12 | 0:42:15 | |
So it's good night from David, Phill, Jo, Alan and not forgetting Asimo and me. | 0:42:23 | 0:42:30 | |
And I just want to share with you the cover story of a recent National Geographic magazine, | 0:42:30 | 0:42:36 | |
which is about the recreation by archaeologists at Gobekli Tepe in Turkey. | 0:42:36 | 0:42:41 | |
It's the oldest temple in the world. Some people think it's the oldest building in the world. | 0:42:41 | 0:42:47 | |
It's 11,600 years old and what excites me is that it looks like this. | 0:42:47 | 0:42:52 | |
Does it remind you of anything? | 0:42:52 | 0:42:54 | |
Good night. On that bombshell, good night. | 0:42:54 | 0:42:57 | |
APPLAUSE | 0:42:58 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:20 | |
Email [email protected] | 0:43:20 | 0:43:23 |