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CHEERING AND APPLAUSE | 0:00:23 | 0:00:26 | |
Goooood...evening! | 0:00:30 | 0:00:33 | |
Good evening, good evening, good evening, good evening! | 0:00:33 | 0:00:36 | |
And welcome to QI, the quiz show that glows in the dark. | 0:00:36 | 0:00:39 | |
Tonight, we're peering through the gloom | 0:00:39 | 0:00:42 | |
at subjects of illumination and invisibility. | 0:00:42 | 0:00:46 | |
Joining me under the covers with a torch, a packet of crisps | 0:00:46 | 0:00:49 | |
and the latest edition of The Gentleman's Magazine, | 0:00:49 | 0:00:51 | |
-we have the enlightened Jack Dee! -APPLAUSE | 0:00:51 | 0:00:55 | |
-The illuminating Chris Addison! -APPLAUSE | 0:00:58 | 0:01:01 | |
-The incandescent Rich Hall! -APPLAUSE | 0:01:04 | 0:01:08 | |
-And that bright spark, Alan Davies! -CHEERING | 0:01:10 | 0:01:15 | |
Now, should any of you wish to draw attention to your brilliance, | 0:01:19 | 0:01:23 | |
you can light up my life in this manner... | 0:01:23 | 0:01:25 | |
-Jack goes... -LIGHTSABER WHIRRS | 0:01:25 | 0:01:30 | |
-Chris goes... -FIREWORKS EXPLODE | 0:01:30 | 0:01:34 | |
-Rich goes... -LIGHTNING | 0:01:34 | 0:01:37 | |
-And Alan goes... -SWITCH CLICKS | 0:01:37 | 0:01:40 | |
'Oh...' | 0:01:40 | 0:01:42 | |
BOOM! | 0:01:42 | 0:01:44 | |
Good. Now, each of you should have a set of cards. | 0:01:44 | 0:01:49 | |
During the course of the game, I want you to see if you can find out | 0:01:49 | 0:01:53 | |
what these international symbols stand for. | 0:01:53 | 0:01:57 | |
You can decide for yourself. | 0:01:57 | 0:01:58 | |
You can write underneath each... On top, beside. | 0:01:58 | 0:02:03 | |
They are all recognised international symbols | 0:02:03 | 0:02:06 | |
for some very real... | 0:02:06 | 0:02:09 | |
That's Lady Gaga! | 0:02:09 | 0:02:11 | |
You've already made your mind up. | 0:02:11 | 0:02:14 | |
You've also got a question-marked joker card. | 0:02:14 | 0:02:17 | |
One of the questions I ask tonight | 0:02:17 | 0:02:21 | |
has the answer "nobody knows". | 0:02:21 | 0:02:23 | |
-If you can guess... -FANFARE | 0:02:23 | 0:02:25 | |
-'Nobody knows!' -There you are. -LAUGHTER | 0:02:25 | 0:02:29 | |
-That caught you by surprise. -Yes. | 0:02:29 | 0:02:31 | |
If you guess which question it is to which there's an answer nobody knows, | 0:02:31 | 0:02:34 | |
you'll get extra points. | 0:02:34 | 0:02:36 | |
Now, in 1879, the Blackpool Illuminations began. | 0:02:36 | 0:02:41 | |
They were visited by up to 100,000 people from all over Britain | 0:02:41 | 0:02:46 | |
and were so bright that they were described as "artificial sunshine". | 0:02:46 | 0:02:49 | |
My question simply is, how many lamps did they use? | 0:02:49 | 0:02:54 | |
I love that the people of Blackpool consider this to be like sunshine. | 0:02:54 | 0:02:57 | |
-Are you saying we don't know? We do know. -Ahh! | 0:02:57 | 0:03:00 | |
-We know precisely how many they used. -Damn! | 0:03:00 | 0:03:03 | |
-Hang on. 1879? -Yes. | 0:03:03 | 0:03:06 | |
So, this is before the invention of the bulb? | 0:03:06 | 0:03:11 | |
Well done! Certainly before the invention of the filament bulb by Thomas Alva Edison, yes. | 0:03:11 | 0:03:16 | |
He didn't have the idea for the bulb, he had an idea for something else. He went, "Bing! Oh!" | 0:03:16 | 0:03:22 | |
-"Hey!" -That's very good! -"I'll do that instead!" -Yes! | 0:03:22 | 0:03:27 | |
-But it, isn't it? -It wasn't light bulbs as we know them. | 0:03:27 | 0:03:30 | |
They were carbon arc lamps. | 0:03:30 | 0:03:33 | |
They were still used by the film industry up until the 1980s. | 0:03:33 | 0:03:37 | |
100,000 people visited. | 0:03:37 | 0:03:39 | |
How many lamps did they use to draw that many people? | 0:03:39 | 0:03:42 | |
-12. -12 lamps! You're damn close. It's eight. | 0:03:42 | 0:03:46 | |
-Is it?! -Yes! That's what's so extraordinary! | 0:03:46 | 0:03:49 | |
Eight, at a distance of 370 yards apart, | 0:03:49 | 0:03:52 | |
it was still astonishing enough, no-one had ever seen anything like it, to draw crowds. | 0:03:52 | 0:03:56 | |
Back then, there wasn't much to do, was there? | 0:03:56 | 0:03:59 | |
Everything else was gaslight, which this was a different sort of light, | 0:03:59 | 0:04:03 | |
and this was a white, bright daylight sort of light. | 0:04:03 | 0:04:06 | |
What did moths do before then? | 0:04:06 | 0:04:08 | |
I don't know what moths... Moths... I mean, how...? | 0:04:08 | 0:04:11 | |
Why don't moths come out during the day if they're so fond of the bloody light? | 0:04:11 | 0:04:15 | |
-I mean, really! -They could just sit still and go, | 0:04:15 | 0:04:18 | |
"Wow! This is amazing!" | 0:04:18 | 0:04:21 | |
It's very peculiar! | 0:04:22 | 0:04:24 | |
You know, Edison electrocuted an elephant. | 0:04:24 | 0:04:26 | |
-He did. -My favourite fact of all time. | 0:04:26 | 0:04:28 | |
Do you know why? | 0:04:28 | 0:04:30 | |
It was a death sentence, it was an execution. | 0:04:30 | 0:04:32 | |
-I think you might know this cos you saw it on QI! -Yes! -Really? | 0:04:32 | 0:04:36 | |
The problem with joining you people so late is you've covered basically all human knowledge! | 0:04:36 | 0:04:41 | |
While you were saying it, I thought, "This rings a bell." | 0:04:41 | 0:04:44 | |
-Maybe that's how I know it. -"I heard this before." | 0:04:44 | 0:04:46 | |
You are absolutely right. There is film of it, which you can see. It's a very tragic sight. | 0:04:46 | 0:04:51 | |
-Elephant snuff movies?! -Yeah, I'm afraid it's true. -Wow! -It's very sad. | 0:04:51 | 0:04:54 | |
But Blackpool were keen to attract people and it worked, | 0:04:54 | 0:04:58 | |
as you probably know as a lad from the northwest. | 0:04:58 | 0:05:02 | |
In fact, from all over Britain people, every September, | 0:05:02 | 0:05:04 | |
go just as the season is ending, | 0:05:04 | 0:05:07 | |
the Illuminations go up and they attract millions of people. | 0:05:07 | 0:05:10 | |
Of course, fabulous celebrities come to turn on... | 0:05:10 | 0:05:13 | |
Can you name some of the...? | 0:05:13 | 0:05:16 | |
-I think Jayne Mansfield did it. -Very good, Chris! | 0:05:16 | 0:05:19 | |
-Way, way back. -There she is. Jayne Mansfield came. -Whoo-hoo! | 0:05:19 | 0:05:23 | |
Then the lads from Top Gear, so they've maintained the quality(!) | 0:05:23 | 0:05:26 | |
The bloke on the left can't believe it! | 0:05:26 | 0:05:30 | |
-That's the mayor, I think. -"This is terrific!" | 0:05:30 | 0:05:32 | |
-Even the mayoress is delighted! -She is rather! | 0:05:32 | 0:05:36 | |
But other people have opened. Red Rum. | 0:05:36 | 0:05:38 | |
They made a special pedal so that when he trod on it, it turned on. That was in 1977. | 0:05:38 | 0:05:44 | |
And then they electrocuted him. | 0:05:44 | 0:05:47 | |
Michael Ball in 1997 and in 2006, Dale Winton. | 0:05:47 | 0:05:52 | |
They should've electrocuted him! | 0:05:52 | 0:05:54 | |
I think they've peaked! Where can they go from there? | 0:05:54 | 0:05:57 | |
-Dale's definitely peaked. -They've reached the top. | 0:05:57 | 0:06:00 | |
-It cost them £50,000 worth of electricity... -To get Dale Winton? | 0:06:00 | 0:06:04 | |
No! Of electricity to run the Illuminations. | 0:06:04 | 0:06:07 | |
Not any more. They use low-energy light bulbs. | 0:06:07 | 0:06:10 | |
There's no point going for the first 15 minutes of the Illuminations. | 0:06:10 | 0:06:14 | |
You have to wait for it to warm up. "Three, two, one...!" "Oh." | 0:06:14 | 0:06:19 | |
"Come back in 15 minutes. They'll be lovely." | 0:06:19 | 0:06:24 | |
Costs over £2.4 million to stage, | 0:06:24 | 0:06:25 | |
but apparently brings 275 million to the economy. | 0:06:25 | 0:06:29 | |
Because so many people come to watch. | 0:06:29 | 0:06:32 | |
-But it's free, innit? -I know, but they buy fish and chips, they... | 0:06:32 | 0:06:35 | |
£275 million-worth of fish and chips?! | 0:06:35 | 0:06:38 | |
It brings 3.5 million people | 0:06:38 | 0:06:41 | |
and they don't have to spend more than £7 | 0:06:41 | 0:06:44 | |
for that to be the amount of money that they brought in. | 0:06:44 | 0:06:47 | |
The original Blackpool Illuminations consisted of eight bulbs. | 0:06:47 | 0:06:50 | |
Today, they're six miles long and use 200 miles of wire and a million bulbs. | 0:06:50 | 0:06:55 | |
Now, if you can dispel the shadows on this one for me, I'd be very grateful. | 0:06:55 | 0:07:00 | |
Why did Mexican revolutionary Pancho Villa | 0:07:00 | 0:07:04 | |
have to wait for the light? | 0:07:04 | 0:07:05 | |
There he is, Pancho Villa. | 0:07:07 | 0:07:08 | |
He had to wait till the banks were open before he could rob them. | 0:07:08 | 0:07:11 | |
-Well, Pancho Villa was part of a war in Mexico. -He was. He was a great... | 0:07:11 | 0:07:16 | |
Quite a tremendous stature but now reduced to a... | 0:07:16 | 0:07:19 | |
chain of tawdry Mexican restaurants, where suburban bimbos go | 0:07:19 | 0:07:24 | |
and drink margaritas for 2 a pitcher and... | 0:07:24 | 0:07:26 | |
-That's it. -..weep into their guacamole. | 0:07:26 | 0:07:28 | |
This is why you didn't get that gig in advertising. | 0:07:28 | 0:07:31 | |
Yeah. | 0:07:31 | 0:07:33 | |
There was a three-part war, the government of Mexico against two revolutionaries - | 0:07:33 | 0:07:37 | |
Pancho Villa and... | 0:07:37 | 0:07:38 | |
-Is it Zapata? -Zapata, yes. | 0:07:38 | 0:07:40 | |
"Shoe," I think, in Mexican, isn't it? | 0:07:40 | 0:07:42 | |
-Yes. -Yeah, in Spanish. -Whereas Pancho Villa means... | 0:07:42 | 0:07:45 | |
-"House of Pancho." -Yes, I suppose. | 0:07:45 | 0:07:48 | |
He wasn't called Pancho Villa, was he? | 0:07:49 | 0:07:51 | |
He took his name from his grandad, the best name I've ever heard. | 0:07:51 | 0:07:55 | |
-Which is... -Aston. -"Aston Villa"? | 0:07:55 | 0:07:57 | |
Perfect! | 0:07:57 | 0:07:59 | |
It was Jesus. | 0:07:59 | 0:08:00 | |
Jesus Villa, which just sounds like the Pope's holiday home. | 0:08:00 | 0:08:03 | |
"We go to..." | 0:08:03 | 0:08:04 | |
-"Jesus Villa." -Jesus Villa, yeah. | 0:08:04 | 0:08:06 | |
It so happened that the American public were rather fascinated by this Mexican war, | 0:08:06 | 0:08:11 | |
and different American film companies paid | 0:08:11 | 0:08:16 | |
the different sides for the rights to film their battles. | 0:08:16 | 0:08:21 | |
And Pancho Villa got 20% of the box office of the Mutual Film Company, | 0:08:21 | 0:08:26 | |
who were on his side, as it were, but he had to wait till the cameras were set up and the light was right | 0:08:26 | 0:08:31 | |
before he could begin the battle. | 0:08:31 | 0:08:33 | |
AND they made him dress up in a general's uniform. | 0:08:33 | 0:08:36 | |
Usually, he went casual. | 0:08:36 | 0:08:38 | |
But they made him dress up in a general's uniform to look like that. | 0:08:38 | 0:08:42 | |
-So just before they charged, did they get make-up and everything? -Yeah! | 0:08:42 | 0:08:45 | |
Well, it wasn't quite that bad, | 0:08:45 | 0:08:47 | |
but it was an extraordinary, bizarre war, run for American studios. | 0:08:47 | 0:08:51 | |
And the strange thing is that, actually, | 0:08:51 | 0:08:53 | |
the reality wasn't that exciting. | 0:08:53 | 0:08:54 | |
And they would re-enact it back in America | 0:08:54 | 0:08:57 | |
to make it look more bloody and dramatic. | 0:08:57 | 0:08:59 | |
But they would use the footage of him, pointing in his uniform. | 0:08:59 | 0:09:03 | |
He... He... | 0:09:03 | 0:09:04 | |
Lots of the Mexican revolutionaries sort of operated as bandits, as well, didn't they? | 0:09:04 | 0:09:09 | |
They were sort of political armies AND... | 0:09:09 | 0:09:12 | |
But they were bandits to raise money for their armies, | 0:09:12 | 0:09:14 | |
and he held up a train. | 0:09:14 | 0:09:16 | |
And he took 122 silver ingots AND a bank employee - | 0:09:16 | 0:09:22 | |
a Wells Fargo bank employee - hostage, and then | 0:09:22 | 0:09:26 | |
forced Wells Fargo to help him sell the ingots with the hostage. | 0:09:26 | 0:09:30 | |
-It's fantastically clever. -Very good. | 0:09:30 | 0:09:34 | |
Can't cope with two intelligent, interesting people on this show. | 0:09:34 | 0:09:37 | |
-It's good, isn't it? -Yeah, it's very hard. | 0:09:37 | 0:09:39 | |
He didn't just say 120, it was 122. I like that. | 0:09:39 | 0:09:41 | |
-Well, it sticks with you. -Scholarly of you. Very impressive. | 0:09:41 | 0:09:45 | |
We said on QI... We told you what Pancho Villa's last words were. | 0:09:45 | 0:09:48 | |
I don't know if you remember. Alan, you were definitely there. | 0:09:48 | 0:09:51 | |
"Turn the lights out"? | 0:09:51 | 0:09:53 | |
"Ouch"? | 0:09:54 | 0:09:56 | |
No. "Don't let it end like this. Let me at least say something." | 0:09:56 | 0:10:00 | |
-It was apparently... -"Hang on, I've got it." | 0:10:01 | 0:10:04 | |
We've since discovered that this may be a myth | 0:10:04 | 0:10:08 | |
as his car was hit by 40 bullets and he himself by nine dum-dum bullets | 0:10:08 | 0:10:11 | |
so he was probably killed instantly and said nothing. | 0:10:11 | 0:10:13 | |
But I like the idea of someone being disappointed that they didn't have any last words to say. | 0:10:13 | 0:10:18 | |
-Maybe it was "Reverse." -"Don't park here!" | 0:10:18 | 0:10:21 | |
-"Tell them I said something," was his supposed last words. -"Cut!" | 0:10:21 | 0:10:25 | |
Yeah. | 0:10:25 | 0:10:26 | |
Can you tell me the war where the first film footage was ever used? | 0:10:28 | 0:10:33 | |
If you run past the Bayeux Tapestry really fast... | 0:10:33 | 0:10:36 | |
-It kind of looks... -It's not one of our better-known wars. | 0:10:36 | 0:10:39 | |
It's the Greco-Turkey War of 1897. | 0:10:39 | 0:10:45 | |
And there was a British film cameraman called Villiers who took the footage and then got home | 0:10:45 | 0:10:49 | |
and was really annoyed to find that someone else had re-enacted | 0:10:49 | 0:10:53 | |
the battles in England and they were playing in the newsreels. | 0:10:53 | 0:10:57 | |
Re-enactment? | 0:10:57 | 0:10:58 | |
Yes, the whole things was that newsreel was so new | 0:10:58 | 0:11:01 | |
that people were incredibly excited | 0:11:01 | 0:11:04 | |
and they didn't really know how reality looked far away in battles. | 0:11:04 | 0:11:09 | |
And if you lived in London or Bradford or wherever it might be | 0:11:09 | 0:11:13 | |
and went to a newsreel place, you believed what you saw. | 0:11:13 | 0:11:16 | |
And so in the naval battles of the Spanish-American war, | 0:11:16 | 0:11:18 | |
there was a guy who cut out battleships and pasted them | 0:11:18 | 0:11:23 | |
on bits of wood and put them in a tank of water just an inch thick | 0:11:23 | 0:11:27 | |
and had little bits of gunpowder that he lit | 0:11:27 | 0:11:30 | |
-and had an office boy blow cigar smoke. -Michael Benting! | 0:11:30 | 0:11:33 | |
And it played to packed houses. | 0:11:34 | 0:11:37 | |
People thought they were watching a real naval battle. | 0:11:37 | 0:11:41 | |
-They just re-enacted them back home? -Yes. | 0:11:41 | 0:11:43 | |
They just took it on faith in those days, early on. | 0:11:43 | 0:11:46 | |
And to be fair, to some extent, even today, | 0:11:46 | 0:11:49 | |
most journalists who work in war zones will tell you they kind of sex up their video footage. | 0:11:49 | 0:11:55 | |
They do a lot of "whhooooaaa" with the camera just simply to catch our interest. | 0:11:55 | 0:12:00 | |
I often wonder whether people who report at flower shows, | 0:12:00 | 0:12:03 | |
whether they are just slightly cowardly war correspondents, | 0:12:03 | 0:12:08 | |
working their way up, but they're just working with the gentle stuff first. | 0:12:08 | 0:12:12 | |
-Yes, start with the azaleas. -Something not too scary. | 0:12:12 | 0:12:15 | |
They say that the number one rule of battle photographers | 0:12:15 | 0:12:18 | |
is you always run toward the gunshot when everyone else is running away from it. | 0:12:18 | 0:12:22 | |
Which I think, you know, weeds out a lot of people right away. | 0:12:22 | 0:12:26 | |
"I'm going to shoot weddings." | 0:12:27 | 0:12:29 | |
The earliest we can date back this idea of faking war photography to make it more interesting, | 0:12:32 | 0:12:37 | |
to give it human interest, is in the 1857-58 Indian uprising, | 0:12:37 | 0:12:41 | |
where a massacre was photographed and the photographer bestrewed it with human bones. | 0:12:41 | 0:12:49 | |
Those were added by the photographer. | 0:12:49 | 0:12:51 | |
-Did he carry them in a bag? -Satchel? -I don't know where he got them. I suspect he dug them up. | 0:12:51 | 0:12:56 | |
But you can see, literally, skulls and femurs and ribcages. | 0:12:56 | 0:13:00 | |
I mean, it certainly tells the story of some death going on, | 0:13:00 | 0:13:03 | |
but it was a fake. | 0:13:03 | 0:13:04 | |
That guy did my wedding photography. I wasn't pleased with that either. | 0:13:04 | 0:13:09 | |
He was old, too, wasn't he? Let's be honest. Very, very old. | 0:13:09 | 0:13:14 | |
What is this man about to do? | 0:13:14 | 0:13:17 | |
LAUGHTER | 0:13:21 | 0:13:23 | |
It's to do with our theme, one of our "I" words. | 0:13:23 | 0:13:25 | |
-Invisible. -Yes. | 0:13:25 | 0:13:27 | |
I mean, if I said, "They're going to turn invisible" | 0:13:27 | 0:13:31 | |
you'd imagine they're going to disappear completely. | 0:13:31 | 0:13:34 | |
Nonetheless, it is technology that is on the way to invisibility. | 0:13:34 | 0:13:39 | |
It certainly creates a transparent coat, as you will see. | 0:13:39 | 0:13:43 | |
-Oh! -That's not a post effect. | 0:13:46 | 0:13:50 | |
That is happening in real time and is being filmed. | 0:13:50 | 0:13:54 | |
And that's the coat and that's it being filmed. | 0:13:54 | 0:13:57 | |
-There are two cameras, aren't there? -Yes. What's happening? | 0:13:57 | 0:14:00 | |
-Superimposing the front camera onto the picture on the back camera. -That's the technique. | 0:14:00 | 0:14:05 | |
It has interesting applications that are beginning to be developed, | 0:14:05 | 0:14:09 | |
allowing pilots to see through the floors of their planes, for example. | 0:14:09 | 0:14:13 | |
Why, to scare the shit out of them?! | 0:14:13 | 0:14:15 | |
"Ugh! Got to keep my mind on my job! Holy shit! Keep looking up!" | 0:14:15 | 0:14:19 | |
That could be the reason! | 0:14:19 | 0:14:22 | |
It's quite a good effect, isn't it? | 0:14:22 | 0:14:25 | |
He's called Professor Susumu Tachi and the cloak is made of a material called retro-reflectum. | 0:14:25 | 0:14:30 | |
As Jack rightly spotted, it projects an image onto itself of what is behind the wearer. | 0:14:30 | 0:14:34 | |
The computer generates the image projected, so the viewer, effectively, sees through. | 0:14:34 | 0:14:39 | |
-That would really screw them up at airports. -Wouldn't that be odd?! -Going through security! | 0:14:39 | 0:14:45 | |
It'd be great for talking to boring people. You could look at what's going on behind them. | 0:14:45 | 0:14:49 | |
Cloaking technology, as we know, is at its... It's at an early stage. | 0:14:49 | 0:14:54 | |
-The Romulans have it, I believe. -Harry Potter. | 0:14:54 | 0:14:57 | |
Ron Weasley's car can go invisible, his dad's Ford Anglia. | 0:14:57 | 0:15:01 | |
-Yes. -It can go invisible. -That's true. | 0:15:01 | 0:15:04 | |
-But that does wear the battery out. -Yes! Exactly. | 0:15:04 | 0:15:07 | |
-And Harry has an invisibility cloak. -Invisibility cloak! | 0:15:07 | 0:15:11 | |
There are interesting technologies that make things invisible, which have limitations. | 0:15:11 | 0:15:15 | |
One is, it's only infrared. | 0:15:15 | 0:15:17 | |
Or one is on objects which are so small, | 0:15:17 | 0:15:20 | |
they are already invisible to the naked eye! | 0:15:20 | 0:15:24 | |
"You see that thing you can't see? Ta-da! I just made it invisible!" | 0:15:24 | 0:15:28 | |
That doesn't work, does it? | 0:15:28 | 0:15:30 | |
Interesting, of course, in nature, | 0:15:30 | 0:15:32 | |
they've got round this problem, not exactly of invisibility but... | 0:15:32 | 0:15:36 | |
Well, there is camouflage. | 0:15:36 | 0:15:39 | |
-Chameleons can change... -I saw an octopus | 0:15:39 | 0:15:41 | |
-and it appears to change the colour of its skin and just looks like a rock. -Yes! | 0:15:41 | 0:15:45 | |
It's amazing to watch. | 0:15:45 | 0:15:48 | |
Other cephalopods, notably the Hawaiian bobtail squid, | 0:15:48 | 0:15:51 | |
like your octopus, can camouflage itself. | 0:15:51 | 0:15:54 | |
But the one thing that might give you away if you camouflage yourself is your shadow. | 0:15:54 | 0:15:58 | |
This clever chap can even make his shadow invisible. | 0:15:58 | 0:16:02 | |
-He's got iridescence that he can use to light behind him. -Yes! | 0:16:02 | 0:16:07 | |
You're very quick-minded! | 0:16:07 | 0:16:09 | |
He ingests bioluminescent food that goes into his stomach | 0:16:09 | 0:16:13 | |
and his stomach controls, by the use of oxygen, | 0:16:13 | 0:16:16 | |
how much the bioluminescent food in his stomach shines, | 0:16:16 | 0:16:19 | |
and it shines out and casts a light over his shadow, thus dispelling it. | 0:16:19 | 0:16:24 | |
It's a lot of bother to go to, isn't it? | 0:16:24 | 0:16:26 | |
It's a magnificent piece of evolution, really. | 0:16:26 | 0:16:30 | |
-Jim Lovell, who was a... -The astronaut. -Apollo 13. | 0:16:30 | 0:16:34 | |
All his instruments died - he was a naval pilot. | 0:16:34 | 0:16:37 | |
He was at sea in complete blackness, I think there was no moon that particular night. | 0:16:37 | 0:16:41 | |
How could he find his aircraft carrier? | 0:16:41 | 0:16:44 | |
And he could just see this very faint phosphorus wake | 0:16:44 | 0:16:49 | |
of the aircraft carrier, which was over the horizon. | 0:16:49 | 0:16:52 | |
So he followed it and, eventually, he got to the aircraft carrier and landed on it. | 0:16:52 | 0:16:57 | |
There is a lot of luminescent life at sea. It's quite beautiful. | 0:16:57 | 0:17:01 | |
It was a very rare occurrence. That luminescence happened every so often. | 0:17:01 | 0:17:05 | |
When it happened to Lovell, it was a coincidence. | 0:17:05 | 0:17:09 | |
It wouldn't always have happened. | 0:17:09 | 0:17:11 | |
-So a doubly lucky man. -Very lucky. -Surviving 13, as well. | 0:17:11 | 0:17:14 | |
-So, you knew the story already? -I did. The moon is my thing. | 0:17:14 | 0:17:17 | |
I'd forgotten that! You're very much a moon chap. | 0:17:17 | 0:17:20 | |
Extra points all the way to Chris Addison. | 0:17:20 | 0:17:23 | |
-We're beginning to get a little bit humiliated by him! -Yeah, I might as well... | 0:17:23 | 0:17:27 | |
Chris, do you know what these mean? | 0:17:27 | 0:17:31 | |
I think I've got a guess! | 0:17:31 | 0:17:33 | |
During the Indonesian Confrontation, as it was called, in the early '60s, | 0:17:33 | 0:17:37 | |
the British Army were very puzzled as to how the Indonesians could travel in the darkest forest | 0:17:37 | 0:17:42 | |
and they'd all stay together in single file. | 0:17:42 | 0:17:45 | |
They would tuck a rotting leaf into the back of their hats | 0:17:45 | 0:17:49 | |
and it gave off just enough phosphorescence for them to see the person ahead | 0:17:49 | 0:17:54 | |
and they could stay in absolute line. | 0:17:54 | 0:17:56 | |
-Is that any rotting... -I don't think it's any rotting thing. | 0:17:56 | 0:17:59 | |
I think they knew which leaves to pick. | 0:17:59 | 0:18:01 | |
What do these people do for a living? | 0:18:01 | 0:18:05 | |
This thing's going to go off, isn't it? Ninja. | 0:18:05 | 0:18:08 | |
ALARM WAILS | 0:18:08 | 0:18:11 | |
-Are they not ninjas? -No, they're not ninjas. | 0:18:13 | 0:18:15 | |
The darkest clothes ninjas have ever worn have been blue, possibly at night. | 0:18:15 | 0:18:19 | |
But ninjas never wear black. The reason - | 0:18:19 | 0:18:22 | |
Why? It's so slimming! | 0:18:22 | 0:18:24 | |
I always thought ninjas might be fat and that's why they... | 0:18:24 | 0:18:27 | |
-Yes, they want to look better. -"Is that better for me?" -It's a sort of odd thing. | 0:18:27 | 0:18:32 | |
There is a tradition in Kabuki Theatre | 0:18:32 | 0:18:35 | |
that if anything is black, you can't see it. | 0:18:35 | 0:18:37 | |
So people can move furniture around, | 0:18:37 | 0:18:40 | |
because they're wearing black, they are stagehands. | 0:18:40 | 0:18:43 | |
And then, as a rather wonderful surprise in Kabuki, | 0:18:43 | 0:18:46 | |
they might have a stagehand suddenly kill someone! | 0:18:46 | 0:18:50 | |
They'd be a ninja, because ninjas were the secret assassins! | 0:18:50 | 0:18:53 | |
And so this pop association appeared | 0:18:53 | 0:18:57 | |
that ninjas wore black, but they never did. | 0:18:57 | 0:19:00 | |
They didn't fight, though, did they, ninjas. They would run away a lot. | 0:19:00 | 0:19:04 | |
-Yes, well... -It was all distraction techniques, | 0:19:04 | 0:19:07 | |
was how they used to overcome their foes. | 0:19:07 | 0:19:10 | |
They would throw talcum powder, or whatever, and whilst you're distracted with the lovely skin, | 0:19:10 | 0:19:16 | |
they'd run away going, "Moisturise!" | 0:19:16 | 0:19:18 | |
Or they would throw cards and then run. They didn't want to engage. | 0:19:18 | 0:19:23 | |
Yes, they were the exact opposite of the samurai. | 0:19:23 | 0:19:26 | |
Samurai were all about honourable man-on-man sword fighting | 0:19:26 | 0:19:30 | |
and ninjas were about, as you said, scouting, spying, deceiving. | 0:19:30 | 0:19:36 | |
All kinds of different little tricks of one kind or another. | 0:19:36 | 0:19:40 | |
Those things you mentioned were part of their repertoire. But what they never did was wear black. | 0:19:40 | 0:19:45 | |
Staying with Japan for a moment. Tell me something quite interesting about the original geishas. | 0:19:45 | 0:19:52 | |
-They were all men. -Yes! | 0:19:52 | 0:19:54 | |
Oh, God. LAUGHTER | 0:19:54 | 0:19:57 | |
Absolutely right! | 0:19:57 | 0:19:58 | |
-APPLAUSE -Bravo! | 0:19:58 | 0:20:02 | |
Until 1751, all geishas were men. | 0:20:02 | 0:20:05 | |
Originally, geishas were almost like court jesters. | 0:20:05 | 0:20:08 | |
They were not courtesans, as they're considered to be now. | 0:20:08 | 0:20:12 | |
It took about 100 years before it was an even number, | 0:20:12 | 0:20:15 | |
and then female geishas overtook and now they're all female. | 0:20:15 | 0:20:20 | |
How about an ingenious interlude? | 0:20:20 | 0:20:23 | |
Have a look at this glass tank behind me | 0:20:23 | 0:20:26 | |
and tell me how many balls there are in there. | 0:20:26 | 0:20:30 | |
One... | 0:20:30 | 0:20:32 | |
-Two, three. -Well done, Alan. -Four. -So far, so good. | 0:20:32 | 0:20:36 | |
Yep, five. Yep. | 0:20:36 | 0:20:39 | |
Five. | 0:20:39 | 0:20:40 | |
This is the worst episode of the National Lottery ever! | 0:20:40 | 0:20:43 | |
So, how many are in there, would you say? | 0:20:43 | 0:20:46 | |
-Five? -Five. -It looked like five, didn't it? | 0:20:46 | 0:20:49 | |
ALARM WAILS | 0:20:49 | 0:20:51 | |
But you might be rather surprised to know | 0:20:51 | 0:20:55 | |
-that there are actually over 1,000 in there. -Fail. Fail. | 0:20:55 | 0:20:58 | |
We can show you a better view of how many there are. | 0:20:58 | 0:21:02 | |
-ALL: Ahh! -They're all invisible. | 0:21:02 | 0:21:04 | |
In fact, we have an example of precisely these kinds of... | 0:21:04 | 0:21:09 | |
-There they are. -They're gooey. -They're weird. They're called hydrogel beads. | 0:21:09 | 0:21:13 | |
-I can see them. -We've deliberately allowed them to be visible. | 0:21:13 | 0:21:17 | |
-But in large glass tanks, they wouldn't be visible. -If I push it underwater, it goes invisible. | 0:21:17 | 0:21:23 | |
-They have the same refractive index as water. -Light can pass through at the same angle. | 0:21:23 | 0:21:27 | |
So they appear to be invisible in water. | 0:21:27 | 0:21:31 | |
-I can't see it! -LAUGHTER | 0:21:31 | 0:21:34 | |
-Quick, a hairdryer! -It's gone down the set. | 0:21:34 | 0:21:38 | |
You're going to start floating away! | 0:21:38 | 0:21:41 | |
-Is there a use for them? -I've got a glass there... | 0:21:41 | 0:21:44 | |
-Are they worth £500 each? -Are they edible? | 0:21:44 | 0:21:47 | |
-I wouldn't want to take responsibility, but I don't think they'll do you any harm. -Try one. | 0:21:47 | 0:21:53 | |
What are they used for? | 0:21:53 | 0:21:55 | |
-They have a commercial use - -I broke it! | 0:21:55 | 0:21:57 | |
-Oh, no. Is it burst? -It burst. | 0:21:57 | 0:21:59 | |
-It's sort of gone into pieces. -It's rather strange material. | 0:21:59 | 0:22:04 | |
-Can you guess their commercial use? -Packing things. -No. Flower arranging is one. | 0:22:04 | 0:22:08 | |
-Is it for packing goldfish? -LAUGHTER | 0:22:08 | 0:22:13 | |
Why aren't they making battleships out of it? | 0:22:13 | 0:22:15 | |
-All kinds of new uses may be found. -Make a submarine! | 0:22:15 | 0:22:19 | |
-This feels gorgeous. -It's quite good, isn't it? | 0:22:19 | 0:22:23 | |
It's quite addictive. | 0:22:23 | 0:22:25 | |
There's something quite gorgeous about that. | 0:22:25 | 0:22:28 | |
-I might have a play around with that later. -Yep! You might! | 0:22:28 | 0:22:33 | |
-Another use is the manufacture of... -LAUGHTER | 0:22:33 | 0:22:37 | |
-Behave! -You're disgusting. | 0:22:37 | 0:22:40 | |
-Another use... -LAUGHTER | 0:22:40 | 0:22:43 | |
Jack's going to put his willy in it. | 0:22:43 | 0:22:46 | |
-Oh, dear! -I've already put it in that one. | 0:22:47 | 0:22:50 | |
It's weird because when he put it in, you couldn't see it! | 0:22:52 | 0:22:55 | |
-Ohh! -That's the refractive index - | 0:22:55 | 0:22:59 | |
Give me time to think of a comeback! | 0:22:59 | 0:23:02 | |
The other use, apart from flower arranging, | 0:23:02 | 0:23:05 | |
is the manufacture of contact lenses. | 0:23:05 | 0:23:08 | |
You'd really freak people out if you put them in your eyes! | 0:23:08 | 0:23:12 | |
-Yes. Not necessarily in the round... -Marty Feldman's contact lenses! | 0:23:12 | 0:23:17 | |
-Any of these coming up in any of this? -Not yet, no! | 0:23:17 | 0:23:21 | |
Nearly all the light in the world, of course, comes from our sun. | 0:23:21 | 0:23:26 | |
In which month is the sun closest to the Earth? | 0:23:26 | 0:23:30 | |
It must be July. | 0:23:31 | 0:23:33 | |
ALARM WAILS | 0:23:33 | 0:23:35 | |
-No. -Isn't it the same distance from the Earth all the time? | 0:23:37 | 0:23:40 | |
No, because it's an elliptical orbit. | 0:23:40 | 0:23:43 | |
January, February, March, April, May, June. | 0:23:43 | 0:23:47 | |
Yes, you were right first time - January. | 0:23:47 | 0:23:50 | |
Yes, people make the mistake that summer is somehow the time | 0:23:50 | 0:23:53 | |
-when the Earth is closest to the sun. -(AUSTRALIAN ACCENT) That is summer, mate. | 0:23:53 | 0:23:57 | |
It's not when the Earth is closest to the sun. | 0:23:57 | 0:24:00 | |
It happens to be in January in the southern hemisphere, their summer, | 0:24:00 | 0:24:04 | |
but in the northern hemisphere, the sun is closer to us in January than it is in July. | 0:24:04 | 0:24:08 | |
The tilt of the axis, when the maximum amount of sunlight is on and you have the longer days, | 0:24:08 | 0:24:13 | |
that's what makes the seasons, not the closeness of the sun to the Earth. | 0:24:13 | 0:24:18 | |
What is interesting are the Tropics. | 0:24:18 | 0:24:20 | |
The first person to reason the Tropics were not hotter because they're nearer the sun | 0:24:20 | 0:24:25 | |
but because a smaller area is lit by an equal amount of light compared to other latitudes was George Best. | 0:24:25 | 0:24:32 | |
It was! Absolutely true, it was George Best who worked that out. | 0:24:33 | 0:24:36 | |
You've lost it now. You've lost it, you'll have to hand this over to someone else. | 0:24:36 | 0:24:40 | |
It was George Best, who was killed two years later in a dual in 1584. | 0:24:40 | 0:24:45 | |
-He was an Elizabethan scientist. -Another George Best. | 0:24:45 | 0:24:47 | |
Just for a second, didn't you think the Northern Irish hero might have... | 0:24:47 | 0:24:52 | |
You come up with interesting stuff when you drink that much! | 0:24:52 | 0:24:55 | |
You do! He might have come up with that. Nice thought. | 0:24:55 | 0:24:59 | |
IRISH ACCENT: "Do you know what I reckon?" | 0:24:59 | 0:25:01 | |
My next question is this - why can't blindfolded people walk in a straight line? | 0:25:03 | 0:25:08 | |
They can't see where they're going. | 0:25:08 | 0:25:10 | |
Next question. | 0:25:12 | 0:25:14 | |
-Because... -I'm afraid the chance has passed. | 0:25:16 | 0:25:19 | |
-The fact is, nobody knows! -THEY GROAN | 0:25:19 | 0:25:23 | |
There you go. Although it is a recognised phenomenon and people have theories, | 0:25:23 | 0:25:28 | |
nobody's really quite sure why it should be | 0:25:28 | 0:25:31 | |
that one's ability to walk in an absolutely straight line is completely compromised. | 0:25:31 | 0:25:35 | |
Even in short distances, people don't just go off straight, they actually curve. | 0:25:35 | 0:25:41 | |
It was discovered by a fella who saw it in amoebas and thought, "I wonder if it's true of humans?" | 0:25:41 | 0:25:46 | |
Who's blindfolded amoebas? | 0:25:46 | 0:25:48 | |
-How do you do it? They're so small! -How do you do such a thing? | 0:25:48 | 0:25:51 | |
"Come here, you bastard! It's gone again." | 0:25:51 | 0:25:55 | |
He was called Asa Schaeffer. | 0:25:55 | 0:25:57 | |
He asked a friend of his, who he blindfolded, | 0:25:57 | 0:26:00 | |
he instructed him to walk in a straight line across a field and he plotted his track, | 0:26:00 | 0:26:05 | |
which was a clockwise spiral until the man happened to stumble into a tree. | 0:26:05 | 0:26:09 | |
But it was a complete spiral. This is what people do. | 0:26:09 | 0:26:12 | |
We've covered this before, but more research has been done and we have a little film. | 0:26:12 | 0:26:17 | |
Someone made a cartoon. We didn't. We don't have the budget. | 0:26:17 | 0:26:20 | |
This is what he told him to do, walk in a straight line. | 0:26:20 | 0:26:23 | |
-Is that how he walks? -Apparently. | 0:26:23 | 0:26:26 | |
-He was practicing to be a zombie. -This is exactly it. | 0:26:26 | 0:26:29 | |
He was convinced he was going straight. Spiral, spiral, spiral, till he hit the stump. | 0:26:29 | 0:26:35 | |
And that is how we will all do it. We will swear, "I'm going straight!" | 0:26:35 | 0:26:40 | |
We hold our hands up, as if that helps, | 0:26:40 | 0:26:42 | |
and for some reason, we need a visual cue, a mountain or the sun, | 0:26:42 | 0:26:46 | |
but nobody knows why that should be. | 0:26:46 | 0:26:49 | |
-Could it be, and I'm being quite serious... -Yes. | 0:26:49 | 0:26:52 | |
Well, as you'll see, it's not funny what I'm about to say. | 0:26:52 | 0:26:55 | |
Could it be a preservation thing, er, | 0:26:55 | 0:26:58 | |
so that we have an inbuilt device | 0:26:58 | 0:27:01 | |
that makes us go in a huge circle, and we can't see where we're going, | 0:27:01 | 0:27:05 | |
so you always get back to where you know where you are? | 0:27:05 | 0:27:08 | |
-I think I've cracked it. -That's a very good point! | 0:27:08 | 0:27:11 | |
-I like it! -APPLAUSE | 0:27:11 | 0:27:13 | |
-I mean, it's... -Can we make a bonfire, please? | 0:27:13 | 0:27:16 | |
It's as convincing as anybody else's theorem. | 0:27:16 | 0:27:20 | |
Further proof that the world is flat! | 0:27:20 | 0:27:22 | |
-Maybe that's what it is. -Preservation device to stop you walking off the edge. -Now... | 0:27:22 | 0:27:28 | |
let's try an experiment. I would like you all - | 0:27:28 | 0:27:32 | |
and when I say all, I mean everyone - to close their eyes. | 0:27:32 | 0:27:35 | |
Audience included. Close your eyes, | 0:27:35 | 0:27:38 | |
and all you have to do, with your eyes closed, is point north east. | 0:27:38 | 0:27:43 | |
-What? -Just point north east. -North east? -Yes, in a north east direction. | 0:27:43 | 0:27:49 | |
Everyone do it. OK. | 0:27:49 | 0:27:50 | |
KLAXON BLARES | 0:27:53 | 0:27:56 | |
I hadn't moved! I'm not pointing! | 0:27:56 | 0:27:58 | |
-You were pointing down for some reason! -I was scratching my leg! | 0:27:58 | 0:28:03 | |
It's almost directly behind me. Closest was definitely Chris there. | 0:28:03 | 0:28:06 | |
< Don't tell me Chris gets points for that! | 0:28:08 | 0:28:10 | |
Unless you happen to belong | 0:28:10 | 0:28:12 | |
to a very rare, unfortunately diminishing, Aboriginal tribe in Australia, | 0:28:12 | 0:28:18 | |
we do not have an instinctive and automatic understanding | 0:28:18 | 0:28:21 | |
of north and south wherever we are, at whatever time. | 0:28:21 | 0:28:23 | |
And it's linguistic. This particular tribe, in their language, | 0:28:23 | 0:28:27 | |
they have no word for left and right. | 0:28:27 | 0:28:29 | |
From the earliest age, their children will be told, "The salt's at your south-east elbow." | 0:28:29 | 0:28:36 | |
Everything is in absolute relation to north and south... | 0:28:36 | 0:28:39 | |
They don't eat with salt cellars! | 0:28:39 | 0:28:41 | |
Well, whatever! | 0:28:41 | 0:28:43 | |
LAUGHTER | 0:28:43 | 0:28:45 | |
The point is they always know, | 0:28:47 | 0:28:48 | |
wherever they are, whether inside outside, instantly, north south, whether it's dark or light. | 0:28:48 | 0:28:54 | |
And they use it in all senses of directions, including their own bodies. | 0:28:54 | 0:28:59 | |
If you flew these people to the other hemisphere, | 0:28:59 | 0:29:02 | |
-would they think it was the other way? Like water going down a plug. -I don't know. | 0:29:02 | 0:29:06 | |
They're called the Pormpuraaw People and their language is called Kuuk Thaayorre. | 0:29:06 | 0:29:12 | |
Unfortunately, it's a dying language, as so many of these Aboriginal languages are. | 0:29:12 | 0:29:16 | |
Around the world, over 100 languages a year become extinct. | 0:29:16 | 0:29:20 | |
Our prepositions that we tend to use in terms of space, | 0:29:20 | 0:29:25 | |
we also tend to use in terms of time. | 0:29:25 | 0:29:28 | |
We have this idea that the future is forward. | 0:29:28 | 0:29:31 | |
But the Imara Indians in South America think that the past is ahead and the future is behind. | 0:29:31 | 0:29:36 | |
That must make bill paying a lot easier. | 0:29:36 | 0:29:38 | |
It's just a different way of looking at things. | 0:29:38 | 0:29:42 | |
They're thinking the future is behind, is the unknown. | 0:29:42 | 0:29:45 | |
We don't know what the future is, it's behind us. | 0:29:45 | 0:29:47 | |
These things are stuck in our language so much, | 0:29:47 | 0:29:50 | |
we assume they're natural and right, | 0:29:50 | 0:29:52 | |
so when we come across another culture that thinks in another way, | 0:29:52 | 0:29:56 | |
it gives us great pause, cos these aren't necessarily natural and right. | 0:29:56 | 0:30:00 | |
-I still think they are right. -Do you? -Yes. I won't be swayed. -Fair enough. | 0:30:00 | 0:30:04 | |
-When they say, "Back in the day," they mean something that hasn't happened yet. -Yes! | 0:30:04 | 0:30:09 | |
How can you look forward to stuff if it's all behind you? | 0:30:09 | 0:30:12 | |
They would find you just as weird. | 0:30:12 | 0:30:14 | |
Now you're being rude. | 0:30:14 | 0:30:16 | |
It's time to admit I had a sip of water | 0:30:18 | 0:30:20 | |
and I did swallow one of those balls. | 0:30:20 | 0:30:22 | |
You won't see it when it comes out. | 0:30:22 | 0:30:24 | |
Now, what happened when Colonel William Rankin | 0:30:27 | 0:30:30 | |
got stuck for 30 minutes in one of these? | 0:30:30 | 0:30:34 | |
Ohh! | 0:30:34 | 0:30:36 | |
Oh, it was a puzzle and he had to try and solve it. | 0:30:36 | 0:30:39 | |
You haven't got one of those. | 0:30:39 | 0:30:41 | |
But that is an example. You've got international symbols. | 0:30:41 | 0:30:45 | |
-Is it a diving bell? -It's not. | 0:30:45 | 0:30:48 | |
-It is an international... -It's an expired parking meter. | 0:30:48 | 0:30:51 | |
-Any other thoughts? -Kaiser's helmet? -An igloo with a loft conversion? | 0:30:51 | 0:30:56 | |
These are all good answers. | 0:30:56 | 0:30:59 | |
When I say it's the tallest structure that we know on the planet... | 0:30:59 | 0:31:03 | |
-Manmade? -No. | 0:31:03 | 0:31:06 | |
-Is it beneath the ocean? -No. | 0:31:07 | 0:31:09 | |
It's in the other direction. | 0:31:09 | 0:31:12 | |
-It's in the sky? -Yes. | 0:31:12 | 0:31:15 | |
-A cloud. -Yes! It's a particular kind of cloud. | 0:31:15 | 0:31:19 | |
That kind of a cloud, | 0:31:19 | 0:31:21 | |
-if that was its symbol. -A fluffy cloud. | 0:31:21 | 0:31:24 | |
It's a Cumulonimbus. It's an anvil-shaped. | 0:31:24 | 0:31:29 | |
-He was stuck in there for half an hour? -He was, yes. | 0:31:29 | 0:31:32 | |
He was a US pilot and he ejected. | 0:31:32 | 0:31:35 | |
-He'd opened his chute, then? -Yes, but it was half an hour inside this thing, being buffeted about. | 0:31:35 | 0:31:41 | |
So, how tall was the pole this sign was on? | 0:31:41 | 0:31:44 | |
LAUGHTER | 0:31:44 | 0:31:46 | |
You may've missed the point, Jack! | 0:31:50 | 0:31:55 | |
They get up to about 23,000 metres high, which is fantastically high. | 0:31:55 | 0:31:59 | |
He was buffeted about in it. He did survive. His eyes and ears were bleeding. | 0:31:59 | 0:32:03 | |
He was pelted with hail. He was in a terrible state! | 0:32:03 | 0:32:07 | |
But he's the only person to have fallen through one of these structures and survived. | 0:32:07 | 0:32:13 | |
Anyway, listen, while we're with clouds, | 0:32:13 | 0:32:15 | |
what use to a pilot is a morning glory? | 0:32:15 | 0:32:18 | |
-Ah, now... -If your joystick fails...! | 0:32:18 | 0:32:21 | |
LAUGHTER | 0:32:21 | 0:32:24 | |
Oh, dear! He's smiling, isn't he? | 0:32:26 | 0:32:28 | |
I think it was the co-pilot's joystick! | 0:32:28 | 0:32:31 | |
That's why they always sound so relaxed. "Good morning, ladies and gentlemen. | 0:32:31 | 0:32:36 | |
"Welcome on board." | 0:32:36 | 0:32:38 | |
-Aside from the possibility... -It'll be something to do with the sunlight coming over the horizon. | 0:32:38 | 0:32:43 | |
It's an annual event that takes place in Northern Queensland, Australia, called the Morning Glory. | 0:32:43 | 0:32:48 | |
It's a remarkable cloud system. It's really amazing. | 0:32:48 | 0:32:51 | |
We've got a picture of it. | 0:32:51 | 0:32:53 | |
It can be up to 600 miles long - as long as the United Kingdom. | 0:32:53 | 0:32:56 | |
Look at that. It's over Burketown, which has a population of 178. | 0:32:56 | 0:33:02 | |
But lots of people come. The reason is, if you're a gliding pilot, | 0:33:02 | 0:33:06 | |
you get the ride of your life. | 0:33:06 | 0:33:09 | |
It can go at 35 miles an hour, | 0:33:09 | 0:33:11 | |
and inside, it's the most exciting thing you can experience. | 0:33:11 | 0:33:15 | |
Then you bump into a bloke with a parachute. "Get off!" | 0:33:15 | 0:33:19 | |
-His eyes are bleeding! "Help me!" -< "Didn't you see the sign?" | 0:33:19 | 0:33:23 | |
APPLAUSE | 0:33:23 | 0:33:26 | |
-Oh, dear! -And that's the only place where a cloud like that forms? | 0:33:26 | 0:33:30 | |
Yes. It's the mother of them all. | 0:33:30 | 0:33:33 | |
Apparently, soaring along it is the greatest experience. | 0:33:33 | 0:33:36 | |
Indian Granny Clouds... | 0:33:36 | 0:33:38 | |
-What can you tell me about them? -Did it win...? | 0:33:38 | 0:33:42 | |
LAUGHTER | 0:33:42 | 0:33:43 | |
Did Indian Granny Cloud win the 2:30 at Kempton Park? | 0:33:43 | 0:33:46 | |
The, er... | 0:33:46 | 0:33:48 | |
Is it a fart in a restaurant? | 0:33:48 | 0:33:51 | |
LAUGHTER | 0:33:51 | 0:33:53 | |
-I'm so disappointed in you! -When an old lady does a pump in a curry house! | 0:33:53 | 0:33:57 | |
Do they go up in the sky and can't remember what they went up for? | 0:33:57 | 0:34:01 | |
-Now... -LAUGHTER | 0:34:01 | 0:34:03 | |
Think of cloud in the 21st century. | 0:34:03 | 0:34:05 | |
What other use has "cloud" been put to as a word? | 0:34:05 | 0:34:09 | |
-It's a computer thing. -The internet. | 0:34:09 | 0:34:11 | |
This is a scheme whereby grannies in England, | 0:34:11 | 0:34:14 | |
using Skype or similar technology, | 0:34:14 | 0:34:17 | |
teach and educate and inform and enlighten children in India all the way from England. | 0:34:17 | 0:34:24 | |
-It was started by Professor Sugata Mitra. -"How To Make Jam". | 0:34:24 | 0:34:27 | |
"How To Make Jam", possibly! | 0:34:27 | 0:34:29 | |
-They tutor Indian classes where they're short of teachers. It's an enormous success. -Why grannies? | 0:34:29 | 0:34:35 | |
They've got time on their hands and because they care! | 0:34:35 | 0:34:39 | |
"Drop one, purl one." | 0:34:39 | 0:34:41 | |
Imagine the exports of Werther's Originals to India! | 0:34:41 | 0:34:45 | |
They're all listening to Michael Ball records! | 0:34:45 | 0:34:48 | |
What we're looking at, with your symbols, | 0:34:50 | 0:34:54 | |
are part of what is known as the International Cloud Atlas. | 0:34:54 | 0:34:59 | |
-And can you tell me what they are? -Do they represent countries? | 0:34:59 | 0:35:03 | |
-No, they represent... -On an atlas. -No, no! | 0:35:03 | 0:35:07 | |
-God! -I don't really listen enough, do I? | 0:35:07 | 0:35:11 | |
They represent types... | 0:35:11 | 0:35:13 | |
I bet you're a teacher! "He reminds me of all my kids!" | 0:35:13 | 0:35:17 | |
They represent a type of cloud. | 0:35:17 | 0:35:19 | |
-It looks like simpleton snap. -It does! I know. | 0:35:19 | 0:35:23 | |
-What did you think they were? -I had this one. -Had you written anything on them? | 0:35:23 | 0:35:27 | |
I thought they were things to help traumatise children. | 0:35:27 | 0:35:31 | |
"Tell me what you think." | 0:35:31 | 0:35:33 | |
-I have "Elderly Use Handbrake". -Yes! "Elderly Use Handbrake". | 0:35:35 | 0:35:39 | |
-That's my handbrake! -Very good. | 0:35:39 | 0:35:41 | |
"You call that pregnant? THIS is pregnant!" | 0:35:41 | 0:35:45 | |
Very good! | 0:35:46 | 0:35:49 | |
That's actually ET being quite rude. LAUGHTER | 0:35:49 | 0:35:53 | |
-You don't know what it means, but it's rude! -Absolutely! | 0:35:55 | 0:35:59 | |
Well, there you are, the International Cloud Atlas. | 0:35:59 | 0:36:02 | |
-There were three forms, the cumulus... -The stratocumulus. | 0:36:02 | 0:36:05 | |
-The stratus. -Nimbus. -And the cirrus, the fluffy one. | 0:36:05 | 0:36:08 | |
And then there are all the mixtures of those in between - | 0:36:08 | 0:36:11 | |
the altocumulus, the stratocumulus, and so on. | 0:36:11 | 0:36:14 | |
It's that time when we grope our way towards general ignorance at the end of the tunnel. | 0:36:14 | 0:36:19 | |
Fingers on buzzers, please. Name the largest black body in the solar system. | 0:36:19 | 0:36:24 | |
Oprah Winfrey. > | 0:36:24 | 0:36:27 | |
Whoa! Ohh! Ohh, Rich! | 0:36:27 | 0:36:30 | |
Ohh! Ohh! | 0:36:30 | 0:36:33 | |
LAUGHTER | 0:36:34 | 0:36:38 | |
-Within the solar system. -Black hole? -ALARM WAILS | 0:36:38 | 0:36:41 | |
If there was a black hole in the solar system, we'd be in real trouble. | 0:36:41 | 0:36:45 | |
We would. I don't know any other black things in the solar system. | 0:36:45 | 0:36:50 | |
-The strange thing is, it's the sun. -I see. | 0:36:50 | 0:36:53 | |
A black body, in cosmology, is something that doesn't reflect, | 0:36:53 | 0:36:57 | |
and the sun only radiates, | 0:36:57 | 0:36:59 | |
so it is the blackest body in the solar system. | 0:36:59 | 0:37:03 | |
-That's cheating. -It seems to be a little bit of a cheat question, | 0:37:03 | 0:37:06 | |
but had you known the answer, it wouldn't have been. | 0:37:06 | 0:37:09 | |
If you were to shine a light on the sun, which would be pointless, I accept that... | 0:37:09 | 0:37:14 | |
It wouldn't reflect off it. | 0:37:14 | 0:37:16 | |
In the solar system, there is no other body so unreflective. | 0:37:16 | 0:37:20 | |
-The moon is nothing but reflective. It gives off nothing, but reflects all the light. -The same as us. | 0:37:20 | 0:37:25 | |
But the sun reflects nothing. | 0:37:25 | 0:37:28 | |
How long does light from the centre of the sun take to reach the Earth? | 0:37:28 | 0:37:32 | |
-EXPLOSIONS -Yes? | 0:37:32 | 0:37:35 | |
Now, I know this. | 0:37:35 | 0:37:37 | |
-LAUGHTER -Right! | 0:37:37 | 0:37:40 | |
It might not be the centre, it sounds like a trick, but the light from the sun takes eight minutes. | 0:37:40 | 0:37:44 | |
-Mm... -ALARM WAILS | 0:37:44 | 0:37:48 | |
Ahh! Oh, dear. | 0:37:48 | 0:37:51 | |
The thing is, it actually takes 100,000 years | 0:37:51 | 0:37:56 | |
to get from the centre of the sun to the surface... | 0:37:56 | 0:38:00 | |
to the surface of the sun. | 0:38:00 | 0:38:03 | |
Eight minutes! | 0:38:03 | 0:38:05 | |
But he was absolutely right. From the surface of the sun... | 0:38:05 | 0:38:09 | |
to the Earth takes eight minutes. | 0:38:09 | 0:38:12 | |
-I added that qualifier! -You did. You were right. | 0:38:12 | 0:38:16 | |
It's 8 minutes 26 seconds, roughly. | 0:38:16 | 0:38:18 | |
The photons have an enormous amount of work to do right in the middle of this gigantic system. | 0:38:18 | 0:38:24 | |
How many Earths could you fit in the sun, were you able to do so? | 0:38:24 | 0:38:28 | |
Four. | 0:38:28 | 0:38:30 | |
-Easily! -Easily, yes, you could. | 0:38:30 | 0:38:35 | |
That's quite true! I can't deny that. | 0:38:35 | 0:38:38 | |
400,000. | 0:38:38 | 0:38:40 | |
-The maximum number is 1.3 million. -3 million Earths! | 0:38:40 | 0:38:43 | |
It's responsible for 99.8% | 0:38:43 | 0:38:46 | |
-of the mass of the solar system. -Really? | 0:38:46 | 0:38:49 | |
-That's extraordinary! -It is. There's a lot of it. | 0:38:49 | 0:38:52 | |
What happens to alcohol when you bring it to the boil? | 0:38:52 | 0:38:55 | |
-Ah, you boil it off, don't you, Chef? -Yes, you do. You waste it. | 0:38:55 | 0:39:00 | |
-ALARM WAILS -Whoa! -That's his. | 0:39:00 | 0:39:03 | |
It's nothing to do with me. I didn't touch it! | 0:39:03 | 0:39:06 | |
There's this idea that it all evaporates and so on. In fact, it takes a very long time, | 0:39:06 | 0:39:12 | |
three hours, at least, before you get rid of it. | 0:39:12 | 0:39:15 | |
Flambeing only gets rid of... If you like a crepe suzette, | 0:39:15 | 0:39:18 | |
if you light the brandy, that only gets rid of a quarter of the alcohol. | 0:39:18 | 0:39:23 | |
So the idea that you're burning it off... | 0:39:23 | 0:39:25 | |
It's not particularly important, unless you're drinking carefully so that you're under the limit, | 0:39:25 | 0:39:30 | |
then you have a crepe suzette and drive and are surprised that you're over the limit. | 0:39:30 | 0:39:35 | |
We've all been there! | 0:39:35 | 0:39:36 | |
The same goes to a Christmas pud when you put the brandy on, | 0:39:36 | 0:39:40 | |
-give it to the kids and say, "There won't be alcohol." -Exactly! | 0:39:40 | 0:39:43 | |
-That's right. -And a 20p piece that might choke them to death! | 0:39:43 | 0:39:47 | |
-Could you get done for eat-driving? -Yes, if you had enough of it! | 0:39:47 | 0:39:53 | |
Eat-driving! It's a heck of a thought! | 0:39:53 | 0:39:56 | |
Interestingly, if you add alcohol to a recipe | 0:39:56 | 0:39:59 | |
and you don't heat it at all, just leave it uncovered overnight, | 0:39:59 | 0:40:02 | |
it will get rid of more alcohol than by flambeing it. | 0:40:02 | 0:40:05 | |
30% of it will go just by natural evaporation. | 0:40:05 | 0:40:08 | |
If you leave a glass of wine out at night, the alcohol will evaporate? | 0:40:08 | 0:40:12 | |
-Some of it. -Or someone will come down and drink it. | 0:40:12 | 0:40:15 | |
LAUGHTER DROWNS OUT SPEECH "..it's gone." | 0:40:15 | 0:40:19 | |
How much alcohol are they allowed to drink on US navy ships? | 0:40:19 | 0:40:23 | |
-A tot of rum. -A tot of rum per man? | 0:40:23 | 0:40:25 | |
No. All US navy ships have been dry since 1914. No alcohol at all. | 0:40:25 | 0:40:30 | |
-The French riot police are...having a riot over not being able to drink at lunchtime. -Are they?! | 0:40:30 | 0:40:36 | |
Yeah, they have been told. They've always been allowed to have... | 0:40:36 | 0:40:41 | |
FRENCH ACCENT: ..just ze beer or some wine at lunchtime, it's not really drinking. Does not count. | 0:40:41 | 0:40:46 | |
And they've always been allowed to do it and they still do it | 0:40:46 | 0:40:50 | |
and now the government's said, "We don't think it's such a good idea | 0:40:50 | 0:40:53 | |
"that you should sit in your van drinking beer." | 0:40:53 | 0:40:56 | |
There was a photograph taken of all these riot police... | 0:40:56 | 0:41:00 | |
"Where is ze riot?" | 0:41:00 | 0:41:02 | |
There you go. How many eyes does a no-eyed, big-eyed wolf spider have? | 0:41:05 | 0:41:11 | |
-EXPLOSIONS > -Yeah? | 0:41:13 | 0:41:15 | |
-Eight. -ALARM WAILS | 0:41:15 | 0:41:18 | |
-None. -Yes! After all... -A no-eyed, big-eyed wolf spider! | 0:41:22 | 0:41:27 | |
All big-eyed wolf spiders do have eight eyes, except the no-eyed, big-eyed... | 0:41:28 | 0:41:33 | |
I feel genuinely really stupid because you gave me the answer in the question. | 0:41:36 | 0:41:41 | |
-It's the worst one to have... -It's a member of the same order of eight-eyed spiders | 0:41:41 | 0:41:45 | |
but it's evolved to live in a cave with no light and so it's lost all its eyes. | 0:41:45 | 0:41:49 | |
There it is. A rather grim-looking creature. | 0:41:49 | 0:41:52 | |
-These are in Kauai in Hawaii. -Kauai. -And they're getting very, very rare. | 0:41:52 | 0:41:58 | |
The little things have no eyes at all. | 0:41:58 | 0:42:00 | |
Bet they can walk in a straight line, though. | 0:42:00 | 0:42:03 | |
And so from the caliginous shadows of general ignorance, | 0:42:03 | 0:42:06 | |
we emerge into the unforgiving light of the scores. | 0:42:06 | 0:42:09 | |
My goodness me, aren't they interesting? | 0:42:09 | 0:42:12 | |
Well, tonight's indisputable illuminatus, | 0:42:12 | 0:42:15 | |
with three whole points, is Rich Hall! | 0:42:15 | 0:42:19 | |
APPLAUSE | 0:42:19 | 0:42:21 | |
Burning brightly in second place with minus one, Jack Dee! | 0:42:22 | 0:42:27 | |
APPLAUSE | 0:42:27 | 0:42:30 | |
Despite his stunning knowledge in so many areas, | 0:42:32 | 0:42:35 | |
he did fall into a few of our little Heffalump traps, | 0:42:35 | 0:42:38 | |
so in third place, guttering and spluttering a little on minus nine, | 0:42:38 | 0:42:42 | |
-Chris Addison! -APPLAUSE | 0:42:42 | 0:42:45 | |
But cast forever into outer darkness, | 0:42:45 | 0:42:49 | |
with minus 45, Alan Davies! | 0:42:49 | 0:42:52 | |
CHEERING | 0:42:52 | 0:42:55 | |
That's all for this frankly brilliant edition of QI. | 0:42:59 | 0:43:03 | |
It's lights out and good night from Chris, Rich, Jack, Alan and me. | 0:43:03 | 0:43:06 | |
I leave you with this from Steven Wright: "Light travels faster than sound | 0:43:06 | 0:43:10 | |
"and isn't that why some people appear bright until you hear them speak?" | 0:43:10 | 0:43:14 | |
-Good night. -APPLAUSE | 0:43:14 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 | |
E-mail [email protected] | 0:43:25 | 0:43:28 |