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CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
Go-o-o-o-o-od evening, | 0:00:30 | 0:00:32 | |
good evening, good evening, good evening, good evening, good evening, | 0:00:32 | 0:00:36 | |
and welcome to QI, | 0:00:36 | 0:00:37 | |
where we have an ill-assorted imbroglio of interesting items | 0:00:37 | 0:00:42 | |
initiated by I. | 0:00:42 | 0:00:44 | |
Here for your immediate inspection are the inestimable John Bishop... | 0:00:44 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:51 | |
..the inimitable Frank Skinner. | 0:00:54 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:01:00 | |
-The incomparable Sean Lock. -Thank you. | 0:01:00 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:07 | |
And Alan Davies is also in. | 0:01:07 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:13 | |
Now, this evening the buzzers are intentionally irritating. | 0:01:16 | 0:01:21 | |
John goes... | 0:01:21 | 0:01:23 | |
MOSQUITO WHINE | 0:01:23 | 0:01:26 | |
Frank goes... | 0:01:32 | 0:01:33 | |
SMALL DOG YAPPING | 0:01:33 | 0:01:37 | |
Can I ask, how long is this show? | 0:01:45 | 0:01:48 | |
LAUGHTER It depends how often you use the buzzer. | 0:01:48 | 0:01:51 | |
Sean goes... | 0:01:51 | 0:01:53 | |
TODDLER SCREAMS | 0:01:53 | 0:01:56 | |
And Alan goes... "WRONG AGAIN" ALARM | 0:01:59 | 0:02:02 | |
LAUGHTER AND APPLAUSE | 0:02:02 | 0:02:05 | |
As John and Frank have never played the game before, | 0:02:12 | 0:02:15 | |
I should explain that each of you has a Nobody Knows placard. | 0:02:15 | 0:02:19 | |
-You might like to show it. It's a question mark. -Nobody knows. | 0:02:19 | 0:02:22 | |
That's it. There will be a question tonight to which nobody knows the answer. | 0:02:22 | 0:02:27 | |
If you think, when I ask it, that this is the question to which there is no known answer, | 0:02:27 | 0:02:32 | |
you wave your card and you get extra points. | 0:02:32 | 0:02:35 | |
It looks like they had Strictly Come Dancing one night, | 0:02:35 | 0:02:38 | |
and someone did a dance so experimental... | 0:02:38 | 0:02:41 | |
LAUGHTER | 0:02:41 | 0:02:42 | |
You can consider it that way. | 0:02:44 | 0:02:45 | |
Now, to warm up the new boys, here's an easy one to begin with. | 0:02:45 | 0:02:49 | |
What's the French for "innuendo"? | 0:02:49 | 0:02:52 | |
Is it "double entendre"? | 0:02:53 | 0:02:55 | |
"WRONG AGAIN" ALARM Ohhhhh! | 0:02:55 | 0:02:58 | |
No, I've just remembered, "double entendre" is French for "big tits". | 0:02:58 | 0:03:02 | |
LAUGHTER | 0:03:02 | 0:03:05 | |
"Double entendre" means nothing to a Frenchman. You could say "double entente". | 0:03:05 | 0:03:09 | |
-"Entente" is like a... -Two-man tent. | 0:03:09 | 0:03:12 | |
No. Or "double sens", double sense. But they don't say "double entendre". | 0:03:15 | 0:03:21 | |
So it's a French phrase that the French don't use? | 0:03:21 | 0:03:24 | |
-So it's not French. -Exactly. | 0:03:24 | 0:03:25 | |
That's precisely what this round of questions is about. | 0:03:25 | 0:03:28 | |
There are other examples. If you're at a performance, | 0:03:28 | 0:03:31 | |
someone is very brilliant, you want them to perform again... | 0:03:31 | 0:03:34 | |
-Encore! -You'd shout "encore". What would they shout in France? -"More". | 0:03:34 | 0:03:39 | |
No. But good thought! | 0:03:39 | 0:03:41 | |
But "encore" is a French word meaning "more", but they don't shout it. | 0:03:41 | 0:03:46 | |
They shout a Latin word which means "twice". | 0:03:46 | 0:03:50 | |
-Mm. Mm. -Anyone? | 0:03:50 | 0:03:52 | |
Anyone in the audience? CALLS FROM AUDIENCE | 0:03:52 | 0:03:54 | |
Bis. B-I-S. | 0:03:54 | 0:03:56 | |
-Bis! Bis! -That's crap. -They should try "encore". | 0:03:56 | 0:04:01 | |
You'd hate to do a show, wouldn't you, | 0:04:01 | 0:04:04 | |
and at the end, everyone goes "Bis". | 0:04:04 | 0:04:06 | |
"Bi-i-i-i-is!" | 0:04:06 | 0:04:08 | |
-It's like that. -MOSQUITO WHINE | 0:04:08 | 0:04:10 | |
APPLAUSE | 0:04:14 | 0:04:15 | |
There are other phrases which we use, which sound French, | 0:04:15 | 0:04:19 | |
but again mean nothing to a Frenchman. | 0:04:19 | 0:04:21 | |
"Cause celebre" is not a French phrase. | 0:04:21 | 0:04:24 | |
Like "en-suite" for a bathroom, the French would go, "What?" | 0:04:24 | 0:04:27 | |
What about "bidet"? | 0:04:27 | 0:04:29 | |
"Bidet", they do indeed have, though it's easier to do a handstand in the shower, to be honest. | 0:04:29 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:36 | |
And if you want the expense of-of a bidet... | 0:04:36 | 0:04:40 | |
-"Easier"? -If you're as nimble as I am. | 0:04:40 | 0:04:44 | |
I'd pay good money to see that. | 0:04:44 | 0:04:46 | |
I'd like to see you with a camera, going, "Tweet this." | 0:04:48 | 0:04:51 | |
The trouble is with the handstand in the shower, though, | 0:04:58 | 0:05:01 | |
it's like when you see a mountain stream, and you think, | 0:05:01 | 0:05:05 | |
"The water looks all right but I don't know where it's been." | 0:05:05 | 0:05:08 | |
When you're upside down and this water is pouring across your face, | 0:05:08 | 0:05:12 | |
lodging in your nostrils, and you know that it's been... | 0:05:12 | 0:05:16 | |
LAUGHTER Well, that's a worry. | 0:05:16 | 0:05:19 | |
I had a friend who had read somewhere that if you slept upside down, it made you more intelligent | 0:05:19 | 0:05:25 | |
-because the blood went to your brain. -Went to your brain. | 0:05:25 | 0:05:29 | |
And I became obsessed with the idea that he would have a wet dream and die. | 0:05:29 | 0:05:34 | |
LAUGHTER | 0:05:34 | 0:05:36 | |
Oh, that's so... In so many ways, a horrific image. | 0:05:38 | 0:05:44 | |
This guy also told us, that a Chinese Burn, is called a Chinese Burn, because in China, | 0:05:44 | 0:05:52 | |
it's a form of torture. | 0:05:52 | 0:05:54 | |
-I was told that at school. -It's the sort of thing school... | 0:05:54 | 0:05:57 | |
So a student in Tiananmen Square is stopped and a soldier says, "You, | 0:05:57 | 0:06:01 | |
"Come here, come here, arm out." | 0:06:01 | 0:06:04 | |
LAUGHTER | 0:06:04 | 0:06:06 | |
"Be careful, next time..." | 0:06:06 | 0:06:08 | |
"Next time, it be dead leg." | 0:06:08 | 0:06:09 | |
-I like the way you resisted the opportunity to go "dead reg." -Oh! | 0:06:13 | 0:06:17 | |
-Yeah, we're not ready for those jokes yet. -Oh, no, no, no. | 0:06:17 | 0:06:20 | |
So yes, there are words we use, "decolletage", for example, we use for the... | 0:06:20 | 0:06:24 | |
The French use "decollete" for that. | 0:06:24 | 0:06:27 | |
Excuse me, when you say "we", you mean you. | 0:06:27 | 0:06:29 | |
LAUGHTER | 0:06:29 | 0:06:31 | |
Well, it's not a common phrase. | 0:06:31 | 0:06:33 | |
No, it's not. Nobody says, "Look at the decolletage on that." | 0:06:33 | 0:06:38 | |
You never stop learning. | 0:06:38 | 0:06:40 | |
I've already learned how to say to my teenage sons, "Look at the knockers on that" | 0:06:40 | 0:06:45 | |
without their mum getting annoyed. | 0:06:45 | 0:06:47 | |
And now you can say "decolletage". | 0:06:47 | 0:06:49 | |
"Decolletage"! | 0:06:49 | 0:06:52 | |
Also, "en-suite", which is used commonly these days for a bathroom connected to a bedroom. | 0:06:52 | 0:06:57 | |
-In France, they didn't use... -(COCKNEY) And of course, the en-suite. | 0:06:57 | 0:07:01 | |
-It's -commonly -used. | 0:07:01 | 0:07:03 | |
There's a Greek phrase. The Greeks say "Katatraya stayeftika", I think it is. | 0:07:03 | 0:07:09 | |
And it means, "Who gives a shit?" | 0:07:09 | 0:07:11 | |
But literally, it means, "There is trouble in the gypsy village." | 0:07:11 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
It's true. | 0:07:22 | 0:07:24 | |
Depending how high you are up socially, it's right, isn't it? | 0:07:24 | 0:07:29 | |
Posh people wouldn't give a shit. | 0:07:29 | 0:07:32 | |
Anyway, that's the point. You can ask a Frenchman for a double entendre if you like, | 0:07:32 | 0:07:37 | |
but you'll be lucky if he gives you one. | 0:07:37 | 0:07:39 | |
Not to some... LAUGHTER | 0:07:39 | 0:07:42 | |
Thank you very much. | 0:07:42 | 0:07:44 | |
Now to some I-tunes. | 0:07:44 | 0:07:46 | |
Who wrote the songs, I'm Leaning On A Lamppost | 0:07:46 | 0:07:49 | |
and When I'm Cleaning Windows? | 0:07:49 | 0:07:52 | |
SMALL DOG YAPPING | 0:07:54 | 0:07:55 | |
Definitely not George Formby, | 0:07:55 | 0:07:58 | |
even though his wife Beryl insisted George had a credit so that he'd get money. | 0:07:58 | 0:08:04 | |
You're absolutely right, and you're a bit of a fan of George Formby? | 0:08:04 | 0:08:07 | |
I am indeed, yeah. | 0:08:07 | 0:08:09 | |
I'm Leaning On A Lamppost was one of his big hits. | 0:08:09 | 0:08:12 | |
Wasn't When I'm Cleaning Windows a bit dodgy? | 0:08:12 | 0:08:15 | |
Well, there was a phrase, "The blushing bride, she looks divine | 0:08:15 | 0:08:18 | |
"The bridegroom, he is doing fine | 0:08:18 | 0:08:20 | |
"I'd rather have his job than mine | 0:08:20 | 0:08:22 | |
"When I'm cleaning windows." | 0:08:22 | 0:08:24 | |
The BBC banned it. | 0:08:24 | 0:08:25 | |
However, George Formby was invited to perform at Windsor in front of the Royal Family in 1941, | 0:08:25 | 0:08:31 | |
and some troops, during the War, obviously, | 0:08:31 | 0:08:34 | |
and the Queen Mother insisted he sing the song properly, with no cuts. | 0:08:34 | 0:08:38 | |
She loved it, and asked him to sing it another three times. But the BBC still banned it. | 0:08:38 | 0:08:42 | |
There's a George Formby lyric, my favourite double entendre, | 0:08:42 | 0:08:46 | |
and he says, "I wonder who's under her balcony now, | 0:08:46 | 0:08:49 | |
"Who's kissing my girl. Does he kiss her under the nose | 0:08:49 | 0:08:52 | |
"Or underneath the archway where the Sweet William grows?" | 0:08:52 | 0:08:56 | |
Whoa! | 0:08:56 | 0:08:58 | |
You're a special group, George Formby fans, | 0:08:58 | 0:09:00 | |
and it's usual amongst George Formby fans, I believe, | 0:09:00 | 0:09:05 | |
that they teach themselves the banjolele, and as you are one, | 0:09:05 | 0:09:09 | |
we have a banjolele. | 0:09:09 | 0:09:11 | |
Can you delight us with some Formby? | 0:09:11 | 0:09:13 | |
-Am I on the spot? -I don't know if it's tuned but... | 0:09:13 | 0:09:16 | |
Don't worry about that. "My dog has fleas", is what you need to remember. | 0:09:16 | 0:09:20 | |
# My dog has... # Oh, this one doesn't have fleas, he has distemper. | 0:09:20 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:26 | |
That, um, When I'm Cleaning Windows has got another bit that goes, | 0:09:26 | 0:09:32 | |
# Eight o'clock, a girl awakes At ten past eight a bath she takes | 0:09:32 | 0:09:36 | |
# At quarter past, my ladder breaks When I'm cleaning windows. # | 0:09:36 | 0:09:40 | |
LAUGHTER | 0:09:40 | 0:09:43 | |
Er, there's a bit that goes... | 0:09:48 | 0:09:50 | |
# There's a famous movie queen She looks a beauty on the screen | 0:09:50 | 0:09:54 | |
# She's more like 80 than 18 When I'm cleaning windows | 0:09:54 | 0:09:58 | |
# She takes her hair down all behind Then takes down her never mind | 0:09:58 | 0:10:03 | |
# And finally takes down the blind When I'm cleaning windows. # | 0:10:03 | 0:10:07 | |
Cheeky! | 0:10:07 | 0:10:09 | |
APPLAUSE | 0:10:09 | 0:10:11 | |
Brilliant! | 0:10:11 | 0:10:13 | |
Thank you very much. | 0:10:16 | 0:10:17 | |
So, what is it about George Formby? He was one of the biggest film stars of his time in Britain, wasn't he? | 0:10:17 | 0:10:24 | |
I went to his grave, and | 0:10:24 | 0:10:28 | |
there's a massive great, white stone, and the big face and it says, | 0:10:28 | 0:10:32 | |
"George Formby." And it's a massive monument, | 0:10:32 | 0:10:35 | |
and when you get closer, you realise, it's his dad. | 0:10:35 | 0:10:39 | |
He was Junior, wasn't he? | 0:10:39 | 0:10:41 | |
His dad was a massive music hall star, and at the bottom it says, | 0:10:41 | 0:10:44 | |
"Also George Formby, OBE." Blah, blah, blah. | 0:10:44 | 0:10:47 | |
So he got terrible billing, even on his own grave. | 0:10:47 | 0:10:50 | |
And the wife you alluded to, Beryl, was fanatically jealous. | 0:10:50 | 0:10:54 | |
I mean, if a make-up girl on a film so much as smiled at him, | 0:10:54 | 0:10:57 | |
she'd have her sacked, wouldn't she? | 0:10:57 | 0:10:59 | |
Indeed, but I think George got away with quite a lot of saucy... | 0:10:59 | 0:11:03 | |
-(AS GEORGE FORMBY) Turned out nice again. -Exactly. It turned out nice quite a lot! | 0:11:03 | 0:11:07 | |
George used to say that Beryl only gave him five bob a week pocket money, | 0:11:07 | 0:11:12 | |
but his brother claimed, after George died, | 0:11:12 | 0:11:15 | |
that that was something that George came up with, | 0:11:15 | 0:11:18 | |
so when he was in the bar, he'd say, "I'd love to get a round in, | 0:11:18 | 0:11:21 | |
"but Beryl only gives me five bob a week." | 0:11:21 | 0:11:24 | |
There is a tradition, I don't know if it exists in other languages, | 0:11:24 | 0:11:27 | |
or whether it's peculiarly English, of the tradition of Frankie Howerd, Carry On. | 0:11:27 | 0:11:32 | |
It must exist in other languages. It must. | 0:11:32 | 0:11:34 | |
I guess it must. | 0:11:34 | 0:11:36 | |
Even in America, it doesn't really. | 0:11:36 | 0:11:38 | |
-They don't seem to set the same store. -They seem a bit more mature, maybe. | 0:11:38 | 0:11:42 | |
Maybe they are more mature! | 0:11:42 | 0:11:43 | |
More sophisticated. They've got over it. | 0:11:43 | 0:11:47 | |
"Yeah, that did us until we were about eight." | 0:11:47 | 0:11:50 | |
In other countries, that symbolism is terribly sad, | 0:11:50 | 0:11:53 | |
portentous and awful. | 0:11:53 | 0:11:54 | |
-All of Ibsen's plays are about... -Yes, true. | 0:11:54 | 0:11:58 | |
The Master Builder's about towers and erections, | 0:11:58 | 0:12:02 | |
and it just means the man's sad and lusts after women he can't possibly have. | 0:12:02 | 0:12:07 | |
Everyone sits in the theatre, going, "Oh, God, this is awful." | 0:12:07 | 0:12:11 | |
In England, it would be Benny Hill going.... | 0:12:11 | 0:12:14 | |
They can be clever, those innuendos. There used to be a joke, "She was only a so-and-so's daughter... | 0:12:14 | 0:12:22 | |
She was only a road-mender's daughter but she liked having her ass felt, | 0:12:22 | 0:12:26 | |
-or whatever it was. -That's it. -LAUGHTER | 0:12:26 | 0:12:28 | |
She was only a fishmonger's daughter, but she could lay it on the slab and say, "fillet". | 0:12:28 | 0:12:33 | |
LAUGHTER AND APPLAUSE | 0:12:33 | 0:12:36 | |
Does anyone recognise the photograph behind you, where that's from? | 0:12:41 | 0:12:45 | |
That's from Round The Horne. | 0:12:45 | 0:12:46 | |
A hugely successful radio series of the 1960s. | 0:12:46 | 0:12:49 | |
That's Kenneth Horne in the middle and they pushed the boundaries of innuendo, probably further | 0:12:49 | 0:12:55 | |
than they'd ever been pushed in British comic life, | 0:12:55 | 0:12:57 | |
especially with Kenneth Williams and Hugh Paddick who played a couple called Jules and Sandy. | 0:12:57 | 0:13:02 | |
who basically used gay slang, in the 1960s, lunchtime Radio 2 comedy | 0:13:02 | 0:13:07 | |
at a time when millions were listening. They were doing extraordinary stuff. | 0:13:07 | 0:13:11 | |
But that was the great thing. They'd got that Polari thing going, | 0:13:11 | 0:13:15 | |
they had their own language, so they could say, "Oh God, | 0:13:15 | 0:13:18 | |
"my lallies are so tired," and people literally had no idea. | 0:13:18 | 0:13:23 | |
But it sounded funny. | 0:13:23 | 0:13:24 | |
-That's right, yeah, I know. -And as long as you go, | 0:13:24 | 0:13:26 | |
"Oooer," every now and again... | 0:13:26 | 0:13:28 | |
I know. I know. Anyway, there you are. | 0:13:28 | 0:13:32 | |
That's probably enough innuendo. | 0:13:32 | 0:13:37 | |
If I see another double entendre, I'll whip it out and probably stick a blue pencil through it. | 0:13:37 | 0:13:43 | |
Now to an initiative test. | 0:13:43 | 0:13:46 | |
I want everybody here, and I'm including the audience, | 0:13:46 | 0:13:49 | |
our lovely audience, I want you to think of your favourite colour | 0:13:49 | 0:13:53 | |
and on the count of three, I want you to shout it out, as loud as you can. All right? | 0:13:53 | 0:13:59 | |
It affects everyone in the room. OK? One, two, three... | 0:13:59 | 0:14:03 | |
ALL SHOUT | 0:14:03 | 0:14:05 | |
OK. So, Frank. What did John shout? | 0:14:05 | 0:14:08 | |
LAUGHTER | 0:14:10 | 0:14:12 | |
I was mainly listening to me. | 0:14:12 | 0:14:14 | |
Yes. | 0:14:14 | 0:14:15 | |
-Do you know what Frank shouted? -Pink. | 0:14:15 | 0:14:18 | |
-Did you shout, "Pink?" -No. | 0:14:20 | 0:14:23 | |
Do you know what Alan shouted? | 0:14:23 | 0:14:24 | |
Red. | 0:14:24 | 0:14:25 | |
-Did you shout, "Red?" -No. | 0:14:25 | 0:14:27 | |
-Do you know what Sean shouted? -Blue. | 0:14:27 | 0:14:30 | |
-I thought you shouted, "Yellow." What did you shout? -Blue. -Oh. -That was a guess, wasn't it? | 0:14:30 | 0:14:36 | |
I thought he shouted blue. He was really loud. | 0:14:36 | 0:14:39 | |
The fact is, it's very common, and these are use in tests for teamwork, | 0:14:39 | 0:14:45 | |
it's very common for people not to listen to other people when they are speaking. | 0:14:45 | 0:14:50 | |
It's not unusual, if you're making a noise yourself, | 0:14:50 | 0:14:53 | |
-to be... -Sorry? -What? | 0:14:53 | 0:14:56 | |
-Sorry, I wasn't... -Oh, I beg your pardon! | 0:14:58 | 0:15:01 | |
And as there are, as you know, people who make money out of paying management people | 0:15:01 | 0:15:05 | |
to take courses in teamwork and it seems it's very, very important, that | 0:15:05 | 0:15:10 | |
even when you are shouting, you should hear what the other person is saying. | 0:15:10 | 0:15:13 | |
What a load of bollocks! | 0:15:13 | 0:15:15 | |
I know. You should have seen me when I first saw this, | 0:15:15 | 0:15:19 | |
because if there is a profession, it is that of people who basically | 0:15:19 | 0:15:23 | |
get management people to pay them, to tell them the art of | 0:15:23 | 0:15:28 | |
the so obvious, it makes your nose bleed. | 0:15:28 | 0:15:30 | |
"When you're speaking it's really important that people hear what you're saying. | 0:15:30 | 0:15:35 | |
-"You know, we do a four week course on this." -The one I like, is the | 0:15:35 | 0:15:39 | |
people who come to your house and give you advice on what to do to sell it. | 0:15:39 | 0:15:42 | |
-Oh, really? -Especially when you don't want to sell it. | 0:15:42 | 0:15:45 | |
-Yes! That can be annoying. -Went in the toilet. | 0:15:45 | 0:15:48 | |
Put the toilet lid down, and said, "Lid down when showing." | 0:15:48 | 0:15:52 | |
Oh, really? So no floating solids? | 0:15:52 | 0:15:54 | |
LAUGHTER | 0:15:54 | 0:15:56 | |
-I always tell my clients that. -Flush it first! | 0:15:56 | 0:15:59 | |
And I would stop the family doing hand stands in the shower. | 0:15:59 | 0:16:04 | |
It's a living bidet. | 0:16:04 | 0:16:06 | |
Pay the full price for colonic irrigation, don't do it like that. | 0:16:06 | 0:16:11 | |
We're being very critical, but the next time I'm in a situation | 0:16:11 | 0:16:14 | |
where I have to shout out a colour, simultaneously with a lot of other | 0:16:14 | 0:16:18 | |
people, I'm going to pay a lot more attention. | 0:16:18 | 0:16:21 | |
That's good to know. You're advancing. | 0:16:21 | 0:16:24 | |
ALAN: I said, "Blue" but really, I meant, "Red." | 0:16:24 | 0:16:26 | |
That's really difficult! | 0:16:28 | 0:16:30 | |
I also don't think that works, because I think | 0:16:30 | 0:16:33 | |
if you're making a noise, you can't hear a noise. | 0:16:33 | 0:16:36 | |
I think that would make choral singing an impossibility if that were true. | 0:16:36 | 0:16:40 | |
-LAUGHTER -That's true. | 0:16:40 | 0:16:42 | |
It is... | 0:16:42 | 0:16:44 | |
-Especially when they do that "I Can Sing A Rainbow" song. -Yes. | 0:16:47 | 0:16:51 | |
It might surprise you, but I've not been in a lot of choirs. | 0:16:51 | 0:16:55 | |
That's a good point. But I've lived that life where we've had... | 0:16:55 | 0:16:59 | |
cos I used to have a normal life in a corporate world, | 0:16:59 | 0:17:03 | |
and I've been on training days... | 0:17:03 | 0:17:05 | |
Oh, you've actually been on the bloody things? | 0:17:05 | 0:17:08 | |
-And were they all absolute...? -I mean, there's some part of it that you think, | 0:17:08 | 0:17:12 | |
this could be good. I can see what's going on, | 0:17:12 | 0:17:14 | |
when they say, "There's an issue within the company, | 0:17:14 | 0:17:17 | |
"you've all got different views, why don't you draw a picture? | 0:17:17 | 0:17:21 | |
"Instead of talking, let's draw a picture," | 0:17:21 | 0:17:24 | |
"What are we going to draw?" "Anything that comes into your mind. Not a cock." | 0:17:24 | 0:17:29 | |
-Apparently that's... -LAUGHTER | 0:17:29 | 0:17:32 | |
Getting to the bottom of a corporate infrastructure, | 0:17:32 | 0:17:36 | |
cock drawing, saying, "That's you," doesn't really help. | 0:17:36 | 0:17:39 | |
We had all these things, and honest to God, | 0:17:39 | 0:17:42 | |
you do get to it and you start looking at people and think, | 0:17:42 | 0:17:45 | |
"You live your life like this." | 0:17:45 | 0:17:47 | |
You can see them going home to their kids saying, | 0:17:47 | 0:17:50 | |
"Come on, I could make your tea, but wouldn't it be better | 0:17:50 | 0:17:53 | |
"if you made your tea? | 0:17:53 | 0:17:54 | |
"Wouldn't you feel better as a team if we made tea together?" | 0:17:54 | 0:17:57 | |
"Wouldn't it be better if tea didn't exist? | 0:17:57 | 0:18:00 | |
"Let's all think. Draw your tea. | 0:18:00 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:04 | |
"And let's remove it as an issue." | 0:18:04 | 0:18:07 | |
Well, it's becoming rapidly more clear, there are many people | 0:18:07 | 0:18:11 | |
who need to be killed and nearly all of them are management consultants. However, hopefully... | 0:18:11 | 0:18:16 | |
LAUGHTER AND APPLAUSE | 0:18:16 | 0:18:19 | |
Hopefully, that classic piece of management school trickery | 0:18:19 | 0:18:22 | |
will have taught you all a valuable lesson about the importance of listening, | 0:18:22 | 0:18:26 | |
so listen to this. What is an interrobang? | 0:18:26 | 0:18:29 | |
Is it the way you ask a question, | 0:18:32 | 0:18:35 | |
like the Australians finish all their sentences like it's a question? | 0:18:35 | 0:18:38 | |
-It's the lift. -As if everything's a question? | 0:18:38 | 0:18:41 | |
-Yeah. -Yeah, and goes up at the end? | 0:18:41 | 0:18:43 | |
No, it isn't that. They sometimes call that the AQI, the Australian question intonation. | 0:18:43 | 0:18:47 | |
But that's not it. It's a punctuation mark that had a brief vogue | 0:18:47 | 0:18:51 | |
and it consisted of a question mark, which is the "interro" part, | 0:18:51 | 0:18:57 | |
and a "bang" is a printer's name for an exclamation mark. | 0:18:57 | 0:19:00 | |
-And there it is, that's how it looked. -I love it! | 0:19:00 | 0:19:04 | |
It's rather good, isn't it? We should use it. | 0:19:04 | 0:19:06 | |
You know sometimes when you're typing a letter and you want to go, "What the heck?!" | 0:19:06 | 0:19:11 | |
It's not really a question, but because it begins with "What the..." | 0:19:11 | 0:19:14 | |
You think maybe it should be a question. That's the symbol they were using. | 0:19:14 | 0:19:18 | |
You do see people, they'll put a question mark | 0:19:18 | 0:19:21 | |
-and then an exclamation mark, to kind of make that point. -Precisely. | 0:19:21 | 0:19:25 | |
In the 1960s, they had a brief vogue and there were typewriters that had it as a character. | 0:19:25 | 0:19:30 | |
And it does exist as a Unicode character in the Askey set. | 0:19:30 | 0:19:34 | |
What does that mean when sometimes you see a question mark upside down on a text? | 0:19:34 | 0:19:39 | |
-Well, in Spain, they do that. -Put one at the start. | 0:19:39 | 0:19:41 | |
-JOHN: -It means someone's in the shower! | 0:19:41 | 0:19:45 | |
LAUGHTER AND APPLAUSE | 0:19:45 | 0:19:47 | |
In Spain, a question begins with an upside down one and ends with a right way up one. | 0:19:50 | 0:19:55 | |
And indeed, they did an upside down interrobang, | 0:19:55 | 0:19:58 | |
which was known as a gnaborretni, which is just interrobang backwards. | 0:19:58 | 0:20:02 | |
-Gnaborretni? -Gnaborretni. | 0:20:02 | 0:20:05 | |
# Do doo do doo-do! # | 0:20:05 | 0:20:06 | |
LAUGHTER | 0:20:06 | 0:20:09 | |
There was the sarcastrophe. | 0:20:09 | 0:20:11 | |
Which is a little like the circumflex accent the French used to have, | 0:20:11 | 0:20:16 | |
what's called a carat, you know, a little sort of hat shape. | 0:20:16 | 0:20:20 | |
You'd put that - "Oh, that's really funny" - outside the "really", | 0:20:20 | 0:20:24 | |
would indicate you were being sarcastic. | 0:20:24 | 0:20:27 | |
What's always frustrated me | 0:20:27 | 0:20:29 | |
is that on a standard typewriter keyboard, | 0:20:29 | 0:20:32 | |
-when you hit the semi-colon... -Ye-e-es? | 0:20:32 | 0:20:37 | |
..you just have to hit the key, but to get the colon, | 0:20:37 | 0:20:41 | |
you have to press that other key. | 0:20:41 | 0:20:43 | |
If I was a colon, I'd think, "Surely I take precedence? | 0:20:43 | 0:20:47 | |
"You are merely a semi version of me, | 0:20:47 | 0:20:51 | |
"I should be the one that just needs one key!" | 0:20:51 | 0:20:53 | |
-I share your pain, Frank. -Yeah! | 0:20:53 | 0:20:56 | |
I've stayed up till dawn with whisky, going, "Why?!" | 0:20:56 | 0:21:02 | |
No, but I'll tell you, it's led me to an overuse of the hyphen. | 0:21:02 | 0:21:06 | |
-As might... -Instead of going | 0:21:06 | 0:21:08 | |
-all round the houses to the colon, I think, "Oh, I'll put a hyphen." -Don't go down that track, Frank! | 0:21:08 | 0:21:13 | |
Get off the hyphen now, Frank! | 0:21:13 | 0:21:16 | |
There's people here for you, you don't have to go "hyphen"! | 0:21:16 | 0:21:19 | |
We can support you, we're friends here, Frank. | 0:21:19 | 0:21:23 | |
APPLAUSE | 0:21:23 | 0:21:25 | |
You know, your hyphen will just wear out. | 0:21:27 | 0:21:30 | |
-Unless you regularly put some cream on it. -The alternative is to use... | 0:21:30 | 0:21:35 | |
It'll be hanging down by your knees before you know it! | 0:21:35 | 0:21:37 | |
I don't want to be using a semi-colon | 0:21:37 | 0:21:40 | |
instead of what should be a colon, just out of laziness. | 0:21:40 | 0:21:43 | |
I wouldn't know when you should use a colon or a semi-colon. | 0:21:43 | 0:21:47 | |
No-one uses a semi-colon, that's why you don't have a semi-colonic irrigation. | 0:21:47 | 0:21:51 | |
-Messy! -That's the technical term for standing on your head in the shower. | 0:21:51 | 0:21:55 | |
Yes, the interrobang might be a useful new punctuation mark. | 0:21:57 | 0:22:00 | |
Now, let's play... WA-WA-WA-WAAAA | 0:22:00 | 0:22:04 | |
How Ironic Is That? | 0:22:04 | 0:22:06 | |
Mm, yes. I'm going to outline some situations, | 0:22:06 | 0:22:10 | |
and all you have to do is tell me how ironic they are, and why. | 0:22:10 | 0:22:16 | |
Is it out of 100? | 0:22:16 | 0:22:18 | |
No, you can just give me a sort of sense of just exactly how ironic you think they are. | 0:22:18 | 0:22:25 | |
I'm just worried about how we grade the irony. | 0:22:25 | 0:22:27 | |
I would say shiny... | 0:22:27 | 0:22:29 | |
Shall I tell you... | 0:22:29 | 0:22:31 | |
..down to rusty. | 0:22:31 | 0:22:34 | |
Shall I tell you what the shades of irony supposedly are? | 0:22:34 | 0:22:37 | |
I think what we're getting at is, "irony"'s often weirdly misused. | 0:22:37 | 0:22:41 | |
People say, "Ironically, he wasn't there." | 0:22:41 | 0:22:44 | |
-You mean, unfortunately. -The invisible man. | 0:22:44 | 0:22:47 | |
LAUGHTER | 0:22:47 | 0:22:49 | |
There's verbal irony, the opposite of what's... | 0:22:49 | 0:22:52 | |
"As clear as mud", "Oh, this is a fine state of affairs". | 0:22:52 | 0:22:56 | |
Slightly less than sarcasm, that's verbal irony. | 0:22:56 | 0:22:59 | |
There's comic irony. Dr Strangelove. | 0:22:59 | 0:23:01 | |
"Gentlemen, you can't fight in here, this is the War Room," for example, is an ironic remark. | 0:23:01 | 0:23:06 | |
Dramatic irony. | 0:23:06 | 0:23:09 | |
Little does he know that I'm about to... | 0:23:09 | 0:23:11 | |
Yeah, the audience knows Oedipus is the very murderer that he's hunting, as it were. | 0:23:11 | 0:23:16 | |
-Dramatic irony. -As in, "Dive, thoughts, down to my soul. Here Clarence comes." | 0:23:16 | 0:23:21 | |
Yes. That's just the kind of thing. Richard III and others. | 0:23:21 | 0:23:25 | |
APPLAUSE | 0:23:25 | 0:23:26 | |
Ladies and gentlemen, an all-round entertainer! | 0:23:28 | 0:23:33 | |
And then there's Socratic irony, which is pretending to be dumber than you are, | 0:23:33 | 0:23:37 | |
like Socrates, or like Columbo. | 0:23:37 | 0:23:39 | |
Lieutenant Columbo, the greatest ever detective. There you are. | 0:23:39 | 0:23:42 | |
God, that's the greatest ever show. | 0:23:42 | 0:23:45 | |
Is that it? Like Socrates or Lieutenant Columbo? | 0:23:45 | 0:23:49 | |
-I would be hard put to say... -I know they both did that, but beyond that... | 0:23:49 | 0:23:53 | |
I would be hard put to say which was greater. | 0:23:53 | 0:23:56 | |
I think Columbo is the greatest TV series ever made. I worship it. | 0:23:56 | 0:24:00 | |
-I absolutely agree with that. -I'm glad. | 0:24:00 | 0:24:02 | |
I once spent a long night with David Baddiel having an argument | 0:24:02 | 0:24:07 | |
about whether Columbo had one eye or not. | 0:24:07 | 0:24:10 | |
Peter Falk, you mean? Yeah. | 0:24:10 | 0:24:13 | |
Well, no, this was the debate. | 0:24:13 | 0:24:14 | |
My argument was that Peter Falk does indeed have one eye, | 0:24:14 | 0:24:18 | |
but in Columbo, that eye plays the part of a real eye. | 0:24:18 | 0:24:22 | |
Yes! LAUGHTER | 0:24:22 | 0:24:24 | |
I think there's truth in that. | 0:24:24 | 0:24:26 | |
-Columbo has two eyes. -That's how good he was. I agree. | 0:24:26 | 0:24:30 | |
How did this argument go on for so long? | 0:24:30 | 0:24:33 | |
-Was it like Women In Love? -He wouldn't have it. | 0:24:33 | 0:24:36 | |
Were you wrestling naked in front of a fire? Women In Love? | 0:24:36 | 0:24:40 | |
That was how we had to decide it in the end. We couldn't find a coin. | 0:24:40 | 0:24:44 | |
So, is this ironic? John Kendrick was an American sea captain | 0:24:44 | 0:24:48 | |
who put into Honolulu Harbour in 1794 | 0:24:48 | 0:24:51 | |
and was killed by the cannon which was fired to salute him. | 0:24:51 | 0:24:56 | |
GROANING | 0:24:56 | 0:24:58 | |
Now, we understand situational and arguably, comic irony, | 0:24:58 | 0:25:02 | |
though the audience was very sympathetic. | 0:25:02 | 0:25:05 | |
-That's fairly ironic. -It's pretty ironic, isn't it? | 0:25:05 | 0:25:08 | |
It's almost up in the spangly section. | 0:25:08 | 0:25:10 | |
Yes. What about Clement Vallandigham, who was an Ohio lawyer | 0:25:10 | 0:25:15 | |
who died in 1871 while defending a man who was accused of murder during a bar room brawl. | 0:25:15 | 0:25:21 | |
To show the jury how the pistol might have gone off accidentally, | 0:25:21 | 0:25:25 | |
this lawyer grabbed the gun, put it in his pocket, | 0:25:25 | 0:25:28 | |
and re-enacted the events as he imagined them. | 0:25:28 | 0:25:33 | |
-And sure enough... -He was shot by a cannon. | 0:25:33 | 0:25:36 | |
No, the pistol went off and he was killed by the gun in exactly the way he was describing. | 0:25:36 | 0:25:42 | |
Just before he died from his own wounds, his client was acquitted. | 0:25:42 | 0:25:47 | |
And the good thing is, his client didn't have to pay. | 0:25:47 | 0:25:50 | |
No, exactly. It's perfect. | 0:25:50 | 0:25:53 | |
Situational irony, I think that would be called. | 0:25:53 | 0:25:55 | |
But, now, what about Abraham Lincoln? | 0:25:55 | 0:25:58 | |
He was shot while sitting in Ford's Theatre, | 0:25:58 | 0:26:01 | |
while Kennedy was shot while sitting in a Ford Lincoln. | 0:26:01 | 0:26:04 | |
Many other coincidences like that. That's just simply coincidence. | 0:26:04 | 0:26:09 | |
-Not irony. -Reagan was shot in Washington, and Washington was shot with a raygun. | 0:26:09 | 0:26:14 | |
LAUGHTER | 0:26:14 | 0:26:15 | |
If only that were true. | 0:26:15 | 0:26:19 | |
It would almost be worth inventing a time machine and going back with a raygun just to do that. | 0:26:19 | 0:26:25 | |
It's true. But nobody knew what a raygun was then, so they just went, "What's that?" | 0:26:25 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:32 | |
I have a picture - is this ironic? Is there something ironic about that? | 0:26:32 | 0:26:37 | |
That you basically cut all the wool off a sheep | 0:26:37 | 0:26:41 | |
-then knit it together again. -A sheep in sheep's clothing! | 0:26:41 | 0:26:44 | |
More ironic that we look at it and go, "Awww," | 0:26:44 | 0:26:48 | |
-then go, "Um-num-num!" -"M-m-mint sauce!" | 0:26:48 | 0:26:52 | |
I saw an advert for a meat supplier and it said, "Caring for pork, from farm to fork." | 0:26:52 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:03 | |
I thought, there's a certain point where you go, "You're not really caring." | 0:27:03 | 0:27:06 | |
I wouldn't call that caring when you're just going... | 0:27:06 | 0:27:09 | |
MIMICS NOISE OF A MINCER | 0:27:09 | 0:27:13 | |
With the eyeballs, to make sausages. Phhhhfffft! | 0:27:14 | 0:27:19 | |
"Aaagh! Phhhhfffft!" | 0:27:19 | 0:27:21 | |
This is rather ironic. | 0:27:23 | 0:27:25 | |
In 1989 in America, convicted murderer Michael Godwin | 0:27:25 | 0:27:28 | |
had his sentence reduced to life imprisonment | 0:27:28 | 0:27:31 | |
after five years awaiting the electric chair. | 0:27:31 | 0:27:34 | |
But he was then accidentally electrocuted while sitting naked on a steel lavatory seat | 0:27:34 | 0:27:39 | |
in his cell in Columbia. He was trying to fix his TV set. | 0:27:39 | 0:27:42 | |
He bit into a wire and was electrocuted. | 0:27:42 | 0:27:45 | |
-That is a kind of cosmic irony, really. -That's not irony. That's God's will. | 0:27:45 | 0:27:49 | |
It's God's will. I think you may well be right. | 0:27:49 | 0:27:53 | |
That's irony for you. The things we call irony often really aren't that ironic. | 0:27:53 | 0:27:57 | |
Ironically. Or not. | 0:27:57 | 0:27:59 | |
Now, um, for some inside information. What's inside this? | 0:27:59 | 0:28:05 | |
Can anyone tell me? | 0:28:05 | 0:28:06 | |
It's a natural thing. | 0:28:06 | 0:28:08 | |
Well, it looks like a coconut. | 0:28:08 | 0:28:10 | |
-It could be an elephant turd, couldn't it? -It could be. It isn't. | 0:28:10 | 0:28:14 | |
This thing is actually a nut. | 0:28:16 | 0:28:18 | |
Weirdly, the things inside it are not nuts, | 0:28:18 | 0:28:21 | |
but the things inside it are familiar to all of us as nuts. | 0:28:21 | 0:28:26 | |
This is how these grow. | 0:28:26 | 0:28:29 | |
Here they are. | 0:28:29 | 0:28:30 | |
-Oh, Brazil nuts. -Brazil nuts. | 0:28:30 | 0:28:32 | |
They grow inside... These are seeds, but we call them nuts. | 0:28:32 | 0:28:37 | |
Biologically, these are the seeds, and they grow inside this, the nut. | 0:28:37 | 0:28:41 | |
They grow on top of the tree. | 0:28:41 | 0:28:43 | |
They're very heavy, they've been known to kill people. | 0:28:43 | 0:28:46 | |
But it's a very strange life cycle they have. | 0:28:46 | 0:28:49 | |
This tree cannot be cultivated, so they're only wild. | 0:28:49 | 0:28:52 | |
Only wild trees produce these nuts, inside which are the Brazils. | 0:28:52 | 0:28:57 | |
And they can only be pollinated by a very particular bee, | 0:28:57 | 0:29:01 | |
and that bee will only be able to pollinate it | 0:29:01 | 0:29:04 | |
if there is in the area a very particular orchid. | 0:29:04 | 0:29:07 | |
So there's a really strange chain of necessary life situations | 0:29:07 | 0:29:11 | |
in order for us to get our purple Quality Street, essentially. | 0:29:11 | 0:29:15 | |
There is something unique as well about the Brazil nut. | 0:29:15 | 0:29:18 | |
As you know, there are people who are allergic to nuts. | 0:29:18 | 0:29:21 | |
But the Brazil nut, uniquely, amongst all the nuts... | 0:29:21 | 0:29:26 | |
This is really unfortunate. | 0:29:26 | 0:29:27 | |
You can sexually transmit Brazil nut to a partner. | 0:29:27 | 0:29:34 | |
That is to say, if a male has eaten a Brazil nut, | 0:29:34 | 0:29:38 | |
and they inseminate a person who is allergic, | 0:29:38 | 0:29:42 | |
that person's allergy will be affected by it. | 0:29:42 | 0:29:47 | |
That's a good murder plot, isn't it? | 0:29:47 | 0:29:50 | |
LAUGHTER | 0:29:50 | 0:29:52 | |
It is amazing. | 0:29:52 | 0:29:54 | |
I actually feel right in the middle of an episode of House now. | 0:29:54 | 0:29:59 | |
Cos how on earth has that been found out? | 0:29:59 | 0:30:04 | |
Surely the woman would feel the Brazil nut? | 0:30:04 | 0:30:07 | |
LAUGHTER | 0:30:07 | 0:30:09 | |
I think you may have slightly misunderstood... | 0:30:11 | 0:30:13 | |
The man would too, really. | 0:30:13 | 0:30:15 | |
May contain nuts! | 0:30:15 | 0:30:18 | |
LAUGHTER | 0:30:18 | 0:30:19 | |
We must ask the QI audience, both the physical one here, and those watching TV, | 0:30:19 | 0:30:24 | |
to be our experimental cohort, | 0:30:24 | 0:30:26 | |
and I want you all to eat Brazil nuts and then make love to your beloveds. | 0:30:26 | 0:30:30 | |
-I'll eat the nuts. -Yep. | 0:30:30 | 0:30:32 | |
LAUGHTER Sean is volunteering on that side. | 0:30:32 | 0:30:36 | |
I'm happy to eat the nuts. You line up, I'll eat the nuts, let's check it out. | 0:30:36 | 0:30:40 | |
-There you are. -Let's do this! -Let's do this thing for science. -Yeah. | 0:30:40 | 0:30:46 | |
Incidentally, does anyone know, in a packet of mixed nuts, | 0:30:46 | 0:30:50 | |
why do the Brazils always rise to the top? | 0:30:50 | 0:30:52 | |
Surely nobody knows that. | 0:30:52 | 0:30:56 | |
TRUMPET FANFARE You're right! | 0:30:56 | 0:30:59 | |
CHEERING AND APPLAUSE I'm very impressed. | 0:30:59 | 0:31:03 | |
It is a known and observable process, | 0:31:03 | 0:31:06 | |
that in bags of muesli and nuts, the Brazil nuts do go to the top. | 0:31:06 | 0:31:11 | |
Scientists have worked hard to try and understand why. | 0:31:11 | 0:31:14 | |
At first they thought the little ones settle down through and leave the big ones at the top. | 0:31:14 | 0:31:19 | |
You may say, why should they waste their time? There are all kind of good reasons, | 0:31:19 | 0:31:24 | |
like sorting rubble after earthquakes. | 0:31:24 | 0:31:26 | |
I've got to be honest, I've never heard of an earthquake victim | 0:31:26 | 0:31:29 | |
being crushed by a load of nuts. | 0:31:29 | 0:31:32 | |
No, nor have I, I'm talking about the science behind the lodgement | 0:31:32 | 0:31:36 | |
and the dislodgement of solid objects. | 0:31:36 | 0:31:38 | |
You'd think, because they're the heaviest nut in the bag... | 0:31:38 | 0:31:42 | |
-It seems counterintuitive. -In a box of muesli, it's the larger items, for example, | 0:31:42 | 0:31:46 | |
the currants, that go to the bottom. | 0:31:46 | 0:31:49 | |
-You get a lot of currants in the last portion. -You do. | 0:31:49 | 0:31:52 | |
Nobody knows precisely why it happens, | 0:31:52 | 0:31:54 | |
but it seems to be an observable phenomenon. | 0:31:54 | 0:31:56 | |
But if you get almonds in mixed nuts, | 0:31:56 | 0:32:00 | |
I find they rise to the top, above the Brazil nuts. | 0:32:00 | 0:32:04 | |
-And I'm starting to think it could be... -TOGETHER: -Alphabetical order! | 0:32:04 | 0:32:09 | |
-Almonds, Brazils... -Cashews... | 0:32:09 | 0:32:14 | |
Cashews, dates, maybe. And so on. | 0:32:14 | 0:32:18 | |
-Walnuts at the bottom. -And walnuts right at the bottom. | 0:32:18 | 0:32:21 | |
Good, you're all doing extremely well. | 0:32:21 | 0:32:24 | |
What do the signal bars on your phone mean? | 0:32:24 | 0:32:27 | |
Well, it means how much... signal... you can... | 0:32:27 | 0:32:32 | |
LAUGHTER | 0:32:32 | 0:32:34 | |
Don't be scared. | 0:32:35 | 0:32:37 | |
They mean how... how... | 0:32:37 | 0:32:40 | |
the thing with the thing in the sky and they come through, | 0:32:40 | 0:32:45 | |
-not there, all gone. -I need it in English, I'm afraid. | 0:32:45 | 0:32:49 | |
-It's got... -Talky talky power all gone away. | 0:32:49 | 0:32:53 | |
Sky no fly down in the air here. | 0:32:53 | 0:32:57 | |
Big bird in sky. | 0:32:57 | 0:32:59 | |
You're either connected or you're not connected. | 0:32:59 | 0:33:01 | |
So levels of connectivity are a bit irrelevant. | 0:33:01 | 0:33:06 | |
Yes, I would have accepted a Nobody Knows card, too late now, | 0:33:06 | 0:33:10 | |
because basically, there is no standardisation between manufacturers, | 0:33:10 | 0:33:14 | |
and different handset makers have different ways of showing | 0:33:14 | 0:33:17 | |
what is apparently a full signal, | 0:33:17 | 0:33:19 | |
and we're all really thrilled, "Oh, look, I've got five bars." | 0:33:19 | 0:33:23 | |
Absolutely meaningless. | 0:33:23 | 0:33:25 | |
How many Nobody Knows questions are there in this tonight? | 0:33:25 | 0:33:29 | |
Ah! Nobody knows. | 0:33:29 | 0:33:30 | |
What I find really annoying is when you're talking to someone on the mobile phone and it cuts out, | 0:33:30 | 0:33:35 | |
then when they call you back again, they say, "Dunno what happened then." | 0:33:35 | 0:33:40 | |
In the past, I've always said, "Well, it must be you, | 0:33:40 | 0:33:43 | |
"because I've got five bars." But now you're telling me... | 0:33:43 | 0:33:46 | |
-Exactly. I'm afraid that is... -You've pulled the rug from under me, Stephen! | 0:33:46 | 0:33:50 | |
I'm sorry to do that, but that's one thing we do on this show. | 0:33:50 | 0:33:54 | |
Nobody knows quite what the signal bars on your phone really signify. | 0:33:54 | 0:33:58 | |
And now we sink our claws into the soft underbelly of knowledge, | 0:33:58 | 0:34:01 | |
and tear out the fetid entrails of general ignorance. | 0:34:01 | 0:34:05 | |
So fingers on buzzers, please. | 0:34:05 | 0:34:07 | |
What use is an inflatable anchor? | 0:34:07 | 0:34:10 | |
MOSQUITO WHINE | 0:34:11 | 0:34:12 | |
Yes? | 0:34:12 | 0:34:14 | |
Is it for hot air balloons? | 0:34:14 | 0:34:18 | |
Very smart answer. No. | 0:34:18 | 0:34:23 | |
SMALL DOG YAPPING | 0:34:23 | 0:34:25 | |
-Yes? -Is it to stop submarines from, um... going too low? | 0:34:25 | 0:34:32 | |
LAUGHTER AND APPLAUSE | 0:34:32 | 0:34:35 | |
That's so sweet. | 0:34:37 | 0:34:39 | |
When the surface is incredibly sandy, | 0:34:39 | 0:34:42 | |
and a standard claw anchor would have nothing to catch onto, | 0:34:42 | 0:34:46 | |
you send down an inflatable one. | 0:34:46 | 0:34:49 | |
It's a spike. It goes into the sand, and you inflate it with fluid, not air, in fact. | 0:34:49 | 0:34:54 | |
And it lodges in the sand. That's what they use. Now you know. | 0:34:54 | 0:35:00 | |
Which animal did Richard I have three of on his shirt? | 0:35:00 | 0:35:04 | |
Now, can I suggest that at this point in history, | 0:35:04 | 0:35:06 | |
no-one in England had ever seen a lion. | 0:35:06 | 0:35:09 | |
Is that possible? | 0:35:09 | 0:35:10 | |
So, it's not a lion. | 0:35:10 | 0:35:12 | |
-What did Richard I spend most of his time doing? -I don't know. | 0:35:12 | 0:35:17 | |
-Crusades. -Crusading. | 0:35:17 | 0:35:18 | |
-There weren't any lions in Arabia, were there? -There were in Africa. | 0:35:18 | 0:35:22 | |
Bloody everywhere, they were. | 0:35:22 | 0:35:24 | |
Zoos. The Tower of London had a menagerie, a little later, I grant you. | 0:35:24 | 0:35:28 | |
In a picnic in those days, not wasps, lions. | 0:35:28 | 0:35:31 | |
Millions of them. | 0:35:31 | 0:35:32 | |
GET OFF ME SANDWICH! | 0:35:32 | 0:35:35 | |
The point is... | 0:35:35 | 0:35:36 | |
Seen some lions! Swans are the bastards. | 0:35:36 | 0:35:41 | |
He looks like he's going, "Ooh, get you in your suit of armour!" | 0:35:41 | 0:35:46 | |
He looks like he's doing a sort of, "Ooh!" | 0:35:46 | 0:35:49 | |
This is the badge of English royalty that was first used by Richard I, | 0:35:49 | 0:35:53 | |
and it's three... | 0:35:53 | 0:35:55 | |
Well, I'd say, not lions. | 0:35:55 | 0:35:58 | |
You're right to avoid the word lions. | 0:35:58 | 0:36:01 | |
They were known as leopards. They called them leopards. | 0:36:01 | 0:36:04 | |
They were not familiar with the difference between a leopard and a lion. | 0:36:04 | 0:36:09 | |
And leopard really just means a bearded lion, and it's a heraldic thing. | 0:36:09 | 0:36:13 | |
If they were that shape sideways on, those were leopards. | 0:36:13 | 0:36:18 | |
So there was a song, wasn't there? | 0:36:18 | 0:36:20 | |
-Wasn't there, Frank Skinner? -There was. | 0:36:20 | 0:36:22 | |
And that would have caused me a lot of scanning problems. | 0:36:22 | 0:36:24 | |
Yes. It was based, however, on a lie. | 0:36:24 | 0:36:27 | |
No, it was based on a lion. | 0:36:28 | 0:36:30 | |
-"Three leopards on my shirt." -Were they rampant or couchant? | 0:36:30 | 0:36:35 | |
-Good question. -AUDIENCE: Oooh! | 0:36:35 | 0:36:37 | |
It's gone a bit Sale Of The Century! | 0:36:37 | 0:36:40 | |
They were actually passant gardant. | 0:36:41 | 0:36:44 | |
But the rampant lion is the sign of the Kings of Scotland. | 0:36:44 | 0:36:48 | |
-Very hairy knees, the Scottish one. -Yes, they have rather, haven't they? | 0:36:48 | 0:36:52 | |
They would be called lions in heraldry, | 0:36:52 | 0:36:54 | |
whereas the three lions on the shirt would be known as leopards. | 0:36:54 | 0:36:58 | |
So, which years did your song chart, Frank Skinner and David Baddiel's Three Lions? | 0:36:58 | 0:37:04 | |
-It was number one in... -'96, and then again in '98. | 0:37:04 | 0:37:09 | |
Yeah. It charted in... | 0:37:09 | 0:37:11 | |
And then it charted in, er, 2000. | 0:37:11 | 0:37:15 | |
2002. It missed out 2000, I'm afraid. | 0:37:15 | 0:37:17 | |
-Did it? -Yeah. 2002, 2006 and 2010. | 0:37:17 | 0:37:21 | |
-That's quite impressive. -I must check my platinum discs. | 0:37:21 | 0:37:24 | |
Ooh! | 0:37:24 | 0:37:26 | |
Yes, I think we can safely say we milked it. | 0:37:26 | 0:37:30 | |
You milked those leopards. | 0:37:30 | 0:37:33 | |
Can I ask, was it big in any other country? | 0:37:33 | 0:37:37 | |
It got to the top ten in Germany. | 0:37:37 | 0:37:39 | |
The Germans, when they actually won Euro 96, | 0:37:39 | 0:37:41 | |
which is what the song was originally written for, | 0:37:41 | 0:37:44 | |
they figured they'd won the song as well, | 0:37:44 | 0:37:47 | |
so they were on the balcony in Berlin, leading the crowd | 0:37:47 | 0:37:51 | |
in Three Lions On A Shirt. | 0:37:51 | 0:37:53 | |
My God. | 0:37:53 | 0:37:54 | |
Now, that's irony. | 0:37:54 | 0:37:56 | |
LAUGHTER | 0:37:56 | 0:37:58 | |
Very good. | 0:37:58 | 0:38:00 | |
APPLAUSE | 0:38:00 | 0:38:02 | |
The fact is, anyone can get a Grant of Arms. | 0:38:02 | 0:38:06 | |
You only need £4,225, | 0:38:06 | 0:38:08 | |
which is cheaper than some cherished number plates. | 0:38:08 | 0:38:11 | |
Sir Christopher Frayling, former Chairman of the Arts Council | 0:38:11 | 0:38:14 | |
and expert on Clint Eastwood movies | 0:38:14 | 0:38:17 | |
took a motto, which is "Perge Scellus Diem Perficias". | 0:38:17 | 0:38:22 | |
-"Go ahead, punk, make my day"? -Yes! Very good! | 0:38:22 | 0:38:27 | |
APPLAUSE | 0:38:27 | 0:38:29 | |
In heraldic, "Proceed, varlet, and render perfect the day." | 0:38:30 | 0:38:35 | |
On my coat of arms, its says, "Katatraya stayeftika". | 0:38:35 | 0:38:38 | |
"There is trouble in the gypsy village." | 0:38:38 | 0:38:40 | |
What's the Latin for "Nick nack nocky noo?" | 0:38:43 | 0:38:45 | |
LAUGHTER | 0:38:45 | 0:38:47 | |
Frank Skinner's career as a pop star | 0:38:47 | 0:38:49 | |
is, in fact, built on a lamentable terminological inexactitude, | 0:38:49 | 0:38:53 | |
or lie. | 0:38:53 | 0:38:54 | |
LAUGHTER AND APPLAUSE | 0:38:54 | 0:38:57 | |
Now, name... | 0:38:57 | 0:38:59 | |
APPLAUSE | 0:38:59 | 0:39:01 | |
If you can, see if you can name a living animal | 0:39:01 | 0:39:05 | |
whose scientific name is exactly the same as its common name. | 0:39:05 | 0:39:11 | |
SMALL DOG YAPPING | 0:39:11 | 0:39:12 | |
Isn't a gorilla called Gorilla gorilla? | 0:39:12 | 0:39:15 | |
"WRONG AGAIN" ALARM | 0:39:15 | 0:39:16 | |
I'm afraid so. Unfortunately, it's called Gorilla gorilla, but the common name for it is just gorilla. | 0:39:16 | 0:39:22 | |
There's only one animal we can think of | 0:39:22 | 0:39:24 | |
where the common name for it is exactly the same as its Latinate... | 0:39:24 | 0:39:28 | |
Does it sound a bit Latiny? | 0:39:28 | 0:39:30 | |
-In a way. -Is it rhinoceros? -No, that's Greek. | 0:39:30 | 0:39:32 | |
-It's not that, no. That doesn't sound Latin at all. -Horse? | 0:39:32 | 0:39:35 | |
No, that's equus. No, it's not a mammal, OK? | 0:39:35 | 0:39:39 | |
-It's not a mammal? -Frog. | 0:39:39 | 0:39:42 | |
No, it's not. It's herpetic, it's ophidian, it's long and narrow. | 0:39:42 | 0:39:47 | |
-Snake. -Snake. It's a kind of snake. -Oh, it's a kind of snake, not snake. | 0:39:47 | 0:39:52 | |
LAUGHTER | 0:39:52 | 0:39:53 | |
-No, no, it's a species we're after. -Monty Python. | 0:39:53 | 0:39:56 | |
Oh, I see, cos if you know about them, you don't go, "Look, snake." | 0:39:56 | 0:40:00 | |
You go, "Ah, it's Snakus curmuncunus." | 0:40:00 | 0:40:03 | |
-Exactly. There is one where precisely... -Boa constrictor. | 0:40:03 | 0:40:07 | |
-Boa constrictor is the right answer! -I was thinking it! | 0:40:07 | 0:40:10 | |
APPLAUSE | 0:40:10 | 0:40:12 | |
The scientific name for the Boa constrictor is Boa constrictor. | 0:40:13 | 0:40:18 | |
As far as we can tell at QI, there is no other animal where that's true. | 0:40:18 | 0:40:22 | |
There's some plants where it's true, Aloe vera, or whatever, | 0:40:22 | 0:40:25 | |
but no living animal, as far as we know, except the Boa constrictor, | 0:40:25 | 0:40:29 | |
has the same common name as scientific name. | 0:40:29 | 0:40:32 | |
What's wrong with these bananas? | 0:40:32 | 0:40:35 | |
They're upside down. | 0:40:35 | 0:40:37 | |
Yes, they're upside down. | 0:40:37 | 0:40:39 | |
Bananas do not grow like that. | 0:40:39 | 0:40:41 | |
They grow like... that. | 0:40:41 | 0:40:43 | |
-They grow upwards. -It's my area of expertise. | 0:40:43 | 0:40:46 | |
I'm impressed. I'm very impressed. Well done. | 0:40:46 | 0:40:49 | |
You probably know something else interesting about bananas. | 0:40:49 | 0:40:53 | |
They have a quality, you might call it a negative quality, | 0:40:53 | 0:40:56 | |
which some other foods have, including these. | 0:40:56 | 0:41:00 | |
And that is, they are faintly radioactive. | 0:41:00 | 0:41:03 | |
Not that there's any harm in eating bananas. | 0:41:03 | 0:41:06 | |
The isotope in question from potassium, K40, is present in our bodies in any case. | 0:41:06 | 0:41:11 | |
Especially in men, in our little naughty areas. | 0:41:11 | 0:41:15 | |
Is that why they look like bananas? | 0:41:15 | 0:41:17 | |
No. | 0:41:17 | 0:41:18 | |
-No, actually, within the epididymes, the... -Speak for yourself! | 0:41:18 | 0:41:23 | |
-Actually, yes! -I'm waiting for mine to stop being green. | 0:41:23 | 0:41:27 | |
Oh, no! | 0:41:27 | 0:41:29 | |
I'm more in the line with the Brazil nut. | 0:41:30 | 0:41:33 | |
How long is the half life of the radioactive component of a banana? | 0:41:34 | 0:41:38 | |
-I'd say six hours. -1.25 billion years. | 0:41:38 | 0:41:42 | |
You were only a bit out, then. | 0:41:42 | 0:41:45 | |
It was going to be one or the other. | 0:41:45 | 0:41:49 | |
Brazil nuts contain radium, and are 1,000 times more radioactive than other foods. | 0:41:49 | 0:41:54 | |
We're told that if you walk into a nuclear power plant with a pocket full of Brazils, | 0:41:54 | 0:41:59 | |
it's liable to set off the radiation leak alarm. | 0:41:59 | 0:42:02 | |
True story. | 0:42:02 | 0:42:04 | |
-And get a bit of a reputation. -Yes, definitely. | 0:42:04 | 0:42:08 | |
"Here he comes, cheeky chappy, with his pocket full of Brazil nuts." | 0:42:08 | 0:42:13 | |
And an easy one to end with - which country is the world's largest producer of Brazil nuts? | 0:42:13 | 0:42:18 | |
-TODDLER SCREAMS -Costa Rica! | 0:42:18 | 0:42:22 | |
-No. -Ah. | 0:42:22 | 0:42:25 | |
-Nice idea. -Brazil. -No! | 0:42:25 | 0:42:28 | |
-Brazil is the second largest. -Bolivia. | 0:42:29 | 0:42:32 | |
Bolivia is the right answer! | 0:42:32 | 0:42:35 | |
I suspect you were thinking of Bolivia Newton John, which isn't quite the same. | 0:42:37 | 0:42:42 | |
I often do. | 0:42:42 | 0:42:44 | |
Bolivia is the world's... | 0:42:44 | 0:42:46 | |
-Surely with all that radiation, it should be Bolivia Neutron Bomb. -You'd think! | 0:42:46 | 0:42:51 | |
Which brings me to the nutty scores. | 0:42:51 | 0:42:55 | |
Well, my goodness, my gracious, and my word. | 0:42:55 | 0:42:58 | |
-We have a tie for first place. -Fight! -And would you believe... | 0:42:58 | 0:43:03 | |
We're not Harry Hill here. | 0:43:03 | 0:43:05 | |
Wonderful as he is. | 0:43:05 | 0:43:06 | |
Would you believe that our two winners, our tie for first place, | 0:43:06 | 0:43:10 | |
is our first-time players, Frank Skinner and John Bishop, four points! | 0:43:10 | 0:43:14 | |
CHEERING AND APPLAUSE | 0:43:14 | 0:43:16 | |
And in third place with minus 14 points, it's Sean Lock! | 0:43:19 | 0:43:22 | |
-CHEERING AND APPLAUSE -Thank you. | 0:43:22 | 0:43:26 | |
But I'm afraid that the currant that settled at the bottom of the box | 0:43:26 | 0:43:33 | |
with minus 21 is Alan Davies. | 0:43:33 | 0:43:35 | |
CHEERING AND APPLAUSE | 0:43:35 | 0:43:38 | |
Well, that's your lot for this week. My thanks to John, Frank, Sean and Alan. | 0:43:42 | 0:43:46 | |
I leave you with these wise words from Groucho Marx. | 0:43:46 | 0:43:49 | |
"He may look like an idiot, he may sound like an idiot, | 0:43:49 | 0:43:52 | |
"but don't let that fool you, he really is an idiot." Goodnight. | 0:43:52 | 0:43:56 | |
APPLAUSE | 0:43:56 | 0:44:00 | |
Subtitles by Red Bee Media Ltd | 0:44:15 | 0:44:18 | |
Email subtitling@bbc.co.uk | 0:44:18 | 0:44:21 |