Browse content similar to Indecision. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:23 | 0:00:26 | |
Good...evening! | 0:00:30 | 0:00:33 | |
Good evening. Good evening, good evening, good evening, | 0:00:33 | 0:00:36 | |
and welcome to an absolutely choice edition of QI, | 0:00:36 | 0:00:39 | |
which is all about indecision. | 0:00:39 | 0:00:42 | |
All in a dither tonight are A, Jimmy Carr... | 0:00:42 | 0:00:46 | |
CHEERING | 0:00:46 | 0:00:49 | |
-..B, Rich Hall... -CHEERING | 0:00:49 | 0:00:52 | |
-..C, Phill Jupitus -CHEERING | 0:00:53 | 0:00:57 | |
..or D, none of the above, Alan Davies. | 0:00:59 | 0:01:03 | |
CHEERING | 0:01:03 | 0:01:06 | |
Your buzzers are designed to help you make up your mind. | 0:01:09 | 0:01:12 | |
-Jimmy goes... -WOMAN: "Turn right. Turn right." | 0:01:12 | 0:01:15 | |
-Phill goes... -WOMAN: "Turn left. Turn left." | 0:01:15 | 0:01:19 | |
-Rich goes... -WOMAN: "Turn round. Turn round." | 0:01:19 | 0:01:21 | |
-And Alan goes... -MAN: "Excuse me, sir. Is this your vehicle? Are you sure? | 0:01:21 | 0:01:27 | |
"Would you blow into this bag, please, sir?" | 0:01:27 | 0:01:30 | |
And don't forget your "nobody knows" jokers. | 0:01:30 | 0:01:33 | |
Have you got them there? | 0:01:33 | 0:01:34 | |
FANFARE "Nobody knows." | 0:01:34 | 0:01:36 | |
There is a question, to which the answer is "nobody knows". | 0:01:36 | 0:01:40 | |
If you can flag it up, you get extra points. | 0:01:40 | 0:01:42 | |
Now, why was this tosser thrown out of The Magic Circle? | 0:01:42 | 0:01:47 | |
"Tosser" is a technical term in this particular - | 0:01:47 | 0:01:50 | |
Was he using real magic? | 0:01:50 | 0:01:52 | |
That's not the reason, but it's a damn good thought. | 0:01:52 | 0:01:55 | |
-What gets you thrown out of The Magic Circle? -Giving away the secrets. | 0:01:55 | 0:01:59 | |
Yes. This guy, John Lenahan, was thrown out of The Magic Circle | 0:01:59 | 0:02:03 | |
for giving away a particular - a very famous - | 0:02:03 | 0:02:07 | |
you just have to buy a book and you know how to do it. | 0:02:07 | 0:02:11 | |
He said if he'd been a murderer, he'd have be out of prison by now, | 0:02:11 | 0:02:14 | |
but he's out of The Magic Circle for life because he appeared on Des Lynam's "How Do They Do That?" | 0:02:14 | 0:02:20 | |
-and revealed... -Oh, Lynam! | 0:02:20 | 0:02:22 | |
..one of the classic card scams | 0:02:22 | 0:02:24 | |
that is used on street corners to make money. | 0:02:24 | 0:02:28 | |
-Oh! Find the Lady. -Or as they call it in America, Three-card Monte. | 0:02:28 | 0:02:32 | |
-Exactly. -Because Find the Lady... | 0:02:32 | 0:02:34 | |
I prefer Three-card Monte because Find the Lady - I had a really bad experience in Thailand once. | 0:02:34 | 0:02:39 | |
-Did you feel a bit of a dick?! -LAUGHTER | 0:02:39 | 0:02:43 | |
Oh, I'm sorry! | 0:02:43 | 0:02:45 | |
APPLAUSE | 0:02:45 | 0:02:48 | |
And they've always got the guy that comes up and goes, | 0:02:50 | 0:02:53 | |
"Oh, this looks pretty good, everyone. I might have a go at this." | 0:02:53 | 0:02:56 | |
You're right. They have shills - the guys who say... | 0:02:56 | 0:02:59 | |
They put the money down and are paid out, you know. | 0:02:59 | 0:03:02 | |
-We've given you some money. Have you got it there? -OK. -I have some to pay you, in case you get it right. | 0:03:02 | 0:03:07 | |
Here you are. Watch the screen. All you have to do is find the lady. | 0:03:07 | 0:03:11 | |
Watch and then... There we go. | 0:03:11 | 0:03:15 | |
-There she is. -Oh, OK. -Keep your eyes on her. | 0:03:15 | 0:03:19 | |
OK, which is she? | 0:03:19 | 0:03:21 | |
-Left. -You're saying the left? -Yes. -Middle. -Middle?! | 0:03:21 | 0:03:25 | |
-Audience? -ALL: Left. -It's obviously the left. | 0:03:25 | 0:03:28 | |
Here you are. Course it's on the left. | 0:03:28 | 0:03:31 | |
You just follow it with your eyes. | 0:03:31 | 0:03:33 | |
Let's have another go. This time, we'll do it for money now you've got the idea. | 0:03:33 | 0:03:37 | |
Keep your eyes on the lady. | 0:03:37 | 0:03:40 | |
-There she is. -OK. | 0:03:42 | 0:03:44 | |
-OK. Where's she gone? -Right, OK, you three put that on a card each, | 0:03:47 | 0:03:52 | |
and I will stick this in a lady's knickers in the audience. | 0:03:52 | 0:03:55 | |
That's a whole other game! That's a whole other lady to find. | 0:03:55 | 0:03:59 | |
There's a lady put her hand up over there. | 0:03:59 | 0:04:01 | |
-She put her hand up what? -LAUGHTER | 0:04:01 | 0:04:05 | |
That's the trouble with this game. You always want to see it a second time. | 0:04:07 | 0:04:11 | |
-Place your bets. -I'm going left. -Left. OK. | 0:04:11 | 0:04:15 | |
I'm going left. | 0:04:15 | 0:04:16 | |
-Right. -Right. -Left. | 0:04:16 | 0:04:19 | |
Three lefts and a right. | 0:04:19 | 0:04:20 | |
Audience, how many think left? | 0:04:22 | 0:04:25 | |
Oh, most of you. | 0:04:25 | 0:04:27 | |
How many think middle? | 0:04:27 | 0:04:29 | |
Only very few. How many think right? Actually, the majority think right. | 0:04:29 | 0:04:32 | |
OK, let's show. | 0:04:32 | 0:04:35 | |
-It is indeed the left! -Two in a row! Come on! | 0:04:35 | 0:04:37 | |
-That's brilliant. -That's it, I'm getting my real money out. I'm on a roll! | 0:04:37 | 0:04:43 | |
That's the time to quit! | 0:04:43 | 0:04:45 | |
I ought to explain when talking about John Lenahan, | 0:04:45 | 0:04:49 | |
when I called him a tosser, that is the name for the guy who does that trick. | 0:04:49 | 0:04:52 | |
It's called tossing. You can win a lot of money by tossing. | 0:04:52 | 0:04:57 | |
-Argh! -What the...? | 0:04:57 | 0:04:59 | |
LAUGHTER | 0:04:59 | 0:05:01 | |
I think somebody thought it was real money. Anyway... Interesting. | 0:05:05 | 0:05:09 | |
-OK. -What the hell was that? -We'll find out, maybe or maybe not. | 0:05:09 | 0:05:13 | |
-OK, so - -I'm not in on that, I just want you to know! | 0:05:13 | 0:05:16 | |
LAUGHTER | 0:05:16 | 0:05:18 | |
Anyway, John Lenahan was expelled from The Magic Circle | 0:05:18 | 0:05:21 | |
for exposing the secret of Find the Lady on TV. | 0:05:21 | 0:05:24 | |
The real secret is, even if you choose correctly, | 0:05:24 | 0:05:27 | |
someone is likely to run off with the money, | 0:05:27 | 0:05:30 | |
because that's the way they work. | 0:05:30 | 0:05:31 | |
Now for something beginning with "I" you wouldn't choose in 100 years. | 0:05:31 | 0:05:35 | |
Who expected the Spanish Inquisition? | 0:05:35 | 0:05:39 | |
Was it... Er... Was it... | 0:05:39 | 0:05:40 | |
No. LAUGHTER | 0:05:40 | 0:05:43 | |
According to Monty Python, nobody expects the Spanish Inquisition. | 0:05:43 | 0:05:47 | |
But, in fact, they couldn't be more wrong. | 0:05:47 | 0:05:49 | |
Was it the Ku Klux Klan? Because those two fellas... | 0:05:49 | 0:05:52 | |
Yeah, it's true. They did wear similar... | 0:05:52 | 0:05:54 | |
-PHILL: -I thought that was the Pet Shop Boys. | 0:05:54 | 0:05:57 | |
LAUGHTER | 0:05:57 | 0:05:58 | |
That's one of their best videos, actually. It's very moody. | 0:05:58 | 0:06:02 | |
The fact is, the Spanish Inquisition always gave you 30 days' notice. | 0:06:02 | 0:06:06 | |
-They said... -LAUGHTER | 0:06:06 | 0:06:08 | |
They said, "We're coming to inquisite you," or whatever verb they would use. | 0:06:08 | 0:06:12 | |
"Is that Mr Rabinowitz? It's the Inquisition here. | 0:06:12 | 0:06:16 | |
"How are you? Good. | 0:06:16 | 0:06:19 | |
"We're going to come round and pull your balls out through your mouth." | 0:06:19 | 0:06:23 | |
"We're in the area. | 0:06:23 | 0:06:25 | |
"But only for the next 30 days. Take advantage." | 0:06:25 | 0:06:29 | |
-They gave you 30 days? -They're like the TV licence van! | 0:06:29 | 0:06:33 | |
They gave you 30 days to prepare and prove that you weren't a heretic. | 0:06:33 | 0:06:37 | |
You had to wait around the house all day. | 0:06:37 | 0:06:39 | |
-"They'll be there between eight and five." -Or get a priest! Exactly! | 0:06:39 | 0:06:44 | |
Or say, "Torture my neighbour. I won't be in. | 0:06:44 | 0:06:47 | |
"He'll take my torture for me." | 0:06:47 | 0:06:50 | |
No, it is a surprising thing, perhaps. But when was it instituted? | 0:06:50 | 0:06:55 | |
It went on for 350 years. | 0:06:55 | 0:06:58 | |
-Give me a century. -1483. | 0:06:58 | 0:07:00 | |
-I can tell you - -Bloody hell, that's close! Did you say 1483? -Yeah. | 0:07:00 | 0:07:04 | |
Is that a guess? | 0:07:04 | 0:07:06 | |
LAUGHTER AND APPLAUSE | 0:07:08 | 0:07:12 | |
I'm right! | 0:07:12 | 0:07:14 | |
It was 1478. But five years... That's very close. | 0:07:17 | 0:07:22 | |
They called and said, "We're coming around in five years," so in '78... | 0:07:22 | 0:07:26 | |
LAUGHTER | 0:07:26 | 0:07:28 | |
You're right. The Spanish took it upon themselves to have their own inquisition. | 0:07:28 | 0:07:32 | |
There was a Papal Inquisition, but they wanted their own. | 0:07:32 | 0:07:35 | |
It was an anti-Semitic piece of legislation. | 0:07:35 | 0:07:38 | |
They doubted that Jews who had to convert to stay in Spain, | 0:07:38 | 0:07:41 | |
they doubted that they actually really meant it. | 0:07:41 | 0:07:45 | |
-It was under these rulers of Spain at that time, Ferdinand and Isabella. -Wow! | 0:07:45 | 0:07:50 | |
-Yeah. -She's a dog. -LAUGHTER | 0:07:50 | 0:07:53 | |
She wouldn't mind you saying that. She would take it on the chin. LAUGHTER | 0:07:53 | 0:07:57 | |
I went to a Museum of Torture in Spain. | 0:07:57 | 0:08:00 | |
-Did you? -And I thought - | 0:08:00 | 0:08:03 | |
I didn't know anything about it - but I imagined | 0:08:03 | 0:08:05 | |
that the Spanish Inquisition was an awful few years. | 0:08:05 | 0:08:08 | |
-Yeah. It was. -But it went on for 350 years. -You're right. | 0:08:08 | 0:08:11 | |
-And they had lots and lots of implements of torture that really... -Oh, it was grotesque. | 0:08:11 | 0:08:15 | |
I mean, you can't make it up. But the one that really sticks in my mind is the one where | 0:08:15 | 0:08:19 | |
you would be impaled through your anus on a very large pole | 0:08:19 | 0:08:23 | |
that would go up your inside, | 0:08:23 | 0:08:25 | |
-but miss all your vital organs, and then come out at your shoulder. -Oh, God... | 0:08:25 | 0:08:29 | |
So it wouldn't kill you and you'd just be there for days. | 0:08:29 | 0:08:32 | |
Usually, it'd be something public, so you'd be an example. | 0:08:32 | 0:08:37 | |
Did you know they put hanging people from cages full of spikes | 0:08:37 | 0:08:40 | |
from a pole at the entrance to towns? | 0:08:40 | 0:08:43 | |
The Catholic Church, you won't be surprised to know, | 0:08:43 | 0:08:46 | |
-still has the Inquisition. -What?! -It's changed its name. In 1908, it changed to | 0:08:46 | 0:08:50 | |
the Sacred Congregation of the Holy Office. | 0:08:50 | 0:08:53 | |
In 1965, the Congregation for the Doctrine of the Faith, | 0:08:53 | 0:08:56 | |
and the leader under Pope John Paul II was... | 0:08:56 | 0:08:59 | |
-Who was in charge of it? -Ratzinger. -It was indeed. Our current Pope. | 0:08:59 | 0:09:03 | |
He was in charge of the Spanish Inquisition, was he? | 0:09:03 | 0:09:06 | |
-Not the Spanish. -They're very good at changing their name. | 0:09:06 | 0:09:09 | |
People talk about the Roman Empire falling. I don't think they fell, they became a church, | 0:09:09 | 0:09:13 | |
-continued on regardless. -Basically. | 0:09:13 | 0:09:15 | |
Now then, given the choice, | 0:09:15 | 0:09:17 | |
what would be the next best thing to having a Nobel Prize-winner in our audience tonight? | 0:09:17 | 0:09:23 | |
Dennis Leary had a joke about the Peace Prize. | 0:09:23 | 0:09:25 | |
He said, "I'd kill for one of those." LAUGHTER | 0:09:25 | 0:09:29 | |
That's very good. There is a sort of seriocomic version of the Nobel Peace Prize. | 0:09:29 | 0:09:35 | |
-Oh, it's the Ig Nobel Awards. -Yes! | 0:09:35 | 0:09:37 | |
The prize is given to people who usually are genuine scientists | 0:09:37 | 0:09:40 | |
who have conducted research, some of which is just a little bit weird. | 0:09:40 | 0:09:45 | |
We have on our left a woman who invented an emergency bra | 0:09:45 | 0:09:50 | |
that can be torn apart and turned into a gas mask. | 0:09:50 | 0:09:54 | |
Two gas masks, obviously! | 0:09:54 | 0:09:57 | |
On the right is the inventor of the Ig Nobel Prize, Marc Abrahams. | 0:09:57 | 0:10:01 | |
I'm proud to say that in our audience, we have a winner of the Ig Nobel Prize, | 0:10:01 | 0:10:05 | |
Professor Chris McManus! Are you there? There he is! | 0:10:05 | 0:10:08 | |
-Whaa-hey! -APPLAUSE | 0:10:08 | 0:10:11 | |
-Now... -APPLAUSE | 0:10:11 | 0:10:14 | |
Professor McManus, they called you in the Press the "Oddball Professor". | 0:10:14 | 0:10:19 | |
Perhaps you'd like to tell us the reason you won the Ig Nobel Prize. | 0:10:19 | 0:10:23 | |
I got the prize in 2002 | 0:10:23 | 0:10:26 | |
-for some work that was done half a lifetime earlier in 1976. -Yes? | 0:10:26 | 0:10:30 | |
And the paper was published in the most prestigious of science journals, Nature, | 0:10:30 | 0:10:34 | |
and it was called "Scrotal Asymmetry In Man and In Ancient Sculpture". | 0:10:34 | 0:10:40 | |
-LAUGHTER -So, your work was looking at how male testicles were asymmetrical? | 0:10:40 | 0:10:46 | |
-Precisely. -I've got an issue. Maybe you could help | 0:10:46 | 0:10:49 | |
because you're an expert. | 0:10:49 | 0:10:50 | |
Perhaps I should examine you afterwards. It's probably easier. | 0:10:50 | 0:10:53 | |
I think I can explain. One of mine is bigger than the other two. | 0:10:54 | 0:10:58 | |
Very good. You are actually speaking with purpose, aren't you? | 0:11:03 | 0:11:07 | |
-A higher percentage of men have one ball lower than the other. Tell us which that is. -That's right. | 0:11:07 | 0:11:13 | |
Most people have the right one is higher and the left one is lower. | 0:11:13 | 0:11:17 | |
-Right. -And that's the normal way round. | 0:11:17 | 0:11:19 | |
-Wait a minute. -Which is fine. Yeah, hang on... Oh, whoa... | 0:11:19 | 0:11:22 | |
-LAUGHTER -For the joker...! | 0:11:22 | 0:11:25 | |
I've got two on the left. | 0:11:28 | 0:11:30 | |
-There's nothing on the right at all! -Right! But... | 0:11:32 | 0:11:36 | |
the surprising thing is, that in Ancient and indeed Renaissance sculpture, | 0:11:36 | 0:11:40 | |
-you found... -If you look at Michelangelo's David or any of these great sculptures, | 0:11:40 | 0:11:45 | |
the right one is higher and the left one is lower AND it's bigger. | 0:11:45 | 0:11:50 | |
-Yes. -Which makes sense, if you think about it. | 0:11:50 | 0:11:52 | |
LAUGHTER | 0:11:52 | 0:11:54 | |
Why does that makes sense? | 0:11:54 | 0:11:56 | |
-You'd expect the heavier one to go lower. -Yes, right. Oh, I see. | 0:11:56 | 0:12:00 | |
-But it's against... -The trouble is, it ain't that way. | 0:12:00 | 0:12:03 | |
-When you get home later, you'll find that... -Oh, no need, man! | 0:12:03 | 0:12:06 | |
..the higher one is also the bigger one. | 0:12:07 | 0:12:10 | |
So the Greeks got it wrong. That was where it got interesting. | 0:12:10 | 0:12:13 | |
That's odd, because they had bodies. Is it because they used mirrors and their own equipment, | 0:12:13 | 0:12:20 | |
and got it the wrong way round, or was there some other reason? | 0:12:20 | 0:12:22 | |
Their real problem is that they had a theory, | 0:12:22 | 0:12:25 | |
-and there's nothing more dangerous than a theory that's wrong. -Yes. | 0:12:25 | 0:12:29 | |
They didn't know what the testicles were for. It seems strange, but they hadn't quite worked it out. | 0:12:29 | 0:12:34 | |
JIMMY: Mine are purely decorative. LAUGHTER | 0:12:34 | 0:12:38 | |
-What was the Greek theory? -Aristotle had this charming theory | 0:12:38 | 0:12:41 | |
that little boys have tiny testicles and very high voices. | 0:12:41 | 0:12:44 | |
But as you get bigger and you go into puberty, the testicles get bigger, | 0:12:44 | 0:12:49 | |
-they pull down and they tension the body and the voice gets deeper. -Oh! | 0:12:49 | 0:12:53 | |
So they thought they were weights to tension the male body. | 0:12:53 | 0:12:56 | |
LAUGHTER JIMMY: And is that not the case? | 0:12:56 | 0:13:00 | |
Which is why Barry White never did a marathon. | 0:13:00 | 0:13:03 | |
So for that, you won the Ig Nobel Prize and is that something you are proud of? | 0:13:05 | 0:13:10 | |
It's something I can't deny. Put it that way. | 0:13:10 | 0:13:14 | |
-Um... -It doesn't go to stupid people but goes to genuine scientists. -Yes. | 0:13:14 | 0:13:17 | |
At the end of the Nobel Prizes, Marc Abrahams always sends his consolations | 0:13:17 | 0:13:21 | |
to those who haven't won it and particularly to those who have. | 0:13:21 | 0:13:25 | |
-I also believe you are expected to make an acceptance speech. -I did. | 0:13:25 | 0:13:28 | |
It's a tradition of the speech to be interrupted by a young girl | 0:13:28 | 0:13:32 | |
who shouts, "Please stop it, I'm bored!" Is that correct? | 0:13:32 | 0:13:34 | |
Yes. Marc has the problem that the Oscars and all the other award ceremonies have | 0:13:34 | 0:13:39 | |
that everybody talks too long and thanks everybody. | 0:13:39 | 0:13:42 | |
He came up with this device called Little Miss Sweetie Poo - who's a charming eight-year-old girl. | 0:13:42 | 0:13:47 | |
After 60 seconds she walks across stage and says, "Please stop, I'm bored. | 0:13:49 | 0:13:52 | |
-"Please stop, I'm bored. Please stop, I'm bored." -A brilliant idea. | 0:13:52 | 0:13:56 | |
You had your own daughters do that job I believe. | 0:13:56 | 0:13:58 | |
At the show in London... I have identical twin daughters so we had both of them doing | 0:13:58 | 0:14:02 | |
-"Please stop, I'm bored." "Please stop, I'm bored." -Is not one of them slightly bigger than the other? | 0:14:02 | 0:14:07 | |
LAUGHTER | 0:14:07 | 0:14:09 | |
Maybe a little shorter? | 0:14:09 | 0:14:11 | |
-Touche. -Oh, that's brilliant. | 0:14:13 | 0:14:16 | |
Well, Professor McManus, thank you very much indeed. | 0:14:16 | 0:14:18 | |
Congratulations. | 0:14:18 | 0:14:19 | |
-That is quite interesting. -That is quite interesting, isn't it? | 0:14:21 | 0:14:24 | |
Anyway, the next best thing to winning a Nobel Prize is winning an Ig Nobel Prize. | 0:14:24 | 0:14:30 | |
First they make you laugh and then they make you think. | 0:14:30 | 0:14:33 | |
Here's a tricky decision. Which is more mammaly? A mouse or a hippopotamus? | 0:14:33 | 0:14:37 | |
-More mammaly? -More mammaly? -Right. | 0:14:37 | 0:14:41 | |
So is this which one has got breasts? | 0:14:41 | 0:14:44 | |
No. | 0:14:44 | 0:14:45 | |
Cos a mammal is... | 0:14:45 | 0:14:47 | |
It's about the way we decide. Indecision is our theme today. | 0:14:47 | 0:14:50 | |
If you give people tests about categories, | 0:14:50 | 0:14:54 | |
and you show them certain kinds of items that fit a category. Say you're doing the fruit category | 0:14:54 | 0:15:00 | |
and you show them an apple and a pear, they think they're both fruit. | 0:15:00 | 0:15:03 | |
But show them a fig and a raisin and they'll take a bit longer. | 0:15:03 | 0:15:06 | |
Show them a pumpkin and an olive and they'll take a lot longer. Ooh, are they fruits or are they...? | 0:15:06 | 0:15:11 | |
-The same with mammals. -Yeah. -People instantly say that a mouse is a mammal. | 0:15:11 | 0:15:15 | |
A hippotamus? Oh, it's wet and slimy... Oh, of course it's a mammal. It just takes a bit longer. | 0:15:15 | 0:15:20 | |
I think if I was to stage an all-mouse production of West Side Story... | 0:15:20 | 0:15:24 | |
STEPHEN CHUCKLES | 0:15:24 | 0:15:26 | |
HUMS THEME | 0:15:26 | 0:15:27 | |
LAUGHTER | 0:15:27 | 0:15:30 | |
The way this is set up there, it does sort of look like the hippo is sneaking up on the mouse. | 0:15:30 | 0:15:35 | |
It does, doesn't it? | 0:15:35 | 0:15:37 | |
Could we Photoshop a Rizla in that mouse? | 0:15:37 | 0:15:39 | |
LAUGHTER | 0:15:39 | 0:15:40 | |
Shall I be really nerdy and say that really you shouldn't say Rizla? Do you know what you should day? | 0:15:44 | 0:15:48 | |
HIGH-PITCHED: What should you say, Stephen? | 0:15:48 | 0:15:50 | |
Well, it's French and riz is the French for rice... | 0:15:50 | 0:15:54 | |
-Yeah. -..and the company that makes it is Lacroix. | 0:15:54 | 0:15:57 | |
And you may notice when you see a Rizla packet that sometimes you might have torn the top part off... | 0:15:57 | 0:16:02 | |
-Why, Stephen? -..for some reason. For some reason might need | 0:16:02 | 0:16:05 | |
-a spare piece of cardboard... -Yeah, just to jot... -Yeah, exactly. | 0:16:05 | 0:16:08 | |
Just to jot down something. An email address. Exactly. But you'll notice | 0:16:08 | 0:16:13 | |
it says "Riz la" - Rizla, we think - and then there's a big cross. | 0:16:13 | 0:16:19 | |
And the company's Lacroix which is "the cross". | 0:16:19 | 0:16:22 | |
It's "rice the cross". It's rice paper made by "the cross" - | 0:16:22 | 0:16:25 | |
Lacroix. Lacroix is the name of the company. | 0:16:25 | 0:16:28 | |
Stephen, when I get to Glastonbury I'm going to be talking about that for nine hours. | 0:16:28 | 0:16:32 | |
LAUGHTER | 0:16:32 | 0:16:33 | |
-See, it's not there. Right. -Look! Look! -The cross. The cross. | 0:16:33 | 0:16:37 | |
No, where the cross WAS. | 0:16:37 | 0:16:40 | |
I tore that bit off. | 0:16:40 | 0:16:43 | |
I'd love a fajita. | 0:16:45 | 0:16:47 | |
LAUGHTER | 0:16:47 | 0:16:49 | |
Anyway I can see I'm boring you. | 0:16:49 | 0:16:52 | |
-Um, here I am... -Not until we get an eight-year-old girl | 0:16:52 | 0:16:54 | |
running in front of you telling you who you are. | 0:16:54 | 0:16:57 | |
I want the twins! | 0:16:57 | 0:16:59 | |
One way to tell if something's a mammal is the check whether it has nipples | 0:16:59 | 0:17:03 | |
which reminds me of a piece of I for Irishness. | 0:17:03 | 0:17:06 | |
What do you call an Irishman with no nipples? | 0:17:06 | 0:17:09 | |
-Um, that's Richard Harris of course. -In A Man Called Horse. A great movie, isn't it? | 0:17:09 | 0:17:13 | |
-I've seen worse. -It seemed extreme at first but now there's guys in Camden Town that have that done. | 0:17:13 | 0:17:18 | |
Yes, it's true. | 0:17:18 | 0:17:19 | |
-That'd be an Edinburgh show now, wouldn't it? Part of the festival. -Done things ten times worse | 0:17:19 | 0:17:24 | |
-than that for writing MacArthur Park. -Oh, yes - the cake left out in the rain. | 0:17:24 | 0:17:29 | |
The cake in the rain. Who cares? | 0:17:29 | 0:17:31 | |
If my nan left a cake out in the rain it would've absorbed all the rain - she made a very dry cake. | 0:17:31 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:36 | |
He didn't actually write, to be fair to Richard Harris - it was written by Jimmy Webb - but he did sing it. | 0:17:36 | 0:17:42 | |
I think he is guilty of that. This isn't about Richard Harris, this is about Irishmen with no nipples. | 0:17:42 | 0:17:48 | |
It seems bizarre but there is a real historical point of interest here. | 0:17:48 | 0:17:53 | |
-What could an Irishman never be if he had no nipples? -Symmetric. | 0:17:53 | 0:17:56 | |
We came back to... | 0:17:56 | 0:17:58 | |
What?! Symmetric?! | 0:17:58 | 0:18:00 | |
Going back in the past in Ireland, it's a very peculiar thing | 0:18:01 | 0:18:05 | |
but part of your way of showing loyalty to your sovereign - if you were an Irish subject | 0:18:05 | 0:18:10 | |
in the ancient days of the Irish kings - | 0:18:10 | 0:18:12 | |
was you had to suck their nipples. | 0:18:12 | 0:18:14 | |
-RIPPLE OF LAUGHTER -Right. | 0:18:14 | 0:18:16 | |
So... And you may say, "OK, but what kind of person doesn't have nipples?" | 0:18:16 | 0:18:19 | |
There would be fights, contests and people would apply, as it were, to be King of Ireland. | 0:18:19 | 0:18:25 | |
And if they were found not suitable, they would have their nipples cut off, | 0:18:25 | 0:18:29 | |
-which meant they could never be King of Ireland. -Sorry? They did it like Britain's Got Talent?! | 0:18:29 | 0:18:34 | |
-Yes. -This is how Britain's Got Talent should tweak it so that it's the same. | 0:18:34 | 0:18:39 | |
It would be quite something. | 0:18:39 | 0:18:42 | |
But there is Old Croghan Man, one of the peat bog discoveries | 0:18:42 | 0:18:45 | |
He was so well preserved that when he was discovered, it wasn't archaeologists, or museums, | 0:18:45 | 0:18:50 | |
or anthropologists they contacted - it was the police. | 0:18:50 | 0:18:52 | |
It was between 300-odd to 100-odd BC that this person had died... | 0:18:52 | 0:18:58 | |
-The chances of... -He was so well preserved... | 0:18:58 | 0:19:01 | |
-You would describe it as a cold case. -You would. -No chance of getting a conviction. | 0:19:01 | 0:19:06 | |
People said, "Oh, my god! Here's this recently killed body." He was found with nipples cut off. | 0:19:06 | 0:19:12 | |
He appears to have been someone who was deprived ritually of his attribute of kingship | 0:19:12 | 0:19:17 | |
-before being killed. So there you are. -Wow. -That seems to be the case. | 0:19:17 | 0:19:21 | |
There are extra points if you can tell me the national colour of Ireland. | 0:19:21 | 0:19:25 | |
-Well this feels like a trap! -It does indeed! | 0:19:25 | 0:19:28 | |
-That's the flag but that's not necessarily an indication of what the national colour is. -Blue. | 0:19:28 | 0:19:33 | |
-Blue is the right answer! -Yes! -Get in! | 0:19:33 | 0:19:36 | |
Very good! | 0:19:36 | 0:19:37 | |
-Well done, yes. -APPLAUSE | 0:19:37 | 0:19:40 | |
The fact is it's changed now that everybody thinks it's green. | 0:19:40 | 0:19:43 | |
And everyone paints themselves green in Chicago and New York | 0:19:43 | 0:19:47 | |
for Saint Patrick's Day. But Saint Patrick's colour was blue - Saint Patrick's blue. | 0:19:47 | 0:19:53 | |
The coat of arms of Ireland is a shield of a harp against a ground of Saint Patrick's blue. | 0:19:53 | 0:19:59 | |
And the Irish Guards are distinct because of the blue in their bearskins. | 0:19:59 | 0:20:03 | |
So blue was always the colour of Ireland until really in 1798, | 0:20:03 | 0:20:09 | |
when they had one of their many rebellions. | 0:20:09 | 0:20:11 | |
And then green became a symbol of Irish nationalism and sort of took over from blue. | 0:20:11 | 0:20:17 | |
Sucking a king's nipples was a gesture of submission in ancient Ireland. | 0:20:17 | 0:20:20 | |
If you lost yours you couldn't be king. | 0:20:20 | 0:20:22 | |
You've got a big decision coming up in 40 minutes, imagine, OK? | 0:20:22 | 0:20:26 | |
What's the best thing you can do now to ensure that you make the right choice? | 0:20:26 | 0:20:31 | |
-Just make the decision now. -STEPHEN CHUCKLES | 0:20:31 | 0:20:34 | |
No, it's coming up. You may not know what it is, like Dwight here. | 0:20:34 | 0:20:38 | |
Get into a rage. You make the right choices when angry. | 0:20:38 | 0:20:41 | |
Very well remembered from a previous edition. One of them is anger. | 0:20:41 | 0:20:46 | |
Apparently you make better decisions when you're angry. I'm giving you a clue. | 0:20:46 | 0:20:50 | |
-You're giving me a clue? -Have some water. -Yes. | 0:20:50 | 0:20:53 | |
Lots and lots of water. | 0:20:53 | 0:20:54 | |
-Drink lots of water... -So that in 40 minutes... | 0:20:54 | 0:20:57 | |
You'll be in the loo and you won't have to make the decision. | 0:20:57 | 0:21:01 | |
Bizarrely, no. | 0:21:01 | 0:21:03 | |
You'd be popping to go to the loo and that's when we make our best decisions. | 0:21:03 | 0:21:07 | |
-When we need a wee? -Shut up! -Yes. -Shut up! | 0:21:07 | 0:21:11 | |
It's true, girlfriend! | 0:21:11 | 0:21:13 | |
APPLAUSE Shut up! | 0:21:13 | 0:21:16 | |
Absolutely. | 0:21:16 | 0:21:18 | |
The last decision I made when busting for a piss, was to pull over and have a piss at the side of a road. | 0:21:18 | 0:21:23 | |
Not that that's the best decision I ever made but it happened. | 0:21:23 | 0:21:27 | |
If you're given a SERIOUS decision to make, it seems...that, for some reason, | 0:21:27 | 0:21:32 | |
-it somehow allows you to make clearer decisions. -Do you know why I think it is? | 0:21:32 | 0:21:36 | |
I think that's probably right. | 0:21:36 | 0:21:39 | |
It's conscious versus unconscious mind. Your unconscious mind is the smart bit | 0:21:39 | 0:21:42 | |
-and the answers bubble up. You know when you're trying to remember something? -Absolutely. | 0:21:42 | 0:21:47 | |
To not concentrate on that thing, to distract yourself and sometimes it bubbles up organically. | 0:21:47 | 0:21:52 | |
-Exactly. -When you focus on it, | 0:21:52 | 0:21:54 | |
when you need a pee, that's all you can think about - needing a pee. Suddenly... | 0:21:54 | 0:21:58 | |
-Or the opposite - a crossword clue pops into your head. -I'm going to try and nail the General Ignorance. | 0:21:58 | 0:22:03 | |
I think I'm definitely going to do Celebrity Mastermind now. | 0:22:03 | 0:22:06 | |
-You should! -Just 20 bottles of Evian before I go on. | 0:22:06 | 0:22:11 | |
HE BARKS WORDS | 0:22:14 | 0:22:17 | |
"Red! Orange! Hitler! | 0:22:17 | 0:22:20 | |
"I've got to go, John!" | 0:22:20 | 0:22:21 | |
"Red, orange, Hitler"? I'm trying to think what that would be... | 0:22:21 | 0:22:25 | |
What is your specialist subject?! | 0:22:26 | 0:22:28 | |
Painting. | 0:22:28 | 0:22:30 | |
JIMMY: Love it! | 0:22:30 | 0:22:32 | |
Fair enough. Good one. According to the father of history who was Herodotus, the Greek historian... | 0:22:32 | 0:22:37 | |
Surely there hadn't been much history? | 0:22:37 | 0:22:40 | |
-He wrote... -Back then, it was... I mean, when he's talking about, | 0:22:41 | 0:22:45 | |
it's, "You know, two weeks ago..." | 0:22:45 | 0:22:47 | |
Has he got his hair woven into his beard? | 0:22:48 | 0:22:50 | |
It does... It does look all one-piece, doesn't it? | 0:22:50 | 0:22:53 | |
-A bit of hairdressing. -That's the... But he wrote of the Persians, | 0:22:53 | 0:22:58 | |
"When they wanted to make a decision, they made a decision drunk | 0:22:58 | 0:23:01 | |
"and then reviewed it when sober. And if they both tallied, | 0:23:01 | 0:23:05 | |
"they thought it was right. Or, they made a decision when sober | 0:23:05 | 0:23:08 | |
"and then reviewed it when drunk." But he said also, as if shocked, | 0:23:08 | 0:23:13 | |
"To vomit or obey natural calls, in the presence of another, | 0:23:13 | 0:23:17 | |
"is forbidden among them." | 0:23:17 | 0:23:18 | |
It's like, "Gosh, Persians are really weird, | 0:23:18 | 0:23:22 | |
they don't pee and poo in front of each other. It says more about Greeks, which Herodotus was. | 0:23:22 | 0:23:25 | |
But he was surprised by that. Don't you think it's odd? | 0:23:25 | 0:23:28 | |
Does he mean that they go behind a tree, whereas the Greeks would go in front of the tree? | 0:23:28 | 0:23:33 | |
-In front of each other. -The Romans used to all sit around chatting, didn't they? -Yes. | 0:23:33 | 0:23:38 | |
I've seen the toilets in Pompeii. They just used to sit there - "All right?" - next to each other. | 0:23:38 | 0:23:43 | |
And why not? Well, all kinds of reasons, actually. | 0:23:43 | 0:23:46 | |
We stare straight ahead. Straight ahead at the wall. | 0:23:46 | 0:23:48 | |
Whereas, me, I'd go in with a ghetto blaster, so people can't hear the noises. Honestly. | 0:23:48 | 0:23:53 | |
That reminds me of one story about Marilyn Monroe. | 0:23:53 | 0:23:56 | |
When she was engaged to Arthur Miller, the playwright, she was very nervous about meeting | 0:23:56 | 0:24:01 | |
his parents, who were Jewish intellectuals, and they went to their small house in New York. | 0:24:01 | 0:24:06 | |
"Come in, meet Mum and Dad." And they were having a dinner and, at one point, she wanted to get up | 0:24:06 | 0:24:11 | |
and use the loo, and she realised that it was above the dining room. | 0:24:11 | 0:24:14 | |
To disguise the sound of herself peeing, she turned the taps on | 0:24:14 | 0:24:19 | |
and then had a pee and then flushed the loo and turned the taps off. | 0:24:19 | 0:24:22 | |
And the next day, Arthur Miller called up his father and said, | 0:24:22 | 0:24:26 | |
"So what did you think of Marilyn?" His father said, "Nice girl - pisses like a horse." | 0:24:26 | 0:24:30 | |
LAUGHTER | 0:24:30 | 0:24:31 | |
It's perfectly fantastic! | 0:24:31 | 0:24:33 | |
"Wow! What?!" | 0:24:35 | 0:24:37 | |
Now, what big decision did the driver of the number 78 London bus | 0:24:40 | 0:24:44 | |
have to make in December 1952? | 0:24:44 | 0:24:47 | |
-"Turn right." -Ooh, yes, Jimmy? | 0:24:47 | 0:24:49 | |
-The Coronation is all I know about '52. -Ah, yes. | 0:24:49 | 0:24:52 | |
-The Queen didn't get the bus, did she? -No, she didn't! | 0:24:52 | 0:24:55 | |
You might, if you were bus users, know where the 78 goes. | 0:24:55 | 0:24:58 | |
-It's... -It doesn't go my way. | 0:24:58 | 0:25:00 | |
-Tower Bridge. -Sorry? Where? -Tower Bridge. -It does! | 0:25:00 | 0:25:03 | |
-He had to jump the bridge. -Brilliant! | 0:25:03 | 0:25:05 | |
He had to jump the bridge! | 0:25:05 | 0:25:08 | |
-APPLAUSE -Whoa! | 0:25:08 | 0:25:12 | |
He was approaching it and there was some mistake with the warning sign. | 0:25:13 | 0:25:17 | |
As he was getting on... Do you know these? | 0:25:17 | 0:25:19 | |
They're called bascules, for the French for a seesaw. | 0:25:19 | 0:25:22 | |
And as he was approaching the first one, he was already on it when he saw they were rising. | 0:25:22 | 0:25:27 | |
He took a split-second decision and accelerated. | 0:25:27 | 0:25:30 | |
The second one was lower down | 0:25:30 | 0:25:32 | |
and, three foot in the air, whatever it was, he landed on the second one. | 0:25:32 | 0:25:36 | |
No-one was injured. And he won, for his bravery, £10. | 0:25:36 | 0:25:39 | |
LAUGHTER | 0:25:39 | 0:25:41 | |
And Employee of the Month. | 0:25:41 | 0:25:43 | |
-I'm sure Employee of the Month. -Maybe Driver of the Week. | 0:25:43 | 0:25:46 | |
It was very brave. Very brave fellow. | 0:25:46 | 0:25:48 | |
-You'll want to know his name. -Bob Knievel. | 0:25:48 | 0:25:51 | |
It was a good bus driver's name, Albert Gunton. | 0:25:51 | 0:25:55 | |
-Berty Gunton. -Of course it was. | 0:25:55 | 0:25:57 | |
He should be proud. If his family are watching, I hope you're still proud of him. | 0:25:57 | 0:26:01 | |
What is that thing about split-second decisions? | 0:26:01 | 0:26:04 | |
-I don't know. He just made the right one. -He must've needed a wee. | 0:26:04 | 0:26:08 | |
Making a split decision and coming close to something and... | 0:26:10 | 0:26:12 | |
It's weird when that happens. There are two odds. | 0:26:12 | 0:26:15 | |
One is, there may be something small you've seen that you can't remember. | 0:26:15 | 0:26:19 | |
The other is, you wouldn't be able to tell the story if you'd got it wrong. | 0:26:19 | 0:26:24 | |
-Everybody is alive, by definition - -So, all the anecdotes about | 0:26:24 | 0:26:27 | |
"I made a split-second decision and it went very badly", they're not here? | 0:26:27 | 0:26:31 | |
-They're not there to be told! There is that side of it! -Yes... | 0:26:31 | 0:26:34 | |
-Anyway... -Like the conductor who fell out the back! -Exactly! | 0:26:34 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:42 | |
-The one thing we can say - -As he falls into the Thames, | 0:26:46 | 0:26:49 | |
"Gunton...!" | 0:26:49 | 0:26:52 | |
One thing we can say with confidence, Boris, | 0:26:52 | 0:26:55 | |
is that that wouldn't have happened with a bendy bus. | 0:26:55 | 0:26:59 | |
The brilliant thing with the bendy bus, | 0:26:59 | 0:27:01 | |
it would go between the two things, and the bridge could play the accordion! | 0:27:01 | 0:27:05 | |
That's true! It never occurred to me! | 0:27:05 | 0:27:10 | |
If one or other of these identical twins committed a burglary | 0:27:10 | 0:27:15 | |
and you had eye-witness reports, DNA and fingerprints, | 0:27:15 | 0:27:18 | |
how could you get a conviction? | 0:27:18 | 0:27:20 | |
-"Turn left." -Waterboarding. | 0:27:20 | 0:27:23 | |
-I may have to refine that. -"Turn right." | 0:27:26 | 0:27:28 | |
It's even simpler. It's twins. It's the evil one. | 0:27:28 | 0:27:32 | |
It's, a, we have to be legal, so waterboarding is out. | 0:27:34 | 0:27:37 | |
-But they are identical - monozygotic twins - in other words, their DNA is... -What have we got? | 0:27:37 | 0:27:42 | |
-We've got DNA. -Fingerprints. Eye-witness reports. | 0:27:42 | 0:27:44 | |
-Are fingerprints the same in..? -No, that's the point. Fingerprints are very, very, very simliar | 0:27:44 | 0:27:50 | |
and you have to be a heck of an expert to be able to detect the difference, | 0:27:50 | 0:27:53 | |
-but in a court, you can demonstrate the difference. -Is this real or did you forget to tape CSI? | 0:27:53 | 0:27:59 | |
It's a real question. There have been, indeed very recently, here's a case, just January 2009. | 0:27:59 | 0:28:05 | |
6.8m-worth of jewellery was stolen from the Kaufhaus des Westens, | 0:28:05 | 0:28:10 | |
one of the great department stores of the world, one of my favourites, in Berlin. | 0:28:10 | 0:28:15 | |
-And they stole... -As it was German, nobody cared. | 0:28:15 | 0:28:19 | |
Well, 6.8m-worth, a lot of insurance. | 0:28:19 | 0:28:21 | |
A pair of twins named Abbas and Hassam Omurat were amongst the three suspects | 0:28:21 | 0:28:26 | |
and walked free, despite their being DNA evidence of their presence at the scene. Or one presence. | 0:28:26 | 0:28:31 | |
"From the evidence we have, we can deduce that at least one of the brothers took part | 0:28:31 | 0:28:35 | |
"in the crime, but it has not been possible to determine which one." | 0:28:35 | 0:28:38 | |
You can't imprison both, just because one of them did it. That's the point. | 0:28:38 | 0:28:42 | |
-What happens with conjoined twins? -That has happened, as well. In the case of the original Siamise twins, | 0:28:42 | 0:28:48 | |
one of them was rather a drunkard and commited an offence, | 0:28:48 | 0:28:52 | |
but couldn't go to prison because it would mean imprisoning the other, so they got away scot-free. | 0:28:52 | 0:28:56 | |
Now, identity parades. Fascinating things. | 0:28:56 | 0:29:00 | |
As you know, you are a suspect and the police are supposed to get people who look vaguely like you, | 0:29:00 | 0:29:05 | |
wear the same clothes, and an eyewitness says "number three" or whatever. | 0:29:05 | 0:29:09 | |
-Nowadays, they use something called VIPER. -Viper? | 0:29:09 | 0:29:13 | |
Video Identification Parade Electronic Recording. | 0:29:13 | 0:29:16 | |
Because as recently as 1997, South Yorkshire Police had a suspect | 0:29:16 | 0:29:20 | |
who was six foot three, 16 stone and black. | 0:29:20 | 0:29:23 | |
They couldn't find anyone of that description, | 0:29:23 | 0:29:26 | |
so they got a make-up artist to black-up a group of white men, | 0:29:26 | 0:29:29 | |
-but not including their hands. -GROANING | 0:29:29 | 0:29:32 | |
Unsurprisingly, the eyewitness chose the genuinely black person. | 0:29:32 | 0:29:36 | |
These days, they have all kinds of ID parades, | 0:29:36 | 0:29:38 | |
but the old type is not regarded as reliable. | 0:29:38 | 0:29:43 | |
There are reasons for that, and we might be able to demonstrate what those reasons are. | 0:29:43 | 0:29:48 | |
Earlier in the show, you may remember a rascal ran across the set | 0:29:48 | 0:29:52 | |
and stole some money from my hand. | 0:29:52 | 0:29:55 | |
-You all saw it happen. -You apprehended him! -Can you pick the culprit from this line-up? | 0:29:55 | 0:30:00 | |
We've apprehended him and we've got some others | 0:30:00 | 0:30:02 | |
to see if you can find out who it is. | 0:30:02 | 0:30:05 | |
Here they are. One, two, three and four. | 0:30:05 | 0:30:08 | |
Was it number one, stealing our money? | 0:30:08 | 0:30:11 | |
Was it number two, stealing our hearts? Or is that just me? Er... | 0:30:11 | 0:30:14 | |
-Was it number three... -LAUGHTER | 0:30:14 | 0:30:16 | |
Was it number three, stealing himself for a spanking? | 0:30:16 | 0:30:20 | |
Or was it number four, stealing a format idea from Never Mind The Buzzcocks? | 0:30:20 | 0:30:24 | |
LAUGHTER | 0:30:24 | 0:30:27 | |
Steady! | 0:30:36 | 0:30:38 | |
Very good control from our ID parade. | 0:30:39 | 0:30:41 | |
So I'll ask each one of you to give me a number. | 0:30:41 | 0:30:45 | |
You all saw the moment, or at least very briefly, which is how crimes are committed. | 0:30:45 | 0:30:50 | |
-Phill, one, two, three or four? -Er... | 0:30:50 | 0:30:54 | |
This isn't fair. Phill's had much more experience in this game. He's built a career on this game. | 0:30:54 | 0:30:59 | |
He knows which one is in The Kooks. | 0:30:59 | 0:31:01 | |
I think... | 0:31:01 | 0:31:03 | |
If you could just stick a bass player in there for me! | 0:31:03 | 0:31:07 | |
-It was fleeting, wasn't it? -It was. -Two. | 0:31:07 | 0:31:10 | |
-Number two. -I'm going one. -Two and one. | 0:31:10 | 0:31:13 | |
-Two. -Two? -It's number one. -Number one. We're split between two and one. | 0:31:13 | 0:31:18 | |
Those in the audience who think it's one, raise your hand. | 0:31:18 | 0:31:21 | |
That's quite a fair number. | 0:31:22 | 0:31:24 | |
-Who thinks it's number two? -You probably had a better view. -That's quite a lot. | 0:31:24 | 0:31:28 | |
Number three? | 0:31:28 | 0:31:29 | |
A few of you. And number four? Again, a few of you. | 0:31:29 | 0:31:34 | |
-Would the real thief please step forward? -Wait a minute! | 0:31:34 | 0:31:37 | |
There you are! Number two. Well done. | 0:31:37 | 0:31:39 | |
Well done. Very good. Very good, indeed. | 0:31:39 | 0:31:43 | |
Thank you all for our line-up, including the three innocents. | 0:31:43 | 0:31:48 | |
APPLAUSE | 0:31:48 | 0:31:51 | |
-Can I just...? -Yeah? | 0:31:51 | 0:31:54 | |
I got that wrong. I said number one and it was actually number two, but when I saw number one, | 0:31:54 | 0:32:00 | |
I instantly thought, "That guy has done something very, very bad." | 0:32:00 | 0:32:04 | |
I think, in a couple of months' time, the news will land | 0:32:04 | 0:32:07 | |
that he's done a terrible thing and I'll be proven tight. | 0:32:07 | 0:32:10 | |
That, unfortunately, is, kind of, the way people go. "Ooh, I don't like his face". | 0:32:10 | 0:32:15 | |
I have to say, I am impressed by the audience, because, as you probably all know, | 0:32:15 | 0:32:18 | |
we've all heard of tests in which this kind of thing happens if you're doing forensics | 0:32:18 | 0:32:23 | |
-or criminology this happens in lectures and so on. -I was sitting in a cafe | 0:32:23 | 0:32:27 | |
and I saw some kids stealing a scooter with some bolt-cutters | 0:32:27 | 0:32:30 | |
and they sped off with it and a few minutes later the police arrived and I went over the road | 0:32:30 | 0:32:35 | |
and I said, "I saw the kids who did this." | 0:32:35 | 0:32:37 | |
And the copper said, "What colour was the scooter, sir?" | 0:32:37 | 0:32:41 | |
I said, "It was gold, metallic gold." | 0:32:41 | 0:32:43 | |
-And the owner was there and he went, "It was silver." -So suddenly you weren't very trusted? | 0:32:43 | 0:32:48 | |
No, and about ten minutes later, the kids came past | 0:32:48 | 0:32:51 | |
and I followed them round the corner onto Highbury Fields - keeping my distance - | 0:32:51 | 0:32:56 | |
and then phoned the police station, "It's here. I've followed them. They're walking along." | 0:32:56 | 0:33:02 | |
-No-one came. -That's because you were doing a silly voice. | 0:33:02 | 0:33:05 | |
LAUGHTER | 0:33:05 | 0:33:08 | |
Do it in your own voice next time. | 0:33:08 | 0:33:10 | |
It isn't entirely useless having an ID parade. | 0:33:12 | 0:33:15 | |
-You did very well. -I got it right! -You got it right. | 0:33:15 | 0:33:18 | |
-You know how I got it right? -How? -I wet my pants. | 0:33:18 | 0:33:22 | |
-That's it! Exactly! -LAUGHTER | 0:33:22 | 0:33:26 | |
You're learning! All right. | 0:33:28 | 0:33:32 | |
It is more difficult than we think, or realise, to pick a suspect from a parade, | 0:33:32 | 0:33:36 | |
although half our panel did very well. | 0:33:36 | 0:33:38 | |
And now to the moment when I'm afraid you have no choice at all. Fingers on buzzers, please. | 0:33:38 | 0:33:43 | |
Remember, we haven't had our "nobody knows" question. | 0:33:43 | 0:33:46 | |
Who was the first person to go round the world in 80 days? | 0:33:46 | 0:33:50 | |
"Turn right." Michael Palin. | 0:33:50 | 0:33:53 | |
KLAXON WAILS | 0:33:53 | 0:33:55 | |
-Really? -Yes! | 0:33:55 | 0:33:57 | |
I meant a real person. I'm not counting fictional. | 0:33:59 | 0:34:03 | |
-In fiction, of course... -Phileas Fogg. -Yes. -A blue whale. | 0:34:03 | 0:34:06 | |
The "first person" was very much in the question. | 0:34:06 | 0:34:09 | |
But it's interesting I said "person". It was a woman. | 0:34:09 | 0:34:13 | |
Amy Johnson? WOMAN SHOUTS FROM AUDIENCE | 0:34:13 | 0:34:15 | |
Shout that again, in the audience. | 0:34:15 | 0:34:17 | |
-Nellie Bly! -Well done, audience member! | 0:34:17 | 0:34:20 | |
-Nellie Bly is the right answer! -Nellie Bly? -Yes. | 0:34:20 | 0:34:24 | |
APPLAUSE DROWNS OUT SPEECH | 0:34:24 | 0:34:28 | |
Very impressed indeed. | 0:34:28 | 0:34:30 | |
Nellie Bly is someone we all should've heard of. | 0:34:30 | 0:34:33 | |
She was possibly the world's first investigative journalist. | 0:34:33 | 0:34:37 | |
She was a remarkably bold, brave and adventurous woman. | 0:34:37 | 0:34:40 | |
She worked for The World, which was Joseph Pulitzer's newspaper. | 0:34:40 | 0:34:44 | |
In 1890, after the astonishing success of Jules Verne's Around The World In Eighty Days, | 0:34:44 | 0:34:49 | |
Joseph Pulitzer decided that he would try and get someone genuinely to go round the world in 80 days. | 0:34:49 | 0:34:54 | |
He awarded the role to one of his journalists and Nellie Bly said, | 0:34:54 | 0:34:58 | |
"If you don't give me the task, I will go to another newspaper." | 0:34:58 | 0:35:04 | |
And so valued was she, he said, "You've got the job." | 0:35:04 | 0:35:07 | |
And she did it in 72 days, which is pretty damned impressive. | 0:35:07 | 0:35:11 | |
In those days, before aeroplanes, obviously, | 0:35:11 | 0:35:14 | |
getting from one place, all the way round the globe, to another | 0:35:14 | 0:35:17 | |
in that amount of time was a heck of an achievement. | 0:35:17 | 0:35:20 | |
-It took a long time to get from Scotland to London in those days. -Quite! | 0:35:20 | 0:35:24 | |
Can you remember in the book the forms of travel Phileas Fogg used? | 0:35:24 | 0:35:27 | |
-There were some trains, weren't there? -Trains. -Hot air balloons. | 0:35:27 | 0:35:31 | |
-Not hot air balloons! -There's a balloon on the screen! -Because of the film. | 0:35:31 | 0:35:35 | |
In the Michael Todd film with David Niven, | 0:35:35 | 0:35:38 | |
one always thinks of the balloon, but he doesn't use a balloon. | 0:35:38 | 0:35:41 | |
Anyway, she did it in 72 days, six hours and 11 minutes from New York to New York. | 0:35:41 | 0:35:47 | |
She should be remembered for campaigns against bad landlords, | 0:35:47 | 0:35:50 | |
injustice, injustice to women in prisons | 0:35:50 | 0:35:53 | |
and, most amazingly, she managed to smuggle herself into an insane asylum | 0:35:53 | 0:35:56 | |
and wrote an extraordinary report about the unbelievable cruelty dealt to the mentally ill. | 0:35:56 | 0:36:01 | |
It sounds like she managed to talk her way out of an insane asylum... | 0:36:01 | 0:36:07 | |
-Good point! -..with a story about being an investigative journalist. That is genius. | 0:36:07 | 0:36:11 | |
In both cases, impressive. | 0:36:11 | 0:36:13 | |
How can you tell which of these chicks is male and which is female? | 0:36:13 | 0:36:18 | |
This must be... This must be... | 0:36:18 | 0:36:21 | |
-I'm afraid not! -KLAXON WAILS | 0:36:21 | 0:36:24 | |
No. | 0:36:24 | 0:36:26 | |
Had you said that in the 1920s, the answer would've been "nobody knows". | 0:36:26 | 0:36:30 | |
But in 1929, the Japanese astonished the world | 0:36:30 | 0:36:33 | |
by revealing that they'd found a way to sex chicks. | 0:36:33 | 0:36:37 | |
In other words, to determine their gender. | 0:36:37 | 0:36:39 | |
It sounds... It sounds so wrong, doesn't it? | 0:36:39 | 0:36:43 | |
-"I know how to sex a chick!" -JIMMY: I can do that! | 0:36:43 | 0:36:46 | |
It seems impossible with the naked eye to do it | 0:36:46 | 0:36:49 | |
because you have to wait till they're six weeks old. | 0:36:49 | 0:36:52 | |
And in the egg-laying industry, that's a heck of a waste, | 0:36:52 | 0:36:55 | |
because the male chicks are of no use whatsoever to them. | 0:36:55 | 0:36:59 | |
Gassed on the first day. Enjoy your eggs! | 0:36:59 | 0:37:02 | |
That's why... Good point! | 0:37:02 | 0:37:04 | |
In 1927, at the World Poultry Congress in Ottawa, | 0:37:04 | 0:37:07 | |
-this was announced... -The what?! -The World Poultry Congress. | 0:37:07 | 0:37:11 | |
That's a lot of chickens. | 0:37:11 | 0:37:12 | |
"Will the representative of Albania make himself known?" | 0:37:12 | 0:37:15 | |
"Albanian chicken!" CLUCKING | 0:37:15 | 0:37:18 | |
It's one of the biggest businesses in the world. | 0:37:18 | 0:37:21 | |
The most popular bird we eat, then we eat their eggs. | 0:37:21 | 0:37:24 | |
And so there are World Poultry Congresses! | 0:37:24 | 0:37:26 | |
We've all done corporate gigs. I imagine I did 20 minutes at the end. | 0:37:26 | 0:37:31 | |
I once did Phillips Small Appliances. Sounds mad. | 0:37:31 | 0:37:35 | |
-That poor boy! -It was a long time... -LAUGHTER | 0:37:35 | 0:37:39 | |
-It was a long time ago... -Leave his appliances alone! | 0:37:39 | 0:37:42 | |
-It was a long time ago... -Which is why I won't have him in the house any more! | 0:37:42 | 0:37:47 | |
-How do you sex a chicken? -It's very complex, that's the point. | 0:37:47 | 0:37:51 | |
And it's highly... No, we do know. It's highly paid. | 0:37:51 | 0:37:55 | |
The discovery lowered the price of eggs worldwide overnight. | 0:37:55 | 0:38:00 | |
That's how important it was. | 0:38:00 | 0:38:02 | |
The Zen-Nippon Chick Sexing School was founded. | 0:38:02 | 0:38:05 | |
RAUCOUS LAUGHTER | 0:38:05 | 0:38:07 | |
I know you're laughing, but it's true! It's true! | 0:38:07 | 0:38:12 | |
You're looking at a graduate. | 0:38:12 | 0:38:15 | |
And they taught their sexers in such a rigorous way | 0:38:15 | 0:38:18 | |
that only five to ten percent of applicants received accreditation. | 0:38:18 | 0:38:22 | |
When you passed, you were paid huge sums of money. | 0:38:22 | 0:38:25 | |
-You are chick master! -Yes. Hundreds of dollars a day. It was a really big business. | 0:38:25 | 0:38:30 | |
-It still is! -"Boy..." "How do you know?" "I know." | 0:38:30 | 0:38:34 | |
-"You don't know. You pay." -LAUGHTER | 0:38:34 | 0:38:38 | |
The best in the business can sex around 1,200 chicks an hour | 0:38:38 | 0:38:42 | |
and there are some talented ones who can have one in each hand... | 0:38:42 | 0:38:46 | |
"Boy, boy, girl, girl, boy, boy, boy, girl, | 0:38:46 | 0:38:48 | |
"girl, girl, boy, boy. Boy, girl, boy, girl. Boyyyy." | 0:38:48 | 0:38:54 | |
-The point is... -LAUGHTER | 0:38:54 | 0:38:57 | |
The point is, you go like that, and pop them in bins. Girl bin, boy bin. | 0:38:57 | 0:39:02 | |
And you can do 1,200. | 0:39:02 | 0:39:04 | |
-Is it to do with the weight? -No. They do a slight squeeze... | 0:39:04 | 0:39:08 | |
-"A girl!" -You won't like this. | 0:39:08 | 0:39:11 | |
-They do a slight squeeze... -And if they go, "Oww!" it's a girl. | 0:39:11 | 0:39:16 | |
And if they go... | 0:39:16 | 0:39:17 | |
-That's naughty! -If they go, "Steady on, mate..." -It's a boy! | 0:39:17 | 0:39:22 | |
They have a cloaca tract, which is their reproductive and excretory tract, | 0:39:22 | 0:39:27 | |
and there is a slight difference in the ridges and bumps, the innies and outies. | 0:39:27 | 0:39:31 | |
So you do a slight squeeze. If it's too big, you throttle them, or the outie becomes an innie. | 0:39:31 | 0:39:36 | |
It's a real skill. It's something I vaguely knew about growing up in Norfolk, | 0:39:36 | 0:39:40 | |
because in Norfolk there is a community of Vietnamese turkey sexers, who live... | 0:39:40 | 0:39:46 | |
I know it sounds mad! | 0:39:46 | 0:39:48 | |
I can never watch Platoon again! | 0:39:48 | 0:39:50 | |
You've ruined Apocalypse Now for me. | 0:39:50 | 0:39:53 | |
-I'm sorry about that. -"What sex is chicken?! | 0:39:53 | 0:39:56 | |
-"You tell me now!" -This is... | 0:39:56 | 0:39:59 | |
-JIMMY LAUGHS -I know it sounds bonkers. | 0:39:59 | 0:40:03 | |
They live in tunnels under the fence! | 0:40:03 | 0:40:07 | |
-Not in the fence, it's in Norfolk, he said defensively. -I beg your pardon. | 0:40:07 | 0:40:13 | |
-Tell me they work for Bernard, please! -Of course! | 0:40:13 | 0:40:15 | |
Bernard Matthews is the largest employer. | 0:40:15 | 0:40:18 | |
"Mr Matthew, this one bootiful!" LAUGHTER | 0:40:18 | 0:40:22 | |
APPLAUSE | 0:40:22 | 0:40:25 | |
All right. Chicken sexing is a fine art these days. | 0:40:27 | 0:40:30 | |
The sun rises roughly in the east, as we know, and sets in the west. But what does the moon do? | 0:40:30 | 0:40:36 | |
-What direction does the moon... -Which moon are we talking about? | 0:40:36 | 0:40:40 | |
KLAXON WAILS | 0:40:40 | 0:40:42 | |
-This show is getting tough. -Whoa! | 0:40:43 | 0:40:46 | |
Wow! | 0:40:46 | 0:40:48 | |
-It goes the other way. -The opposite direction? -Yes. | 0:40:48 | 0:40:51 | |
-Actually... That isn't true, either. -KLAXON WAILS | 0:40:51 | 0:40:56 | |
-No, it's the same. -It's the same. | 0:40:56 | 0:40:59 | |
-"Are you sure?" -The same. -Correct! Well done! | 0:40:59 | 0:41:04 | |
The moon rises in the east and sets in the west. | 0:41:04 | 0:41:07 | |
Lastly, how many different species of mussel can you see here? | 0:41:07 | 0:41:12 | |
-Is this it? -Oh! Oh, oh, oh, oh! There you go. | 0:41:12 | 0:41:16 | |
-"Nobody knows." -Jimmy got there first! | 0:41:16 | 0:41:19 | |
-I just found it quicker than Phill. -It had to be! | 0:41:19 | 0:41:23 | |
-Well done. -It's the last one. | 0:41:23 | 0:41:25 | |
-It's almost impossible to identify... -Even themselves. -Yes. | 0:41:25 | 0:41:29 | |
-Impossible to do or impossible to care? -Well...! | 0:41:29 | 0:41:32 | |
Do you think they just go, "Shall we just boil these and eat them? Time's a-wasting." | 0:41:32 | 0:41:38 | |
We used to think, by size and appearance, you could tell. | 0:41:38 | 0:41:41 | |
We now find the genome tells us. Species we thought were different we've discovered are the same. | 0:41:41 | 0:41:46 | |
And conversely, species we thought were the same are different. | 0:41:46 | 0:41:50 | |
So, which nation are secretly training their citizens to be able to tell what species of mussel... | 0:41:50 | 0:41:57 | |
-Do the Albanians have mussel ninjas? -It is almost certainly the Albanians, you're right. | 0:41:57 | 0:42:02 | |
But the time has finally come to act decisively and declare tonight's winner. | 0:42:02 | 0:42:07 | |
It's very exciting. Yes, indeed. | 0:42:07 | 0:42:10 | |
Let's... Well, let's start at the top. | 0:42:10 | 0:42:13 | |
With a fantastic result, | 0:42:13 | 0:42:16 | |
our winner with a clear plus-10 points is Phill Jupitus! | 0:42:16 | 0:42:19 | |
APPLAUSE | 0:42:19 | 0:42:22 | |
I don't know how that happened. I never know how that happens. | 0:42:22 | 0:42:25 | |
In a rather surprising second place, with four points, it's the audience! | 0:42:25 | 0:42:30 | |
Congratulations! | 0:42:30 | 0:42:35 | |
Very impressive! | 0:42:35 | 0:42:38 | |
That puts Jimmy, who would otherwise have come second, | 0:42:38 | 0:42:42 | |
-in third place with minus one. -APPLAUSE | 0:42:42 | 0:42:46 | |
And in fourth place with minus two, Rich Hall! | 0:42:49 | 0:42:52 | |
APPLAUSE | 0:42:52 | 0:42:55 | |
But, erm, it still doesn't stop Alan from coming last, I fear, | 0:42:55 | 0:42:59 | |
-with minus 14! -APPLAUSE | 0:42:59 | 0:43:03 | |
END-OF-SHOW JINGLE | 0:43:03 | 0:43:06 | |
So, thanks to Rich, Jimmy, Phill and Alan. | 0:43:08 | 0:43:12 | |
I leave you with this tale of choice in Soviet Russia from comedian Yakov Smirnoff. | 0:43:12 | 0:43:16 | |
"In Russia, we had only two channels. Channel One was propaganda. | 0:43:16 | 0:43:21 | |
"Channel Two consisted of a KGB officer telling you, | 0:43:21 | 0:43:24 | |
"'Turn back at once to Channel One.'" | 0:43:24 | 0:43:27 | |
-Thank you and goodnight. -CHEERING | 0:43:27 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:36 | |
E-mail subtitling@bbc.co.uk | 0:43:36 | 0:43:41 |