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APPLAUSE | 0:00:28 | 0:00:32 | |
Goooooooood evening, good evening, good evening, good evening, | 0:00:33 | 0:00:38 | |
and to a greater or lesser extent, good evening and welcome to QI, | 0:00:38 | 0:00:42 | |
where tonight, my companions and I are plunging into the jungle. | 0:00:42 | 0:00:46 | |
And helping me swing my machete are, the King of the Jungle, Greg Proops. | 0:00:46 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:54 | |
The King of the Swingers, Reginald D Hunter. | 0:00:55 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
A jungle VIP, David O'Doherty. | 0:01:02 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:09 | |
And a bit of an animal, Alan Davies. | 0:01:09 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:16 | |
Well, before we begin, we ought to hear your beastly buzzers. Reginald goes... | 0:01:19 | 0:01:23 | |
LION ROARS | 0:01:23 | 0:01:26 | |
David goes... | 0:01:26 | 0:01:27 | |
BIRD SCREECHES | 0:01:27 | 0:01:29 | |
Greg goes... | 0:01:30 | 0:01:32 | |
ELEPHANT TRUMPETS | 0:01:32 | 0:01:34 | |
And Alan goes... | 0:01:34 | 0:01:35 | |
CRICKET CHIRPS | 0:01:35 | 0:01:38 | |
All creatures in the jungle are of equal value. | 0:01:38 | 0:01:41 | |
So, first question. Where will the lion sleep tonight? | 0:01:41 | 0:01:45 | |
Ah, no. Is this going to be a trick where they don't sleep in the night? | 0:01:48 | 0:01:52 | |
Where they don't sleep in the jungle? | 0:01:52 | 0:01:55 | |
You're right. | 0:01:55 | 0:01:56 | |
Man, I am nailing this game! | 0:01:56 | 0:01:57 | |
Because of course there is a famous song. | 0:01:59 | 0:02:01 | |
In the jungle the lion sleeps tonight. | 0:02:01 | 0:02:03 | |
Wimoweh, wimoweh. | 0:02:03 | 0:02:04 | |
By Tight Fit. | 0:02:04 | 0:02:05 | |
-Well, by all kinds of people, actually. -But mainly Tight Fit. | 0:02:05 | 0:02:08 | |
But what you managed to avoid was falling into the trap | 0:02:10 | 0:02:13 | |
that lions sleep in the jungle, because where do lions live? | 0:02:13 | 0:02:16 | |
Office buildings. | 0:02:18 | 0:02:19 | |
I was going to say Luton. I don't know why. | 0:02:19 | 0:02:22 | |
Don't they live in like the veldt or something like that? | 0:02:24 | 0:02:28 | |
The savannah. It's dry, it's certainly not jungle. | 0:02:28 | 0:02:30 | |
You wouldn't get a lion there. | 0:02:30 | 0:02:31 | |
And also, quite rightly, one of you said, they don't sleep at night. | 0:02:31 | 0:02:35 | |
Actually they do sleep a bit at night, | 0:02:35 | 0:02:37 | |
but most of their waking hours are at night. | 0:02:37 | 0:02:40 | |
They sleep a hell of a lot, because they're cats. | 0:02:40 | 0:02:42 | |
And what do cats do? | 0:02:42 | 0:02:44 | |
Sleep in the jungle, er, forest? | 0:02:44 | 0:02:47 | |
They do a lot of sleeping. | 0:02:48 | 0:02:50 | |
That's what I was going to say. | 0:02:50 | 0:02:52 | |
Yeah. They basically let big animals spend 23 hours a day | 0:02:52 | 0:02:56 | |
eating grass and then they kill them and eat them all | 0:02:56 | 0:02:59 | |
and get all that nutrient that lasts them for a week. | 0:02:59 | 0:03:02 | |
So instead of eating vegetables, | 0:03:02 | 0:03:03 | |
you eat something that does eat vegetables. | 0:03:03 | 0:03:05 | |
Exactly right. That's true. | 0:03:05 | 0:03:07 | |
I feel better about my diet now. | 0:03:07 | 0:03:10 | |
Yeah, I'm glad about that. | 0:03:10 | 0:03:12 | |
But the song The Lion Sleeps Tonight was the most popular song | 0:03:12 | 0:03:17 | |
ever to come out of Africa. | 0:03:17 | 0:03:19 | |
It was written by a man called Solomon Linda. | 0:03:19 | 0:03:22 | |
He and the Evening Birds, as the band were called, | 0:03:22 | 0:03:25 | |
recorded a song called Mbube, which is the Zulu word for lion. | 0:03:25 | 0:03:29 | |
And they chanted, "Mbube, uyi Mbube" - lion, you're a lion. | 0:03:29 | 0:03:34 | |
And he was paid the princely sum of £1. | 0:03:34 | 0:03:39 | |
No more than that. In 1949, Pete Seeger gave it to the Weavers. | 0:03:39 | 0:03:44 | |
They made a huge hit out of it. | 0:03:44 | 0:03:46 | |
And then it just carried on being a hit, | 0:03:46 | 0:03:48 | |
and all kinds of people, like Tight Fit. | 0:03:48 | 0:03:50 | |
Tight Fit! | 0:03:50 | 0:03:51 | |
But, more importantly, perhaps... | 0:03:51 | 0:03:54 | |
It's better than Loose Fit for a band, I suppose. | 0:03:54 | 0:03:58 | |
Disney, in 1994, incorporated it into...? | 0:03:58 | 0:04:01 | |
The Lion King. | 0:04:01 | 0:04:03 | |
Into The Lion King. Now, it's estimated that if Solomon Linda... | 0:04:03 | 0:04:05 | |
-I'll get points for that. -Will you? | 0:04:05 | 0:04:08 | |
-Yeah, yeah, yeah. -For knowing Lion King? | 0:04:08 | 0:04:10 | |
If Solomon Linda had been paid standard composer royalties, | 0:04:10 | 0:04:13 | |
he would have earned, just from the Broadway version... | 0:04:13 | 0:04:16 | |
£2. | 0:04:16 | 0:04:17 | |
Just from the Broadway version alone... £3. | 0:04:17 | 0:04:21 | |
5 million. | 0:04:21 | 0:04:23 | |
-Oh! -Just in five years. That's just five years of it. | 0:04:23 | 0:04:27 | |
I've got a question now. The pound that he earned, who paid him that? | 0:04:27 | 0:04:30 | |
Was it somebody British? | 0:04:30 | 0:04:32 | |
No, someone South African, I fear. | 0:04:32 | 0:04:35 | |
So what were them people doing with y'all money? | 0:04:35 | 0:04:38 | |
It's a good and fair question. | 0:04:40 | 0:04:42 | |
It's not the first time that musicians, artists, composers | 0:04:42 | 0:04:45 | |
have been exploited, but it is a pretty extreme example of it. | 0:04:45 | 0:04:48 | |
So just from the song being used in the Lion King, the musical | 0:04:48 | 0:04:51 | |
on Broadway, he'd have made 5 million? | 0:04:51 | 0:04:54 | |
Yes. That shows you how much Elton John makes. | 0:04:54 | 0:04:57 | |
That's what I was going to say. | 0:04:57 | 0:04:58 | |
No wonder Tim Rice is always grinning! | 0:04:58 | 0:05:00 | |
Yeah, exactly. There's a lot of money in musicals. | 0:05:00 | 0:05:04 | |
It is staggering, isn't it? | 0:05:04 | 0:05:06 | |
But, fortunately, there was some good that came out it, | 0:05:06 | 0:05:09 | |
because a South African journalist called Rian Malan | 0:05:09 | 0:05:11 | |
brought the case to international notice | 0:05:11 | 0:05:14 | |
and Solomon Linda's family sued and came to a settlement. | 0:05:14 | 0:05:19 | |
So the heirs of Solomon Linda have at least benefited from it. | 0:05:19 | 0:05:22 | |
Which is a good story. | 0:05:22 | 0:05:23 | |
That's good, that's good. | 0:05:23 | 0:05:25 | |
Isn't it? | 0:05:25 | 0:05:26 | |
Nice to see that, you know, natives weren't exploited again, you know. | 0:05:26 | 0:05:30 | |
That's a good story there, if I was, yeah, I would tell that story to... | 0:05:30 | 0:05:34 | |
And yet we opened by saying | 0:05:34 | 0:05:36 | |
that the whole thing was predicated on a black lie. | 0:05:36 | 0:05:38 | |
-In the jungle, the mighty jungle. -Lions do not sleep in the jungle. | 0:05:38 | 0:05:41 | |
The Lion Sleeps Tonight. | 0:05:41 | 0:05:42 | |
It doesn't sleep at night, doesn't sleep in the jungle. | 0:05:42 | 0:05:45 | |
He's lucky to get a £1 for it, if you ask me. | 0:05:45 | 0:05:47 | |
Anyway, so that's it. | 0:05:47 | 0:05:50 | |
Now, what would be the best way for Tarzan to get around the jungle? | 0:05:50 | 0:05:53 | |
Well... | 0:05:53 | 0:05:54 | |
Without a family, I would guess. | 0:05:54 | 0:05:57 | |
Without being tied down. | 0:06:00 | 0:06:02 | |
Is that Johnny Weissmuller? | 0:06:02 | 0:06:04 | |
That's Johnny Weissmuller, who made his name as a... | 0:06:04 | 0:06:06 | |
-German Olympic swimmer. -Olympic swimmer, that's right. | 0:06:06 | 0:06:08 | |
-Is that Maureen O'Sullivan? -That's Maureen O'Sullivan. | 0:06:08 | 0:06:11 | |
Was the boy just called Boy? | 0:06:11 | 0:06:12 | |
Boy, yes. | 0:06:12 | 0:06:14 | |
Yes, he was, the boy was called Boy and the chimpanzee was called? | 0:06:14 | 0:06:18 | |
Cheetah. | 0:06:18 | 0:06:19 | |
Cheetah, yes. | 0:06:19 | 0:06:21 | |
-He gets around by swimming and swinging on... What does he swing on, Greg? -Vines. | 0:06:21 | 0:06:25 | |
SIREN BLARES | 0:06:25 | 0:06:27 | |
You trapped him! | 0:06:27 | 0:06:28 | |
Oh, Alan! You wicked, wicked, that was diabolical! | 0:06:36 | 0:06:40 | |
I feel really good tonight, | 0:06:40 | 0:06:42 | |
I feel like I've finally nailed this game. | 0:06:42 | 0:06:44 | |
I didn't know you were going to use your Jedi powers on me, Davies. | 0:06:44 | 0:06:48 | |
I came in here with every good intention | 0:06:48 | 0:06:50 | |
and the next thing I know, I'm providing answers to you. | 0:06:50 | 0:06:53 | |
Tarzan, in the movies, does appear to swing on vines, | 0:06:53 | 0:06:58 | |
or lianas, as they're called. | 0:06:58 | 0:06:59 | |
But it's impossible to do so, | 0:06:59 | 0:07:01 | |
because they grow from roots in the ground. | 0:07:01 | 0:07:03 | |
So, if you tried to swing, you'd just fall straight down. | 0:07:03 | 0:07:06 | |
You might get some that are twisted into the branches, | 0:07:07 | 0:07:10 | |
but no animal or ape conveys themselves by swinging on woods. | 0:07:10 | 0:07:13 | |
But what about when you see, | 0:07:13 | 0:07:15 | |
you know, gibbons and whatnot, flinging through the jungle? | 0:07:15 | 0:07:17 | |
Ah, now that's a very different kind of action, which is brachiation. | 0:07:17 | 0:07:21 | |
Using their arms to move along. | 0:07:21 | 0:07:23 | |
And gibbons do that and are excellent at it, | 0:07:23 | 0:07:25 | |
and as you can see, There you are, yeah. That... | 0:07:25 | 0:07:29 | |
CRICKETS CHIRP | 0:07:29 | 0:07:31 | |
Orang-utan. | 0:07:31 | 0:07:33 | |
Four. | 0:07:33 | 0:07:35 | |
You're in a competitive mood tonight. | 0:07:36 | 0:07:38 | |
ELEPHANT TRUMPETS | 0:07:38 | 0:07:40 | |
I'd like to say that Alan is Tarzan's chimp, | 0:07:40 | 0:07:43 | |
because "cheaters" never prosper. | 0:07:43 | 0:07:45 | |
Hey, very good! | 0:07:45 | 0:07:47 | |
But Edgar Rice Burroughs, who created Tarzan, of course, he said, | 0:07:50 | 0:07:53 | |
"He leaps through the trees unaided." | 0:07:53 | 0:07:55 | |
"He could drop 20 feet at a stretch from limb to limb | 0:07:55 | 0:07:58 | |
"in rapid descent to the ground, | 0:07:58 | 0:07:59 | |
"or he could gain the utmost pinnacle | 0:07:59 | 0:08:02 | |
"of the loftiest tropical giant with ease and the swiftness of a squirrel." | 0:08:02 | 0:08:05 | |
And also, why would it be a vine in the middle of the jungle? | 0:08:05 | 0:08:10 | |
Because a vine is? | 0:08:10 | 0:08:12 | |
Grapes grow on vines. | 0:08:12 | 0:08:13 | |
Exactly. | 0:08:13 | 0:08:14 | |
But, you know, as in the manner of grapevines, | 0:08:14 | 0:08:18 | |
now, as legend has it, Tarzan, the reason he used a vine | 0:08:18 | 0:08:20 | |
was not because of its strength | 0:08:20 | 0:08:22 | |
or, you know, the fact that it came up out of the ground, | 0:08:22 | 0:08:25 | |
it was more so because early on, | 0:08:25 | 0:08:28 | |
when he heard about his girlfriend cheating on him, | 0:08:28 | 0:08:30 | |
it came, he heard it via one of those vines. | 0:08:30 | 0:08:34 | |
A lot of people don't know that. | 0:08:34 | 0:08:37 | |
I would say fewer than a handful really. | 0:08:37 | 0:08:39 | |
Was it his friend Marvin who told him that, by any chance? | 0:08:42 | 0:08:45 | |
You know the story too! | 0:08:45 | 0:08:47 | |
I know the story as well, there you go. | 0:08:47 | 0:08:49 | |
That's why they let you host the show, you smart! | 0:08:49 | 0:08:52 | |
And why is, if you've got a vine, | 0:08:52 | 0:08:56 | |
why is wine based on the Latin for vine, when we have a vine, | 0:08:56 | 0:08:59 | |
wine and vine, shouldn't they be, why isn't wine called vine? | 0:08:59 | 0:09:03 | |
When I was taught Latin, we were taught to pronounce the V as a W. | 0:09:03 | 0:09:06 | |
So it would be "weni, widi, wici," | 0:09:06 | 0:09:08 | |
I came, I saw, I conquered, is what Caesar said, or "Caesar" said, yeah. | 0:09:08 | 0:09:13 | |
Is Kaiser in German from Caesar, then? | 0:09:13 | 0:09:16 | |
Caesar, yes it is. As is Tsar. | 0:09:16 | 0:09:18 | |
See, you learn something every day. | 0:09:18 | 0:09:20 | |
I'm not talking to you any more. | 0:09:20 | 0:09:21 | |
The more you say vine, the less I'm going to say vine. | 0:09:21 | 0:09:25 | |
But the Germans say Wein and spell it with a W. | 0:09:25 | 0:09:28 | |
-Ah. -So why is it called a Caesar salad, then? | 0:09:28 | 0:09:30 | |
It was invented by someone called Caesar. | 0:09:32 | 0:09:34 | |
I've had a bottle of Caesar salad where it's on the label | 0:09:34 | 0:09:36 | |
and the man who invented it is on the label. | 0:09:36 | 0:09:38 | |
-Points to Alan Davies. -Yes. | 0:09:38 | 0:09:40 | |
-It was, in fact, a cook called Caesar Cardini. -Yeah. | 0:09:40 | 0:09:43 | |
Well done, Alan. | 0:09:43 | 0:09:45 | |
-Well. -Damn, you're doing well. Yeah. | 0:09:45 | 0:09:47 | |
APPLAUSE | 0:09:47 | 0:09:50 | |
Wow, it's interesting that the two people who be on this show | 0:09:50 | 0:09:53 | |
every week are doing the best. All right, there. | 0:09:53 | 0:09:56 | |
Yeah, you've got time to catch up, Reginald, don't you worry. | 0:09:57 | 0:10:00 | |
I just hope for a chance, I want a chance. | 0:10:00 | 0:10:01 | |
There are questions coming your way that will thrill you. | 0:10:01 | 0:10:05 | |
-All right, then. -So, what do you think these monkeys are called? | 0:10:05 | 0:10:07 | |
They are two different species. | 0:10:07 | 0:10:09 | |
-Is one a Bonobo? -No. | 0:10:09 | 0:10:13 | |
Bonobos look more like chimpanzees. | 0:10:13 | 0:10:15 | |
-Aren't they the horniest animals on Earth as well? -Yes. | 0:10:15 | 0:10:18 | |
Anything you put in front of Bonobo, it will shag. | 0:10:18 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:23 | |
Honestly, they are the most sexually, absolutely... | 0:10:23 | 0:10:26 | |
Even Russell Grant? | 0:10:26 | 0:10:28 | |
Bonobos really, actually lions too. | 0:10:32 | 0:10:34 | |
-When lionesses are at it they'll shag up to 50 times a day. -Really? | 0:10:34 | 0:10:38 | |
It's a ten second business with the lion, but also the lions | 0:10:38 | 0:10:41 | |
shag each other. About 8% of all lion sex is gay. So... | 0:10:41 | 0:10:44 | |
-8% of lion sex is gay?! -Yeah. | 0:10:44 | 0:10:48 | |
Yeah, OK. | 0:10:48 | 0:10:50 | |
Did you get that like, out of a book of lion facts, | 0:10:50 | 0:10:53 | |
or did you get that from a gay man? | 0:10:53 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:57 | |
I know there are a lot of people who would have us believe that only mankind is gay. | 0:10:57 | 0:11:02 | |
In fact, the latest count, there are about, I believe, | 0:11:02 | 0:11:06 | |
642 species of animal that exhibit homosexual activity. | 0:11:06 | 0:11:11 | |
But there's only one species that exhibits homophobia. | 0:11:11 | 0:11:16 | |
That's mankind. | 0:11:16 | 0:11:17 | |
So who's natural? Huh? | 0:11:17 | 0:11:19 | |
I was hoping you were going to elephants then, I really did. | 0:11:19 | 0:11:22 | |
Come to Mardi Gras, it'll be great. | 0:11:22 | 0:11:26 | |
How did they come up with the figure 8%? That's a lot of research. | 0:11:26 | 0:11:29 | |
-It is. -I saw the Lion King and I didn't see any stuff going on. | 0:11:29 | 0:11:34 | |
But I did feel the love. | 0:11:34 | 0:11:37 | |
That night. The circle of life has a whole new meaning. | 0:11:37 | 0:11:41 | |
It certainly does! | 0:11:41 | 0:11:43 | |
The red-faced one needed some factor 50 before... | 0:11:46 | 0:11:48 | |
I can tell you they come from completely different parts of the world. | 0:11:48 | 0:11:52 | |
What's the most noticeable thing about the one on the left? | 0:11:52 | 0:11:55 | |
-Its nose! -Its nose. Its huge nose. | 0:11:55 | 0:11:58 | |
Can you think of another word for nose, a rather technical word? | 0:11:58 | 0:12:01 | |
-Olfactory? -Proboscis monkey? -Is the right answer. | 0:12:01 | 0:12:05 | |
That's a proboscis monkey. | 0:12:05 | 0:12:07 | |
The males have the longest noses, often going below their chin, | 0:12:12 | 0:12:16 | |
they're so long, and the females find that very attractive. | 0:12:16 | 0:12:20 | |
There we are. It's an unusual look, I grant you. | 0:12:20 | 0:12:25 | |
It's a flaccid penis, that's what that is. | 0:12:25 | 0:12:27 | |
A human could not get its hair like that without a hairbrush or a comb. | 0:12:28 | 0:12:32 | |
-A lot of product. -That's remarkable. -It is very impressive. | 0:12:32 | 0:12:36 | |
-It's a very 1950s kind of a vibe. -It is. It's quite rockabilly, isn't it? | 0:12:36 | 0:12:40 | |
Yeah. | 0:12:40 | 0:12:41 | |
Well, they're charming animals, and they live mostly in Indonesia | 0:12:41 | 0:12:44 | |
and South East Asia, but what about the red-faced one? | 0:12:44 | 0:12:47 | |
-Where might that come from? -That one's called a cabeza rojo. | 0:12:47 | 0:12:50 | |
In Spanish, which not a lot of people know here. | 0:12:54 | 0:12:57 | |
-Why did it have a Spanish name? -Because it's from South America. | 0:12:57 | 0:13:02 | |
Is the right answer! But in fact, the first one, the proboscis monkey... | 0:13:02 | 0:13:05 | |
I'm coming up on a point, Alan. | 0:13:05 | 0:13:07 | |
The first one is called orang belanda. Now "orang" means "man". | 0:13:07 | 0:13:14 | |
An orang utan is "man of the jungle". | 0:13:14 | 0:13:16 | |
But this means, basically, | 0:13:16 | 0:13:19 | |
the big-nosed one is their word for Dutchmen, who were their colonists, | 0:13:19 | 0:13:24 | |
and they thought those monkeys looked like their colonial masters. | 0:13:24 | 0:13:29 | |
And so they called them Dutchmen, basically. | 0:13:29 | 0:13:32 | |
-And this one is even sadder. -It's so rude. | 0:13:32 | 0:13:34 | |
I know. This one is the uakari monkey, which is South American, | 0:13:34 | 0:13:38 | |
comes from the Peruvian Amazon and is very red-faced and is known by the locals, | 0:13:38 | 0:13:44 | |
unfortunately, as English monkeys, | 0:13:44 | 0:13:45 | |
because they look like tourists from England! | 0:13:45 | 0:13:47 | |
Slightly bald and red-faced. | 0:13:50 | 0:13:51 | |
If you give them a towel, | 0:13:53 | 0:13:54 | |
will they fight Germans for space near the pool? | 0:13:54 | 0:13:57 | |
-Are you people all that hairy when you take your shirts off? -Oh, definitely. | 0:13:57 | 0:14:01 | |
It's a sweet, charming, very human face. | 0:14:03 | 0:14:06 | |
Yeah, but in a perpetual state of embarrassment. | 0:14:06 | 0:14:09 | |
I thought at first it was its bum, | 0:14:11 | 0:14:13 | |
and yet it weirdly had a bum that looked a bit like a face. | 0:14:13 | 0:14:17 | |
Anyway, that's the uakari monkey, | 0:14:19 | 0:14:22 | |
a rather beautiful creature in its own way. | 0:14:22 | 0:14:23 | |
Unfortunately, when they get to zoos, they're very lethargic | 0:14:23 | 0:14:26 | |
and unhappy, but they're very active and sociable in the wild. | 0:14:26 | 0:14:30 | |
-I get quite lethargic in zoos. -I know. | 0:14:30 | 0:14:33 | |
A robin red-breast in a cage puts all heaven in a rage, | 0:14:33 | 0:14:37 | |
as William Blake said. | 0:14:37 | 0:14:38 | |
Also, the ice cream is very expensive in zoos, so that's another depressing aspect. | 0:14:40 | 0:14:44 | |
There's that too. | 0:14:44 | 0:14:46 | |
Anyway, why don't ginger ants use soap? | 0:14:46 | 0:14:50 | |
Cos they like to feel it when they get together. | 0:14:51 | 0:14:55 | |
Well, getting together is what it's all about. | 0:14:55 | 0:14:57 | |
Ginger ants, also known as fire ants, live in the jungle. | 0:14:57 | 0:15:01 | |
And in jungles you can get huge downpours that will suddenly cause | 0:15:01 | 0:15:05 | |
gigantic rivers to appear where none were before. | 0:15:05 | 0:15:07 | |
And what's to stop the ants drowning? | 0:15:07 | 0:15:10 | |
What's their strategy to keep themselves afloat? | 0:15:10 | 0:15:13 | |
Find a bar of soap? | 0:15:13 | 0:15:15 | |
No, the soap is the bad thing. | 0:15:15 | 0:15:18 | |
That, they don't want that? | 0:15:18 | 0:15:20 | |
They don't want the soap. Let's say no to soap. | 0:15:20 | 0:15:22 | |
No soap. All right, then. | 0:15:22 | 0:15:24 | |
I assume they'd climb a tree. | 0:15:24 | 0:15:25 | |
If they could, they would, and we're going to see them climb a tree, | 0:15:25 | 0:15:29 | |
but first they have to cross the water, if they're suddenly deluged. | 0:15:29 | 0:15:32 | |
Do they sail on little rafts? | 0:15:32 | 0:15:33 | |
They make a raft of themselves. | 0:15:33 | 0:15:35 | |
No! | 0:15:35 | 0:15:37 | |
They cling together all their little bits, like this, | 0:15:37 | 0:15:40 | |
and they make a raft like that, even carrying their eggs | 0:15:40 | 0:15:42 | |
and their precious cargo. | 0:15:42 | 0:15:43 | |
That's the fish underneath having a nibble at them, | 0:15:43 | 0:15:46 | |
but they are, and there | 0:15:46 | 0:15:47 | |
they're getting towards a tree. | 0:15:47 | 0:15:48 | |
They try and climb that tree, | 0:15:48 | 0:15:49 | |
because then they'll be safe. | 0:15:49 | 0:15:51 | |
But it's a really smart strategy. | 0:15:51 | 0:15:53 | |
There they go, he's got,... the first one's up | 0:15:55 | 0:15:58 | |
and then all the other ones are following. | 0:15:58 | 0:16:00 | |
Isn't that amazing? | 0:16:00 | 0:16:02 | |
-It is amazing. -And they all survive. | 0:16:02 | 0:16:04 | |
Even the ones on the bottom? | 0:16:04 | 0:16:06 | |
Yeah. What happens is that none of the ants become submerged | 0:16:06 | 0:16:09 | |
because of the plastron layer of air between their bodies and the water, | 0:16:09 | 0:16:14 | |
and that's from "piastroni", Italian for "breastplate", | 0:16:14 | 0:16:17 | |
which is rather pleasing. | 0:16:17 | 0:16:18 | |
A turtle's underbelly is also called the plastron | 0:16:18 | 0:16:21 | |
and so is a man's stiff, formal shirt-front. | 0:16:21 | 0:16:25 | |
So you can actually have... | 0:16:25 | 0:16:28 | |
LAUGHTER | 0:16:28 | 0:16:30 | |
Yeah, that was a relief, wasn't it? | 0:16:30 | 0:16:32 | |
You can actually have half a million fire ants connecting together | 0:16:32 | 0:16:36 | |
in this way and they can assemble themselves in less than 100 seconds. | 0:16:36 | 0:16:40 | |
And they can float for days, even weeks, | 0:16:40 | 0:16:42 | |
and migrate immense distances. | 0:16:42 | 0:16:45 | |
Isn't that interesting? | 0:16:45 | 0:16:46 | |
That's how I came over from Dublin this morning. | 0:16:46 | 0:16:49 | |
But if you put a tiny drop of soap anywhere near it, | 0:16:51 | 0:16:54 | |
the detergent would break the surface tension | 0:16:54 | 0:16:56 | |
and they would drown. | 0:16:56 | 0:16:57 | |
But I've got an interesting experiment, | 0:16:57 | 0:16:59 | |
and I do love, as you know, to do an interesting experiment. | 0:16:59 | 0:17:02 | |
He does love an experiment. | 0:17:02 | 0:17:03 | |
Now, these will represent red ants. | 0:17:03 | 0:17:06 | |
And this is just, I just find this magical. | 0:17:06 | 0:17:08 | |
And it's something you can do at home, ladies and gentlemen, | 0:17:08 | 0:17:11 | |
this is what's fun about it. And... | 0:17:11 | 0:17:13 | |
Will we form an island | 0:17:13 | 0:17:15 | |
and swim across the jar of water? | 0:17:15 | 0:17:17 | |
No. This is red coloured sand | 0:17:17 | 0:17:19 | |
and this is floating on top. | 0:17:19 | 0:17:20 | |
You'll notice wherever I drop it, it tends to start clinging together. | 0:17:20 | 0:17:24 | |
So you've got, here's your little raft of red ants, | 0:17:24 | 0:17:27 | |
there they are, in the water. | 0:17:27 | 0:17:29 | |
And I can put my finger in it, like that, | 0:17:29 | 0:17:31 | |
and my finger will come out completely dry. | 0:17:31 | 0:17:34 | |
Absolutely dry. | 0:17:34 | 0:17:35 | |
-That's bizarre. -Holy cow! | 0:17:35 | 0:17:38 | |
Yeah, there you are, there you are. | 0:17:38 | 0:17:39 | |
And I've got no sand on my finger at all. And it just, but... | 0:17:39 | 0:17:42 | |
Are you a devil? | 0:17:42 | 0:17:43 | |
Watch this. This will excite you. | 0:17:44 | 0:17:46 | |
I'm going to pour all this in here. | 0:17:46 | 0:17:48 | |
-Blue ants are attacking red ants! -Goodness! | 0:17:48 | 0:17:50 | |
Yeah, all these blue ants here, it's just horrible. | 0:17:50 | 0:17:52 | |
And look at that, it's all clustered down below. | 0:17:52 | 0:17:54 | |
But this is the magic part. | 0:17:54 | 0:17:56 | |
I get my spoon and I get, all this sand that's underwater now, | 0:17:56 | 0:17:59 | |
and I just pick up a little bit of it, like so. | 0:17:59 | 0:18:03 | |
And it's completely dry. | 0:18:03 | 0:18:04 | |
-No way! -It's utterly dry. | 0:18:04 | 0:18:05 | |
Witchcraft! | 0:18:05 | 0:18:06 | |
-Sorcery! -Burn him! | 0:18:06 | 0:18:08 | |
It's completely dry. It is, look. | 0:18:08 | 0:18:11 | |
Witch! | 0:18:11 | 0:18:12 | |
Sand, absolutely dry, | 0:18:12 | 0:18:13 | |
even though there are drops of water next to it. | 0:18:13 | 0:18:15 | |
-Isn't that magical? -That really is. -That's just sand and water? | 0:18:15 | 0:18:18 | |
Well, I can tell you. | 0:18:18 | 0:18:20 | |
It's the special nature of the sand. It's been, as it were, coated. | 0:18:20 | 0:18:23 | |
And, without wishing to give away the name of a brand of spray | 0:18:23 | 0:18:29 | |
that you are encouraged when you buy suede shoes to use | 0:18:29 | 0:18:34 | |
to protect your suede shoes, | 0:18:34 | 0:18:36 | |
that might be called something that rhymed with Gotch Scard... | 0:18:36 | 0:18:40 | |
If you wanted to try this experiment at home, | 0:18:42 | 0:18:46 | |
you would get a can of that Gotch Scard | 0:18:46 | 0:18:49 | |
and spray the sand with it and you will | 0:18:49 | 0:18:52 | |
be able to amaze your friends, if, but only if, you're as sad as I am. | 0:18:52 | 0:18:56 | |
But there you are. Hooray! | 0:18:58 | 0:18:59 | |
APPLAUSE | 0:18:59 | 0:19:01 | |
-The fun you can have with things. -Yes. | 0:19:06 | 0:19:09 | |
It's nice, it's good. | 0:19:09 | 0:19:11 | |
It is. Very fun. | 0:19:11 | 0:19:12 | |
Exactly. | 0:19:12 | 0:19:13 | |
Well, anyway, what goes at 40mph and smells of curry? | 0:19:13 | 0:19:17 | |
Ah, no. | 0:19:17 | 0:19:19 | |
-BIRD SCREECH -Yea? | 0:19:19 | 0:19:20 | |
Usain Balti. | 0:19:20 | 0:19:22 | |
APPLAUSE | 0:19:24 | 0:19:25 | |
That's very good! | 0:19:27 | 0:19:29 | |
I have to say that's impressive. | 0:19:33 | 0:19:36 | |
I have to give you points for that, it's just too good. | 0:19:38 | 0:19:40 | |
I will give you this clue. | 0:19:43 | 0:19:45 | |
An astonishing number of animals in the wild smell of other things. | 0:19:45 | 0:19:50 | |
And there is an animal that smells of curry. | 0:19:50 | 0:19:52 | |
And there's no reason for it to, because it doesn't live in India, it doesn't eat chillies. | 0:19:52 | 0:19:57 | |
But 40mph is pretty quick. | 0:19:57 | 0:19:58 | |
That's the thing. It's the fastest of its species. | 0:19:58 | 0:20:01 | |
And it's a signature species for a whole nation, a whole continent. | 0:20:01 | 0:20:05 | |
The ostrich goes about 40mph. | 0:20:05 | 0:20:06 | |
It does, but this is not a bird. | 0:20:06 | 0:20:08 | |
-Kangaroo. -Yes. | 0:20:08 | 0:20:09 | |
It's the western grey kangaroo. | 0:20:09 | 0:20:11 | |
The fastest of all the kangaroos, and amazingly... | 0:20:11 | 0:20:15 | |
It smells of curry? | 0:20:15 | 0:20:16 | |
-AUSTRALIAN ACCENT: -"Ah, Jesus, smells of a curry. Smell that, mate." | 0:20:16 | 0:20:20 | |
That's just an Australian who's had a curry the night before, | 0:20:21 | 0:20:24 | |
done a particularly stinky fart, | 0:20:24 | 0:20:26 | |
and then tried to blame it on a passing kangaroo. | 0:20:26 | 0:20:29 | |
"Oh, did you see that kangaroo go by there? | 0:20:31 | 0:20:35 | |
"Jeez, what a stink! It's like a curry!" | 0:20:35 | 0:20:40 | |
Anyway, that's one animal that smells unusual. | 0:20:40 | 0:20:42 | |
You're not going to get this next one | 0:20:42 | 0:20:44 | |
because it's such an unusual animal, but it's rather pleasing to think | 0:20:44 | 0:20:47 | |
the binturong smells like a freshly made batch of popcorn. | 0:20:47 | 0:20:52 | |
It's also called a bearcat, | 0:20:53 | 0:20:54 | |
but it's actually more like a civet than either a bear or a cat, | 0:20:54 | 0:20:58 | |
but apparently it smells of freshly baked popcorn. | 0:20:58 | 0:21:01 | |
Isn't that a lovely thing for an animal to smell of? | 0:21:01 | 0:21:04 | |
Is it slightly overpriced? | 0:21:04 | 0:21:05 | |
And is the medium one almost exactly the same as a large one? | 0:21:07 | 0:21:10 | |
Does it smell like salted or sugar popcorn? | 0:21:12 | 0:21:14 | |
-Ah, now, there's a good question. -Yeah! | 0:21:14 | 0:21:16 | |
Their birth is apparently fascinating, | 0:21:16 | 0:21:18 | |
because originally they're just in a tiny egg, | 0:21:18 | 0:21:20 | |
and then on a very hot day, suddenly just pop into the air. | 0:21:20 | 0:21:24 | |
I'm going to show you another animal | 0:21:25 | 0:21:27 | |
and it's a common blue butterfly that has been described by | 0:21:27 | 0:21:31 | |
the famous naturalist Geoffrey Grigson as having a particular smell. | 0:21:31 | 0:21:34 | |
-Finger of fudge. -Yes! | 0:21:34 | 0:21:37 | |
What?! | 0:21:37 | 0:21:38 | |
LAUGHTER AND APPLAUSE | 0:21:40 | 0:21:43 | |
Unbelievable! | 0:21:43 | 0:21:45 | |
Unglaublich. I mean, I've got to accept that, because the answer is chocolate. | 0:21:46 | 0:21:51 | |
-Wow. -That is amazing. | 0:21:52 | 0:21:54 | |
How does he do it? | 0:21:56 | 0:21:57 | |
Yeah, you two have developed some bizarre understanding where... | 0:21:57 | 0:22:01 | |
Yeah, how does a man be on this show every week come up with all the answers? I don't know. | 0:22:02 | 0:22:06 | |
He's having a spurt, like an adolescent having a growth spurt. | 0:22:08 | 0:22:13 | |
A brain spurt. It's very impressive. Sorry. | 0:22:13 | 0:22:18 | |
My father. | 0:22:18 | 0:22:20 | |
Taking of Alan having a spurt is not what I'm meant to be doing. | 0:22:20 | 0:22:23 | |
-So chocolate is ground-up butterflies? -Well, no... | 0:22:24 | 0:22:29 | |
It just so happens that that species, | 0:22:30 | 0:22:33 | |
according to Geoffrey Grigson, smells of chocolate. | 0:22:33 | 0:22:36 | |
Well, there you are. I am staggered by Alan's knowledge. | 0:22:36 | 0:22:39 | |
Now, as long as we're in the jungle, let's have a dubious jungle theory. | 0:22:39 | 0:22:44 | |
'A dubious theory from Stephen Fry.' | 0:22:45 | 0:22:47 | |
Ah, dear. | 0:22:49 | 0:22:50 | |
At least 10% of the Amazonian rainforest was deliberately | 0:22:50 | 0:22:54 | |
created by human activity over a period of 1,500 years | 0:22:54 | 0:22:58 | |
more than 1,000 years ago. | 0:22:58 | 0:23:00 | |
It's an enormous orchard twice the area of Great Britain. | 0:23:00 | 0:23:04 | |
Dubious or not? | 0:23:04 | 0:23:05 | |
Look at the evidence on jungleschmungle.co.uk | 0:23:05 | 0:23:09 | |
and decide for yourself. | 0:23:09 | 0:23:10 | |
'A dubious theory from Stephen Fry.' | 0:23:10 | 0:23:13 | |
This is a genuine theory. | 0:23:15 | 0:23:17 | |
Can you understand the idea that the Amazon, which we think | 0:23:17 | 0:23:19 | |
of as the wildest place on Earth might actually have been, a lot of it... | 0:23:19 | 0:23:23 | |
Is there a large part of it, then, | 0:23:23 | 0:23:25 | |
that bears fruit that we would consume? | 0:23:25 | 0:23:28 | |
Not only that, there is real evidence that a large part, | 0:23:28 | 0:23:33 | |
certainly not the majority, but a large part of it is composed | 0:23:33 | 0:23:37 | |
of soil that is of human origin, called terra preta, | 0:23:37 | 0:23:41 | |
which is "black earth" in Portuguese. | 0:23:41 | 0:23:44 | |
It contains charcoal, bone, manure and pottery | 0:23:44 | 0:23:46 | |
and can only be humanly produced as a soil for growing. | 0:23:46 | 0:23:50 | |
It was created deliberately over 1,500 years, | 0:23:50 | 0:23:54 | |
rich in nutrients that last thousands of years. | 0:23:54 | 0:23:57 | |
BBC Four made a programme about it called Unnatural Histories, | 0:23:57 | 0:24:00 | |
arguing that an advanced civilisation of five to six million people | 0:24:00 | 0:24:04 | |
flourished along the Amazon in the 1540s and then diseases | 0:24:04 | 0:24:09 | |
brought by the Spanish such as smallpox and flu wiped out up to 95% | 0:24:09 | 0:24:14 | |
of the population, and by the 18th century, the rainforest was empty. | 0:24:14 | 0:24:17 | |
They left no buildings and only the soil behind. | 0:24:17 | 0:24:21 | |
Extraordinary thought, isn't it? | 0:24:21 | 0:24:22 | |
-And they left Amazon.co.uk. -They did give us that, thank goodness. | 0:24:22 | 0:24:26 | |
They say in North America as well, | 0:24:26 | 0:24:28 | |
they always low-ball the amount of Indians who were there, | 0:24:28 | 0:24:32 | |
but after the Spanish came the first time, because they travelled | 0:24:32 | 0:24:37 | |
with their pigs, they had every manner of pig-borne disease, | 0:24:37 | 0:24:39 | |
and when they came back 100 years later, everyone was dead. | 0:24:39 | 0:24:43 | |
There was a quarter of the population that they had then. | 0:24:43 | 0:24:45 | |
I don't think it's strange that that would have happened. | 0:24:45 | 0:24:48 | |
And because they didn't leave buildings, | 0:24:48 | 0:24:50 | |
we don't give them any credit, except that they left | 0:24:50 | 0:24:53 | |
-an enormous forest which makes the planet breathe. -I know. | 0:24:53 | 0:24:56 | |
And, indeed, developed a type of soil that is still amongst | 0:24:56 | 0:24:58 | |
the most fertile and useful soil there is on earth. | 0:24:58 | 0:25:02 | |
It is remarkable. Not amusing, but true. | 0:25:02 | 0:25:06 | |
Rather like my bottom. | 0:25:06 | 0:25:08 | |
I don't know how that happened. | 0:25:13 | 0:25:15 | |
So you saying true like, your bottom will always be there, | 0:25:15 | 0:25:18 | |
-like it's true, your bottom is true. -It is a bottom of truth. | 0:25:18 | 0:25:22 | |
All right. That's a bold statement to make about yourself on national TV. Very impressive. | 0:25:22 | 0:25:28 | |
It's the measure of bottoms, it's the first bottom | 0:25:28 | 0:25:31 | |
and other bottoms are compared always to that one. | 0:25:31 | 0:25:33 | |
-That's right. -That's why it's known as the true bottom. | 0:25:33 | 0:25:36 | |
Or the arse of verity. | 0:25:36 | 0:25:38 | |
-Very fertile. -Whoa! | 0:25:39 | 0:25:41 | |
-OK. Let's just move away. -You started it! | 0:25:43 | 0:25:47 | |
I did. I just painted myself into a corner. I don't know how I managed that. | 0:25:48 | 0:25:52 | |
All right. Moving on. Describe the world's most hideous lunch. | 0:25:52 | 0:25:57 | |
There's a pretty rotten fruit you can get in Indonesia that stinks. | 0:25:57 | 0:26:00 | |
-Well, the durian fruit you're thinking of? -Yes. | 0:26:00 | 0:26:03 | |
-Yes. It's actually delicious, but.. -It smells like rotting flesh. | 0:26:03 | 0:26:06 | |
Yeah. This is actually an animal thing. | 0:26:06 | 0:26:08 | |
It's just one of those cruel tricks of nature, you know, | 0:26:08 | 0:26:12 | |
that certain species find ways of eating other species | 0:26:12 | 0:26:15 | |
that are cunning and cruel. | 0:26:15 | 0:26:17 | |
It's not going to be a burrowing parasite thing? | 0:26:17 | 0:26:20 | |
Well, it's sort of... | 0:26:20 | 0:26:22 | |
In your Jap's eye. | 0:26:22 | 0:26:23 | |
Oh! | 0:26:23 | 0:26:25 | |
Or in your eye, even. | 0:26:25 | 0:26:26 | |
Think of a little, innocent frog. | 0:26:26 | 0:26:29 | |
A frog sees a larva, a little bug of some kind, | 0:26:29 | 0:26:31 | |
it will dart its tongue out. | 0:26:31 | 0:26:34 | |
There you go, there's the big frog and there's the little larva, | 0:26:34 | 0:26:36 | |
and the frog's going to win. | 0:26:36 | 0:26:38 | |
The frog's going to poke its tongue out and it's going to eat. | 0:26:38 | 0:26:41 | |
-It's not that small a larva. -I agree. | 0:26:41 | 0:26:42 | |
I mean, I still think that's quite an ambitious meal | 0:26:42 | 0:26:45 | |
for that frog to take on. | 0:26:45 | 0:26:46 | |
I agree. One of two things happens. | 0:26:46 | 0:26:48 | |
One is the larva will simply attack the frog | 0:26:48 | 0:26:50 | |
and latch itself with its quite strong horns, | 0:26:50 | 0:26:53 | |
which you might just be able to discern in the picture... | 0:26:53 | 0:26:55 | |
What I would do. | 0:26:55 | 0:26:56 | |
-..onto the back. -I would do that. | 0:26:56 | 0:26:58 | |
And then just eat it from the inside out. | 0:26:58 | 0:27:00 | |
Yeah, that's exactly what I would do. | 0:27:00 | 0:27:02 | |
Until there's nothing left but a pile of bones. | 0:27:02 | 0:27:04 | |
It would simply eat the whole thing. | 0:27:04 | 0:27:05 | |
Really? One larva? | 0:27:05 | 0:27:07 | |
Yeah. But if it so happens the frog is really quick | 0:27:07 | 0:27:10 | |
and gets the larva into its stomach, it will then an hour later | 0:27:10 | 0:27:13 | |
regurgitate it, and the larvae will still be alive and will then eat. | 0:27:13 | 0:27:19 | |
Holy cow! | 0:27:19 | 0:27:20 | |
So it will be eaten and then eat the thing that ate it, | 0:27:20 | 0:27:23 | |
which is pretty unusual in the world of nature. | 0:27:23 | 0:27:26 | |
So you can have your frog and eat it? | 0:27:26 | 0:27:29 | |
You can, exactly. It's a pretty unpleasant process. | 0:27:29 | 0:27:33 | |
It makes you wonder about all things bright and beautiful. | 0:27:33 | 0:27:36 | |
But we have no footage. Do we have footage? | 0:27:36 | 0:27:39 | |
We have footage, I'm afraid. | 0:27:39 | 0:27:40 | |
Oh, no! Don't eat that larva! | 0:27:40 | 0:27:43 | |
Two hours later. | 0:27:45 | 0:27:46 | |
-Oh! -"I don't feel so good!" | 0:27:46 | 0:27:48 | |
Oh, having a vomit and out, it's pulling out of its own mouth | 0:27:48 | 0:27:52 | |
the thing that is then going to eat it. | 0:27:52 | 0:27:55 | |
It's just so, and there, oh, it's just being eaten, | 0:27:57 | 0:27:59 | |
it's eating its chin. | 0:27:59 | 0:28:00 | |
It's basically just... | 0:28:00 | 0:28:02 | |
-He was a prince as well! -I know. | 0:28:02 | 0:28:04 | |
It's really not a nice relationship. | 0:28:06 | 0:28:08 | |
And there they are. Poor frog. | 0:28:08 | 0:28:10 | |
Wait a minute, I didn't see the end, who won? | 0:28:10 | 0:28:13 | |
It looked pretty intense, | 0:28:14 | 0:28:15 | |
but it looked like it could go either way, really, you know what I mean. | 0:28:15 | 0:28:18 | |
We were too tasteful to show you the outcome, it was horrible. | 0:28:18 | 0:28:21 | |
-Too tasteful? That's what's up. -They shake hands and then they say, | 0:28:21 | 0:28:24 | |
"We've both learned a valuable lesson here." | 0:28:24 | 0:28:26 | |
It's called the Epomis beetle larva. | 0:28:26 | 0:28:29 | |
About 10% of predator/prey relationships are where | 0:28:30 | 0:28:34 | |
a smaller animal can eat a bigger one, | 0:28:34 | 0:28:36 | |
but those are all active attacks. | 0:28:36 | 0:28:38 | |
This is the luring technique. | 0:28:38 | 0:28:40 | |
It actually waves and says, "Eat me! Eat me!" | 0:28:40 | 0:28:43 | |
It actually draws attention to itself | 0:28:43 | 0:28:45 | |
so that the frog approaches it and eats it. | 0:28:45 | 0:28:47 | |
Did you know that 8% of predator/prey relationships are homosexual? | 0:28:47 | 0:28:51 | |
A lot of people don't know that. | 0:28:53 | 0:28:55 | |
But while on the subject of frogs, what's this little frog doing? | 0:28:55 | 0:28:58 | |
What's this chap up to? | 0:28:58 | 0:29:00 | |
Wow! It's practising first position? | 0:29:02 | 0:29:05 | |
No. What's going on in the background? | 0:29:05 | 0:29:08 | |
He's trying to build up his nerve into jumping in that gushing stream. | 0:29:08 | 0:29:11 | |
And he's going, argh, I can do this! | 0:29:11 | 0:29:13 | |
He's facing the other way. | 0:29:13 | 0:29:14 | |
Ah, I can do this. | 0:29:14 | 0:29:15 | |
Is he fishing? Is he catching things in his webbed...? | 0:29:15 | 0:29:18 | |
No. | 0:29:18 | 0:29:19 | |
I was thinking maybe there was a plane load of frogs trying to land. | 0:29:19 | 0:29:24 | |
APPLAUSE | 0:29:24 | 0:29:28 | |
But you know, air traffic controller frog. | 0:29:32 | 0:29:34 | |
What is it about the background? | 0:29:36 | 0:29:39 | |
Running water. Water stream, I mean... | 0:29:39 | 0:29:42 | |
Yeah, and what does that create? | 0:29:42 | 0:29:44 | |
If you've got a waterfall behind you, | 0:29:44 | 0:29:46 | |
how do you communicate with your neighbour? | 0:29:46 | 0:29:48 | |
-How do you shout? -It's sign language? -Yes. | 0:29:48 | 0:29:51 | |
-No! -It's semaphore. | 0:29:51 | 0:29:53 | |
-Really? -Stop it! | 0:29:53 | 0:29:54 | |
It's the semaphore frog, because it lives by waterfalls and cataracts, | 0:29:54 | 0:29:58 | |
and so little... | 0:29:58 | 0:29:59 | |
(IMITATES FROG) | 0:29:59 | 0:30:01 | |
..won't get heard. | 0:30:01 | 0:30:02 | |
So that's how it communicates. | 0:30:02 | 0:30:04 | |
Basically, it's saying to other males, | 0:30:04 | 0:30:06 | |
"This is my territory, keep away." | 0:30:06 | 0:30:07 | |
Or it's saying to girls, "Here I am." | 0:30:07 | 0:30:09 | |
Unless it's 8%, of course. | 0:30:09 | 0:30:11 | |
It is a wonderful sight. | 0:30:14 | 0:30:16 | |
It's solved the problem of the fact that it can't vocalise, | 0:30:16 | 0:30:19 | |
because it lives in a noisy environment. | 0:30:19 | 0:30:21 | |
There are other ways of attracting mates which are unusual. | 0:30:21 | 0:30:25 | |
CRICKETS CHIRP | 0:30:25 | 0:30:27 | |
Yes? | 0:30:27 | 0:30:28 | |
The internet. | 0:30:28 | 0:30:30 | |
LAUGHTER | 0:30:30 | 0:30:32 | |
If only you'd said what you often call the internet. | 0:30:32 | 0:30:35 | |
-What do you sometimes call the internet? -The interweb. | 0:30:35 | 0:30:38 | |
-Yes. -Web, spiders. | 0:30:38 | 0:30:39 | |
Spiders, yes. | 0:30:39 | 0:30:40 | |
Spiders make webs to catch prey so they can eat, survive and thrive. | 0:30:40 | 0:30:44 | |
Yes. But there's a particular breed of spider, they ejaculate into a pad | 0:30:44 | 0:30:49 | |
of webbing and transfer the sperm-laden pad to their "palps", | 0:30:49 | 0:30:54 | |
which are like their antennae, | 0:30:54 | 0:30:56 | |
and then they wave them around to attract the female. | 0:30:56 | 0:30:59 | |
"I've got some sperm here. I've got some sperm for you." | 0:30:59 | 0:31:02 | |
I used to do that, I used to do that to my ex-girlfriend, because... | 0:31:04 | 0:31:06 | |
I mean... | 0:31:09 | 0:31:12 | |
Why am I not surprised by the word "ex" in there? | 0:31:12 | 0:31:14 | |
Yeah, I mean she just wanted to have a baby so bad, | 0:31:14 | 0:31:16 | |
it was just really easy to get her excited like that. | 0:31:16 | 0:31:18 | |
"I've got some sperm." | 0:31:18 | 0:31:19 | |
And she'd come running and I'd be like, | 0:31:19 | 0:31:21 | |
"I'm kidding, I'm kidding." | 0:31:21 | 0:31:23 | |
You're probably each well out of it. | 0:31:23 | 0:31:26 | |
Yeah, she's the better for it. | 0:31:26 | 0:31:27 | |
I mean, in fact, I take pride in believing that I helped her | 0:31:27 | 0:31:29 | |
prepare for the next cat that she... | 0:31:29 | 0:31:31 | |
And think what you're saving on triple ply tissues. There you are. | 0:31:31 | 0:31:35 | |
Wow! | 0:31:35 | 0:31:37 | |
Sorry. | 0:31:37 | 0:31:38 | |
In some weird English way, I feel dealt with. | 0:31:38 | 0:31:41 | |
By the way, the credit for the video tape of that extraordinary frog | 0:31:45 | 0:31:50 | |
waving its hands belongs to the School of Environment | 0:31:50 | 0:31:52 | |
of Life Sciences at the University of Salford. | 0:31:52 | 0:31:54 | |
Thank you, University of Salford. | 0:31:54 | 0:31:56 | |
Anyway, Alan, what I'd like you to do is press your buzzer. | 0:31:56 | 0:31:59 | |
-It's not a trap. -It's going to be a trap. | 0:32:03 | 0:32:05 | |
Yeah, press your buzzer. | 0:32:05 | 0:32:07 | |
CRICKETS CHIRP | 0:32:07 | 0:32:08 | |
What are those and how do they make that noise? | 0:32:08 | 0:32:11 | |
Now, this could be one of two things. | 0:32:11 | 0:32:14 | |
Right. | 0:32:14 | 0:32:15 | |
There's the one that makes the noise by inflating its thorax, | 0:32:15 | 0:32:18 | |
and the one that makes a noise by rubbing its back legs together... | 0:32:18 | 0:32:22 | |
SIREN BLARES | 0:32:22 | 0:32:25 | |
So I think it was the first one. | 0:32:26 | 0:32:29 | |
There is actually no insect that makes a noise | 0:32:32 | 0:32:35 | |
by rubbing its back legs together. | 0:32:35 | 0:32:37 | |
Ah. | 0:32:37 | 0:32:38 | |
But do you know what the animal was in fact you were listening to? | 0:32:38 | 0:32:41 | |
-Cicada. -It's a cricket, in fact. | 0:32:41 | 0:32:43 | |
It's been known for thousands of years that crickets | 0:32:43 | 0:32:46 | |
don't chirp by rubbing their legs together. | 0:32:46 | 0:32:48 | |
So where did that come from then? | 0:32:48 | 0:32:49 | |
It's just one of those weird fallacies that people cling to, | 0:32:49 | 0:32:52 | |
and I've clung to fallacies, and it's, it's a... | 0:32:52 | 0:32:55 | |
LAUGHTER | 0:32:55 | 0:32:57 | |
He did say weird phallus, didn't he? | 0:32:57 | 0:33:00 | |
This, this is all, this is... | 0:33:00 | 0:33:02 | |
He said it's a weird phallus that people cling to. | 0:33:02 | 0:33:04 | |
He said that, didn't he? | 0:33:04 | 0:33:06 | |
-He said, he said fallacies. -Oh. | 0:33:06 | 0:33:08 | |
That means many phalluses. | 0:33:08 | 0:33:09 | |
Yeah, thank you. | 0:33:09 | 0:33:12 | |
Rubbing body... Oh, God, it's getting worse, sorry. | 0:33:12 | 0:33:15 | |
Rubbing body parts to make sound is called stridulation. | 0:33:15 | 0:33:19 | |
And crickets have a large vein along the bottom of each wing, | 0:33:19 | 0:33:22 | |
covered with comb-like teeth. | 0:33:22 | 0:33:25 | |
The chirp comes from the scraping on the top of one wing | 0:33:25 | 0:33:29 | |
over the bottom of the other. Nothing to do with legs at all. | 0:33:29 | 0:33:31 | |
-So it's the wings, not their legs. -It's the wings, not their legs. | 0:33:31 | 0:33:34 | |
And only male crickets chirp, the females don't. | 0:33:34 | 0:33:36 | |
Four songs, one to attract a female, two to court a nearby female, | 0:33:36 | 0:33:41 | |
three to warn off another male, | 0:33:41 | 0:33:43 | |
and four to celebrate a successful mating session. | 0:33:43 | 0:33:47 | |
Really? | 0:33:47 | 0:33:48 | |
Or, four to say to the female, "Why don't you say something?!" | 0:33:50 | 0:33:53 | |
Yes, quite. | 0:33:53 | 0:33:54 | |
So, basically, it's like they're high-fiving themselves. | 0:33:54 | 0:33:57 | |
-Yes, they are. -After their...Wooo! | 0:33:57 | 0:33:58 | |
Yes, success! | 0:33:58 | 0:34:00 | |
I would just order pizza. | 0:34:00 | 0:34:03 | |
That's what we tend to do, but they just high-five themselves, | 0:34:03 | 0:34:06 | |
as you say. But this, listen to this, | 0:34:06 | 0:34:08 | |
this is the most extraordinary cricket of all. | 0:34:08 | 0:34:11 | |
It's the snowy tree cricket. | 0:34:11 | 0:34:13 | |
And if you count the times, because they're very susceptible | 0:34:13 | 0:34:18 | |
to temperature, if you count the times they chirp in 14 seconds | 0:34:18 | 0:34:23 | |
and add 40, you will get the temperature in Fahrenheit. | 0:34:23 | 0:34:28 | |
No way, shut up! | 0:34:28 | 0:34:30 | |
Yes way, absolute way. | 0:34:30 | 0:34:32 | |
I know it sounds mad, it's from the 1897 masterpiece by Amos Dolbear, | 0:34:32 | 0:34:35 | |
The Cricket as a Thermometer. | 0:34:35 | 0:34:38 | |
But it is extraordinary, isn't it? | 0:34:41 | 0:34:43 | |
I'd still prefer a thermometer up my bum if I was in hospital than a... | 0:34:43 | 0:34:47 | |
Amazing, isn't it? | 0:34:53 | 0:34:55 | |
Dolbear's Law. Now you know. | 0:34:55 | 0:34:56 | |
Anyway, what lives underwater | 0:34:56 | 0:34:59 | |
and is the loudest animal in the world for its size? | 0:34:59 | 0:35:03 | |
-ELEPHANT TRUMPETS -Greg Proops? | 0:35:03 | 0:35:04 | |
Oprah. | 0:35:04 | 0:35:06 | |
Good answer, but untrue. | 0:35:08 | 0:35:11 | |
-Is it going to be a blue whale? -SIRENS BLARE | 0:35:11 | 0:35:13 | |
Oh, Alan, you and your blue, you were doing so well. | 0:35:13 | 0:35:17 | |
No, it's the largest in relation to its size, | 0:35:17 | 0:35:19 | |
the noise it makes is quite astounding. | 0:35:19 | 0:35:22 | |
When I tell you that its size is two millimetres, | 0:35:22 | 0:35:25 | |
and it creates a sound of over 99 decibels, | 0:35:25 | 0:35:29 | |
which is like a freight train passing by. | 0:35:29 | 0:35:33 | |
It's an incredibly loud noise, | 0:35:33 | 0:35:34 | |
and it's a little lake creature, actually. | 0:35:34 | 0:35:36 | |
Do you know those things that seem to walk on water, do you remember what they're called? | 0:35:36 | 0:35:40 | |
Our Lord? | 0:35:40 | 0:35:42 | |
APPLAUSE | 0:35:46 | 0:35:50 | |
You could call this the Jesus insect if you wanted. It's a water boatman. | 0:35:50 | 0:35:54 | |
The water boatman is a beautiful little creature | 0:35:54 | 0:35:56 | |
and it uses the surface tension of the water, there you see, | 0:35:56 | 0:35:59 | |
to walk along the water. | 0:35:59 | 0:36:01 | |
That's a pond skater, of course. | 0:36:01 | 0:36:03 | |
So unlike a blue whale in almost every respect. | 0:36:03 | 0:36:07 | |
It really is. The noise it gives out is like a passing freight train. | 0:36:07 | 0:36:11 | |
We have a theory how they produce it, and we'd like you | 0:36:11 | 0:36:14 | |
to try out our theory. | 0:36:14 | 0:36:16 | |
They use their penises against their tummies. | 0:36:16 | 0:36:19 | |
Penii? | 0:36:19 | 0:36:21 | |
Penii, if you like. | 0:36:21 | 0:36:22 | |
Penises if you wanted to speak in English, but... | 0:36:22 | 0:36:24 | |
But by all means penii, if you like. | 0:36:26 | 0:36:28 | |
They rub their penises on their tummy | 0:36:28 | 0:36:31 | |
and somehow create a noise of 99.2 decibels. | 0:36:31 | 0:36:34 | |
-But that's just a theory though, right? -Yeah. | 0:36:34 | 0:36:37 | |
Because I put my penis against my belly, it don't make no noise. | 0:36:37 | 0:36:40 | |
If you really whack it though, if you... | 0:36:40 | 0:36:42 | |
(MIMES WHIP NOISE) | 0:36:42 | 0:36:45 | |
Steady, steady. | 0:36:45 | 0:36:46 | |
It depends on if I have to get up in a hurry. | 0:36:46 | 0:36:48 | |
Like, if I got an hour or so... | 0:36:48 | 0:36:51 | |
Imagine that it's a penis, all right. | 0:36:51 | 0:36:54 | |
If you'd pass that to Greg. | 0:36:54 | 0:36:57 | |
You know, imagining is not helping, but all right. | 0:36:57 | 0:37:01 | |
Obviously there's yours, Alan. | 0:37:01 | 0:37:03 | |
No. | 0:37:04 | 0:37:06 | |
APPLAUSE | 0:37:06 | 0:37:09 | |
You can have a normal one. | 0:37:09 | 0:37:10 | |
Now this is quite complicated, | 0:37:10 | 0:37:12 | |
but you should have a little bowl of rosin, | 0:37:12 | 0:37:15 | |
as in the kind of stuff that ballet dancers use | 0:37:15 | 0:37:18 | |
to keep their shoes from sliding on the stage | 0:37:18 | 0:37:21 | |
and string players use for their bows. Ordinary rosin. | 0:37:21 | 0:37:23 | |
Oh, very good. Listen to that noise. Keep doing that. | 0:37:23 | 0:37:27 | |
HIGH-PITCHED TONE | 0:37:27 | 0:37:30 | |
You're rubbing, you're trying to, it gets surprisingly loud, | 0:37:31 | 0:37:35 | |
doesn't it? | 0:37:35 | 0:37:36 | |
HIGH-PITCHED TONE CONTINUES | 0:37:36 | 0:37:40 | |
Oh, God, yes! | 0:37:40 | 0:37:42 | |
I don't seem to be attracting any boatmen or women. | 0:37:44 | 0:37:47 | |
HIGH-PITCHED TONE | 0:37:47 | 0:37:49 | |
I'm not getting 99 decibels. | 0:37:49 | 0:37:50 | |
TONE INCREASES IN VOLUME | 0:37:50 | 0:37:52 | |
There, you see that? | 0:37:52 | 0:37:54 | |
This is still louder, though. | 0:37:54 | 0:37:56 | |
-Is that yours? -But isn't that surprising? | 0:38:02 | 0:38:04 | |
Wow! | 0:38:04 | 0:38:05 | |
TONE INCREASES IN VOLUME | 0:38:05 | 0:38:07 | |
-Yeah. -Aaah! | 0:38:07 | 0:38:09 | |
Aaaaaah! | 0:38:09 | 0:38:10 | |
It's like Mars Attacks and our brains will explode. | 0:38:10 | 0:38:14 | |
Solo! | 0:38:16 | 0:38:17 | |
Alan's very good at it, isn't he? | 0:38:17 | 0:38:20 | |
Have you given him a wand? Is that a wand? | 0:38:20 | 0:38:22 | |
APPLAUSE | 0:38:22 | 0:38:25 | |
It's a very interesting thing. | 0:38:31 | 0:38:32 | |
You can pop your little ones down now. Yeah. | 0:38:32 | 0:38:35 | |
It is surprising how...how loud it can be. | 0:38:35 | 0:38:41 | |
No females have approached, Stephen. | 0:38:41 | 0:38:43 | |
I could do it under the table, then no-one knows... | 0:38:44 | 0:38:47 | |
HIGH-PITCHED TONE | 0:38:47 | 0:38:51 | |
Miss, Miss, Alan's doing it again! | 0:38:51 | 0:38:53 | |
TONE INCREASES IN VOLUME | 0:38:53 | 0:38:57 | |
You're very good at it! Alan, you have a natural talent at last. | 0:38:57 | 0:39:02 | |
And he's doing that with his penis. | 0:39:02 | 0:39:04 | |
He put the rod down hours ago. | 0:39:06 | 0:39:08 | |
-It actually is 99 decibels? -About 90% of it is lost underwater, | 0:39:09 | 0:39:13 | |
but you can still hear it above water, because it's so loud. | 0:39:13 | 0:39:15 | |
-How loud is a blue whale? Come on! -Oh, it's loud. | 0:39:15 | 0:39:20 | |
-The blue whale is capable of 188 decibels. -Ah! -Which is a lot more. | 0:39:20 | 0:39:24 | |
Way more! And its cock is enormous! | 0:39:24 | 0:39:28 | |
But we were talking about proportionality. | 0:39:29 | 0:39:31 | |
If it was able to rub its cock on its belly, it would be DEAFENING! | 0:39:31 | 0:39:36 | |
It can't, you see. That's what nature provides, | 0:39:36 | 0:39:40 | |
because their flippers are too short. | 0:39:40 | 0:39:42 | |
If they could get access to their enormous penis, | 0:39:42 | 0:39:44 | |
they would deafen the oceans. | 0:39:44 | 0:39:46 | |
So, the water boatman makes a big noise | 0:39:47 | 0:39:50 | |
with its mighty, stridulating penis. | 0:39:50 | 0:39:53 | |
Anyway, throughout the show tonight, there's been a species of | 0:39:53 | 0:39:57 | |
striped animal in full view here in the studio. | 0:39:57 | 0:40:01 | |
Let me know when you see it. | 0:40:01 | 0:40:03 | |
There is a striped animal somewhere in the studio in full view. | 0:40:03 | 0:40:07 | |
-Er, are people stripey? -Yes! -Really? | 0:40:08 | 0:40:12 | |
All human beings have stripes, very regular stripes, on their skin. | 0:40:12 | 0:40:17 | |
They were discovered in 1901 by a dermatologist, | 0:40:17 | 0:40:20 | |
and they're called Blashcko lines. | 0:40:20 | 0:40:22 | |
He studied 140 patients who had a particular kind of skin disease, | 0:40:22 | 0:40:26 | |
and he drew up the map that followed the exact lines. | 0:40:26 | 0:40:29 | |
They just don't show unless you have that particular condition. | 0:40:29 | 0:40:33 | |
-It's almost like camouflage if we lived in pasta. -Yes! | 0:40:33 | 0:40:38 | |
It would be. Maybe that's how it evolved. | 0:40:38 | 0:40:41 | |
But in cases of animals that are obviously striped like zebras... | 0:40:41 | 0:40:45 | |
-Tigers! -And tigers. Zebras, for example... -Want a point for that? | 0:40:45 | 0:40:50 | |
-Oh, yeah. -Is a zebra white with black stripes or black with white stripes? | 0:40:50 | 0:40:54 | |
-Yes. -Which? -It's black with... What do you think, Greg? | 0:40:54 | 0:40:58 | |
Thank you, Alan. | 0:41:00 | 0:41:02 | |
One, they smell like chocolate, so I'd say chocolate. | 0:41:02 | 0:41:06 | |
I would say they are black with white lines, | 0:41:06 | 0:41:09 | |
that's what I would say. | 0:41:09 | 0:41:11 | |
-No, they're white with black stripes. -Well, you would say that, wouldn't you, white man! | 0:41:11 | 0:41:15 | |
APPLAUSE | 0:41:15 | 0:41:17 | |
-But they have black noses. -They do have black noses. -That's ridiculous. | 0:41:19 | 0:41:23 | |
That's the stupidest thing I've ever heard. I'm not playing any more. | 0:41:23 | 0:41:26 | |
-I'm furious. -It was discovered... | 0:41:26 | 0:41:28 | |
Ooooh! | 0:41:28 | 0:41:30 | |
Now, we don't throw our toys out of the pram. | 0:41:32 | 0:41:35 | |
Humans are not only striped, incidentally, | 0:41:35 | 0:41:37 | |
we are also bioluminescent. | 0:41:37 | 0:41:39 | |
We give off light, and this, again, was a recent discovery, | 0:41:39 | 0:41:42 | |
a Japanese discovery. In 2009 they photographed | 0:41:42 | 0:41:45 | |
the faint glow of human bioluminescence for the first time. | 0:41:45 | 0:41:50 | |
It's 1,000 times weaker than our eyes can detect, unfortunately. | 0:41:50 | 0:41:54 | |
But it is there. We do give off a small amount of light. | 0:41:54 | 0:41:57 | |
It's a shame he's got his pants on, cos I'd like to see how luminous your cock is! | 0:41:57 | 0:42:01 | |
You must get yourself a job in one of those body scanning units at Heathrow, | 0:42:03 | 0:42:07 | |
and you would have the most amusing time | 0:42:07 | 0:42:10 | |
looking at people's willies as they walk through. | 0:42:10 | 0:42:13 | |
The green bit is a mystery. | 0:42:14 | 0:42:16 | |
I don't know whether that is the photograph | 0:42:16 | 0:42:18 | |
and the sensitivity of the camera is such that... | 0:42:18 | 0:42:21 | |
That's bio-Hulk-inescence. | 0:42:21 | 0:42:23 | |
That's the Credible Hulk, who was slightly different... | 0:42:23 | 0:42:28 | |
I like the Credible Hulk. He's a Hulk, but I believe him. | 0:42:28 | 0:42:32 | |
He goes a little bit green and slightly peeved. | 0:42:33 | 0:42:37 | |
I would watch the Credible Hulk. There you are. | 0:42:38 | 0:42:42 | |
Anyway, it's time for the final scores. | 0:42:42 | 0:42:46 | |
I'm sorry to say, that in last place with minus 10 is Alan Davies. | 0:42:46 | 0:42:51 | |
APPLAUSE | 0:42:51 | 0:42:53 | |
How did I get minus 10? | 0:42:53 | 0:42:55 | |
And just behind, with minus eight, is Greg Proops. | 0:42:55 | 0:43:00 | |
APPLAUSE | 0:43:00 | 0:43:02 | |
Then, with minus six, is David O'Doherty. | 0:43:04 | 0:43:08 | |
APPLAUSE | 0:43:08 | 0:43:10 | |
With one plus point, Reginald D Hunter. | 0:43:13 | 0:43:18 | |
APPLAUSE | 0:43:18 | 0:43:21 | |
Well done. | 0:43:21 | 0:43:22 | |
Well, that's all from David, Reginald, Greg, Alan and me. | 0:43:27 | 0:43:33 | |
Remember, snakes are more afraid of you than you are of them. | 0:43:33 | 0:43:37 | |
Unfortunately, this is not true of mosquitoes, | 0:43:37 | 0:43:39 | |
spiders, bears or tigers. | 0:43:39 | 0:43:41 | |
But don't have nightmares. Good night. | 0:43:41 | 0:43:43 |