Browse content similar to Jack and Jill. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:05 | 0:00:09 | |
APPLAUSE | 0:00:24 | 0:00:27 | |
Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:35 | |
and dare I say again, good evening and welcome to QI, | 0:00:35 | 0:00:39 | |
which tonight features Jack and Jill, | 0:00:39 | 0:00:42 | |
and indeed John, James, Johannes, | 0:00:42 | 0:00:44 | |
or anybody else whose name begins with J. | 0:00:44 | 0:00:47 | |
Let's meet every man Jack of 'em. Jack the Lad, Sue Perkins. | 0:00:47 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:53 | |
Jack the Giant Killer, Katy Brand. | 0:00:55 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:01 | |
Mad Jack McMad, winner of last year's Mr Madman competition, | 0:01:01 | 0:01:05 | |
David Mitchell. | 0:01:05 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:09 | |
And someone who doesn't know Jack. It's Alan Davies. | 0:01:10 | 0:01:15 | |
APPLAUSE | 0:01:15 | 0:01:18 | |
So, buzzer-wise, let's hear it for the girls. Katy goes... | 0:01:21 | 0:01:24 | |
# Jolene, Jolene, Jolene, Jolene. # | 0:01:24 | 0:01:30 | |
-I worship that woman. -Sue goes... | 0:01:30 | 0:01:32 | |
# The Jean Genie lives on his back | 0:01:32 | 0:01:35 | |
# The Jean Genie. # | 0:01:35 | 0:01:37 | |
Happy with that. | 0:01:37 | 0:01:39 | |
Good. David goes... | 0:01:39 | 0:01:40 | |
# Jennifer Juniper... # | 0:01:40 | 0:01:44 | |
Awww. And Alan goes... | 0:01:44 | 0:01:46 | |
MUSIC: "Jessica" by The Allman Brothers Band | 0:01:46 | 0:01:50 | |
Ah! | 0:01:50 | 0:01:51 | |
Ah, now do you know, that's the theme for Top Gear. | 0:01:51 | 0:01:55 | |
-Top Gear! -And what's the name of that piece of music? | 0:01:55 | 0:01:59 | |
It's hard to think that the most testosterone-driven programme | 0:01:59 | 0:02:02 | |
in television history is introduced by Jessica. | 0:02:02 | 0:02:06 | |
That's the name of that song. It is. Jessica by the Allman Brothers. | 0:02:06 | 0:02:11 | |
And that's the most interesting fact in the world. | 0:02:11 | 0:02:14 | |
So, don't forget, we are looking for names beginning with J. | 0:02:14 | 0:02:18 | |
Who dies if they don't have sex for a year? | 0:02:18 | 0:02:21 | |
Is it Russell Brand? | 0:02:21 | 0:02:24 | |
SIREN WAILS | 0:02:24 | 0:02:27 | |
Good night! Bye-bye! | 0:02:30 | 0:02:33 | |
-I fear we were there before you, Sue. -Yeah, you were. | 0:02:33 | 0:02:36 | |
He so doesn't begin with a J. Jo Brand does, but she may die, I don't know. | 0:02:36 | 0:02:40 | |
-No, it's two years before Jo Brand dies. -Yeah, exactly. | 0:02:40 | 0:02:44 | |
I suspect it's not a human. | 0:02:44 | 0:02:46 | |
Correctly correctington. | 0:02:46 | 0:02:48 | |
-It's something other... -It is from the animal kingdom. | 0:02:48 | 0:02:50 | |
I actually conducted an experiment many years ago to see | 0:02:50 | 0:02:53 | |
if you could survive a year without having sex, | 0:02:53 | 0:02:56 | |
and I'm happy to tell you that yes, you can. | 0:02:56 | 0:02:59 | |
I was worried your experiment was going to be that you'd had sex | 0:02:59 | 0:03:03 | |
with a variety of animals to see. | 0:03:03 | 0:03:05 | |
It wasn't clear to me that it was you, | 0:03:05 | 0:03:08 | |
it sounded to me like you had someone in a room locked up | 0:03:08 | 0:03:11 | |
for a year just to see if they would die without sex. | 0:03:11 | 0:03:14 | |
-They were the control. -They were the control, yeah. | 0:03:14 | 0:03:17 | |
-While you were freely roaming. -Yes. And as it turned out, neither of us had sex. | 0:03:17 | 0:03:21 | |
Could you not have saved each other by having sex with one another? | 0:03:21 | 0:03:24 | |
I think if you put someone in a room and then you have sex with them, | 0:03:24 | 0:03:27 | |
that's a crime. | 0:03:27 | 0:03:29 | |
So it's an animal and it's going to begin with a J? | 0:03:29 | 0:03:33 | |
Well, yes, though the species of animal doesn't begin with J. | 0:03:33 | 0:03:36 | |
-Right. -It's just that the particular gender begins with a J. | 0:03:36 | 0:03:39 | |
It's a furry mammal often kept as a pet. And the male... | 0:03:39 | 0:03:43 | |
-Cat, dog, rabbit, hamster, gerbil... -Cow?! | 0:03:43 | 0:03:45 | |
Cat! Gerbil. | 0:03:45 | 0:03:47 | |
No, you were closer with gerbil. | 0:03:47 | 0:03:49 | |
-A ferret. -A ferret. -Ferret. | 0:03:49 | 0:03:51 | |
-Now, what's a male ferret called? -Jeff. | 0:03:51 | 0:03:53 | |
-He might be. -They're actually, they begin with H. | 0:03:55 | 0:03:57 | |
They're called a hob. | 0:03:57 | 0:03:59 | |
-A hob? -But a female is called a... | 0:03:59 | 0:04:01 | |
Jenny? | 0:04:01 | 0:04:02 | |
-Not a Jenny, but it might as well be, almost. -Julia. -Jennifer. -No. | 0:04:02 | 0:04:05 | |
A June. Judy. | 0:04:05 | 0:04:08 | |
# Jolene, Jolene... # | 0:04:08 | 0:04:10 | |
-It's not Jolene. That would be so pleasing. -Jane. | 0:04:10 | 0:04:13 | |
No, it's a jill. | 0:04:13 | 0:04:15 | |
-How did we not get Jill? -A hob and a jill. Who knows why these...? | 0:04:15 | 0:04:18 | |
A hob and a jill. That doesn't go. | 0:04:18 | 0:04:20 | |
These are medieval assignations. It's extraordinary. | 0:04:20 | 0:04:23 | |
It sounds like a dance. | 0:04:23 | 0:04:24 | |
And what happens on, is it literally on day 365, they just explode? | 0:04:24 | 0:04:28 | |
It's a leap year! Come on! | 0:04:30 | 0:04:31 | |
In mid-summer they become oestrus, they're on heat. | 0:04:33 | 0:04:38 | |
-The poor jill, the poor female ferret. -Jill Ferret. | 0:04:38 | 0:04:40 | |
Jill Ferret, yeah, | 0:04:40 | 0:04:42 | |
and if she hasn't had sex, she carries on producing oestrogen, | 0:04:42 | 0:04:45 | |
she gets aplastic anaemia and dies. | 0:04:45 | 0:04:47 | |
-So she basically boils to death of heat. -Yeah, kind of. | 0:04:47 | 0:04:50 | |
So what you have to do if you have a pet female ferret, | 0:04:50 | 0:04:53 | |
-is either spay her... -Shag it. -Sleep with her. | 0:04:53 | 0:04:56 | |
No... | 0:04:57 | 0:04:59 | |
-Treat her nice. -It would be the ultimate sacrifice. | 0:04:59 | 0:05:03 | |
-Find a hob for her. -Find a hob for her, you don't shag her, Katy. -And then cook her on the hob, yeah. | 0:05:03 | 0:05:07 | |
Well, you can give injections. You can give injections. | 0:05:07 | 0:05:11 | |
It's easier to have sex with her, really. | 0:05:11 | 0:05:13 | |
It's going to take away some of the pride in the conquest | 0:05:13 | 0:05:16 | |
from the male ferret, isn't it? You know, towards the end of the summer. | 0:05:16 | 0:05:20 | |
The male ferret is very ferocious. They have a hooked penis. | 0:05:20 | 0:05:23 | |
Do they have a bone in there? | 0:05:23 | 0:05:24 | |
They don't, like a badger, that's good, though. It's a hook, really. | 0:05:24 | 0:05:29 | |
And so it's up to the male to unhook himself when he's satisfied. | 0:05:29 | 0:05:32 | |
-He also bites the back of the neck of the female. -It sounds like fun. | 0:05:32 | 0:05:35 | |
It sounds like Russell Brand! | 0:05:35 | 0:05:36 | |
"Come 'ere, love!" | 0:05:38 | 0:05:40 | |
So yeah, there's your ferret. And it comes from the Latin, "furritus", which means? | 0:05:40 | 0:05:45 | |
"Have sex with me or die." | 0:05:45 | 0:05:46 | |
It means, actually, "little thief". | 0:05:49 | 0:05:51 | |
-Oh. -They're always nicking things. | 0:05:51 | 0:05:53 | |
That ferret looks very sweet there | 0:05:53 | 0:05:55 | |
and doesn't look like the sort of ferret that would hook you | 0:05:55 | 0:05:59 | |
with a bone in its penis. | 0:05:59 | 0:06:00 | |
But that's how they get you in, isn't it? | 0:06:00 | 0:06:02 | |
-Exactly. -They get you with the eyes, the soft eyes. | 0:06:02 | 0:06:05 | |
-Yeah, they look so loveable. -Then comes the boomerang cock. | 0:06:05 | 0:06:08 | |
Apparently, flatworms fight with their penises like swords. | 0:06:10 | 0:06:14 | |
And the one that loses gets stabbed and becomes a girl. | 0:06:14 | 0:06:19 | |
-That's a brilliant system. -So they do these fights, and they've both got penises, fight, fight, argh! | 0:06:19 | 0:06:24 | |
It's like fencing, but when the rapier goes in, it becomes a lady | 0:06:24 | 0:06:27 | |
and has to give birth. | 0:06:27 | 0:06:28 | |
But that's win-win for the victorious one, | 0:06:28 | 0:06:31 | |
-because they win and then they get to have a shag... -Yeah. | 0:06:31 | 0:06:35 | |
..with the newly formed female. | 0:06:35 | 0:06:37 | |
Whereas the loser gets hurt and then suddenly develops breasts. | 0:06:37 | 0:06:41 | |
- And violated. - Feels violated and then has a baby. | 0:06:41 | 0:06:44 | |
Let's not get all women's lib about this. | 0:06:44 | 0:06:46 | |
Let's leave that. | 0:06:46 | 0:06:48 | |
Anyway, what made Mad Jack so mad? | 0:06:48 | 0:06:52 | |
Something he ate, I expect. | 0:06:52 | 0:06:55 | |
-Had he been on holiday? -That's a mad Jack, that's a very familiar... | 0:06:56 | 0:07:00 | |
People are always eating things, or there's stuff in paint, that makes you mad, doesn't it? | 0:07:00 | 0:07:04 | |
But no, it's really, where does the phrase Mad Jack come from? | 0:07:04 | 0:07:07 | |
-Why Mad Jack? -The original Mad Jack. | 0:07:07 | 0:07:09 | |
They go back quite a long way. It's basically applied to anybody, | 0:07:09 | 0:07:12 | |
whether they're named John or Jack or not. They're just called Mad Jack | 0:07:12 | 0:07:15 | |
and no-one quite knows why. | 0:07:15 | 0:07:17 | |
-Who was the first Mad Jack? -Very hard to trace. Very hard to trace. | 0:07:17 | 0:07:20 | |
There was Mad Jack Mytton, who was a very eccentric aristocrat, | 0:07:20 | 0:07:24 | |
who paid £10 to a thousand of the constituents of Shrewsbury | 0:07:24 | 0:07:28 | |
for their vote, which is the equivalent of £750,000 | 0:07:28 | 0:07:32 | |
in today's money. That was in 1819 | 0:07:32 | 0:07:35 | |
-and he was elected to be the member for Shrewsbury. -No shit! | 0:07:35 | 0:07:38 | |
Sounds broadly similar to our current system. | 0:07:38 | 0:07:43 | |
And also similar to our current system is, | 0:07:43 | 0:07:45 | |
he found debating incredibly boring, | 0:07:45 | 0:07:47 | |
he only attended one session of Parliament, for 30 minutes, | 0:07:47 | 0:07:51 | |
having paid £750,000 for the privilege. | 0:07:51 | 0:07:54 | |
And stood down in the next year, 1820. | 0:07:54 | 0:07:57 | |
-It's a hobby. -If you're an aristocrat, | 0:07:57 | 0:07:59 | |
you're eccentric, aren't you? | 0:07:59 | 0:08:00 | |
-But if you're poor, you're just mad and you're a loony. I know. -And you end up in an asylum. | 0:08:00 | 0:08:04 | |
Though he did end his days | 0:08:04 | 0:08:06 | |
in a debtors' prison, he lost all his money. | 0:08:06 | 0:08:08 | |
He used to...he once set fire to his night shirt to cure his hiccups. | 0:08:08 | 0:08:14 | |
That would probably work, but it's not actually a shock, is it? | 0:08:15 | 0:08:19 | |
No, it's not. | 0:08:19 | 0:08:20 | |
If you can get someone else to do it | 0:08:20 | 0:08:22 | |
when you're not expecting it, then that's a shock. | 0:08:22 | 0:08:24 | |
Although it could end up in a sort of Clouseau-Cato scenario, | 0:08:24 | 0:08:28 | |
where it's impossible to explain to someone | 0:08:28 | 0:08:31 | |
that it's no longer necessary for them to find a moment to set fire to your pyjamas. | 0:08:31 | 0:08:35 | |
Did he wake up in the burns unit and go... | 0:08:35 | 0:08:38 | |
-Oh! -HE HICCUPS | 0:08:38 | 0:08:39 | |
Oh! | 0:08:42 | 0:08:43 | |
He also liked to get up in the middle of the night | 0:08:43 | 0:08:46 | |
and shoot ducks while he was naked. | 0:08:46 | 0:08:48 | |
-Naked duck shooting. -SUE: Was there any reason for the nudity? | 0:08:48 | 0:08:51 | |
He probably thought, "They're naked, why shouldn't I be?" | 0:08:51 | 0:08:56 | |
Is it wrong to be starting to slightly fall in love with this man? | 0:08:56 | 0:08:59 | |
I know what you mean. | 0:08:59 | 0:09:01 | |
You might fall in love with Charles Howard, | 0:09:01 | 0:09:03 | |
who was the 20th Earl of Suffolk. | 0:09:03 | 0:09:05 | |
And during the war, he went into Nazi-occupied Paris | 0:09:05 | 0:09:09 | |
and he rescued 10 million worth of industrial diamonds | 0:09:09 | 0:09:15 | |
and all the heavy water that the Germans had. | 0:09:15 | 0:09:18 | |
But he also managed to bring back 50 nuclear scientists from Paris. | 0:09:18 | 0:09:23 | |
This is all during the time the Nazis were occupying. | 0:09:23 | 0:09:25 | |
So he was described by Harold Macmillan as a kind of cross | 0:09:25 | 0:09:28 | |
between Francis Drake and the Scarlet Pimpernel. | 0:09:28 | 0:09:30 | |
He was a very brave man. | 0:09:30 | 0:09:31 | |
He then trained himself to be able to defuse bombs | 0:09:31 | 0:09:34 | |
and had his own bomb disposal unit, | 0:09:34 | 0:09:36 | |
which was his secretary, Eileen, and his chauffeur, Fred. | 0:09:36 | 0:09:40 | |
When you say he trained himself, that's quite hardcore. | 0:09:40 | 0:09:44 | |
-It is. -There's only one way to go if you get it wrong. -Yeah. | 0:09:44 | 0:09:47 | |
Well, he did unfortunately get it wrong, on his... I think his 35th bomb, | 0:09:47 | 0:09:51 | |
aged 34, 35 or something, so he was, he was a good Mad Jack. | 0:09:51 | 0:09:54 | |
There was Mad Jack Churchill as well, in the Second World War. | 0:09:54 | 0:09:57 | |
And he was the only soldier known to have gone into battle | 0:09:57 | 0:10:00 | |
in the Second World War armed with...what weapon of choice? | 0:10:00 | 0:10:04 | |
Teapot. | 0:10:04 | 0:10:07 | |
SUE: A dessert spoon. | 0:10:07 | 0:10:08 | |
Sorry, cosy. Tea cosy. | 0:10:08 | 0:10:10 | |
-A tea cosy! -SUE: A cheese slicer. -A bow and arrow. | 0:10:10 | 0:10:12 | |
Did he know what decade or even what century he was in? | 0:10:12 | 0:10:16 | |
-He was a gallant, chivalrous man. -"Marvellous stuff!" | 0:10:16 | 0:10:18 | |
And also, he would have a sword on the battlefield. | 0:10:18 | 0:10:22 | |
That's even stupider, isn't it? Because if you've got a bow and arrow, | 0:10:22 | 0:10:25 | |
you can't use a sword at the same time. | 0:10:25 | 0:10:28 | |
He thought no gentleman was dressed for battle unless they had a sword. | 0:10:28 | 0:10:32 | |
And he also said that if you smile at the enemy, | 0:10:32 | 0:10:34 | |
they're less likely to shoot you. | 0:10:34 | 0:10:36 | |
And he was... | 0:10:36 | 0:10:37 | |
SUE: I wonder how he died! | 0:10:37 | 0:10:39 | |
No, he was taken prisoner, in fact. | 0:10:39 | 0:10:42 | |
Because he was so charming. | 0:10:42 | 0:10:45 | |
Who is that devastating man with the lovely smile? | 0:10:45 | 0:10:49 | |
He was actually housed at Sachsenhausen, | 0:10:49 | 0:10:51 | |
which was the VIP prison camp. | 0:10:51 | 0:10:53 | |
The Germans thought he was related to Winston Churchill, which he wasn't. | 0:10:53 | 0:10:57 | |
Mad Jack Churchill. | 0:10:57 | 0:10:59 | |
Anyway, Mad Jack Churchill didn't die until 1996, so he had | 0:10:59 | 0:11:02 | |
a more fortunate life than Charles Howard, 20th Earl of Suffolk. | 0:11:02 | 0:11:06 | |
There's a load of Jacks. | 0:11:06 | 0:11:08 | |
But how did Queen Jenga arrange her harem? | 0:11:08 | 0:11:11 | |
Oh, was it like that and then that and then that? | 0:11:11 | 0:11:15 | |
Three rows that way and then three rows... | 0:11:15 | 0:11:17 | |
SIREN WAILS | 0:11:17 | 0:11:20 | |
For you! | 0:11:20 | 0:11:21 | |
You're being so kind. She was quite a piece of work, Queen Jenga. | 0:11:21 | 0:11:26 | |
Bow and arrow and sword, apparently. | 0:11:26 | 0:11:27 | |
And sword, exactly. | 0:11:27 | 0:11:29 | |
He didn't think of the bells, though. | 0:11:29 | 0:11:31 | |
-No, the bells... -That would have clinched it for him. | 0:11:31 | 0:11:34 | |
-That would have been a good... -That's just to make people look up. Ding ding ding! Who is it? | 0:11:34 | 0:11:38 | |
She was a 17th-century member of the Royal Family of... | 0:11:38 | 0:11:43 | |
Well, she killed her brother, who was called Ngola, | 0:11:43 | 0:11:46 | |
after which the country Angola is named, | 0:11:46 | 0:11:48 | |
supposedly her nephew as well, and ate his heart. | 0:11:48 | 0:11:51 | |
And she liked men to fight each other to death | 0:11:51 | 0:11:56 | |
and the winner would sleep with her for the night | 0:11:56 | 0:11:58 | |
and then be killed in the morning. | 0:11:58 | 0:12:00 | |
So she was... | 0:12:00 | 0:12:02 | |
What's the incentive to then enter the competition? | 0:12:02 | 0:12:04 | |
You're killed either way, so it's whether you get a shag or you're killed without one. | 0:12:04 | 0:12:08 | |
But what kind of shag would you have | 0:12:09 | 0:12:12 | |
when you know at the end of it, you're going to get murdered? | 0:12:12 | 0:12:14 | |
I mean, that is one tense coitus. | 0:12:14 | 0:12:16 | |
I think Mr Tiggy would probably be a bit shrivelly, wouldn't he? | 0:12:16 | 0:12:20 | |
Yes, Mr Tiggy would. | 0:12:20 | 0:12:23 | |
Is that not a universal name? | 0:12:24 | 0:12:26 | |
Oh, my goodness. | 0:12:29 | 0:12:30 | |
Too much Mr Tiggy information. | 0:12:30 | 0:12:32 | |
There must be the promise of a reprieve. | 0:12:34 | 0:12:36 | |
Well, you'd think if you were really, really good. | 0:12:36 | 0:12:39 | |
"If you really please me, I will not kill you with my bells." | 0:12:39 | 0:12:42 | |
"Or my sword or my big bag." | 0:12:43 | 0:12:45 | |
What's the bell for? | 0:12:47 | 0:12:48 | |
Is that to just give somebody tinnitus | 0:12:48 | 0:12:50 | |
-before they're eviscerated, or something? -Room service. | 0:12:50 | 0:12:53 | |
She was not a... | 0:12:53 | 0:12:54 | |
You rang? | 0:12:54 | 0:12:56 | |
She was not a kindly soul, it must be said. | 0:12:57 | 0:12:59 | |
But what of the game Jenga? What do we know of its origins? | 0:12:59 | 0:13:02 | |
- I want to say it's Scandinavian. - Does it mean something? | 0:13:02 | 0:13:05 | |
It does mean something. | 0:13:05 | 0:13:07 | |
It's a Swahili word, so it is African. | 0:13:07 | 0:13:10 | |
Swahili for "timber!" | 0:13:10 | 0:13:13 | |
Actually, the reverse. It's the Swahili for to build | 0:13:13 | 0:13:17 | |
and it was invented by a woman called Leslie Scott | 0:13:17 | 0:13:20 | |
and she's still with us, I think, so it is pretty recent. | 0:13:20 | 0:13:23 | |
You can always get giant versions of it. | 0:13:23 | 0:13:25 | |
We had a giant one. We thought it'd be a great thing to have | 0:13:25 | 0:13:28 | |
at a party with lots of toddlers around, but actually, | 0:13:28 | 0:13:30 | |
-three or four of them got quite severely injured. -Whoops! | 0:13:30 | 0:13:35 | |
You build them up and say, "The kids will like that," | 0:13:35 | 0:13:37 | |
and you wonder off and have a glass of Pimm's and suddenly there's... | 0:13:37 | 0:13:42 | |
-Blood everywhere! -Yeah. | 0:13:42 | 0:13:44 | |
Slaughter! Infanticide! | 0:13:44 | 0:13:46 | |
Buried underneath a lot of... | 0:13:46 | 0:13:48 | |
"Where's Timmy?" "I don't know." | 0:13:48 | 0:13:51 | |
"He's under the Jenga!" | 0:13:51 | 0:13:53 | |
-That's an extremely middle-class form of neglect, isn't it? -Yeah. | 0:13:53 | 0:13:58 | |
Crushed by the Jenga. | 0:13:58 | 0:14:00 | |
-I've never liked Jenga. -Yes, why does it have to be plain wood? | 0:14:00 | 0:14:04 | |
It makes it look like it was invented at the time of Boudica. | 0:14:04 | 0:14:07 | |
-It could be colourful wood. -There are versions with coloured wood. | 0:14:07 | 0:14:10 | |
There are adult truth-or-dare versions, | 0:14:10 | 0:14:12 | |
there are rolling dice versions. | 0:14:12 | 0:14:14 | |
People have tried all kinds of variations. | 0:14:14 | 0:14:17 | |
What about a Lego version? And then, you know... | 0:14:17 | 0:14:21 | |
Too easy, do you think? | 0:14:21 | 0:14:24 | |
Trying to get one out would not be easy. | 0:14:24 | 0:14:26 | |
You could play it with cement and bricks. | 0:14:26 | 0:14:28 | |
Then you're just building a house. | 0:14:28 | 0:14:30 | |
It's just construction. | 0:14:30 | 0:14:32 | |
Gold bars! | 0:14:32 | 0:14:34 | |
Well, the only limit is your imagination. | 0:14:34 | 0:14:37 | |
Surely that's not Jenga's slogan, is it? | 0:14:37 | 0:14:41 | |
I'd say there are severe limits to that game | 0:14:41 | 0:14:45 | |
within even my limited imagination. | 0:14:45 | 0:14:48 | |
-I think their slogan is -(DEEP AMERICAN VOICE) -"This summer..." | 0:14:48 | 0:14:52 | |
"Logs will fall." | 0:14:52 | 0:14:54 | |
Are the children safe? "Waah!" | 0:14:54 | 0:14:57 | |
Oh, my God, yeah! It's like The Borrowers. | 0:14:58 | 0:15:02 | |
How many pieces are there? | 0:15:02 | 0:15:03 | |
-90. -Too many. -What? | 0:15:03 | 0:15:06 | |
-90. -No, it's got to be a number that's divisible by three. | 0:15:06 | 0:15:09 | |
-Intelligence. That's nice to hear. -90 is a number divisible by three. | 0:15:09 | 0:15:13 | |
Divisible by three. | 0:15:13 | 0:15:15 | |
335! | 0:15:15 | 0:15:17 | |
I said 90! | 0:15:17 | 0:15:19 | |
Well, that's true, it is. | 0:15:19 | 0:15:22 | |
APPLAUSE | 0:15:22 | 0:15:24 | |
Hoist by my own petard! | 0:15:24 | 0:15:27 | |
Are there not 90, then? | 0:15:27 | 0:15:29 | |
-No, there are 54. 18 rows. -A triple 18. | 0:15:29 | 0:15:32 | |
I'm quite good with threes, because of the dartboard. | 0:15:32 | 0:15:34 | |
54, also divisible by three. | 0:15:34 | 0:15:37 | |
You can tell whether a number is divisible by three if you add up... | 0:15:37 | 0:15:40 | |
Like 54, you add the five and four | 0:15:40 | 0:15:41 | |
and if that's divisible by three, the number is divisible by three. | 0:15:41 | 0:15:44 | |
-That's very true. -Where were you when I was seven? | 0:15:44 | 0:15:48 | |
If it's divisible by nine, you add the numbers and they add up to nine. | 0:15:48 | 0:15:51 | |
-81, 72... -Oh, God! | 0:15:51 | 0:15:53 | |
-54 again. -Does it work over 100? | 0:15:53 | 0:15:57 | |
Yes, always. Nine's a freakish, fantastic, great number. | 0:15:57 | 0:16:00 | |
You add up the digits until you come to a single number. | 0:16:00 | 0:16:03 | |
108, 117, 126, | 0:16:03 | 0:16:05 | |
-135, 144, 153... -All add up to nine. | 0:16:05 | 0:16:08 | |
All working. 162. How long have we got? | 0:16:08 | 0:16:11 | |
You've lost me, I'm afraid. | 0:16:11 | 0:16:13 | |
171, 180, yeah. | 0:16:13 | 0:16:14 | |
It is amazing, isn't it? It's really just, "Coo-wow!" | 0:16:14 | 0:16:18 | |
-Maybe God's a mathematician. -Up to 180, and then 189... | 0:16:18 | 0:16:22 | |
-Is still... -Yeah, is 17 + 1, which is 18, and 8 + 1 is 9. | 0:16:22 | 0:16:26 | |
-Oh, you can do it that way? -Yes, it still reduces down to nine. | 0:16:26 | 0:16:29 | |
-And keep going? -Until you get it down to a single number. | 0:16:29 | 0:16:32 | |
I don't know whether to cry or wet myself with excitement. | 0:16:32 | 0:16:35 | |
I'm going to do both. | 0:16:35 | 0:16:37 | |
I always do both. | 0:16:37 | 0:16:38 | |
Exciting news for home learners! | 0:16:38 | 0:16:40 | |
Describe the best ever game of royal hide and seek. | 0:16:42 | 0:16:45 | |
Well, I presume the Hampton Court Maze is involved. | 0:16:45 | 0:16:49 | |
Well, no, actually. That's just sort of giving an example. | 0:16:49 | 0:16:52 | |
Oh, no. | 0:16:52 | 0:16:54 | |
-Up the tree. The Royal Oak. -That's certainly... | 0:16:54 | 0:16:56 | |
that was pretty good. I mean, he hid. | 0:16:56 | 0:16:58 | |
The princes in the Tower, and they hid so well | 0:16:58 | 0:17:01 | |
that it was hundreds of years and then they were skeletons. | 0:17:01 | 0:17:03 | |
Is it any game of hide and seek | 0:17:03 | 0:17:06 | |
in which you never find Prince Edward again? | 0:17:06 | 0:17:09 | |
No. Remember, we're in the world of Js. | 0:17:09 | 0:17:11 | |
Now, the Civil War, Charles I. | 0:17:11 | 0:17:15 | |
-John. -No, Charles I had two sons. -There's a J in it. | 0:17:15 | 0:17:18 | |
Charles, who became Charles II. | 0:17:18 | 0:17:19 | |
-And James... -Who became? -James I. | 0:17:19 | 0:17:21 | |
-No. -James II. | 0:17:21 | 0:17:23 | |
It makes sense, because The Second was their surname | 0:17:23 | 0:17:25 | |
and they were brothers. | 0:17:25 | 0:17:26 | |
SUE: That's what, yeah. | 0:17:28 | 0:17:29 | |
KATY: They're like the boys from the band Blue. | 0:17:29 | 0:17:31 | |
-There's Duncan from Blue, and there's Simon from Blue. -Yeah. | 0:17:31 | 0:17:34 | |
-They're all related as well, aren't they? -Well, | 0:17:34 | 0:17:37 | |
James was imprisoned at St James's Palace. | 0:17:37 | 0:17:39 | |
Named not after him, but the saint, of course. | 0:17:39 | 0:17:42 | |
Oh, what an ordeal(!) | 0:17:42 | 0:17:44 | |
Yeah, I know. He used to play hide and seek and he was so good at it | 0:17:44 | 0:17:46 | |
that the servants would spend hours looking for him and... | 0:17:46 | 0:17:50 | |
Oh, they wouldn't look for him at all. | 0:17:50 | 0:17:53 | |
He'd be hiding and they'd go and have lunch. | 0:17:53 | 0:17:55 | |
"Another game of hide and seek?" "Yes." | 0:17:56 | 0:17:58 | |
"Oh, we couldn't find you, sir." | 0:17:58 | 0:18:01 | |
It was all part of his plan, | 0:18:01 | 0:18:02 | |
because one day he managed to get hold of the gardener's key, | 0:18:02 | 0:18:05 | |
and while playing hide and seek he actually escaped from the Palace | 0:18:05 | 0:18:08 | |
and met up with a Colonel Blumpstead, or some similar name, | 0:18:08 | 0:18:12 | |
who was a royalist, as you would be if you were called Blumpstead. | 0:18:12 | 0:18:16 | |
"Oh, Blumpstead, Blumpstead!" | 0:18:16 | 0:18:18 | |
And he escaped to Holland, where he lived a happy life. | 0:18:18 | 0:18:23 | |
It was actually Bampfield, not Blumpstead. | 0:18:23 | 0:18:25 | |
But still, "Bampfield" is clearly a royalist. | 0:18:25 | 0:18:27 | |
So are you saying the hide and seek prowess was sort of | 0:18:27 | 0:18:29 | |
all part of the strategy, or that was just a happy...? | 0:18:29 | 0:18:32 | |
-Yeah, preparing for an escape. -Oh, I see. -At the age of 12. | 0:18:32 | 0:18:34 | |
It's like the Shawshank Redemption. | 0:18:34 | 0:18:37 | |
Yeah, except he was 12, which is impressive. | 0:18:37 | 0:18:39 | |
-He was 12?! -He was 12, so it's quite impressive. | 0:18:39 | 0:18:41 | |
-He was only 12. -Brilliant. | 0:18:41 | 0:18:42 | |
How does he come into contact with Major Bampfield? | 0:18:42 | 0:18:45 | |
I guess secret messages were passed in some way... | 0:18:45 | 0:18:48 | |
I'd dread to think, now I know he's 12. | 0:18:48 | 0:18:50 | |
You've got to be careful as a boy, running away with a random colonel. | 0:18:50 | 0:18:53 | |
-To Amsterdam. -Especially... | 0:18:53 | 0:18:55 | |
You can't be sure. I mean, he might be a royalist, or... | 0:18:55 | 0:18:58 | |
Especially to Amsterdam, yes, quite. No, you're right. | 0:18:58 | 0:19:01 | |
"Come with me, it's going to be such fun." | 0:19:01 | 0:19:04 | |
"No, really, I am seriously a colonel." | 0:19:04 | 0:19:07 | |
Possibly the saddest story of hide and seek that you can think of, | 0:19:10 | 0:19:15 | |
although it has a kind of happy ending, is Liu Wei, | 0:19:15 | 0:19:19 | |
a Chinese pianist who was playing hide and seek | 0:19:19 | 0:19:22 | |
and he electrocuted himself so badly that he lost both his arms | 0:19:22 | 0:19:27 | |
so he learnt to play the piano with his toes, and in 2010, | 0:19:27 | 0:19:30 | |
he won China's Got Talent! | 0:19:30 | 0:19:32 | |
-Which is rather pleasing. -So he can play, and all of his toes work...? | 0:19:34 | 0:19:37 | |
They look like fingers. It's astonishing, really amazing. | 0:19:37 | 0:19:40 | |
Are you sure he just hasn't got his head in the wrong place? | 0:19:40 | 0:19:45 | |
He's got his hands down a pair of trousers. | 0:19:45 | 0:19:49 | |
"Look at my toes! Look at my toes! | 0:19:49 | 0:19:51 | |
"Now I take my socks off... | 0:19:52 | 0:19:54 | |
"Playing the piano with my toes, everyone!" | 0:19:56 | 0:19:59 | |
He's saying he's a man who can play the piano with his feet. | 0:19:59 | 0:20:02 | |
He's a man with a penis that looks like a face. | 0:20:02 | 0:20:06 | |
Still, he wins China's Got Talent. | 0:20:06 | 0:20:08 | |
I'm sure Si-mon Cao-wel | 0:20:08 | 0:20:10 | |
would have checked out his credentials in every respect. | 0:20:10 | 0:20:14 | |
So, while on the subject of King James's, | 0:20:14 | 0:20:16 | |
imagine that Jamie Oliver was to be crowned the next king of England. | 0:20:16 | 0:20:21 | |
-It's sort of... -Not inconceivable. | 0:20:21 | 0:20:24 | |
Not inconceivable in the strange world in which we live. | 0:20:24 | 0:20:26 | |
President Oliver. | 0:20:26 | 0:20:27 | |
What number James would he be? | 0:20:27 | 0:20:29 | |
What would be his regnal number, as the official says it? | 0:20:29 | 0:20:32 | |
It would be different in England from Scotland. | 0:20:32 | 0:20:34 | |
No, there's just one UK, so it would be the same in both, | 0:20:34 | 0:20:37 | |
but what would it be? | 0:20:37 | 0:20:38 | |
I'm desperate to say James III. | 0:20:38 | 0:20:40 | |
SIREN WAILS Yes! | 0:20:40 | 0:20:43 | |
No. | 0:20:44 | 0:20:45 | |
No, because what happened was, when Elizabeth was crowned, | 0:20:45 | 0:20:49 | |
60 years ago, she was of course called Queen Elizabeth II. | 0:20:49 | 0:20:53 | |
But in Scotland, there was a bit of an outcry. | 0:20:53 | 0:20:56 | |
Because she wasn't the second Queen Elizabeth in Scotland, | 0:20:56 | 0:20:59 | |
she was the first. | 0:20:59 | 0:21:01 | |
They had Mary Queen of Scots | 0:21:01 | 0:21:02 | |
when Elizabeth I was on the throne. | 0:21:02 | 0:21:05 | |
So a few early "E II R" pillar boxes were trashed in Scotland | 0:21:05 | 0:21:10 | |
and there was a big fuss. | 0:21:10 | 0:21:11 | |
And Winston Churchill, who was Prime Minister in 1953, | 0:21:11 | 0:21:14 | |
he sort of decided that there... | 0:21:14 | 0:21:16 | |
This is 350 years later! | 0:21:16 | 0:21:18 | |
I know, people have long memories on these things. | 0:21:18 | 0:21:21 | |
So Churchill essentially laid down a convention | 0:21:21 | 0:21:24 | |
whereby UK monarchs would be numbered uniformly | 0:21:24 | 0:21:28 | |
according to either an English or Scottish reckoning, | 0:21:28 | 0:21:31 | |
whichever was higher. | 0:21:31 | 0:21:32 | |
So James I of England was James the..? | 0:21:32 | 0:21:35 | |
Sixth. | 0:21:35 | 0:21:37 | |
..VI of Scotland. So James II was James VII, | 0:21:37 | 0:21:41 | |
so if there were another James, he would be called James VIII. | 0:21:41 | 0:21:44 | |
That would be the procedure. | 0:21:44 | 0:21:46 | |
I worry when you say things like this | 0:21:46 | 0:21:49 | |
that you're the only person who knows | 0:21:49 | 0:21:53 | |
and if Jamie Oliver did become king and you weren't around to tell them, | 0:21:53 | 0:21:57 | |
-they might get it wrong. -That's sweet. | 0:21:57 | 0:21:59 | |
You need to leave these things in a notebook somewhere. | 0:21:59 | 0:22:02 | |
We need to get some tablets for you to... | 0:22:02 | 0:22:05 | |
Princess Anne looks a lot like my daughter in that picture, quite disturbingly. | 0:22:05 | 0:22:09 | |
Gosh! She's very young there, isn't she? | 0:22:09 | 0:22:11 | |
I feel sorry for all the other finalists to be Queen. | 0:22:11 | 0:22:15 | |
APPLAUSE | 0:22:15 | 0:22:19 | |
There is also unresolved controversy over the naming of the QE2. | 0:22:24 | 0:22:27 | |
Do you know what this might be? | 0:22:27 | 0:22:30 | |
Well, I've always wondered, | 0:22:30 | 0:22:32 | |
I was never sure whether the QE2 was named after Queen Elizabeth II, | 0:22:32 | 0:22:36 | |
-or was the second ship called Queen Elizabeth? -Yes. | 0:22:36 | 0:22:39 | |
Because there's a Queen Mary 2. | 0:22:39 | 0:22:41 | |
Exactly. The second vessel of the Cunard line to be called Queen Mary. | 0:22:41 | 0:22:44 | |
And opinion is divided, but a lot of people think it was literally | 0:22:44 | 0:22:47 | |
just the second ship to be called Queen Elizabeth. | 0:22:47 | 0:22:49 | |
But the Queen herself, when launching it, saying, | 0:22:49 | 0:22:52 | |
"I name this ship Queen Elizabeth The Second" | 0:22:52 | 0:22:54 | |
so Cunard had to rename it, basically, because she'd done it. | 0:22:54 | 0:22:57 | |
I was once invited to the launching of a Swan Hellenic cruise liner | 0:22:57 | 0:23:01 | |
and they said, "So, you say your speech, and then you hand over | 0:23:01 | 0:23:05 | |
"to Dame Kiri Te Kanawa, who will do the launching." | 0:23:05 | 0:23:08 | |
I said, "Oh, I'm not going to do the launching?" | 0:23:08 | 0:23:11 | |
They said, "You can't launch a ship! | 0:23:11 | 0:23:13 | |
"You're a man!" Did you know that men can't launch ships? | 0:23:13 | 0:23:16 | |
-So only women can launch ships? -Yes, because I think | 0:23:16 | 0:23:18 | |
-it was Edward VII or someone... -It's bad luck, isn't it? | 0:23:18 | 0:23:22 | |
launched the Lusitania and the Titanic | 0:23:22 | 0:23:24 | |
and marine people are quite superstitious. | 0:23:24 | 0:23:26 | |
And women moan about the glass ceiling! | 0:23:26 | 0:23:30 | |
We can't even launch ships! | 0:23:30 | 0:23:33 | |
We don't want top-level employment, | 0:23:33 | 0:23:35 | |
we just want to smash a bottle of champagne against a ship. | 0:23:35 | 0:23:38 | |
-Everyone wants to launch ships. It's the best job! -It's just that. | 0:23:38 | 0:23:43 | |
You've got to say, "I name this ship..." | 0:23:43 | 0:23:46 | |
-"Barry." -"Barry." -Smash. | 0:23:46 | 0:23:49 | |
-Yeah. -So there is indeed controversy. Opinion is divided. | 0:23:49 | 0:23:52 | |
How does the Siberian Jay stick his nuts to a tree? | 0:23:52 | 0:23:58 | |
LAUGHTER | 0:23:58 | 0:24:00 | |
-It's not snot? -It's not. -Beak mucus? | 0:24:00 | 0:24:04 | |
-Saliva. -Tears? -He uses saliva. | 0:24:04 | 0:24:07 | |
Tears! (RUSSIAN VOICE) "Oh, it's so cold here. | 0:24:07 | 0:24:10 | |
"Thank God my nuts have stuck." | 0:24:10 | 0:24:12 | |
90% of all the oaks in Britain | 0:24:13 | 0:24:18 | |
are germinated, as it were, by the European Jay. | 0:24:18 | 0:24:21 | |
They collect over a billion a year | 0:24:21 | 0:24:25 | |
and bury them in the ground. | 0:24:25 | 0:24:27 | |
They can have nine in their gullet and one in their beak. | 0:24:27 | 0:24:30 | |
Is it from whole acorns or is it because they've eaten them? | 0:24:30 | 0:24:33 | |
They hold them in their gullet, then bury them | 0:24:33 | 0:24:35 | |
in the same way squirrels do with nuts, but the point is, | 0:24:35 | 0:24:38 | |
the Siberian Jay lives in a very cold climate, of course, | 0:24:38 | 0:24:41 | |
and it's harder to bury things cos of the impacted ice | 0:24:41 | 0:24:44 | |
so it sticks the nuts it gets from its trees | 0:24:44 | 0:24:47 | |
with its saliva to the tree itself. | 0:24:47 | 0:24:49 | |
-Does that mean you get trees growing off trees? -It's like the jay... | 0:24:49 | 0:24:54 | |
I imagine after a night out, | 0:24:54 | 0:24:56 | |
it would be the Siberian Jay version of a street of kebab shops. | 0:24:56 | 0:24:59 | |
They can just fly down an avenue of trees, just snacking... | 0:24:59 | 0:25:04 | |
-On a snotty nut! -It's probably quite lucky, isn't it, | 0:25:04 | 0:25:08 | |
that nothing germinates from a discarded kebab? | 0:25:08 | 0:25:11 | |
Our city centres would be even worse. | 0:25:14 | 0:25:17 | |
These little disgusting saplings with doner meat coming off them. | 0:25:17 | 0:25:21 | |
Oh, a very Doctor Who nightmare, isn't it? | 0:25:21 | 0:25:25 | |
Anyway, how did the first person to realise they were colour-blind | 0:25:25 | 0:25:29 | |
know they were colour-blind? | 0:25:29 | 0:25:31 | |
Did they say, "Ah, the red shoots of spring"? | 0:25:31 | 0:25:35 | |
Undoubtedly someone would have corrected them. | 0:25:35 | 0:25:38 | |
"I'm giving a green light to a bull." | 0:25:38 | 0:25:40 | |
Do you know the name for the classic sort of colour-blindness? | 0:25:42 | 0:25:45 | |
I know the guy who it was, a guy called John Dalton. | 0:25:45 | 0:25:47 | |
That's right! That's right, John Dalton. | 0:25:47 | 0:25:50 | |
Well done. Points, definitely. | 0:25:50 | 0:25:51 | |
There he is. He was a very brilliant and precocious child | 0:25:51 | 0:25:55 | |
from a Quaker family. By the age of 12, he was supervising the school | 0:25:55 | 0:25:59 | |
but he made a rather drastic error, given that he was a Quaker | 0:25:59 | 0:26:03 | |
and therefore from a rather pious family | 0:26:03 | 0:26:05 | |
and he decided to buy his mother a pair of bloomers... | 0:26:05 | 0:26:09 | |
they weren't bloomers in those days, a pair of stockings, | 0:26:09 | 0:26:12 | |
for her birthday | 0:26:12 | 0:26:14 | |
and they were a vivid red and he thought they were blue. | 0:26:14 | 0:26:16 | |
And she was shocked, because red was the colour of a whore. | 0:26:16 | 0:26:20 | |
And to buy your mother red pants was just not done. | 0:26:20 | 0:26:25 | |
Buying your mother pants is normal! | 0:26:25 | 0:26:28 | |
Buying red pants, that's weird. | 0:26:29 | 0:26:32 | |
But the other thing is, | 0:26:32 | 0:26:34 | |
he noticed that his brother didn't tell the difference either | 0:26:34 | 0:26:37 | |
so made the connection, which holds true, that there is a genetic disposition to colour-blindness. | 0:26:37 | 0:26:42 | |
So he's the first person to point out it's generic | 0:26:42 | 0:26:45 | |
because his brother also has the condition | 0:26:45 | 0:26:47 | |
-and this is obviously pre-genetics. -Not genetic, | 0:26:47 | 0:26:49 | |
but family, sort of related, inherited traits were understood. | 0:26:49 | 0:26:53 | |
He actually thought the reason for it | 0:26:53 | 0:26:56 | |
was that the liquid in the eye which we all have | 0:26:56 | 0:26:58 | |
was tinted blue, which was making him see wrong | 0:26:58 | 0:27:01 | |
and when he died, he'd ordered that his eyeballs be dug out and squirted | 0:27:01 | 0:27:06 | |
and that instantly proved that they weren't tinted blue. | 0:27:06 | 0:27:09 | |
We now know that it's a problem with the cones of the eye. | 0:27:09 | 0:27:12 | |
-Is there red-blue colour-blindness? I thought it was just red-green. -Red-green, yes, | 0:27:12 | 0:27:16 | |
but they see it as a kind of... I say they, | 0:27:16 | 0:27:18 | |
there are lots of different types of colour-blindness. Strangely, | 0:27:18 | 0:27:21 | |
there are four top 20 billiards... snooker players, I beg your pardon, | 0:27:21 | 0:27:25 | |
-Peter Ebdon, of course, who are colour-blind. -That'll be awkward. | 0:27:25 | 0:27:28 | |
Just occasionally, they have to ask the referee which ball... | 0:27:28 | 0:27:31 | |
Which is the table and which is the ball? | 0:27:31 | 0:27:35 | |
He can't be doing well there, if you look. All the reds are over there. | 0:27:36 | 0:27:39 | |
He's ground his way into a World Championship | 0:27:39 | 0:27:42 | |
so it's not done him any harm. | 0:27:42 | 0:27:44 | |
You know traffic police play snooker? Did you know about that? | 0:27:44 | 0:27:47 | |
They're bored in a lay-by, | 0:27:47 | 0:27:49 | |
they first have to book a red car and that's one point, | 0:27:49 | 0:27:52 | |
so they chase the red car, find something wrong with it, | 0:27:52 | 0:27:55 | |
give them a fine because they've got one rear light missing | 0:27:55 | 0:27:59 | |
and then they can choose any colour. | 0:27:59 | 0:28:01 | |
Say they'll go for a black car for seven points, | 0:28:01 | 0:28:03 | |
then a blue car will be five points, | 0:28:03 | 0:28:05 | |
then they go back to red until they've done 15 reds. | 0:28:05 | 0:28:08 | |
Let's all get white cars. | 0:28:08 | 0:28:09 | |
Then they can just fuck off. | 0:28:11 | 0:28:14 | |
APPLAUSE | 0:28:14 | 0:28:16 | |
I'd say worse things have been done in a lay-by than that. | 0:28:20 | 0:28:24 | |
Horribly true. Horribly, horribly, horribly true. | 0:28:24 | 0:28:29 | |
But yes, that was Dalton's problem. | 0:28:29 | 0:28:31 | |
He's sure that his mother wasn't also colour-blind | 0:28:31 | 0:28:34 | |
but just didn't like being bought pants by her child? | 0:28:34 | 0:28:37 | |
I think we're pretty certain about that. | 0:28:37 | 0:28:40 | |
I think it was perhaps more normal | 0:28:40 | 0:28:41 | |
to buy stockings, shall we say, for a lady. | 0:28:41 | 0:28:44 | |
It's just nothing, just suspenders, something normal to buy your mother. | 0:28:44 | 0:28:48 | |
A little frilly... | 0:28:48 | 0:28:50 | |
A French little tunic. | 0:28:50 | 0:28:52 | |
Everyone likes their mother to look sexy. | 0:28:52 | 0:28:55 | |
Sexy and blue, not red, because that makes her look a bit whorey. | 0:28:55 | 0:28:59 | |
-That's going too far. -"Oh, David. Ann Summers vouchers again!" | 0:28:59 | 0:29:03 | |
Is there a big drawer full of Ann Summers vouchers? | 0:29:04 | 0:29:07 | |
I love that Agent Provocateur Christmas... | 0:29:09 | 0:29:13 | |
What... | 0:29:14 | 0:29:15 | |
What do you know of the colour-blind test cards? | 0:29:15 | 0:29:18 | |
What are you seeing on there? | 0:29:18 | 0:29:21 | |
The number 74. | 0:29:21 | 0:29:22 | |
Very clear. Well done. | 0:29:22 | 0:29:24 | |
I can see it, but not very clearly. | 0:29:24 | 0:29:27 | |
-So what does it mean they can't become? -Pilots? | 0:29:27 | 0:29:30 | |
-Well, no, oddly enough. -Snooker players. No, of course not. | 0:29:30 | 0:29:33 | |
-We know they can be world champions. -Bullfighters. -Actually, | 0:29:33 | 0:29:36 | |
it's a myth that you can't be a pilot if you're colour-blind. | 0:29:36 | 0:29:39 | |
It's only if you're very severely colour-blind | 0:29:39 | 0:29:41 | |
-that you're disallowed. -You can't tell the difference between the blue sky and the green land? | 0:29:41 | 0:29:45 | |
-Yes, something like that. -And the grey tarmac. | 0:29:45 | 0:29:48 | |
The very worst kind of colour-blindness, or "blindness". | 0:29:48 | 0:29:51 | |
Anyway, they're called the Ishihara tests, | 0:29:52 | 0:29:56 | |
devised by Shinobu Ishihara, who worked at a military medical school | 0:29:56 | 0:29:59 | |
and was asked to screen military recruits for abnormalities | 0:29:59 | 0:30:02 | |
for colour vision. The first plate, that's an orange number 12, | 0:30:02 | 0:30:06 | |
I'm sure you can see. This was used in the army to weed out draft dodgers | 0:30:06 | 0:30:09 | |
because if they pretended they couldn't see that it was a 12, | 0:30:09 | 0:30:13 | |
they knew they were lying, as everyone who can see | 0:30:13 | 0:30:15 | |
can see that's a 12. There's no kind of colour-blindness | 0:30:15 | 0:30:18 | |
that can mistake those two. | 0:30:18 | 0:30:20 | |
And I was feeling proud of being able to see it. | 0:30:20 | 0:30:23 | |
But don't despair if you're colour-blind. | 0:30:23 | 0:30:25 | |
There is one advantage you might have. | 0:30:25 | 0:30:27 | |
Can you think what that would be? | 0:30:27 | 0:30:29 | |
Ration books? Something with colour? | 0:30:31 | 0:30:34 | |
No, you're less likely to be fooled by camouflage. | 0:30:34 | 0:30:36 | |
Because the tamarind, the New World monkey, is colour-blind. | 0:30:36 | 0:30:40 | |
-Ration books was a rubbish guess! -The tamarind is much, much better | 0:30:40 | 0:30:44 | |
at eating insects that are disguised as leaves or twigs or whatever | 0:30:44 | 0:30:47 | |
than other mammals or birds who eat insects | 0:30:47 | 0:30:50 | |
because they rely on colour more for identifying things, | 0:30:50 | 0:30:54 | |
so colour-blind people were used often | 0:30:54 | 0:30:57 | |
for spotting... "Ah, I can see tanks covered in a drape," for example. | 0:30:57 | 0:31:01 | |
What begins with J | 0:31:01 | 0:31:02 | |
and was used by the first man to row the Atlantic to attempt suicide? | 0:31:02 | 0:31:05 | |
Jizz. | 0:31:05 | 0:31:06 | |
Suicide by jizz? | 0:31:08 | 0:31:11 | |
On any level, I mean... | 0:31:11 | 0:31:14 | |
Jill the ferret, sex-starved for 364 days, | 0:31:14 | 0:31:18 | |
attacked him in an erotic frenzy. | 0:31:18 | 0:31:20 | |
MUSIC: "Jessica" | 0:31:20 | 0:31:22 | |
Jellyfish. | 0:31:22 | 0:31:23 | |
-That's... -That's something that can kill you and they are in the sea. | 0:31:23 | 0:31:26 | |
You're right. It's slightly confusing. | 0:31:26 | 0:31:28 | |
He just happened to be the first man to row the Atlantic. | 0:31:28 | 0:31:31 | |
-But it wasn't while he was on the boat? -No. | 0:31:31 | 0:31:33 | |
He was a very extraordinary... | 0:31:33 | 0:31:34 | |
As a child, he nicked a pistol from his Scout troop leader | 0:31:34 | 0:31:38 | |
and fired at his fellow Scouts | 0:31:38 | 0:31:40 | |
-and was expelled from the Scout movement... -And got a badge for it. | 0:31:40 | 0:31:44 | |
-Accuracy! -Yes! | 0:31:44 | 0:31:45 | |
But then at age 13, he ran away from home to live in the jungle. | 0:31:45 | 0:31:48 | |
In his early 20s, he met a pirate, who taught him to be a pirate | 0:31:48 | 0:31:52 | |
and he pirated his way around the Caribbean, | 0:31:52 | 0:31:54 | |
smuggling liquor and cigarettes and things | 0:31:54 | 0:31:57 | |
and then in 1969, January 20th, | 0:31:57 | 0:31:59 | |
he pushed off from the Canary Islands in a self-rising rowing boat | 0:31:59 | 0:32:04 | |
and rowed all the way to Florida. | 0:32:04 | 0:32:06 | |
It took him 180 days and he was the first person to do that. | 0:32:06 | 0:32:09 | |
But it was when he was in the jungle in South America | 0:32:09 | 0:32:13 | |
that he despaired of his life | 0:32:13 | 0:32:15 | |
and so he wanted to be killed by something beginning with J. | 0:32:15 | 0:32:19 | |
Oh. Is it a jaguar? | 0:32:19 | 0:32:20 | |
Is the right answer! Jaguar! Exactly. | 0:32:20 | 0:32:24 | |
APPLAUSE | 0:32:24 | 0:32:27 | |
So what did he do? Did he go out in a meat skirt and a meat helmet | 0:32:27 | 0:32:30 | |
-and just wait there in the middle of the jungle? -Well, in a sense... | 0:32:30 | 0:32:34 | |
No, he just wound them up all night by teasing them. | 0:32:34 | 0:32:36 | |
"You look like a cougar. No-one can tell the difference. | 0:32:36 | 0:32:39 | |
"You're a panther!" | 0:32:39 | 0:32:40 | |
He kept a gun by his side in case he changed his mind | 0:32:40 | 0:32:42 | |
and as the jaguar attacked, he did change his mind | 0:32:42 | 0:32:45 | |
and shot it dead and then sold its skin, | 0:32:45 | 0:32:47 | |
-so it was a bit, frankly, unfair on the jaguar. -So he didn't die? | 0:32:47 | 0:32:50 | |
So he was just lying? Basically lying? | 0:32:50 | 0:32:52 | |
He really wanted to end his life so he went out and aggravated... | 0:32:52 | 0:32:54 | |
-He had a gun! -He also had a spear! -I know, if he really meant it... | 0:32:54 | 0:32:58 | |
I don't believe this bloke! I'm sorry. | 0:32:58 | 0:33:00 | |
"I don't know how to kill myself. | 0:33:02 | 0:33:03 | |
"I'm going to wait here for a big cat to arrive." | 0:33:03 | 0:33:06 | |
Sit here winding up jaguars for days. | 0:33:06 | 0:33:08 | |
He was just doing it for attention. | 0:33:08 | 0:33:10 | |
Yes, I think so. | 0:33:10 | 0:33:12 | |
The J part of it is that his name is John Fairfax, and if you look up | 0:33:12 | 0:33:15 | |
who the first person to row the Atlantic single-handed was, | 0:33:15 | 0:33:18 | |
-it was John. -Good old Johnny Fairfax. -Absolutely. | 0:33:18 | 0:33:23 | |
Now, who's this? What are they doing? | 0:33:23 | 0:33:26 | |
"I thought it would be ten times as exciting | 0:33:26 | 0:33:28 | |
"as a swing boat at the fair, but it wasn't. | 0:33:28 | 0:33:30 | |
"There was no sensation, just a lot of noise and wind. | 0:33:30 | 0:33:33 | |
"My hair was blown into a tangled mess | 0:33:33 | 0:33:35 | |
"which couldn't be combed out for days." | 0:33:35 | 0:33:38 | |
The inventor of the hairdryer. | 0:33:38 | 0:33:40 | |
Is it Brian May on the latest Thorpe Park ride? | 0:33:42 | 0:33:45 | |
Well, we're with a transport experience and this person | 0:33:47 | 0:33:50 | |
was famous for their achievement in it, but the first time they tried it | 0:33:50 | 0:33:54 | |
-they found it horrible, noisy, windy. -Amy Johnson? | 0:33:54 | 0:33:56 | |
Amy Johnson is the right answer! Very good. | 0:33:56 | 0:33:59 | |
It's a J, it's a J. | 0:33:59 | 0:34:00 | |
There she is. | 0:34:02 | 0:34:03 | |
APPLAUSE | 0:34:03 | 0:34:05 | |
That's the J. And what was her great feat? | 0:34:05 | 0:34:07 | |
-Flew the Atlantic. -Yeah. | 0:34:07 | 0:34:08 | |
-No, that was Alcock and Brown. -Flew across America. | 0:34:08 | 0:34:10 | |
-No, she flew from... -Flew to the moon. | 0:34:10 | 0:34:13 | |
She flew from Britain to Australia. | 0:34:13 | 0:34:14 | |
-To Australia? -Yeah. Heck of a flight. -Did she ever come back? | 0:34:14 | 0:34:18 | |
Yes, she certainly did, and when she came back, she landed at | 0:34:18 | 0:34:21 | |
what was then the sort of London Airport, which was Croydon Airport, | 0:34:21 | 0:34:25 | |
and there were 200,000 people there to meet her. | 0:34:25 | 0:34:27 | |
-You're kidding? -No, it was a sensation of the age. | 0:34:27 | 0:34:30 | |
Was there a car boot sale going on as well? | 0:34:30 | 0:34:32 | |
No. There was... She had a 12-mile parade through London. | 0:34:32 | 0:34:36 | |
So she was describing when she first got into an aeroplane, | 0:34:36 | 0:34:39 | |
and first flew? | 0:34:39 | 0:34:40 | |
She absolutely hated it. But she stuck with it and became, | 0:34:40 | 0:34:43 | |
obviously, incredibly good at it. So yes, now then, | 0:34:43 | 0:34:46 | |
talking of flight, I want you all to do a jolly jape now, | 0:34:46 | 0:34:50 | |
which is make a dart, a paper dart, | 0:34:50 | 0:34:51 | |
and see the person who can throw it the furthest wins. | 0:34:51 | 0:34:55 | |
Talk amongst yourselves. | 0:34:55 | 0:34:57 | |
There are various kinds you can do, just try the type you did at school. | 0:34:57 | 0:35:00 | |
Oh, I've totally forgotten how to do this. | 0:35:00 | 0:35:02 | |
And obviously take your time, as quickly as you can. | 0:35:02 | 0:35:06 | |
Thing is, I'm going to make one the way we used to make them at school, | 0:35:06 | 0:35:10 | |
knowing they didn't fly very well. | 0:35:10 | 0:35:11 | |
Well, some people were good at it and some people weren't. | 0:35:11 | 0:35:14 | |
Interested to see how well you're doing. | 0:35:14 | 0:35:17 | |
Precision engineering. | 0:35:17 | 0:35:18 | |
- Oops, I've made a hat. | 0:35:19 | 0:35:21 | |
I'm put little flaps on mine, is that all right? And a tail. | 0:35:23 | 0:35:25 | |
I've just had that idea! | 0:35:25 | 0:35:27 | |
You seem to be ready, who's ready? | 0:35:29 | 0:35:30 | |
David, have a go. | 0:35:30 | 0:35:33 | |
As far as you can go. | 0:35:33 | 0:35:34 | |
APPLAUSE | 0:35:36 | 0:35:38 | |
Not bad. | 0:35:38 | 0:35:40 | |
Should you throw or should you cast like a bowler? | 0:35:41 | 0:35:44 | |
-Ah. Well, it's up to you. -Look at that. | 0:35:44 | 0:35:45 | |
Yours looks great, I have to say. | 0:35:45 | 0:35:48 | |
APPLAUSE | 0:35:50 | 0:35:53 | |
-It went up because of the flaps. -Yeah. Your flaps. | 0:35:55 | 0:35:57 | |
-Corrugated roof tiles. -Flaps gave it lift. | 0:35:57 | 0:35:59 | |
Watch out in the back row, this is going to be lethal. | 0:35:59 | 0:36:02 | |
It's one of those stealth ones, you won't be able to see it, | 0:36:02 | 0:36:05 | |
you won't be able to measure it. | 0:36:05 | 0:36:07 | |
You can buy it from Wickes, "It's got her name on it." Oh! | 0:36:07 | 0:36:11 | |
APPLAUSE | 0:36:11 | 0:36:14 | |
-A suicide plane. -Impossible. It defies all laws of physics. | 0:36:18 | 0:36:21 | |
I thought it was acrobatics. | 0:36:21 | 0:36:23 | |
Sue, your chance for glory. | 0:36:23 | 0:36:25 | |
I don't think it's going to happen. | 0:36:25 | 0:36:26 | |
APPLAUSE | 0:36:26 | 0:36:30 | |
Well, despite the brilliance of Amy Johnson... | 0:36:33 | 0:36:35 | |
But would you be surprised to know that the paper aeroplane | 0:36:35 | 0:36:38 | |
that goes the furthest looks like this? | 0:36:38 | 0:36:40 | |
-Stop it! -Yeah, that's a bracelet. | 0:36:40 | 0:36:42 | |
I know, it seems hardly credible. | 0:36:42 | 0:36:45 | |
What do you do? You just scrunch it up and chuck it. | 0:36:45 | 0:36:47 | |
I'm unfortunately not very good at throwing it. | 0:36:49 | 0:36:51 | |
I've practised a bit, but the world record is 200 yards. | 0:36:51 | 0:36:55 | |
-No way! -I'm not kidding you. | 0:36:55 | 0:36:57 | |
-Straight down. -You're supposed to twist it. | 0:36:57 | 0:36:59 | |
That's why I'm not good at it, I've never thrown an American football. | 0:36:59 | 0:37:03 | |
You do it in the style of an American football. | 0:37:03 | 0:37:05 | |
-ALL: Whoa! -There you go! | 0:37:05 | 0:37:07 | |
APPLAUSE That's amazing! | 0:37:07 | 0:37:09 | |
Pretty good, isn't it? | 0:37:09 | 0:37:11 | |
And that's... | 0:37:12 | 0:37:14 | |
So why aren't all aeroplanes designed like that? | 0:37:14 | 0:37:17 | |
It was invented by a man called Mark Forti, whose father worked for NASA. | 0:37:17 | 0:37:20 | |
Oh, what a cheat. | 0:37:20 | 0:37:22 | |
Yes, it's a short plastic cylinder, | 0:37:22 | 0:37:24 | |
slightly weighted on the leading edge and that's as simple as that. | 0:37:24 | 0:37:27 | |
So you use sticky-back plastic, | 0:37:27 | 0:37:29 | |
which some purists would say doesn't make it a proper aeroplane, | 0:37:29 | 0:37:32 | |
because it has to be slightly heavier at the front. | 0:37:32 | 0:37:34 | |
You would not imagine that was so aerodynamic a shape as a dart, | 0:37:34 | 0:37:38 | |
which just to our eyes looks right, doesn't it? | 0:37:38 | 0:37:41 | |
Is that the future of aeroplanes? | 0:37:41 | 0:37:43 | |
Darts, the future of darts. | 0:37:43 | 0:37:45 | |
I thought you said "ducks". | 0:37:45 | 0:37:47 | |
They're going to evolve into kind of cylindrical, little beaks at the top. | 0:37:47 | 0:37:50 | |
Yeah, birds everywhere are watching this programme, | 0:37:50 | 0:37:53 | |
"What have we been doing all these... All this? | 0:37:53 | 0:37:56 | |
"We should have just done that!" | 0:37:56 | 0:37:58 | |
"And just jumped. What have we been doing?!" | 0:38:01 | 0:38:04 | |
But we were saying earlier about Amy Johnson, | 0:38:05 | 0:38:08 | |
almost gave up flying because it made such a mess of her hair. | 0:38:08 | 0:38:12 | |
Can you remember who wrote the first dictionary in English? | 0:38:12 | 0:38:15 | |
-Oh, yes. Johnson. -Samuel Johnson. | 0:38:15 | 0:38:18 | |
Samuel Johnson! | 0:38:18 | 0:38:19 | |
SIREN WAILS | 0:38:19 | 0:38:21 | |
No, it wasn't Samuel Johnson. | 0:38:21 | 0:38:22 | |
I led you down the garden path and spanked you. | 0:38:22 | 0:38:25 | |
-Baldrick. -Baldrick! | 0:38:25 | 0:38:26 | |
"B." | 0:38:27 | 0:38:28 | |
Probably a B, yes. | 0:38:28 | 0:38:30 | |
"We're going to have to write the whole dictionary tonight!" | 0:38:30 | 0:38:34 | |
Yes. Dr Johnson's dictionary, written in the earlier part | 0:38:34 | 0:38:37 | |
of the 18th century, was preceded by, well, there was... | 0:38:37 | 0:38:40 | |
-Famously, the first dictionary. -Weren't there lots? | 0:38:40 | 0:38:42 | |
There was a Richard Mulcaster in the 16th century, | 0:38:42 | 0:38:46 | |
who came up with the name football, in fact, and indeed, | 0:38:46 | 0:38:49 | |
invented refereeing and the idea of football teams, | 0:38:49 | 0:38:51 | |
but he wrote Elementary in 1582, which was the first to gather | 0:38:51 | 0:38:54 | |
"all the words which we use in our English tung, out of all | 0:38:54 | 0:38:57 | |
professions, as well learned as not, into one dictionarie." | 0:38:57 | 0:39:01 | |
But he didn't give definitions. | 0:39:01 | 0:39:02 | |
He just listed all the words that he thought there existed. | 0:39:02 | 0:39:05 | |
But Robert Cawdrey's Table Alphabeticall, of 1604, | 0:39:07 | 0:39:11 | |
not only listed words, but gave definitions, so it was | 0:39:11 | 0:39:13 | |
perhaps the first true dictionary, in the sense that we know it. | 0:39:13 | 0:39:17 | |
It listed around 3,000 hard words, | 0:39:17 | 0:39:19 | |
as he called them, defining each one. | 0:39:19 | 0:39:21 | |
So then Johnson's dictionary had how many entries? | 0:39:21 | 0:39:23 | |
At around the time there were about 250,000 or 300,000 words. | 0:39:23 | 0:39:27 | |
-How many did he list? -42. | 0:39:27 | 0:39:30 | |
Oh, you were so close. 42,000. | 0:39:30 | 0:39:32 | |
Thousand. | 0:39:32 | 0:39:33 | |
That was really close. 42,773. | 0:39:33 | 0:39:36 | |
But we've got some Johnson words that have gone out of use. | 0:39:36 | 0:39:40 | |
Maybe you can imagine what they mean. | 0:39:40 | 0:39:42 | |
Tonguepad. | 0:39:42 | 0:39:44 | |
-Mouth-friend? -Mouth-friend. | 0:39:44 | 0:39:46 | |
Don't we all need a mouth-friend? | 0:39:48 | 0:39:50 | |
Sometimes we certainly do need a tonguepad and a mouth-friend. | 0:39:50 | 0:39:53 | |
KATY AND SUE: Sometimes I like a frigorifick. | 0:39:53 | 0:39:56 | |
I hear you, girl! | 0:39:56 | 0:39:57 | |
Frigorifick. | 0:39:57 | 0:39:59 | |
Yeah. We've all been frigorifick in our time. | 0:39:59 | 0:40:01 | |
A depucelate is... | 0:40:01 | 0:40:03 | |
That's a coffee. | 0:40:03 | 0:40:04 | |
I think it's single shot, isn't it? | 0:40:04 | 0:40:06 | |
You can get those in, yeah, Starbucks. | 0:40:06 | 0:40:08 | |
It's not "depu-kela-tay," it's depucelate. | 0:40:08 | 0:40:10 | |
That's what you do before a big date, isn't it? | 0:40:10 | 0:40:13 | |
If you're meeting a mouth-friend. | 0:40:15 | 0:40:16 | |
You get a bit tonguepad. Slip of the old shapesmith. | 0:40:16 | 0:40:20 | |
Is a shapesmith just a rubbish blacksmith? | 0:40:21 | 0:40:24 | |
-No, a shapesmith is basically what we... -"I've done a thing." | 0:40:24 | 0:40:27 | |
There you are. | 0:40:27 | 0:40:28 | |
"You did a shape." "Yeah." | 0:40:31 | 0:40:34 | |
It sort of looks like a doorknob. | 0:40:34 | 0:40:35 | |
It's not a horseshoe, | 0:40:35 | 0:40:37 | |
but it's sort of horse jewellery in some way. | 0:40:37 | 0:40:39 | |
Like a horse clog. | 0:40:39 | 0:40:41 | |
A horse nipple clamp. | 0:40:41 | 0:40:42 | |
-They founded Camden Market and sold all that crap. -Yes. | 0:40:42 | 0:40:45 | |
No, a shapesmith is actually what we would call a personal trainer, | 0:40:45 | 0:40:48 | |
someone who gets you into shape and improves the shape of your body. | 0:40:48 | 0:40:51 | |
Time for that word to come back. | 0:40:51 | 0:40:53 | |
-Exactly. -"I'm going to see my shapesmith." -My shapesmith, yeah. | 0:40:53 | 0:40:56 | |
"Personal trainer," hate that. | 0:40:56 | 0:40:58 | |
A tonguepad is just a talker, someone who natters all the time. | 0:40:58 | 0:41:00 | |
-A mouth-friend is... -Gossip? | 0:41:00 | 0:41:03 | |
No, someone who is a friend to your face, | 0:41:03 | 0:41:05 | |
-but is duplicitous behind your back. -Oh, God, I know a few of those. | 0:41:05 | 0:41:09 | |
Yeah, a few mouth-friends, pretends to be your friend. | 0:41:09 | 0:41:12 | |
To depucelate is to deflower, to bereave of virginity. | 0:41:12 | 0:41:15 | |
It's not a bereavement! | 0:41:15 | 0:41:16 | |
Let's not see it as that. | 0:41:16 | 0:41:20 | |
Frigorifick sounds like something Del Boy might say, but what is frig...? | 0:41:20 | 0:41:24 | |
Actually, I suppose... | 0:41:24 | 0:41:25 | |
It's probably rather badly spelt. We should pronounce - yes, cold - | 0:41:25 | 0:41:29 | |
we should pronounce it "frijorifick", probably. | 0:41:29 | 0:41:32 | |
It just means causing cold, | 0:41:32 | 0:41:33 | |
something that's frigorifick causes cold. | 0:41:33 | 0:41:35 | |
Some of his definitions were just a little bit lazy. | 0:41:35 | 0:41:38 | |
"Sock. Something put between the foot and the shoe." | 0:41:38 | 0:41:41 | |
He must have thought, though, | 0:41:43 | 0:41:45 | |
because you know, previous diction... | 0:41:45 | 0:41:47 | |
the one before, you say had been just of hard words. | 0:41:47 | 0:41:50 | |
He must have thought, "Everyone knows what a sock is! | 0:41:50 | 0:41:53 | |
"If you've got this book | 0:41:53 | 0:41:55 | |
"and you don't know what a sock is, then I can't help you." | 0:41:55 | 0:41:58 | |
Exactly. Oats was a famous one. | 0:42:00 | 0:42:03 | |
He said horrible things about the Scots in his one on oats, didn't he? | 0:42:03 | 0:42:06 | |
He did. He said "a grain which in England | 0:42:06 | 0:42:08 | |
"is generally given to horses, but in Scotland supports the people." | 0:42:08 | 0:42:12 | |
He describes "to worm" - | 0:42:15 | 0:42:17 | |
"to deprive a dog of something, nobody knows what, under his tongue, | 0:42:17 | 0:42:20 | |
"which is said to prevent him, nobody knows why, from running mad." | 0:42:20 | 0:42:24 | |
-It's a very strange... -Wasn't a scientist, then. | 0:42:24 | 0:42:26 | |
No, I think probably not. | 0:42:26 | 0:42:28 | |
He was one of our greatest men of letters. | 0:42:28 | 0:42:30 | |
Well, we've come to the amen, because it's time for the scores. | 0:42:30 | 0:42:33 | |
It's all we've got time for. Let's see who's hit the jackpot. | 0:42:33 | 0:42:38 | |
HE INHALES DEEPLY | 0:42:38 | 0:42:41 | |
Well... | 0:42:41 | 0:42:44 | |
He's died! | 0:42:44 | 0:42:45 | |
I'm afraid it's Sue who's died in last place, with minus 12. | 0:42:46 | 0:42:51 | |
APPLAUSE | 0:42:51 | 0:42:55 | |
And really, it's a massive step up for Alan, | 0:42:56 | 0:43:00 | |
on our third place, with minus seven. | 0:43:00 | 0:43:03 | |
APPLAUSE | 0:43:03 | 0:43:06 | |
Robbed. | 0:43:06 | 0:43:07 | |
And having been depucelated, QI-wise, | 0:43:07 | 0:43:11 | |
it's pretty impressive to break your virginity with minus three, Katy. | 0:43:11 | 0:43:16 | |
APPLAUSE | 0:43:16 | 0:43:18 | |
But our mouth-friend of the week, clear winner on plus five, | 0:43:22 | 0:43:25 | |
is David Mitchell. | 0:43:25 | 0:43:26 | |
APPLAUSE | 0:43:26 | 0:43:29 | |
So, this is where we jack it all in | 0:43:34 | 0:43:36 | |
and say that's all from Sue, David, Katy, Alan and me. | 0:43:36 | 0:43:40 | |
Be excessively nice to each other. Good night. | 0:43:40 | 0:43:42 | |
Subtitles by Red Bee Media Ltd | 0:44:00 | 0:44:04 |