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CHEERING AND APPLAUSE | 0:00:28 | 0:00:30 | |
Well, good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:37 | |
and that's the fewest times I've ever said good evening, | 0:00:37 | 0:00:40 | |
and welcome to QI, | 0:00:40 | 0:00:41 | |
where tonight we'll be journeying to jestinations beginning with J. | 0:00:41 | 0:00:46 | |
And joining me are the jet-skiing Sandi Toksvig... | 0:00:46 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:52 | |
..the jet-setting Susan Calman... | 0:00:54 | 0:00:58 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:00 | |
The jet-engined Bill Bailey... | 0:01:00 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
..and, still being probed by Gatwick security, Alan Davies. | 0:01:06 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:14 | |
Now let's hear your buzzers. And Sandi goes... | 0:01:17 | 0:01:22 | |
RACING CAR | 0:01:22 | 0:01:24 | |
Susan goes... | 0:01:25 | 0:01:27 | |
JET ENGINE | 0:01:27 | 0:01:28 | |
Bill goes... | 0:01:30 | 0:01:31 | |
FAST VEHICLE ENGINE | 0:01:31 | 0:01:33 | |
And Alan goes... | 0:01:34 | 0:01:36 | |
CAR ENGINE CHOKES | 0:01:36 | 0:01:38 | |
Try that again. | 0:01:39 | 0:01:41 | |
CHOKES AGAIN | 0:01:41 | 0:01:43 | |
-No, it's never going to work, is it? -Flooded it. -Yeah, absolutely. | 0:01:43 | 0:01:46 | |
Well, let's have an easy one to start with. | 0:01:46 | 0:01:49 | |
Strictly speaking, where does the phrase Chariots Of Fire come from? | 0:01:49 | 0:01:53 | |
-It's a film. -It's a film. -Where did it originate? | 0:01:53 | 0:01:56 | |
It's something to do with this. | 0:01:56 | 0:01:58 | |
Where does the phrase originate? | 0:01:58 | 0:02:01 | |
-It's a quotation. -SANDI: It's a quotation. | 0:02:01 | 0:02:04 | |
-From what? -Shakespeare, must be Shakespeare. -No. | 0:02:04 | 0:02:07 | |
BILL: Oh, the Chariots Of Fire. | 0:02:07 | 0:02:09 | |
Wordsworth, Jerusalem, the hymn Jerusalem. | 0:02:09 | 0:02:12 | |
ALARM BELLS | 0:02:12 | 0:02:14 | |
-You fell finally into our trap. -Finally! It took a while. Sorry, it's the first question. | 0:02:15 | 0:02:19 | |
It was slightly embarrassing how long it took you to get the wrong answer. | 0:02:19 | 0:02:24 | |
Yes, I did start by saying "strictly speaking". | 0:02:24 | 0:02:26 | |
Strictly speaking it comes from a poem by William Blake, called...? | 0:02:26 | 0:02:30 | |
-Chariots Of Fire. -No. | 0:02:30 | 0:02:32 | |
I'm ashamed of you. | 0:02:35 | 0:02:36 | |
You must know the first line of... | 0:02:36 | 0:02:39 | |
I must, but I can't be arsed to tell you. | 0:02:39 | 0:02:42 | |
-Well, you're not English, that's fair. -Fair. | 0:02:42 | 0:02:45 | |
-And... -And did... | 0:02:45 | 0:02:47 | |
-BILL & SANDI: Those feet in ancient times. -Thank you! | 0:02:47 | 0:02:50 | |
Finally we got there. | 0:02:50 | 0:02:51 | |
-Oh, I know that! -Yes! | 0:02:51 | 0:02:53 | |
That's the name of the poem | 0:02:53 | 0:02:56 | |
-from which the line "chariots of fire" comes. -Oh. | 0:02:56 | 0:02:59 | |
The tune is called Jerusalem. | 0:02:59 | 0:03:01 | |
# And did those feet... # | 0:03:01 | 0:03:02 | |
And it's referred, mistakenly as a hymn. | 0:03:02 | 0:03:04 | |
# In ancient times... # | 0:03:04 | 0:03:05 | |
Thank you for starting in my key. | 0:03:05 | 0:03:08 | |
# Walk upon England's la la la... # | 0:03:08 | 0:03:10 | |
Come on! | 0:03:10 | 0:03:12 | |
Bring... Oh, clouds unfold. | 0:03:14 | 0:03:17 | |
Yes, really what I'm after is, what does it mean? And whose feet? | 0:03:17 | 0:03:20 | |
"And did those feet in ancient times appear on England's mountains green." Whose feet? | 0:03:20 | 0:03:25 | |
-Jesus, surely. -Right. So what is the story of Jesus coming to England? | 0:03:25 | 0:03:30 | |
-Is there a film about it? -Yes. | 0:03:30 | 0:03:33 | |
-Not to my knowledge. -Well, then, I'm in trouble. I am, as they say, out of... | 0:03:33 | 0:03:38 | |
This is what people say when they don't know the answer - "I'm out of my comfort zone." | 0:03:38 | 0:03:41 | |
You have been the equivalent of | 0:03:41 | 0:03:45 | |
-sitting on spikes for the last ten years, Alan. -Yeah! | 0:03:45 | 0:03:48 | |
I have yet to discover your comfort zone. | 0:03:48 | 0:03:51 | |
-OK, listen, there is a legend that Jesus came to England. -Yes. | 0:03:51 | 0:03:54 | |
And did those feet, his feet, in ancient time... | 0:03:54 | 0:03:59 | |
And he was said to have gone to a particular place. | 0:03:59 | 0:04:02 | |
-SANDI: Was it Glastonbury? -The audience know. Ah, thank you. | 0:04:02 | 0:04:06 | |
-Glastonbury. -Glastonbury. Glastonbury Tor. | 0:04:06 | 0:04:08 | |
-And he went with his uncle. What was his uncle's name? -Bob. | 0:04:08 | 0:04:12 | |
-Uncle Bob Christ? -Bob's your uncle. | 0:04:12 | 0:04:16 | |
Yeah, they were a bit more... | 0:04:17 | 0:04:20 | |
Surely they were more informal in those times, surely. Bob Christ. | 0:04:20 | 0:04:24 | |
-His uncle's name was the same as his father's name. -Joseph. | 0:04:24 | 0:04:26 | |
-Joseph. -Joseph. And he was named after a place. | 0:04:26 | 0:04:29 | |
Is it like working with very slow children, Stephen? | 0:04:29 | 0:04:33 | |
-BILL: Arimathea. -Thank you! | 0:04:33 | 0:04:35 | |
-Say it again so the camera can get it, clearly. -Right. Oh, OK. | 0:04:35 | 0:04:39 | |
-This is a new thing we're doing. -Hang on a second. | 0:04:39 | 0:04:41 | |
ALAN'S BUZZER | 0:04:41 | 0:04:43 | |
Hey, hang on! | 0:04:43 | 0:04:45 | |
You had your chance. | 0:04:45 | 0:04:46 | |
-I was just composing my face. -Joseph of Arimathea. | 0:04:46 | 0:04:49 | |
No, I said it! I said it! | 0:04:49 | 0:04:51 | |
Joseph of Arimathea. | 0:04:51 | 0:04:54 | |
I'm going to throw cold water over you both in a minute. | 0:04:54 | 0:04:57 | |
Joseph of Arimathea. | 0:04:57 | 0:04:59 | |
ALAN'S BUZZER | 0:04:59 | 0:05:00 | |
Joseph of Arimathea! | 0:05:00 | 0:05:02 | |
It was the first ever Glastonbury Festival, if you will. | 0:05:02 | 0:05:05 | |
It was that Jesus supposedly came with his uncle, Joseph of Arimathea, | 0:05:05 | 0:05:09 | |
who is mentioned in the Gospels, | 0:05:09 | 0:05:11 | |
although, it has to be said, Arimathea is only mentioned once, | 0:05:11 | 0:05:14 | |
and that is in relation to the place Joseph came from. | 0:05:14 | 0:05:17 | |
No-one knows where it is, where it was, where it could have been. Anyway... | 0:05:17 | 0:05:22 | |
It could have been a falafel tent. Nobody knows. | 0:05:22 | 0:05:24 | |
Jesus was effectively the first act, then. | 0:05:24 | 0:05:27 | |
-He was the first act ever to appear at Glasto. -He was the first on at Glastonbury. | 0:05:27 | 0:05:31 | |
Was he a juggler? Did he have bongos? Was he doing the diablo thing? | 0:05:31 | 0:05:35 | |
He did holistic balancing. | 0:05:35 | 0:05:37 | |
Three rooms of banging scripture. | 0:05:37 | 0:05:39 | |
All right, OK. | 0:05:39 | 0:05:40 | |
So there was a myth that Jesus and Joseph of Arimathea came... | 0:05:40 | 0:05:44 | |
Supposedly, Joseph of Arimathea was after tin, | 0:05:44 | 0:05:46 | |
and he came with Jesus, went to Glastonbury Tor and there's a tree. | 0:05:46 | 0:05:51 | |
SANDI: Tree, isn't there, the Glastonbury tree. Did Mary come? | 0:05:51 | 0:05:54 | |
-Supposedly, it was planted... Sorry? -Mary, the mother. | 0:05:54 | 0:05:57 | |
-I just wondered if Mum came as well. -I don't think she did. -Boys' weekend. | 0:05:57 | 0:06:01 | |
We don't know. Boys' weekend! | 0:06:01 | 0:06:03 | |
But I will give you 20 points each if you can mention the two other places the myth says they went to. | 0:06:03 | 0:06:08 | |
Glastonbury is one, but they were said to have gone to two other places. | 0:06:08 | 0:06:11 | |
-Wait! I know this. -Torquay? -No. | 0:06:11 | 0:06:13 | |
Because there's a group called the Aetherius Society, and they believe... | 0:06:13 | 0:06:17 | |
Oh, they're your neighbours, aren't they? | 0:06:17 | 0:06:19 | |
They're my neighbours in Devon, | 0:06:19 | 0:06:21 | |
and they believe that Christ appeared to them on the top of this hill, | 0:06:21 | 0:06:24 | |
and the founder of the Aetherius Society said he was doing the washing-up in his flat, | 0:06:24 | 0:06:30 | |
and he heard a voice say, | 0:06:30 | 0:06:32 | |
"You have been chosen as the planetary representative of Earth." | 0:06:32 | 0:06:38 | |
So, immediately, he went, "Oh, right. I'd better do that, then." | 0:06:38 | 0:06:42 | |
-So he left the drying up? -He left the drying up to someone else. -And the putting away? | 0:06:42 | 0:06:47 | |
Can I just ask how much Bill knows about washing up? | 0:06:47 | 0:06:50 | |
Cos you do it like you're typing. You did that for washing up. | 0:06:50 | 0:06:54 | |
It's just a little, gentle caress of each thing. | 0:06:54 | 0:06:58 | |
And then that to get rid of the plates. | 0:06:58 | 0:07:01 | |
-He eats his dinner off old keyboards. -Yeah. | 0:07:01 | 0:07:04 | |
That's my life. | 0:07:04 | 0:07:05 | |
-Anyway, the places were, in fact, Penzance was one. -Oh! | 0:07:05 | 0:07:08 | |
And the other was Falmouth. | 0:07:08 | 0:07:09 | |
-Oh, I see. -And I'm sure he had a lovely time. | 0:07:09 | 0:07:12 | |
-A pasty, did he have a pasty? -He would have had a pasty. | 0:07:12 | 0:07:15 | |
Now, what can you tell me, as we were on the subject of Jerusalem, about the Jerusalem artichoke? | 0:07:15 | 0:07:20 | |
-Well, it isn't. -It isn't what? | 0:07:20 | 0:07:22 | |
From Jerusalem. | 0:07:22 | 0:07:24 | |
It's not from Jerusalem is right. That's absolutely correct. | 0:07:24 | 0:07:27 | |
What else can you tell me? You said it's not from Jerusalem. | 0:07:27 | 0:07:30 | |
-It's not an artichoke. -And it's not an artichoke. | 0:07:30 | 0:07:32 | |
-Aaah. -Do you know why? -It's just a lie. The whole thing's a lie. It's annoying. | 0:07:32 | 0:07:36 | |
Jerusalem artichoke, not from Jerusalem, not an artichoke, you don't know where you are. | 0:07:36 | 0:07:40 | |
The word Jerusalem is a corruption of what it actually is. | 0:07:40 | 0:07:43 | |
We used to grow them in America. | 0:07:43 | 0:07:46 | |
When I grew up in New York, we grew them. They look like sunflowers. | 0:07:46 | 0:07:49 | |
Oddly enough, you say America, it is the only endemic, original, | 0:07:49 | 0:07:54 | |
natural vegetable from North America. | 0:07:54 | 0:07:57 | |
-Is that right? -There is none other. | 0:07:57 | 0:07:59 | |
Potatoes come from central and southern America, | 0:07:59 | 0:08:01 | |
as do tomatoes and chillies. | 0:08:01 | 0:08:03 | |
There are some wild rices that come from Canada and North America, | 0:08:03 | 0:08:07 | |
but that is the only... | 0:08:07 | 0:08:08 | |
Isn't that bizarre? In that whole landmass. | 0:08:08 | 0:08:11 | |
You think of squashes and all those other things. | 0:08:11 | 0:08:14 | |
-So if it looks like a sunflower... -Say sunflower in Italian. | 0:08:14 | 0:08:17 | |
-Giras. -Jerusalem. -Girasole. -Girasole. | 0:08:17 | 0:08:21 | |
-Gira, turn, as in gyroscope, to the sun. -Girasole. -Girasole. | 0:08:21 | 0:08:25 | |
-And girasole became Jerusalem. -The same thing. | 0:08:25 | 0:08:29 | |
We call it a sun...because they turn... | 0:08:29 | 0:08:31 | |
I'll be very impressed if you know what's Greek for sun... | 0:08:31 | 0:08:34 | |
If I knew what it was, you'd be more than impressed, you'd have a heart attack. | 0:08:34 | 0:08:38 | |
-Do you know what the Greek for sun is? -Helios. -Helios, OK. | 0:08:40 | 0:08:45 | |
-So helio is sun. Turn, turn. -Heliotrope. Heliotrope! | 0:08:45 | 0:08:49 | |
Heliotrope is the right answer, we got there. | 0:08:49 | 0:08:53 | |
Girasole and heliotrope, and they all mean the same thing | 0:08:53 | 0:08:56 | |
because it was noted that the members of the sunflower family follow the course of the sun. | 0:08:56 | 0:09:01 | |
-A lot of lizards are heliotropic as well. -Indeed they are. Absolutely right. | 0:09:01 | 0:09:05 | |
Because they're cold-blooded and they need the sun to warm them. | 0:09:05 | 0:09:08 | |
Katie Price is Heliotropic. | 0:09:08 | 0:09:10 | |
LAUGHTER | 0:09:10 | 0:09:12 | |
I think... I think... | 0:09:12 | 0:09:15 | |
I think... | 0:09:15 | 0:09:17 | |
-She is, yeah. -I think Harrow Road's... | 0:09:17 | 0:09:19 | |
I think Harrow Road's Sun Parlour Tropic is not quite the same. | 0:09:23 | 0:09:27 | |
I met her once, we were on the same breakfast TV programme. | 0:09:27 | 0:09:30 | |
And I said, "What are you here to talk about?" | 0:09:30 | 0:09:32 | |
She said, "I've just published my autobiography." I said, "Oh, well done." | 0:09:32 | 0:09:37 | |
She said, "Yes, I'm looking forward to reading it." | 0:09:37 | 0:09:40 | |
It's an odd thing about Jerusalem. | 0:09:44 | 0:09:46 | |
For some reason, it seems to attract things that just don't seem to be particularly connected. | 0:09:46 | 0:09:51 | |
There's a Jerusalem cherry, that's not a cherry. | 0:09:51 | 0:09:54 | |
-It's a poisonous nightshade. -Wow. What? | 0:09:54 | 0:09:56 | |
The Jerusalem cricket is not a cricket, it's another kind of insect. | 0:09:56 | 0:09:59 | |
Jerusalem sage is not a proper sage. None of them is from Jerusalem. | 0:10:01 | 0:10:05 | |
So essentially you can put Jerusalem next to anything that isn't what it is and then it becomes fact? | 0:10:05 | 0:10:10 | |
-Exactly, I'm wearing Jerusalem glasses. -And I'm a Jerusalem model. | 0:10:10 | 0:10:14 | |
Mountain also has that. You've got mountain lions. | 0:10:16 | 0:10:19 | |
The mountain cow is in fact... | 0:10:19 | 0:10:21 | |
Katie Price. | 0:10:21 | 0:10:22 | |
What a pity. | 0:10:25 | 0:10:26 | |
It's actually a tapir, one of those long-nosed South American... | 0:10:27 | 0:10:31 | |
-Messapia. -Anyway, we're ready to move on. | 0:10:31 | 0:10:34 | |
Why might my pockets smell of fish? | 0:10:34 | 0:10:37 | |
They've done that thing where they take my body | 0:10:49 | 0:10:52 | |
-and put it on the head of someone who looks a bit like me. -Ah, yes. | 0:10:52 | 0:10:56 | |
I hate when they do that. | 0:10:56 | 0:10:57 | |
God, that's like a dream I had last night! This is so weird. | 0:10:57 | 0:11:02 | |
It's not like a dream I've ever had. | 0:11:02 | 0:11:04 | |
But I mean, obviously, if you're a fisherman... | 0:11:05 | 0:11:08 | |
But if you were a person of a high rank in society, | 0:11:08 | 0:11:11 | |
a particular society, your pockets might smell of fish. | 0:11:11 | 0:11:14 | |
-Oh. -The Fishmongers' Society. -Well, no. | 0:11:14 | 0:11:16 | |
That's what I mean. Aside from the obvious professional reasons why you might smell of fish. | 0:11:16 | 0:11:21 | |
-Oh, right. -It's a society in which it was considered polite not to eat, | 0:11:21 | 0:11:27 | |
-but to pocket the fish at a banquet. -Is it Japanese, cos...? -Yes! | 0:11:27 | 0:11:30 | |
-Cos fish, fish, they love fish. -Japanese is exactly right. | 0:11:30 | 0:11:33 | |
Medieval Japanese society, at weddings and banquets | 0:11:33 | 0:11:36 | |
and other such things, it was right to drink the drink you were given, | 0:11:36 | 0:11:40 | |
but that you should take the fish, bring it up to your mouth and then tuck it away into your pocket. | 0:11:40 | 0:11:44 | |
-I know it seems very odd. -What? | 0:11:44 | 0:11:47 | |
It's just a social... | 0:11:47 | 0:11:49 | |
I've done that with sausage rolls for the dogs later. | 0:11:49 | 0:11:51 | |
We've all done it with certain things, I agree. | 0:11:51 | 0:11:54 | |
But it is an interesting thing, and they still have a tradition in Japan, | 0:11:54 | 0:11:58 | |
when a baby is 100 days old, | 0:11:58 | 0:11:59 | |
is to take food, sea bream and beans and soya and rice, | 0:11:59 | 0:12:03 | |
and wave it in front of the baby's face, but not let the baby eat it. | 0:12:03 | 0:12:08 | |
Wait a minute. So there's people dangling fish in front of babies? | 0:12:10 | 0:12:13 | |
This is... Right, OK. What, on a fishing line? | 0:12:13 | 0:12:17 | |
No, no! From the food cupboard or the fridge, | 0:12:17 | 0:12:20 | |
which in Japan would be filled with all kinds of different fish, as you can imagine. | 0:12:20 | 0:12:25 | |
-I see, I see. Sashimi. -Sashimi and sushi and all kinds of other such things. | 0:12:25 | 0:12:29 | |
-In fact, while on the subject of sashimi... -BILL: Weird, weirdos. | 0:12:29 | 0:12:32 | |
-What is the difference between sushi and sashimi? -Sashimi is raw fish. | 0:12:32 | 0:12:35 | |
And sushi is rice and seaweed and that kind of thing. | 0:12:35 | 0:12:38 | |
Yes, it's rolled in rice. | 0:12:38 | 0:12:40 | |
And the particular thing about sashimi is not just that it's raw fish, but that it's...? | 0:12:40 | 0:12:44 | |
-It's sliced. -It's sliced at an angle. | 0:12:44 | 0:12:46 | |
Those huge knife skills are incredibly important in Japanese cuisine. | 0:12:46 | 0:12:50 | |
This particularly used to be true in the medieval period. | 0:12:50 | 0:12:54 | |
And in carp, for example, | 0:12:54 | 0:12:56 | |
there were at least 47 different ways of cutting carp, | 0:12:56 | 0:12:59 | |
which represented different aspects of human life or activity. | 0:12:59 | 0:13:03 | |
For example, there was departing-for-battle carp. | 0:13:03 | 0:13:07 | |
So soldiers would have carp carved in a certain way before they went to battle. | 0:13:07 | 0:13:12 | |
If they weren't told they were going to battle, the carp was the giveaway. | 0:13:12 | 0:13:15 | |
Yeah, exactly. There was celebratory carp. | 0:13:15 | 0:13:19 | |
-There was taking-a-bride carp. -Ooh! | 0:13:19 | 0:13:22 | |
-Flower-viewing carp. -No! Really? | 0:13:23 | 0:13:27 | |
BILL: Warning carp. Look out, carp! | 0:13:27 | 0:13:30 | |
Moon-viewing carp. | 0:13:30 | 0:13:32 | |
So it was a very important part, obviously, of Japanese life, the way they prepared fish. | 0:13:32 | 0:13:37 | |
It's a wonderful art, obviously, | 0:13:37 | 0:13:39 | |
and it's a very popular cuisine now around the world. | 0:13:39 | 0:13:42 | |
I have an amusing joke that I always say when I'm in a Japanese restaurant - | 0:13:42 | 0:13:45 | |
bring me a various selection of things to drink, waiter, | 0:13:45 | 0:13:48 | |
and don't get all sake. | 0:13:48 | 0:13:49 | |
Oh, you see! Hey! | 0:13:49 | 0:13:51 | |
But what actually is sake? What is sake? | 0:13:51 | 0:13:53 | |
-Rice...? -Rice wine. -Rice wine, you said, Alan? -Yes, rice wine? | 0:13:53 | 0:13:58 | |
Alan came in first with rice wine. | 0:13:58 | 0:14:00 | |
-He said it! -Yeah. | 0:14:00 | 0:14:02 | |
-It is not rice wine. -Oh. -No. | 0:14:02 | 0:14:05 | |
Is it from Jerusalem? | 0:14:05 | 0:14:07 | |
The actual word "sake" simply means alcoholic drink. | 0:14:09 | 0:14:12 | |
But the sake we think of as sake is in fact a kind of beer. | 0:14:12 | 0:14:16 | |
The word they use for the drink we call sake is "Nihonshu", | 0:14:16 | 0:14:21 | |
which means Japanese liquor. Nihon, as in Nippon. | 0:14:21 | 0:14:24 | |
Anyway, originally, people would just chew rice | 0:14:24 | 0:14:27 | |
and spit into a large container, | 0:14:27 | 0:14:29 | |
and the enzymes from the spittle would cause the breakdown of starch into sugars, | 0:14:29 | 0:14:34 | |
which would cause the fermentation, which would make the sake. | 0:14:34 | 0:14:37 | |
So it is actually a strong beer, not a wine. | 0:14:37 | 0:14:40 | |
-A wine is a fruit-based drink, usually grape, obviously. -BILL SIGHS | 0:14:40 | 0:14:44 | |
What other kinds of particularly Japanese things can you do to food to make it Japanese? | 0:14:44 | 0:14:50 | |
-You can put it in tempura. -Tempura. | 0:14:50 | 0:14:52 | |
Funny you should say that cos tempura was actually introduced to Japan, | 0:14:52 | 0:14:56 | |
and I will give you ten points if you can tell me which nation | 0:14:56 | 0:14:59 | |
taught the Japanese to batter things, which is essentially what tempura is. | 0:14:59 | 0:15:03 | |
ALL: Scottish. | 0:15:03 | 0:15:04 | |
You'd think, wouldn't you? You would think. | 0:15:04 | 0:15:07 | |
Surely there's a ginger-haired man somewhere, | 0:15:07 | 0:15:09 | |
in one of those medieval scrolls, just going... | 0:15:09 | 0:15:12 | |
-"Do you want to deep-fry that?" -Yeah. "That would be magic, it really would." | 0:15:12 | 0:15:16 | |
-"Have we got any eggs?" -Oddly enough not, no. | 0:15:16 | 0:15:18 | |
-It was the Portuguese. -Portuguese! -The Portuguese. | 0:15:18 | 0:15:22 | |
Also, the name vindaloo is originally from Portuguese origin, from Goa. | 0:15:22 | 0:15:26 | |
Is it? I thought that was a French... | 0:15:26 | 0:15:28 | |
-Vin de loo - toilet water. -Goa, as you know, was... | 0:15:28 | 0:15:32 | |
But there you go. | 0:15:32 | 0:15:33 | |
Anyway, so lots of interesting things about Japanese food. | 0:15:33 | 0:15:37 | |
Now, what do people in Java use for a quick pick-me-up? | 0:15:37 | 0:15:42 | |
-Now, well. Ah. -SANDI: Not going to say. -Go on. | 0:15:43 | 0:15:47 | |
-No. In for a penny. -Go on. | 0:15:47 | 0:15:50 | |
-CAR ENGINE CHOKES -What was it? | 0:15:50 | 0:15:53 | |
-Oh, you are so canny. -Coffee. -Coffee, there we are. | 0:15:54 | 0:16:00 | |
Coffee does not pick you up. You may think it does. | 0:16:02 | 0:16:05 | |
If you drink coffee regularly, you get withdrawal symptoms | 0:16:05 | 0:16:08 | |
and all coffee does is put you back on the same level | 0:16:08 | 0:16:12 | |
than a non-coffee drinker is on. | 0:16:12 | 0:16:14 | |
It doesn't speed your reflexes, doesn't help you concentrate, | 0:16:14 | 0:16:18 | |
doesn't do anything. It can cause anxiety. | 0:16:18 | 0:16:21 | |
-That's the worst of it. -Shocker. -It's a kind of wired anxiety, but it isn't is a pick-me-up | 0:16:21 | 0:16:26 | |
-or an energiser. -Stimulus. -It's not a stimulant in that sense. | 0:16:26 | 0:16:29 | |
What most scientists recommend is that you either drink coffee regularly, | 0:16:29 | 0:16:33 | |
in which case you satisfy your body's need and withdrawal symptoms, | 0:16:33 | 0:16:36 | |
or you don't drink it at all. | 0:16:36 | 0:16:38 | |
-The problem most people have... -They're not getting on, are they? | 0:16:38 | 0:16:41 | |
..is when they suddenly go on a bit of a coffee jag, | 0:16:42 | 0:16:46 | |
go to a country that does very good coffee so they have a lot of ristretto | 0:16:46 | 0:16:50 | |
in Italy and then return to England, and then | 0:16:50 | 0:16:52 | |
don't have any, then they have one again - that's what screws you up. | 0:16:52 | 0:16:56 | |
-Anyway... -CAR ENGINE CHOKES | 0:16:56 | 0:16:57 | |
-Yes, my dear? -Cocaine. | 0:16:57 | 0:16:59 | |
You probably know that in Indonesia, the price for drug trafficking | 0:17:01 | 0:17:06 | |
-or being found is, essentially, death. -Yeah. | 0:17:06 | 0:17:11 | |
There is a strange habit of doing something which is supposed | 0:17:11 | 0:17:14 | |
to pick you up, supposed to cure you. | 0:17:14 | 0:17:17 | |
Somebody tried to commit suicide because they had an illness. | 0:17:17 | 0:17:20 | |
So they laid themselves down in a particular place, | 0:17:20 | 0:17:24 | |
-in order to try and end their own lives. -Railway line. | 0:17:24 | 0:17:27 | |
-A railway line is the right answer. -Ah. | 0:17:27 | 0:17:30 | |
And they suddenly found that their illness went away | 0:17:30 | 0:17:33 | |
and this caused a rash of Javanese people... | 0:17:33 | 0:17:37 | |
-lying on railway lines. -SANDI: How irritating. -Like so. Very irritating. | 0:17:37 | 0:17:42 | |
ALAN LAUGHS | 0:17:42 | 0:17:43 | |
The joke is that the power comes from the overhead lines. | 0:17:45 | 0:17:49 | |
There is no electricity in the rails at all. | 0:17:49 | 0:17:52 | |
I've never seen anyone look more serious than the woman | 0:17:52 | 0:17:55 | |
-in the blue! -No, she... | 0:17:55 | 0:17:57 | |
So presumably the pick-me-up part | 0:17:57 | 0:17:59 | |
depends how fast the train's going. | 0:17:59 | 0:18:02 | |
Whenever I see women like that I want to have a moustache | 0:18:02 | 0:18:05 | |
and twirl it. | 0:18:05 | 0:18:07 | |
-Like a proper melodramatic villain? -Yes, just with a cape. | 0:18:07 | 0:18:10 | |
Twirl your moustache. | 0:18:10 | 0:18:11 | |
-And we know the music that goes with it. -Silent music. | 0:18:11 | 0:18:15 | |
SANDI: That's the same as the washing up! | 0:18:15 | 0:18:17 | |
Yes, it is. Multitasking! | 0:18:17 | 0:18:20 | |
I could be washing up, I also... | 0:18:22 | 0:18:24 | |
Washing-up whilst tying his wife to the railway line. | 0:18:24 | 0:18:27 | |
Da-da-da-da-da-da... | 0:18:27 | 0:18:29 | |
Oh, tricky one - cheese grater. | 0:18:29 | 0:18:33 | |
-Cheese graters, they are tricky. -Brush. -No, no. | 0:18:33 | 0:18:37 | |
-Use a brush. -I take them to the car wash, hold them out the windows. | 0:18:37 | 0:18:42 | |
Let their brushes take the strain! | 0:18:43 | 0:18:45 | |
Another thing they do in Java which they do in other parts | 0:18:47 | 0:18:49 | |
of the world, dangerous sport involving trains. | 0:18:49 | 0:18:52 | |
-Do you know? -Playing chicken, running in front... | 0:18:52 | 0:18:55 | |
-Running on the roof. -Yes. | 0:18:55 | 0:18:56 | |
-Roof surfing, as it's known. There you can see. -Oh, my God. | 0:18:56 | 0:19:00 | |
That's not so much running as having a picnic. | 0:19:00 | 0:19:03 | |
There are so many of them. What they started to do was suspending, | 0:19:03 | 0:19:06 | |
just at human head height, grapefruit-sized concrete balls | 0:19:06 | 0:19:10 | |
so that people would - bang, like that! | 0:19:10 | 0:19:13 | |
-In order to stop them... -Start with a grapefruit! | 0:19:13 | 0:19:17 | |
-Then say... -No, they're tough in Java. Believe me. They are tough. | 0:19:17 | 0:19:21 | |
But not that bright. | 0:19:21 | 0:19:23 | |
I'm having a senior moment. The famous volcano near Java? | 0:19:23 | 0:19:28 | |
-Krakatoa. -Krakatoa. | 0:19:28 | 0:19:29 | |
-What's the name of the movie? -Um... | 0:19:29 | 0:19:32 | |
-Krakatoa... -Erupts? -SANDI: East of Java. | 0:19:32 | 0:19:35 | |
East of Java, yes. | 0:19:35 | 0:19:36 | |
-And oddly enough, it's actually west of Java. -West of Java, yes. | 0:19:36 | 0:19:40 | |
It's an odd thing, but it was one of the first big Cinerama | 0:19:40 | 0:19:43 | |
kind of movies, called Krakatoa East of Java. | 0:19:43 | 0:19:46 | |
It was just a bizarre lie, because Krakatoa is west of Java. | 0:19:46 | 0:19:49 | |
So some producer must have thought, "I don't like the sound of West of Java." | 0:19:49 | 0:19:53 | |
"It's not going to sell. What can we do? We can take it north. North, south? | 0:19:53 | 0:19:56 | |
"East! East, it's going to be fantastic." | 0:19:56 | 0:19:58 | |
So, within ten years, tell me when this great huge explosion? | 0:19:58 | 0:20:04 | |
-1883. -1883. | 0:20:04 | 0:20:05 | |
Erm, 1882. | 0:20:07 | 0:20:11 | |
Right. | 0:20:13 | 0:20:14 | |
Ladies and gentlemen, viewers at home, | 0:20:16 | 0:20:18 | |
-brace yourselves. -Oh, hello. | 0:20:18 | 0:20:21 | |
The explosion, the great enormous, gigantic eruption of Krakatoa | 0:20:22 | 0:20:26 | |
was in 1883. | 0:20:26 | 0:20:28 | |
I thank you. | 0:20:28 | 0:20:30 | |
APPLAUSE | 0:20:30 | 0:20:32 | |
-I saw a documentary about it. -May I just say... | 0:20:32 | 0:20:36 | |
..W-T-F? | 0:20:37 | 0:20:40 | |
There was a documentary about it on the BBC and they re-enacted it. | 0:20:40 | 0:20:44 | |
Well, well remembered! I mean, it's not an easily, not particularly... | 0:20:44 | 0:20:47 | |
I don't normally remember anything. | 0:20:47 | 0:20:49 | |
It was the loudest sound, apparently, that has ever existed, | 0:20:49 | 0:20:52 | |
or at least as far as we know, certainly within human reckoning. | 0:20:52 | 0:20:56 | |
So, four atomic bombs is sort of the average... | 0:20:56 | 0:20:58 | |
Oh, no! It was 13 times greater than the Hiroshima bomb. | 0:20:58 | 0:21:01 | |
Oh, was it? Wow! | 0:21:01 | 0:21:03 | |
Five cubic miles of rock was spewed into the air, | 0:21:03 | 0:21:06 | |
and it was heard 3,000 miles away. | 0:21:06 | 0:21:09 | |
You could actually hear it 3,000 miles away. | 0:21:09 | 0:21:12 | |
-Pop. -And it... Yes! | 0:21:12 | 0:21:13 | |
LAUGHTER | 0:21:13 | 0:21:15 | |
That's what it sounded like in Australia. | 0:21:15 | 0:21:18 | |
It reverberated around the world, the ripples of it, seven times. | 0:21:18 | 0:21:22 | |
-It was a most extraordinary... -It was winter for years, wasn't it? | 0:21:22 | 0:21:25 | |
Winter for years was actually another. That was an 1815 volcano. | 0:21:25 | 0:21:31 | |
And it was known as the winter of 1815. You might know, I can tell. | 0:21:31 | 0:21:35 | |
Those who don't know - Bill Bailey is a great friend of Indonesia, | 0:21:35 | 0:21:39 | |
lives there, works there, plays gamelan. | 0:21:39 | 0:21:41 | |
-I do. -Does the whole thing. -The whole gamelan. -So you might know | 0:21:41 | 0:21:44 | |
-this mountain. -It might have been Tambora. | 0:21:44 | 0:21:47 | |
It was Mount Tambora. Well done. | 0:21:47 | 0:21:49 | |
APPLAUSE | 0:21:49 | 0:21:51 | |
It was called the year without a summer in 1815 and, in fact, | 0:21:54 | 0:21:58 | |
about 100,000 people died of disease and famine, | 0:21:58 | 0:22:02 | |
whereas the explosion of Krakatoa | 0:22:02 | 0:22:05 | |
killed 36,000 people because it was an eruption. | 0:22:05 | 0:22:08 | |
Wasn't Krakatoa... Was that the first global event | 0:22:08 | 0:22:13 | |
that sort of was... The news of which spread around the world? | 0:22:13 | 0:22:16 | |
Exactly. We can see behind us, Harper's Weekly. | 0:22:16 | 0:22:19 | |
-It was a media event for the first time. -Yeah. | 0:22:19 | 0:22:21 | |
-"The island and volcano of Krakatoa Strait of Sunda, submerged during the late eruption." -Yes. | 0:22:21 | 0:22:26 | |
When eventually a human party of people | 0:22:26 | 0:22:29 | |
arrived at the site, at what was once a gigantic volcano | 0:22:29 | 0:22:34 | |
that had just exploded, they found - | 0:22:34 | 0:22:37 | |
and I'm including both vegetable and animal matter here - one living creature. | 0:22:37 | 0:22:42 | |
And I will give you ten points if you can tell me the species. | 0:22:42 | 0:22:45 | |
-Was it a spider that they found? -Yes! | 0:22:45 | 0:22:47 | |
-It was a spider. -What's going on?! Everybody's brilliant. | 0:22:47 | 0:22:51 | |
-APPLAUSE -Bravo. | 0:22:51 | 0:22:52 | |
Absolutely marvellous. Everybody's on cracking form here. | 0:22:55 | 0:22:58 | |
You really are doing superbly well. | 0:22:58 | 0:23:00 | |
Was the spider going, "Ooh, it's hot"? | 0:23:00 | 0:23:04 | |
It was indeed. | 0:23:04 | 0:23:05 | |
It was using two legs at a time. | 0:23:05 | 0:23:08 | |
-Anyway... -BILL: Like this. | 0:23:08 | 0:23:10 | |
Ooh, ah! Ooh, ah! Ooh, ow! Oh, ah! Ooh, ow! Ooh, ow!, Ooh, ow! | 0:23:10 | 0:23:14 | |
-So it was doing the washing-up! -Yes, it was. | 0:23:14 | 0:23:17 | |
It's the Jerusalem washing-up spider. | 0:23:17 | 0:23:19 | |
Anyway, moving on. | 0:23:19 | 0:23:22 | |
So, what was the most hurtful thing Rambo's boyfriend did to him? | 0:23:22 | 0:23:24 | |
Right. I've seen this film. It's a bootleg, it's very different from... | 0:23:27 | 0:23:33 | |
-Rambo's boyfriend? -I'm being very naughty - the picture is being very naughty. | 0:23:33 | 0:23:37 | |
-When I say Rambo, I really mean Rimbaud. -Rimbaud! | 0:23:37 | 0:23:42 | |
So when I say Rimbaud, who do I mean? | 0:23:42 | 0:23:44 | |
-You mean, of course, him. -But who is he? | 0:23:44 | 0:23:47 | |
-Rimbaud. Somebody French. -SANDI: He looks off his head on something. | 0:23:47 | 0:23:50 | |
-"Somebody French." -Arthur? -Arthur. | 0:23:50 | 0:23:52 | |
-Arthur. -Rimbaud. -Rimbaud. | 0:23:52 | 0:23:55 | |
-Arthur Rimbaud, who was? -He was a great writer, wasn't he? -A poet. | 0:23:55 | 0:23:58 | |
-A great poet, but very rare inasmuch as... -Got that right! Can't believe it. | 0:23:58 | 0:24:01 | |
We're used to Beethoven and Mozart, and other musicians | 0:24:01 | 0:24:05 | |
being extraordinarily prodigious at an early age. | 0:24:05 | 0:24:07 | |
It's very rare for a poet. | 0:24:07 | 0:24:09 | |
The greatest work that Rimbaud wrote, and he was a great poet, | 0:24:09 | 0:24:12 | |
was between the ages of 17 and 21. | 0:24:12 | 0:24:14 | |
He was extraordinarily beautiful. According to a school friend, | 0:24:14 | 0:24:19 | |
"He had eyes of pale blue, irradiated with dark blue, | 0:24:19 | 0:24:23 | |
"the loveliest eyes I've ever seen. He was a brilliant student. | 0:24:23 | 0:24:27 | |
"He won a regional poetry competition, | 0:24:27 | 0:24:29 | |
"in spite of sleeping through the first three hours of the exam." | 0:24:29 | 0:24:32 | |
-SANDI: Oh, I've done that. -At 16, he ran away from home with no money, | 0:24:32 | 0:24:36 | |
and then between the ages of 17 and 21, just four years, | 0:24:36 | 0:24:39 | |
he had this extraordinary flowering as poet. | 0:24:39 | 0:24:42 | |
But, in doing so, he shared his life with someone. | 0:24:42 | 0:24:44 | |
He had a passionate, tumultuous affair with dot, dot, dot. | 0:24:44 | 0:24:49 | |
Katie Price. | 0:24:49 | 0:24:50 | |
His dates were 1854 to 1891. So he died at 36, 37. | 0:24:51 | 0:24:57 | |
-And he was of a homosexual persuasion? -A child prodigy, he was gay. | 0:24:57 | 0:25:00 | |
Oh, well, don't know anything about those people. | 0:25:00 | 0:25:02 | |
And in fact there is a blue plaque to him in London, | 0:25:02 | 0:25:05 | |
where he shared a short-ish time with his lover, | 0:25:05 | 0:25:08 | |
who was also a poet, a famous poet. | 0:25:08 | 0:25:11 | |
-Oh. Gerard de Nerval. -No. | 0:25:11 | 0:25:14 | |
-Gerard de Nerval was a fascinating man. -He was. | 0:25:14 | 0:25:18 | |
-I very much enjoyed the way you said that. -Je suis le veuf, | 0:25:18 | 0:25:21 | |
-l'ancontre. Le tenebreux. -And he also famously had a pet lobster... | 0:25:21 | 0:25:25 | |
-He did indeed. -..that he used to take for walks on a lead. -Vite, vite, monsieur! | 0:25:25 | 0:25:29 | |
-Monsieur Clicky. -Stay with it! Stay with it! | 0:25:30 | 0:25:34 | |
Alors! | 0:25:34 | 0:25:35 | |
Stay with it, because it's ... | 0:25:35 | 0:25:37 | |
Non! | 0:25:37 | 0:25:39 | |
-J'ai fatigue. -Non! Allez vite. | 0:25:39 | 0:25:42 | |
ALAN CHOKES | 0:25:42 | 0:25:45 | |
-L'eau, s'il vous plait. L'eau! -Non. | 0:25:45 | 0:25:48 | |
Non, pas de l'eau. Non. Le artichoke. | 0:25:49 | 0:25:52 | |
Le Jerusalem APPLAUSE | 0:25:52 | 0:25:56 | |
I never thought I'd see the day | 0:25:59 | 0:26:02 | |
when Bill Bailey force-fed Gerard de Nerval's lobster | 0:26:02 | 0:26:07 | |
with a Jerusalem artichoke, and yet the day came. | 0:26:07 | 0:26:10 | |
Anyway, let's just return to this other poet, | 0:26:10 | 0:26:12 | |
who was the lover of the young Verlaine. | 0:26:12 | 0:26:15 | |
-Oh, sorry. -Verlaine! | 0:26:15 | 0:26:18 | |
APPLAUSE | 0:26:18 | 0:26:21 | |
Did I ever give that away! No. | 0:26:22 | 0:26:25 | |
Now, there, on the left is Verlaine, | 0:26:25 | 0:26:28 | |
-the one who looks slightly like John Malkovich. -Oh. | 0:26:28 | 0:26:30 | |
-In the middle is the boy wonder. -Rimbaud. | 0:26:30 | 0:26:33 | |
Rimbaud, and on the right is... Erm, I can't remember his name. | 0:26:33 | 0:26:37 | |
-That's Robert De Niro, isn't it? -It is Robert De Niro, yes. | 0:26:37 | 0:26:39 | |
It is a bit, isn't it, on the right? | 0:26:39 | 0:26:41 | |
It's Robert De Niro, that's who it is. | 0:26:41 | 0:26:43 | |
It's like a 19th-century ad for a hairdresser's, of all the different styles you can have. | 0:26:43 | 0:26:48 | |
Is that the same person in that picture as it was in the one before? | 0:26:48 | 0:26:51 | |
-It is. -Jeez. Air-brushing. -I know. | 0:26:51 | 0:26:54 | |
But they went to live in Camden for a short while | 0:26:54 | 0:26:57 | |
and there is a blue plaque in Camden that says, | 0:26:57 | 0:27:00 | |
"Arthur Rimbaud and Paul Verlaine, poets and lovers, lived here." | 0:27:00 | 0:27:04 | |
It was the first blue plaque to celebrate a gay couple, which is rather sweet. | 0:27:04 | 0:27:07 | |
Anyway, that's the story of these two. | 0:27:07 | 0:27:09 | |
Paul Verlaine wrote a poem of extraordinary international importance, whose opening lines are? | 0:27:09 | 0:27:16 | |
# And did those feet | 0:27:16 | 0:27:19 | |
# In ancient times... # | 0:27:19 | 0:27:21 | |
No, I'll tell you what they are. | 0:27:21 | 0:27:23 | |
# Walk upon England's... # | 0:27:23 | 0:27:25 | |
Les sanglots longs de violons de l'automne | 0:27:25 | 0:27:27 | |
Blessent mon coeur d'une langueur monotone... | 0:27:27 | 0:27:30 | |
-SANDI: I didn't realise you wanted it in French! -No, no. | 0:27:30 | 0:27:33 | |
It seriously is internationally important, that poem. | 0:27:33 | 0:27:36 | |
How can that be that those first lines changed history? | 0:27:36 | 0:27:41 | |
-It's the internationale... -I will do it in a voice that might give you a hint. -OK. | 0:27:41 | 0:27:44 | |
-DEEP BARITONE: -Les sanglots longs des violons de l'automne... | 0:27:44 | 0:27:48 | |
-Yes? -It's the start of the Eurovision Song Contest. | 0:27:48 | 0:27:52 | |
-As we know, Beethoven's 9th Symphony begins that... -Dammit! -No. | 0:27:52 | 0:27:57 | |
-It was a code. -A code. A code to the resistance. -Yes! | 0:27:57 | 0:28:01 | |
It was a code to the resistance that the D-Day landings were beginning | 0:28:01 | 0:28:04 | |
and that the resistance should begin their sabotage. | 0:28:04 | 0:28:07 | |
-That was the signal. -They went, "finally!" -Rather wonderful. | 0:28:07 | 0:28:10 | |
So French hearts beat a little quicker when they hear these four words. | 0:28:10 | 0:28:14 | |
What kind of camp person decided that was the code | 0:28:14 | 0:28:16 | |
-they where going to use? -It's a very famous poem - | 0:28:16 | 0:28:18 | |
it would be like saying "shall I compare thee to a summer's day?" | 0:28:18 | 0:28:21 | |
Anyway, we thought you'd like to know about it, but why... | 0:28:21 | 0:28:24 | |
BILL: Yes, quite interesting. | 0:28:24 | 0:28:26 | |
The question was how did the lover hurt Rimbaud? | 0:28:26 | 0:28:29 | |
-Shut his fingers in the door. -Yeah. | 0:28:29 | 0:28:31 | |
-Worse than that, he had a tumultuous... -Oh, it does nip. | 0:28:31 | 0:28:34 | |
-..passionate, jealous rage and shot him in the wrist. -In the wrist? -Yes. | 0:28:34 | 0:28:39 | |
Whilst he was masturbating. | 0:28:39 | 0:28:41 | |
I'm going to move on, because you're just simply misbehaving. | 0:28:41 | 0:28:45 | |
-Yeah, move on. -Yeah. -It's for the best. -Anyway. | 0:28:45 | 0:28:48 | |
I am so out of my comfort zone. | 0:28:48 | 0:28:50 | |
It's all good information that is well worth knowing. | 0:28:52 | 0:28:56 | |
Arthur Rimbaud was shot in the arm by Paul Verlaine. | 0:28:56 | 0:28:59 | |
Now, on to one of the delicacies of Jamaican cuisine, | 0:28:59 | 0:29:02 | |
I think we all know how to make cock soup, | 0:29:02 | 0:29:05 | |
but how would you make mannish water? | 0:29:05 | 0:29:08 | |
Sorry, I don't know how to make cock soup. | 0:29:08 | 0:29:09 | |
-I don't like cock soup. -I don't know what... -Cock-a-leekie. | 0:29:09 | 0:29:13 | |
Oh, right! Oh, OK. | 0:29:13 | 0:29:15 | |
Cock-a-leekie. | 0:29:15 | 0:29:17 | |
-It's good, chicken soup. -Oh, I see. Is that what it is? | 0:29:17 | 0:29:20 | |
-A cock is a chicken. -Cock is a chicken, yeah. | 0:29:20 | 0:29:24 | |
What can you have been thinking? | 0:29:24 | 0:29:26 | |
I don't know, I thought it was some terrible euphemism. | 0:29:26 | 0:29:31 | |
What, a euphemism for pheasant? | 0:29:31 | 0:29:32 | |
I don't... Yes! Yes, that's it, pheasant. | 0:29:32 | 0:29:35 | |
Well, cock soup is chicken soup. Cock-a-leekie. | 0:29:35 | 0:29:37 | |
-Cock-a-leekie soup. -You've had cock-a-leekie in Scotland. | 0:29:37 | 0:29:40 | |
-I have had cock-a-leekie. -Yes, you've had a leaky cock. Hey! | 0:29:40 | 0:29:43 | |
No, shush and because... | 0:29:43 | 0:29:44 | |
No, listen, now. Mannish water... | 0:29:44 | 0:29:47 | |
SANDI LAUGHS UPROARIOUSLY | 0:29:47 | 0:29:49 | |
It's like Frankie Howerd was in the room. | 0:29:49 | 0:29:52 | |
-BILL & STEPHEN AS HOWERD: No, no. -No, don't. -Oh, no. -Stop it. | 0:29:52 | 0:29:55 | |
-Shush! No. -Don't. -No. | 0:29:55 | 0:29:58 | |
-Missus! -No. | 0:29:58 | 0:29:59 | |
Big belly laughs from all men with big bellies and we'll have little titters from... No! | 0:30:00 | 0:30:07 | |
-All right. Don't you remember that one? -Oh! | 0:30:07 | 0:30:10 | |
Stop it! Mannish water... Come on, we're in Jamaica. | 0:30:10 | 0:30:13 | |
-Mannish water. -Yeah. | 0:30:13 | 0:30:15 | |
-Is it some kind of a soupage of some kind? -Yes. -It's a soupage. -Mannish water. | 0:30:15 | 0:30:18 | |
It's Jamaican, is the point. | 0:30:18 | 0:30:20 | |
-Right, so Jamaican food is what you're looking for? -Yeah. | 0:30:20 | 0:30:23 | |
-Coconuts, plantains. -It's mannish, though. | 0:30:23 | 0:30:25 | |
The point is they want to be male, so eat male animals. | 0:30:25 | 0:30:28 | |
Oh, OK, so it's a... | 0:30:28 | 0:30:29 | |
-And what food is common in... -Rice and peas. -Yes. | 0:30:29 | 0:30:33 | |
-Rice and peas, flying fish. -Anything else? | 0:30:33 | 0:30:35 | |
-Goat and... -Goat! Yes. | 0:30:35 | 0:30:37 | |
-Entrails of goat. -That's it. | 0:30:37 | 0:30:39 | |
So all the male parts of a goat - and a male goat is the important thing - makes mannish water. | 0:30:39 | 0:30:43 | |
It's also called goat's head soup. | 0:30:43 | 0:30:44 | |
Does the phrase goat's head soup mean anything to you? | 0:30:44 | 0:30:47 | |
Er, yes, that I'm not hungry, is what it means. | 0:30:47 | 0:30:50 | |
-Anything else? -It's an album, isn't it? -Thank you. | 0:30:50 | 0:30:53 | |
Goat's Head Soup, by what's his name? | 0:30:53 | 0:30:55 | |
-It's not his name, their name. -Oh, God! | 0:30:55 | 0:30:58 | |
-The greatest rock 'n' roll band in the world, they call themselves. -The Proclaimers! | 0:30:58 | 0:31:03 | |
And you can walk another 100 miles for... | 0:31:05 | 0:31:07 | |
Oh, I love The Proclaimers. | 0:31:07 | 0:31:09 | |
No, I'm very fond of The Proclaimers, but The Rolling Stones... | 0:31:09 | 0:31:12 | |
-Rolling Stones! Rolling Stones. -In 1973, produced an album called Goat's Head Soup, | 0:31:12 | 0:31:17 | |
because they recorded the album on Jamaica. | 0:31:17 | 0:31:19 | |
And do you know why they recorded the album on Jamaica? | 0:31:19 | 0:31:22 | |
-Island Records. -SANDI: Because they were mad for the soup. -No. | 0:31:22 | 0:31:25 | |
Because it was about the only bloody country on Earth where they weren't banned from. | 0:31:25 | 0:31:29 | |
It was around the time of a lot of the drugs and all the rest of it, | 0:31:29 | 0:31:32 | |
so they were allowed in Jamaica and made an album called Goat's Head Soup, | 0:31:32 | 0:31:36 | |
which is another word for mannish water. | 0:31:36 | 0:31:38 | |
And its ingredients, should you wish to make it, are goat's head, | 0:31:38 | 0:31:41 | |
feet and intestines, served with bananas and spices. | 0:31:41 | 0:31:44 | |
It's supposed to be an aphrodisiac. It's supposed to man you up, | 0:31:44 | 0:31:47 | |
that's the point. Hence mannish soup. | 0:31:47 | 0:31:50 | |
There's also cow cod soup, made of bull's penis, | 0:31:50 | 0:31:52 | |
chilli peppers and bananas, cooked in white rum. | 0:31:52 | 0:31:55 | |
-Which sounds rather nice. -That is nice. -I like the sound of that. | 0:31:55 | 0:31:58 | |
-I'll pop to Lidl in the morning. -Yeah. | 0:31:58 | 0:32:02 | |
Anyway, that's mannish water for you. | 0:32:02 | 0:32:04 | |
Where are fathers often barely older than their sons? | 0:32:04 | 0:32:10 | |
Barely... | 0:32:10 | 0:32:11 | |
When I say barely older, they can be only a day older than their son. | 0:32:11 | 0:32:14 | |
-In the insect world. -No, I'm talking about humans. | 0:32:14 | 0:32:18 | |
-ALL: -Humans?! | 0:32:18 | 0:32:20 | |
-It sounds impossible. -Adoptions. -Adoptions. | 0:32:20 | 0:32:25 | |
And there is a country in which 98% of all adoptions... | 0:32:25 | 0:32:29 | |
-are of adults, not of children. In which country? -Japan. | 0:32:29 | 0:32:33 | |
And it begins with J. And it is Japan. | 0:32:33 | 0:32:37 | |
And in Japan, it is very traditional to adopt | 0:32:37 | 0:32:41 | |
an adult young man - aged between 25 and 30 is roughly the average. | 0:32:41 | 0:32:45 | |
-So you have to find one without parents, presumably. -No! | 0:32:45 | 0:32:48 | |
Oddly enough, you, as it were, adopt them from their own real parents. | 0:32:48 | 0:32:51 | |
-Because you are rich and successful. -It's called stealing. -It sort of is. | 0:32:51 | 0:32:56 | |
It's the transfer system. | 0:32:56 | 0:32:58 | |
It is basically an open market transfer system. | 0:32:58 | 0:33:02 | |
-It's like the Premier League. -And it is for the same reason. | 0:33:02 | 0:33:04 | |
It is business. If your own son is a bit of a clod, | 0:33:04 | 0:33:07 | |
and I'm afraid it is a male business this, | 0:33:07 | 0:33:09 | |
and you run a business, and you want it to stay a family business, | 0:33:09 | 0:33:13 | |
what you tend to do is adopt a young man who is very bright | 0:33:13 | 0:33:17 | |
and you'll probably marry him to your daughter. | 0:33:17 | 0:33:20 | |
There is a saying, "You can't choose your son, | 0:33:20 | 0:33:23 | |
"but you can choose your son-in-law." | 0:33:23 | 0:33:24 | |
You can adopt someone then marry them to your daughter? | 0:33:24 | 0:33:28 | |
I know it's weird. But it is the Japanese way. | 0:33:28 | 0:33:30 | |
-Wow. -That would take off in Norfolk. | 0:33:30 | 0:33:33 | |
LAUGHTER | 0:33:33 | 0:33:35 | |
So, for example, the current chairman of Suzuki, | 0:33:35 | 0:33:38 | |
one of the largest corporations in Japan, | 0:33:38 | 0:33:41 | |
is the fourth adopted son to have run the company. | 0:33:41 | 0:33:43 | |
So he is a Suzuki, that is to say his father was someone | 0:33:43 | 0:33:47 | |
who was adopted by someone who was adopted by someone who was adopted by a Suzuki. | 0:33:47 | 0:33:51 | |
And they're not blood related, but they have become the adopted child. | 0:33:51 | 0:33:55 | |
But there you are. Only 2% of adoptees in Japan are infants. | 0:33:55 | 0:34:00 | |
-Right. -Only two, the rest, 98%, are males. -All males? -All males. | 0:34:00 | 0:34:05 | |
And for that reason - to continue the line. | 0:34:05 | 0:34:08 | |
-That's ongoing? -It's ongoing to this day. Absolutely. | 0:34:08 | 0:34:11 | |
Now, here are two towns behind me. They both begin with J. Why are they blue? | 0:34:11 | 0:34:15 | |
-Oh! Now, I know this. -Yes? | 0:34:15 | 0:34:18 | |
-Well, I know one of them. -Go on, then. | 0:34:18 | 0:34:21 | |
I've got a Smurf collection, I've had it many years. | 0:34:21 | 0:34:24 | |
When I was younger, I used to collect Smurfs, it was my hobby. | 0:34:24 | 0:34:28 | |
I've got a Smurf village, I created when I was younger, | 0:34:28 | 0:34:30 | |
it's still there, reminds me of the bad times. | 0:34:30 | 0:34:33 | |
-And the good times. -Right. | 0:34:33 | 0:34:35 | |
Now, and if this is wrong, I'm going to look like a total twat. | 0:34:35 | 0:34:39 | |
-The thing is, you'd look like a twat even if you're right. -Yeah. -Carry on, yeah. | 0:34:39 | 0:34:44 | |
LAUGHTER AND APPLAUSE | 0:34:44 | 0:34:45 | |
No, because knowing this is so deeply sad. Yeah, carry on. | 0:34:45 | 0:34:49 | |
OK, so I love Smurfs and everything about Smurfs | 0:34:49 | 0:34:52 | |
-and Smurfette and everything else. -Yeah. | 0:34:52 | 0:34:54 | |
When they did the premiere of the Smurf film, | 0:34:54 | 0:34:57 | |
they painted a town somewhere - | 0:34:57 | 0:34:59 | |
I think it was Spain, near Marbella, or something like that - | 0:34:59 | 0:35:02 | |
blue, for the premiere of the film. | 0:35:02 | 0:35:04 | |
And then afterwards they said, "We'll paint it back," | 0:35:04 | 0:35:07 | |
and the residents had had such a lot of tourism, | 0:35:07 | 0:35:10 | |
and they dubbed the mayor Papa Smurf, which he was delighted about! | 0:35:10 | 0:35:14 | |
But they had a referendum to see if they wanted to keep their town blue, | 0:35:14 | 0:35:18 | |
because they thought it was quite cool. | 0:35:18 | 0:35:20 | |
And, cos that's Smurf, because it was Smurf Town, | 0:35:20 | 0:35:22 | |
which sounds amazing, cos I love the Smurfs. | 0:35:22 | 0:35:25 | |
-You are 100% correct! -Come on! | 0:35:25 | 0:35:28 | |
APPLAUSE | 0:35:28 | 0:35:30 | |
The only thing... | 0:35:30 | 0:35:33 | |
The only thing that would add 20 points | 0:35:33 | 0:35:36 | |
-was if you knew the name. -BILL: 20 points? Oh! | 0:35:36 | 0:35:39 | |
Will you not destroy the set? | 0:35:43 | 0:35:45 | |
Yes, you've broken it. | 0:35:47 | 0:35:49 | |
-Just tell me the name of the town. -Juarez, was it Juarez? -No. | 0:35:49 | 0:35:52 | |
No, that's in Mexico. We're talking about Spain. | 0:35:52 | 0:35:55 | |
-Jojoba. -Jerez. -No, that's... -Jerez. | 0:35:55 | 0:35:58 | |
-That's... -Jomin? -Juan. | 0:35:58 | 0:36:01 | |
All right, it begins with "J". I'll give you that. | 0:36:01 | 0:36:04 | |
Is it Jipswich? | 0:36:04 | 0:36:05 | |
SANDI: Is it Jerusalem? | 0:36:05 | 0:36:07 | |
It's not Jerusalem. | 0:36:07 | 0:36:09 | |
Ji... Jiby. | 0:36:09 | 0:36:10 | |
-No, it's called Juzcar. -ALL: Oh! | 0:36:10 | 0:36:12 | |
The next thing I was going to say. | 0:36:12 | 0:36:15 | |
Juzcar, spelt J-U-Z-C-A-R, Juzcar, with an accent on the U. | 0:36:15 | 0:36:19 | |
Was the other town Jaipur? | 0:36:19 | 0:36:22 | |
-Yes! Well done. -A point! | 0:36:22 | 0:36:24 | |
No, no. No. Sorry. Whoa! I misheard you. | 0:36:24 | 0:36:28 | |
-SANDI: It's Jodhpur. -Jodhpur is the answer. | 0:36:28 | 0:36:31 | |
I still said it before Sandi, I still said Jodhpur before Sandi! | 0:36:31 | 0:36:36 | |
-You did, you said the wrong thing. -No, no! I said Jodhpur, I still said Jodhpur. | 0:36:36 | 0:36:39 | |
You're quite right, it's Jodhpur. | 0:36:39 | 0:36:41 | |
So we're going to go back to a picture of Jodhpur. Why is Jodhpur blue? | 0:36:41 | 0:36:44 | |
-SANDI: It's to do with the caste system. -Yes. | 0:36:44 | 0:36:47 | |
It's to do with indigo, indigo being the colour of the Brahmin. | 0:36:47 | 0:36:50 | |
The Brahmin, which is the highest caste. | 0:36:50 | 0:36:53 | |
It was to distinguish their houses and everybody thought it a good idea. | 0:36:53 | 0:36:56 | |
There is also a pink city. Can you name a pink city? | 0:36:56 | 0:36:59 | |
-Jaipur. -Yes! | 0:36:59 | 0:37:01 | |
APPLAUSE | 0:37:01 | 0:37:03 | |
There you go. | 0:37:03 | 0:37:05 | |
And there it is. There we are. It was built in pink stone | 0:37:06 | 0:37:09 | |
and it was painted pink for a very particular reason. | 0:37:09 | 0:37:12 | |
-I wonder if you can... -Prince Albert, wasn't it? | 0:37:12 | 0:37:14 | |
Yes, Prince Albert Edward, who later became Edward VII. | 0:37:14 | 0:37:18 | |
He was coming to visit and they thought, "Let's paint it pink." | 0:37:18 | 0:37:21 | |
In the 1870s, painted it pink in his honour. Anyway, there we go. | 0:37:21 | 0:37:25 | |
Jodhpur and Juzcar are both painted blue, one by tradition, | 0:37:25 | 0:37:29 | |
the other for a Smurfs film. | 0:37:29 | 0:37:31 | |
Now, what would you keep in a 14-tonne jar with no lid? | 0:37:31 | 0:37:36 | |
-Biscuits! -Yeah. | 0:37:36 | 0:37:37 | |
Biscuits. A lot of biscuits. | 0:37:37 | 0:37:39 | |
-A lot. -14-tonne jar. -14-tonne jar... | 0:37:39 | 0:37:43 | |
-I have difficulty imagining how big that would be. -Vast. | 0:37:43 | 0:37:46 | |
14 tonne is heavy, but it's only... It's only six or seven lorries. | 0:37:46 | 0:37:51 | |
Well, six lorries. Well, four lorries. | 0:37:51 | 0:37:53 | |
-It depends how big the lorry is. -Yes. | 0:37:53 | 0:37:55 | |
-You know... -Jam. | 0:37:57 | 0:37:59 | |
You get a two-tonne truck, so if you're talking about a 14 one... | 0:37:59 | 0:38:02 | |
-Jam. -It's not a jam jar, no. It's a jar. -BILL: Tadpoles. | 0:38:02 | 0:38:05 | |
They're known as a jar to archaeologists, | 0:38:05 | 0:38:08 | |
-if that's any use to you. -Ah, yes. | 0:38:08 | 0:38:10 | |
I did archaeology at university | 0:38:10 | 0:38:11 | |
and there's quite a lot of things we don't know what they're for. | 0:38:11 | 0:38:14 | |
-Yes. -And I think this is one of those. | 0:38:14 | 0:38:16 | |
-Might you be able to place it on the map? -I think it's in Laos. | 0:38:16 | 0:38:19 | |
You are damn well spot-on. I am so impressed with you lot today. | 0:38:19 | 0:38:23 | |
Although you've been occasionally just a little bit facetious, | 0:38:23 | 0:38:26 | |
you have also come up with some stonkingly correct answers. | 0:38:26 | 0:38:31 | |
What they now think, no-one knows what they were for, | 0:38:31 | 0:38:34 | |
Marco Polo described them. | 0:38:34 | 0:38:35 | |
And we now think they're for making goat's head soup. | 0:38:35 | 0:38:38 | |
-LAUGHTER -You're absolutely right. | 0:38:38 | 0:38:40 | |
They're on the plains of Laos and they are made of granite | 0:38:40 | 0:38:44 | |
and they are human made. No-one knows how they made them. | 0:38:44 | 0:38:47 | |
Granite is not an easy stone to work with. | 0:38:47 | 0:38:50 | |
You make a nice kitchen surface for it, for slicing, slicing... | 0:38:50 | 0:38:55 | |
Slicing. | 0:38:55 | 0:38:56 | |
-Writing. -Writing. -Buying things on eBay. | 0:38:56 | 0:39:01 | |
Anyway, there are 90 sites, each containing up to 400 of these jars. | 0:39:01 | 0:39:06 | |
And, as you rightly say, we don't really know what they're for. | 0:39:06 | 0:39:10 | |
The assumption is dead bodies were put in there, allowed to decompose, | 0:39:10 | 0:39:13 | |
then taken out and cremated | 0:39:13 | 0:39:16 | |
and it was something to do with the journey of the dead. | 0:39:16 | 0:39:19 | |
But you always have to allow for the soul of even very early people | 0:39:19 | 0:39:22 | |
and maybe they thought, "If I make a very big container, the gods will fill it for me with bounty." | 0:39:22 | 0:39:28 | |
-Absolutely. -We would always allow for the dream element. | 0:39:28 | 0:39:31 | |
Absolutely right. | 0:39:31 | 0:39:32 | |
There is often a functional fallacy. There is always an assumption | 0:39:32 | 0:39:35 | |
things are done for a specific practical reason, which isn't always true. The soul is... | 0:39:35 | 0:39:39 | |
It's like the cargo cults in Papau New Guinea who built whole runways. | 0:39:39 | 0:39:43 | |
The missionaries came and they had all this stuff. | 0:39:43 | 0:39:46 | |
And the indigenous people said, "What is it?" They said, "Cargo." | 0:39:46 | 0:39:48 | |
They said, "Where does it come from?" "Sydney," meaning Australia. | 0:39:48 | 0:39:52 | |
And they developed a God called Sydney and they made whole runways | 0:39:52 | 0:39:55 | |
in the jungle, waiting for Sydney to bring them cargo. | 0:39:55 | 0:39:59 | |
So you might find a runway and think, "What landed here?" | 0:39:59 | 0:40:01 | |
Nothing did, except your dashed dreams. | 0:40:01 | 0:40:05 | |
-Yeah. Beautifully put. -Perhaps that's the case with the jars. | 0:40:05 | 0:40:07 | |
I think that's beautifully put. | 0:40:07 | 0:40:09 | |
The most honest archaeologists say they don't know how they were made | 0:40:09 | 0:40:12 | |
or exactly what they were for. Your guess is as good as mine | 0:40:12 | 0:40:15 | |
and yours seems to me to be a very rational and realistic one. | 0:40:15 | 0:40:19 | |
-There also may be a corresponding set of stolen lids... -Yeah. | 0:40:19 | 0:40:23 | |
Somewhere! | 0:40:25 | 0:40:27 | |
Anyway, d'you know the capital of Alaska? | 0:40:28 | 0:40:31 | |
-SANDI: Yes, you just said it. -Exactly. Thank you. | 0:40:31 | 0:40:34 | |
Very good! Juneau is the capital of Alaska. | 0:40:34 | 0:40:37 | |
-J-U-N-E-A-U. -Ah, Juneau. | 0:40:37 | 0:40:40 | |
But there's something unique about it. | 0:40:40 | 0:40:42 | |
-It rains all the bloody time, I know that. -Well, it's not accessible by road. | 0:40:42 | 0:40:46 | |
You can only get there by air or water. There is no road to Juneau. | 0:40:46 | 0:40:50 | |
-Sarah Palin can get there by walking on the water. -Well, yes. | 0:40:50 | 0:40:53 | |
Can you tell me the biggest joke ever to come out of Alaska? | 0:40:55 | 0:40:58 | |
Sarah Palin, who can walk on... | 0:40:58 | 0:41:01 | |
Ohhh! Dear, oh, dear, oh, dear, oh, dear, oh, dear. | 0:41:01 | 0:41:05 | |
APPLAUSE | 0:41:05 | 0:41:07 | |
We're not forfeiting you that, | 0:41:10 | 0:41:11 | |
it was so obvious that we weren't even going to forfeit it. | 0:41:11 | 0:41:15 | |
Isn't she lovely? | 0:41:15 | 0:41:16 | |
-If I had forfeited, I would have refudiated. -We would have refudiated. | 0:41:16 | 0:41:20 | |
Anyway, the point is, there is actually a famous practical joke, | 0:41:20 | 0:41:24 | |
an April fool's joke that came out of Alaska. | 0:41:24 | 0:41:26 | |
It took a lot of preparation and was rather extraordinary. | 0:41:26 | 0:41:28 | |
Here's a photo that might give you a hint. | 0:41:28 | 0:41:30 | |
I mean, it's not going to be easy, but what's in the background there? | 0:41:30 | 0:41:34 | |
-This is a volcano-based practical joke. -Yes. | 0:41:34 | 0:41:37 | |
And it's one that I read about and it very much impressed me | 0:41:37 | 0:41:40 | |
because if you do a practical joke which is, you know, | 0:41:40 | 0:41:44 | |
clingfilm over the toilet, something simple... | 0:41:44 | 0:41:47 | |
But the person who did this practical joke... | 0:41:47 | 0:41:49 | |
LAUGHTER | 0:41:49 | 0:41:51 | |
It's a good one. It doesn't work for women necessarily, | 0:41:51 | 0:41:54 | |
cos we tend to notice when we sit down that there's something, | 0:41:54 | 0:41:58 | |
but for men, I tell you, it's a hoot. | 0:41:58 | 0:42:00 | |
There was a volcano, and a gentleman, | 0:42:02 | 0:42:04 | |
-and I can't remember his name, I apologise. -Don't you worry. | 0:42:04 | 0:42:07 | |
Decided to try and make it seem as if it was erupting, so took loads of tyres... | 0:42:07 | 0:42:11 | |
-You are class. -..and set fire to it and then everyone came out of their houses and went, | 0:42:11 | 0:42:16 | |
"The volcano's erupting!" | 0:42:16 | 0:42:17 | |
-Yes. -Cos it was so good. -You're absolutely right. | 0:42:17 | 0:42:20 | |
He waited three years until there was a clear April 1st. | 0:42:20 | 0:42:23 | |
He took kerosene and smoke bombs and tyres, | 0:42:23 | 0:42:26 | |
and he dropped them down the crater and set fire to it. | 0:42:26 | 0:42:29 | |
But, in 50-foot letters, he did say, "April Fool" | 0:42:29 | 0:42:33 | |
and he warned the federal authority. | 0:42:33 | 0:42:36 | |
He called them up, but he forgot to call the coastguard, who did panic a bit. | 0:42:36 | 0:42:39 | |
But it was, fortunately, all taken in the right spirit. | 0:42:39 | 0:42:42 | |
-And his name was Porky Bickar. -Porky. -Porky? | 0:42:42 | 0:42:45 | |
Porky - that was his nickname. | 0:42:45 | 0:42:47 | |
-He was American, so he was called Porky. -Porky Bickar. | 0:42:47 | 0:42:50 | |
And that is, aside from Sarah Palin, the greatest joke ever to come out of Alaska. | 0:42:50 | 0:42:54 | |
It is a good one. It is a good one. | 0:42:54 | 0:42:56 | |
I have to say I am very impressed again with your knowledge. | 0:42:56 | 0:42:59 | |
And that's the end of tonight's questions. | 0:42:59 | 0:43:01 | |
Let's see how our journey has panned out. | 0:43:01 | 0:43:04 | |
Well, it's astonishing! Her first ever appearance, on plus 15, | 0:43:04 | 0:43:07 | |
a clear winner - Susan Calman. | 0:43:07 | 0:43:10 | |
APPLAUSE AND CHEERING | 0:43:10 | 0:43:13 | |
And only four inches behind on 11 - | 0:43:14 | 0:43:20 | |
Sandi Toksvig. | 0:43:20 | 0:43:21 | |
APPLAUSE AND CHEERING | 0:43:21 | 0:43:24 | |
And... | 0:43:25 | 0:43:27 | |
impressively, the digitally endowed, still in the black, plus four - Bill Bailey. | 0:43:27 | 0:43:32 | |
APPLAUSE AND CHEERING | 0:43:32 | 0:43:35 | |
I'm delighted. | 0:43:35 | 0:43:37 | |
Well, perhaps the best we can say is, bless him, he did try. | 0:43:37 | 0:43:41 | |
Minus eleven - Alan Davies. | 0:43:41 | 0:43:44 | |
CHEERING AND APPLAUSE | 0:43:44 | 0:43:46 | |
That's all from Sandi, Susan, Bill, Alan and me. | 0:43:50 | 0:43:53 | |
Thank you, good night and be wonderful to each other. Bye-bye. | 0:43:53 | 0:43:56 |