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APPLAUSE | 0:00:26 | 0:00:30 | |
Good evening, good evening. | 0:00:30 | 0:00:31 | |
Good evening, good evening, good evening, good evening, | 0:00:31 | 0:00:35 | |
and welcome to QI and to an evening of levity. | 0:00:35 | 0:00:40 | |
Let's see who's got the "light" stuff - | 0:00:40 | 0:00:43 | |
the light-fantastic Sue Perkins... | 0:00:43 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:50 | |
..the light-footed Josh Widdicombe... | 0:00:50 | 0:00:52 | |
CHEERING | 0:00:52 | 0:00:55 | |
..the lightly-armed Frank Skinner... | 0:00:55 | 0:00:58 | |
CHEERING | 0:00:58 | 0:01:01 | |
..and the light's on but nobody's home, Alan Davies. | 0:01:01 | 0:01:05 | |
APPLAUSE | 0:01:05 | 0:01:07 | |
So, light up your lamps, | 0:01:10 | 0:01:12 | |
and the Latin L, which is of course 50 in Roman numerals, if you can | 0:01:12 | 0:01:17 | |
tell me what they have in common, | 0:01:17 | 0:01:20 | |
all these little buzzer noises. | 0:01:20 | 0:01:22 | |
Sue goes... | 0:01:22 | 0:01:23 | |
OWL HOOTS | 0:01:23 | 0:01:25 | |
Josh goes... | 0:01:25 | 0:01:26 | |
BEARD CLIPPERS BUZZ | 0:01:26 | 0:01:30 | |
Frank goes... | 0:01:30 | 0:01:31 | |
CLOTH RIPS | 0:01:31 | 0:01:33 | |
And Alan goes... | 0:01:34 | 0:01:35 | |
PIG SQUEALS | 0:01:35 | 0:01:39 | |
Any thoughts? | 0:01:39 | 0:01:40 | |
They're all noises made by Jeremy Clarkson during the intimate act. | 0:01:40 | 0:01:44 | |
LAUGHTER | 0:01:44 | 0:01:48 | |
We've kept you two apart whenever we've done a show, for good reasons. | 0:01:48 | 0:01:51 | |
-OWL HOOTS -Yeah. Yeah, so you've got an owl. | 0:01:51 | 0:01:54 | |
PIG SQUEALS | 0:01:54 | 0:01:55 | |
He howls like an owl. "He squeal like a pig." | 0:01:55 | 0:01:58 | |
CLIPPERS BUZZ | 0:01:58 | 0:01:59 | |
And it definitely, definitely ends... | 0:02:01 | 0:02:05 | |
RIPPING | 0:02:05 | 0:02:07 | |
That's the final rip to the trouser. | 0:02:09 | 0:02:11 | |
APPLAUSE | 0:02:11 | 0:02:12 | |
It's hard not to say that you've probably... | 0:02:12 | 0:02:15 | |
That's when Richard Hammond pops out. | 0:02:15 | 0:02:17 | |
-Oh! -Oh! I must say! | 0:02:17 | 0:02:19 | |
That's the final rip of stonewashed denim, isn't it, that noise? | 0:02:19 | 0:02:22 | |
Would it help if I said it was L for law. | 0:02:22 | 0:02:25 | |
-Law with a W, not an O-R-E. -No. | 0:02:25 | 0:02:29 | |
Jewish law, which was known as, for eating? | 0:02:29 | 0:02:32 | |
For...kosher. | 0:02:32 | 0:02:34 | |
-Kosher, yes. And I said levity was our theme, levit... -Leviticus. | 0:02:34 | 0:02:37 | |
-Leviticus. Leviticus! -Oh! So shellfish and... | 0:02:37 | 0:02:40 | |
-Well, we didn't hear any shellfish, did we? -No, we didn't. -No. | 0:02:40 | 0:02:43 | |
-Unless, I wasn't sure about Josh's. -But we heard an owl. -Yeah. | 0:02:43 | 0:02:46 | |
A beard being shaved, the rending of cloth and a pig. | 0:02:46 | 0:02:50 | |
Ah, and a pig. So they're all things prohibited by... | 0:02:50 | 0:02:53 | |
-Anything to do with a pig is forbidden. -Brian Blessed! | 0:02:53 | 0:02:56 | |
-AS BRIAN BLESSED: -No, Brian Blessed is not kosher, no. | 0:02:56 | 0:03:01 | |
No! Oh, dear, dear. | 0:03:01 | 0:03:04 | |
So that's what they have in common. All your buzzers are forbidden by Jewish law. | 0:03:04 | 0:03:08 | |
-That's very awkward, because I'm Jewish, so... -Also... | 0:03:08 | 0:03:11 | |
-I can't take part in this for the rest of the show. -No. | 0:03:11 | 0:03:14 | |
Also, if I were to go round and say, "Josh, can I have sex with you?" | 0:03:14 | 0:03:17 | |
-just on the top of my head, that would also be... -Sex on the top of your head? | 0:03:17 | 0:03:21 | |
That's not the bit I had an issue with. No. | 0:03:23 | 0:03:25 | |
-That would be an over-protected thing. -I've never heard of kosher sex. | 0:03:25 | 0:03:29 | |
-That would be an abomination, according to Leviticus. -It would indeed, Stephen. | 0:03:29 | 0:03:32 | |
So, they're all things forbidden in the Book of Leviticus - you mustn't | 0:03:32 | 0:03:35 | |
eat an owl, trim your beard, | 0:03:35 | 0:03:37 | |
tear your clothes or have anything to do with a pig. Sorry. | 0:03:37 | 0:03:40 | |
No, what does it mean "nothing to do with it"? | 0:03:40 | 0:03:43 | |
What if he comes up to you, you just have to go... | 0:03:43 | 0:03:45 | |
You have to shun him, Josh. | 0:03:45 | 0:03:47 | |
-Blank him. -Blank him. I know... Sorry, mate, not interested! | 0:03:47 | 0:03:50 | |
-I just blanked him. -Snub. -Like a chugger in the street. | 0:03:50 | 0:03:52 | |
-Snub that pig. -Pretend you're on your phone, sorry. -Yeah, blank him. | 0:03:52 | 0:03:57 | |
Now, one of our questions tonight is likely lavatorial. | 0:03:57 | 0:04:01 | |
See if you can flush it out by going for a Spend-A-Penny bonus. | 0:04:01 | 0:04:05 | |
All you have to do is brandish your baton and buzz your buzzer. | 0:04:08 | 0:04:12 | |
And there are lots of points for it, lots. | 0:04:12 | 0:04:14 | |
It's really worth risking that the answer might be something | 0:04:14 | 0:04:18 | |
lavatorial. | 0:04:18 | 0:04:19 | |
But first here's a lark. You each have a balloon, as I do. | 0:04:19 | 0:04:23 | |
And what I want you to do is, oooh, is a levitation trick. | 0:04:23 | 0:04:27 | |
It's all to do with static electricity, | 0:04:27 | 0:04:30 | |
as you might have guessed. | 0:04:30 | 0:04:31 | |
Well, the idea is to... Oh, that's already, whoa, that's... | 0:04:33 | 0:04:37 | |
Oh, oh, no, that doesn't. Oh, no! | 0:04:37 | 0:04:40 | |
Yes! Yes! | 0:04:42 | 0:04:44 | |
-Wow! -Yes, oh! | 0:04:44 | 0:04:46 | |
Alan got it. | 0:04:47 | 0:04:49 | |
You charge up the plastic and the balloon, | 0:04:51 | 0:04:53 | |
but you have to charge both of them. | 0:04:53 | 0:04:55 | |
Well, yes, you can use your hair. | 0:04:55 | 0:04:57 | |
If anybody's hair can do this, it's Alan's. | 0:04:57 | 0:04:59 | |
I take that as a slight. | 0:04:59 | 0:05:01 | |
I can't get it off now. | 0:05:01 | 0:05:02 | |
I know, that's as well, as it sticks to your fingers, you have to just... | 0:05:02 | 0:05:06 | |
-Oh, and now, oh, not quite. -Yes! Yes! | 0:05:06 | 0:05:09 | |
Oh, brilliant! | 0:05:09 | 0:05:10 | |
Aargh! | 0:05:10 | 0:05:13 | |
Patrick McGoohan in The Prisoner there, very good. | 0:05:14 | 0:05:18 | |
It's that sort of fatal thing they get in Star Trek | 0:05:18 | 0:05:20 | |
when they didn't have any money. | 0:05:20 | 0:05:21 | |
Ooh, put some music on, and they go, "Arrgh!" | 0:05:21 | 0:05:25 | |
Someone in a red top. | 0:05:27 | 0:05:29 | |
The fact is, yes, scientifically, you should be able to do it | 0:05:29 | 0:05:32 | |
repeatably and predictably, but it's quite hard. | 0:05:32 | 0:05:35 | |
But I promise you this, I will show you, before this evening is | 0:05:35 | 0:05:38 | |
over, a levitation effect that will blow your socks off. | 0:05:38 | 0:05:41 | |
Not literally, but will really impress you. | 0:05:41 | 0:05:43 | |
That's going to come. | 0:05:43 | 0:05:44 | |
Meanwhile, what's the funny thing about lightning? | 0:05:44 | 0:05:48 | |
-Oh. -The funny thing about it? | 0:05:48 | 0:05:50 | |
Well, given that it is a natural phenomenon that mankind | 0:05:50 | 0:05:53 | |
has been aware of for all the time that we've been on the planet. | 0:05:53 | 0:05:56 | |
-It makes you laugh. -We're still captivated, freaked-out and surprised by it... | 0:05:56 | 0:05:59 | |
-We're captivated, and surprised and don't understand it. -Oh! | 0:05:59 | 0:06:03 | |
-No. -We can't explain it. -We know a little bit about it. | 0:06:03 | 0:06:05 | |
-Oh, we do... -We know that thunderbolt and lightning | 0:06:05 | 0:06:08 | |
-is very, very frightening. -Very, very frightening! | 0:06:08 | 0:06:10 | |
-It's white, it's forked. -Yes. -Or sheet. | 0:06:12 | 0:06:15 | |
-It's electric. -"Or sheet," you say? No, not "or sheet". | 0:06:15 | 0:06:18 | |
Sheet lightning is the same as forked lightning, it's just hidden by a cloud. | 0:06:18 | 0:06:21 | |
Oh, so it's an illuminated cloud that gives that band of... | 0:06:21 | 0:06:24 | |
-Yeah, it's just basically... Exactly. -OK. | 0:06:24 | 0:06:26 | |
But one of the myths about it is that it will always strike | 0:06:26 | 0:06:29 | |
what part of a building? | 0:06:29 | 0:06:31 | |
-Highest. -The highest point, and that's not true. | 0:06:31 | 0:06:33 | |
We've got a photograph to show you how untrue that is, of it | 0:06:33 | 0:06:36 | |
hitting Grant's Tomb there. There's a branch of it hitting the top, | 0:06:36 | 0:06:39 | |
but the huge part of the fork there is hitting two thirds of the way up. | 0:06:39 | 0:06:42 | |
Half of lightning goes up from the ground, | 0:06:42 | 0:06:44 | |
and at about 300 feet up they meet each other. | 0:06:44 | 0:06:47 | |
-I know, it's weird. Yes, so... -What? Lightning goes upwards? | 0:06:47 | 0:06:49 | |
-Oh, yes, absolutely. -Wrong. | 0:06:49 | 0:06:51 | |
No! | 0:06:51 | 0:06:52 | |
90% of strikes on the Empire State Building, | 0:06:53 | 0:06:56 | |
for example, are ascending strikes, rather than descending strikes. | 0:06:56 | 0:06:59 | |
I know it seems astonishing, but photography allows us to see | 0:06:59 | 0:07:02 | |
this phenomenon of it coming up from the ground | 0:07:02 | 0:07:05 | |
and meeting with the sky forks, as it were. | 0:07:05 | 0:07:08 | |
-Wow. -"Sky Fawkes". -"Sky Fawkes". -Weird. | 0:07:08 | 0:07:10 | |
My dad used to, whenever there was lightning, we had to open | 0:07:10 | 0:07:14 | |
the knife drawer and put a tea towel over the knives and forks, to | 0:07:14 | 0:07:18 | |
avoid it coming through the window and striking, and turn the TV off. | 0:07:18 | 0:07:21 | |
It's the only time the TV was ever turned off, | 0:07:21 | 0:07:24 | |
it was quite a big thing. | 0:07:24 | 0:07:26 | |
The drawer is closed, is that not doing it? | 0:07:26 | 0:07:28 | |
He'd open the drawer to cover it with the tea towel. | 0:07:28 | 0:07:30 | |
-No, there's something about the tea towel. -Individually cover? | 0:07:30 | 0:07:33 | |
You know, tea towels have got that earthing quality. | 0:07:33 | 0:07:35 | |
-JOSH: -Did you not have anything else that was metal? | 0:07:35 | 0:07:38 | |
-Just the knives and forks. -The taps. | 0:07:38 | 0:07:40 | |
No, I think that's all we had. That was it. | 0:07:40 | 0:07:43 | |
And can I say we had no piercings in our family. | 0:07:43 | 0:07:46 | |
From lightning to lighthouses. | 0:07:46 | 0:07:49 | |
What is the most famous lighthouse in the world? | 0:07:49 | 0:07:51 | |
Oh, I don't know, the one on the Needles is quite famous. | 0:07:51 | 0:07:54 | |
The Needles is quite famous, yes. | 0:07:54 | 0:07:56 | |
I mean, there was one that was the... | 0:07:56 | 0:07:58 | |
one of the Seven Wonders of the World. | 0:07:58 | 0:08:00 | |
Oh, which is in Spain, is it not? Or, is that Hercules's Tower or something, there's a... | 0:08:00 | 0:08:04 | |
It's something Hercules. | 0:08:04 | 0:08:05 | |
Faros, Faros, it's the Alexandrian lighthouse. | 0:08:05 | 0:08:09 | |
I love the way you looked at me as though I got that right, | 0:08:09 | 0:08:12 | |
whilst telling me that every aspect of it was wrong. | 0:08:12 | 0:08:15 | |
-You were, you know... -I loved that, it made me feel good about myself. | 0:08:15 | 0:08:19 | |
-You were wrestling the puppy knowledge with great affection. -Yeah. | 0:08:19 | 0:08:22 | |
Actually all those lighthouses, the Eddystone, the Kenilworth, | 0:08:22 | 0:08:25 | |
might be known by quite a section of the population, | 0:08:25 | 0:08:28 | |
but this one, everyone knows the name of this one. | 0:08:28 | 0:08:30 | |
What they probably don't know is that it was originally a lighthouse. | 0:08:30 | 0:08:34 | |
-Empire State Building. -Not the Empire State Building. | 0:08:34 | 0:08:36 | |
-Statue of Liberty. -Yes! The Statue of Liberty, well done. | 0:08:36 | 0:08:39 | |
-Oh, of course. -Absolutely right. There it is. | 0:08:39 | 0:08:41 | |
It was visible from 24 miles out to sea. | 0:08:41 | 0:08:43 | |
It was a gift to America from...? | 0:08:43 | 0:08:46 | |
-France. -From the French, yes. And originally what colour was it? | 0:08:46 | 0:08:51 | |
-Orange. -Was it? | 0:08:51 | 0:08:53 | |
Not red and white like, oh, like that! | 0:08:53 | 0:08:55 | |
Well, it was always intended to go green, because it's copper colour. | 0:08:55 | 0:08:58 | |
-That's the gayest lighthouse I've ever seen. -It's copper colour. | 0:08:58 | 0:09:01 | |
You're absolutely right, Alan, it has a thin sheet of copper leaf, as it were, over it. | 0:09:01 | 0:09:04 | |
-So it can go that... -Originally it shone copperly, but like all copper does... | 0:09:04 | 0:09:09 | |
-Oxidizes. -Yeah. -Gets verdigris. | 0:09:09 | 0:09:11 | |
And so you get copper carbonate and verdigris is the name for it, exactly. | 0:09:11 | 0:09:14 | |
You see those domes and things, that green colour that is Lady Liberty. | 0:09:14 | 0:09:18 | |
And there's her torch. And in 1986 was the centenary, | 0:09:18 | 0:09:23 | |
and they decided to give her a bit of a makeover. | 0:09:23 | 0:09:25 | |
And actually, the one bit that didn't need the makeover | 0:09:25 | 0:09:29 | |
was the copper skin, except in the torch. | 0:09:29 | 0:09:31 | |
And it needed a special technique called repousse or repoussage, | 0:09:31 | 0:09:36 | |
and no American craftsman could be found who could do it, | 0:09:36 | 0:09:40 | |
so a French team came over. | 0:09:40 | 0:09:42 | |
And Americans, we think of them as very...you know, capitalist, | 0:09:42 | 0:09:46 | |
-as America is a capitalist county, obviously... -And fat. -And fat! | 0:09:46 | 0:09:49 | |
It's also very unionised, | 0:09:49 | 0:09:50 | |
and the American labourers were totally antagonistic. | 0:09:50 | 0:09:54 | |
Da Teamsters? | 0:09:54 | 0:09:55 | |
They gave the French... yeah, they were like Teamsters. | 0:09:55 | 0:09:57 | |
They gave the French workers the complete cold shoulder. | 0:09:57 | 0:10:00 | |
The French workers wore uniforms, | 0:10:00 | 0:10:02 | |
and every lunchtime, set up a long table with a tablecloth | 0:10:02 | 0:10:05 | |
and had wine and fantastic food... | 0:10:05 | 0:10:07 | |
and the Americans sat alone eating burgers and other things | 0:10:07 | 0:10:11 | |
and letting their stomachs push out further and further. | 0:10:11 | 0:10:13 | |
And the French used this wonderful technique of little hammers. | 0:10:13 | 0:10:17 | |
"Marteaux", you know? And someone from the French team said, | 0:10:17 | 0:10:21 | |
-FRENCH ACCENT: -"We did everything by hand. The Americans couldn't believe | 0:10:21 | 0:10:24 | |
"that the best way to rivet is with hammers. | 0:10:24 | 0:10:26 | |
"It's cheaper, faster and better, | 0:10:26 | 0:10:28 | |
"but they will always try to find some machine." | 0:10:28 | 0:10:31 | |
And that is absolutely... You go ice fishing with Americans, | 0:10:31 | 0:10:35 | |
they have these... you know, extraordinary motor augers | 0:10:35 | 0:10:37 | |
-that drill a hole. -Oh, yeah, like in Fargo. -Exactly. | 0:10:37 | 0:10:40 | |
-Yeah. In the Titanic museum in Belfast... -Mmm. | 0:10:40 | 0:10:44 | |
..which is quite good. | 0:10:44 | 0:10:45 | |
LAUGHTER | 0:10:45 | 0:10:47 | |
They'll be using that on all their promotion. | 0:10:47 | 0:10:49 | |
"Quite good" - Alan Davies. | 0:10:49 | 0:10:50 | |
-IRISH ACCENT: -You'd better do a bit better, there, Belfast, now. | 0:10:50 | 0:10:53 | |
Not good enough, really, for Alan! | 0:10:53 | 0:10:55 | |
LAUGHTER | 0:10:55 | 0:10:57 | |
I think that's one of his best ones. You go there and they've got | 0:10:57 | 0:11:01 | |
the reconstruction of the building of it, and that's the best bit. | 0:11:01 | 0:11:04 | |
-Yeah. -And lots and lots of the rivets were done by hand. | 0:11:04 | 0:11:06 | |
-Yes, they were. -And you'd got hundreds of riveters, | 0:11:06 | 0:11:10 | |
and they would do an incredible number of rivets in an hour, | 0:11:10 | 0:11:12 | |
and in awful conditions. Very cramped, hot...and so... | 0:11:12 | 0:11:16 | |
It's really quite absorbing. Riveting, I meant(!) | 0:11:16 | 0:11:20 | |
LAUGHTER | 0:11:20 | 0:11:21 | |
I was at the airport in Belfast, | 0:11:21 | 0:11:23 | |
and I bought the journal of the Titanic Society - | 0:11:23 | 0:11:28 | |
a sort of photocopy, but quite a fat thing. | 0:11:28 | 0:11:31 | |
And I read it. It's about, I suppose, 100 pages, | 0:11:31 | 0:11:34 | |
and lots of stuff about the captain and the way it was put together - | 0:11:34 | 0:11:37 | |
not one reference in the entire book to the fact that it sank. | 0:11:37 | 0:11:41 | |
LAUGHTER | 0:11:41 | 0:11:43 | |
I love it when people are positive! | 0:11:43 | 0:11:46 | |
LAUGHTER | 0:11:46 | 0:11:48 | |
With the Titanic Society, their ship is always half-empty of water. | 0:11:48 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:57 | |
Was it Bill Tidy who did the most fantastic cartoon of all time? | 0:11:57 | 0:12:01 | |
-And it was a queue of people... -Oh, I love this one, yeah. | 0:12:01 | 0:12:05 | |
.."information about Titanic", and people are queuing up | 0:12:05 | 0:12:10 | |
to find out about survivors, women in shawls, and at the back, | 0:12:10 | 0:12:13 | |
there's two polar bears standing, calling, | 0:12:13 | 0:12:16 | |
"Any news about the iceberg?" | 0:12:16 | 0:12:18 | |
LAUGHTER | 0:12:18 | 0:12:21 | |
-I love that! So great. -Perfect. But I've always thought that | 0:12:21 | 0:12:24 | |
had I been on the Titanic when it hit that iceberg, | 0:12:24 | 0:12:27 | |
even though you know you're going to perish, | 0:12:27 | 0:12:29 | |
seeing, like, 40 penguins fall over is probably about as funny... | 0:12:29 | 0:12:34 | |
-LAUGHTER -I think the possibility of seeing penguins in the North Pole, | 0:12:34 | 0:12:37 | |
or the northern reaches of the planet, is pretty remote. | 0:12:37 | 0:12:42 | |
-But there are... -They come from Antarctica. | 0:12:42 | 0:12:45 | |
Oh, damn that global warming! | 0:12:45 | 0:12:47 | |
You might have seen a Fox's Glacier Mint, probably. | 0:12:49 | 0:12:52 | |
-JOSH: -What did happen to the iceberg? | 0:12:52 | 0:12:54 | |
-Now gone, broken up... -It moved on with its life. | 0:12:54 | 0:12:57 | |
-Did it? -Yeah. -It didn't face any punishment, or...? | 0:12:57 | 0:12:59 | |
Now, it would be followed around by the press! | 0:12:59 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:04 | |
Raking over its life, you know? | 0:13:04 | 0:13:07 | |
"Who is this bastard iceberg? | 0:13:07 | 0:13:10 | |
"He's always been a bastard. He's foreign..." | 0:13:10 | 0:13:12 | |
LAUGHTER | 0:13:12 | 0:13:14 | |
"Other foreign icebergs we hate who've ruined our good stuff..." | 0:13:14 | 0:13:18 | |
Nigel Farage, exactly, is... | 0:13:18 | 0:13:20 | |
You don't want an iceberg moving in next door to you, do you? | 0:13:22 | 0:13:25 | |
APPLAUSE | 0:13:25 | 0:13:30 | |
Anyway, the Statue of Liberty used to be a lighthouse | 0:13:32 | 0:13:34 | |
and in those days it was brown. | 0:13:34 | 0:13:36 | |
Now for some light relief. | 0:13:36 | 0:13:37 | |
What's the most interesting thing you can do with a sausage? | 0:13:37 | 0:13:41 | |
Well, she's used hers for a hairpiece. | 0:13:43 | 0:13:46 | |
-She's coiled that round. -A lovely little... Yeah. | 0:13:46 | 0:13:48 | |
-What's the most interesting thing? -It's got to be something to do... | 0:13:48 | 0:13:52 | |
-With the loo. -It's got to be. -Yes. | 0:13:52 | 0:13:55 | |
I'm going to give you the points, because there is a way, | 0:13:55 | 0:13:57 | |
which is very lavatorial, in which you can improve a sausage, | 0:13:57 | 0:14:00 | |
which is quite interesting and very surprising. | 0:14:00 | 0:14:02 | |
What, poo in it? | 0:14:02 | 0:14:04 | |
-Yes. -Oh... -Come on! -Really? | 0:14:04 | 0:14:05 | |
Baby faeces in a sausage will improve a sausage. Now... | 0:14:05 | 0:14:08 | |
Oh, no, and I've been throwing them away! | 0:14:08 | 0:14:12 | |
-Bear with me here. -You need to get some casings and eat that. -Yeah. | 0:14:13 | 0:14:16 | |
Bear with me here. | 0:14:16 | 0:14:18 | |
According to a study in the journal Meat Science - | 0:14:18 | 0:14:22 | |
M-E-A-T Science - | 0:14:22 | 0:14:24 | |
you make sausages healthier by adding bacteria | 0:14:24 | 0:14:28 | |
extracted from babies' faeces. | 0:14:28 | 0:14:30 | |
Now, the point is, many sausages, pepperoni... | 0:14:30 | 0:14:32 | |
What are they doing in laboratories, for God's sake?! | 0:14:32 | 0:14:36 | |
What they try and do is improve things for us to make us healthy. | 0:14:36 | 0:14:38 | |
And pepperoni and salami are made with bacterial fermentation. | 0:14:38 | 0:14:42 | |
And the best way you can do that is to use what are known as | 0:14:42 | 0:14:45 | |
pro-biotic bacteria, ie, bacteria that are said to be good for you. | 0:14:45 | 0:14:49 | |
And, oddly enough, this Catalonian team | 0:14:49 | 0:14:53 | |
decided that one of the best types would be baby faeces, | 0:14:53 | 0:14:56 | |
because, by definition, they would have | 0:14:56 | 0:14:58 | |
passed through the human system and passed out again, | 0:14:58 | 0:15:01 | |
and because baby faeces are easy to obtain - | 0:15:01 | 0:15:03 | |
in fact, the study used nappies | 0:15:03 | 0:15:04 | |
provided by mother and baby support groups. | 0:15:04 | 0:15:06 | |
Still don't make it right. | 0:15:06 | 0:15:08 | |
Professional tasters confirmed that sausages tasted the same... | 0:15:08 | 0:15:11 | |
-Oh! -Who does that for a living?! | 0:15:11 | 0:15:13 | |
-I know. -Did they know what they...? | 0:15:13 | 0:15:15 | |
They tasted the same, you wouldn't notice. | 0:15:15 | 0:15:17 | |
That's a rough day down the Jobcentre, that is. | 0:15:17 | 0:15:19 | |
They are lower in both fat and salt and therefore healthier. | 0:15:19 | 0:15:22 | |
But it's poo, Stephen! | 0:15:22 | 0:15:23 | |
It's literally poo! | 0:15:23 | 0:15:25 | |
It gives a new meaning to potty mouth, doesn't it? | 0:15:25 | 0:15:29 | |
But it does mean that Alan gets his Spend-A-Penny bonus, | 0:15:29 | 0:15:32 | |
-which is very good news. -Shut the front door. | 0:15:32 | 0:15:34 | |
APPLAUSE | 0:15:34 | 0:15:36 | |
Though, in fact, that was a supplementary question, | 0:15:38 | 0:15:41 | |
because the original question | 0:15:41 | 0:15:42 | |
involved the use of sausages in history. | 0:15:42 | 0:15:44 | |
Sausages...such that a country... We showed you a photograph | 0:15:44 | 0:15:48 | |
that shows a country that is really fond of sausages... | 0:15:48 | 0:15:50 | |
-Germany? -Yes. | 0:15:50 | 0:15:52 | |
It's so useful with the sausages, for Germany, at a particular | 0:15:52 | 0:15:55 | |
time in history, that people were banned from eating them | 0:15:55 | 0:15:58 | |
and they were banned in Poland, in Austria, | 0:15:58 | 0:16:01 | |
in northern France, and... | 0:16:01 | 0:16:02 | |
Were they using them as part of the war effort? | 0:16:02 | 0:16:04 | |
Yes, World War I. | 0:16:04 | 0:16:05 | |
The Germans had a very impressive weapon, which terrorised London. | 0:16:05 | 0:16:09 | |
GERMAN ACCENT: The Bratwurst lasso. | 0:16:09 | 0:16:11 | |
Which can take a human head off at 100 paces. | 0:16:11 | 0:16:14 | |
-The Zeppelin. -The Zeppelin, is exactly right. | 0:16:14 | 0:16:16 | |
The Graf Zeppelin, the Count Zeppelin invented this dirigible. | 0:16:16 | 0:16:19 | |
Are you saying that's one enormous sausage? | 0:16:19 | 0:16:21 | |
Well... | 0:16:21 | 0:16:23 | |
They flew and they dropped baby excrement over London. | 0:16:23 | 0:16:26 | |
What made it lighter than air? | 0:16:26 | 0:16:28 | |
-Helium. -Helium. | 0:16:28 | 0:16:29 | |
-Not helium, no. -Hydrogen. | 0:16:29 | 0:16:31 | |
Hydrogen, that's why they were so dangerous, | 0:16:31 | 0:16:33 | |
because hydrogen is very combustible. | 0:16:33 | 0:16:35 | |
And they would go over London | 0:16:35 | 0:16:36 | |
and the chappie at the bottom in the little gondola | 0:16:36 | 0:16:39 | |
-would drop a bomb... -You make it sound really lovely. | 0:16:39 | 0:16:41 | |
"The little chappie would go over London..." | 0:16:41 | 0:16:43 | |
But the thing is, the hydrogen would easily leak from the patches, | 0:16:43 | 0:16:46 | |
and they found that sausage skins would go over the joins, | 0:16:46 | 0:16:49 | |
and they would latch onto each other, a bit like Velcro, | 0:16:49 | 0:16:52 | |
they would stick to each other and they'd seal the whole thing | 0:16:52 | 0:16:55 | |
so the hydrogen wouldn't leak. Well, now... | 0:16:55 | 0:16:57 | |
God, more bad news for pigs! | 0:16:57 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:00 | |
It was cattle rather than pigs, it was beef sausages. | 0:17:00 | 0:17:03 | |
So they would just fly like an apocalyptic cow balloon | 0:17:03 | 0:17:07 | |
-over the top of London and just drop... -Yeah. | 0:17:07 | 0:17:09 | |
And bullets would go through and they wouldn't be enough | 0:17:09 | 0:17:12 | |
to bring it down, and it took two years for the British to learn | 0:17:12 | 0:17:16 | |
how to use incendiary bullets to cause the hydrogen to blow up. | 0:17:16 | 0:17:20 | |
Were they ever struck by lightning? | 0:17:20 | 0:17:22 | |
Yes, three Zeppelins were downed by lightning. | 0:17:22 | 0:17:25 | |
-Yeah, how about that? -That's brilliant. | 0:17:25 | 0:17:27 | |
It shows that God was on our side. | 0:17:27 | 0:17:29 | |
A quarter of a million cows they used, per Zeppelin - | 0:17:30 | 0:17:34 | |
that's pretty impressive. | 0:17:34 | 0:17:36 | |
So a quarter of a million cows went into the making of a Zeppelin? | 0:17:36 | 0:17:38 | |
Per Zeppelin, yeah. Which is why they had to | 0:17:38 | 0:17:40 | |
stop the Germans, the Austrians, the Poles | 0:17:40 | 0:17:42 | |
and those in Northern France at the time | 0:17:42 | 0:17:44 | |
from getting their sausages. | 0:17:44 | 0:17:45 | |
What a shame they didn't do a big cow's face on the front of it. | 0:17:45 | 0:17:48 | |
Oh, that would have been brilliant, wouldn't it? | 0:17:48 | 0:17:50 | |
They just don't have those artistic flourishes, the Germans, do they? | 0:17:50 | 0:17:53 | |
-Everything's very functional. -That was my problem with the Nazis(!) | 0:17:53 | 0:17:57 | |
We spoke earlier about lightning and the Empire Strike... | 0:17:59 | 0:18:01 | |
-er, Empire State Building. -Empire Strikes Back! | 0:18:01 | 0:18:04 | |
Confusing me and driving me... The Empire State Building. | 0:18:04 | 0:18:07 | |
What's the connection between the Empire State Building | 0:18:07 | 0:18:09 | |
and big dirigible balloons? | 0:18:09 | 0:18:11 | |
-It was a mooring place. -Yes, a mooring place. | 0:18:11 | 0:18:13 | |
They originally thought they'd be able to land passengers on the top. | 0:18:13 | 0:18:17 | |
-I've seen that picture. -Wow. That... | 0:18:17 | 0:18:19 | |
One of these did actually moor itself, in 40mph winds, | 0:18:19 | 0:18:22 | |
-for a few minutes. -What they needed to do, | 0:18:22 | 0:18:25 | |
they needed to rub the top of it with a towel... | 0:18:25 | 0:18:27 | |
LAUGHTER | 0:18:27 | 0:18:29 | |
-Somebody rubbing the airship. -That would have done it. | 0:18:29 | 0:18:33 | |
And what is the mast for? Do you know what the mast is...? | 0:18:33 | 0:18:35 | |
The mast was only there to be taller than the Chrysler Building. | 0:18:35 | 0:18:38 | |
You're absolutely right. | 0:18:38 | 0:18:39 | |
The Chrysler Building, they didn't know... | 0:18:39 | 0:18:42 | |
APPLAUSE | 0:18:42 | 0:18:44 | |
Were they built at the same sort of time, and competing? | 0:18:46 | 0:18:48 | |
Yeah, the Chrysler Building was going to be the taller one, | 0:18:48 | 0:18:51 | |
and they took the mast up the inside of the Empire State Building | 0:18:51 | 0:18:53 | |
and stuck it on the top at the end. | 0:18:53 | 0:18:55 | |
The Chrysler Building, I think we can all agree, is more beautiful, | 0:18:55 | 0:18:58 | |
although they're both quite marvellously decorated. | 0:18:58 | 0:19:00 | |
-They are. -But the Chrysler Building is stunning. | 0:19:00 | 0:19:03 | |
Well, there we are. The linings in German airships | 0:19:03 | 0:19:06 | |
caused a sausage shortage in World War I. | 0:19:06 | 0:19:08 | |
What was the charge for the world's first charity single? | 0:19:08 | 0:19:12 | |
Oh, it's not going to be Band Aid, is it? | 0:19:12 | 0:19:14 | |
-Is the clue in charge? -Yes, it certainly is. | 0:19:14 | 0:19:17 | |
The Charge of the Light Brigade? | 0:19:17 | 0:19:19 | |
Well done, you. | 0:19:19 | 0:19:21 | |
Absolutely. So that's the beginning of the puzzle opened up. | 0:19:21 | 0:19:24 | |
So, how can the Charge of the Light Brigade | 0:19:24 | 0:19:26 | |
have anything to do with a charity single? | 0:19:26 | 0:19:29 | |
You can't really release... They didn't release a single. | 0:19:29 | 0:19:32 | |
Well, not a single, as it wasn't called a single in those days. | 0:19:32 | 0:19:34 | |
Tennyson, there are cylinder recordings of Alfred Lord Tennyson. | 0:19:34 | 0:19:38 | |
-Indeed. Yeah. -So maybe he read | 0:19:38 | 0:19:40 | |
-the Charge of the Light Brigade onto cylinder. -He may have done. | 0:19:40 | 0:19:43 | |
His voice, "I am Alfred Tennyson," you do hear that, absolutely. | 0:19:43 | 0:19:47 | |
He did live into the age of the phonograph, as it was then called. | 0:19:47 | 0:19:50 | |
But this is actually slightly more touching, in a way. | 0:19:50 | 0:19:52 | |
There was actually a bugler who recorded the Charge, | 0:19:52 | 0:19:57 | |
which is a particular call on the bugle, | 0:19:57 | 0:19:59 | |
and he was himself a survivor of the Charge of the Light Brigade, | 0:19:59 | 0:20:05 | |
and I'll give you all the full details of it. | 0:20:05 | 0:20:07 | |
He plays the charge that he blew on the day, | 0:20:07 | 0:20:10 | |
on a bugle that was used at Balaclava, | 0:20:10 | 0:20:12 | |
which had also previously been used at Waterloo. | 0:20:12 | 0:20:15 | |
-It's a heck of an historic bugle. -That's a pedigree, yeah. | 0:20:15 | 0:20:17 | |
It was recorded as a charity single to raise money | 0:20:17 | 0:20:19 | |
for veterans of the Charge who had fallen on hard times. | 0:20:19 | 0:20:22 | |
And we can play it... | 0:20:22 | 0:20:23 | |
That's the last thing they want to hear, though, isn't it? | 0:20:23 | 0:20:27 | |
-They'd be terrified. -Oh, my God! | 0:20:27 | 0:20:29 | |
But we can hear it now. | 0:20:30 | 0:20:32 | |
SCRATCHY RECORDING OF BUGLE PLAYING | 0:20:32 | 0:20:37 | |
There you are. | 0:20:43 | 0:20:45 | |
That was Martin Landfried, who was a bugler | 0:20:45 | 0:20:47 | |
and he made that recording in 1890, and the Light Brigade was 1854. | 0:20:47 | 0:20:52 | |
Incredible quality. | 0:20:52 | 0:20:53 | |
It's not bad quality, really, is it? | 0:20:53 | 0:20:55 | |
And that was to help all veterans? | 0:20:55 | 0:20:57 | |
Or just specifically veterans of that particular failed...? | 0:20:57 | 0:20:59 | |
Specifically the veterans of the Charge, yeah. | 0:20:59 | 0:21:01 | |
So, bugler Martin Landfried lifted | 0:21:01 | 0:21:03 | |
the spirits of the Light Brigade at Balaclava. | 0:21:03 | 0:21:06 | |
How did Chicago get completely screwed up? | 0:21:06 | 0:21:10 | |
They put Catherine Zeta-Jones in it. | 0:21:10 | 0:21:12 | |
LAUGHTER AND APPLAUSE | 0:21:12 | 0:21:14 | |
You are a naughty girl. | 0:21:14 | 0:21:16 | |
-I love that film, it's brilliant. -Didn't she get an Oscar? | 0:21:18 | 0:21:21 | |
-Yeah, she won an Oscar. -I'm joking, she was really good. | 0:21:21 | 0:21:24 | |
-I liked it. -It was a cheap shot. -The sort of Bob Fosse-style choreography. | 0:21:24 | 0:21:27 | |
-They boarded it up with screws. -Sort of. | 0:21:27 | 0:21:29 | |
-It was literally screwed up? -Is it to do with Prohibition? | 0:21:29 | 0:21:32 | |
-Because it's the Windy City? -Not because it's windy, no. | 0:21:32 | 0:21:34 | |
Or Barack Obama. It's always prohibition or Barack Obama. | 0:21:34 | 0:21:37 | |
-No, it was before either. -Valentine's Day Massacre. | 0:21:37 | 0:21:39 | |
-It's Prohibition or Barack Obama or Valentine's Day Massacre. -Before any of those. | 0:21:39 | 0:21:43 | |
So it's, what, Victorian? | 0:21:43 | 0:21:45 | |
Literally the founding of Chicago. It was a huge stop off on Lake...? | 0:21:45 | 0:21:49 | |
-Michigan. -Michigan, Lake Michigan. | 0:21:49 | 0:21:52 | |
And, unfortunately, it was built on a swamp, | 0:21:52 | 0:21:55 | |
and typhus and typhoid were absolutely ravaging the population. | 0:21:55 | 0:21:59 | |
So they decided, with good old American know-how | 0:21:59 | 0:22:02 | |
and sort of optimism, they would jack the city up, | 0:22:02 | 0:22:05 | |
they would screw it up with screw jacks, as they're called. | 0:22:05 | 0:22:08 | |
And there you can see the grey bit all along the bottom, | 0:22:08 | 0:22:10 | |
because they literally were screwing it up, | 0:22:10 | 0:22:13 | |
while people were living in it. There was the Tremont Hotel, | 0:22:13 | 0:22:15 | |
which covered a whole acre, which they screwed up, there it is. | 0:22:15 | 0:22:19 | |
They screwed it up and they didn't even close the hotel | 0:22:19 | 0:22:22 | |
while it was being lifted up off the ground. | 0:22:22 | 0:22:24 | |
And underneath, in the space, the crawl space, you might say, | 0:22:24 | 0:22:27 | |
they put sewage and fresh water and so on, | 0:22:27 | 0:22:30 | |
and it was a resounding success. And Chicago became... | 0:22:30 | 0:22:32 | |
So there wasn't someone who went to bed in that hotel | 0:22:32 | 0:22:35 | |
-and woke up and went, "What the hell has gone on?" -"I'm on a different floor!" | 0:22:35 | 0:22:39 | |
And, also, the river was full of sewage, | 0:22:39 | 0:22:42 | |
it flowed into the clean Michigan, and so with an ingenious | 0:22:42 | 0:22:45 | |
system of locks they made it reverse in the other direction. | 0:22:45 | 0:22:48 | |
And once a year they dye the river, | 0:22:48 | 0:22:50 | |
which goes beautifully like a Venetian canal, | 0:22:50 | 0:22:53 | |
they dye it green. Why would they do that? | 0:22:53 | 0:22:55 | |
-Paddy's Day. -Indeed. | 0:22:55 | 0:22:56 | |
Cos there are lots of Irish and they have the bagpipes and so on. | 0:22:56 | 0:22:59 | |
And it's a beautiful city, I love it. | 0:22:59 | 0:23:01 | |
That is actually for real, we haven't done that with Photoshop. | 0:23:01 | 0:23:04 | |
-Really? -Yeah. That is how it looks. | 0:23:04 | 0:23:06 | |
So what dye, what...? | 0:23:06 | 0:23:08 | |
-Green dye. -LAUGHTER | 0:23:08 | 0:23:10 | |
APPLAUSE | 0:23:10 | 0:23:12 | |
-I'm sorry, I can't do better than that. -I'll accept that. No, no. -I wish I could help. | 0:23:12 | 0:23:16 | |
Probably named viridian or something, emerald. | 0:23:16 | 0:23:19 | |
The towns and cities further down the river | 0:23:19 | 0:23:21 | |
-get St Patrick's Day on the wrong day. -LAUGHTER | 0:23:21 | 0:23:24 | |
Yes, the entire city of Chicago was jacked ten feet in the air | 0:23:24 | 0:23:28 | |
to make room for the plumbing. | 0:23:28 | 0:23:30 | |
Now let's lighten the mood with a little light General Ignorance. | 0:23:30 | 0:23:33 | |
Fingers lightly on your buzzers, please. | 0:23:33 | 0:23:35 | |
Name one of the rules in a walking race. | 0:23:35 | 0:23:37 | |
You're not allowed to run, are you? | 0:23:37 | 0:23:38 | |
Well, you certainly can't run, but how do you judge that? | 0:23:38 | 0:23:42 | |
Isn't it that some part of your foot | 0:23:42 | 0:23:44 | |
-has to be in contact with the ground? -Oooh... | 0:23:44 | 0:23:47 | |
KLAXON BLARES | 0:23:47 | 0:23:49 | |
There you are, you see. | 0:23:49 | 0:23:51 | |
Are those shorts strictly legal, though? | 0:23:51 | 0:23:53 | |
-No. -Oh, hello! -There's a little bit of swinging. | 0:23:53 | 0:23:57 | |
-Oh, God, you can really see it! -Just cover that with your hand. | 0:23:57 | 0:23:59 | |
-Oh, dear. -Oh, that's really... -Please make that stop. -Oh! Wahey! | 0:23:59 | 0:24:03 | |
-Please make that stop. -Oh, that's so wrong. -Oh, dear. | 0:24:03 | 0:24:06 | |
Ah, he's getting nearer! Oh! | 0:24:06 | 0:24:09 | |
Look at the feet! | 0:24:09 | 0:24:10 | |
-God, no, no! -Look at the feet! -God, no! | 0:24:10 | 0:24:13 | |
I feel like we've gone back to the sausage round. | 0:24:13 | 0:24:15 | |
It's gone, it's gone. | 0:24:15 | 0:24:17 | |
Look at the feet, don't look at the trunks. | 0:24:17 | 0:24:19 | |
That isn't a tip to one of the rules we should know, is it? | 0:24:19 | 0:24:22 | |
-No pants. -Yeah. Swinging basket. | 0:24:22 | 0:24:25 | |
Keep the junk in the trunk, I think is one of the rules. | 0:24:25 | 0:24:28 | |
No, the fact is, I will read you the rule if you want to know it. | 0:24:28 | 0:24:31 | |
-It's the... -Why are penises so funny? | 0:24:31 | 0:24:32 | |
From the International Association of Athletics Federations, | 0:24:32 | 0:24:35 | |
the rule book says, "Race walking," as it's called, | 0:24:35 | 0:24:38 | |
"is a progression of steps so taken that the walker makes contact with | 0:24:38 | 0:24:41 | |
"the ground so that no visible to the human eye loss of contact occurs." | 0:24:41 | 0:24:44 | |
All Olympic walkers, when you slow them down on TV, have moments, | 0:24:44 | 0:24:47 | |
a few milliseconds, sometimes, when both feet are off the ground, | 0:24:47 | 0:24:51 | |
but it's not visible to the human eye. | 0:24:51 | 0:24:53 | |
Nowadays you can freeze frame just about anything incredibly accurately, | 0:24:53 | 0:24:56 | |
so Olympic Games broadcasters and Olympic judges | 0:24:56 | 0:24:59 | |
get absolutely bombarded with calls from people | 0:24:59 | 0:25:01 | |
furious cos they've seen both feet off the ground | 0:25:01 | 0:25:04 | |
and they're convinced that must be against the rules. | 0:25:04 | 0:25:06 | |
-But, actually, it isn't. -How do you get into it? That's... -I know. | 0:25:06 | 0:25:09 | |
Because it looks so silly, the bottom swinging... | 0:25:09 | 0:25:11 | |
We've all... I know people that are fast walkers, | 0:25:11 | 0:25:14 | |
but you never go... "You should go for this." | 0:25:14 | 0:25:17 | |
-No, I know. -But it's that action with the elbows | 0:25:17 | 0:25:20 | |
-that I find really weird. -It's very hard to talk about it without... | 0:25:20 | 0:25:22 | |
It's like when you go on a spiral staircase and you do that. | 0:25:22 | 0:25:25 | |
I'm feeling my bum going now. | 0:25:25 | 0:25:27 | |
I've actually picked several stitches out of this upholstery. | 0:25:27 | 0:25:31 | |
Have you seen that video, the two women finishing, | 0:25:31 | 0:25:34 | |
trying to finish the walking race? I'm not sure if it's the Olympics. | 0:25:34 | 0:25:37 | |
-And they end up crawling. -Oh, no. | 0:25:37 | 0:25:39 | |
-It is absolutely... -Because they're so exhausted? | 0:25:39 | 0:25:41 | |
They're so exhausted. | 0:25:41 | 0:25:42 | |
Both their legs have gone... Never seen legs go like jelly. | 0:25:42 | 0:25:45 | |
My legs went to jelly. I did this thing with Bear Grylls | 0:25:45 | 0:25:48 | |
where I had to do this rappel down a sheer face. | 0:25:48 | 0:25:50 | |
I have never been so terrified in my entire life. | 0:25:50 | 0:25:53 | |
-I got there, I... -Sorry, you rappelled down Bear Grylls' face? | 0:25:53 | 0:25:57 | |
LAUGHTER | 0:25:57 | 0:25:58 | |
Kind of(!) If you like. He chose the face. | 0:25:58 | 0:26:01 | |
LAUGHTER | 0:26:01 | 0:26:03 | |
And then your legs went to jelly. | 0:26:03 | 0:26:05 | |
LAUGHTER | 0:26:05 | 0:26:07 | |
The really frightening thing was, he took me to the edge | 0:26:07 | 0:26:10 | |
and then there was 45 minutes of... | 0:26:10 | 0:26:12 | |
Sorry, Bear Grylls took you to the edge... LAUGHTER DROWNS SPEECH | 0:26:12 | 0:26:15 | |
APPLAUSE | 0:26:15 | 0:26:17 | |
And then what? Then there was a tantalising 45 minutes... | 0:26:18 | 0:26:22 | |
I mean, that's a wait. That is a wait. | 0:26:22 | 0:26:24 | |
-That's high-tensile, that is. -I'm so sorry. | 0:26:24 | 0:26:27 | |
-The real thing! -Yeah. | 0:26:27 | 0:26:28 | |
-Sometimes I don't know what comes out. -To be on the cusp for 45 minutes... | 0:26:28 | 0:26:31 | |
There was 45 minutes of true talking about safety things | 0:26:31 | 0:26:36 | |
and about the sound people hiding themselves in nooks and crannies | 0:26:36 | 0:26:39 | |
so that a helicopter shot could go round... | 0:26:39 | 0:26:41 | |
Top drawer porn. | 0:26:41 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:44 | |
You don't get many aerial shots, do you? | 0:26:45 | 0:26:47 | |
You won't get that on Redtube. | 0:26:49 | 0:26:51 | |
So once I'd got down this sheer face, I found my legs had - | 0:26:51 | 0:26:54 | |
exactly the same - just gave way. I couldn't stand. | 0:26:54 | 0:26:58 | |
So I had to arse-luge all my way down this slope... | 0:26:58 | 0:27:01 | |
LAUGHTER | 0:27:01 | 0:27:03 | |
And it ripped the entire outer layer of trousering. | 0:27:03 | 0:27:06 | |
Did it sound like this? RIPPING CLOTH | 0:27:06 | 0:27:09 | |
Yes, it did! | 0:27:09 | 0:27:11 | |
LAUGHTER | 0:27:13 | 0:27:15 | |
He is terrible. Anyway. | 0:27:15 | 0:27:17 | |
Race walking is often seen as a comical event | 0:27:17 | 0:27:19 | |
and someone once described it as like having | 0:27:19 | 0:27:21 | |
a competition to see who can whisper the loudest. | 0:27:21 | 0:27:23 | |
Now, here's the crew of the International Space Station. | 0:27:23 | 0:27:27 | |
Why are they weightless? | 0:27:27 | 0:27:29 | |
-Oh... -Yes? | 0:27:30 | 0:27:32 | |
-Because they're in zero gravity. -Oh, dear! | 0:27:32 | 0:27:35 | |
KLAXON | 0:27:35 | 0:27:36 | |
-A common misapprehension. -Yeah. | 0:27:38 | 0:27:40 | |
No, that's not it at all. There's a huge amount of gravity, they're very close to the Earth. | 0:27:40 | 0:27:44 | |
-The moon is... -Oh, they weren't in flight at that point? | 0:27:44 | 0:27:46 | |
No, they were orbiting the Earth. | 0:27:46 | 0:27:48 | |
But they're in free-fall, a bit like sky divers. | 0:27:48 | 0:27:50 | |
And, fortunately, unlike sky divers, | 0:27:50 | 0:27:52 | |
they're also travelling sideways at the same time. | 0:27:52 | 0:27:55 | |
If they weren't, they would crash into the earth. | 0:27:55 | 0:27:57 | |
there's certainly not zero gravity, there's a lot of gravity. | 0:27:57 | 0:28:00 | |
The Space Station, and the astronauts in free-fall inside it, | 0:28:00 | 0:28:03 | |
is plummeting towards the Earth but, because of its curvature, | 0:28:03 | 0:28:06 | |
the ground is falling away from them at the same speed | 0:28:06 | 0:28:09 | |
as they're falling towards it. | 0:28:09 | 0:28:11 | |
To put it another way, the Space Station is constantly falling, | 0:28:11 | 0:28:13 | |
but its tremendous horizontal speed means that it always falls | 0:28:13 | 0:28:16 | |
over the horizon. | 0:28:16 | 0:28:18 | |
They love karaoke, don't they? They love that. | 0:28:18 | 0:28:20 | |
But it's not that there is no gravity acting on them. | 0:28:20 | 0:28:22 | |
There's a huge amount of gravity acting on the spacecraft, | 0:28:22 | 0:28:25 | |
or it would just be lost in space. | 0:28:25 | 0:28:26 | |
So, you didn't do so well on that, so maybe you'll do better on this. | 0:28:26 | 0:28:29 | |
Why do spacecraft get hot on re-entry? | 0:28:29 | 0:28:32 | |
Why do they get hot? | 0:28:32 | 0:28:34 | |
-Friction? -Oh, darling Sue, thank you. | 0:28:34 | 0:28:37 | |
-Yeah, you're welcome. -We hoped for that. | 0:28:37 | 0:28:39 | |
Yeah. Well, you came to the right place if you wanted idiot. | 0:28:39 | 0:28:43 | |
No! You're not idiotic, most of us would have said friction. | 0:28:43 | 0:28:46 | |
It's not friction, actually. It's what's called a bow shock. | 0:28:46 | 0:28:48 | |
It's the pressure on the air in front of it, | 0:28:48 | 0:28:51 | |
like a bow wave of a ship, and the faster you go | 0:28:51 | 0:28:54 | |
the hotter it becomes, because of this enormous pressure on the air. | 0:28:54 | 0:28:58 | |
And there are other examples of that sort of effect, | 0:28:58 | 0:29:01 | |
like a sonic boom, for example, | 0:29:01 | 0:29:03 | |
when you're going faster, which is also a sort of bow shock. | 0:29:03 | 0:29:07 | |
Everything I know about space is entirely taken | 0:29:07 | 0:29:09 | |
from Sandra Bullock's performance in Gravity. | 0:29:09 | 0:29:12 | |
Everything I know about space comes from reading The Right Stuff, | 0:29:12 | 0:29:15 | |
and I know that if you get it wrong, when you re-enter, | 0:29:15 | 0:29:19 | |
-you can skip off the atmosphere. -Oh, absolutely. | 0:29:19 | 0:29:21 | |
No, what, like a stone? | 0:29:21 | 0:29:22 | |
Yeah, then you'll just never come back. | 0:29:22 | 0:29:25 | |
-Then you just keep going. -Yeah. -Yeah. | 0:29:25 | 0:29:27 | |
Well, the fact is, spacecraft heat up on re-entry | 0:29:27 | 0:29:31 | |
because of the bow shock, not the friction. | 0:29:31 | 0:29:33 | |
What do beavers eat? | 0:29:33 | 0:29:34 | |
Good beaver shot. | 0:29:36 | 0:29:37 | |
-LAUGHTER -Yes, Josh. | 0:29:37 | 0:29:40 | |
Erm...wood. | 0:29:40 | 0:29:43 | |
..is the right answer. We were hoping you might say fish. | 0:29:43 | 0:29:46 | |
They are, in fact, completely vegan. They just eat wood and plants | 0:29:46 | 0:29:49 | |
and algae, seaweed, things like that. | 0:29:49 | 0:29:51 | |
Absolute nightmare at a dinner party. | 0:29:51 | 0:29:54 | |
-The wood course. -So they dam the river just for breeding purposes? | 0:29:54 | 0:29:57 | |
They dam the river for breeding, exactly. For creating a lodge. | 0:29:57 | 0:30:00 | |
I've seen one. I've stood on one. | 0:30:00 | 0:30:02 | |
You've stood on one? | 0:30:02 | 0:30:04 | |
-Oh, you can. They're really solid. -Oh! | 0:30:04 | 0:30:06 | |
Did you deliberately stand on it? | 0:30:06 | 0:30:08 | |
-Yeah, well, it... -You can. You're invited to. -Is it like surfing? | 0:30:08 | 0:30:11 | |
-It's like a tourist thing. -They don't mind. They don't seem to mind. | 0:30:11 | 0:30:14 | |
You can get from the bank onto it, | 0:30:14 | 0:30:15 | |
and it's this great construction of logs and branches. | 0:30:15 | 0:30:18 | |
Oh, I thought you stood on a beaver! You didn't stand on... | 0:30:18 | 0:30:21 | |
LAUGHTER DROWNS SPEECH | 0:30:21 | 0:30:25 | |
I thought you were beaver-surfing! | 0:30:25 | 0:30:26 | |
We've all got the internet, after all! | 0:30:30 | 0:30:33 | |
Beaver-surfing is quite different. | 0:30:33 | 0:30:35 | |
I'll tell you a very interesting beaver fact, though. | 0:30:35 | 0:30:38 | |
If you take a beaver out of its natural environment, | 0:30:38 | 0:30:41 | |
which is by a river, | 0:30:41 | 0:30:42 | |
and put it in the middle of a forest far from a river, | 0:30:42 | 0:30:45 | |
and turn on a tape recorder which has the sound of a gurgling river, | 0:30:45 | 0:30:48 | |
it will build a dam. | 0:30:48 | 0:30:50 | |
It doesn't need to see or feel the water. | 0:30:50 | 0:30:52 | |
Unfortunately, in Scotland and places like that where | 0:30:52 | 0:30:55 | |
there have been attempts to try and reintroduce the beaver, | 0:30:55 | 0:30:58 | |
people wrongly think they eat fish | 0:30:58 | 0:31:00 | |
and that they'll threaten the salmon or trout or whatever, | 0:31:00 | 0:31:02 | |
but, of course, they don't eat fish. | 0:31:02 | 0:31:04 | |
-They just destroy forests! -Well, yeah! | 0:31:04 | 0:31:06 | |
Well, they have a nibble, anyway. | 0:31:06 | 0:31:09 | |
And, finally, who fancies a quantum-locking levitation lark? | 0:31:09 | 0:31:12 | |
And to help me tonight we have Professor Andrew Boothroyd | 0:31:12 | 0:31:15 | |
of the Physics Department of Oxford University. | 0:31:15 | 0:31:18 | |
Hello, Andrew! | 0:31:18 | 0:31:19 | |
APPLAUSE AND CHEERING | 0:31:19 | 0:31:21 | |
So, here we go, this is going to go over my head, so I'm going to duck. | 0:31:23 | 0:31:26 | |
Ta-da! There it is. | 0:31:26 | 0:31:28 | |
An exciting tray and what looks like a bit of sort of Scalextric | 0:31:28 | 0:31:32 | |
and let's just line it up there. | 0:31:32 | 0:31:33 | |
We've got a little bucket here, what's in this bucket, Andrew? | 0:31:33 | 0:31:36 | |
That's a bucket of liquid nitrogen. | 0:31:36 | 0:31:38 | |
Liquid nitrogen which, as you know, is extremely cold, | 0:31:38 | 0:31:40 | |
and I'm going to dip a rose into it, just to show how cold it is. | 0:31:40 | 0:31:43 | |
I'd better put these gloves on first. Health and safety. | 0:31:43 | 0:31:45 | |
Heston Blumenthal's making a rose dish! | 0:31:45 | 0:31:47 | |
Oh, and these. All safety. Safety, safety, safety. | 0:31:49 | 0:31:53 | |
-Yeah, as long as you're safe, that's the main thing! -Yeah, quite. | 0:31:53 | 0:31:56 | |
Here we go. | 0:31:56 | 0:31:58 | |
So, I'm going to dip a rose into this, you might have had this... | 0:31:58 | 0:32:01 | |
Ooh! Bubbles away. | 0:32:01 | 0:32:02 | |
It's really cold now. | 0:32:05 | 0:32:07 | |
And it might even shatter. | 0:32:07 | 0:32:09 | |
Oh! | 0:32:10 | 0:32:12 | |
Look at that, like glass. | 0:32:12 | 0:32:14 | |
-Shall I not touch the bit that's landed on me?! -No, that's fine. | 0:32:14 | 0:32:17 | |
LAUGHTER | 0:32:17 | 0:32:18 | |
Is it burning into your skin? | 0:32:18 | 0:32:20 | |
It shatters like glass. | 0:32:20 | 0:32:21 | |
I've got a little wart on my finger, is this a chance to burn it off? | 0:32:21 | 0:32:25 | |
-You might get a little cryo... -And the rest of your hand. | 0:32:26 | 0:32:29 | |
It would be a great way of dumping someone on Valentine's Day. | 0:32:29 | 0:32:32 | |
LAUGHTER | 0:32:32 | 0:32:33 | |
So, what have we got here, Andrew? | 0:32:35 | 0:32:37 | |
We've got here a piece of ordinary-looking black ceramic, | 0:32:37 | 0:32:41 | |
which, when we cool it down to very low temperatures, | 0:32:41 | 0:32:43 | |
acquires a very extraordinary property. | 0:32:43 | 0:32:46 | |
-OK. -So if you'd just like to cool it down with liquid nitrogen. | 0:32:46 | 0:32:48 | |
-I shall baste it with liquid nitrogen. -Oh, my word. | 0:32:48 | 0:32:51 | |
-There we are. -And we have a second one over here. | 0:32:53 | 0:32:55 | |
-Oh, right. -Do that one, too. -I'll cool that, as well. | 0:32:55 | 0:32:58 | |
This is like the beginning of every pop video in the '80s. | 0:32:58 | 0:33:01 | |
Tell me what's particular about this? | 0:33:02 | 0:33:04 | |
It loses all its resistance, its electrical resistance, | 0:33:04 | 0:33:06 | |
-and becomes what's known as a superconductor. -Ah, yes. | 0:33:06 | 0:33:09 | |
That's one thing. | 0:33:09 | 0:33:10 | |
And the other thing is that it acquires the property | 0:33:10 | 0:33:13 | |
that it can bend magnetic field lines | 0:33:13 | 0:33:16 | |
in such a way that it will always try | 0:33:16 | 0:33:18 | |
to resist any motion, even if that means hovering above the ground. | 0:33:18 | 0:33:23 | |
All right. So let's pick it up | 0:33:23 | 0:33:25 | |
and pop it... | 0:33:25 | 0:33:26 | |
Whoops! | 0:33:26 | 0:33:27 | |
There it goes. | 0:33:29 | 0:33:30 | |
-Whoa! -Oh, wow! -Cool. | 0:33:30 | 0:33:32 | |
-Yeah, it's pretty good, isn't it? -Literally. | 0:33:32 | 0:33:35 | |
That makes no effect and you can just give it a tip... | 0:33:35 | 0:33:39 | |
SUE: Oh, that's very strange. | 0:33:39 | 0:33:41 | |
Yeah. There we are. | 0:33:41 | 0:33:42 | |
And as it warms up it'll slowly sink. | 0:33:42 | 0:33:44 | |
-Oh, wow. -There you go. | 0:33:44 | 0:33:46 | |
Is this what you do most days at the Oxford University? | 0:33:46 | 0:33:50 | |
Almost every day. | 0:33:50 | 0:33:52 | |
It's not a bad old job. | 0:33:52 | 0:33:53 | |
So this one here, | 0:33:53 | 0:33:55 | |
is very exciting. | 0:33:55 | 0:33:56 | |
And now it's nice and slidey. | 0:33:56 | 0:33:59 | |
But look at this. | 0:33:59 | 0:34:01 | |
-Cool. -And what's happening there? | 0:34:04 | 0:34:06 | |
-It's the magnetic field, isn't it? -That's correct. -It's interrupted | 0:34:06 | 0:34:09 | |
-by this superconductivity. -But it's not like a normal magnet, | 0:34:09 | 0:34:11 | |
cos a normal magnet would repel when it's up that way | 0:34:11 | 0:34:14 | |
and then it would just fall off. | 0:34:14 | 0:34:15 | |
So this is both repelling and attracting at the same time. | 0:34:15 | 0:34:18 | |
I'm going to give it one more little go | 0:34:18 | 0:34:20 | |
and then we can try it on the track. | 0:34:20 | 0:34:22 | |
I thought you were going to say, "And then we can try it on Alan." | 0:34:22 | 0:34:25 | |
-LAUGHTER -That would not be nice. | 0:34:25 | 0:34:27 | |
-No! -Upside down in a bucket of nitrogen. | 0:34:27 | 0:34:29 | |
There we go. Pop it there. | 0:34:31 | 0:34:32 | |
-Oh, wow! -Fantastic. | 0:34:34 | 0:34:36 | |
-Round it goes. -That's cool. -That's amazing. -Isn't it good? | 0:34:36 | 0:34:38 | |
-FRANK: -Can someone pass the Sellotape? | 0:34:38 | 0:34:41 | |
-It's like a steam train. -And it's like a steam train, | 0:34:41 | 0:34:43 | |
it can go the other way. | 0:34:43 | 0:34:44 | |
-We can put the wrong type of leaf on the track. -LAUGHTER | 0:34:44 | 0:34:47 | |
And is this going to get us to Mars? That's the main question. | 0:34:50 | 0:34:52 | |
Well, what do you think, Andrew? | 0:34:52 | 0:34:54 | |
Are there any practical applications we can think of? | 0:34:54 | 0:34:56 | |
You could use it as a piece of transport like that, | 0:34:56 | 0:34:58 | |
but it's expensive because of the cost of cooling the nitrogen. | 0:34:58 | 0:35:01 | |
So it's not efficient. | 0:35:01 | 0:35:02 | |
But if we could find a superconductor | 0:35:02 | 0:35:05 | |
that worked at room temperature, then it would be viable. | 0:35:05 | 0:35:08 | |
-Right. -SUE: -Are you working on that? | 0:35:08 | 0:35:10 | |
-We are, yes indeed, yes, I am. -I trust you. | 0:35:10 | 0:35:12 | |
-JOSH: -I bet they're not! | 0:35:12 | 0:35:13 | |
They're just playing with this all the time, that's what I'd be doing. | 0:35:13 | 0:35:17 | |
I know, isn't it gorgeous? | 0:35:17 | 0:35:18 | |
So you'd think it would almost be like a maglev train. | 0:35:18 | 0:35:21 | |
That's what it would be like. | 0:35:21 | 0:35:22 | |
-Oh, there we go again. I love that. -Oh, I love it. | 0:35:22 | 0:35:24 | |
And this, of course, can go on here, as well. | 0:35:24 | 0:35:26 | |
-Oh! -Oh! Oh! Oh! | 0:35:26 | 0:35:29 | |
Argh! Ahhh! | 0:35:29 | 0:35:31 | |
Don't be too scared. It's all right. | 0:35:31 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:36 | |
What a pussy! | 0:35:36 | 0:35:38 | |
Sorry! | 0:35:38 | 0:35:39 | |
LAUGHTER AND APPLAUSE | 0:35:39 | 0:35:41 | |
-That's my favourite one. -Boing! | 0:35:42 | 0:35:44 | |
Oh, it's coming round, it's coming round, it's coming round! | 0:35:44 | 0:35:47 | |
Unfortunately, this one is less insulated and it'll probably get... | 0:35:47 | 0:35:50 | |
-Oh, that's stopped it. -It's doing pretty well. | 0:35:50 | 0:35:53 | |
-It is, isn't it? -Oh, my God, that's coming for me. Oh, no. | 0:35:53 | 0:35:55 | |
Cool. | 0:35:57 | 0:35:58 | |
Oh, there you go. Bless its heart. | 0:35:58 | 0:36:00 | |
That would be like the best Christmas present in the world. | 0:36:00 | 0:36:03 | |
What is the magnet made of? | 0:36:03 | 0:36:04 | |
It's rather exciting names - boron and...? | 0:36:04 | 0:36:07 | |
The magnet is made of neodymium, iron and boron | 0:36:07 | 0:36:09 | |
-and that's what the track is made of. -Neodymium? | 0:36:09 | 0:36:12 | |
-Neodymium and iron and boron. -Wonderful. | 0:36:12 | 0:36:14 | |
The superconductor is made of gadolinium, barium, | 0:36:14 | 0:36:16 | |
copper and oxygen. | 0:36:16 | 0:36:17 | |
SUE: But you can just use sticky-backed plastic... | 0:36:17 | 0:36:20 | |
LAUGHTER | 0:36:20 | 0:36:22 | |
..and a Fairy Liquid bottle. | 0:36:22 | 0:36:23 | |
Well, there you have the miracle that is quantum levitation. | 0:36:23 | 0:36:27 | |
-Thanks to Andrew Boothroyd. -SUE: Amazing, Andrew, amazing. | 0:36:27 | 0:36:30 | |
-APPLAUSE AND CHEERING -Thank you, Andrew. Thank you so much. | 0:36:30 | 0:36:33 | |
For once... | 0:36:37 | 0:36:39 | |
For once I can say what could be cooler than that? | 0:36:39 | 0:36:42 | |
That's all the levity we've got time for, | 0:36:42 | 0:36:44 | |
so let's have a look at the scores. | 0:36:44 | 0:36:46 | |
It's very exciting. | 0:36:46 | 0:36:48 | |
I'm afraid, bringing up the rear with minus 14 is Sue Perkins. | 0:36:48 | 0:36:51 | |
APPLAUSE | 0:36:51 | 0:36:54 | |
With minus seven, in third place, is Frank Skinner! | 0:36:56 | 0:37:00 | |
APPLAUSE | 0:37:00 | 0:37:02 | |
Well, in a brilliant second is Josh Widdicombe, with five. | 0:37:05 | 0:37:09 | |
APPLAUSE | 0:37:09 | 0:37:11 | |
-Be still, my pulsing member, in first place... -LAUGHTER | 0:37:13 | 0:37:17 | |
..with 11 points, is Alan Davies! | 0:37:17 | 0:37:19 | |
APPLAUSE AND CHEERING | 0:37:19 | 0:37:21 | |
Well, thanks for watching and good night | 0:37:24 | 0:37:28 | |
from Sue, Frank, Josh, Alan and me. | 0:37:28 | 0:37:30 | |
We leave you to ponder upon the last words of the French satirist, | 0:37:30 | 0:37:33 | |
Francois Rabelais, in 1553. | 0:37:33 | 0:37:36 | |
These were his dying words - | 0:37:36 | 0:37:38 | |
"I have nothing, I owe much, the rest I leave to the poor." | 0:37:38 | 0:37:42 | |
Good night. | 0:37:42 | 0:37:43 | |
APPLAUSE | 0:37:43 | 0:37:45 |