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CHEERING AND APPLAUSE | 0:00:28 | 0:00:30 | |
Good evening, Buonasera, Bonsoir, | 0:00:32 | 0:00:38 | |
good evening, good evening, good evening | 0:00:38 | 0:00:40 | |
and welcome to QI, where tonight we are looking at lungs, | 0:00:40 | 0:00:43 | |
livers and other bits beginning with L. | 0:00:43 | 0:00:45 | |
Joining me are the luscious legs of Jo Brand. | 0:00:45 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:52 | |
The lustrous locks of Phill Jupitus. | 0:00:54 | 0:00:58 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:00 | |
The lovely larynx of Josh Widdicombe. | 0:01:01 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:06 | |
And the lily-livered Alan Davies. | 0:01:08 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:14 | |
So, let's examine your organs. Jo goes... | 0:01:14 | 0:01:19 | |
FIRST FEW BARS OF TOCCATA AND FUGUE BY BACH | 0:01:19 | 0:01:22 | |
Phill goes... | 0:01:25 | 0:01:26 | |
NEXT FEW BARS OF TOCCATA AND FUGUE BY BACH | 0:01:26 | 0:01:30 | |
Josh goes... | 0:01:32 | 0:01:33 | |
NEXT FEW BARS OF TOCCATA AND FUGUE BY BACH | 0:01:33 | 0:01:36 | |
And Alan goes.... | 0:01:39 | 0:01:40 | |
LA CUCARACHA PLAYS ON ELECTRIC ORGAN | 0:01:40 | 0:01:42 | |
LAUGHTER AND APPLAUSE | 0:01:50 | 0:01:53 | |
Anyway, in this L series, we have a special bonus, | 0:01:55 | 0:01:58 | |
which is if there's a lavatorial question, it's a Spend A Penny. | 0:01:58 | 0:02:03 | |
-There you go. -JAUNTY JINGLE, FLUSHING | 0:02:03 | 0:02:07 | |
Because L is for lavatory, | 0:02:08 | 0:02:10 | |
there may be a question which involves something lavatorial. | 0:02:10 | 0:02:13 | |
If you think you've spotted the question, wave your penny. | 0:02:13 | 0:02:16 | |
So, let's have a look at question one. | 0:02:16 | 0:02:18 | |
What was the problem with the first-ever contact lenses? | 0:02:18 | 0:02:21 | |
-ORGAN MUSIC PLAYS -Jo Brand? | 0:02:23 | 0:02:25 | |
Were they made of hydrochloric acid? | 0:02:25 | 0:02:27 | |
-LAUGHTER -That would have been a serious problem. | 0:02:27 | 0:02:31 | |
I presume they were massive and heavy and awkward and difficult? | 0:02:31 | 0:02:34 | |
They were very awkward, massive and difficult. | 0:02:34 | 0:02:36 | |
I'll give you 20 years either way to say what year they first appeared. | 0:02:36 | 0:02:39 | |
-ALAN AND JOSH: 1920. -Oh, that's weird. | 0:02:39 | 0:02:42 | |
Whoa! | 0:02:42 | 0:02:44 | |
-Scary. -That was odd! | 0:02:44 | 0:02:45 | |
No, it's not that. 1880, actually. | 0:02:45 | 0:02:48 | |
It was in Germany, where they grind lenses extremely well. | 0:02:48 | 0:02:51 | |
And there was one pioneer called August Muller, | 0:02:51 | 0:02:53 | |
who could only wear them for half an hour, | 0:02:53 | 0:02:56 | |
and then only after he had used cocaine on his eyes to numb them | 0:02:56 | 0:02:59 | |
cos they were very, very painful. | 0:02:59 | 0:03:01 | |
-Best excuse ever! -Yeah. | 0:03:01 | 0:03:03 | |
"Oh, my eyes, they're so..." | 0:03:03 | 0:03:06 | |
-"Mein augen!" Yeah. -"Ooooh...." | 0:03:06 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:10 | |
"Oh, my eyesight is so irritable and keen!" | 0:03:10 | 0:03:14 | |
"My eyes are talking nonsense!" | 0:03:14 | 0:03:18 | |
They used to saw off the bottom of test tubes | 0:03:18 | 0:03:20 | |
and then grind them smooth and put them in. | 0:03:20 | 0:03:23 | |
They were used not for vision correction. | 0:03:23 | 0:03:25 | |
Originally, they were concealing eye damage and things like that, | 0:03:25 | 0:03:28 | |
to protect sensitive eyes. And then... | 0:03:28 | 0:03:30 | |
Was the eye damage caused by the contact lenses? | 0:03:30 | 0:03:32 | |
Well, you'd think! But then they got more sophisticated with it. | 0:03:32 | 0:03:35 | |
By the 1920s and '30s in America they were quite popular, | 0:03:35 | 0:03:37 | |
but only with incredibly rich people. | 0:03:37 | 0:03:39 | |
-That's quite a big one, there. -That is big. | 0:03:39 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:44 | |
In the '20s and '30s they cost more than a car, one set. | 0:03:44 | 0:03:47 | |
So, it was only very rich daddies who would let... | 0:03:47 | 0:03:50 | |
Because their daughters didn't want to wear glasses. | 0:03:50 | 0:03:52 | |
And if you watch Hollywood movies of the '30s and '40s, | 0:03:52 | 0:03:55 | |
you will see that no actress wears glasses, | 0:03:55 | 0:03:58 | |
except an actress who is playing a part that is basically | 0:03:58 | 0:04:01 | |
a librarian, a dowd, a frump... | 0:04:01 | 0:04:04 | |
I'm not looking at you when I'm saying that! | 0:04:04 | 0:04:06 | |
LAUGHTER | 0:04:06 | 0:04:08 | |
APPLAUSE | 0:04:08 | 0:04:11 | |
-IN AMERICAN ACCENT: -"Why, Miss Quimby, you're beautiful!" | 0:04:11 | 0:04:15 | |
Anyway, we have borrowed some objects | 0:04:15 | 0:04:17 | |
from the world-famous British Optical Association Museum. | 0:04:17 | 0:04:23 | |
And you each have, and I'm going to start with Phill, | 0:04:23 | 0:04:25 | |
you have an optical object | 0:04:25 | 0:04:27 | |
and I'd like you to tell me what you think it might be. | 0:04:27 | 0:04:31 | |
Oh. Right. | 0:04:31 | 0:04:33 | |
-Well, it's got a lovely leather surround. -Yes. | 0:04:34 | 0:04:37 | |
-Right, so why would you want to see things this red? -Yeah. | 0:04:37 | 0:04:41 | |
Was it for nascent superhero Communist Man? | 0:04:41 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:47 | |
Are they literally rose-tinted glasses? Are you feeling...? | 0:04:47 | 0:04:51 | |
"Ah, the '80s! The Style Council!" | 0:04:51 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
"The Guardian with a decent header font. Oh!" | 0:04:56 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:05:00 | |
"Araucaria, his crosswords were easy, then. Oh!" | 0:05:00 | 0:05:04 | |
-As you can see, they look like flying goggles. -Yeah, yeah. | 0:05:04 | 0:05:07 | |
And that's what they are, but they're not for flying. | 0:05:07 | 0:05:09 | |
-Then they're not flying goggles. -JO: Driving. | 0:05:09 | 0:05:12 | |
-They are for... -Don't be picky, he doesn't like that. | 0:05:12 | 0:05:15 | |
They are for pilots. They're for night pilots. | 0:05:15 | 0:05:17 | |
-It's so they can acclimatise their eyes for darkness. -Oh. -Oh! | 0:05:17 | 0:05:22 | |
I would say that rather they make everyone you bump into | 0:05:22 | 0:05:26 | |
-look like a Dutch prostitute. -Yeah, there is an element of that. | 0:05:26 | 0:05:29 | |
Dance for me, Stephen! Dance for me. | 0:05:29 | 0:05:32 | |
Oh! | 0:05:34 | 0:05:35 | |
LAUGHTER AND APPLAUSE | 0:05:35 | 0:05:38 | |
You made me! | 0:05:38 | 0:05:39 | |
All right. | 0:05:40 | 0:05:41 | |
You are a unique individual, if you don't mind me saying. | 0:05:43 | 0:05:47 | |
Have a go. | 0:05:47 | 0:05:48 | |
Why can't I dance without people laughing?! | 0:05:48 | 0:05:50 | |
-I don't understand! -You bring joy, you're like... | 0:05:50 | 0:05:53 | |
I missed that lesson that everybody else went to at school | 0:05:53 | 0:05:55 | |
where they were taught how to dance at a discotheque. | 0:05:55 | 0:05:57 | |
LAUGHTER | 0:05:57 | 0:06:00 | |
Anyway, Alan, what have you got that's optical? | 0:06:00 | 0:06:03 | |
-It looks like an ordinary pair of glasses. -Yeah, it is. | 0:06:03 | 0:06:05 | |
And it has three... | 0:06:05 | 0:06:07 | |
Put them on and describe what you see. | 0:06:07 | 0:06:09 | |
LAUGHTER | 0:06:12 | 0:06:14 | |
-You won't be surprised to hear that my vision is somewhat obscured. -Yes. | 0:06:14 | 0:06:17 | |
LAUGHTER | 0:06:17 | 0:06:20 | |
-But look at the audience. -They make three... | 0:06:20 | 0:06:22 | |
And what do I...? What can you see? Can you see...? | 0:06:22 | 0:06:24 | |
They're kind of like binoculars, where you can really see... | 0:06:24 | 0:06:27 | |
-Can you see me doing anything? -No. | 0:06:27 | 0:06:29 | |
Are they not working, Alan? | 0:06:30 | 0:06:32 | |
Dance. Dance! | 0:06:32 | 0:06:34 | |
Whoa! | 0:06:37 | 0:06:38 | |
LAUGHTER AND APPLAUSE | 0:06:38 | 0:06:41 | |
Are they meant to be for peripheral vision? | 0:06:41 | 0:06:43 | |
-They were designed for drivers who had... -Jesus! | 0:06:43 | 0:06:46 | |
LAUGHTER | 0:06:46 | 0:06:49 | |
..who had bad eyesight and it was to improve their peripheral vision. | 0:06:49 | 0:06:54 | |
There'd be no chance of driving in these! | 0:06:54 | 0:06:57 | |
You'd just be like that all the time! | 0:06:57 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:02 | |
Well, that's unfortunate. | 0:07:02 | 0:07:04 | |
Well... But thank you for trying them and next up is Josh. | 0:07:04 | 0:07:08 | |
-What have you got? -They're very fashionable, aren't they? | 0:07:08 | 0:07:11 | |
If I were to tell you that these are, despite their modern look, | 0:07:11 | 0:07:15 | |
they're actually WAY over 100 years old. | 0:07:15 | 0:07:17 | |
They're mid-19th century. | 0:07:17 | 0:07:18 | |
From the open carriage days of railways onwards, | 0:07:19 | 0:07:21 | |
because of steam, smuts, so on, people got really stung in the eyes. | 0:07:21 | 0:07:27 | |
-And these were railway spectacles. -I'm sorry, who's speaking now? | 0:07:27 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:32 | |
That makes no sense! | 0:07:32 | 0:07:34 | |
And yet it's funny. | 0:07:36 | 0:07:38 | |
I think I could tell what they do better, Josh, if you'd dance for me. | 0:07:38 | 0:07:41 | |
LAUGHTER | 0:07:41 | 0:07:44 | |
APPLAUSE AND CHEERING | 0:07:44 | 0:07:47 | |
-Never got that reaction before! -Yeah. | 0:07:47 | 0:07:50 | |
Jo, it's your turn. | 0:07:50 | 0:07:51 | |
Oh, you've got a bonnet. | 0:07:53 | 0:07:56 | |
Lovely bonnet. | 0:07:56 | 0:07:58 | |
Oh, and something hanging from it, there you are. | 0:07:58 | 0:08:01 | |
LAUGHTER | 0:08:01 | 0:08:02 | |
How cool is THAT? | 0:08:02 | 0:08:04 | |
That's great, isn't it? | 0:08:04 | 0:08:06 | |
You are Mrs Norris in Mansfield Park. | 0:08:06 | 0:08:08 | |
It's a Jane Austen moment. | 0:08:08 | 0:08:10 | |
"Holmes, I never realised it was you!" | 0:08:10 | 0:08:13 | |
If there had been a character from Mansfield Park in Colditz, she... | 0:08:15 | 0:08:19 | |
"So... | 0:08:21 | 0:08:22 | |
"So, you vish to escape from mein prison camp. | 0:08:22 | 0:08:26 | |
"Not before we have done a little embroidery, no?" | 0:08:26 | 0:08:29 | |
LAUGHTER | 0:08:29 | 0:08:31 | |
I think it's more sort of Dickensian, isn't it? | 0:08:33 | 0:08:37 | |
Like Mrs Gamp, the elderly prostitute. | 0:08:37 | 0:08:40 | |
"I say, sir, let me see your penis." | 0:08:42 | 0:08:45 | |
Now, this is what these goggles were for! | 0:08:45 | 0:08:48 | |
She's got the idea, that one! These are definitely Dutch. | 0:08:48 | 0:08:52 | |
-I'm going to have to... -"Even with my monocle, it's awfully small." | 0:08:52 | 0:08:55 | |
Oh! | 0:08:55 | 0:08:56 | |
You know how to make a man feel very, very unhappy. | 0:08:58 | 0:09:01 | |
SHE MOUTHS | 0:09:01 | 0:09:03 | |
So, good, excellent. | 0:09:03 | 0:09:04 | |
Name something this lizard is doing as well as running. | 0:09:04 | 0:09:08 | |
ORGAN MUSIC PLAYS | 0:09:12 | 0:09:13 | |
Yes, Josh? | 0:09:13 | 0:09:14 | |
Is he worrying what's wrong with his legs? | 0:09:14 | 0:09:18 | |
He might be. | 0:09:18 | 0:09:19 | |
I don't think lizards ever worry. He looks quite cheerful. | 0:09:19 | 0:09:22 | |
-What might he be doing, what do all animals do, virtually? -Hunting? | 0:09:22 | 0:09:25 | |
-Hunting, yeah. -Sniffing. | 0:09:25 | 0:09:27 | |
-Sniffing, what does that involve? -Breathing. -Well, uses its tongue. | 0:09:27 | 0:09:30 | |
-What do you mean, what does it involve? -Breathing? | 0:09:30 | 0:09:32 | |
-Breathing, Josh said. -KLAXON SOUNDS | 0:09:32 | 0:09:34 | |
Oh! Sorry. I was cruel, I pushed you on that. He's not breathing. | 0:09:34 | 0:09:38 | |
That's the strange thing about lizards, | 0:09:38 | 0:09:40 | |
they have to twist their bodies so much | 0:09:40 | 0:09:42 | |
that it compresses their lungs and they can't breathe. | 0:09:42 | 0:09:44 | |
So, they do a bit of a run and then they stop, as we'll see. | 0:09:44 | 0:09:48 | |
He's running, running, running, not breathing at all, | 0:09:48 | 0:09:50 | |
and then he thinks, "Oh, blimey, I need some oxygen!" | 0:09:50 | 0:09:53 | |
-He'll stop. -STEPHEN PANTS | 0:09:53 | 0:09:56 | |
It's only when he's straight, only when he's heteros... | 0:09:56 | 0:09:59 | |
No, only when he's straight... | 0:09:59 | 0:10:02 | |
that he can... | 0:10:02 | 0:10:03 | |
That's just silly, makes no sense. | 0:10:03 | 0:10:05 | |
-..that he can breathe. -You were like the Oxbridge Johnny Morris, then. | 0:10:05 | 0:10:08 | |
"He's running along, baaa, oh, no." | 0:10:08 | 0:10:12 | |
But we have an example. The fastest humans on Earth run which race? | 0:10:12 | 0:10:16 | |
-100 metres. -The 100 metres, and it's said that some 100-metres sprinters | 0:10:16 | 0:10:19 | |
don't breathe throughout the race. | 0:10:19 | 0:10:22 | |
I mean, they obviously take gulps in, oxygenate themselves, | 0:10:22 | 0:10:25 | |
get all ready, like that, and then they're running and... | 0:10:25 | 0:10:28 | |
And you see them in slow motion, going... | 0:10:28 | 0:10:32 | |
And then lower down, | 0:10:32 | 0:10:33 | |
"Phedabida, phedabida, phedabida." And, um... | 0:10:33 | 0:10:35 | |
LAUGHTER | 0:10:35 | 0:10:37 | |
-Is that the noise it makes? -That's the noise it makes. -Wow. | 0:10:37 | 0:10:40 | |
When it reaches 20mph, that's the noise it starts to make. | 0:10:40 | 0:10:44 | |
Wow! | 0:10:44 | 0:10:45 | |
"Phedabida!" | 0:10:47 | 0:10:49 | |
-# Doo doo, do-do-do. # -LAUGHTER | 0:10:49 | 0:10:51 | |
-I've got a thing. Has anyone else got... -Have you, darling? | 0:10:53 | 0:10:56 | |
-LAUGHTER -And it goes "phedabida". | 0:10:56 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:00 | |
-I can't walk and drink at the same time. -Ah. | 0:11:00 | 0:11:03 | |
I really struggle with it. | 0:11:03 | 0:11:05 | |
-Is that normal? -No, I think it is. Who wants to throw in their... | 0:11:05 | 0:11:09 | |
Well, I think you'd have to go slowly, | 0:11:09 | 0:11:11 | |
because the motion creates a wave | 0:11:11 | 0:11:13 | |
-that will slop over the side of the glass. It's just... -Exactly. | 0:11:13 | 0:11:17 | |
..physics. | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:21 | |
Yeah, the ability to do two things at once. | 0:11:21 | 0:11:25 | |
We can ask the audience and we can ask you, | 0:11:25 | 0:11:27 | |
it's easier for the audience cos of the way they're sitting down. | 0:11:27 | 0:11:30 | |
All you have to do is revolve your right foot clockwise. | 0:11:30 | 0:11:33 | |
That's easy, isn't it? And then, with your right hand, make a six. | 0:11:33 | 0:11:38 | |
Is your foot suddenly going...? | 0:11:39 | 0:11:41 | |
-Oh, wow! That's weird! -Oh, I don't like that. -Isn't that extraordinary! | 0:11:41 | 0:11:45 | |
-What was it? What foot? Right foot. -That's weird. | 0:11:45 | 0:11:47 | |
-Right foot clockwise. -Yeah. -And then do a six. | 0:11:47 | 0:11:50 | |
-You have to really think about it. -You really do, don't you? -Oh! Oh! | 0:11:50 | 0:11:54 | |
That was instant! | 0:11:55 | 0:11:57 | |
You really have to think about it | 0:11:57 | 0:11:59 | |
to the point where you nearly break your foot off. | 0:11:59 | 0:12:02 | |
You forget what's clockwise. | 0:12:02 | 0:12:05 | |
And you start going up and down and not... | 0:12:05 | 0:12:07 | |
Argh, argh, no! | 0:12:07 | 0:12:09 | |
-I'm absolutely fighting it! -You're in agony. | 0:12:09 | 0:12:11 | |
But I couldn't do the six, I couldn't finish the six. I just did a C. | 0:12:11 | 0:12:14 | |
Yes. Exactly. It's a bitch, isn't it? It's really fascinating. | 0:12:14 | 0:12:17 | |
Oh, I'm going to remember that one. | 0:12:17 | 0:12:19 | |
People say, "What do you remember from QI?" And I remember nothing! | 0:12:19 | 0:12:22 | |
-Even if you watch your foot. -Yeah. | 0:12:22 | 0:12:25 | |
I mean, this isn't great television, what I'm doing at this moment. | 0:12:25 | 0:12:29 | |
You can raise your foot, put your foot on the desk if you want. | 0:12:29 | 0:12:33 | |
Right, so... | 0:12:33 | 0:12:35 | |
-Glad I wore my natty socks today. -Yeah, they've very natty. | 0:12:35 | 0:12:38 | |
Argh! | 0:12:40 | 0:12:42 | |
It is fascinating, isn't it? | 0:12:43 | 0:12:45 | |
Lizards can't breathe and walk at the same time | 0:12:45 | 0:12:47 | |
and our audience are even worse. | 0:12:47 | 0:12:49 | |
Lizards have four legs, but what's got eight legs, | 0:12:49 | 0:12:53 | |
sits in the middle of a spider's web, | 0:12:53 | 0:12:56 | |
but is NOT a spider? | 0:12:56 | 0:12:58 | |
ORGAN MUSIC PLAYS | 0:12:58 | 0:13:00 | |
-Jo Brand? -One and a half flies. | 0:13:00 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:04 | |
-And the half a fly has lost a leg. -Wouldn't that be nine legs? | 0:13:04 | 0:13:08 | |
No, and the half has lost a leg, that's been eaten. | 0:13:08 | 0:13:13 | |
-In theory, that is right. -If... Yes, why... | 0:13:13 | 0:13:17 | |
Don't you hate it when you try and help a spider | 0:13:17 | 0:13:20 | |
and it resists you, and then one of its legs comes off. | 0:13:20 | 0:13:24 | |
-Don't you hate that? -That is so annoying! | 0:13:24 | 0:13:26 | |
Just get on the paper! And daddy-longlegs, they're even worse. | 0:13:26 | 0:13:30 | |
-Yeah, they are. -You'd think the spider could do the six | 0:13:30 | 0:13:32 | |
and the clockwise with its two legs. | 0:13:32 | 0:13:34 | |
It probably can, EASILY. | 0:13:34 | 0:13:35 | |
Yeah, it's laughing up its sleeve at us. | 0:13:35 | 0:13:38 | |
If they have sleeves, eight sleeves, it's laughing up its eight sleeves. | 0:13:38 | 0:13:41 | |
This does seem very bizarre. | 0:13:41 | 0:13:42 | |
It sits in the middle of a web, has eight legs, | 0:13:42 | 0:13:45 | |
looks exactly like a spider, but it isn't a spider. | 0:13:45 | 0:13:48 | |
Is it an unlucky octopus? | 0:13:48 | 0:13:50 | |
-A beached octopus. -A beached octopus! | 0:13:51 | 0:13:54 | |
-Well, given... -Is it some sort of predator that wants to eat spiders? | 0:13:54 | 0:13:57 | |
-Is it one of those? -Actually, it's the reverse. | 0:13:57 | 0:13:59 | |
It's a spider that wants to DETER predators, | 0:13:59 | 0:14:01 | |
so it creates a fake spider. | 0:14:01 | 0:14:04 | |
-Shut up! -There. | 0:14:04 | 0:14:06 | |
That's made of its dead skin, | 0:14:06 | 0:14:08 | |
it's made of leaf mould. It's made of all kinds of bits and pieces. | 0:14:08 | 0:14:11 | |
There you can see the sort of body, | 0:14:11 | 0:14:13 | |
you only see four of the legs there, | 0:14:13 | 0:14:14 | |
it's already making a woman in the audience wet herself. | 0:14:14 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:19 | |
-Did someone just make that? -A spider did. | 0:14:19 | 0:14:22 | |
-Oh, is that real? -Spiders make them. That's the point, they make them. | 0:14:22 | 0:14:25 | |
-Is that to scale? -Well, it's... | 0:14:25 | 0:14:29 | |
Almost, in the sense that it's five times bigger than the actual spider. | 0:14:29 | 0:14:33 | |
So, the spider is quite small and it makes this enormous spider, | 0:14:33 | 0:14:36 | |
and sometimes, it lives in a pouch in the abdomen, | 0:14:36 | 0:14:38 | |
and no-one's quite sure why. They think it may be to deter predators, | 0:14:38 | 0:14:41 | |
because it looks too big, or it may be to suggest | 0:14:41 | 0:14:44 | |
to other spiders that you can't steal this web, | 0:14:44 | 0:14:46 | |
-because it's occupied. -It's like a scarecrow, really, isn't it? | 0:14:46 | 0:14:50 | |
Basically, yeah. Or turning your lights on in your house to put burglars off. | 0:14:50 | 0:14:54 | |
-It may just be a hobby. -Yes. | 0:14:54 | 0:14:56 | |
LAUGHTER | 0:14:56 | 0:14:58 | |
When your life is sitting in the corner of a shed eating flies... | 0:14:58 | 0:15:04 | |
-You need a hobby. -You've got to have something, haven't you? | 0:15:04 | 0:15:06 | |
It is in the middle of the Peruvian jungle, | 0:15:06 | 0:15:08 | |
where there are not so many sheds. | 0:15:08 | 0:15:10 | |
-They don't even eat them, do they? They drink them. -They what? | 0:15:10 | 0:15:13 | |
Because they wrap them up in their silky web | 0:15:13 | 0:15:16 | |
and then the prey dissolves into a fluid | 0:15:16 | 0:15:19 | |
and then they suck it when it's a liquid thing. | 0:15:19 | 0:15:23 | |
-"Hmm, that's good eatin'." -Yeah, isn't it? -Yeah. | 0:15:23 | 0:15:25 | |
The amazing thing is, and this is really extraordinary, | 0:15:25 | 0:15:28 | |
is that another species of spider altogether, | 0:15:28 | 0:15:30 | |
as far away as you can virtually get on the planet, | 0:15:30 | 0:15:33 | |
11,000 or so miles away, across from Peru in the Philippines, | 0:15:33 | 0:15:37 | |
does almost exactly the same thing and nobody knows | 0:15:37 | 0:15:41 | |
if that's convergent evolution or whether it's... | 0:15:41 | 0:15:43 | |
It'd be a weird raft that managed to get all the way across that amount of water. | 0:15:43 | 0:15:47 | |
-It's just God, Stephen, it's just God. -Just God. | 0:15:47 | 0:15:50 | |
LAUGHTER | 0:15:50 | 0:15:53 | |
I overlooked that possibility. | 0:15:53 | 0:15:55 | |
-Mysterious ways, mysterious ways. -Very mysterious ways. | 0:15:55 | 0:15:59 | |
So, that's the Peruvian spider that makes huge models of itself. | 0:15:59 | 0:16:03 | |
Are those spiders to scale? | 0:16:03 | 0:16:05 | |
LAUGHTER | 0:16:05 | 0:16:07 | |
Because, I'm telling you now, | 0:16:07 | 0:16:10 | |
Japan are going to be all over that. | 0:16:10 | 0:16:12 | |
-IN JAPANESE ACCENT: -"Oh, no! Giant spider, no!" | 0:16:12 | 0:16:17 | |
I quite like this map behind Alan, because it looks like... | 0:16:20 | 0:16:24 | |
"And now the spider forecast with Alan Davies. | 0:16:24 | 0:16:27 | |
"South America, large, red." | 0:16:27 | 0:16:30 | |
It's like when you're on a plane and they have the map | 0:16:30 | 0:16:33 | |
with the little plane, if you turned it on and it was that, | 0:16:33 | 0:16:35 | |
you'd shit yourself. | 0:16:35 | 0:16:37 | |
It always has such random cities on it as well, doesn't it? | 0:16:37 | 0:16:40 | |
-It doesn't have like Paris, Rome, Venice. -Yeah, King's Lynn! | 0:16:40 | 0:16:43 | |
-LAUGHTER -Yeah, exactly, it's very strange. | 0:16:43 | 0:16:46 | |
I never quite understood that. Very peculiar. | 0:16:46 | 0:16:48 | |
Anyway! Peruvian spiders make huge models of themselves | 0:16:48 | 0:16:51 | |
and put them in the middle of their webs. | 0:16:51 | 0:16:53 | |
Speaking of things with lots of legs, | 0:16:53 | 0:16:56 | |
why can I never seem to catch the perfect centipede? | 0:16:56 | 0:16:58 | |
ORGAN MUSIC PLAYS | 0:16:58 | 0:17:01 | |
-Yes, Jo? -Is it cos you're too pissed all the time? | 0:17:01 | 0:17:03 | |
LAUGHTER | 0:17:03 | 0:17:05 | |
-Why, thank you for that(!) -Just a guess. | 0:17:05 | 0:17:09 | |
A lucky guess! | 0:17:09 | 0:17:10 | |
Cos they don't have 100 legs. | 0:17:10 | 0:17:12 | |
-They don't have 100 legs. -No. | 0:17:13 | 0:17:16 | |
-Well remembered! -They don't. We had it on this show. | 0:17:16 | 0:17:18 | |
-We did. -LAUGHTER | 0:17:18 | 0:17:21 | |
But it was a long time ago. | 0:17:21 | 0:17:22 | |
CHEERING AND APPLAUSE | 0:17:22 | 0:17:24 | |
You're absolutely right, but that's not the reason one won't catch a perfect one | 0:17:26 | 0:17:29 | |
cos you could have a perfect one that had...98 legs | 0:17:29 | 0:17:33 | |
because what would 98 legs mean? | 0:17:33 | 0:17:35 | |
That it had how many pairs of legs? | 0:17:35 | 0:17:37 | |
-49. -49. | 0:17:37 | 0:17:39 | |
49. | 0:17:39 | 0:17:41 | |
But why can't it have 100? | 0:17:41 | 0:17:42 | |
That'd be 50 pairs... | 0:17:42 | 0:17:44 | |
-No reason. -There is a reason. -Does it have to have an odd number of pairs? | 0:17:44 | 0:17:47 | |
Yes, an odd number of pairs. | 0:17:47 | 0:17:48 | |
For some reason, all centipedes have an odd number of pairs of legs | 0:17:48 | 0:17:51 | |
but that's not the reason I can never catch a perfect one, | 0:17:51 | 0:17:54 | |
cos a perfect centipede would have, say, 102 legs. | 0:17:54 | 0:17:56 | |
The legs are amazing. | 0:17:56 | 0:17:57 | |
-Astounding. -They go in a kind of wave. | 0:17:57 | 0:17:59 | |
Yes, they do. It's not... | 0:17:59 | 0:18:01 | |
Not at the moment cos it's climbing, but when it starts walking, | 0:18:01 | 0:18:04 | |
they go in a wave. Ooh! | 0:18:04 | 0:18:06 | |
-LAUGHTER -Yeah. -That's only got about... | 0:18:06 | 0:18:08 | |
-If only they were massive, I wish they were massive and they went down the -high street. Oh, don't! | 0:18:08 | 0:18:12 | |
No, but nice and benign and friendly - "Hello, morning!" | 0:18:12 | 0:18:16 | |
Like if all vicars were centipedes or something. | 0:18:21 | 0:18:23 | |
-It's just a fact of life, everyone just accept it. -Yeah. | 0:18:25 | 0:18:29 | |
Anyway, moving on... | 0:18:29 | 0:18:30 | |
If I caught a 102-footed centipede, that would be a perfect centipede, | 0:18:30 | 0:18:34 | |
but I'm talking about why I can't catch a perfect one. | 0:18:34 | 0:18:37 | |
They're elusive. | 0:18:37 | 0:18:39 | |
They are elusive, but that would be not being able to catch one. | 0:18:39 | 0:18:42 | |
Is it cos nobody's perfect? | 0:18:42 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:46 | |
That's a lovely point. No, it's really because if you chase them | 0:18:46 | 0:18:50 | |
-and you start to try and catch them... -Their legs fall off. | 0:18:50 | 0:18:52 | |
-They jettison legs. -They throw them at you. | 0:18:52 | 0:18:55 | |
-Well, they kind of do. -LAUGHTER | 0:18:55 | 0:18:58 | |
That's basically what they do! | 0:18:58 | 0:19:01 | |
Exactly! | 0:19:01 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:04 | |
They do! You've got it. That's what they do. | 0:19:06 | 0:19:09 | |
APPLAUSE | 0:19:09 | 0:19:11 | |
In order to distract a predator, they jettison their legs. | 0:19:11 | 0:19:13 | |
So, it stops, the predator will go, | 0:19:13 | 0:19:16 | |
"Ooh, I'll have an eat of that leg," and meanwhile, they're haring off. | 0:19:16 | 0:19:19 | |
-God's weird, isn't he? -He really is. A strange fellow. | 0:19:19 | 0:19:23 | |
Very strange fellow. | 0:19:23 | 0:19:24 | |
So, there you go. It's called autotomy. | 0:19:24 | 0:19:27 | |
And speaking of abandoned body parts, | 0:19:27 | 0:19:29 | |
which body part beginning with L | 0:19:29 | 0:19:31 | |
did Queen Victoria leave with the Empress of France? | 0:19:31 | 0:19:35 | |
There's Queen Victoria, and there's the... | 0:19:35 | 0:19:37 | |
-I was going to say labia and that would be just awful. -I know. | 0:19:37 | 0:19:40 | |
What were you going to say? | 0:19:40 | 0:19:41 | |
-KLAXON SOUNDS -Oh! | 0:19:41 | 0:19:43 | |
CHEERING AND APPLAUSE | 0:19:43 | 0:19:45 | |
Oh, dear, dear, dear, dear, dear. | 0:19:48 | 0:19:49 | |
-We're off! -Is it her little finger? | 0:19:49 | 0:19:52 | |
-Liver, larynx. -Is it a lock of hair? -Lock of hair is the right answer! | 0:19:52 | 0:19:56 | |
-CHEERING AND APPLAUSE -Brilliant! | 0:19:56 | 0:19:59 | |
But she virtually invented this sort of | 0:19:59 | 0:20:02 | |
Victorian sentimental obsession with locks of hair. | 0:20:02 | 0:20:05 | |
When her husband died, she kept lots of Albert's hair, but she gave... | 0:20:05 | 0:20:09 | |
-They've taken the photo away, but really... -I know. | 0:20:09 | 0:20:11 | |
..she looks so pissed off that her crown doesn't fit her. | 0:20:11 | 0:20:15 | |
-It just looks like a complete... -Shall we go back? -Yes, can we? | 0:20:15 | 0:20:18 | |
..comedy crown! | 0:20:18 | 0:20:19 | |
"No, honestly, it's absolutely meant to be this size." | 0:20:19 | 0:20:22 | |
"It doesn't fit me!" "Yes, yes, honestly, it's exactly as intended." | 0:20:22 | 0:20:27 | |
"It's for a child!" "No, no, no..." | 0:20:27 | 0:20:29 | |
-The Empress is going, "My bonnet's perfect." -It is. | 0:20:32 | 0:20:35 | |
It's rather like Jo's bonnet. It was, your monocle bonnet. | 0:20:35 | 0:20:38 | |
Yeah, exactly. Aw, you could be the Empress of France. | 0:20:38 | 0:20:42 | |
Double vision. Yes. Do you think I could be the Empress of France? | 0:20:42 | 0:20:45 | |
-Easily. -"Let them eat cake!" | 0:20:45 | 0:20:47 | |
So, let's cut to what she gave. | 0:20:47 | 0:20:50 | |
It was a bracelet made of her own hair. | 0:20:50 | 0:20:53 | |
It's an astonishing gift. | 0:20:53 | 0:20:54 | |
But this was what Victorians were obsessed with. | 0:20:54 | 0:20:56 | |
Knitting, braiding, plaiting, making things out of hair. | 0:20:56 | 0:21:00 | |
Artists powdered hair down. Do you remember those things, as a child, | 0:21:00 | 0:21:03 | |
when you would put glue, like Pritt, the non-sticky sticky stuff on it, | 0:21:03 | 0:21:07 | |
and then you would sprinkle glitter? Do you remember that? | 0:21:07 | 0:21:10 | |
-Copydex. -Or Copydex you could use, which smelt slightly chlorinous | 0:21:10 | 0:21:14 | |
-and was a wonderfully... -Semen. | 0:21:14 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:18 | |
-Not angry. -BOTH: Disappointed. | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:28 | |
Dear me. Oh, well. | 0:21:28 | 0:21:30 | |
Yeah. That's what artists would do, | 0:21:30 | 0:21:32 | |
they would put glue on and then they'd sprinkle the powdered hair. | 0:21:32 | 0:21:35 | |
So, hair was a big kind of deal. | 0:21:35 | 0:21:37 | |
Lord Byron was considered the most handsome and extraordinary figure. | 0:21:37 | 0:21:41 | |
There you can see a little locket hanging... | 0:21:41 | 0:21:44 | |
Although it's beautifully made as a braid | 0:21:44 | 0:21:46 | |
and with gold, as you can see, and that could be made to fit | 0:21:46 | 0:21:48 | |
into a waistcoat or something, for a man's... | 0:21:48 | 0:21:50 | |
"Here you go, Lady Casterby, | 0:21:50 | 0:21:52 | |
"this watch chain is made of my pubes. | 0:21:52 | 0:21:54 | |
"Ha-ha! And now a poem!" | 0:21:54 | 0:21:57 | |
LAUGHTER | 0:21:57 | 0:21:59 | |
Well, Lord Byron didn't necessarily give his own hair away, | 0:21:59 | 0:22:01 | |
it's that he was so handsome and so adored that... | 0:22:01 | 0:22:04 | |
-LAUGHTER -That's a painting! | 0:22:04 | 0:22:08 | |
But what was wrong with his hands? | 0:22:08 | 0:22:09 | |
It was generally agreed by all who met and knew him, | 0:22:09 | 0:22:12 | |
he was a hugely charming man. | 0:22:12 | 0:22:14 | |
-According to his own diaries anyway. -"Lady Tappleton..." | 0:22:14 | 0:22:17 | |
No, no, he had... Letters were written to him, | 0:22:17 | 0:22:19 | |
women sent him locks of their own hair. | 0:22:19 | 0:22:21 | |
So he used locks of his Newfoundland dog, | 0:22:21 | 0:22:24 | |
which he sent back to the women, which they didn't notice, | 0:22:24 | 0:22:26 | |
they thought it was Byron's hair. | 0:22:26 | 0:22:28 | |
"Lady Suffolk, | 0:22:28 | 0:22:30 | |
"I apologise for giving you mange with my latest gift. | 0:22:30 | 0:22:33 | |
"But meanwhile, I shall come round to your house and I shall rotate | 0:22:33 | 0:22:36 | |
"my right foot and draw a six in the air. Ha-ha! Poem?" | 0:22:36 | 0:22:40 | |
There's a good reason why that might have been difficult for Lord Byron. | 0:22:40 | 0:22:43 | |
-Oh, of course, yes, yes. -He had a dodgy foot. | 0:22:43 | 0:22:46 | |
Despite that, he managed to achieve a great athletic feat. | 0:22:46 | 0:22:49 | |
-He swam. -He swam the...? -Hellespont. | 0:22:49 | 0:22:51 | |
-Straits of somewhere. -The Hellespont! | 0:22:51 | 0:22:53 | |
You know these things, you pretend to be an ignorant pig. | 0:22:53 | 0:22:55 | |
-LAUGHTER -I only went... | 0:22:55 | 0:22:57 | |
-I mean, sorry! You pretend... -An ignorant what? | 0:22:57 | 0:23:00 | |
No, I meant to say you pretend to be pig-ignorant! | 0:23:00 | 0:23:02 | |
-LAUGHTER -And it came out wrong! | 0:23:02 | 0:23:06 | |
LAUGHTER AND APPLAUSE | 0:23:06 | 0:23:08 | |
Know what I'm going to do with you? I'm going to make you run across a field | 0:23:10 | 0:23:13 | |
and I'm going to pull all your legs and arms off... | 0:23:13 | 0:23:15 | |
I don't want to lower the tone, but didn't Lady Caroline Lamb | 0:23:17 | 0:23:21 | |
-pull out handfuls of her pubic hair and send them to Byron? -Yes. | 0:23:21 | 0:23:25 | |
And she was responsible for the most famous description of him. | 0:23:25 | 0:23:28 | |
-Yes. -"Mad, bad and dangerous to know." | 0:23:28 | 0:23:31 | |
"Dangerous to have tea with." | 0:23:31 | 0:23:33 | |
Fabulous woman. There was a movie about her, I think Sarah Miles... | 0:23:33 | 0:23:35 | |
-Yeah. -JO: -Oh, that's right. | 0:23:35 | 0:23:37 | |
Yeah. Yeah, Sarah Miles, she used to drink her own pee. | 0:23:37 | 0:23:40 | |
-Yes, she was a urinobibe. -Yep. | 0:23:40 | 0:23:42 | |
As was the Prime Minister of India, Morarji Desai, | 0:23:42 | 0:23:44 | |
who became Prime Minister at the age of 80. | 0:23:44 | 0:23:46 | |
And he drank his pee every day. | 0:23:46 | 0:23:48 | |
Anyway, the Empress Eugenie, her name was, | 0:23:48 | 0:23:52 | |
and she was the wife of Napoleon III. | 0:23:52 | 0:23:55 | |
There's Eugenie. She had a fantastic real name - | 0:23:55 | 0:23:58 | |
Dona Maria Eugenia Ignacia Augustina | 0:23:58 | 0:24:03 | |
de Palafox-Portocarrero de Guzman y Kirkpatrick. | 0:24:03 | 0:24:08 | |
-That was her name. -Kirkpatrick. -Yeah. | 0:24:08 | 0:24:10 | |
-APPLAUSE -Thank you. -Crikey. | 0:24:10 | 0:24:13 | |
But what was very pleasing is that she was known as "Carrots". | 0:24:13 | 0:24:17 | |
Because that was her nickname at school in Bristol, | 0:24:17 | 0:24:19 | |
where she lived, and she died in Britain as well. | 0:24:19 | 0:24:22 | |
I had no idea that we had a hipster Napoleon. | 0:24:22 | 0:24:24 | |
-Yeah, he was a hipster, yeah. -Check him out. | 0:24:24 | 0:24:26 | |
-Yeah, he's pretty good. -"Er, can I have a flat white, please?" | 0:24:26 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:32 | |
"No, the jacket, I got it in this vintage place, it's great." | 0:24:32 | 0:24:36 | |
Yes. Queen Victoria gave the Empress of France | 0:24:37 | 0:24:40 | |
a bracelet made of her own hair. | 0:24:40 | 0:24:42 | |
We move now to a less lovely L - | 0:24:42 | 0:24:43 | |
why would you put a leech on a leash? | 0:24:43 | 0:24:45 | |
Is it a medicinal leech? | 0:24:47 | 0:24:49 | |
-It's a medicinal leech. -OK. | 0:24:49 | 0:24:51 | |
So, basically, there are various places you could put it. | 0:24:51 | 0:24:53 | |
Where might you want a leech to go? | 0:24:53 | 0:24:55 | |
No, no! | 0:24:57 | 0:24:59 | |
They've been used for medicinal purposes for centuries. | 0:24:59 | 0:25:01 | |
-They use them in the NHS today, don't they? -Yes, they absolutely do. | 0:25:01 | 0:25:04 | |
-Do they? -Yeah. -You put them on a wound, don't you, | 0:25:04 | 0:25:07 | |
-and they eat bits that are infected or... -No, that's the maggots. | 0:25:07 | 0:25:10 | |
You put maggots on a wound, and they eat the dead flesh. | 0:25:10 | 0:25:13 | |
Leeches actually... | 0:25:13 | 0:25:14 | |
-Have I travelled back in time? -No. | 0:25:14 | 0:25:16 | |
LAUGHTER | 0:25:16 | 0:25:19 | |
Those migraine headaches are caused by a demon living in your... | 0:25:19 | 0:25:22 | |
HE IS DROWNED OUT BY LAUGHTER | 0:25:22 | 0:25:25 | |
If you have a member reattached - a finger or some other member - | 0:25:25 | 0:25:31 | |
it's kept in ice and then it's sewn back on, | 0:25:31 | 0:25:33 | |
and it has a very good prognosis, | 0:25:33 | 0:25:35 | |
but you can attach leeches and what it does is | 0:25:35 | 0:25:37 | |
it actually helps the capillaries join together and thrive. | 0:25:37 | 0:25:40 | |
So, it's like a kind of biologically-active cauterising? | 0:25:40 | 0:25:44 | |
Yes, yeah, it's really extraordinary. | 0:25:44 | 0:25:46 | |
-Oh, I don't care, I don't want it. -Does it hurt? | 0:25:46 | 0:25:50 | |
-It doesn't really hurt much, no. -How do you know? | 0:25:50 | 0:25:52 | |
Well, I'm told it doesn't hurt. | 0:25:52 | 0:25:55 | |
I don't know, you and your public school ways, and... | 0:25:55 | 0:25:59 | |
-"Fry, time for a leeching!" -Yeah, it doesn't... | 0:25:59 | 0:26:02 | |
"Scrotum." | 0:26:03 | 0:26:04 | |
"Yes, sir?" | 0:26:06 | 0:26:07 | |
"Get Fry." | 0:26:07 | 0:26:09 | |
It doesn't hurt as much as double... | 0:26:09 | 0:26:12 | |
"It's time for his leeching." | 0:26:12 | 0:26:14 | |
"What do you want, Scrotum?" "It's time for your leeching, Fry." | 0:26:15 | 0:26:19 | |
It doesn't hurt as much as Dr Staveley slamming your dick | 0:26:19 | 0:26:22 | |
in the desk, I admit. | 0:26:22 | 0:26:23 | |
It's... Look, I love to shock you, it's sweet. | 0:26:23 | 0:26:29 | |
Do you remember John Wayne Bobbitt? | 0:26:29 | 0:26:31 | |
-Oh! -Oh, yeah. -John Wayne Bobbitt. | 0:26:31 | 0:26:33 | |
Yeah, he went to Winchester... | 0:26:33 | 0:26:35 | |
No, no, of course I remember Bobbitt who severed his wife... | 0:26:35 | 0:26:38 | |
His wife severed his... | 0:26:38 | 0:26:39 | |
Yeah, she cut his penis off and then threw it out the window | 0:26:39 | 0:26:42 | |
-of a moving car, so it took some finding. -They took him... | 0:26:42 | 0:26:45 | |
They sewed it back on, then he made some money out of porn films, weirdly! | 0:26:45 | 0:26:48 | |
Yeah, he must have been rather impressed that a penis | 0:26:48 | 0:26:50 | |
that took some finding was found. | 0:26:50 | 0:26:53 | |
He must have thought, "Yes!" | 0:26:53 | 0:26:54 | |
Let's hope they found the right one, that would have been a disaster! | 0:26:54 | 0:26:57 | |
-LAUGHTER -Stop it. | 0:26:57 | 0:27:00 | |
Yeah. I can imagine him at the line-up. | 0:27:00 | 0:27:03 | |
"Can I see number three again?" | 0:27:05 | 0:27:07 | |
You're too used to that programme, that's just sick. | 0:27:09 | 0:27:12 | |
Yep, they were often popped up on a leash, up the bottom, | 0:27:13 | 0:27:16 | |
to deal with intestinal problems. | 0:27:16 | 0:27:18 | |
-Oh, up the inside? -Yep, or down the throat | 0:27:18 | 0:27:20 | |
-to deal with bronchial problems. -Ooh. -Yeah, exactly. | 0:27:20 | 0:27:23 | |
I know, or you could actually use them on the scrotum | 0:27:23 | 0:27:25 | |
for strained testicles. Have you ever had strained testicles? | 0:27:25 | 0:27:28 | |
-I'd rather have leeches on my balls. -JOSH: -What, as a pudding? | 0:27:28 | 0:27:32 | |
Hang on! | 0:27:32 | 0:27:34 | |
-One doctor wrote... -Yeah, strained testicles and custard. | 0:27:34 | 0:27:37 | |
That's what prunes are. | 0:27:42 | 0:27:44 | |
That's prunes. | 0:27:44 | 0:27:46 | |
Yeah, and as I say, these days they're used to encourage | 0:27:46 | 0:27:49 | |
capillary growth on severed members. | 0:27:49 | 0:27:51 | |
Doctors USED to put leeches on leashes | 0:27:51 | 0:27:53 | |
to send them up patients' bottoms. | 0:27:53 | 0:27:55 | |
Now, what did Georgian gentlemen keep in the sideboard | 0:27:55 | 0:27:59 | |
for after dinner? | 0:27:59 | 0:28:00 | |
Small Georgian ladies. | 0:28:00 | 0:28:02 | |
-After Eights. -After Eights! | 0:28:03 | 0:28:05 | |
LAUGHTER | 0:28:05 | 0:28:08 | |
-Porn. -After 1713, it would be. | 0:28:08 | 0:28:11 | |
Porn. Well, actually, it was something | 0:28:11 | 0:28:13 | |
that disgusted a French observer and he wrote about it in a letter. | 0:28:13 | 0:28:16 | |
So, you've got a chance here for serious points. | 0:28:16 | 0:28:20 | |
Ah, Alan, quickly! | 0:28:20 | 0:28:21 | |
Shut up, he's done it before me! JAUNTY JINGLE, FLUSHING | 0:28:21 | 0:28:24 | |
Oh, there we are, two of you, three of you. | 0:28:24 | 0:28:25 | |
You all get the points except Jo, I'm afraid. | 0:28:25 | 0:28:28 | |
The fact is, it was chamber pots. | 0:28:28 | 0:28:30 | |
It was Rochefoucauld, not the famous Rochefoucauld, | 0:28:30 | 0:28:33 | |
but another Rochefoucauld, Francois de la Rochefoucauld, | 0:28:33 | 0:28:36 | |
who wrote in his diary "The sideboard..." | 0:28:36 | 0:28:38 | |
This was in Suffolk, in 1784, | 0:28:38 | 0:28:40 | |
"The sideboard is garnished also with chamber pots in line | 0:28:40 | 0:28:44 | |
"with the common practice of going over to the sideboard to pee, | 0:28:44 | 0:28:47 | |
"while the others are drinking. | 0:28:47 | 0:28:49 | |
"Nothing is hidden. I find that very indecent." | 0:28:49 | 0:28:52 | |
Chamber pots lasted well into the 20th century, | 0:28:52 | 0:28:54 | |
because there were many households that weren't on mains supplies. | 0:28:54 | 0:28:57 | |
-Many of them... -They didn't have a WC. | 0:28:57 | 0:28:59 | |
Exactly, they had outdoor loos | 0:28:59 | 0:29:00 | |
and they popped a chamber pot under the bed. | 0:29:00 | 0:29:03 | |
And chamber pots were, I won't say exactly witty, | 0:29:03 | 0:29:05 | |
but they had things written on them | 0:29:05 | 0:29:07 | |
which were quite surprising, really, thinking of a previous age | 0:29:07 | 0:29:10 | |
where you imagine people were rather more prudish. Look at these. | 0:29:10 | 0:29:15 | |
"Use me well and keep me clean. | 0:29:15 | 0:29:17 | |
"And I'll not tell what I have seen." | 0:29:17 | 0:29:19 | |
So, you pooed onto an eye. Or you peed onto an eye. | 0:29:19 | 0:29:23 | |
And there were some during the Second World War that had | 0:29:23 | 0:29:26 | |
a picture of Hitler, so you could poo on Hitler's face. | 0:29:26 | 0:29:28 | |
Which is pleasing in a way. | 0:29:28 | 0:29:30 | |
That's your chamber pot. | 0:29:30 | 0:29:32 | |
Now, it's time to dip the crouton of confidence | 0:29:32 | 0:29:34 | |
into the all-melting fondue of General Ignorance. | 0:29:34 | 0:29:38 | |
What kind of wine goes best with a human liver? | 0:29:38 | 0:29:42 | |
Oh! A Chianti. | 0:29:42 | 0:29:44 | |
-Whoa! -KLAXON SOUNDS | 0:29:44 | 0:29:47 | |
That's what Hannibal Lecter says. | 0:29:49 | 0:29:52 | |
-That's what he says in... -In Silence Of The Lambs. | 0:29:52 | 0:29:55 | |
-"I'll have some fava beans and a fine Chianti." -What are fava beans to...? | 0:29:55 | 0:29:58 | |
-Little white beans, aren't they? -To reclaim your... | 0:29:58 | 0:30:00 | |
-What would we call them in England? -Butter beans? Broad beans? | 0:30:00 | 0:30:03 | |
Broad beans, yeah, you get a few points back from the massive deficit | 0:30:03 | 0:30:07 | |
that you've already... | 0:30:07 | 0:30:08 | |
Um, yeah, it's in the novel. Who wrote the novels involved with...? | 0:30:08 | 0:30:12 | |
-Thomas Harris. -Thomas Harris is right. | 0:30:12 | 0:30:14 | |
He, being rather sort of smart and giving Hannibal Lecter good taste, | 0:30:14 | 0:30:18 | |
knew that something fatty and greasy like a liver is not | 0:30:18 | 0:30:21 | |
complemented well by a Chianti. | 0:30:21 | 0:30:24 | |
He knew that it was best accompanied | 0:30:24 | 0:30:26 | |
by something a little more full-bodied. | 0:30:26 | 0:30:28 | |
Something like, for instance, an Amarone, | 0:30:28 | 0:30:30 | |
which is what is in the novel. | 0:30:30 | 0:30:32 | |
Which is a sort of Valpolicella-type wine, | 0:30:32 | 0:30:35 | |
-and that is... -Why did they change it, Stephen? | 0:30:35 | 0:30:38 | |
Because they felt most people hadn't heard of an Amarone | 0:30:38 | 0:30:41 | |
and they might think it was some sort of biscuit or something. | 0:30:41 | 0:30:43 | |
They're quite correct. It sounds like an amaretto. | 0:30:43 | 0:30:46 | |
-It is like an amaretto, exactly. -What, Hollywood dumbing something down? | 0:30:46 | 0:30:49 | |
-Yeah, I know, it's hard to believe, isn't it? -What the F?! | 0:30:49 | 0:30:53 | |
"White wine with meat? Eurgh!" | 0:30:53 | 0:30:55 | |
But why would it have been a rather disastrous decision to eat | 0:30:56 | 0:30:59 | |
-a human liver anyway? -Toxic? -Yes, they are toxic. | 0:30:59 | 0:31:01 | |
-Do you know what the toxin is? -No. -Is it vitamin something? -Yes. | 0:31:01 | 0:31:06 | |
-Vitamin E? -Actually, A. -A. | 0:31:06 | 0:31:08 | |
A lot of vitamins can't be stored. | 0:31:08 | 0:31:10 | |
As you know, vitamin C, you pee out the residue, | 0:31:10 | 0:31:12 | |
so the idea of taking these 5,000 milligrams a day is just... | 0:31:12 | 0:31:16 | |
-That's why you have bright yellow wee. -Exactly. | 0:31:16 | 0:31:18 | |
You're giving the rats the vitamin C. | 0:31:18 | 0:31:20 | |
You're giving the rats the vitamins, precisely! | 0:31:20 | 0:31:22 | |
They grow more and more immune and stronger daily! | 0:31:22 | 0:31:26 | |
"Why, they'll be as powerful as the Prime Minister of India!" | 0:31:26 | 0:31:29 | |
"I'm recycling!" | 0:31:32 | 0:31:34 | |
But, yeah, the liver, it stores vitamin A, | 0:31:36 | 0:31:38 | |
which in excess can be quite dangerous. | 0:31:38 | 0:31:40 | |
Helps you see at night, though. | 0:31:40 | 0:31:42 | |
Livers can regenerate themselves, did you know that? | 0:31:42 | 0:31:44 | |
-Like Doctor Who. -Like Doctor Who, yeah. | 0:31:44 | 0:31:48 | |
There's the liver drawn by... | 0:31:48 | 0:31:50 | |
-Da Vinci. -Yeah, Leonardo, | 0:31:50 | 0:31:52 | |
and you can see there his famous mirror writing, which is... | 0:31:52 | 0:31:55 | |
I know the drawings are amazing enough, but as a boy, | 0:31:55 | 0:31:58 | |
I tried using a mirror to write mirror writing, it's just... | 0:31:58 | 0:32:01 | |
I mean, you think drawing a six with your hand and doing a... | 0:32:01 | 0:32:04 | |
Why did he do that? | 0:32:04 | 0:32:06 | |
No-one's quite sure why he wanted it to be secret, but he did. | 0:32:06 | 0:32:09 | |
-For Dan Brown! -Yes! | 0:32:09 | 0:32:12 | |
-LAUGHTER -For the one who was... -Whoooo! | 0:32:12 | 0:32:17 | |
Whoooo! | 0:32:18 | 0:32:20 | |
"There's secrets in the Vatican, Josh. Let's go and find them." | 0:32:20 | 0:32:26 | |
I'm genuinely uncomfortable in this situation. | 0:32:26 | 0:32:28 | |
If you use those goggles you can see the map. | 0:32:29 | 0:32:32 | |
-PHILL GASPS -No?! | 0:32:32 | 0:32:34 | |
The amazing thing, the magical thing about livers is | 0:32:34 | 0:32:37 | |
if you take a small liver from a small dog, | 0:32:37 | 0:32:39 | |
and you transplant it into a large dog, the small liver will grow to | 0:32:39 | 0:32:42 | |
the size it would have been in the bigger dog, which is extraordinary. | 0:32:42 | 0:32:45 | |
-(Shut up!) -Wow. | 0:32:45 | 0:32:47 | |
Yes. | 0:32:47 | 0:32:48 | |
You see, I often run out of things to do with the children at weekends. | 0:32:48 | 0:32:52 | |
-Now you know. -We're going to try that. Yeah. | 0:32:52 | 0:32:56 | |
Now, also you know a fantastic slang word | 0:32:56 | 0:32:59 | |
and it's a liver-disturber, and it's American 19th-century slang for? | 0:32:59 | 0:33:05 | |
-An alcoholic? -No. | 0:33:05 | 0:33:07 | |
A huge dong. | 0:33:07 | 0:33:09 | |
-A huge dong? -Yeah, a liver-disturber! | 0:33:09 | 0:33:11 | |
ALL GROAN | 0:33:11 | 0:33:14 | |
-Oh! -Oh! We think... Exactly! | 0:33:14 | 0:33:18 | |
We think WE'RE sick?! These are Victorian Americans! | 0:33:18 | 0:33:21 | |
"I got a tonsil-troubler!" | 0:33:21 | 0:33:23 | |
LAUGHTER | 0:33:23 | 0:33:26 | |
Who sat in the middle at the Last Supper? | 0:33:28 | 0:33:30 | |
-SPANISH ACCENT: Jesus. -Jesus? | 0:33:30 | 0:33:32 | |
Oh... KLAXON SOUNDS | 0:33:32 | 0:33:35 | |
No matter how you pronounce it, it wasn't he. | 0:33:35 | 0:33:38 | |
-JOSH: -Judas. | 0:33:39 | 0:33:41 | |
Nor was it Judas, the traitor. | 0:33:41 | 0:33:44 | |
-Peter. -No-one. | 0:33:45 | 0:33:47 | |
Nor was it Peter. No-one is the right answer. | 0:33:47 | 0:33:49 | |
-No-one's in the middle. -No, it's not that no-one was in the middle... | 0:33:49 | 0:33:52 | |
it's that no-one sat. | 0:33:52 | 0:33:54 | |
-Oh, shut up, they're all standing! -Yeah! | 0:33:54 | 0:33:57 | |
-LAUGHTER -No, they're not standing. | 0:33:57 | 0:34:00 | |
-FUNNY ACCENT: -Shut up! You shut up! | 0:34:00 | 0:34:03 | |
LAUGHTER | 0:34:03 | 0:34:05 | |
-I don't shut up, you shut up! -LAUGHTER | 0:34:05 | 0:34:07 | |
You don't tell me to shut up! | 0:34:07 | 0:34:10 | |
No, the... | 0:34:10 | 0:34:12 | |
Stop, stop it now! | 0:34:12 | 0:34:13 | |
Just stop it now! | 0:34:13 | 0:34:15 | |
The thing is, in Palestine, which was a Roman province, | 0:34:15 | 0:34:18 | |
they ate like Romans. They lay on their stomachs like Romans. | 0:34:18 | 0:34:21 | |
That can't be good for digestion, can it? | 0:34:21 | 0:34:23 | |
No, you'd think not, | 0:34:23 | 0:34:24 | |
but we know that's the way they ate, more or less, because in the Bible, | 0:34:24 | 0:34:28 | |
"Now there was one leaning on Jesus' bosom, | 0:34:28 | 0:34:30 | |
"one of his disciples whom Jesus loved." | 0:34:30 | 0:34:32 | |
And that, you know, you kind of see how that would have worked. | 0:34:32 | 0:34:35 | |
That's how they lay to eat. Rather pleasing. | 0:34:35 | 0:34:38 | |
-Very odd, though. -A bit odd, to us, cos we don't do that. | 0:34:38 | 0:34:41 | |
Even in a picnic, you wouldn't want to be lying on your front. | 0:34:41 | 0:34:44 | |
I agree. I don't like it. | 0:34:44 | 0:34:46 | |
I can't even, you know, a hot chocolate in bed | 0:34:46 | 0:34:48 | |
I have to sit up in order to swallow it. | 0:34:48 | 0:34:50 | |
LAUGHTER | 0:34:50 | 0:34:51 | |
There's nothing... There is nothing about that | 0:34:51 | 0:34:55 | |
that is anything other than straightforward! | 0:34:55 | 0:34:57 | |
We were just immediately thinking of the man who sang | 0:34:57 | 0:34:59 | |
Brother Louie in the '70s, that's all we were thinking. | 0:34:59 | 0:35:01 | |
-# I believe in... -# I believe in miracles | 0:35:04 | 0:35:06 | |
# You sexy thing... # | 0:35:06 | 0:35:07 | |
I'll have to sit up now! | 0:35:07 | 0:35:09 | |
LAUGHTER | 0:35:09 | 0:35:11 | |
Oh, lordy, lordy, bless. | 0:35:11 | 0:35:13 | |
Now, nobody sat anywhere at the Last Supper, everyone was lying down. | 0:35:13 | 0:35:17 | |
Well, now, who's in charge of all the ants? | 0:35:17 | 0:35:20 | |
Adam. | 0:35:21 | 0:35:22 | |
LAUGHTER | 0:35:22 | 0:35:25 | |
-KLAXON SOUNDS -Very good, but... | 0:35:25 | 0:35:28 | |
No! | 0:35:30 | 0:35:31 | |
-Yeah. We were there before you, I'm afraid. -Is it a queen? | 0:35:31 | 0:35:35 | |
A queen ant, of course, that's going to get a klaxon as well. | 0:35:35 | 0:35:38 | |
-KLAXON SOUNDS -Oh. | 0:35:38 | 0:35:42 | |
Is it something like the weather or the climate or something? | 0:35:42 | 0:35:45 | |
The weather probably is as good an answer as any. | 0:35:45 | 0:35:48 | |
The fact is, they are a self-organising colony. | 0:35:48 | 0:35:51 | |
There is no leader. But there's the queen. | 0:35:51 | 0:35:53 | |
All the queen does is lay thousands and thousands | 0:35:53 | 0:35:56 | |
and thousands of eggs in her life and then dies of exhaustion. | 0:35:56 | 0:35:59 | |
And the ants just get on with being ants | 0:35:59 | 0:36:01 | |
and there are just signals sent between each one | 0:36:01 | 0:36:04 | |
that somehow sort of ripple outwards | 0:36:04 | 0:36:05 | |
into what appears to be organisation. | 0:36:05 | 0:36:08 | |
But it's a bit like flocks of starlings | 0:36:08 | 0:36:10 | |
or shoals of mackerel that have this incredible sort of... | 0:36:10 | 0:36:13 | |
You think, "What's the intelligence behind this?" | 0:36:13 | 0:36:16 | |
It's like the Tartan Army. | 0:36:16 | 0:36:17 | |
LAUGHTER | 0:36:17 | 0:36:20 | |
No-one knows how they do it, but they do it. | 0:36:20 | 0:36:22 | |
They somehow do it. Exactly. | 0:36:22 | 0:36:24 | |
The way, at a football match, | 0:36:24 | 0:36:25 | |
a chant will grow and then suddenly die. | 0:36:25 | 0:36:27 | |
You think, "That's... Who's organising that?" and no-one is. | 0:36:27 | 0:36:30 | |
It's just a sort of feature of large groups. | 0:36:30 | 0:36:33 | |
It's very odd. | 0:36:33 | 0:36:34 | |
And that's true of ants, who are, you know, and termites. | 0:36:34 | 0:36:37 | |
-They love football, don't they? -They love football. They do indeed. North ants, in particular. | 0:36:37 | 0:36:41 | |
LAUGHTER AND APPLAUSE | 0:36:41 | 0:36:43 | |
It seems there's no-one in charge of the ants, | 0:36:48 | 0:36:50 | |
but there is someone in charge of the scores, and that's me or I. | 0:36:50 | 0:36:54 | |
And it's very interesting, because in first place, | 0:36:54 | 0:36:58 | |
with a positive integer, one point, Phill Jupitus! | 0:36:58 | 0:37:01 | |
CHEERING AND APPLAUSE | 0:37:01 | 0:37:03 | |
On minus six, in second place, | 0:37:07 | 0:37:11 | |
Jo Brand! | 0:37:11 | 0:37:12 | |
CHEERING AND APPLAUSE | 0:37:12 | 0:37:15 | |
Highly respectable - for him, it's a triumph - | 0:37:17 | 0:37:20 | |
on minus 26, Alan Davies! | 0:37:20 | 0:37:23 | |
CHEERING AND APPLAUSE | 0:37:23 | 0:37:25 | |
So, now, looky here, | 0:37:27 | 0:37:29 | |
on minus 30, Josh Widdicombe! | 0:37:29 | 0:37:31 | |
CHEERING AND APPLAUSE | 0:37:31 | 0:37:34 | |
And so it's thanks and goodnight from Josh, Phill, Jo, Alan and me. | 0:37:38 | 0:37:41 | |
And we leave you with some last words. | 0:37:41 | 0:37:43 | |
The last words of American murderer | 0:37:43 | 0:37:45 | |
James Allen Red Dog, executed in 1993. | 0:37:45 | 0:37:48 | |
"I'd like to thank my family and friends and Mr Pankowski | 0:37:48 | 0:37:53 | |
"for supporting me and all the others who treated me with kindness. | 0:37:53 | 0:37:57 | |
"For the rest of you, y'all can kiss my ass." Goodnight. | 0:37:57 | 0:38:01 | |
CHEERING AND APPLAUSE | 0:38:01 | 0:38:03 |