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This programme contains some strong language | 0:00:02 | 0:00:09 | |
APPLAUSE | 0:00:26 | 0:00:29 | |
Goooood evening, and welcome to QI, | 0:00:31 | 0:00:38 | |
which tonight is a veritable Liblabble. | 0:00:38 | 0:00:41 | |
This is a newly minted and completely useless word, | 0:00:41 | 0:00:44 | |
coined by my Elves. | 0:00:44 | 0:00:45 | |
It's the collective noun for a group of Ls. | 0:00:45 | 0:00:48 | |
And here are some. El Salvador, the Reverend Richard Coles. | 0:00:48 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:55 | |
El-egant, Sara Pascoe. | 0:00:57 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
One L of a guy, Bill Bailey. | 0:01:04 | 0:01:07 | |
APPLAUSE | 0:01:07 | 0:01:09 | |
And a snowball's chance in L, Alan Davies. | 0:01:10 | 0:01:13 | |
APPLAUSE | 0:01:13 | 0:01:16 | |
Now, let's hear their L-ish buzzers. Sara goes... | 0:01:19 | 0:01:23 | |
MUSIC: Crocodile Rock by Elton John | 0:01:23 | 0:01:28 | |
Aah. Bill goes... | 0:01:28 | 0:01:30 | |
MUSIC: Saturday's Kids by The Jam | 0:01:30 | 0:01:35 | |
Richard goes... | 0:01:35 | 0:01:37 | |
MUSIC: Y Brawd Houdini By Meic Stevens | 0:01:37 | 0:01:44 | |
And Alan goes... | 0:01:44 | 0:01:45 | |
MUSIC: Speedy Gonzales by Pat Boone | 0:01:45 | 0:01:48 | |
# You better come home, Speedy Gonzales... # | 0:02:02 | 0:02:06 | |
-Well, let's not do a show, let's just listen to that all day. -Listen to that. | 0:02:06 | 0:02:09 | |
All right, well, let's leap in with some laughter. | 0:02:09 | 0:02:11 | |
What has four legs and a sense of humour? | 0:02:11 | 0:02:13 | |
BILL'S SONG | 0:02:13 | 0:02:15 | |
Bill? | 0:02:15 | 0:02:16 | |
Ant and Dec. | 0:02:18 | 0:02:19 | |
LAUGHTER AND APPLAUSE | 0:02:19 | 0:02:21 | |
-It covers the facts. -It does. | 0:02:25 | 0:02:26 | |
-I can't really take anything away from you. -It's technically correct. | 0:02:26 | 0:02:29 | |
-It is. I'm going to give you... -I deserve points. -You will get them. -Ooh! | 0:02:29 | 0:02:32 | |
RICHARD'S SONG | 0:02:32 | 0:02:34 | |
-Richard? -Lester Piggott's tax return? | 0:02:34 | 0:02:37 | |
Whoa, very good, very good, very good. | 0:02:37 | 0:02:38 | |
Not very topical, so some of the younger members | 0:02:38 | 0:02:40 | |
of the audience won't know what that is. | 0:02:40 | 0:02:43 | |
A laughing hyena. | 0:02:43 | 0:02:44 | |
Yeah, hyenas have four legs and they do laugh, that's true, but do they have a sense of humour? | 0:02:44 | 0:02:48 | |
Or is it just the sound they mimic, or at least to our... | 0:02:48 | 0:02:51 | |
I don't think it's laughing, is it, more... | 0:02:51 | 0:02:53 | |
-IMPRESSION -It's a call, it's a call, yeah. | 0:02:53 | 0:02:55 | |
-Impressive, that was very good. -Well, yeah. -Yeah. Anyway. -A pantomime horse. | 0:02:55 | 0:02:59 | |
-Well, no, it's not a pantomime horse. -A pig. -Pig. -Er, no... -Is it a mammal? | 0:02:59 | 0:03:03 | |
-Yes. -OK, so what's a sense of humour...? -Cow. | 0:03:03 | 0:03:06 | |
We know this because it's an animal that has been much observed. | 0:03:06 | 0:03:11 | |
OK, is this, I know that they can make rats laugh. | 0:03:11 | 0:03:16 | |
-Yeah, ah. -Is that what it is? -Yes. | 0:03:16 | 0:03:17 | |
-OK, so rats. They tickle rats. -They tickle rats! | 0:03:17 | 0:03:20 | |
And they, and the rats make tiny little laughs. And it's so interesting. | 0:03:20 | 0:03:23 | |
In fact they're so high, human ears can't hear them, | 0:03:23 | 0:03:26 | |
and we have film of it, it's an Estonian/American researcher, | 0:03:26 | 0:03:29 | |
and there he is. He rejoices in the name of Dr Jaak Panksepp. | 0:03:29 | 0:03:33 | |
Now it may at first look as if he's actually torturing, | 0:03:33 | 0:03:35 | |
but it is, you will see it returns to his hand, it likes this. | 0:03:35 | 0:03:39 | |
-Are you sure? -Yeah. | 0:03:41 | 0:03:42 | |
It's going, "Help me!" | 0:03:43 | 0:03:46 | |
"The others are in cages!" | 0:03:47 | 0:03:51 | |
"Can you hear me, anyone?!" | 0:03:51 | 0:03:52 | |
-Yes? -So I read, I read quite a lot about this, because actually it's | 0:03:54 | 0:03:57 | |
all to do with how they have sex as well, so it's really interesting | 0:03:57 | 0:04:00 | |
that if a woman has a bad, not a woman, a female rat, sorry... | 0:04:00 | 0:04:03 | |
I really anthropomorphized... | 0:04:03 | 0:04:05 | |
-A lady rat. -A lady rat. -A lady rat. | 0:04:05 | 0:04:07 | |
-Could be a lady, yes. -A lady rat. | 0:04:07 | 0:04:08 | |
If a lady rat has a bad sexual experience with a male rat, | 0:04:08 | 0:04:11 | |
she will never have sex with him again, | 0:04:11 | 0:04:13 | |
and even if he's the only available male, she won't. | 0:04:13 | 0:04:16 | |
And if she has a good sexual experience with a fake rat, | 0:04:16 | 0:04:19 | |
she will keep going back to that one. | 0:04:19 | 0:04:21 | |
And it's really interesting, and that's a whole thing with all | 0:04:21 | 0:04:23 | |
the tickling and the play, there's quite a lot of interplay with | 0:04:23 | 0:04:26 | |
-the male and female rats to do with love-making. -You're absolutely right. | 0:04:26 | 0:04:30 | |
Did you know, Stephen, that there's a research that shows that bees are pessimists? | 0:04:30 | 0:04:33 | |
STEPHEN LAUGHS | 0:04:33 | 0:04:36 | |
I'm not making this up, I read this in the New Scientist. | 0:04:36 | 0:04:38 | |
They would do some sort of stimulus to a bee | 0:04:38 | 0:04:40 | |
when a good thing happened, so it would know that something | 0:04:40 | 0:04:43 | |
nice was happening, and then another thing when a bad thing was | 0:04:43 | 0:04:45 | |
happening, so it'd know that something bad was happening. | 0:04:45 | 0:04:48 | |
And then they did a sort of neutral stimulus | 0:04:48 | 0:04:50 | |
and the bees all behaved as if it were the bad thing about to happen, | 0:04:50 | 0:04:53 | |
they opted for the glass being half empty. | 0:04:53 | 0:04:55 | |
-Goodness me. -Rather than half full. So bees are pessimists. | 0:04:55 | 0:04:58 | |
-That is... -That's right, when you see bees, | 0:04:58 | 0:05:00 | |
a lot of the time, when they're buzzing round a plant, they're | 0:05:00 | 0:05:03 | |
actually, what they're actually saying is, "What's the point?" | 0:05:03 | 0:05:06 | |
-"Whatever." -I could get the nectar, I could go back to the hive, but really, where am I going with this? | 0:05:06 | 0:05:11 | |
-Exactly. -But even worse than that, because this is all, I always think that | 0:05:11 | 0:05:14 | |
bees, it's weird for them, because flowers really are using them | 0:05:14 | 0:05:17 | |
-for a three-way, because flowers can't have sex with each other. -Absolutely right. | 0:05:17 | 0:05:20 | |
-Oh, so it's like the bee comes in... -So they need the bee to do it with both of them, and the bee is like, | 0:05:20 | 0:05:25 | |
I'm not even in a relationship, I'm just the person you bring in. | 0:05:25 | 0:05:28 | |
-You get off, you get off. -I'm just a, I'm just a, I'm just a gimp for you. Yeah. -Yeah. | 0:05:28 | 0:05:31 | |
-Yeah, exactly, "I'm a toy." -"I'm a go-bee-tween." | 0:05:31 | 0:05:33 | |
-A go-bee-tween! -Yeah. -Oh, I like what you've done there. | 0:05:33 | 0:05:37 | |
APPLAUSE | 0:05:37 | 0:05:40 | |
The queen bee, who you'd think might be the one who's having | 0:05:42 | 0:05:45 | |
the good life, lays 3,500 eggs a day | 0:05:45 | 0:05:52 | |
-for two years and then dies in excruciating pain, I presume. -Yeah. | 0:05:52 | 0:05:57 | |
-This is why... -She doesn't even have any Sudocrem or anything. | 0:05:57 | 0:06:00 | |
I know, exactly, and it's just the luck of the draw as to | 0:06:00 | 0:06:03 | |
-which female bee is going to be chosen as the queen. -Yes. -Me? Oh. Sash. | 0:06:03 | 0:06:06 | |
Tiara. | 0:06:06 | 0:06:08 | |
All of this, it proves that that saying, you know, we have to, | 0:06:09 | 0:06:13 | |
when you explain to kids about, you know, sexual reproduction, | 0:06:13 | 0:06:16 | |
you tell them about the birds and the bees, it's | 0:06:16 | 0:06:18 | |
-just not fit for purpose at all, is it really? -It really isn't. | 0:06:18 | 0:06:21 | |
-The birds, yeah, just about. Bees, no. -No. -You know. -A horrible life. | 0:06:21 | 0:06:24 | |
We're going to be sexless lackeys for a monstrous sugar-giant, you know. | 0:06:24 | 0:06:29 | |
APPLAUSE | 0:06:29 | 0:06:31 | |
That isn't... | 0:06:31 | 0:06:32 | |
I'm not telling that to any kids. They'll go, "OK." | 0:06:34 | 0:06:37 | |
But in terms of human and animal senses of humour, there is | 0:06:37 | 0:06:42 | |
Koko, a gorilla born in San Francisco Zoo you may | 0:06:42 | 0:06:45 | |
know about, who knows supposedly 2,000 words and 1,000 | 0:06:45 | 0:06:49 | |
sign language words, and is said to comprehend both puns and slapstick. | 0:06:49 | 0:06:53 | |
The puns, and you believe it or don't, she was once asked, | 0:06:53 | 0:06:57 | |
"What can you think of that is hard?" | 0:06:57 | 0:06:59 | |
And she replied "a rock" and "work." Which is extraordinary. | 0:06:59 | 0:07:05 | |
Excellent, yeah. It is amazing, yeah. | 0:07:05 | 0:07:07 | |
-That that's a category slip, you know, it's a genuine sort of pun. -That's a zeugma isn't it? | 0:07:07 | 0:07:11 | |
-It's like a zeugma, yeah. -A zeugma. -She only needs a couple more and she could do a... | 0:07:11 | 0:07:14 | |
-You get, that's a good word, so that's it, zeugma or zeugma, yeah. -zeugma. | 0:07:14 | 0:07:17 | |
Slapstick, she once tied her trainer's shoelaces together | 0:07:17 | 0:07:20 | |
and then signed the words, "chase me." | 0:07:20 | 0:07:23 | |
Brilliant. | 0:07:25 | 0:07:26 | |
And the brilliant Miriam Rothschild, of whom you may have heard, she did | 0:07:26 | 0:07:29 | |
much work on pond life of various animals, and the extraordinary | 0:07:29 | 0:07:32 | |
life cycles of incredible species, but she also had a parrot | 0:07:32 | 0:07:36 | |
that could imitate her calling the dog and whistling and saying | 0:07:36 | 0:07:41 | |
for a walk, and the dog would arrive and then the parrot would laugh. | 0:07:41 | 0:07:45 | |
Extraordinary thing. | 0:07:46 | 0:07:48 | |
You know this joke, you must know it, it's a friend who has a parrot, | 0:07:48 | 0:07:52 | |
and the sports results are going and he goes, "Norwich one, Ipswich two." | 0:07:52 | 0:07:56 | |
And the parrot goes, "Oh, no! Ooh!" | 0:07:56 | 0:07:59 | |
And you're thinking "What's going on there?" | 0:07:59 | 0:08:01 | |
"Well, every time Norwich lose, the parrot cries and bursts into tears." | 0:08:01 | 0:08:05 | |
And he says, "Well, what happens when Norwich win?" | 0:08:05 | 0:08:07 | |
"I don't know, I've only had it four years!" | 0:08:07 | 0:08:09 | |
That came from the heart, ladies and gentlemen. There you are, anyway. | 0:08:10 | 0:08:13 | |
There are all kinds of different human laughter, | 0:08:13 | 0:08:16 | |
which have been categorised by a Dr Dirk Wildgruber, | 0:08:16 | 0:08:18 | |
of the University of Tubingen, in Deutschland. | 0:08:18 | 0:08:21 | |
There are, some types are joyful laughter... | 0:08:21 | 0:08:24 | |
ONE PERSON IN AUDIENCE LAUGHS | 0:08:24 | 0:08:25 | |
Thank you, audience! | 0:08:25 | 0:08:27 | |
That was sarcastic joyful laughter, which is slightly different. | 0:08:28 | 0:08:32 | |
Terrifying. | 0:08:32 | 0:08:34 | |
-Joyful laughter... -BILL AND SARA LAUGH | 0:08:34 | 0:08:35 | |
-Social laughter. -LAUGHS POLITELY | 0:08:37 | 0:08:40 | |
-Taunting laughter. -LAUGHS OBNOXIOUSLY | 0:08:40 | 0:08:44 | |
Aaah. Oh, dear. | 0:08:44 | 0:08:47 | |
-Schadenfreude laughter. -LAUGHS SMUGLY | 0:08:47 | 0:08:50 | |
Any other kinds that are in your head? | 0:08:50 | 0:08:53 | |
Laughter when people, you tell them something and then they laugh, | 0:08:53 | 0:08:56 | |
like they've got it and then they realise they don't, and they go, "Ha-ha! What?" | 0:08:56 | 0:09:01 | |
And there's also of course, the Sid James type of sexual laughter. | 0:09:01 | 0:09:04 | |
CACKLES | 0:09:04 | 0:09:06 | |
When we were doing Jonathon Creek, we had these two prop boys | 0:09:07 | 0:09:10 | |
and they used lots of rhyming slang. | 0:09:10 | 0:09:12 | |
And there was another one who didn't know any of it. | 0:09:12 | 0:09:15 | |
All the time he'd say. "What do they mean?" | 0:09:15 | 0:09:17 | |
One morning, they said, | 0:09:17 | 0:09:19 | |
"We had a lovely bit of Sinatra on in the van this morning." | 0:09:19 | 0:09:22 | |
And he went, "Ha-ha," the other fella. | 0:09:22 | 0:09:24 | |
"Ha-ha." | 0:09:24 | 0:09:25 | |
And they looked at him like, | 0:09:25 | 0:09:27 | |
"We were just playing some Frank Sinatra!" | 0:09:27 | 0:09:30 | |
LAUGHTER | 0:09:30 | 0:09:32 | |
He said, "Oh, sorry. I thought it was a slang thing." | 0:09:32 | 0:09:35 | |
That doesn't mean you laugh. | 0:09:35 | 0:09:37 | |
"Well, I just thought it was going to be funny cos it was a slang thing. | 0:09:37 | 0:09:40 | |
"Normally it's a slang thing and then we all laugh. | 0:09:40 | 0:09:42 | |
"I never understand it." | 0:09:42 | 0:09:45 | |
There's a very particular kind of laughter you get | 0:09:45 | 0:09:48 | |
when people occasionally listen to your sermon. | 0:09:48 | 0:09:50 | |
It's a sort of polite laugh, like what you get in a Shakespeare play. | 0:09:50 | 0:09:53 | |
Oh, yeah - teachers at Shakespeare. | 0:09:53 | 0:09:55 | |
-LAUGHS POLITELY -You are a card! | 0:09:55 | 0:09:58 | |
Because even I...sin. | 0:09:58 | 0:10:03 | |
How do and when do rats get sad? | 0:10:03 | 0:10:07 | |
CROWD AWS | 0:10:07 | 0:10:09 | |
When they stop tickling them? | 0:10:09 | 0:10:10 | |
When you stop tickling them. Might be slightly disappointed. | 0:10:10 | 0:10:13 | |
Aw! | 0:10:13 | 0:10:14 | |
When they're cold. In the sewers, they all sleep together, | 0:10:14 | 0:10:17 | |
when the frost comes they all freeze to death... | 0:10:17 | 0:10:19 | |
A few found sleeping in a circle, and the reason they're all connected | 0:10:19 | 0:10:25 | |
is cos the urine that comes out of them constantly is frozen, | 0:10:25 | 0:10:28 | |
and it's just a solid urine disc with rats in it. | 0:10:28 | 0:10:32 | |
Sad, sad - think of the word sad. | 0:10:32 | 0:10:35 | |
Seasonal affective disorder. | 0:10:35 | 0:10:36 | |
-Seasonal affective disorder. -In the winter. -No! | 0:10:36 | 0:10:39 | |
They get sad in the summer? | 0:10:39 | 0:10:41 | |
The winter is for people like us who are diurnal, | 0:10:41 | 0:10:46 | |
who live by day. | 0:10:46 | 0:10:47 | |
Rats are nocturnal. | 0:10:47 | 0:10:49 | |
So we have circadian rhythms, and they have...? | 0:10:49 | 0:10:51 | |
For an extra point. | 0:10:51 | 0:10:53 | |
Circu... | 0:10:53 | 0:10:54 | |
Circanoctium. | 0:10:54 | 0:10:57 | |
Oh, circanoctia! | 0:10:57 | 0:10:58 | |
They have around-the-night rhythms, | 0:11:01 | 0:11:03 | |
we have around-the-day rhythms. | 0:11:03 | 0:11:05 | |
In Scandiwegian countries, | 0:11:05 | 0:11:06 | |
where in winter it's very dark for a very long time, | 0:11:06 | 0:11:09 | |
they use things almost like usherette trays, | 0:11:09 | 0:11:12 | |
with ultra-violet tubes, | 0:11:12 | 0:11:13 | |
and they get about an hour or two of that and it cheers them up, | 0:11:13 | 0:11:16 | |
cos melatonin is produced in the brain that cheers them up. | 0:11:16 | 0:11:19 | |
It's one of the things that cheers you up. | 0:11:19 | 0:11:21 | |
But they found, with rats, somatostatin, | 0:11:21 | 0:11:24 | |
which is a depressive, was caused in those that had too much sunlight. | 0:11:24 | 0:11:28 | |
So what do they provide? Sunglasses for the rats? | 0:11:28 | 0:11:32 | |
There you are. | 0:11:32 | 0:11:33 | |
Rats get sad in summer, not in winter. | 0:11:33 | 0:11:36 | |
Here's something that sounds ludicrous, but is no laughing matter. | 0:11:36 | 0:11:39 | |
What's a really ostentatious way to turn off a gas fire? | 0:11:39 | 0:11:42 | |
RICHARD'S SONG | 0:11:42 | 0:11:45 | |
Send a flood. | 0:11:45 | 0:11:47 | |
LAUGHTER | 0:11:47 | 0:11:49 | |
APPLAUSE | 0:11:51 | 0:11:54 | |
You and your God! | 0:11:55 | 0:11:57 | |
Yes, rats... | 0:11:58 | 0:12:01 | |
It's trying to use, in a benign way, | 0:12:01 | 0:12:04 | |
the most powerful force that man has ever harnessed. | 0:12:04 | 0:12:06 | |
Sarcasm! | 0:12:06 | 0:12:08 | |
LAUGHTER | 0:12:08 | 0:12:10 | |
Call yourself a gas fire?! | 0:12:14 | 0:12:17 | |
Where would we be without sarcasm, eh?! | 0:12:17 | 0:12:20 | |
Sarcasm needs a pipe. | 0:12:20 | 0:12:22 | |
You need a pipe with sarcasm? Yeah, great(!) | 0:12:22 | 0:12:27 | |
It's the sarcasm... | 0:12:27 | 0:12:28 | |
It's the sarcasm slammer. | 0:12:28 | 0:12:30 | |
Yeah. | 0:12:30 | 0:12:31 | |
Fusion power. | 0:12:31 | 0:12:32 | |
Fission power is the one we've yet to harness. | 0:12:32 | 0:12:35 | |
We hope not, but fission is the one we have harnessed. | 0:12:35 | 0:12:38 | |
For nuclear bombs. | 0:12:38 | 0:12:39 | |
Yeah. | 0:12:39 | 0:12:40 | |
The first one was the A-bomb. | 0:12:40 | 0:12:41 | |
And the father of the H-bomb was... | 0:12:41 | 0:12:44 | |
Penn and Teller. | 0:12:44 | 0:12:46 | |
Edward Teller, you're absolutely right. | 0:12:46 | 0:12:48 | |
Teller, like a lot of scientists, was an idealist | 0:12:48 | 0:12:51 | |
and he felt that we had this enormous source of power, surely we can't only use it for weapons! | 0:12:51 | 0:12:55 | |
And he quoted the Bible - he quoted Isaiah, saying, | 0:12:55 | 0:12:57 | |
"We've got these weapons, let's use them for something peaceful." | 0:12:57 | 0:13:01 | |
What's the Isaiah quotation. | 0:13:01 | 0:13:03 | |
You would beat your sword into a ploughshare. | 0:13:03 | 0:13:05 | |
That's right! We'll beat your swords into ploughshares. | 0:13:05 | 0:13:08 | |
And he dreamt up all kinds of weird plans to use H-bombs, | 0:13:08 | 0:13:12 | |
like for example, widening the Panama Canal. | 0:13:12 | 0:13:15 | |
Yeah, I know, it seems a little bit speculative. | 0:13:15 | 0:13:20 | |
Crossrail. | 0:13:20 | 0:13:21 | |
Yeah, Crossrail! | 0:13:21 | 0:13:24 | |
What's that one? H2N2? | 0:13:24 | 0:13:25 | |
HS2. | 0:13:25 | 0:13:27 | |
HS2, yeah. | 0:13:27 | 0:13:28 | |
Through Buckinghamshire, just basically a huge... | 0:13:28 | 0:13:31 | |
HE MIMICS EXPLOSIONS | 0:13:31 | 0:13:32 | |
Finished! | 0:13:32 | 0:13:34 | |
LAUGHTER AND APPLAUSE | 0:13:34 | 0:13:36 | |
Yeah, and they thought not just the Panama Canal, | 0:13:38 | 0:13:41 | |
we'll get one through... | 0:13:41 | 0:13:43 | |
Well anywhere really! | 0:13:43 | 0:13:44 | |
Using 22 nuclear bombs to build a massive road | 0:13:44 | 0:13:47 | |
and railway path through the Bristol Mountains in California - | 0:13:47 | 0:13:51 | |
Project Carryall. | 0:13:51 | 0:13:53 | |
There was another one, | 0:13:53 | 0:13:54 | |
using 1,000 nukes to blast a city-sized airship into space. | 0:13:54 | 0:13:59 | |
They spent money on all these - Operation Plowshare, it was called. | 0:13:59 | 0:14:02 | |
And the Russians did the same. | 0:14:02 | 0:14:04 | |
What's the smallest nuclear bomb you could have, | 0:14:04 | 0:14:06 | |
like to just knock out a bit of a building | 0:14:06 | 0:14:08 | |
if you were doing an extension? | 0:14:08 | 0:14:11 | |
Two things were actually tried, cos the rest were just shelved | 0:14:11 | 0:14:14 | |
and the money stopped coming in. One was detonating nukes underground | 0:14:14 | 0:14:18 | |
to create steam to generate electricity. | 0:14:18 | 0:14:20 | |
This was abandoned | 0:14:20 | 0:14:21 | |
when it turned out to be impossible to contain the explosions. | 0:14:21 | 0:14:24 | |
Using nukes for fracking natural gas. | 0:14:24 | 0:14:28 | |
Which worked, but the gas was radioactive. | 0:14:28 | 0:14:31 | |
Bit of a PR disaster in your kitchen... | 0:14:33 | 0:14:36 | |
Light the oven. My hair! My hair! | 0:14:36 | 0:14:39 | |
It's going to play very well in the Tory home counties. | 0:14:39 | 0:14:42 | |
Not only are we going to frack you, we're going to blow | 0:14:42 | 0:14:45 | |
you up with a nuclear device. | 0:14:45 | 0:14:46 | |
Exactly. But there was one very successful one the Russians did, | 0:14:46 | 0:14:49 | |
they used five times, four of them completely successful, | 0:14:49 | 0:14:52 | |
but none of them with any fallout that was destructive, | 0:14:52 | 0:14:55 | |
and that was putting out huge gas field fires. | 0:14:55 | 0:14:57 | |
And so successful it was, that the Americans considered | 0:14:57 | 0:15:00 | |
using it in the deep water... | 0:15:00 | 0:15:03 | |
The BP thing. | 0:15:03 | 0:15:04 | |
The BP thing in the Gulf of Mexico. Yeah. | 0:15:04 | 0:15:06 | |
In the deep water horizon, as it was called. | 0:15:06 | 0:15:09 | |
They were going to nuke it? | 0:15:09 | 0:15:11 | |
-Well, they were, yeah. -A lot of spin in that. | 0:15:11 | 0:15:13 | |
Look away now. | 0:15:13 | 0:15:16 | |
India's first nuclear device - do you know what it was | 0:15:18 | 0:15:20 | |
called and when it might have been? | 0:15:20 | 0:15:22 | |
It was a curry. | 0:15:22 | 0:15:23 | |
LAUGHTER | 0:15:23 | 0:15:26 | |
It was so strong... | 0:15:26 | 0:15:27 | |
..that it literally blew your head off. | 0:15:29 | 0:15:33 | |
The vindaloo bomb... | 0:15:33 | 0:15:35 | |
People's eyes were watering for 1,000 square miles! | 0:15:35 | 0:15:39 | |
God, that's so strong! Oh, the smell of it! | 0:15:39 | 0:15:43 | |
Aah! | 0:15:43 | 0:15:44 | |
It was actually called the Smiling Buddha. | 0:15:44 | 0:15:46 | |
It was set off in 1974. | 0:15:46 | 0:15:48 | |
Now for something a little more local. | 0:15:48 | 0:15:50 | |
Name some domestic appliances that really nobody wants. | 0:15:50 | 0:15:54 | |
RICHARD'S SONG | 0:15:54 | 0:15:56 | |
-Richard? -In a vicarage, a tie rack. | 0:15:56 | 0:15:59 | |
LAUGHTER | 0:15:59 | 0:16:01 | |
That is good. | 0:16:01 | 0:16:03 | |
Very good, yes. | 0:16:03 | 0:16:04 | |
I can't take that away from you. | 0:16:06 | 0:16:08 | |
BILL'S SONG I appeal, I'm appealing, sir, that, just a very... | 0:16:08 | 0:16:12 | |
It's an act of great pedantry - that's not technically an appliance | 0:16:12 | 0:16:16 | |
Unless it's an electronic tie rack. | 0:16:16 | 0:16:19 | |
-RICHARD'S SONG -An auto steam tie rack. | 0:16:19 | 0:16:22 | |
There are electric tie racks, yeah, there are tie racks that go, bzzzzz. | 0:16:22 | 0:16:25 | |
-Really? -Yeah, there are, I promise you, electric ones. -Such a thing exists? | 0:16:25 | 0:16:28 | |
-I promise you. -Wow. -And that actually takes us to what the right answer is, | 0:16:28 | 0:16:31 | |
when you said steam. Yeah? | 0:16:31 | 0:16:32 | |
Those Corby trouser presses that you have in hotel rooms, | 0:16:32 | 0:16:35 | |
-I've never heard of anyone using them. -Brilliant. | 0:16:35 | 0:16:38 | |
Do you mean others don't? Am I the only one? | 0:16:38 | 0:16:39 | |
-You've used one? -I use them. -I -use them. -I've used them. | 0:16:39 | 0:16:42 | |
-Oh, OK, well, I've got that wrong. -But not necessarily for trousers. | 0:16:42 | 0:16:46 | |
Anyway, there's a whole load of appliances that were | 0:16:52 | 0:16:54 | |
made in the 1920s and '30s, when a lot of British people were | 0:16:54 | 0:16:59 | |
starting to get a little bit more prosperous, just before the Crash. | 0:16:59 | 0:17:04 | |
And they thought about going "On the electric", as it used to be said. | 0:17:04 | 0:17:08 | |
"We're going on the electric." | 0:17:08 | 0:17:10 | |
And what would be the main, the killer app that would put them on the electric? | 0:17:10 | 0:17:13 | |
-The thing they wanted to have most. -Electric light? -Heat. | 0:17:13 | 0:17:16 | |
That would be one. | 0:17:16 | 0:17:17 | |
-Plug-in radio? -The wireless set. Yeah. -Yeah. | 0:17:17 | 0:17:21 | |
And who were the other main suppliers, other than electricity? | 0:17:21 | 0:17:24 | |
That had already been there. | 0:17:24 | 0:17:25 | |
-Gas. -Gas. | 0:17:25 | 0:17:27 | |
They thought, well, what we'll do is provide gas-powered radios, | 0:17:27 | 0:17:30 | |
to stop people from going on the electric. | 0:17:30 | 0:17:32 | |
And there's an example of one. | 0:17:32 | 0:17:34 | |
And they put them out and they said, "Not only will you get the BBC, | 0:17:34 | 0:17:39 | |
"but you will warm the room slightly." | 0:17:39 | 0:17:42 | |
Slightly. | 0:17:42 | 0:17:43 | |
Through the glow of your contentment. | 0:17:43 | 0:17:45 | |
Increase the chances of your house exploding. | 0:17:45 | 0:17:48 | |
And not only did they produce wirelesses, | 0:17:48 | 0:17:50 | |
they produced trouser presses, oddly enough, washing machines, | 0:17:50 | 0:17:54 | |
washing-up machines, everything that you can think | 0:17:54 | 0:17:56 | |
of that is a household appliance, a white good, as we would now say. | 0:17:56 | 0:17:59 | |
There were gas-powered fridges, weren't there? | 0:17:59 | 0:18:02 | |
Yes, there were indeed. Very much so. But they just didn't catch on, | 0:18:02 | 0:18:05 | |
because electricity was just more reliable. | 0:18:05 | 0:18:07 | |
It's not that the gas actually powered the radio | 0:18:07 | 0:18:09 | |
so much as that the gas created the current that powered the radio. | 0:18:09 | 0:18:13 | |
So it was still electric, it's just you used your existing gas main. | 0:18:13 | 0:18:17 | |
How does that work? How can gas create electricity? | 0:18:17 | 0:18:19 | |
Get heat, and then you put it in a machine... | 0:18:21 | 0:18:25 | |
A special machine with a magnet in it. | 0:18:27 | 0:18:29 | |
Well, they burn coal for power stations. | 0:18:29 | 0:18:32 | |
That's turning a turbo - you haven't got a turbo. | 0:18:32 | 0:18:35 | |
It's the difference between cold and heat - | 0:18:35 | 0:18:37 | |
it's the thermoelectric effect. | 0:18:37 | 0:18:39 | |
Russians used it with kerosene, way out in Siberia | 0:18:39 | 0:18:42 | |
and places that were incredibly cold. | 0:18:42 | 0:18:45 | |
They actually recommended - God bless communism - | 0:18:45 | 0:18:47 | |
people open the window to hear the radio better. | 0:18:47 | 0:18:51 | |
So that the distinction between the cold outside | 0:18:51 | 0:18:54 | |
and the hot inside was even greater, which created this current. | 0:18:54 | 0:18:57 | |
Talking of radio, in the 1930s, | 0:18:57 | 0:18:59 | |
there was a magnificent programme that I would have loved. | 0:18:59 | 0:19:02 | |
There was a fellow called FH Wallace, | 0:19:02 | 0:19:04 | |
who was the Phil "The Power" Taylor of his day. | 0:19:04 | 0:19:06 | |
By which I mean... | 0:19:06 | 0:19:09 | |
Darts professional. | 0:19:09 | 0:19:11 | |
Yes, a great darts player. | 0:19:11 | 0:19:12 | |
And he played in The Alexander Arms in Eastbourne, | 0:19:12 | 0:19:16 | |
and he, on the radio, would throw three darts, from 301 down, | 0:19:16 | 0:19:19 | |
and his score would be announced, then there would be a pause while | 0:19:19 | 0:19:22 | |
people at home could throw three darts and write down their score | 0:19:22 | 0:19:25 | |
And if they beat him, they didn't get a prize, | 0:19:25 | 0:19:28 | |
they could say, "Pat yourself on the back when you go to work tomorrow." | 0:19:28 | 0:19:32 | |
That was a whole radio series. | 0:19:32 | 0:19:35 | |
I'm not saying people were easily pleased in those days but... | 0:19:36 | 0:19:39 | |
Why didn't they just fast forward to the internet | 0:19:39 | 0:19:42 | |
and people on those kind of Gala Bingo sites, | 0:19:42 | 0:19:44 | |
like, "You get a free £5." | 0:19:44 | 0:19:47 | |
They're just doing that on their own - | 0:19:47 | 0:19:49 | |
pat on the back, you lost 56 quid! | 0:19:49 | 0:19:52 | |
Anyway, moving on... | 0:19:52 | 0:19:53 | |
Now for some uneasy listening. | 0:19:53 | 0:19:55 | |
What's the most depressing radio programme of all time? | 0:19:55 | 0:19:58 | |
Oh, Simon Bates, by miles. | 0:19:58 | 0:20:02 | |
"But that's, surely that's the story of people who fell in love." | 0:20:02 | 0:20:05 | |
"She did die of the cancer. But..." | 0:20:05 | 0:20:08 | |
"He battled through the cancer and then here's their song. | 0:20:08 | 0:20:11 | |
"Too Drunk To Fuck by the great..." | 0:20:11 | 0:20:13 | |
STEPHEN LAUGHS | 0:20:13 | 0:20:15 | |
For those who are not familiar with what we're talking about, | 0:20:23 | 0:20:25 | |
Simon Bates used to run a series called Our Song. | 0:20:25 | 0:20:27 | |
-Our Tune. -Our Tune. -Our Tune. | 0:20:27 | 0:20:29 | |
HE SINGS TUNE | 0:20:29 | 0:20:30 | |
And people wrote in basically with the most depressing story of how | 0:20:30 | 0:20:33 | |
-they were in love with someone who then died of some appalling disease. -Oh, God, it was nauseating. Christ! | 0:20:33 | 0:20:37 | |
And he'd read out the, "We met and we fell in love," and all that. "She was then..." | 0:20:37 | 0:20:41 | |
-It was a series of awful disasters, accidents. -Diagnosed with this or run over. | 0:20:41 | 0:20:45 | |
She was run over by a vehicle, she lost all the use of her limbs and... | 0:20:45 | 0:20:48 | |
-I'm sure people sent them in and just made it up. -I think so. -They must have done. | 0:20:48 | 0:20:52 | |
"Sadly she did die, but to this day, you know, Knock Three Times is our song and always will be." | 0:20:52 | 0:20:56 | |
She was caught up in a nuclear explosion | 0:20:56 | 0:21:00 | |
that was used to put out a fire. | 0:21:00 | 0:21:01 | |
Then a rat burrowed its way through her leg | 0:21:01 | 0:21:06 | |
and wee'd in her eye. | 0:21:06 | 0:21:08 | |
And she struggled on, with a gas radio for a companion. | 0:21:08 | 0:21:12 | |
This was Radio One, | 0:21:12 | 0:21:14 | |
-this was supposed to be the hip young station. -Yeah. This was hip. | 0:21:14 | 0:21:18 | |
I have to say I have several correspondents who would say | 0:21:18 | 0:21:21 | |
-that Saturday Live was the most depressing radio station. -Really? | 0:21:21 | 0:21:24 | |
Yeah. | 0:21:24 | 0:21:25 | |
KLAXON | 0:21:25 | 0:21:27 | |
-We don't think your radio show... -No, I like it. -Well, we have to, you know of this thing now | 0:21:33 | 0:21:37 | |
that you're interactive with your audience, so actually, as you're broadcasting live | 0:21:37 | 0:21:41 | |
you have a screen in front of you, with a Twitter feed on. | 0:21:41 | 0:21:43 | |
-Not advisable, ladies and gentlemen, I have to say. -No. | 0:21:43 | 0:21:45 | |
It's a very good moral and spiritual discipline, as everything you | 0:21:45 | 0:21:48 | |
say is immediately commented on by some regular Twitter... | 0:21:48 | 0:21:53 | |
With #SaturdayLive, or #RichardColes is a... | 0:21:53 | 0:21:55 | |
I remember one time... | 0:21:55 | 0:21:57 | |
#Smug-Maester twat vicar. | 0:21:57 | 0:21:58 | |
Oh, crumbs! | 0:22:00 | 0:22:02 | |
I swear there is someone who does #smug-maester | 0:22:02 | 0:22:05 | |
and another one #twatvicar. | 0:22:05 | 0:22:08 | |
-Oh, that's horrible. -Oh, Richard, that's so unfair. -And it's my mother. | 0:22:08 | 0:22:12 | |
LAUGHTER | 0:22:12 | 0:22:14 | |
I did a thing once, I wrote an article in which the joke was, | 0:22:16 | 0:22:20 | |
in the article was on me, but I did call Frank Lampard a twat. | 0:22:20 | 0:22:23 | |
And it was a joke. | 0:22:23 | 0:22:27 | |
Anyway, he complained about it | 0:22:27 | 0:22:28 | |
and I thought, "Oh, I'd better find the article, because I can't even | 0:22:28 | 0:22:32 | |
"remember what I wrote," So I Googled Frank Lampard twat, nothing came up, | 0:22:32 | 0:22:36 | |
and then I Googled my own name with twat, and so much stuff came up. | 0:22:36 | 0:22:40 | |
-That's dangerous. -That was really dangerous. | 0:22:43 | 0:22:45 | |
-And then I started Googling my name with any other term of abuse. -Ooh! | 0:22:45 | 0:22:49 | |
And I had really one of the worst evenings of my life. | 0:22:49 | 0:22:52 | |
Never ever do that. Never Google yourself. | 0:22:52 | 0:22:55 | |
And that should be like one of the, | 0:22:55 | 0:22:57 | |
that should be, you know, a commandment. | 0:22:57 | 0:22:59 | |
-You know. "Thou shalt not Google thyself." -"Thou shalt not Google thyself." | 0:22:59 | 0:23:03 | |
There was an awful time, which I think has passed, | 0:23:03 | 0:23:06 | |
-when if you put in the C word into Google, the first return... -Your name would come up! | 0:23:06 | 0:23:09 | |
No. | 0:23:09 | 0:23:12 | |
Thank you! Virtually... | 0:23:12 | 0:23:14 | |
Excuse me?! Virtually that. | 0:23:18 | 0:23:21 | |
-If you typed in the C word, the first thing that came up was "Englishman." -Oh. | 0:23:21 | 0:23:25 | |
If you want to learn some new words, you could always do the Guardian Easter piece, | 0:23:25 | 0:23:29 | |
on the online edition, and then read the below the line comments afterwards. | 0:23:29 | 0:23:33 | |
-Oh, it's like looking into a sewer, isn't it? -That's quite fun. -Let's not go there. | 0:23:33 | 0:23:37 | |
I don't know, sometimes it's good though, I have to say. | 0:23:37 | 0:23:39 | |
There was Ronan Keating doing a version of Fairy Tale Of New York, by The Pogues. | 0:23:39 | 0:23:43 | |
-He didn't, did he? -Yes, he did. | 0:23:43 | 0:23:45 | |
-It is as horrific as it sounds. He has to... -McGowan he is not. | 0:23:45 | 0:23:50 | |
He has to Irish himself up a bit to be in the Pogues. | 0:23:50 | 0:23:52 | |
But there's a tsunami of hate which of course accompanies it on the YouTube comments. | 0:23:52 | 0:23:57 | |
But my favourite YouTube comment of all time, it just says: | 0:23:57 | 0:24:00 | |
"This is the worst thing that ever happened." | 0:24:00 | 0:24:04 | |
And it sort of is! | 0:24:04 | 0:24:05 | |
I used to do this listener complaint programme for Radio 5, when that first started, | 0:24:05 | 0:24:11 | |
there used to be live people calling in, and there was a woman who phoned up once, | 0:24:11 | 0:24:14 | |
and I saw her name, it was Margery from Hemel Hempstead. | 0:24:14 | 0:24:17 | |
And I took the call and I said, "Margery, from Hemel Hempstead, what's your complaint?" | 0:24:17 | 0:24:21 | |
And she said, "I'm absolutely disgusted with everything." and put the phone down. | 0:24:21 | 0:24:26 | |
LAUGHTER AND APPLAUSE | 0:24:26 | 0:24:29 | |
Oh, bless her, bless her. | 0:24:29 | 0:24:31 | |
Well, the most depressing radio of all time may have been | 0:24:31 | 0:24:33 | |
Simon Bates, it certainly isn't Saturday Live, which I urge | 0:24:33 | 0:24:36 | |
you to listen to every Saturday, with Richard at the microphone. | 0:24:36 | 0:24:39 | |
Drahtfunk. Drahtfunk. | 0:24:39 | 0:24:41 | |
Drahtfunk. | 0:24:41 | 0:24:42 | |
Yeah. Wire radio. And what happened is, the Swiss and the Norwegians | 0:24:42 | 0:24:46 | |
and the Swedish discovered that they could use, | 0:24:46 | 0:24:49 | |
first of all electricity, which they had bored holes through | 0:24:49 | 0:24:52 | |
the mountains for, they could use electricity to transmit radio, | 0:24:52 | 0:24:56 | |
and then, when phone lines were installed, phone. | 0:24:56 | 0:24:58 | |
And the Germans used this in the war. | 0:24:58 | 0:25:01 | |
And they used it for very depressing broadcasts about bomber raids | 0:25:02 | 0:25:05 | |
that were coming over, because it couldn't be scrambled. | 0:25:05 | 0:25:08 | |
And nor would the bombers be able to use live radio that the | 0:25:08 | 0:25:11 | |
Germans had, to fix their position, so they could | 0:25:11 | 0:25:14 | |
close their radio stations down, during the night, and use these. | 0:25:14 | 0:25:18 | |
And German people would listen and they'd get grid references, | 0:25:18 | 0:25:21 | |
you know, there's a bomber wave coming and it's on F14 and | 0:25:21 | 0:25:24 | |
the people of Stuttgart or wherever it might be would go, "Oh, God, it's coming towards us." | 0:25:24 | 0:25:28 | |
And they'd be able to get into the shelters. So, it was depressing. | 0:25:28 | 0:25:31 | |
It was depressing radio, it was always bad news. | 0:25:31 | 0:25:33 | |
-Did they play songs in-between? -No, they didn't. | 0:25:33 | 0:25:35 | |
- Missing a trick there. - The Beach Boys. | 0:25:35 | 0:25:40 | |
Have you ever heard Radio Pyongyang? | 0:25:40 | 0:25:42 | |
-Never have. -You've got to listen to it. | 0:25:42 | 0:25:44 | |
It's mostly songs about the Great Leader and how marvellous he is, | 0:25:44 | 0:25:49 | |
interspersed with incredibly terrifying | 0:25:49 | 0:25:51 | |
broadcasts by the lady who read the news, | 0:25:51 | 0:25:53 | |
who's got that rather dramatic sort of thing. | 0:25:53 | 0:25:56 | |
The awful thing is, if you buy a radio in North Korea, | 0:25:56 | 0:25:59 | |
-it's pre-tuned. -Of course. | 0:25:59 | 0:26:00 | |
You can only get Radio Pyongyang. | 0:26:00 | 0:26:02 | |
That's the only thing you can get. | 0:26:02 | 0:26:04 | |
But people try to smuggle in sets from China for a bit of variety. | 0:26:04 | 0:26:07 | |
You'll get Gardener's Question Time. | 0:26:07 | 0:26:11 | |
Anyway, moving on. | 0:26:11 | 0:26:12 | |
Alan, would I enjoy kissing any of the gunner's daughters? | 0:26:12 | 0:26:16 | |
Yes, you would. No, you wouldn't. | 0:26:19 | 0:26:24 | |
-There are no daughters. -Well... -By kissing, do you mean...? | 0:26:26 | 0:26:31 | |
Yes. In all those cases, you're right. | 0:26:31 | 0:26:33 | |
You're right to be cagey. Of course it's nothing to do with The Arsenal. | 0:26:33 | 0:26:37 | |
Isn't there a band, there's a band from Seattle called Kissing The Gunner's Daughter. | 0:26:37 | 0:26:41 | |
-Is there really? -Yes, there is, yeah. -Well, do you know what it refers to? | 0:26:41 | 0:26:44 | |
I do actually, yes. It's a naval term, isn't it? | 0:26:44 | 0:26:46 | |
-Yes, it is naval. -It's a rather unpleasant term. | 0:26:46 | 0:26:49 | |
Describe. | 0:26:49 | 0:26:50 | |
For being strapped to a cannon and then being beaten? | 0:26:50 | 0:26:55 | |
-Yes, whipped with the famous... -The cat o' nine tails. | 0:26:55 | 0:26:57 | |
-With the cat o' nine tails. Absolutely right. -Yes. -It was horrific. | 0:26:59 | 0:27:02 | |
What's extraordinary is that it's still in use. | 0:27:02 | 0:27:04 | |
Not in the British Navy, or not in Britain. | 0:27:04 | 0:27:06 | |
Did you know that the victim had to make their own cat? | 0:27:06 | 0:27:09 | |
-Often they did, not always, but often they did. -Yeah. | 0:27:09 | 0:27:12 | |
Sometimes it was their best friend, which was miserable. | 0:27:12 | 0:27:15 | |
That's right, you'd make out of blancmange. | 0:27:15 | 0:27:17 | |
Oh, this, yes, it's all I had. | 0:27:17 | 0:27:19 | |
There's another naval punishment, you can get "firked." | 0:27:19 | 0:27:23 | |
I'm sorry? | 0:27:23 | 0:27:25 | |
You can get firked. | 0:27:25 | 0:27:27 | |
-Explain? -You get firked... | 0:27:27 | 0:27:30 | |
-If you're... This is true, I'm not making it up. -Yeah, don't keep saying it, explain it. | 0:27:30 | 0:27:35 | |
It was the punishment, | 0:27:35 | 0:27:37 | |
if you were a cook in the galley and you ruined the meal, you got firked. | 0:27:37 | 0:27:42 | |
I'm not making that up. | 0:27:43 | 0:27:44 | |
You really like saying it though, don't you? | 0:27:44 | 0:27:47 | |
Just keep saying it, man. | 0:27:47 | 0:27:48 | |
I just can't, I don't know what you mean, Stephen. | 0:27:48 | 0:27:50 | |
But they would take the staves from a firkin and beat you with that, | 0:27:50 | 0:27:53 | |
and it was called being firked. | 0:27:53 | 0:27:55 | |
Oh, a firkin being a large barrel. | 0:27:55 | 0:27:57 | |
A firkin being, well, not a very large barrel, | 0:27:57 | 0:27:59 | |
but they, you were beaten with the staves from a firkin, firked. That's true. | 0:27:59 | 0:28:02 | |
Wow, that's brilliant. Well, also, apart from the gunner's daughter, | 0:28:02 | 0:28:06 | |
at the time the Royal Navy enlisted boys as young as nine, | 0:28:06 | 0:28:09 | |
who were running errands and so on, helped with the cooking. | 0:28:09 | 0:28:12 | |
And these cabin boys were punished in a marginally more humane | 0:28:12 | 0:28:15 | |
way, by being bent over a gun and lashed on the bare bottom. | 0:28:15 | 0:28:18 | |
This was called "Kissing the gunner's daughter". | 0:28:18 | 0:28:21 | |
And the lash itself was known as the "boy's pussy". | 0:28:21 | 0:28:24 | |
Which sounds all wrong. | 0:28:24 | 0:28:26 | |
Or it was called the "boy's cat" or just "pussy". | 0:28:26 | 0:28:29 | |
It had only five strands of whip cord, with no knots in it. | 0:28:29 | 0:28:32 | |
It was sort of um, Sony's My First Cat 'O Nine Tails. | 0:28:32 | 0:28:36 | |
Isn't it? | 0:28:36 | 0:28:38 | |
Yeah, its true level. | 0:28:38 | 0:28:39 | |
It was the innocent version. And that was kissing the gunner's daughter. Pretty nasty. | 0:28:39 | 0:28:43 | |
From lashings to lese-majeste. | 0:28:43 | 0:28:45 | |
Why was George III very nearly, literally, toast is 1776? | 0:28:45 | 0:28:50 | |
1776, you say? | 0:28:50 | 0:28:51 | |
It's a rather important year... | 0:28:51 | 0:28:54 | |
RICHARD'S SONG | 0:28:54 | 0:28:55 | |
Was it the firing of the colonies? | 0:28:55 | 0:28:58 | |
Very good. | 0:28:58 | 0:28:59 | |
Well, it is the year of course of American independence. | 0:28:59 | 0:29:02 | |
But the fact is, there's a rather marvellous MP, | 0:29:02 | 0:29:06 | |
who dies in 1813, | 0:29:06 | 0:29:08 | |
and was well ahead of his time and | 0:29:08 | 0:29:10 | |
about whom more should be known. | 0:29:10 | 0:29:11 | |
His name was Hartley, David Hartley, | 0:29:11 | 0:29:13 | |
and he was a scientist, a friend of Benjamin Franklin | 0:29:13 | 0:29:16 | |
and was the first MP to present a bill opposing slavery. | 0:29:16 | 0:29:19 | |
Decades ahead of anyone else. | 0:29:19 | 0:29:21 | |
But his main claim to fame, was him work on fireproofing of houses, | 0:29:21 | 0:29:26 | |
which he achieved by placing metal sheets under the floorboards, | 0:29:26 | 0:29:31 | |
so the joists wouldn't catch fire. | 0:29:31 | 0:29:33 | |
And they were so successful that he invited George III | 0:29:33 | 0:29:35 | |
to his house in Putney, | 0:29:35 | 0:29:37 | |
which was a special fire-proof house. | 0:29:37 | 0:29:39 | |
Breakfast was served in one of the rooms, | 0:29:39 | 0:29:42 | |
the kettle was boiled on a fire made on the bare floorboards | 0:29:42 | 0:29:44 | |
Hartley went upstairs, set fire to a bed, | 0:29:44 | 0:29:46 | |
which set fire to the curtains, | 0:29:46 | 0:29:48 | |
while Hartley lit two more fires on the stairs, | 0:29:48 | 0:29:50 | |
so it's like a sort of stuntman, | 0:29:51 | 0:29:53 | |
one under the stairs - all burn merrily. | 0:29:53 | 0:29:55 | |
And they all died of smoke inhalation. | 0:29:55 | 0:29:59 | |
He put fires under the rooms, | 0:29:59 | 0:30:01 | |
on the floor below the royal family, with tar, pitch and kindling, | 0:30:01 | 0:30:05 | |
and set fire to it. | 0:30:05 | 0:30:07 | |
And everyone survived, it was all fine. | 0:30:07 | 0:30:09 | |
And he was made somewhat of a local hero... | 0:30:09 | 0:30:11 | |
Local fire officer. | 0:30:11 | 0:30:13 | |
It all, as it were, caught on, | 0:30:13 | 0:30:16 | |
cos a lot of people thought, well, this is the way to avoid fires. | 0:30:16 | 0:30:19 | |
It was a most impressive thing. | 0:30:19 | 0:30:21 | |
It would be an amazing assassination attempt, | 0:30:21 | 0:30:24 | |
to say, "Hey, I've made a fire-proof house. | 0:30:24 | 0:30:26 | |
"Why don't you come round and I'll show you?" | 0:30:26 | 0:30:31 | |
Ah, Guy Fawkes number two. See you later! | 0:30:31 | 0:30:35 | |
-True. -Teething issues. | 0:30:35 | 0:30:36 | |
Fortunately, they trusted him. | 0:30:36 | 0:30:38 | |
But his major and lasting achievement is the he invented | 0:30:38 | 0:30:40 | |
the fire curtain for theatres. | 0:30:40 | 0:30:42 | |
So in the interval, when you see a fire curtain drop down rather dully, | 0:30:43 | 0:30:46 | |
or something that just says "fire curtain"... | 0:30:46 | 0:30:49 | |
So he's the real Mr Sands. | 0:30:49 | 0:30:51 | |
Exactly. Explain about Mr Sands. | 0:30:51 | 0:30:53 | |
Sometimes it's Dr Sands. | 0:30:53 | 0:30:55 | |
They do this in the tube and in theatres, | 0:30:55 | 0:30:57 | |
if you hear an announcement asking for Dr Sands, | 0:30:57 | 0:30:59 | |
it means there's a fire somewhere in the building. | 0:30:59 | 0:31:02 | |
So if your name is actually Mr Sands and you want to go to the theatre, | 0:31:02 | 0:31:05 | |
and you go there and ask for your tickets, | 0:31:05 | 0:31:09 | |
people will start running away. | 0:31:09 | 0:31:11 | |
Theatre's burnt down all the time, didn't they? | 0:31:11 | 0:31:14 | |
-Extraordinarily so. -There was a lovely story of, was it Sheridan, his theatre | 0:31:14 | 0:31:18 | |
caught fire and he was outside and he was sitting there having a drink. | 0:31:18 | 0:31:21 | |
Someone said, "Mr Sheridan, surely you should be throwing buckets of water on this." | 0:31:21 | 0:31:25 | |
He said, "Can't a man take sack by his own fireside?" | 0:31:25 | 0:31:30 | |
The only difference now in the Globe in Southbank, | 0:31:30 | 0:31:33 | |
the only difference between that and the original is that | 0:31:33 | 0:31:36 | |
you're not allowed to have a thatched roof in London any more. | 0:31:36 | 0:31:39 | |
It's the only difference from the Elizabethan one. | 0:31:39 | 0:31:41 | |
Yes, Shakespeare's Globe caught fire and was put out by beer. | 0:31:41 | 0:31:44 | |
-Was it? -Yeah, in his day. | 0:31:44 | 0:31:46 | |
Which is rather pleasing - I don't know why, but it is. | 0:31:46 | 0:31:48 | |
Now, let's get a little lachrymose. What are Dutch tears? | 0:31:48 | 0:31:52 | |
I don't know. | 0:31:54 | 0:31:55 | |
Dutch courage is when you drink booze, it's a euphemism for something. | 0:31:55 | 0:31:59 | |
Well, because we went to war with Holland so many times, | 0:31:59 | 0:32:02 | |
at least three Dutch wars, that we tended to use the word Dutch, | 0:32:02 | 0:32:05 | |
Dutch wife, Dutch uncle, Dutch, you know, courage. | 0:32:05 | 0:32:08 | |
-So it'll be some sort of tear drop thing. -It is a tear shaped thing. | 0:32:08 | 0:32:11 | |
Actually, from Mecklenburg, or at least it was introduced to... | 0:32:11 | 0:32:16 | |
Britain from Mecklenburg, by Prince Rupert of the Rhine. | 0:32:16 | 0:32:21 | |
Does that mean anything to you? I don't know. | 0:32:21 | 0:32:23 | |
Why are you saying that in that way? | 0:32:23 | 0:32:25 | |
Prince Rupert of the Rhine, played by Timothy Dalton, | 0:32:25 | 0:32:28 | |
-in the film Cromwell, you may remember, a very dashing figure. -Of course. | 0:32:28 | 0:32:32 | |
Probably was responsible for Charles I losing the civil war. | 0:32:32 | 0:32:35 | |
-Is it some sort of ammunition? -It's not. | 0:32:35 | 0:32:37 | |
-In fact I'm going to show you what it is... -Is it a decorative thing? | 0:32:37 | 0:32:40 | |
It's very extraordinary, I'm going to pick up this object here. | 0:32:40 | 0:32:44 | |
It's a light box. And I'm going to turn it on. | 0:32:45 | 0:32:48 | |
I'm going to get my little camera here. | 0:32:48 | 0:32:51 | |
And maybe you can see, there we are. | 0:32:51 | 0:32:54 | |
It's a sort of tadpole-y like thing. | 0:32:54 | 0:32:56 | |
What it is, is a... | 0:32:56 | 0:32:58 | |
If I turn it you can see this is actually a polarised filter, | 0:32:58 | 0:33:02 | |
so what you're seeing is this moire effect in the middle. | 0:33:02 | 0:33:05 | |
Because if you take an ordinary drop of molten glass | 0:33:05 | 0:33:07 | |
and you drop it into cold water it instantly solidifies, of course. | 0:33:07 | 0:33:11 | |
The outer part, the part that hits the water solidifies first. | 0:33:11 | 0:33:15 | |
The inner part doesn't have time to get as hard as the outer part, | 0:33:15 | 0:33:20 | |
tries to contract, there's no space for it to contract, | 0:33:20 | 0:33:22 | |
so there is a kind of tension built into it. | 0:33:22 | 0:33:25 | |
This a kind of time bomb waiting to happen, | 0:33:25 | 0:33:27 | |
but it's held together by the hard outer casing. | 0:33:27 | 0:33:31 | |
And if I were to clip off the tail, it would | 0:33:31 | 0:33:33 | |
release all the energy inside it. | 0:33:33 | 0:33:35 | |
And it would explode. | 0:33:35 | 0:33:37 | |
And not only would it explode, it would | 0:33:37 | 0:33:39 | |
explode at a speed three times greater than a sniper's bullet. | 0:33:39 | 0:33:43 | |
Incredibly fast. In fact so fast... | 0:33:43 | 0:33:46 | |
So that's how much kind of energy is stuffed inside it. | 0:33:46 | 0:33:48 | |
So fast I'm going to have to do it in a little bowl. | 0:33:48 | 0:33:50 | |
So I'm going to put the camera aside here. | 0:33:50 | 0:33:52 | |
But firstly, I'll show you that it's really solid, | 0:33:52 | 0:33:55 | |
because I can smack it with a hammer and it won't even vaguely be hurt. | 0:33:55 | 0:34:01 | |
Look. | 0:34:01 | 0:34:03 | |
Maybe you can start being a cameraman now, young Alan. | 0:34:03 | 0:34:06 | |
That's it, put those on just in case it breaks. There you are. | 0:34:06 | 0:34:10 | |
-Ready, sir. -Yeah. Now can you see that there? | 0:34:10 | 0:34:14 | |
-I don't know, it hasn't got any kind of view-finder. -No, no, look at, there. | 0:34:14 | 0:34:18 | |
-It's like the Chuckle Brothers. -Oh, look, there. | 0:34:18 | 0:34:21 | |
APPLAUSE | 0:34:21 | 0:34:25 | |
That's horrific! | 0:34:25 | 0:34:26 | |
Oh, no. | 0:34:26 | 0:34:27 | |
That's glass and I'm absolutely hammering it... | 0:34:29 | 0:34:33 | |
-All right? Mind your finger. -That is so bloody solid. | 0:34:34 | 0:34:38 | |
This looks like one of the weirdest court scenes I've ever seen. | 0:34:38 | 0:34:42 | |
Order! | 0:34:42 | 0:34:44 | |
-I will have order! -Order! | 0:34:44 | 0:34:46 | |
So, you have to believe me that you hammer it and hammer it | 0:34:46 | 0:34:48 | |
and hammer it and hammer it, and we've now got one, I'm going to put | 0:34:48 | 0:34:52 | |
these gloves on, because health and safety above all is my watch word. There we are. | 0:34:52 | 0:34:56 | |
But also they look good. | 0:34:56 | 0:34:58 | |
And, oh, Alan, you old queen. | 0:35:00 | 0:35:02 | |
I'm just filling in, I'm just filling in. | 0:35:02 | 0:35:05 | |
So here we are. Now... | 0:35:05 | 0:35:07 | |
Oh, that's, that's making me feel giddy. | 0:35:11 | 0:35:13 | |
I don't know if you can see here. | 0:35:13 | 0:35:15 | |
But I've got one in here. Now you have to try and be... | 0:35:15 | 0:35:19 | |
Oh, don't. | 0:35:20 | 0:35:21 | |
That's awful. | 0:35:21 | 0:35:23 | |
What you have to try and be now is try and be a good cameraman, Alan. | 0:35:23 | 0:35:26 | |
Can you, let's see, can you see...? | 0:35:28 | 0:35:30 | |
Can you see that one in there? | 0:35:30 | 0:35:32 | |
And all I have to do is try and clip the tail. | 0:35:32 | 0:35:35 | |
Oh, Lord. | 0:35:35 | 0:35:36 | |
Oh, God. I'm quite scared. | 0:35:36 | 0:35:38 | |
If I clip the tail, it should release the energy of this... | 0:35:38 | 0:35:41 | |
Whoa! | 0:35:41 | 0:35:43 | |
There you are, the whole thing exploded. So having hit it there... | 0:35:43 | 0:35:46 | |
-APPLAUSE -Dutch tears. Thank you. | 0:35:46 | 0:35:49 | |
Thank you very much indeed. | 0:35:52 | 0:35:53 | |
Thank you to my glamorous assistant. | 0:35:55 | 0:35:57 | |
We can probably see a little slowed down version of that. | 0:36:00 | 0:36:04 | |
-Wow. -It's pretty amazing. | 0:36:04 | 0:36:06 | |
And that's just clipping the absolute end of the tail. | 0:36:06 | 0:36:08 | |
Even though you can smash the head of it and it won't be hurt. | 0:36:08 | 0:36:12 | |
We have, in the audience, Stephen Ramsey, from Imperial College, | 0:36:12 | 0:36:16 | |
who's kindly leant us these Rupert's Tears. Stephen, are you there? | 0:36:16 | 0:36:19 | |
-Hi, Steven. -Thank you very much. | 0:36:19 | 0:36:21 | |
When was this effect discovered? | 0:36:21 | 0:36:23 | |
I think, when you had the glass blowers working from the hot furnace, | 0:36:23 | 0:36:26 | |
they gathered the glass on their irons, and to get rid of the excess glass on their iron, | 0:36:26 | 0:36:30 | |
they would stand them into the hot water, and some of these droplets | 0:36:30 | 0:36:34 | |
would drop off and get the super-hardened toughened glass, | 0:36:34 | 0:36:38 | |
and I think someone, probably by accident thought, | 0:36:38 | 0:36:41 | |
"I'll snap the end off that." | 0:36:41 | 0:36:42 | |
And suddenly had an explosion. | 0:36:42 | 0:36:44 | |
I believe that super-hard toughened effect is what we all | 0:36:44 | 0:36:46 | |
-rely on for windscreens in cars. -Yes. That's how toughened glass | 0:36:46 | 0:36:50 | |
was first made, by pulling the glass and blowing cold air onto the surface | 0:36:50 | 0:36:53 | |
-to super-cool it. -Theoretically, could it put out a gas fire? | 0:36:53 | 0:37:00 | |
When Will Byrne approached me to make these Rupert Drops for the show, | 0:37:00 | 0:37:05 | |
and in my lifetime as a glass blower, I've made them many times, | 0:37:05 | 0:37:08 | |
and I always have a two-litre glass vessel that I put on my bench | 0:37:08 | 0:37:12 | |
and drop the hot glass in. | 0:37:12 | 0:37:13 | |
And I dropped one in and thought, "Oh, good." | 0:37:13 | 0:37:16 | |
And as I watched, it exploded and the shockwave blew a two-inch hole | 0:37:16 | 0:37:19 | |
-in the glass vessel. -Wow. | 0:37:19 | 0:37:20 | |
Thank you for introducing Will Byrne, who is our Science Elf. | 0:37:20 | 0:37:24 | |
And thank you, Stephen Ramsay. | 0:37:24 | 0:37:26 | |
That was very exciting, I love a laboratory lark. | 0:37:30 | 0:37:32 | |
Now it's time to tweak the tail of General Ignorance. | 0:37:32 | 0:37:35 | |
So fingers on buzzers, please. Here's a question about Lent. | 0:37:35 | 0:37:39 | |
Whom should you visit on Mothering Sunday? | 0:37:39 | 0:37:41 | |
RICHARD'S SONG | 0:37:41 | 0:37:43 | |
Yes? | 0:37:43 | 0:37:44 | |
Your vicar. | 0:37:44 | 0:37:45 | |
-Explain. -Well, Mothering Sunday was the return of usually | 0:37:45 | 0:37:50 | |
children in service to the mother church of where they lived. | 0:37:50 | 0:37:54 | |
-That's correct. -So it wasn't going to see your mother, you'd go to the mother church, | 0:37:54 | 0:37:58 | |
-and they'd pick primroses to take to their nearest and dearest. -Correct. | 0:37:58 | 0:38:01 | |
-That's what I think. -You're absolutely right. | 0:38:01 | 0:38:03 | |
And as a churchman I suppose you should know that. | 0:38:03 | 0:38:05 | |
Most of us believe, of course, it is just a greeting card | 0:38:05 | 0:38:08 | |
opportunity or a flower opportunity to be nice to your mother, | 0:38:08 | 0:38:10 | |
which is what it's become. But it's actually nothing to do with your biological mother, | 0:38:10 | 0:38:14 | |
it's to do with your mother church, as you rightly say. | 0:38:14 | 0:38:16 | |
Do you think that excuse is going to hold up next year for any of us? | 0:38:16 | 0:38:19 | |
But I think I knew when I was young that it was called | 0:38:19 | 0:38:22 | |
Mothering Sunday, rather than Mother's Day. | 0:38:22 | 0:38:24 | |
Mothering, yes. It's always been Mothering Sunday. | 0:38:24 | 0:38:26 | |
They tend to call it Mother's Day now, don't they? | 0:38:26 | 0:38:28 | |
-It's just another chance to sell another card. -Oh, totally. | 0:38:28 | 0:38:31 | |
Do you know sometimes, a greetings card is the most marked-up thing on general sale. | 0:38:31 | 0:38:36 | |
But I said, what about cinema popcorn? | 0:38:36 | 0:38:38 | |
-Ooh, very good. -Oh, no. -The mark-up. | 0:38:38 | 0:38:41 | |
-Oh, it must be enormous. -I thought it was eggs. | 0:38:41 | 0:38:43 | |
Eggs? | 0:38:43 | 0:38:44 | |
-Because an omelette costs so much more than an egg. -That's true. | 0:38:44 | 0:38:48 | |
LAUGHTER | 0:38:48 | 0:38:50 | |
Your mind works in mysterious ways, its wonders to perform. | 0:38:51 | 0:38:55 | |
On Mothering Sunday you visited your mother church, | 0:38:55 | 0:38:58 | |
not necessarily your mother. | 0:38:58 | 0:38:59 | |
Now, what colour are the flags on the moon? | 0:38:59 | 0:39:02 | |
Do they look different when you're there? Are there no flags? | 0:39:04 | 0:39:07 | |
-There's no moon. Oh, God. -There are flags. | 0:39:07 | 0:39:10 | |
I just feel about 100 klaxons waiting for me. | 0:39:13 | 0:39:16 | |
Five times bitten, five times shy. | 0:39:16 | 0:39:19 | |
Yeah? | 0:39:19 | 0:39:20 | |
-RICHARD'S SONG -Are they grey? | 0:39:20 | 0:39:22 | |
Grey is probably a reasonable answer. | 0:39:22 | 0:39:24 | |
One thing you can be absolutely certain is they're not red, white and blue. | 0:39:24 | 0:39:28 | |
The temperature extremes are really remarkable on the moon. | 0:39:28 | 0:39:31 | |
From 100 degrees Celsius heat for 14 days | 0:39:31 | 0:39:35 | |
and then 14 days of 150 degrees minus Celsius. | 0:39:35 | 0:39:40 | |
And so it's going through all that. | 0:39:40 | 0:39:42 | |
Plus, there's no atmosphere, and so no protection from ultraviolet light. | 0:39:42 | 0:39:45 | |
And we know enough what a set of curtains or a sofa that's in, | 0:39:45 | 0:39:49 | |
you know, daylight, in a couple of years can get faded, | 0:39:49 | 0:39:53 | |
so you can imagine what a flag would be like. | 0:39:53 | 0:39:55 | |
And they're made of nylon, | 0:39:55 | 0:39:57 | |
so bleached white probably powdered nothingness by now. | 0:39:57 | 0:40:00 | |
This came up at Mother's Union the other day, the space... | 0:40:00 | 0:40:03 | |
-The Voyager... -That's my favourite... | 0:40:04 | 0:40:06 | |
-So much does. -The Voyager space craft, yes. | 0:40:06 | 0:40:09 | |
-Yes. -Still going. -The furthest man-made object from earth. -Yeah. | 0:40:09 | 0:40:12 | |
It's 1977. Would it look scruffy? | 0:40:12 | 0:40:17 | |
That's a really good question. | 0:40:17 | 0:40:19 | |
I mean, would the paint have gone, in, I don't know, solar...? | 0:40:19 | 0:40:21 | |
I imagine when it went through the Kuiper belt and things like that, | 0:40:21 | 0:40:24 | |
-it probably would have got a bit of bashing. -It would have had a few knocks and dents. | 0:40:24 | 0:40:28 | |
My favourite thing about the Voyager that I like is that | 0:40:28 | 0:40:30 | |
they think that it's left our solar system, they're not sure. | 0:40:30 | 0:40:33 | |
And they've estimated that the time it will take to reach | 0:40:33 | 0:40:36 | |
the next solar system is 40,000 years. | 0:40:36 | 0:40:40 | |
I know. It's phenomenal, isn't it? | 0:40:40 | 0:40:42 | |
And it's going to go out of radio transaction in about ten year's time and then it's just gone. | 0:40:42 | 0:40:47 | |
And I thought West Anglian Trains were bad, but there you are. | 0:40:47 | 0:40:51 | |
Anyway, all the stars and stripes on the moon are now plain white, | 0:40:52 | 0:40:55 | |
or possibly grey, if they've survived at all. | 0:40:55 | 0:40:58 | |
What was the first man-made sonic boom? | 0:40:58 | 0:41:01 | |
-RICHARD'S SONG -Whip crack. | 0:41:01 | 0:41:03 | |
Whip crack. Whip crack-away. Whip crack-away. | 0:41:03 | 0:41:06 | |
KLAXON | 0:41:06 | 0:41:08 | |
You're right - whip cracks are sonic booms. | 0:41:08 | 0:41:11 | |
There's been recent development | 0:41:11 | 0:41:13 | |
in the field of sonic booms, | 0:41:13 | 0:41:15 | |
or in the field of a strange thing called food physics. | 0:41:15 | 0:41:17 | |
Oh, dear. | 0:41:18 | 0:41:21 | |
You wouldn't think there was such a thing as food physics. | 0:41:21 | 0:41:24 | |
-Is it popcorn? -It might be popcorn. | 0:41:24 | 0:41:26 | |
It's basically crunchy food. | 0:41:26 | 0:41:29 | |
It's a bizarre idea that someone might think, | 0:41:29 | 0:41:31 | |
"Hang on, do we really understand crunchy food?" | 0:41:31 | 0:41:34 | |
Dr van Vliet, a Dutch food physicist, | 0:41:34 | 0:41:38 | |
spent the last seven years figuring out how crunch works. | 0:41:38 | 0:41:41 | |
And he basically said crispiness and crunchiness appeal to us | 0:41:41 | 0:41:44 | |
because they signal freshness. | 0:41:44 | 0:41:46 | |
The staler the chip, obviously the quieter it is, | 0:41:46 | 0:41:49 | |
or any fruit that gets soft and mushy. | 0:41:49 | 0:41:51 | |
For food to go "crunch" when it's bitten, there has to be | 0:41:51 | 0:41:54 | |
what's called a brittle fracture. | 0:41:54 | 0:41:56 | |
A sudden high-speed crack which actually | 0:41:56 | 0:41:59 | |
travels at at least 300 metres per second. | 0:41:59 | 0:42:03 | |
Which is the speed of sound. | 0:42:03 | 0:42:04 | |
So you're getting a sonic boom from... | 0:42:04 | 0:42:06 | |
-CRUNCHING NOISE -Yeah. | 0:42:06 | 0:42:08 | |
So in a sense we eat by our ears, cos a lot of our interest | 0:42:08 | 0:42:11 | |
and appetite is engendered by the fact we know food is crunchy. | 0:42:11 | 0:42:14 | |
But you wouldn't want any crunchy hummus. | 0:42:14 | 0:42:18 | |
Maybe that's it. Maybe that's the way to go - crunchy hummus. | 0:42:18 | 0:42:21 | |
It's a good name for a band anyway. | 0:42:21 | 0:42:24 | |
Each crunch in crunchy foods is a teeny-weeny sonic boom. | 0:42:24 | 0:42:28 | |
And with that, it's the scores. | 0:42:28 | 0:42:30 | |
I simply don't know what to say. | 0:42:30 | 0:42:32 | |
Despite his superior knowledge and his holiness, | 0:42:32 | 0:42:35 | |
in last place with minus eight, it's the Reverend Richard Coles. | 0:42:35 | 0:42:38 | |
Thank you very much. Thank you. Thank you. | 0:42:38 | 0:42:42 | |
APPLAUSE | 0:42:42 | 0:42:45 | |
Third place, with minus six is Bill Bailey. | 0:42:45 | 0:42:47 | |
APPLAUSE | 0:42:47 | 0:42:49 | |
Third again. | 0:42:49 | 0:42:51 | |
I just don't know how I'm going to say this, | 0:42:52 | 0:42:55 | |
in second place with minus one... | 0:42:55 | 0:42:57 | |
is Sara Pascoe. | 0:42:57 | 0:42:58 | |
APPLAUSE | 0:42:58 | 0:43:01 | |
I can't believe Alan's the winner. | 0:43:01 | 0:43:03 | |
Yeah. You've got there before me, because in first place, and this may | 0:43:03 | 0:43:07 | |
be a first for first place, with plus four is Alan Davies! | 0:43:07 | 0:43:11 | |
CHEERING AND APPLAUSE | 0:43:11 | 0:43:13 | |
It only remains for me to thank Sara, Bill, Richard and Alan. | 0:43:21 | 0:43:25 | |
I leave you with the last words of someone who was not | 0:43:25 | 0:43:27 | |
so much scraping the barrel as draining it. | 0:43:27 | 0:43:30 | |
Dylan Thomas's last triumphant uttering... | 0:43:30 | 0:43:33 | |
"I've had 18 straight whiskies, I think that's the record." | 0:43:33 | 0:43:37 | |
And then he died. Good night. | 0:43:37 | 0:43:40 | |
APPLAUSE | 0:43:40 | 0:43:42 |