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This programme contains some strong language | 0:00:02 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:28 | |
Goo-oo-oo-ood... | 0:00:30 | 0:00:32 | |
evening, good evening, good evening, good evening, | 0:00:32 | 0:00:35 | |
good evening, good evening, good evening, good evening and welcome | 0:00:35 | 0:00:38 | |
to QI, where tonight we'll be one massive, marvellous, molten mess. | 0:00:38 | 0:00:43 | |
And here's the mix. | 0:00:43 | 0:00:45 | |
The massive Noel Fielding... | 0:00:45 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
..the marvellous Eddie Kadi... | 0:00:51 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:55 | |
..the molten Sarah Millican... | 0:00:55 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:01:00 | |
..and who will clean up this mess? | 0:01:00 | 0:01:02 | |
Alan Davies. | 0:01:02 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
And let's hear your messy buzzers. | 0:01:07 | 0:01:11 | |
Noel goes... | 0:01:11 | 0:01:13 | |
GLASS SMASHES | 0:01:13 | 0:01:14 | |
Hmm. Eddie goes... | 0:01:15 | 0:01:17 | |
BUILDING COLLAPSES | 0:01:17 | 0:01:20 | |
Sarah goes... | 0:01:21 | 0:01:22 | |
CAR CRASHES | 0:01:22 | 0:01:26 | |
And Alan goes... | 0:01:26 | 0:01:27 | |
FOOTBALL CROWD CHEERS | 0:01:27 | 0:01:30 | |
LAUGHTER | 0:01:31 | 0:01:33 | |
Do you know what that was? | 0:01:33 | 0:01:35 | |
April 2010. | 0:01:35 | 0:01:37 | |
What's our theme? | 0:01:37 | 0:01:38 | |
Mess. | 0:01:38 | 0:01:39 | |
Lionel? | 0:01:39 | 0:01:40 | |
Lionel Messi. | 0:01:40 | 0:01:42 | |
Messi...scoring how many times against ARSENAL? | 0:01:42 | 0:01:45 | |
Oh, four. Four times. | 0:01:45 | 0:01:46 | |
Yes. | 0:01:46 | 0:01:47 | |
I'm afraid so. | 0:01:47 | 0:01:49 | |
CHEERING AND APPLAUSE | 0:01:49 | 0:01:50 | |
There you are. | 0:01:50 | 0:01:52 | |
Oh, dear! | 0:01:52 | 0:01:53 | |
Anyway, what's...the meaning of this mess of M words? | 0:01:53 | 0:01:58 | |
Just choose one as it passes by. | 0:01:58 | 0:02:01 | |
Oh, mumbudget is how much your mum's got in her purse. | 0:02:01 | 0:02:04 | |
So, is that literally the budget that your mum has? | 0:02:04 | 0:02:08 | |
Cos when I was growing up, I'd ask my mum for £10 | 0:02:08 | 0:02:11 | |
and she'll always be like, "I don't have £10, here's £1." | 0:02:11 | 0:02:14 | |
Right? If I asked her for £1, she'll give me 20 pence, | 0:02:14 | 0:02:17 | |
so I asked her for a million... | 0:02:17 | 0:02:19 | |
-Just to get it up. -Just to, yes, just to get it up. | 0:02:19 | 0:02:22 | |
And she slapped me. | 0:02:22 | 0:02:23 | |
Mumbudget is like keeping mum, it's to be silent about something. | 0:02:25 | 0:02:27 | |
You put the word budget after, like, there's a word fussbudget, | 0:02:27 | 0:02:31 | |
for example, which is someone who's very fussy. | 0:02:31 | 0:02:33 | |
"Oh, don't be such a fussbudget" was a Regency sort of word. | 0:02:33 | 0:02:35 | |
Munge! Monster Munge. | 0:02:35 | 0:02:37 | |
Monster Munge! | 0:02:37 | 0:02:39 | |
Munge is New Zealand for minge. | 0:02:39 | 0:02:41 | |
Oh, munge! | 0:02:41 | 0:02:43 | |
LAUGHTER | 0:02:43 | 0:02:45 | |
Oh, dear, horribly true. | 0:02:46 | 0:02:48 | |
Monarsenous. | 0:02:48 | 0:02:49 | |
Yeah, a single, er...crack. | 0:02:49 | 0:02:51 | |
Oh! | 0:02:51 | 0:02:52 | |
Mammock, the mixture of a mammoth and a hammock. | 0:02:53 | 0:02:57 | |
-SARAH: -It's a bra, it's a bra. -A useful one to sleep in. | 0:02:57 | 0:03:00 | |
-It's where... -A mammock? -It's where I hang my mammaries. -Oh, your mammary hammock, yes. A mammock. | 0:03:00 | 0:03:04 | |
-A maness is a woman. -Yes. | 0:03:04 | 0:03:06 | |
-Is a mormal...? -Is it? -Yes... -Is it? | 0:03:06 | 0:03:08 | |
-But what's surprising... -Is it?! -Yeah. -You got one right! | 0:03:08 | 0:03:12 | |
-I got one right, yeah. I'm going! -Is it actually? -Yes. | 0:03:12 | 0:03:15 | |
You might think that it was a recent word for a woman, a maness, | 0:03:15 | 0:03:19 | |
but actually it's 16th century. | 0:03:19 | 0:03:20 | |
Tudor, 1500s, maness. | 0:03:20 | 0:03:22 | |
-A man and a maness. -Yeah, a man... | 0:03:22 | 0:03:24 | |
-NOEL: -Mazology, the study of mazes. | 0:03:24 | 0:03:26 | |
BUZZER ALARM Oh, no! | 0:03:26 | 0:03:28 | |
The study of mazes. | 0:03:30 | 0:03:31 | |
Oh, you must be so stupid to get one of those go off! | 0:03:31 | 0:03:34 | |
-It's actually the study of mammals. -Oh! | 0:03:36 | 0:03:38 | |
-Mammals in zoology. -That live in mazes. | 0:03:38 | 0:03:41 | |
Mazology, yeah. | 0:03:41 | 0:03:42 | |
Mogi, mogi... | 0:03:42 | 0:03:43 | |
Is a mutton-monger like a Welsh person? No! | 0:03:43 | 0:03:45 | |
I'll get into trouble for that. | 0:03:48 | 0:03:49 | |
It could be a man with extreme sexual appetites can be called a mutton-monger. | 0:03:49 | 0:03:52 | |
-Oh, really? -So a Welshman, then. | 0:03:52 | 0:03:54 | |
I pulled it back, did you see? | 0:03:55 | 0:03:57 | |
Moley is someone who's like a mole, not actually a mole, | 0:03:57 | 0:04:00 | |
-but like a mole. -Is mole-y. -They're sort of moley. | 0:04:00 | 0:04:03 | |
Is a mournival like a really good funeral? | 0:04:03 | 0:04:06 | |
-Whoo! -APPLAUSE | 0:04:09 | 0:04:11 | |
I'll catch up with a moley - it's actually rather a grim thing. Wonderful there is a name for it. | 0:04:14 | 0:04:18 | |
1950s gangs, racecourse gangs and things | 0:04:18 | 0:04:22 | |
were often known as razor gangs, and razors were the weapon of choice. | 0:04:22 | 0:04:26 | |
People used to shave each other. | 0:04:26 | 0:04:29 | |
-They used to... -Their legs. | 0:04:29 | 0:04:31 | |
They used to conceal razors inside a potato. | 0:04:31 | 0:04:34 | |
-Oh, nice. -And they called it a moley. | 0:04:34 | 0:04:36 | |
-NOEL: -Oh... -EDDIE: -"I'll mole you!" | 0:04:36 | 0:04:38 | |
-They could keep it in their pocket without hurting themselves... -Wow. -..and then attack. | 0:04:38 | 0:04:41 | |
-Better than having it concealed in your sandwiches. -Well, yes, that would be horrible. | 0:04:41 | 0:04:45 | |
And what other words have we come up across? | 0:04:45 | 0:04:47 | |
A mugwump is when you put your biscuit in your tea | 0:04:47 | 0:04:51 | |
and half of it falls to the bottom. | 0:04:51 | 0:04:52 | |
Oh! That would be so useful as a word. | 0:04:52 | 0:04:55 | |
What about munge, is that a man with a vagina? | 0:04:55 | 0:04:57 | |
No, it's... | 0:04:57 | 0:04:58 | |
Is moggadored like if you're a cat lady? | 0:05:00 | 0:05:03 | |
I'm mog-adored. | 0:05:03 | 0:05:04 | |
Munge is actually a verb, and it's something mothers do, | 0:05:04 | 0:05:07 | |
but I don't know anybody else would do it, unless they were weird. | 0:05:07 | 0:05:10 | |
-I munge, you munge, we munge, they munge. -We munge, that's how verbs work. | 0:05:10 | 0:05:13 | |
They munge! | 0:05:13 | 0:05:15 | |
You've conjugated the verb "to munge" very nicely. | 0:05:15 | 0:05:18 | |
I have. | 0:05:18 | 0:05:19 | |
-Mothers... -I munge daily. -Yeah. | 0:05:19 | 0:05:21 | |
-I am munge... -I will have munged, would be future perfect. -Yes. | 0:05:21 | 0:05:24 | |
I could have munged. | 0:05:24 | 0:05:25 | |
-Could have munged, I might have munged, I may well have munged. -Yes. | 0:05:25 | 0:05:28 | |
I cannot remember if I munged or not. | 0:05:28 | 0:05:31 | |
-To munge is to wipe someone else's nose. -Wow. | 0:05:31 | 0:05:34 | |
-I did not munge. -You didn't munge. | 0:05:34 | 0:05:36 | |
I munge about every 15 minutes at home. | 0:05:36 | 0:05:39 | |
Mesopygion...mesopygion is interesting, | 0:05:39 | 0:05:41 | |
because you almost mentioned that. | 0:05:41 | 0:05:43 | |
-A mesopygion. -Mesopygion. | 0:05:43 | 0:05:45 | |
Mesopygion. | 0:05:45 | 0:05:46 | |
It sounds like you're doing yourself down, "Oh me-so-pygion." | 0:05:46 | 0:05:49 | |
Oh, mesopygion. Er... | 0:05:49 | 0:05:52 | |
Pyg, P-Y-G is buttocks in Greek, as in styrop, styropigus, | 0:05:52 | 0:05:56 | |
and beautiful fat buttocks, styropigus. | 0:05:56 | 0:05:58 | |
-And mesopygius is the crack between the buttocks. -Eso what? | 0:05:58 | 0:06:02 | |
It's your anal fissure, your anal fissure. | 0:06:02 | 0:06:05 | |
-That's what I call sexy times. -Did I say anal fisher? I'm an anal fisher. | 0:06:05 | 0:06:09 | |
A fissure. A fissure, I mean. | 0:06:09 | 0:06:12 | |
Yeah. | 0:06:12 | 0:06:13 | |
Not an anal fisher? | 0:06:13 | 0:06:14 | |
What else were we? | 0:06:14 | 0:06:16 | |
No, no, no. An anal angler. | 0:06:16 | 0:06:18 | |
Oh, dear. | 0:06:18 | 0:06:20 | |
-So, if you've got like an itch, you could be a mesopygion. -Yeah, that's right, yeah, you could. | 0:06:21 | 0:06:25 | |
-It's amazing. -Oh, it's all running down my mesopygion. -Yeah... | 0:06:25 | 0:06:29 | |
Yup, there it is. | 0:06:29 | 0:06:30 | |
-There's got to be a word for these things, hasn't there? It's good that it exists. -Yeah. | 0:06:30 | 0:06:34 | |
But you talked about mugwump earlier - "mugwump" is a word that most Americans would know, | 0:06:34 | 0:06:38 | |
because it has a historical place in American politics. | 0:06:38 | 0:06:41 | |
Mugwumps were Republicans who deserted the Republican Party | 0:06:41 | 0:06:44 | |
in the 1880s and voted Democrat. | 0:06:44 | 0:06:47 | |
Oh... | 0:06:47 | 0:06:48 | |
And so it means a turncoat, | 0:06:48 | 0:06:49 | |
-a political turncoat in American political discourse. -Wow. | 0:06:49 | 0:06:52 | |
That person must have been really angry, who decided that word. | 0:06:52 | 0:06:55 | |
-Well... -"Oh, they've gone to the other side, the mugwumps!" | 0:06:55 | 0:06:58 | |
-It's an Algonquin Indian word. -Mug-wump! | 0:06:58 | 0:07:01 | |
-It's Algonquin Indian. -Mugwump. | 0:07:01 | 0:07:03 | |
-Mullipuff? -Mullipuff. | 0:07:03 | 0:07:05 | |
It's a thoughtful... | 0:07:05 | 0:07:07 | |
Puff! | 0:07:07 | 0:07:08 | |
Steady! | 0:07:09 | 0:07:11 | |
-It's a contemptible... -It's an absolute minefield! | 0:07:11 | 0:07:14 | |
-It's a contemptible, despicable person, a mullipuff. -Is it? | 0:07:14 | 0:07:17 | |
Or it is a type of puffball fungus. | 0:07:17 | 0:07:19 | |
Yeah, there we are. | 0:07:19 | 0:07:21 | |
If you want to know what the rest mean, | 0:07:21 | 0:07:22 | |
go to... | 0:07:22 | 0:07:25 | |
It's a real site. | 0:07:26 | 0:07:28 | |
There's one last thing I'd like to mention from the list, though. | 0:07:28 | 0:07:31 | |
Mytacism, which we haven't commented on, it's an excessive use of the letter M. | 0:07:31 | 0:07:36 | |
Ah-h-h. | 0:07:36 | 0:07:37 | |
So, let's let the mytacism roll. | 0:07:37 | 0:07:39 | |
Name a politician with raw animal magnetism. | 0:07:39 | 0:07:43 | |
Oh...wow... | 0:07:43 | 0:07:44 | |
-Ed Miliband. -THEY LAUGH | 0:07:44 | 0:07:47 | |
No, but seriously. | 0:07:48 | 0:07:50 | |
THEY LAUGH | 0:07:50 | 0:07:52 | |
It's actually a politician long dead. | 0:07:52 | 0:07:55 | |
Animal magnetism - where did that phrase come from? | 0:07:55 | 0:07:57 | |
It's not actually an obvious or natural phrase. | 0:07:57 | 0:08:00 | |
It seems so to us, cos we use it all the time, | 0:08:00 | 0:08:03 | |
but why animal magnetism? | 0:08:03 | 0:08:05 | |
There's something charismatic about them physically, | 0:08:05 | 0:08:08 | |
-the way they move or look or do things. -Mmm. | 0:08:08 | 0:08:11 | |
It's not what they say, it's their aroma. | 0:08:11 | 0:08:13 | |
Is it the way... | 0:08:13 | 0:08:15 | |
Yeah, free spirit. | 0:08:15 | 0:08:17 | |
Yeah, is it the way like a gorilla can sometimes be sexy, | 0:08:17 | 0:08:19 | |
but you're not allowed to say that? | 0:08:19 | 0:08:21 | |
It's not banned in zoos to go, "I'd do that one, wouldn't you?" | 0:08:23 | 0:08:27 | |
-Where are we, is it American politicians? -No, we're back in the 19th century. | 0:08:28 | 0:08:32 | |
-19th century. -19th century, and... | 0:08:32 | 0:08:33 | |
-It'll be either Gladstone or Disraeli. -A German Austrian figure called Franz... -Franz. | 0:08:33 | 0:08:37 | |
..who achieved huge public recognition for what he claimed to do, | 0:08:37 | 0:08:41 | |
which involved using the magnetic fluids of people | 0:08:41 | 0:08:46 | |
to make them do things they didn't want to do. | 0:08:46 | 0:08:49 | |
And he coined the phrase "animal magnetism," | 0:08:49 | 0:08:51 | |
meaning a very basic, primal, human, magnetic quality. | 0:08:51 | 0:08:56 | |
And his name was Franz M... | 0:08:56 | 0:08:59 | |
M... | 0:08:59 | 0:09:01 | |
Magnet. | 0:09:01 | 0:09:02 | |
Mugwump. | 0:09:02 | 0:09:03 | |
M... | 0:09:03 | 0:09:04 | |
It's a word that means it's absolutely hypnotic | 0:09:04 | 0:09:07 | |
and amazing, I'm m... | 0:09:07 | 0:09:08 | |
Mesmerising. | 0:09:08 | 0:09:09 | |
Yes, and so his name was? | 0:09:09 | 0:09:10 | |
-Bobby Mesmeriser. -THEY LAUGH | 0:09:10 | 0:09:13 | |
I've already given you Frank...Franz, haven't I? | 0:09:15 | 0:09:17 | |
Franz Mesmer. | 0:09:17 | 0:09:19 | |
Franz Mesmer was his name. | 0:09:19 | 0:09:22 | |
-And he was the first great public figure to hypnotise. -Oh-h-h. | 0:09:22 | 0:09:27 | |
To use hypnosis. | 0:09:27 | 0:09:28 | |
Even the name's quite mesmerising. | 0:09:28 | 0:09:30 | |
It is, the name... | 0:09:30 | 0:09:31 | |
-GERMAN ACCENT: -"I am Bobby the Mesmeriser." | 0:09:31 | 0:09:34 | |
-Yeah. Forget the Bobby. -Frank, Franz. -Yeah. | 0:09:34 | 0:09:36 | |
-I like Bobby. -You prefer Bobby, OK. | 0:09:36 | 0:09:38 | |
-Yeah, cos you don't see it coming, do you? -No, you don't. | 0:09:38 | 0:09:41 | |
-"Hi, I'm Bobby." "Yeah, he's harmless." -Bobby Mesmer. -Where are the fluids, bodily fluids? | 0:09:41 | 0:09:45 | |
-The magnetic fluids? -Yeah. -It's nonsense, but that's what he claimed existed. -Oh. | 0:09:45 | 0:09:48 | |
He used what we would call basic hypnotic techniques, | 0:09:48 | 0:09:52 | |
but he claimed that he was exploiting these magnetic fluids, | 0:09:52 | 0:09:56 | |
which don't exist in the human body, | 0:09:56 | 0:09:58 | |
in order to sort of pull out the things that he could make people do. | 0:09:58 | 0:10:01 | |
-It's called Rohypnol now. -Yes, I'm afraid it is! | 0:10:01 | 0:10:05 | |
But plenty of people believed in what he did and said - | 0:10:05 | 0:10:08 | |
Coleridge, Marie Antoinette, Edgar Allan Poe, Mozart, Dickens, Conan Doyle, a lot of them. | 0:10:08 | 0:10:13 | |
Dickens liked to try and practise on a friend of his, | 0:10:13 | 0:10:16 | |
Madame de la Rue, and he once, on a train, with his wife, | 0:10:16 | 0:10:20 | |
was practising hypnotising on Madame de la Rue, and he wrote | 0:10:20 | 0:10:24 | |
that he "heard the sound of his wife's muff falling to the ground." | 0:10:24 | 0:10:27 | |
THEY LAUGH | 0:10:27 | 0:10:28 | |
Why are we laughing? | 0:10:30 | 0:10:31 | |
I think mine sometimes comes loose, but it's never hit the deck. | 0:10:31 | 0:10:34 | |
THEY LAUGH | 0:10:36 | 0:10:39 | |
Oh, dear. We might come back to muffs, I hope not, but we might. | 0:10:39 | 0:10:43 | |
What happened is, he hypnotised his wife into a trance by accident. | 0:10:43 | 0:10:47 | |
-And he heard a sound... -He heard the sound of her muff hitting the ground, | 0:10:47 | 0:10:51 | |
and he turned round and saw that she had been the one who'd been hypnotised, not Madame de la Rue. | 0:10:51 | 0:10:55 | |
So, his wife was...she just came in with a cup of tea, and, bang, gone. | 0:10:55 | 0:10:58 | |
Yes, exactly. | 0:10:58 | 0:10:59 | |
But the politician whom Coleridge characterised as having animal magnetism, | 0:10:59 | 0:11:04 | |
which was an insult, | 0:11:04 | 0:11:05 | |
was Pitt the Younger. | 0:11:05 | 0:11:06 | |
-He thought Pitt the Younger exhibited these traits of animal magnetism. -Wow. | 0:11:06 | 0:11:11 | |
In other words, that he somehow used some sort of force, or some | 0:11:11 | 0:11:15 | |
sort of power over people, in order to persuade them to his cause. | 0:11:15 | 0:11:19 | |
Yeah, and there were royal commissions to investigate it, especially in France, | 0:11:19 | 0:11:22 | |
Louis XVI set one up. | 0:11:22 | 0:11:24 | |
It was the first placebo-controlled trial in history. | 0:11:24 | 0:11:27 | |
They ruled that it had no basis in fact, | 0:11:27 | 0:11:30 | |
but nonetheless people continued to believe it. Yeah. | 0:11:30 | 0:11:33 | |
Pitt the Younger possessed raw animal magnetism, | 0:11:33 | 0:11:36 | |
at least according to Coleridge. | 0:11:36 | 0:11:38 | |
Now, here's an interesting effect - listen to this. | 0:11:38 | 0:11:40 | |
DISTORTED RECORDING OF SPEECH | 0:11:40 | 0:11:43 | |
What was being said? | 0:11:43 | 0:11:44 | |
Is that the Devil? | 0:11:44 | 0:11:46 | |
It was the Devil, but do you know what he was saying? | 0:11:46 | 0:11:48 | |
"I'm going to be late, put the dinner on." | 0:11:48 | 0:11:51 | |
Have another listen. | 0:11:51 | 0:11:52 | |
DISTORTED RECORDING OF SPEECH | 0:11:52 | 0:11:56 | |
Now... | 0:11:56 | 0:11:57 | |
Chances are you just didn't understand what it was saying, | 0:11:57 | 0:12:01 | |
but if you heard it said, clearly, | 0:12:01 | 0:12:03 | |
then listen again to that distorted sound. | 0:12:03 | 0:12:05 | |
And so this is what was being said. | 0:12:05 | 0:12:08 | |
-RECORDING: -'Try saying "blue whale" - that's bound to come up eventually.' | 0:12:08 | 0:12:11 | |
DISTORTED RECORDING OF SAME SPEECH | 0:12:11 | 0:12:14 | |
LAUGHTER | 0:12:14 | 0:12:15 | |
-Isn't it extraordinary? -Wow! -Hear that again... | 0:12:15 | 0:12:18 | |
-RECORDING: -'Try saying "blue whale" - that's bound to come up eventually.' | 0:12:18 | 0:12:21 | |
DISTORTED RECORDING OF SAME SPEECH | 0:12:21 | 0:12:23 | |
-EDDIE: -Yeah! -You really can hear it, can't you? | 0:12:23 | 0:12:25 | |
-Sounds like he's saying it with a cold. -You're right! | 0:12:25 | 0:12:28 | |
It's amazing what the human brain can process. | 0:12:28 | 0:12:31 | |
But it needs a little bit of information - | 0:12:31 | 0:12:33 | |
from that apparently random sound that you thought you could never, ever understand, | 0:12:33 | 0:12:37 | |
once you're told what it is, you can instantly imprint the structure of it. | 0:12:37 | 0:12:41 | |
It's amazing, I think. Phenomenal, phenomenal! | 0:12:41 | 0:12:44 | |
What's the most inappropriate thing beginning with M that the Pope has kissed? | 0:12:44 | 0:12:49 | |
LOUD CRASH Yes, Sarah Millican? | 0:12:49 | 0:12:50 | |
My breasts. | 0:12:50 | 0:12:52 | |
Well, this has come as a shock to me, tell the story, where were you? | 0:12:53 | 0:12:56 | |
That's it, he just, he sort of fell. | 0:12:56 | 0:12:59 | |
He fell on your breasts? | 0:12:59 | 0:13:00 | |
I was in, like, WH Smith's, and... | 0:13:00 | 0:13:03 | |
He'd come in to bless some Bibles or something, | 0:13:04 | 0:13:06 | |
and he just tripped on, cos the carpet was...and...and I had | 0:13:06 | 0:13:10 | |
-a low-cut top and I don't wear one for QI, because it feels disrespectful. -Yes. | 0:13:10 | 0:13:13 | |
But I normally have them out, and he just landed, | 0:13:13 | 0:13:16 | |
and cos his natural inclination is to kiss things, | 0:13:16 | 0:13:19 | |
-he just kissed them. -Wow! | 0:13:19 | 0:13:20 | |
What was his reaction? | 0:13:20 | 0:13:22 | |
Did he like it? | 0:13:22 | 0:13:23 | |
He was pleased. | 0:13:23 | 0:13:25 | |
-Did he, did he go, "Mmmm"? -No, he was too polite for that, | 0:13:27 | 0:13:29 | |
but I could see a little glint in his eye. | 0:13:29 | 0:13:31 | |
THEY LAUGH | 0:13:31 | 0:13:33 | |
There's been a rapid succession of pontiffs in the last ten years or so. | 0:13:33 | 0:13:37 | |
So was this John Paul II, was it Benedict...? | 0:13:37 | 0:13:40 | |
I can't tell them apart. | 0:13:40 | 0:13:41 | |
THEY LAUGH | 0:13:41 | 0:13:43 | |
Well, this is... | 0:13:43 | 0:13:45 | |
-It would help if they wore different outfits, but they're always in the same dress. -They are! | 0:13:45 | 0:13:49 | |
Anyway, a merkin, what's a merkin? | 0:13:50 | 0:13:53 | |
-It's a pubic wig. -A pubic wig. -Yes. | 0:13:53 | 0:13:55 | |
Could a Pope kiss a pubic wig? Is it likely? | 0:13:55 | 0:13:59 | |
-If he was drunk enough. -THEY LAUGH | 0:13:59 | 0:14:01 | |
-On communion wine. -Had he tripped in a different way. | 0:14:01 | 0:14:04 | |
Well, we're going back to the 17th century. | 0:14:04 | 0:14:06 | |
-And it was a rather... -If it was a tall lady. | 0:14:06 | 0:14:08 | |
I think you're going to like this man. | 0:14:08 | 0:14:10 | |
There's an English... | 0:14:10 | 0:14:12 | |
English highwayman called Captain Dick Dudley. | 0:14:12 | 0:14:16 | |
Dicky Dudley! | 0:14:16 | 0:14:17 | |
Dick Dudley. I think you're going to like Dick Dudley. | 0:14:17 | 0:14:20 | |
He was hiding in Rome, | 0:14:20 | 0:14:21 | |
and while he was hiding from the law enforcement officers, | 0:14:21 | 0:14:24 | |
he bought a dead prostitute's pubic wig, | 0:14:24 | 0:14:27 | |
a merkin, from an anatomist. | 0:14:27 | 0:14:30 | |
"He dried it well and combed it out," that's in inverted commas | 0:14:30 | 0:14:34 | |
cos it's a quotation, "and sold it to the Pope." | 0:14:34 | 0:14:37 | |
-There they are, there's a selection of them. -Wow! | 0:14:37 | 0:14:39 | |
I like the one on the bottom right. | 0:14:39 | 0:14:41 | |
-That's excellent. -Yes, nice curls. | 0:14:41 | 0:14:43 | |
Yeah. That's had a perm, that one. | 0:14:43 | 0:14:46 | |
-So, this was Ann Summers back in the day. -Yeah. -Kind of. | 0:14:46 | 0:14:49 | |
My goodness. | 0:14:49 | 0:14:51 | |
He sold it to the Pope, it could have been Clement X or Innocent XI, | 0:14:51 | 0:14:55 | |
as a piece of St Peter's beard. | 0:14:55 | 0:14:57 | |
THEY LAUGH | 0:15:00 | 0:15:01 | |
And... | 0:15:01 | 0:15:03 | |
THEY LAUGH | 0:15:03 | 0:15:05 | |
Oh, well done, him! | 0:15:05 | 0:15:06 | |
Popes like relics. He's a great man, I like Dick Dudley. | 0:15:06 | 0:15:08 | |
Pope Gullible IV. | 0:15:08 | 0:15:10 | |
Yeah! Exactly! THEY LAUGH | 0:15:10 | 0:15:12 | |
-"A beard, you say? Hmm." -THEY LAUGH | 0:15:12 | 0:15:14 | |
"St Peter's!" | 0:15:14 | 0:15:15 | |
Exactly, Alan, the Pope put it on his mouth, kissed it multiple times | 0:15:17 | 0:15:21 | |
and appeared to be thrilled with his purchase. | 0:15:21 | 0:15:23 | |
Dick was paid 100 ducats, and he immediately skedaddled it | 0:15:23 | 0:15:26 | |
out of Rome before anybody caught up with him, called his muff...bluff! | 0:15:26 | 0:15:30 | |
LAUGHTER | 0:15:30 | 0:15:32 | |
Wow. | 0:15:32 | 0:15:33 | |
But they've existed in Britain as pubic wigs since the 14th century, at least. | 0:15:33 | 0:15:38 | |
And were especially useful for women who'd lost their pubic hair due to...? | 0:15:38 | 0:15:42 | |
-Disease. -Waxing? -Yes, syphilis. Through what? | 0:15:43 | 0:15:46 | |
-Waxing. -Waxing. No! HE LAUGHS | 0:15:46 | 0:15:48 | |
That picture looks like the sun if it forgot to shave. | 0:15:48 | 0:15:51 | |
Yes, it does rather, doesn't it? | 0:15:51 | 0:15:53 | |
-Or Mick Hucknall. -Hipster sun. | 0:15:53 | 0:15:55 | |
You have to get up early to catch the sun unshaven. | 0:15:55 | 0:15:59 | |
Anyway, when in Rome, don't kiss St Peter's beard, | 0:16:01 | 0:16:03 | |
you don't know where it's been. | 0:16:03 | 0:16:05 | |
What did Marie Antoinette keep in her muff? | 0:16:06 | 0:16:08 | |
-Cake. -BUZZER ALARM | 0:16:09 | 0:16:11 | |
Oh! | 0:16:11 | 0:16:13 | |
-We were there before you, Eddie, I'm sorry. -Welcome. | 0:16:13 | 0:16:16 | |
Yeah, welcome to our world, exactly. | 0:16:16 | 0:16:18 | |
I told you we'd return to muffs, and here we have with a vengeance. | 0:16:19 | 0:16:22 | |
What did people keep in muffs? What did women keep in muffs? | 0:16:22 | 0:16:25 | |
There was a particular thing, a fashionable accessory. | 0:16:25 | 0:16:29 | |
Mirror. | 0:16:29 | 0:16:30 | |
-A living, moving accessory. -Ooh. | 0:16:30 | 0:16:32 | |
A hamster? | 0:16:32 | 0:16:34 | |
Maybe that just WAS the muff. | 0:16:35 | 0:16:37 | |
Well, you know what Chinese people kept in their large sleeves? | 0:16:37 | 0:16:40 | |
A crocodile. | 0:16:40 | 0:16:41 | |
A wild guess, and I wish it were correct, it's... | 0:16:43 | 0:16:46 | |
-A duck. -Not a duck. | 0:16:46 | 0:16:48 | |
-That's what Pekingese dogs were bred for. -A dog. | 0:16:48 | 0:16:51 | |
-Yeah, so dogs. -In their sleeves? -Yeah. | 0:16:51 | 0:16:53 | |
But the muffs, which were sometimes known as snuffkins in England, | 0:16:53 | 0:16:58 | |
were worn by both men and women, not just women. | 0:16:58 | 0:17:00 | |
-King Louis XIV had muffs made of tiger, panther, otter and beaver skins. -Wow. | 0:17:00 | 0:17:06 | |
In his diary, Samuel Pepys reported that, | 0:17:06 | 0:17:08 | |
"This day I did first wear a muff, being my wife's last year's muff." | 0:17:08 | 0:17:12 | |
SARAH LAUGHS MANICALLY | 0:17:14 | 0:17:16 | |
All right... The Marquis de Sade, who was imprisoned in the Bastille, | 0:17:16 | 0:17:19 | |
of course, had letters smuggled in by his wife, | 0:17:19 | 0:17:21 | |
which she kept in her muff. | 0:17:21 | 0:17:23 | |
LAUGHTER | 0:17:23 | 0:17:24 | |
Now, come on. If I say muff enough, it's... | 0:17:24 | 0:17:26 | |
Can you just control yourselves?! | 0:17:26 | 0:17:28 | |
YOU don't...you, how... | 0:17:28 | 0:17:30 | |
Well, I haven't said anything about the vagina for four minutes! | 0:17:30 | 0:17:33 | |
There's a marvellous woman called Celestine Galli-Marie, | 0:17:36 | 0:17:39 | |
who was the first woman to play Carmen. | 0:17:39 | 0:17:41 | |
-She always kept a marmoset in her muff. -Of course she did. | 0:17:41 | 0:17:45 | |
So, there you are. There's a lot of... | 0:17:47 | 0:17:50 | |
-Where else are you going to put it? -Yeah, exactly, there's fun to be had from muffs. | 0:17:50 | 0:17:53 | |
Muffs were once used to store dogs. Muff said. | 0:17:53 | 0:17:56 | |
Now, for a question about meteorology. | 0:17:56 | 0:17:59 | |
Why did the inventor of the weather forecast think that dinosaurs had died out? | 0:17:59 | 0:18:03 | |
Maybe he loved dinosaurs, right? He loved them so much | 0:18:05 | 0:18:08 | |
-he wished he could actually let them know before the weather changed and killed them off. -Yeah. | 0:18:08 | 0:18:12 | |
And he started going, "Do you know what? I'm going to resist this happening again, | 0:18:12 | 0:18:16 | |
"I'm creating the weather forecast, just in case dinosaurs come back and they need it." | 0:18:16 | 0:18:20 | |
Here's a man who had... | 0:18:20 | 0:18:21 | |
..an extraordinary and brilliant idea, | 0:18:23 | 0:18:26 | |
and he had an incredibly stupid idea. | 0:18:26 | 0:18:29 | |
But the world believed his stupid idea, | 0:18:29 | 0:18:32 | |
but laughed derisively at his good idea. | 0:18:32 | 0:18:36 | |
His name was FitzRoy and he invented the weather forecast | 0:18:37 | 0:18:39 | |
and said he could forecast the weather, given, you know, enough knowledge of the variables. | 0:18:39 | 0:18:43 | |
And people laughed him to scorn. | 0:18:43 | 0:18:45 | |
But then he said, "I know why dinosaurs died out. | 0:18:47 | 0:18:51 | |
"Because they were too big to fit onto Noah's Ark." | 0:18:51 | 0:18:55 | |
And people said, "That's a brilliant point, you're right." | 0:18:55 | 0:18:58 | |
And that's true. He was genuinely respected for thinking that. | 0:18:59 | 0:19:03 | |
-And that is rubbish because that ark was huge, wasn't it? -Yeah, that's right. | 0:19:03 | 0:19:06 | |
It's because Tyrannosaurus Rex's arms were so small, | 0:19:06 | 0:19:08 | |
they couldn't get the umbrella over their head. | 0:19:08 | 0:19:11 | |
And he... | 0:19:11 | 0:19:13 | |
I'm sure Noah would have factored that in, wouldn't he? | 0:19:13 | 0:19:15 | |
Noah would have had a whole... dinosaur section, it's absurd. | 0:19:15 | 0:19:18 | |
You seem to be buying into this whole Noah's Ark idea. | 0:19:18 | 0:19:21 | |
Was there a weather forecast? | 0:19:21 | 0:19:23 | |
The dinosaurs said, "No, no, we'll stay, I'm sure it'll be fine." | 0:19:23 | 0:19:27 | |
They're just really positive. | 0:19:27 | 0:19:28 | |
-They were deluded. -They were very sort of optimistic. | 0:19:28 | 0:19:31 | |
And when the flood came they thought, "Oh, shit, actually it's much worse than we thought." | 0:19:31 | 0:19:35 | |
I've just got the image now of a weather...cave weatherman doing the weather... | 0:19:35 | 0:19:38 | |
-I don't know why there'd be a cave weatherman. -..on a cave, and then | 0:19:38 | 0:19:41 | |
all the dinosaurs sort of gathering round to see the pollen count. | 0:19:41 | 0:19:44 | |
FitzRoy, does the name mean anything to you, in terms of natural history? | 0:19:46 | 0:19:49 | |
A bastard. | 0:19:49 | 0:19:50 | |
He was perhaps best known for being the guy in charge of the Beagle. | 0:19:50 | 0:19:54 | |
-He was a friend of Darwin's. -Oh. | 0:19:54 | 0:19:56 | |
But despite being a friend of Darwin's, he didn't believe anything Darwin said. | 0:19:56 | 0:20:00 | |
In fact, he was outraged by Darwin's Theory of Evolution, because Darwin didn't take into account... | 0:20:00 | 0:20:04 | |
"Oh, Charles, for God's sake, they just didn't have enough room on the Ark for them!" | 0:20:04 | 0:20:08 | |
Yeah, exactly. THEY LAUGH | 0:20:08 | 0:20:10 | |
Basically, that's what he tried... | 0:20:11 | 0:20:13 | |
"Oh, yadda, yadda, yadda, Charles! | 0:20:13 | 0:20:16 | |
"I'm telling you, it's going to rain in the morning." | 0:20:16 | 0:20:18 | |
"Oh, don't be ridiculous, FitzRoy!" | 0:20:18 | 0:20:20 | |
THEY LAUGH | 0:20:20 | 0:20:23 | |
"You can't possibly know that." | 0:20:23 | 0:20:24 | |
"I'm telling you, it is!" | 0:20:24 | 0:20:26 | |
-Well, it was 20 years... -What a pair! -They were a pair. | 0:20:26 | 0:20:29 | |
20 years after the Beagle, he started his weather forecasting, | 0:20:29 | 0:20:33 | |
and actually it did catch on, despite the initial scepticism. | 0:20:33 | 0:20:35 | |
In fact, even Queen Victoria used to send word round | 0:20:35 | 0:20:38 | |
asking what sort of crossing she'd get to the Isle of Wight. | 0:20:38 | 0:20:41 | |
He lived in Norwood and he would send a message saying, "It'll be windy." | 0:20:41 | 0:20:45 | |
Lived in Norwood! That's funny to me. | 0:20:45 | 0:20:46 | |
-It is, I know. Only Victorians lived in Norwood. -Norwood. | 0:20:46 | 0:20:49 | |
Maybe Norwood was quite nice then, but, Christ, it's a khazi. | 0:20:49 | 0:20:52 | |
His first ever weather forecast, it was in the Times, | 0:20:53 | 0:20:56 | |
and was four words. | 0:20:56 | 0:20:57 | |
"Moderate, westerly wind, fine." | 0:20:57 | 0:21:00 | |
I thought you were going say, "Bloody pissing down." | 0:21:01 | 0:21:04 | |
Well, there you are. | 0:21:06 | 0:21:07 | |
The word "meteorology" comes from the Greek for "things high up," | 0:21:07 | 0:21:11 | |
and in terms of high up, | 0:21:11 | 0:21:12 | |
they used to use frogs for telling the weather forecast. | 0:21:12 | 0:21:15 | |
They built them little ladders and put them in a jar. | 0:21:15 | 0:21:18 | |
-Of course they did. -And they thought if they went up the ladder, it was going to be fine. | 0:21:18 | 0:21:22 | |
If they went down the ladder, it was going to be a bit wet. | 0:21:22 | 0:21:25 | |
Giving you the idea of it. OK. | 0:21:25 | 0:21:27 | |
Did frogs... Did frogs even know what ladders were? | 0:21:27 | 0:21:30 | |
I don't think they have to know what they are, do they? | 0:21:31 | 0:21:34 | |
-Did they just like...? -They just have to have the instinct to climb. | 0:21:34 | 0:21:37 | |
-So, it could have been anything, didn't have to be ladders. -It didn't have to be. | 0:21:37 | 0:21:40 | |
"Where's the frog?" "He's halfway up." "But which way is he looking?" "He's looking down." | 0:21:40 | 0:21:44 | |
Just say, "Scattered showers, scattered showers." | 0:21:44 | 0:21:47 | |
-I think you're right. -"Sunny spells. Sunny spells." | 0:21:50 | 0:21:52 | |
Just do a cloud with a bit of the sun, half the sun. | 0:21:52 | 0:21:55 | |
What if it was foggy? | 0:21:56 | 0:21:58 | |
"He's gone on an escalator, it's foggy." | 0:21:58 | 0:22:00 | |
-Maybe he was trying to get out the top. -Yeah. That's what he's trying to do. -He's trying to escape. | 0:22:02 | 0:22:06 | |
One day, the ladder's right up to the top and the frog's fucked off, | 0:22:06 | 0:22:10 | |
and then what's going to happen? | 0:22:10 | 0:22:11 | |
Left a note, "I've no idea what the weather's going to be like. | 0:22:11 | 0:22:15 | |
"I'm out of here." | 0:22:15 | 0:22:17 | |
I'm out of this game. | 0:22:17 | 0:22:19 | |
APPLAUSE | 0:22:19 | 0:22:20 | |
There we have it. | 0:22:20 | 0:22:22 | |
That's right, the father of meteorology thought that | 0:22:23 | 0:22:26 | |
the dinosaurs were too big for Noah's Ark. | 0:22:26 | 0:22:29 | |
When does the weekend start? | 0:22:29 | 0:22:31 | |
-Here! -Here! | 0:22:31 | 0:22:33 | |
BUZZER ALARM | 0:22:33 | 0:22:34 | |
Nooo! | 0:22:34 | 0:22:36 | |
Oh, Alan, wrong. | 0:22:38 | 0:22:40 | |
THEY LAUGH | 0:22:40 | 0:22:42 | |
I'm speaking in what historians use as that rather annoying present tense, that they say, | 0:22:42 | 0:22:47 | |
"And the World War starts in 1914," | 0:22:47 | 0:22:50 | |
and the weekend starts... | 0:22:50 | 0:22:52 | |
In other words, it's historian's past tense... | 0:22:52 | 0:22:54 | |
No, the one that I really hate is the columnists, | 0:22:54 | 0:22:56 | |
when they're going somewhere, | 0:22:56 | 0:22:58 | |
and they always put, "To the awards at the Dorchester..." | 0:22:58 | 0:23:00 | |
Oh, yes. So annoying, isn't it? | 0:23:00 | 0:23:02 | |
Also being "caught up" - they interview someone and say, | 0:23:02 | 0:23:05 | |
"I finally caught up with him in the rehearsal rooms of..." | 0:23:05 | 0:23:09 | |
You didn't catch up with him, you arranged to meet, precisely there. | 0:23:09 | 0:23:13 | |
This idea that you were running round going, "Where is he? | 0:23:13 | 0:23:15 | |
"I'm going to catch up with him!" | 0:23:15 | 0:23:17 | |
-But a worse one than that... -Preposterous! | 0:23:17 | 0:23:19 | |
I gave an interview to a journalist once who was late, wasn't his fault, but he was late, | 0:23:19 | 0:23:23 | |
and I said to him, "Are you going to have enough? You've got to write quite a lot." | 0:23:23 | 0:23:26 | |
And he said, "Oh, I don't know..." | 0:23:26 | 0:23:28 | |
I said, "If you think of anything you wanted to ask me, just give me a ring and we'll..." | 0:23:28 | 0:23:32 | |
So he rang me the next day, and he left a message, and I rang him back. | 0:23:32 | 0:23:35 | |
Anyway, when they put the article in the magazine, they put, | 0:23:35 | 0:23:38 | |
"A few days after this interview, Davies calls me..." | 0:23:38 | 0:23:40 | |
STEPHEN GASPS | 0:23:40 | 0:23:41 | |
What ch... | 0:23:41 | 0:23:42 | |
-"He wants to talk about the gig I saw him do at such-and-such a venue..." -What?! | 0:23:42 | 0:23:45 | |
"It's playing on his..." I didn't fucking call you! | 0:23:45 | 0:23:48 | |
LAUGHTER | 0:23:48 | 0:23:49 | |
You were late, you useless shitbag! | 0:23:51 | 0:23:53 | |
Like I was desperate, I was so... | 0:23:56 | 0:23:57 | |
Pacing about thinking, "Oh, my God, I'd better call him about the gig." | 0:23:57 | 0:24:01 | |
"Davies calls me"! | 0:24:01 | 0:24:02 | |
"Davies calls me and climbs halfway up the ladder." | 0:24:02 | 0:24:05 | |
"Looks like rain again." | 0:24:06 | 0:24:07 | |
Ohh, dear. | 0:24:07 | 0:24:09 | |
"A few days later, Davies punches me in the face." | 0:24:09 | 0:24:12 | |
-Hashtag #celebrityproblems. -Yeah. | 0:24:15 | 0:24:17 | |
Erm... It's... | 0:24:17 | 0:24:18 | |
It's 15 years ago, it still pisses me off! | 0:24:18 | 0:24:21 | |
THEY LAUGH | 0:24:21 | 0:24:24 | |
APPLAUSE | 0:24:24 | 0:24:26 | |
Oh, dear! | 0:24:26 | 0:24:28 | |
So, yeah, the weekend starting now. | 0:24:28 | 0:24:30 | |
Well, it is actually a fairly modern concept... | 0:24:30 | 0:24:33 | |
-Is it? -..ish, yeah. | 0:24:33 | 0:24:34 | |
Yeah, in The Ragged-Trousered Philanthropists, | 0:24:34 | 0:24:38 | |
they work six days a week, they don't work on Sunday, of course. | 0:24:38 | 0:24:41 | |
And then they have one day's holiday a year. | 0:24:41 | 0:24:44 | |
-Yeah. -And they go on a beano to Margate | 0:24:44 | 0:24:46 | |
-and get completely wankered. -Mmm. | 0:24:46 | 0:24:48 | |
Magnificent work. It is a great... | 0:24:49 | 0:24:51 | |
-No, it is a great novel, it's a truly great novel. -Brilliant book. | 0:24:51 | 0:24:54 | |
Robert Tressell wrote that, didn't he, just after the invention, if you like, of the weekend. | 0:24:54 | 0:24:58 | |
Before, for 300 years at least, | 0:24:58 | 0:25:00 | |
there'd been what was known as Saint Monday, | 0:25:00 | 0:25:03 | |
which was very much a holy day for workers on which they didn't work. | 0:25:03 | 0:25:07 | |
-Like a bank holiday. -Yeah, every Monday. | 0:25:07 | 0:25:10 | |
It started in the 17th century, | 0:25:10 | 0:25:11 | |
you spent Monday with friends drinking and socialising. | 0:25:11 | 0:25:14 | |
I always feel slightly cheated if it's a bank holiday | 0:25:14 | 0:25:17 | |
and I haven't realised. About 12 o'clock, Spartacus comes on | 0:25:17 | 0:25:20 | |
and I go, "There's no-one on the streets." | 0:25:20 | 0:25:22 | |
THEY LAUGH | 0:25:22 | 0:25:24 | |
"Spartacus is on. It's got to be a bank holiday." | 0:25:24 | 0:25:27 | |
I have to phone my friends with jobs and go, "Is it a bank holiday?" | 0:25:27 | 0:25:30 | |
"Yeah, it is." | 0:25:30 | 0:25:32 | |
"Never had a job, you dick." | 0:25:32 | 0:25:34 | |
Yeah, after the Industrial Revolution introduced regular working hours, | 0:25:36 | 0:25:40 | |
factory workers adapted by routinely taking Monday off. | 0:25:40 | 0:25:43 | |
Those who DID turn up to work on Monday usually got sent home from factories | 0:25:43 | 0:25:47 | |
-cos there weren't enough people manning the machines. -Wow. | 0:25:47 | 0:25:49 | |
-Yeah, surprising, isn't it? -But a lot of people are still playing into that culture. | 0:25:49 | 0:25:53 | |
Yes, they are! | 0:25:53 | 0:25:54 | |
But, yeah, the weekend was introduced as a compromise from employers | 0:25:54 | 0:25:58 | |
to overcome this Saint Monday business, and they gave... | 0:25:58 | 0:26:01 | |
-Half of Saturday was off. -Half of Saturday. | 0:26:01 | 0:26:04 | |
-And that's why football was a big thing. -Yes, that's exactly right. | 0:26:04 | 0:26:07 | |
Because football was three o'clock on a Saturday afternoon, so the factories would empty and... | 0:26:07 | 0:26:11 | |
Then they had Sunday off, so they had a day and a half that just became the weekend, | 0:26:11 | 0:26:15 | |
and then that slowly became the whole Saturday. | 0:26:15 | 0:26:17 | |
And that's why Saturday night became the big boozy night, | 0:26:17 | 0:26:19 | |
-cos you couldn't drink on a Sunday cos of God. -Mmm, that's right. | 0:26:19 | 0:26:22 | |
-God was inflicted on people as a punishment for trying to have a nice time on their day off. -Precisely! | 0:26:22 | 0:26:27 | |
"No, no, no, you've got to think about God, dress up and..." | 0:26:28 | 0:26:31 | |
Yeah. Thing is... | 0:26:31 | 0:26:33 | |
LAUGHTER | 0:26:33 | 0:26:34 | |
-I don't think that's... -Shops weren't open until 1994. | 0:26:34 | 0:26:36 | |
-Those were the days. -Cor! | 0:26:36 | 0:26:38 | |
Those were the days, when you couldn't get bread or milk, | 0:26:38 | 0:26:41 | |
I used to love those days. | 0:26:41 | 0:26:42 | |
Yes, thank God it's Friday, | 0:26:42 | 0:26:44 | |
but thank Saint Monday that you get the weekends off. | 0:26:44 | 0:26:47 | |
Now, I'm going to do something with my mouth. | 0:26:47 | 0:26:49 | |
What do you think? | 0:26:49 | 0:26:51 | |
HE INHALES TWICE | 0:26:51 | 0:26:53 | |
Yes or no? | 0:26:53 | 0:26:54 | |
Er, yes. | 0:26:54 | 0:26:55 | |
Yes is right. | 0:26:55 | 0:26:57 | |
-Oh, phew! -That was yes. | 0:26:57 | 0:26:59 | |
THEY LAUGH | 0:26:59 | 0:27:00 | |
Well done. | 0:27:01 | 0:27:02 | |
In the Swedish town of Umea, that is "yes," to go... | 0:27:02 | 0:27:05 | |
HE INHALES TWICE | 0:27:05 | 0:27:06 | |
Which you can sort of do in English, going... | 0:27:06 | 0:27:08 | |
RAPIDLY INHALES: "Yeah, yeah, yeah..." | 0:27:08 | 0:27:10 | |
-Oh, that's their way of saying yes? -Yeah, their way of saying yes. | 0:27:10 | 0:27:13 | |
What's interesting is the idea that there may or may not be | 0:27:13 | 0:27:16 | |
a universal way of signalling yes or no. | 0:27:16 | 0:27:19 | |
Darwin was very interested in the idea, | 0:27:19 | 0:27:21 | |
and he looked all over the world to the different cultures to see | 0:27:21 | 0:27:24 | |
whether they nodded and shook for yes and no. | 0:27:24 | 0:27:27 | |
Mostly, it seems that nodding for yes and shaking for no... | 0:27:27 | 0:27:31 | |
Shaking for Timotei. | 0:27:31 | 0:27:33 | |
Yeah, indeed, in the middle. | 0:27:33 | 0:27:35 | |
And nodding for dandruff. | 0:27:35 | 0:27:36 | |
But there's a reason, some people think, | 0:27:36 | 0:27:38 | |
why it may be that there's a "yes" and a "no." | 0:27:38 | 0:27:41 | |
The babies, if you offer them food and they don't want it, | 0:27:41 | 0:27:43 | |
-what do they do? -Yeah, they... | 0:27:43 | 0:27:45 | |
They turn their head away, they do that. | 0:27:45 | 0:27:47 | |
It's a shaking of the head, if you like, a kind of... | 0:27:47 | 0:27:49 | |
-I never do that. -And if they want... No! | 0:27:49 | 0:27:52 | |
If they want food... | 0:27:52 | 0:27:55 | |
LAUGHTER | 0:27:55 | 0:27:56 | |
Oh, dear! | 0:27:56 | 0:27:58 | |
..they incline their heads if they want food. | 0:27:59 | 0:28:02 | |
They seem to incline their heads, generally speaking, around the world. | 0:28:02 | 0:28:05 | |
Is it, do you know, well, you grew up in Democratic Republic of Congo, | 0:28:05 | 0:28:08 | |
is there a "yes" and "no" head-shaking thing? | 0:28:08 | 0:28:11 | |
You know, my friend was in Ethiopia, | 0:28:11 | 0:28:13 | |
and she said she was at a restaurant, | 0:28:13 | 0:28:15 | |
and the guy was asking, "What foods do you have?" | 0:28:15 | 0:28:17 | |
-And he just kept going... -HE SQUEAKS | 0:28:17 | 0:28:19 | |
-"Do you have any...?" -HE SQUEAKS | 0:28:19 | 0:28:21 | |
So she's like, "I think he's having a panic attack!" | 0:28:21 | 0:28:23 | |
He goes, "No, they've got everything on the list." | 0:28:23 | 0:28:25 | |
-Literally, that was yes, their way of saying yes was... -HE SQUEAKS | 0:28:25 | 0:28:28 | |
But in Africa in general, including Congo, | 0:28:28 | 0:28:31 | |
we have sound effects that we use. | 0:28:31 | 0:28:33 | |
You know, your mum, when she's going, "Ah-ha!", | 0:28:33 | 0:28:35 | |
it means she's agreeing. | 0:28:35 | 0:28:36 | |
When she goes, "Ah-ah!" it means she doesn't want it. | 0:28:36 | 0:28:39 | |
So, Dad will be like, "Darling, did you, you know, put the kids to bed?" | 0:28:39 | 0:28:43 | |
And she's like, "Ah-ha." | 0:28:43 | 0:28:45 | |
"So can you put me to bed?" "Ah-ah!" | 0:28:45 | 0:28:47 | |
-Very dramatic. -And it literally is that, you see, | 0:28:47 | 0:28:49 | |
you'll see a lot of Africans, when they're talking, it's like, | 0:28:49 | 0:28:52 | |
"Ah-ah! Ah-ha!" "Ehh?" "Ohh!" "Ah-haaa!" | 0:28:52 | 0:28:55 | |
LAUGHTER | 0:28:55 | 0:28:57 | |
It looks like an argument, | 0:28:57 | 0:28:58 | |
but they're having the most pleasant conversation. | 0:28:58 | 0:29:00 | |
You mentioned Ethiopia there, cos actually, Darwin, one of the peoples he looked into were the Abyssinians, | 0:29:02 | 0:29:06 | |
as they were then called, and they apparently said "no" by jerking the head to the right shoulder | 0:29:06 | 0:29:11 | |
and making a slight cluck... HE CLUCKS HIS TONGUE | 0:29:11 | 0:29:13 | |
..while "yes" was expressed by the head being thrown backwards and the eyebrows raised for an instant. | 0:29:13 | 0:29:18 | |
But it's Bulgaria where the opposite is true, | 0:29:18 | 0:29:21 | |
that a nod means "no" and a head-shake means "yes." | 0:29:21 | 0:29:24 | |
What about if you're patting your head and rubbing your tummy? | 0:29:24 | 0:29:26 | |
What does that mean? | 0:29:26 | 0:29:28 | |
Too much time on your hands. | 0:29:29 | 0:29:31 | |
It means, "I'm available but don't touch me." | 0:29:31 | 0:29:34 | |
LAUGHTER | 0:29:34 | 0:29:35 | |
Now, why do you never see a mongoose and a rat together? | 0:29:35 | 0:29:39 | |
-Same person. -Yeah. | 0:29:39 | 0:29:41 | |
BUZZER ALARM | 0:29:41 | 0:29:42 | |
Oh! Oh, no! | 0:29:45 | 0:29:48 | |
It was too good to be punished, I'm so sorry. | 0:29:48 | 0:29:52 | |
-That's really sad. SARAH: -Do they just not get on? | 0:29:52 | 0:29:54 | |
Well, we're talking about their lifestyles. | 0:29:54 | 0:29:56 | |
Yeah. | 0:29:56 | 0:29:57 | |
One is day, one is night? | 0:29:57 | 0:29:59 | |
Exactly. | 0:29:59 | 0:30:00 | |
SHE GASPS | 0:30:00 | 0:30:01 | |
Rats are nocturnal, and mongoose... | 0:30:01 | 0:30:03 | |
-Mongooses, mongeese, are diurnal, they... -Do they not, like, pass, like... | 0:30:03 | 0:30:08 | |
One's like, "Night-night," and the other's like... Yeah, yeah. | 0:30:08 | 0:30:11 | |
"Have a nice day - I've shat everywhere." | 0:30:11 | 0:30:13 | |
LAUGHTER | 0:30:13 | 0:30:15 | |
It was a particular issue in Hawaii. | 0:30:16 | 0:30:19 | |
They had a rat infestation, | 0:30:19 | 0:30:21 | |
so they decided to bring in some mongoose to deal with them. | 0:30:21 | 0:30:25 | |
-But... -Playing the didgeridoo. | 0:30:25 | 0:30:28 | |
LAUGHTER | 0:30:28 | 0:30:30 | |
They brought in the mongoose to deal with the rat population, | 0:30:30 | 0:30:32 | |
and of course it didn't work, | 0:30:32 | 0:30:34 | |
because they lived at different times of day. | 0:30:34 | 0:30:36 | |
And so the mongoose also fed on the natural endemic birds of Hawaii, | 0:30:36 | 0:30:39 | |
and their populations went screaming down... | 0:30:39 | 0:30:41 | |
-Somebody should have worked that out before they did that. -They should have done. | 0:30:41 | 0:30:45 | |
It was in the early-ish, mid-19th century, | 0:30:45 | 0:30:47 | |
when people were less knowledgeable about wildlife than they are now. | 0:30:47 | 0:30:50 | |
The people of Samoa were about to introduce to mongoose | 0:30:50 | 0:30:53 | |
to deal with their rat problem | 0:30:53 | 0:30:55 | |
when a resident of Hawaii wrote to them and said, "Don't do this, it's destroyed our birdlife even more." | 0:30:55 | 0:30:59 | |
So it saved Samoa. | 0:30:59 | 0:31:01 | |
That's why they invented the moon, to get rid of the sun. | 0:31:01 | 0:31:04 | |
LAUGHTER | 0:31:05 | 0:31:07 | |
-I think you're onto something there. -Yeah. | 0:31:11 | 0:31:13 | |
It's... I'm loving it. | 0:31:13 | 0:31:15 | |
It was a mongoose that invented the moon. | 0:31:15 | 0:31:17 | |
There's one bird which, | 0:31:17 | 0:31:19 | |
surprisingly, they're very pleased has not thrived, | 0:31:19 | 0:31:22 | |
or thriven, in Hawaii, | 0:31:22 | 0:31:24 | |
and that's one of the most beautiful of all birds. | 0:31:24 | 0:31:27 | |
-The dodo. -Peacock. | 0:31:27 | 0:31:28 | |
-Not the dodo, that's not thriving anywhere. SARAH: -Flamingo. Tits. | 0:31:28 | 0:31:31 | |
-EDDIE: -The robin. -Peacock. -The hummingbird, did you say? | 0:31:31 | 0:31:34 | |
NO, I said robin, but, yeah, I'll take hummingbird. | 0:31:34 | 0:31:37 | |
Hummingbird is the right answer, Eddie, well done. | 0:31:36 | 0:31:38 | |
You'd think, why would anybody not want to have hummingbirds? | 0:31:38 | 0:31:42 | |
But one of the main crops of Hawaii, | 0:31:42 | 0:31:44 | |
-out of which they make a lot of money... -Pineapple. | 0:31:44 | 0:31:46 | |
..is the pineapple, absolutely right. | 0:31:46 | 0:31:48 | |
And hummingbirds are marvellous pollinators of pineapples, | 0:31:48 | 0:31:53 | |
but unfortunately if you pollinate it, it's filled with seeds and is much less juicy and much less tasty. | 0:31:53 | 0:31:57 | |
-Right. -So they don't want hummingbirds. | 0:31:57 | 0:31:59 | |
I once ate a whole pineapple. | 0:31:59 | 0:32:01 | |
-DID you?! -Yeah. | 0:32:01 | 0:32:03 | |
-Not the skin, though? -No, no, I, like, you know... | 0:32:03 | 0:32:06 | |
I cored it and stuff, I didn't, like, eat the whole thing, just... | 0:32:06 | 0:32:08 | |
THEY LAUGH | 0:32:08 | 0:32:09 | |
That's what I imagined. | 0:32:09 | 0:32:11 | |
Just like that with the spiky top hanging out. | 0:32:11 | 0:32:14 | |
-NOEL: -I thought like the Pope, you just fell over and swallowed... | 0:32:15 | 0:32:18 | |
THEY LAUGH | 0:32:18 | 0:32:20 | |
It was just after the Pope kissed her on the knockers. | 0:32:20 | 0:32:23 | |
-That's how I celebrated. -"Imagine what I'd do with an entire pineapple!" | 0:32:23 | 0:32:26 | |
Now, what could you learn from a meerkat? | 0:32:26 | 0:32:29 | |
-EDDIE: -Oh... | 0:32:29 | 0:32:30 | |
Oh! How to accessorise? | 0:32:30 | 0:32:32 | |
Well, clearly, very beautifully clothed. | 0:32:33 | 0:32:36 | |
-Not how to put mascara on. -No, that's not impressive, is it? | 0:32:36 | 0:32:39 | |
Don't offer a cigarette to a drawing of a cat? | 0:32:39 | 0:32:43 | |
No! | 0:32:43 | 0:32:44 | |
THEY ALL LAUGH | 0:32:46 | 0:32:50 | |
What are meerkats a type of? | 0:32:53 | 0:32:55 | |
They're a type of meer, or possibly a type of kat. | 0:32:55 | 0:32:57 | |
LAUGHTER | 0:32:57 | 0:32:59 | |
-They're actually a sort of mongoose. -Mongoose. -Oh! -A sort of mongoose. | 0:32:59 | 0:33:02 | |
-Do you know what they do? -Is a mongoose a goose? | 0:33:02 | 0:33:04 | |
-The men fight... -What's that one doing? | 0:33:04 | 0:33:06 | |
-What's he doing with his hands?! -He's meering! -EDDIE: -Impression of a mongoose. | 0:33:07 | 0:33:11 | |
The males fight so that one becomes dominant, and then he has his pick | 0:33:11 | 0:33:14 | |
of the females, and he thinks he's in charge, and he'll usually | 0:33:14 | 0:33:17 | |
drive out the second most dominant one, and then he'll live on his own. | 0:33:17 | 0:33:20 | |
But the women sneak out to see him. | 0:33:20 | 0:33:23 | |
Oh, that's very sweet. | 0:33:23 | 0:33:25 | |
And that's how they keep mixing up the genes, you know? | 0:33:25 | 0:33:28 | |
-Yes, getting a diverse pool. -The women sneak out. | 0:33:28 | 0:33:30 | |
I saw, there was a whole programme about it. It's quite funny. | 0:33:30 | 0:33:32 | |
They had quite funny little footage | 0:33:32 | 0:33:34 | |
of the women kind of sneaking out of the camp. | 0:33:34 | 0:33:36 | |
-Like, climbing down, like, knotted sort of... -Yeah, basically, yeah! | 0:33:36 | 0:33:39 | |
And then she met up with Brian or whatever, and they did it, | 0:33:39 | 0:33:42 | |
they literally did it in a bush! | 0:33:42 | 0:33:45 | |
LAUGHTER | 0:33:45 | 0:33:46 | |
And then she went back to camp as if nothing had happened! | 0:33:46 | 0:33:49 | |
No woman would sneak out for a Brian! | 0:33:49 | 0:33:51 | |
No?! | 0:33:51 | 0:33:52 | |
-We're quite choosy. -Animal magnetism. | 0:33:52 | 0:33:55 | |
Animal magnetism. That's the one. | 0:33:55 | 0:33:57 | |
The question asked was, "What do we learn from meerkats?" | 0:33:57 | 0:34:01 | |
-Well, if it's a driving instructor, it'll be driving. -Yes... | 0:34:01 | 0:34:05 | |
Let's...let's suppose it isn't a driving instructor. | 0:34:07 | 0:34:11 | |
-Let's suppose they're in the wild, in Africa. -Is it a danger thing? | 0:34:11 | 0:34:14 | |
We learnt they're one of the very few animals, | 0:34:14 | 0:34:17 | |
other than human beings, who teach their young. | 0:34:17 | 0:34:20 | |
-Oh, they have classes. -Kind of do, yeah. | 0:34:20 | 0:34:23 | |
Ah! Little books and things. | 0:34:23 | 0:34:26 | |
They sacrifice time and effort, with no apparent gain to self, to teach. | 0:34:26 | 0:34:30 | |
That one's a supply teacher. | 0:34:30 | 0:34:32 | |
LAUGHTER | 0:34:32 | 0:34:34 | |
He's got that look! | 0:34:35 | 0:34:36 | |
They also gradually make their lessons harder for their pupil. | 0:34:36 | 0:34:39 | |
One of the things they have to teach them, | 0:34:39 | 0:34:41 | |
for example, is how to deal with a scorpion. | 0:34:41 | 0:34:44 | |
So they start by giving them a scorpion that's dead, | 0:34:44 | 0:34:47 | |
-then a live one with no sting. -Oh, my God! | 0:34:47 | 0:34:50 | |
And then, finally, as you can see - there it is watching - | 0:34:50 | 0:34:53 | |
making sure that it's all going well, | 0:34:53 | 0:34:55 | |
if the scorpion escapes, it pushes it back in. | 0:34:55 | 0:34:58 | |
And then eventually they give one a scorpion with a sting, | 0:34:58 | 0:35:01 | |
so that they make sure their young pup... | 0:35:01 | 0:35:03 | |
The last lesson is, "Don't get in that square with a scorpion!" | 0:35:03 | 0:35:05 | |
Yeah! LAUGHTER | 0:35:05 | 0:35:08 | |
But I think it's rather... | 0:35:08 | 0:35:10 | |
If you see a square with a scorpion in it, go round it. | 0:35:10 | 0:35:12 | |
It is pretty impressive, isn't it? | 0:35:14 | 0:35:16 | |
It's amazing! And do any of the young die? | 0:35:16 | 0:35:20 | |
I think they're such good teachers, | 0:35:20 | 0:35:21 | |
-they know exactly what they're doing. -Really? -Yeah. | 0:35:21 | 0:35:24 | |
They don't give them a live one, even WITHOUT a sting, | 0:35:24 | 0:35:26 | |
until they're absolutely sure they can cope. | 0:35:26 | 0:35:28 | |
-And you would start on, like, your least favourite bairn. Wouldn't you? -Yes! | 0:35:28 | 0:35:32 | |
While you were learning how to teach. | 0:35:32 | 0:35:33 | |
"He's boring, let's do him first. He's lazy." | 0:35:33 | 0:35:37 | |
And you'd keep your good bairn for the end. | 0:35:37 | 0:35:40 | |
Are you saying there's no bad students, only bad teachers? | 0:35:40 | 0:35:42 | |
I mean, imagine that. "You are ready." G-doong! | 0:35:42 | 0:35:45 | |
"Oh, you weren't ready, shit!" | 0:35:45 | 0:35:47 | |
"Brian!" | 0:35:50 | 0:35:51 | |
"I said a scorpion with no tail! Oh, God!" | 0:35:51 | 0:35:55 | |
But other animals teach. I mean, it seems that | 0:35:57 | 0:35:59 | |
formal teaching is clear in the ant world. | 0:35:59 | 0:36:02 | |
They engage in tandem running, | 0:36:02 | 0:36:04 | |
whereby a leader guides a pupil to a food store | 0:36:04 | 0:36:07 | |
like that. There we are. | 0:36:07 | 0:36:08 | |
The leader adjusts its speed of running, even though | 0:36:08 | 0:36:10 | |
it means getting to the food four times more slowly | 0:36:10 | 0:36:13 | |
just so the little one can catch up. | 0:36:13 | 0:36:15 | |
So you can see it's very clearly leading it, | 0:36:15 | 0:36:17 | |
and the other one's following. | 0:36:17 | 0:36:19 | |
They also count their strides to measure how far they've travelled. | 0:36:19 | 0:36:22 | |
It's easier on that cos they're on squared paper. | 0:36:22 | 0:36:25 | |
LAUGHTER | 0:36:25 | 0:36:27 | |
"This is a grid. Shit!" | 0:36:30 | 0:36:32 | |
Well, we've much to learn from ants and much to learn from meerkats. | 0:36:34 | 0:36:37 | |
And so to the fearful mess that we call General Ignorance. | 0:36:37 | 0:36:39 | |
Fingers on buzzers, please. How can I tell the age of this tree? | 0:36:39 | 0:36:44 | |
-Chop it down. -CRASH! | 0:36:44 | 0:36:47 | |
-Yeah, count the rings. -KLAXON Oh! | 0:36:47 | 0:36:50 | |
-Is that not right? -Well, not really, no. | 0:36:50 | 0:36:52 | |
It's a sort of rough guide, but it doesn't really tell you the age. | 0:36:52 | 0:36:55 | |
-Well, it's still a rough guide. Maybe that's all I'm after! -LAUGHTER | 0:36:55 | 0:36:58 | |
It's not all... | 0:36:58 | 0:37:00 | |
Maybe I don't care about accuracy, Stephen! Maybe I've got shit to do! | 0:37:00 | 0:37:03 | |
Did the question say...? LAUGHTER | 0:37:03 | 0:37:05 | |
I'm afraid the answer is extremely annoying. | 0:37:07 | 0:37:10 | |
There are some years when it doesn't put down rings | 0:37:10 | 0:37:12 | |
and other years when it puts down two, even three rings. | 0:37:12 | 0:37:15 | |
So it's very hard to tell precisely. | 0:37:15 | 0:37:17 | |
-Wow. As it's getting older, it starts lying. -Yeah. | 0:37:17 | 0:37:19 | |
Not putting a ring down. | 0:37:19 | 0:37:20 | |
"Yeah, I'm doing it, I'm doing it. | 0:37:20 | 0:37:23 | |
"This ran out years ago, mate. | 0:37:23 | 0:37:26 | |
"32 again!" | 0:37:26 | 0:37:27 | |
Dendrochronologists give a very annoying answer. | 0:37:32 | 0:37:36 | |
They say the most reliable way to tell the age of a tree | 0:37:36 | 0:37:39 | |
-is to find out when it was planted. -Yeah(!) | 0:37:39 | 0:37:42 | |
-Oh, shut up! -I know! It's not my answer, it's their answer. | 0:37:42 | 0:37:45 | |
-Passport! -Yeah! | 0:37:45 | 0:37:46 | |
But some are a little too old to be able to do that. | 0:37:46 | 0:37:48 | |
In 2012 there was a seed, | 0:37:48 | 0:37:51 | |
that was the oldest seed ever known | 0:37:51 | 0:37:52 | |
successfully to germinate. How old do you think it was? | 0:37:52 | 0:37:56 | |
-DECISIVELY: -1 million years! | 0:37:56 | 0:37:58 | |
-No. -You said it like an evil genius there! | 0:37:58 | 0:38:02 | |
"Mr Bond"(!) No, | 0:38:02 | 0:38:04 | |
it wasn't a million years... | 0:38:04 | 0:38:06 | |
-36... -32,000. -Oh. | 0:38:06 | 0:38:07 | |
-You were going to say 36,000? -Yeah. | 0:38:07 | 0:38:09 | |
It was 32,000. So you were jolly close. | 0:38:09 | 0:38:12 | |
They used carbon dating and that sort of thing. | 0:38:12 | 0:38:14 | |
30 metres below the Siberian ice it was discovered, | 0:38:14 | 0:38:17 | |
in a fossilised squirrel burrow. | 0:38:17 | 0:38:20 | |
So it was probably buried there by a squirrel. | 0:38:20 | 0:38:24 | |
How annoyed would that squirrel be? | 0:38:24 | 0:38:26 | |
There was one in 2008 - a 2,000-year-old seed grew, and you may say that's not so impressive | 0:38:26 | 0:38:31 | |
but it sprouted into an extinct date palm. | 0:38:31 | 0:38:35 | |
-So that was rather wonderful. SARAH: -Wow! | 0:38:35 | 0:38:37 | |
A new species came back to life. Yeah. | 0:38:37 | 0:38:40 | |
Now, what colour is the moon? | 0:38:40 | 0:38:42 | |
CRASH! | 0:38:42 | 0:38:44 | |
Black. | 0:38:44 | 0:38:46 | |
LAUGHTER | 0:38:46 | 0:38:48 | |
OK! Well... | 0:38:51 | 0:38:54 | |
The dark side of the moon. | 0:38:54 | 0:38:55 | |
-I'll accept black, cos it's... -The dark side of the moon. | 0:38:55 | 0:38:58 | |
-Well, the sides are all the same colour. -I know! -It's a nice thought, dark side of the moon. | 0:38:58 | 0:39:01 | |
-But actually, all the moon is very, very dark grey. -Yes. | 0:39:01 | 0:39:05 | |
Basically kind of charcoal. Almost black. | 0:39:05 | 0:39:08 | |
Not a light grey and not a silvery colour. I mean, of course we get light... | 0:39:08 | 0:39:11 | |
It's weird, cos you can't get grey cheese. | 0:39:11 | 0:39:13 | |
LAUGHTER | 0:39:13 | 0:39:14 | |
Right. I hadn't thought of that. | 0:39:17 | 0:39:20 | |
Yeah. | 0:39:20 | 0:39:22 | |
It's quite bright, but not as bright as the Earth. | 0:39:22 | 0:39:24 | |
A full Earth seen from the moon | 0:39:24 | 0:39:26 | |
is a lot brighter | 0:39:26 | 0:39:27 | |
than a full moon seen from the Earth. | 0:39:27 | 0:39:29 | |
That's cos people leave their lights on. | 0:39:29 | 0:39:31 | |
That's probably the reason, yeah, yeah. | 0:39:31 | 0:39:33 | |
So the moon is very dark grey. But - what colour is the sun? | 0:39:33 | 0:39:37 | |
I've heard it's...green. | 0:39:38 | 0:39:42 | |
-Not bad... -Tartan? | 0:39:43 | 0:39:44 | |
Oh, you were doing so well, Noel. Tartan(!) | 0:39:46 | 0:39:50 | |
Well, on the Farrow and Ball colour chart... | 0:39:51 | 0:39:54 | |
-Yes? -..it's mushroom. | 0:39:54 | 0:39:56 | |
Well, it is actually a kind of turquoise, so green is not bad. | 0:39:57 | 0:40:00 | |
-Is it? -It's bluey-green. -Turquoise? | 0:40:00 | 0:40:02 | |
-It emits photons of all the colours. -Like a blue flame. | 0:40:02 | 0:40:05 | |
But slightly more blue-green photons than any other, | 0:40:05 | 0:40:08 | |
-so it is, you know, a slightly blue/green tint. -That is not fair. | 0:40:08 | 0:40:10 | |
-The moon and the sun are just playing with us. -Well, yes! | 0:40:10 | 0:40:14 | |
-It would actually look white from space, more or less totally white. -Right. | 0:40:14 | 0:40:18 | |
-As it does at noon if you looked at it from the ground. -Like a star. -But don't, obviously. | 0:40:18 | 0:40:22 | |
Yeah, the sun is white with a hint of turquoise. | 0:40:22 | 0:40:24 | |
What is "agoraphobia"? | 0:40:24 | 0:40:26 | |
Ah, now, that's... Now, hang on... | 0:40:27 | 0:40:30 | |
"Wait a second, I'm not going to get suckered into this!" | 0:40:30 | 0:40:33 | |
You've spelt it different or something, have you? | 0:40:33 | 0:40:36 | |
-No... -It's a bit like when Phil Brown said, "Why does Andrea Pirlo | 0:40:36 | 0:40:39 | |
"not leave Italy and play in the Premier League? | 0:40:39 | 0:40:43 | |
"Why does he want to stay in Italy? Is it because he's homophobic?" | 0:40:43 | 0:40:47 | |
LAUGHTER | 0:40:47 | 0:40:48 | |
He thought "homophobic" meant he was afraid of leaving home! | 0:40:50 | 0:40:54 | |
-Well, it kind of makes sense. -Out loud, on live radio. | 0:40:56 | 0:40:59 | |
It was absolutely brilliant. | 0:40:59 | 0:41:01 | |
Is it a fear of really fluffy rabbits? | 0:41:01 | 0:41:04 | |
No! "Angoraphobia", very good. | 0:41:04 | 0:41:06 | |
Thanks. | 0:41:06 | 0:41:08 | |
-Agoraphobia...? -Yeah. Most people think "agoraphobia" | 0:41:08 | 0:41:11 | |
means a fear of open spaces. | 0:41:11 | 0:41:13 | |
"Agora" is the Greek for the marketplace, | 0:41:13 | 0:41:15 | |
the equivalent of the Roman forum, it's the open place. | 0:41:15 | 0:41:17 | |
But apparently in psychiatry, | 0:41:17 | 0:41:19 | |
agoraphobia can be a fear of any kind of space you don't like. | 0:41:19 | 0:41:23 | |
So claustrophobia is a kind of agoraphobia. | 0:41:23 | 0:41:26 | |
Other phobias... | 0:41:26 | 0:41:27 | |
Do you know, according to the Stress Management Center and Phobia Institute in North Carolina, | 0:41:27 | 0:41:32 | |
80% of high-rise buildings in America do not have what? | 0:41:32 | 0:41:35 | |
Windows. | 0:41:35 | 0:41:37 | |
No. 80%... | 0:41:37 | 0:41:39 | |
A lift. | 0:41:39 | 0:41:40 | |
-We're talking about phobias...? -A 13th floor. | 0:41:40 | 0:41:43 | |
80% of buildings in America do not have a 13th floor. | 0:41:43 | 0:41:46 | |
So what happens when they come here? Americans, and they see, like, "13th floor." | 0:41:46 | 0:41:50 | |
-"I'm not staying in this hotel!" -No, they won't. | 0:41:50 | 0:41:52 | |
Or at least they won't want to be on the 13th floor, they won't want the room on the 13th floor. | 0:41:52 | 0:41:57 | |
"You're principally unlucky... because you're American." | 0:41:57 | 0:41:59 | |
LAUGHTER | 0:41:59 | 0:42:00 | |
Now...! | 0:42:00 | 0:42:02 | |
APPLAUSE | 0:42:03 | 0:42:06 | |
Alfred Hitchcock had a very powerful fear - of...? | 0:42:08 | 0:42:11 | |
There is a word for it. | 0:42:11 | 0:42:13 | |
-Hummus. -LAUGHTER | 0:42:13 | 0:42:15 | |
Might as well have been. | 0:42:15 | 0:42:17 | |
It was alektorophobia. "Alektorophobia", not "electro-". | 0:42:17 | 0:42:21 | |
-It's all the more extraordinary that he made the film The Birds... -People called Alec. | 0:42:21 | 0:42:24 | |
No, not people called Alec. It's not a fear of birds, but it's a fear of something birds produce. | 0:42:24 | 0:42:29 | |
-Eggs. -Eggs, he had a fear of eggs. | 0:42:29 | 0:42:32 | |
-Never ate one... -Really? He used to weep around omelettes. | 0:42:32 | 0:42:35 | |
He actually looks scared in that picture, | 0:42:35 | 0:42:37 | |
as if you'd shown him the eggs. | 0:42:37 | 0:42:39 | |
-I'd be scared if an egg that size was coming... -That's true, it's a big egg. | 0:42:39 | 0:42:43 | |
And all that's left now is the rather messy business of the scores. | 0:42:43 | 0:42:47 | |
HE GASPS DRAMATICALLY | 0:42:47 | 0:42:49 | |
I've got a fear of the scores. | 0:42:49 | 0:42:51 | |
Well, don't have, because... | 0:42:51 | 0:42:53 | |
in last place, with minus 15 is Sarah Millican, I'm afraid! | 0:42:53 | 0:42:58 | |
APPLAUSE | 0:42:58 | 0:42:59 | |
In third place, with a jolly minus 14, is Noel Fielding! | 0:43:03 | 0:43:07 | |
APPLAUSE | 0:43:07 | 0:43:09 | |
With a highly impressive minus 4, in second place, Eddie Kadi. | 0:43:12 | 0:43:16 | |
APPLAUSE | 0:43:16 | 0:43:18 | |
It can only mean one astonishing thing. | 0:43:20 | 0:43:23 | |
In first place, with minus 1, Alan Davies. | 0:43:23 | 0:43:26 | |
CHEERING | 0:43:26 | 0:43:28 | |
Well! | 0:43:33 | 0:43:35 | |
That's this mess cleaned up. | 0:43:37 | 0:43:39 | |
So we thank Eddie, Noel, Sarah, Alan and me. | 0:43:39 | 0:43:42 | |
In the words of that prolific writer, Anne Onymous, | 0:43:42 | 0:43:45 | |
"Chaos, panic and disorder. | 0:43:45 | 0:43:47 | |
"My work here is done." Goodnight. | 0:43:47 | 0:43:50 | |
APPLAUSE AND CHEERING | 0:43:50 | 0:43:52 |