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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
CHEERS AND APPLAUSE | 0:00:26 | 0:00:28 | |
Goo-oo-oo-ood evening. | 0:00:28 | 0:00:32 | |
Good evening, good evening, good evening, and welcome to QI, | 0:00:32 | 0:00:35 | |
where tonight we're doing the Monster Mash. | 0:00:35 | 0:00:39 | |
Let's meet the nameless horrors that lurk in our monstrous shadows. | 0:00:39 | 0:00:44 | |
The malformed Josh Widdicombe... | 0:00:44 | 0:00:47 | |
CHEERS AND APPLAUSE | 0:00:47 | 0:00:49 | |
..the mutated Phill Jupitus... | 0:00:51 | 0:00:53 | |
CHEERS AND APPLAUSE | 0:00:53 | 0:00:55 | |
..the misbegotten Sara Pascoe... | 0:00:57 | 0:01:00 | |
CHEERS AND APPLAUSE | 0:01:00 | 0:01:03 | |
..and the complete monstrosity Alan Davies. | 0:01:03 | 0:01:07 | |
CHEERS AND APPLAUSE | 0:01:07 | 0:01:09 | |
IN MENACING VOICE: Now, let's hear your scary noises. | 0:01:12 | 0:01:16 | |
Sarah goes... | 0:01:16 | 0:01:18 | |
WOMAN SCREAMS | 0:01:18 | 0:01:21 | |
Josh goes... | 0:01:21 | 0:01:22 | |
MONSTER GROWLS | 0:01:22 | 0:01:25 | |
Phill goes... | 0:01:25 | 0:01:26 | |
WOLF HOWLS | 0:01:26 | 0:01:29 | |
And Alan goes... CHICKEN CLUCKS | 0:01:31 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:36 | |
Too terrible to contemplate. | 0:01:38 | 0:01:40 | |
Let's start with a monster mix-and-match. | 0:01:40 | 0:01:43 | |
Here are some cards you'll find under your desk. | 0:01:43 | 0:01:47 | |
-The fronts and the backs. -Oh! | 0:01:50 | 0:01:52 | |
And we want you to see if you can make | 0:01:52 | 0:01:55 | |
some kind of monster - and name it if you can. | 0:01:55 | 0:01:57 | |
-Oh, right. -Name it? -Mm. | 0:01:57 | 0:01:59 | |
-OK. -You've got bottoms, Alan... | 0:01:59 | 0:02:01 | |
-I'm a classic bottom. -I'm a classic top. | 0:02:01 | 0:02:03 | |
..and Josh has got tops. | 0:02:03 | 0:02:05 | |
-What have you got there? -Alan Davies has got gorgeous legs. | 0:02:05 | 0:02:08 | |
-LAUGHTER -Hey... | 0:02:08 | 0:02:10 | |
What you've created there is a human. | 0:02:10 | 0:02:12 | |
-I'd say it's borderline, Stephen. -Too terrible to contemplate. -Yeah. | 0:02:14 | 0:02:18 | |
-Here we go, here we go, all right... -OK, OK. | 0:02:18 | 0:02:19 | |
-You don't know what I've put, then we'll look in a minute. -OK. | 0:02:19 | 0:02:22 | |
-Ooh. -OK. -There we go. | 0:02:22 | 0:02:23 | |
Ah, a lionfish. | 0:02:23 | 0:02:25 | |
Now, that's interesting, cos the lionfish does exist. | 0:02:25 | 0:02:27 | |
Unlike the merlion that we have created... | 0:02:27 | 0:02:30 | |
Ah, the merlion is a very good... | 0:02:30 | 0:02:32 | |
..which would sing on the rocks by the coast of Africa | 0:02:32 | 0:02:35 | |
and lure deer to their deaths. | 0:02:35 | 0:02:37 | |
Well, Alan, there you've got an ant... | 0:02:39 | 0:02:40 | |
An ant cow. | 0:02:40 | 0:02:42 | |
Yeah, we've got the... | 0:02:42 | 0:02:43 | |
Basically, what you've got there is | 0:02:43 | 0:02:45 | |
an ungulate that will ruin a picnic. | 0:02:45 | 0:02:48 | |
Well, we can go through some of these. | 0:02:49 | 0:02:50 | |
-Certainly a lionfish exists. -OK. | 0:02:50 | 0:02:53 | |
There's a bounty on them, if you catch them in the Caribbean. | 0:02:53 | 0:02:55 | |
They destroy the habitat - they're so successful | 0:02:55 | 0:02:58 | |
there's almost nothing that can get them, and they can eat everything. | 0:02:58 | 0:03:01 | |
-Try making one to order. See if you can make a Minotaur. -OK. | 0:03:01 | 0:03:03 | |
-Minotaur... -Oh, Minotaur... | 0:03:03 | 0:03:05 | |
-So, it's... -Bull's head. -Bull's head's on there. | 0:03:05 | 0:03:08 | |
-Chap's bottom, isn't it? A Minotaur. -Yeah. -Rather than a lion? | 0:03:08 | 0:03:11 | |
There we go. | 0:03:11 | 0:03:12 | |
No-one's quite sure whether it should have... | 0:03:12 | 0:03:14 | |
the human top with a bull's bottom, but... | 0:03:14 | 0:03:17 | |
-We've made a Minotaur. -Oh, yeah. He looks really muscly. | 0:03:17 | 0:03:21 | |
That's not as scary as I thought it was going to be. | 0:03:21 | 0:03:25 | |
-I'm going to say pop your cards away. -Oh. | 0:03:25 | 0:03:27 | |
I've just made a mermaid, Stephen. | 0:03:27 | 0:03:29 | |
You've done a lovely mermaid - well done. | 0:03:29 | 0:03:31 | |
That's definitely one that was available. | 0:03:31 | 0:03:33 | |
There are all kinds of things available - | 0:03:33 | 0:03:35 | |
the myrmecoleon, which is also known as a formicaleon. | 0:03:35 | 0:03:38 | |
-This is a lion head and an ant body. -What?! | 0:03:38 | 0:03:41 | |
In medieval bestiaries, they were very sure that that existed. | 0:03:41 | 0:03:45 | |
They held it to be bigger than an ant. | 0:03:45 | 0:03:47 | |
Basically, it lived in a little pit and pulled in things. | 0:03:47 | 0:03:51 | |
-How big was it? -A bit like a large ant. | 0:03:51 | 0:03:54 | |
Oh, like a large ant. | 0:03:54 | 0:03:55 | |
I feel like someone who had a very low pain threshold is the person | 0:03:55 | 0:03:58 | |
who was like, "No, promise you, it was a lion what bit me but it was very small. | 0:03:58 | 0:04:02 | |
"It came out of a tiny hole." | 0:04:02 | 0:04:04 | |
Yeah, well, they do exist, antlions. Americans call them doodlebugs. | 0:04:04 | 0:04:07 | |
-They live in a pit and they pull in anything that falls in. -Wow! | 0:04:07 | 0:04:10 | |
Mermaids and mermen, obviously, are the human body with a fish tail. | 0:04:10 | 0:04:13 | |
People think, you know, sailors fall in love with mermaids | 0:04:13 | 0:04:16 | |
and how can they consummate their relationship? You know... | 0:04:16 | 0:04:19 | |
-Fertilise the eggs, Stephen. -Exactly, it's very simple. | 0:04:19 | 0:04:22 | |
She lays her eggs on a rock or something | 0:04:22 | 0:04:24 | |
and you fertilise them - what's the problem with that? | 0:04:24 | 0:04:26 | |
The sailor has to sail back to his waters where he was spawned | 0:04:26 | 0:04:29 | |
and take the mermaid with him. | 0:04:29 | 0:04:31 | |
So, he has to go back to, I don't know, Dorking... | 0:04:31 | 0:04:33 | |
Yes, that it might be. | 0:04:33 | 0:04:35 | |
..find a pond, pop his new fishwife in there. | 0:04:35 | 0:04:38 | |
-JOSH: -Fishwife! -She lays her eggs | 0:04:38 | 0:04:41 | |
and then he has to be arrested for indecent public exposure | 0:04:41 | 0:04:46 | |
at a boating pond. | 0:04:46 | 0:04:47 | |
And one that you get points for because it does exist | 0:04:47 | 0:04:50 | |
is the merlion. | 0:04:50 | 0:04:51 | |
Yeah, which you came up with - a merlion - | 0:04:51 | 0:04:53 | |
-which is the lion head and a fish tail. -Yeah. -Really? | 0:04:53 | 0:04:56 | |
Yeah, the national symbol of Singapore. | 0:04:56 | 0:04:58 | |
-Is it? -Oh...thank you, Singapore. | 0:04:58 | 0:05:00 | |
Yeah. They give you those points. | 0:05:00 | 0:05:02 | |
-The hippocampus. -Hippopotamus. | 0:05:02 | 0:05:05 | |
Thank you for replying with another animal. | 0:05:05 | 0:05:07 | |
LAUGHTER You're doing very well. | 0:05:07 | 0:05:09 | |
Hip-po replacement. | 0:05:09 | 0:05:12 | |
But...hippocampus is... | 0:05:12 | 0:05:15 | |
The hipster campus is, it's... | 0:05:15 | 0:05:18 | |
-runs coffee bars in Shoreditch... -LAUGHTER | 0:05:18 | 0:05:21 | |
..in a very effeminate way. | 0:05:21 | 0:05:22 | |
Well, as you probably know, | 0:05:22 | 0:05:23 | |
it's part of the brain, the hippocampus, | 0:05:23 | 0:05:25 | |
but why is it called the hippocampus? | 0:05:25 | 0:05:27 | |
-The shape of it. -Is...? | 0:05:27 | 0:05:29 | |
It's the shape of a seahorse. | 0:05:29 | 0:05:31 | |
But a hippocampus, as a mythical beast, | 0:05:31 | 0:05:33 | |
-had a horse front and a fish tail. -Oh... | 0:05:33 | 0:05:36 | |
And so did they think that before they found the seahorse | 0:05:36 | 0:05:39 | |
or they thought there were two separate seahorses? | 0:05:39 | 0:05:41 | |
No, there are seahorses in the Mediterranean, so I suppose... | 0:05:41 | 0:05:44 | |
Let's find out sometime - not now. | 0:05:44 | 0:05:46 | |
LAUGHTER | 0:05:46 | 0:05:49 | |
That is surely the opposite of what this show is about. | 0:05:49 | 0:05:52 | |
I panicked, all right? I just panicked. | 0:05:54 | 0:05:56 | |
People love seahorses because | 0:05:56 | 0:05:57 | |
it's the male who gestates the babies, isn't it, with seahorses? | 0:05:57 | 0:06:00 | |
Which is always so lovely. | 0:06:00 | 0:06:02 | |
I've dived amongst them and I was just shocked by how small they are. | 0:06:02 | 0:06:05 | |
You must have... | 0:06:05 | 0:06:06 | |
-They are tiny. Well, I've seen them in the London Aquariums. -Oh, right. | 0:06:06 | 0:06:09 | |
They have a very long thin tank that they go up and down - | 0:06:09 | 0:06:11 | |
it's quite sweet. | 0:06:11 | 0:06:12 | |
I assume that's what they want to do, | 0:06:12 | 0:06:14 | |
-otherwise it feels a bit unfair. -Would be cruel. | 0:06:14 | 0:06:17 | |
They have to just go up and down. | 0:06:17 | 0:06:19 | |
-They're very horse-like as well in the way they feed... -They race. | 0:06:19 | 0:06:22 | |
..they browse in the weeds. | 0:06:22 | 0:06:24 | |
They browse in the weeds, looking... | 0:06:24 | 0:06:25 | |
They have little stalls and they all get in. | 0:06:25 | 0:06:27 | |
LAUGHTER At the races. | 0:06:27 | 0:06:29 | |
There's always one that doesn't want to go and they have to take him off. | 0:06:29 | 0:06:33 | |
So, no matter what monster you imagine, | 0:06:33 | 0:06:37 | |
you can be pretty sure that someone else made it first. | 0:06:37 | 0:06:40 | |
Here's a monster that someone made earlier, | 0:06:40 | 0:06:42 | |
but what is it and what's it made from? | 0:06:42 | 0:06:44 | |
-Oh.... -Oh, my gosh. | 0:06:44 | 0:06:46 | |
-Is it carved? -Mm... -Is it made from bone? | 0:06:46 | 0:06:50 | |
It's a type of mermaid that was very popular in the 19th century. | 0:06:50 | 0:06:54 | |
-It's called a Fiji mermaid. -Ooh... | 0:06:54 | 0:06:57 | |
People would come from miles to see it. | 0:06:57 | 0:06:58 | |
It was shown off at carnivals, | 0:06:58 | 0:07:00 | |
and it was made from fish and household bits and pieces. | 0:07:00 | 0:07:03 | |
For a long time, people thought it was made by | 0:07:03 | 0:07:05 | |
the addition of a monkey's head with a fish. | 0:07:05 | 0:07:08 | |
And this particular one was acquired by the Wellcome Collection in 1919, | 0:07:08 | 0:07:13 | |
and then later by the fabulous Horniman Museum. | 0:07:13 | 0:07:16 | |
-Do you know the Horniman Museum? -Yeah, I live near there. | 0:07:16 | 0:07:18 | |
-Do you? -It's in Forest Hill. It's brilliant, yeah. | 0:07:18 | 0:07:20 | |
It is an incredible place. | 0:07:20 | 0:07:22 | |
A genuine museum of curiosities of the most fascinating kind. | 0:07:22 | 0:07:24 | |
-I've been there too - it's great. -It is good. It's a fine place. | 0:07:24 | 0:07:27 | |
You just saying that cos I said I've been there? | 0:07:27 | 0:07:29 | |
-LAUGHTER -I go every week. -Largely, yeah. | 0:07:29 | 0:07:31 | |
Cos when you said you went to the aquarium, I didn't jump on it. | 0:07:31 | 0:07:34 | |
Like, "Oh, yeah, I've been." | 0:07:34 | 0:07:35 | |
I let you have your time in the sun. | 0:07:35 | 0:07:38 | |
"Time in the sun." | 0:07:38 | 0:07:39 | |
-When you say household bits and pieces... -Yeah. | 0:07:39 | 0:07:42 | |
..what, like... | 0:07:43 | 0:07:45 | |
LAUGHTER | 0:07:45 | 0:07:47 | |
..sticky-backed plastic? | 0:07:47 | 0:07:48 | |
-Well... -Fairy liquid bottle? | 0:07:48 | 0:07:50 | |
You'd be surprised to know that recent CT scans | 0:07:50 | 0:07:53 | |
and DNA tests have been done on this fellow, and they revealed | 0:07:53 | 0:07:57 | |
that no monkeys were harmed in its making, | 0:07:57 | 0:08:00 | |
but it is a fish and the rest is made from | 0:08:00 | 0:08:02 | |
fabric of a wooden frame | 0:08:02 | 0:08:05 | |
supporting a papier mache head | 0:08:05 | 0:08:07 | |
-with a fish's jaw. -Wow. | 0:08:07 | 0:08:08 | |
So, kind of household. Papier mache is usually bits of newspaper | 0:08:08 | 0:08:12 | |
or paper, isn't it, mashed up? | 0:08:12 | 0:08:14 | |
-SARA GASPS -Oh, wow! | 0:08:14 | 0:08:15 | |
There we go. | 0:08:15 | 0:08:17 | |
Now, look. You see, now... | 0:08:17 | 0:08:19 | |
So, were they supposed to be scary creatures? | 0:08:19 | 0:08:22 | |
It is quite scary. | 0:08:22 | 0:08:24 | |
You can picture it scampering in your bedroom or something. | 0:08:24 | 0:08:27 | |
They were a lot sexier once they added the hair and the shell bras. | 0:08:27 | 0:08:31 | |
Exactly. But you'll be pleased to know that | 0:08:31 | 0:08:34 | |
this is a result of the CT scans, | 0:08:34 | 0:08:37 | |
which were made by the Horniman Museum for us, | 0:08:37 | 0:08:40 | |
and Dr James Moffatt of St George's University in London | 0:08:40 | 0:08:44 | |
translated the CT scan data into | 0:08:44 | 0:08:48 | |
-this 3-D printing of the original. -Wow! | 0:08:48 | 0:08:52 | |
So, this is a 3-D printing. | 0:08:52 | 0:08:53 | |
-Isn't it good? -Yeah! -Yeah, we like that. | 0:08:53 | 0:08:55 | |
APPLAUSE | 0:08:55 | 0:08:57 | |
And you can see how detailed it is. | 0:08:57 | 0:08:59 | |
Even the little holes and flaws in the fish tail. | 0:08:59 | 0:09:02 | |
Have you been to St George's Hospital? | 0:09:02 | 0:09:04 | |
It's really excellent. | 0:09:04 | 0:09:05 | |
LAUGHTER Now... | 0:09:05 | 0:09:07 | |
I'm not going to play this game. | 0:09:07 | 0:09:09 | |
Ergh! Ergh! | 0:09:10 | 0:09:12 | |
I genuinely jumped. | 0:09:12 | 0:09:14 | |
LAUGHTER | 0:09:14 | 0:09:16 | |
You've seen them on Dartmoor, haven't you, Widdicombe? | 0:09:16 | 0:09:19 | |
-What are your monsters called? -We've got... On Dartmoor? -Yeah. | 0:09:20 | 0:09:23 | |
We've got the Hairy Hand. Are you aware of the Hairy Hand? | 0:09:23 | 0:09:26 | |
-Which is a... -No. | 0:09:26 | 0:09:28 | |
-PHILL: -You get it when you're about 15. | 0:09:28 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:32 | |
The Hairy Hand is a disembodied hand that would appear from nowhere | 0:09:32 | 0:09:38 | |
-if you were driving along the B3021... -Pissed. | 0:09:38 | 0:09:44 | |
..and it would steer you off the road. | 0:09:44 | 0:09:47 | |
-But there's... -"Officer!" -"Officer!" | 0:09:47 | 0:09:49 | |
IN WEST COUNTRY ACCENT: "And it smelt of cider, didn't it?" | 0:09:49 | 0:09:53 | |
"It dropped its pint on me, and then it drove me off the road." | 0:09:53 | 0:09:57 | |
One of the people that claimed | 0:09:59 | 0:10:01 | |
he'd been steered off the road by the Hairy Hand, | 0:10:01 | 0:10:04 | |
he described it as invisible. | 0:10:04 | 0:10:05 | |
LAUGHTER | 0:10:05 | 0:10:08 | |
Oh, bless him for trying. | 0:10:09 | 0:10:11 | |
There's the old curse about the Monkey Wishing Hand, | 0:10:14 | 0:10:16 | |
-which it seems is where that's coming from. -Oh, yeah. | 0:10:16 | 0:10:19 | |
What's that? What's that? | 0:10:19 | 0:10:21 | |
It's a dead one of those. | 0:10:21 | 0:10:23 | |
LAUGHTER | 0:10:23 | 0:10:25 | |
What's that? What's that? | 0:10:27 | 0:10:28 | |
What's that? What's that? | 0:10:28 | 0:10:29 | |
It's a herd of those. | 0:10:29 | 0:10:31 | |
I've got loads of them. | 0:10:32 | 0:10:34 | |
APPLAUSE | 0:10:35 | 0:10:37 | |
Now, the Horniman Museum, | 0:10:37 | 0:10:41 | |
which gave us access to the original of this... | 0:10:41 | 0:10:44 | |
Probably went there before Sara. | 0:10:44 | 0:10:46 | |
..it was all arranged by a man who's in the audience tonight | 0:10:46 | 0:10:50 | |
from the Horniman Museum, | 0:10:50 | 0:10:51 | |
and it's Paolo Viscardi. Can you give us a wave? | 0:10:51 | 0:10:53 | |
There you are. Thank you very much, Paolo. | 0:10:53 | 0:10:55 | |
APPLAUSE | 0:10:55 | 0:10:58 | |
Grazie. | 0:11:00 | 0:11:02 | |
Who do you recognise more, me or Alan? | 0:11:02 | 0:11:05 | |
-Who's been more often? -Yeah. | 0:11:05 | 0:11:08 | |
So, Jenny. Do you know about Jenny Haniver? | 0:11:08 | 0:11:11 | |
No. Jenny Agutter. | 0:11:11 | 0:11:12 | |
Jenny Agutter you know about? That's good. | 0:11:12 | 0:11:14 | |
Let me add another Jenny to your list of Jennys. | 0:11:14 | 0:11:17 | |
Let's see some pictures of Jenny Haniver. | 0:11:17 | 0:11:19 | |
-Was she on the front of a boat? -Whoa. Oh! | 0:11:19 | 0:11:21 | |
Lord, that's Doctor Who. | 0:11:21 | 0:11:23 | |
That's a box of props from Doctor Who. | 0:11:23 | 0:11:25 | |
It does look like it, doesn't it? | 0:11:25 | 0:11:27 | |
It's the Ku Klux Klams. | 0:11:27 | 0:11:29 | |
LAUGHTER AND APPLAUSE | 0:11:29 | 0:11:31 | |
Can you guess what they are? | 0:11:34 | 0:11:35 | |
-You burn one cross... -Fish. -They're fish. | 0:11:35 | 0:11:38 | |
-They are flatfish. -They're skates. Skate. -Oh, skate. | 0:11:38 | 0:11:41 | |
Rays or skates would be carved in these shapes - | 0:11:41 | 0:11:44 | |
it was known as Jenny Hanivers. | 0:11:44 | 0:11:46 | |
Mostly sailors from Antwerp who seemed to do this - | 0:11:46 | 0:11:48 | |
it was their specialist art. | 0:11:48 | 0:11:50 | |
Other sailors did scrimshaw, you know, | 0:11:50 | 0:11:52 | |
and they did Jenny Haniver. | 0:11:52 | 0:11:54 | |
Very odd, but they exist, | 0:11:54 | 0:11:56 | |
and you can see that they exist, because they're there in a box. | 0:11:56 | 0:11:59 | |
LAUGHTER | 0:11:59 | 0:12:01 | |
Discarded, unwanted. | 0:12:01 | 0:12:03 | |
The ones in the middle that look like they're wearing glasses | 0:12:03 | 0:12:06 | |
-are the best ones. -They are. | 0:12:06 | 0:12:07 | |
If they started singing, you'd shit yourself. | 0:12:07 | 0:12:09 | |
LAUGHTER | 0:12:09 | 0:12:12 | |
# Doo-doo doo-doo dum... # | 0:12:12 | 0:12:14 | |
HE SCREAMS | 0:12:14 | 0:12:16 | |
Now, describe the mammoth moles of Siberia. | 0:12:18 | 0:12:21 | |
-They're huge and they live underground. -Right... -Yeah. Next. | 0:12:21 | 0:12:26 | |
-Consider the word mammoth. -Woolly. -Mammoth. -Where is it from? | 0:12:28 | 0:12:32 | |
-What language might it be from? -Welsh. -Russian? | 0:12:32 | 0:12:35 | |
-No, but it's that... Almost... -Cornish? -Is it kind of Celtic? | 0:12:35 | 0:12:38 | |
Baltic/Nordic. They consider themselves Nordic people. | 0:12:38 | 0:12:41 | |
Norway. | 0:12:41 | 0:12:42 | |
LAUGHTER | 0:12:42 | 0:12:44 | |
They really, really ARE Nordic. | 0:12:44 | 0:12:46 | |
These people, most people wouldn't think of them immediately as Nordic. | 0:12:46 | 0:12:49 | |
-They'd think of them as Baltic. -Latvia, Estonia... -Yeah, Estonia. | 0:12:49 | 0:12:52 | |
-Is it? OK. -The wonderful country of Estonia. -I've never been there. | 0:12:52 | 0:12:56 | |
Sara, have you? | 0:12:56 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:12:59 | |
I've got a lifetime membership card. | 0:12:59 | 0:13:01 | |
I can go for free as many times as I like. | 0:13:01 | 0:13:04 | |
Lovely gardens. | 0:13:04 | 0:13:05 | |
Well, they have a language that is very | 0:13:07 | 0:13:09 | |
separate from the languages of their neighbours. | 0:13:09 | 0:13:12 | |
It's Finno-Ugric. It's related to Finnish and Hungarian. | 0:13:12 | 0:13:16 | |
And the word "mammoth" is one of the theirs and it means "earth mole". | 0:13:16 | 0:13:20 | |
Does it? | 0:13:20 | 0:13:22 | |
It means "earth mole". | 0:13:22 | 0:13:23 | |
And the reason is that it was thought... | 0:13:23 | 0:13:25 | |
When mammoths were discovered they were always underground, | 0:13:25 | 0:13:28 | |
and they thought they lived underground and were killed | 0:13:28 | 0:13:31 | |
by breathing air by coming up and maybe that's what killed them. | 0:13:31 | 0:13:34 | |
And so that's why they got the name mammoth. | 0:13:34 | 0:13:36 | |
But when were the last mammoths, do you think, in thousands of years? | 0:13:36 | 0:13:40 | |
-1940s. -Very cold. -1940s! | 0:13:40 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
-200,000 years ago. -10,000 years ago. | 0:13:45 | 0:13:47 | |
I would say three million years ago. | 0:13:47 | 0:13:49 | |
It's more recent than you might think. It's 4,000 years ago. | 0:13:49 | 0:13:52 | |
-Really? -There was a herd of them in... -Essex. | 0:13:52 | 0:13:55 | |
..Wrangel Island in the Arctic. | 0:13:55 | 0:13:57 | |
So when they were there in a herd the Great Pyramid of Cheops | 0:13:57 | 0:14:01 | |
-was already 1,000 years old. -So it was civilisation? | 0:14:01 | 0:14:04 | |
-So they overlapped with man, very much so, yeah. -Wow. | 0:14:04 | 0:14:07 | |
But there is a company called Revive and Restore | 0:14:07 | 0:14:10 | |
that is looking to re-introduce mammoths. | 0:14:10 | 0:14:12 | |
They think they can take some genes, | 0:14:12 | 0:14:14 | |
do some gene juggling with Asian elephants and create a mammoth. | 0:14:14 | 0:14:19 | |
It's a very extraordinary thought. | 0:14:19 | 0:14:21 | |
Aw! Bless. Asian elephants with the small ears. | 0:14:21 | 0:14:24 | |
Yes, just before they have their genes juggled. | 0:14:24 | 0:14:26 | |
"Aw! Come into the lab now. I've just got to cut your ovaries open." | 0:14:28 | 0:14:33 | |
It's genome editing is what they call it. | 0:14:33 | 0:14:36 | |
We're hoping they would need to live in the tundra | 0:14:36 | 0:14:39 | |
and one of the reasons we hope that is that they'll reintroduce | 0:14:39 | 0:14:43 | |
certain grasses, the way they eat and the way they move. | 0:14:43 | 0:14:46 | |
They move the seeds around. | 0:14:46 | 0:14:47 | |
Yeah, and the permafrost there where they used to roam is really, | 0:14:47 | 0:14:51 | |
really beneficial to the environment. | 0:14:51 | 0:14:54 | |
It contains two to three times as much carbon as the world's rainforests. | 0:14:54 | 0:14:57 | |
-That would be amazing. -Yeah. | 0:14:57 | 0:14:59 | |
That could be good aside from the fact it would be delightful to think of them anyway. | 0:14:59 | 0:15:03 | |
If they're free and out on the tundra that's amazing. | 0:15:03 | 0:15:05 | |
I thought they would just be breeding them to put them in captivity, | 0:15:05 | 0:15:08 | |
so we could go, "Oh, you're back." | 0:15:08 | 0:15:09 | |
They're going to put them in one of those tubes like the London Aquarium. | 0:15:09 | 0:15:13 | |
They could swim up and down. | 0:15:13 | 0:15:14 | |
No, there's a man called Sergey Zimov who has created | 0:15:14 | 0:15:18 | |
an experimental preserve in Siberia that he's called Pleistocene Park. | 0:15:18 | 0:15:21 | |
-Wow. -So could you do that with other...? | 0:15:21 | 0:15:24 | |
Is it possible that this will become a thing that will happen? | 0:15:24 | 0:15:27 | |
-T Rex. -I guess it is, yeah. | 0:15:27 | 0:15:28 | |
I think it's a question of when rather than if. | 0:15:28 | 0:15:30 | |
I think it would be a foolish person to say it could never happen. | 0:15:30 | 0:15:33 | |
If there's human will behind it, | 0:15:33 | 0:15:35 | |
and it's not illegal, and it's not... | 0:15:35 | 0:15:36 | |
Maybe not velociraptors. | 0:15:36 | 0:15:38 | |
No, we've got a warning there | 0:15:38 | 0:15:40 | |
-cos you see what they do in a kitchen. -Yeah. | 0:15:40 | 0:15:42 | |
-Less bother in a kitchen than Gordon Ramsay. -Well, that's true. | 0:15:42 | 0:15:47 | |
-JOSH: -Do you reckon in 4,000 years they'll be trying to recreate Gordon Ramsay? | 0:15:47 | 0:15:52 | |
-PHILL: -Wow! -JOSH: -For a dare. | 0:15:53 | 0:15:55 | |
-They'll think... -PHILL: -Imagine herds of them | 0:15:55 | 0:15:57 | |
sweeping across. Hear their cry. | 0:15:57 | 0:15:59 | |
"Fuck!" | 0:15:59 | 0:16:00 | |
"Why don't you grow some balls?" | 0:16:02 | 0:16:04 | |
"What's this? It's a stupid person sandwich." | 0:16:04 | 0:16:08 | |
Lawks! | 0:16:08 | 0:16:09 | |
Now, what kind of animal does this skull belong to? | 0:16:09 | 0:16:14 | |
-Toothy. -Well... -He's very toothy. -..looks dinosaur-y to me. | 0:16:14 | 0:16:18 | |
Well, you can certainly tell that it's not herbivore, | 0:16:18 | 0:16:21 | |
it's not vegetarian, can't you? | 0:16:21 | 0:16:23 | |
-Is it...a killer rabbit? -Sabre-toothed tiger? | 0:16:23 | 0:16:25 | |
Is it a sabre-toothed tiger? | 0:16:25 | 0:16:27 | |
-No, it's a bit smaller than that. -Is it a tiny mouse? | 0:16:27 | 0:16:30 | |
LAUGHTER It's a little bit bigger than that. | 0:16:30 | 0:16:33 | |
It's a species we've mentioned already... | 0:16:33 | 0:16:37 | |
-Is it a mole? -It's a mole! -A mole! Is it? | 0:16:37 | 0:16:39 | |
That's a mole. Well done. | 0:16:39 | 0:16:40 | |
APPLAUSE Well done. | 0:16:40 | 0:16:43 | |
The species, not surprisingly, is called the star-nosed mole, and... | 0:16:45 | 0:16:49 | |
It looks like that guy from Futurama, doesn't it? | 0:16:49 | 0:16:51 | |
-It does. Zoidberg. -Zoidberg. -Yeah. | 0:16:51 | 0:16:54 | |
IMITATES ZOIDBERG: Well, when you look like Zoidberg... | 0:16:54 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:58 | |
It's a wonderful mole. | 0:17:00 | 0:17:02 | |
They live underground, and we don't have much to do with them, | 0:17:02 | 0:17:04 | |
but they're equipped with special powers. | 0:17:04 | 0:17:06 | |
For example, they can smell in stereo, | 0:17:06 | 0:17:09 | |
so they can tell when something is coming, from which direction. | 0:17:09 | 0:17:12 | |
So they'd be very useful in a lift, wouldn't they? | 0:17:12 | 0:17:14 | |
They'd be able to say, "It was you. It was you. | 0:17:14 | 0:17:17 | |
"Don't lie - it was you." | 0:17:17 | 0:17:19 | |
And they have toxins with which they paralyse | 0:17:19 | 0:17:21 | |
and stun the worms that they eat. | 0:17:21 | 0:17:23 | |
Why would they want to do that if they've got the worm anyway? | 0:17:23 | 0:17:26 | |
-So they can eat it later. -So they can eat it later. | 0:17:26 | 0:17:28 | |
-So they find it and go... -They have larders. | 0:17:28 | 0:17:30 | |
-.."tasty, but lunchtime." -Exactly. Deferred pleasure. | 0:17:30 | 0:17:33 | |
-Pop it in their larder. -Eurgh... | 0:17:33 | 0:17:35 | |
-But they're... -That's amazing. -PHILL: -Christ! | 0:17:35 | 0:17:38 | |
Yeah. They need a lot of sustenance because they do a lot of work. | 0:17:38 | 0:17:42 | |
They do extraordinary tunnelling. | 0:17:42 | 0:17:44 | |
They can dig 150 feet of new tunnels a day. | 0:17:44 | 0:17:47 | |
Now, given their size and weight | 0:17:47 | 0:17:49 | |
that is the equivalent of a human moving four tonnes - | 0:17:49 | 0:17:53 | |
about 1,000 shovel loads - every 20 minutes. | 0:17:53 | 0:17:56 | |
Why didn't we get them to do the Channel Tunnel? | 0:17:56 | 0:17:58 | |
-LAUGHTER -It would've been amazing - and cute. | 0:17:58 | 0:18:02 | |
Yeah, about 400 of them - Crossrail, done in a fortnight. | 0:18:02 | 0:18:06 | |
-LAUGHTER -We're missing something. Huh? | 0:18:06 | 0:18:09 | |
APPLAUSE | 0:18:09 | 0:18:10 | |
They're very territorial and solitary, though, | 0:18:13 | 0:18:16 | |
and the females mate... | 0:18:16 | 0:18:18 | |
and as soon as they've mated, germinated, ovulated, whatever things females do, | 0:18:18 | 0:18:21 | |
erm... | 0:18:21 | 0:18:23 | |
LAUGHTER | 0:18:23 | 0:18:24 | |
It's complicated! | 0:18:24 | 0:18:26 | |
It's complicated. | 0:18:26 | 0:18:27 | |
Once they've done that, | 0:18:27 | 0:18:29 | |
their gonads then put out enormous quantities of testosterone, | 0:18:29 | 0:18:33 | |
-so that they become very aggressive and territorial. -That's amazing. | 0:18:33 | 0:18:37 | |
And they then go back to a solitary life like a male. So they become sort of male. | 0:18:37 | 0:18:41 | |
-Did you know that hyenas... female hyenas have penises... -Yes. | 0:18:41 | 0:18:44 | |
..that they have to give birth through. | 0:18:44 | 0:18:46 | |
-Ooh... -Yes. | 0:18:46 | 0:18:48 | |
-Oh, an audible gasp! -They're fake penises, though... | 0:18:48 | 0:18:50 | |
-What ARE they laughing at?! -They're not real penises. -They don't work like one. | 0:18:50 | 0:18:54 | |
HE CACKLES LIKE A HYENA | 0:18:54 | 0:18:55 | |
LAUGHTER | 0:18:55 | 0:18:57 | |
So their body has to basically put them to sleep to give birth, | 0:18:57 | 0:19:01 | |
-they have to release so many relaxants to be able to do it. -Oh... | 0:19:01 | 0:19:04 | |
-I know. Incredible. Isn't that amazing, though? -Yeah. Phenomenal. | 0:19:04 | 0:19:08 | |
Anyway, now, name all the members of the Monstrous Regiment of Women. | 0:19:08 | 0:19:13 | |
Beryl? | 0:19:14 | 0:19:15 | |
-Linda... -Jean. | 0:19:16 | 0:19:18 | |
-..Shirley. -Angry Sue. | 0:19:18 | 0:19:21 | |
-LAUGHTER -She's the leader. | 0:19:21 | 0:19:23 | |
Have you heard of The Monstrous Regiment Of Women? | 0:19:23 | 0:19:26 | |
-The First Blast Of The Trumpet Against The Monstrous... -Oh! | 0:19:26 | 0:19:30 | |
-John Knox. -Yes, John Knox. I knew you would've... | 0:19:30 | 0:19:32 | |
The First Blast Of The Trumpet Against | 0:19:32 | 0:19:34 | |
The "Monstrous", notice, Regiment Of Women. | 0:19:34 | 0:19:36 | |
So, I've read that, and it's bad that I couldn't remember | 0:19:36 | 0:19:39 | |
the Monstrous Regiment... It seems like it's kind of the main part. | 0:19:39 | 0:19:42 | |
-LAUGHTER -It seems like... | 0:19:42 | 0:19:44 | |
Actually, what it is is a slight change in the language, | 0:19:44 | 0:19:46 | |
and "monstrous" doesn't mean "monstrous" as we would say it - | 0:19:46 | 0:19:49 | |
-it means unnatural. -Mm. | 0:19:49 | 0:19:51 | |
And "regiment" doesn't mean | 0:19:51 | 0:19:54 | |
the whole load of them marching on, these women - | 0:19:54 | 0:19:56 | |
-it means "regime". -Right. | 0:19:56 | 0:19:59 | |
And he was a Protestant, | 0:19:59 | 0:20:01 | |
and he was angry at the fact | 0:20:01 | 0:20:02 | |
there were two Catholic women on the thrones... | 0:20:02 | 0:20:05 | |
-Oh, of course. -..of England. Who might they have been? -Mary... | 0:20:05 | 0:20:08 | |
Which Mary? They were both called Mary. | 0:20:08 | 0:20:11 | |
-The Two Marys... -The Two Marys. | 0:20:11 | 0:20:12 | |
LAUGHTER Exactly. | 0:20:12 | 0:20:14 | |
This has now turned into a story from the Bunty - The Two Marys. | 0:20:14 | 0:20:17 | |
-There was our Mary, Bloody Mary. Bloody Mary - Mary Tudor. -Yeah. | 0:20:17 | 0:20:21 | |
The one who burned the Protestants. | 0:20:21 | 0:20:23 | |
And in Scotland, it wasn't Mary Queen of Scots, | 0:20:23 | 0:20:27 | |
it was her regent, who was Mary of Guise. | 0:20:27 | 0:20:31 | |
-Cheery bunch. -Yeah, a cheery bunch. | 0:20:31 | 0:20:32 | |
-I feel like that's the same Mary in different outfits. -Yeah. | 0:20:32 | 0:20:36 | |
You know when they do, like, those style challenges on This Morning | 0:20:36 | 0:20:39 | |
-and it's before and after? -It is, isn't it? | 0:20:39 | 0:20:42 | |
"She used to just wear monochrome, but look at her now!" | 0:20:42 | 0:20:44 | |
LAUGHTER | 0:20:44 | 0:20:46 | |
So, Knox, who was a very keen Protestant, | 0:20:47 | 0:20:50 | |
didn't like these women on the throne. | 0:20:50 | 0:20:52 | |
He was angry about it and wrote this thing. | 0:20:52 | 0:20:54 | |
But on the subject of Mary Queen of Scots, | 0:20:54 | 0:20:56 | |
do you remember who her husband was, by any chance? | 0:20:56 | 0:20:59 | |
Darnley, his name was, her husband. | 0:20:59 | 0:21:02 | |
He was murdered. He was actually blown up. | 0:21:02 | 0:21:05 | |
This is a very extraordinary story. | 0:21:05 | 0:21:07 | |
One of the presumed architects of the explosion | 0:21:07 | 0:21:09 | |
was a fellow called Archibald Douglas - | 0:21:09 | 0:21:11 | |
a pair of his shoes were found at the scene of the crime. | 0:21:11 | 0:21:14 | |
ALAN GIGGLES | 0:21:14 | 0:21:15 | |
"Where's your shoes, Archibald?" | 0:21:15 | 0:21:17 | |
-LAUGHTER -"Oh!" | 0:21:17 | 0:21:19 | |
-You've always got to take your shoes off before a dynamiting. -He got away with it. | 0:21:21 | 0:21:24 | |
But he later gave an account of Mary's reaction. | 0:21:24 | 0:21:27 | |
-So, this is Mary, her husband has been blown up. -Mm-hm. | 0:21:27 | 0:21:30 | |
"She sent for a number of light ladies and women | 0:21:30 | 0:21:34 | |
"to come to Holyroodhouse | 0:21:34 | 0:21:36 | |
"and participate stark naked in a ball." | 0:21:36 | 0:21:41 | |
"Then they had cut off their pubic hair | 0:21:41 | 0:21:44 | |
"and had put it in puddings to be eaten by the male guests, | 0:21:44 | 0:21:49 | |
"who were sick." | 0:21:49 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:52 | |
Is that what you do when your husband's blown up? | 0:21:52 | 0:21:54 | |
Was she just trying to, you know, like, | 0:21:54 | 0:21:57 | |
trying to get back to normal life? | 0:21:57 | 0:21:58 | |
LAUGHTER | 0:21:58 | 0:22:00 | |
-"Let's just carry on as we were." -That's right. | 0:22:00 | 0:22:03 | |
"Get your pubes and put them in that pie." | 0:22:03 | 0:22:05 | |
"It's what he would have wanted." LAUGHTER | 0:22:05 | 0:22:08 | |
Actually, I think this might be quite clever. | 0:22:08 | 0:22:10 | |
Probably, if your partner is killed in a horrific way, | 0:22:10 | 0:22:12 | |
all anyone is ever going to talk to you about is, | 0:22:12 | 0:22:14 | |
"Aw, what happened to your husband?" | 0:22:14 | 0:22:16 | |
But now, no - "Why did you have that pube party?" | 0:22:16 | 0:22:19 | |
What? Why? Are you joking? | 0:22:20 | 0:22:24 | |
It's all the detail we have. | 0:22:24 | 0:22:25 | |
"Two things, Mary - number one, condolences. Number two..." | 0:22:25 | 0:22:28 | |
It's all the detail we have, sadly, | 0:22:28 | 0:22:29 | |
but the actual person who took the rap for the murder - | 0:22:29 | 0:22:32 | |
he was hanged, drawn and quartered | 0:22:32 | 0:22:34 | |
on the basis that he was the one who discovered the scene, | 0:22:34 | 0:22:36 | |
which seems a bit unfair - | 0:22:36 | 0:22:38 | |
his name was William Blackadder. | 0:22:38 | 0:22:39 | |
Oh... | 0:22:39 | 0:22:41 | |
HE IMPERSONATES GENERAL MELCHETT: It's true. | 0:22:41 | 0:22:43 | |
LAUGHTER AND APPLAUSE | 0:22:43 | 0:22:45 | |
Oh, stop it. Don't. | 0:22:45 | 0:22:47 | |
There you are. | 0:22:49 | 0:22:50 | |
The Monstrous Regiment Of Women was just a couple of Marys. | 0:22:50 | 0:22:53 | |
Which is nastier - | 0:22:53 | 0:22:54 | |
a Foetid Parachute or a Hairy Nuts Disco? | 0:22:54 | 0:22:59 | |
-OK... -I'll tell you who doesn't like a hairy nuts disco - Mary. | 0:22:59 | 0:23:03 | |
LAUGHTER Exactly. It's so true. | 0:23:03 | 0:23:06 | |
Presumably, she has that sort of in bowls... | 0:23:06 | 0:23:09 | |
You have hairy nuts as a sort of amuse-bouche. | 0:23:10 | 0:23:13 | |
Basically that would be a party | 0:23:13 | 0:23:15 | |
-with people just walking around, going... -HE RETCHES | 0:23:15 | 0:23:19 | |
HE CONTINUES TO RETCH | 0:23:21 | 0:23:23 | |
Making a PUBIC nuisance of yourself. LAUGHTER | 0:23:23 | 0:23:26 | |
They ARE cocktails? | 0:23:26 | 0:23:28 | |
-Are these cocktails? -They're not cocktails. | 0:23:28 | 0:23:30 | |
They look exactly as if they would be... | 0:23:30 | 0:23:32 | |
In Japan, there is a disco where the women don't wear underwear | 0:23:32 | 0:23:36 | |
and they are on a floor above, and it's glass, | 0:23:36 | 0:23:40 | |
and they dance and the men pay more to be underneath. | 0:23:40 | 0:23:42 | |
And I was telling my friend this and she went, | 0:23:42 | 0:23:44 | |
"They couldn't do it with men cos it would look like everyone was waving at you." | 0:23:44 | 0:23:48 | |
LAUGHTER | 0:23:48 | 0:23:50 | |
Isn't that romantic - people like, "Oh... Don't worry." | 0:23:50 | 0:23:52 | |
"No, no, it's OK, carry on." | 0:23:52 | 0:23:54 | |
Foetid Parachute might be a slight clue | 0:23:54 | 0:23:56 | |
inasmuch as the shape of a parachute might be. | 0:23:56 | 0:23:59 | |
-JOSH: -Oh! -Oh, jellyfish! -Jellyfish! | 0:23:59 | 0:24:01 | |
-That's the one thing it could've been... -Mushrooms! | 0:24:01 | 0:24:04 | |
..the other one is mushrooms. Yeah, these are fungi or fun-gee. | 0:24:04 | 0:24:08 | |
Extraordinary names for new species that occur all the time, | 0:24:08 | 0:24:11 | |
and there are some incredible names. | 0:24:11 | 0:24:13 | |
Pink Disco - that's normal and nice. | 0:24:13 | 0:24:16 | |
Greasy Bracket... | 0:24:16 | 0:24:18 | |
"Punched him in the greasy bracket." I don't know. | 0:24:18 | 0:24:20 | |
Powdery Piggyback. | 0:24:20 | 0:24:22 | |
IN A MENACING VOICE: Shall we play powdery piggyback? | 0:24:22 | 0:24:25 | |
White Brain, Jelly Ear, Verdigris Navel, | 0:24:25 | 0:24:29 | |
LAUGHING: Fragrant Funnel... | 0:24:29 | 0:24:31 | |
I'm sorry. I'm sorry! LAUGHTER | 0:24:31 | 0:24:33 | |
Cinnamon Jellybaby, Witches' Butter, Slimy Earth Tongue. | 0:24:33 | 0:24:37 | |
Alan Rickman's Fridge Gunk. Let's just start making up mushroom names. | 0:24:37 | 0:24:41 | |
These are also all bands that have had a John Peel session as well. | 0:24:41 | 0:24:45 | |
Hot Lips, Twisted Deceiver... | 0:24:45 | 0:24:48 | |
Barbara Cartland's Shoe Tree. | 0:24:48 | 0:24:50 | |
..Bog Cannon, Gassy Night... | 0:24:50 | 0:24:54 | |
-JOSH: -I've had one of them. -..and the Hairy Nuts Disco. | 0:24:54 | 0:24:56 | |
So how often are they finding new fungi? | 0:24:56 | 0:24:59 | |
Amazingly, amazingly. Let me tell you a remarkable story. | 0:24:59 | 0:25:01 | |
This is in September 2014 - not very long ago. | 0:25:01 | 0:25:04 | |
A couple of mycologists - | 0:25:04 | 0:25:05 | |
as they call fungus experts - from Kew Gardens | 0:25:05 | 0:25:08 | |
analysed the DNA of a supermarket packet of porcini mushrooms. | 0:25:08 | 0:25:14 | |
They found three species unknown to science. | 0:25:14 | 0:25:17 | |
LAUGHTER Perfectly edible... | 0:25:17 | 0:25:21 | |
Was there any horse in it? | 0:25:21 | 0:25:22 | |
LAUGHTER | 0:25:22 | 0:25:25 | |
The scientists named them in Latin | 0:25:25 | 0:25:27 | |
White Beef Liver, Delicious cattle Liver Fungus and Edible. | 0:25:27 | 0:25:31 | |
Wow. | 0:25:31 | 0:25:32 | |
Do you know, the worst thing is throughout that I was thinking, | 0:25:32 | 0:25:35 | |
"I wonder who's been to Kew Gardens more - Sara or Alan?" | 0:25:35 | 0:25:38 | |
LAUGHTER | 0:25:38 | 0:25:40 | |
So in terms of fungi as a whole, 1,200 new species are added a year. | 0:25:40 | 0:25:44 | |
-Wow. -1,200 a year? -Amazing, isn't it? | 0:25:44 | 0:25:46 | |
-They may account for up to 25% of the Earth's biomass. -Wow. | 0:25:46 | 0:25:51 | |
-So are they really adaptive? Is that's what's happening? -Very. | 0:25:51 | 0:25:54 | |
-And can be aggressive - that's why we've... -Like moles! | 0:25:54 | 0:25:56 | |
-We should get them in a fight. -Yes! | 0:25:56 | 0:25:59 | |
-Mushrooms versus moles! -LAUGHTER | 0:25:59 | 0:26:01 | |
They can be very aggressive. Although they don't exactly move, | 0:26:01 | 0:26:04 | |
they do spread themselves huge distances underground. | 0:26:04 | 0:26:06 | |
I still think I could beat one in a fight. | 0:26:06 | 0:26:09 | |
-Some would beat you in a fight if you tried to EAT them. -Yes... | 0:26:11 | 0:26:14 | |
which is how I fight. | 0:26:14 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:18 | |
Well, there you are, you see? | 0:26:18 | 0:26:20 | |
The Trichoderma fungus bumps into another species | 0:26:20 | 0:26:23 | |
and grasps it with its hyphae, its thin tubes, | 0:26:23 | 0:26:26 | |
and squeezes the food out of it. | 0:26:26 | 0:26:28 | |
So it basically takes the food from another species. | 0:26:28 | 0:26:31 | |
"Meanwhile, in the Swan Vesta reject room...! | 0:26:31 | 0:26:34 | |
LAUGHTER | 0:26:34 | 0:26:36 | |
Other fungi launch gas warfare - | 0:26:36 | 0:26:38 | |
the Sulphur Tuft produces chemical agents... | 0:26:38 | 0:26:41 | |
Chemical warfare?! | 0:26:41 | 0:26:42 | |
-Yeah. Against each other. -Oh, my God. -Yeah. | 0:26:42 | 0:26:45 | |
Mushrooms are quite small. They used to be huge. | 0:26:45 | 0:26:48 | |
They used to be the biggest kinds of non-animal there were. | 0:26:48 | 0:26:51 | |
When trees and plants were just three foot tall, | 0:26:51 | 0:26:54 | |
they were much, much bigger - and much more phallic. | 0:26:54 | 0:26:56 | |
-Really? -Apparently. | 0:26:56 | 0:26:58 | |
Planet of the Cocks. | 0:26:58 | 0:27:00 | |
LAUGHTER | 0:27:00 | 0:27:02 | |
Anyway, if Frankenstein's Monster came to dinner, | 0:27:02 | 0:27:05 | |
what would you give him to eat? | 0:27:05 | 0:27:07 | |
Electricity, I would give him. | 0:27:07 | 0:27:09 | |
Electricity? To keep him alive? | 0:27:09 | 0:27:12 | |
That's what he was brought to life with, | 0:27:12 | 0:27:13 | |
so that's what I would feed him. | 0:27:13 | 0:27:15 | |
Just finger in the plug socket, or... | 0:27:15 | 0:27:18 | |
-JOSH: -Have you got an adaptor? | 0:27:18 | 0:27:22 | |
In the novel, Frankenstein, Or The Modern Prometheus, | 0:27:22 | 0:27:25 | |
the Monster speaks and is intelligent, and brave, and kind. | 0:27:25 | 0:27:29 | |
And also eats. | 0:27:29 | 0:27:32 | |
-Who wrote it? -Mary Shelley. | 0:27:32 | 0:27:34 | |
-Mary Shelley, who was the wife of... -She was very, very young... | 0:27:34 | 0:27:37 | |
-Percy. -Percy Shelley. -..when she wrote it. | 0:27:37 | 0:27:39 | |
She was young. Percy Shelley and she were two of the most | 0:27:39 | 0:27:42 | |
notable pioneering vegetarians. | 0:27:42 | 0:27:45 | |
Ahh. | 0:27:45 | 0:27:46 | |
And they wanted to express that feeling in the creature, | 0:27:46 | 0:27:50 | |
in the Monster, as it's called. | 0:27:50 | 0:27:52 | |
A simple humble diet of carrots, vegetables, | 0:27:52 | 0:27:56 | |
and gallons of laudanum. | 0:27:56 | 0:27:58 | |
So Frankenstein's Monster didn't eat any meat? | 0:27:59 | 0:28:01 | |
He actually has a speech in the novel, | 0:28:01 | 0:28:03 | |
"My food is not that of Man. | 0:28:03 | 0:28:05 | |
"I do not destroy the lamb and the kid to glut my appetite. | 0:28:05 | 0:28:09 | |
"Acorns and berries accord me sufficient nourishment." | 0:28:09 | 0:28:12 | |
-Aw, that's amazing. -He could do better than acorns and berries. | 0:28:12 | 0:28:14 | |
He could have a quiche, for example. | 0:28:14 | 0:28:16 | |
LAUGHTER | 0:28:16 | 0:28:17 | |
It's weird to think of Frankenstein's Monster having that in common with Piglet. | 0:28:17 | 0:28:21 | |
"I like haycorns." | 0:28:21 | 0:28:24 | |
But that's how we know he was such a kind, empathetic character. | 0:28:24 | 0:28:28 | |
Because he lived with a bear. | 0:28:28 | 0:28:29 | |
I was talking about Frankenstein's Monster. | 0:28:29 | 0:28:31 | |
LAUGHTER | 0:28:31 | 0:28:34 | |
When Shelley died... Do you know how Shelley died? He was very young, | 0:28:34 | 0:28:36 | |
-as Keats was. -On a boat? -He died in Italy, didn't he? | 0:28:36 | 0:28:39 | |
-On a boat, quite right. -I was right, yeah. | 0:28:39 | 0:28:41 | |
It sank, the Arial, and his friend, Captain John Trelawny, | 0:28:41 | 0:28:44 | |
scoured the Italian coast to find his body. | 0:28:44 | 0:28:46 | |
And when they burnt his body at the cremation, | 0:28:46 | 0:28:49 | |
the heart seemed to stay whole, and so Trelawny grabbed it, | 0:28:49 | 0:28:53 | |
pulled it out, burned his hand terribly, | 0:28:53 | 0:28:54 | |
and gave the heart to Mary, who kept it for 30 years. | 0:28:54 | 0:28:58 | |
Some people now think it was probably the liver, not the heart, | 0:28:58 | 0:29:01 | |
and it... Who knows? But it's rather touching. | 0:29:01 | 0:29:04 | |
Byron's liver would have gone off like a bomb. | 0:29:04 | 0:29:06 | |
LAUGHTER | 0:29:06 | 0:29:08 | |
Right, yeah, Frankenstein's Monster was a vegetarian, fair play to him. | 0:29:10 | 0:29:14 | |
Alan, what horrors are under your bed | 0:29:14 | 0:29:16 | |
and how can you get rid of them? | 0:29:16 | 0:29:18 | |
LAUGHTER | 0:29:19 | 0:29:21 | |
Be honest with us. Share. | 0:29:22 | 0:29:24 | |
Don't over share, but just share enough. | 0:29:24 | 0:29:26 | |
The Bogeyman, everyone's always scared of. | 0:29:26 | 0:29:28 | |
The Bogeyman. And how do you get rid of it? | 0:29:28 | 0:29:30 | |
Is there a way? | 0:29:30 | 0:29:33 | |
Er, fire. Burn him, smoke him out. | 0:29:33 | 0:29:35 | |
LAUGHTER | 0:29:35 | 0:29:37 | |
A futon. | 0:29:37 | 0:29:38 | |
LAUGHTER | 0:29:38 | 0:29:40 | |
Well, there is... | 0:29:40 | 0:29:42 | |
Yeah, we have a divan base with drawers. | 0:29:42 | 0:29:45 | |
No Bogeyman. | 0:29:46 | 0:29:48 | |
The point is you can buy a spray that you tell your child | 0:29:48 | 0:29:52 | |
will get rid of the Bogeyman. | 0:29:52 | 0:29:54 | |
-Oh, really. -Great, lies in a can. | 0:29:54 | 0:29:56 | |
So, yeah, you can get the spray. | 0:29:56 | 0:29:57 | |
And we've got some, I think it's under there somewhere. | 0:29:57 | 0:30:00 | |
You can spray away the monsters. | 0:30:00 | 0:30:02 | |
Yours is... LOUD HONK | 0:30:02 | 0:30:03 | |
Yes, that's the loud... That's another way. | 0:30:03 | 0:30:05 | |
What if you like monsters? | 0:30:05 | 0:30:07 | |
-If you like them, don't... -I'm not going to. | 0:30:07 | 0:30:09 | |
-You like monsters? -I think I'm open to them. | 0:30:09 | 0:30:12 | |
I remember being a bit afraid of what was down the bottom of the bed. | 0:30:13 | 0:30:16 | |
Indeed, and there are evolutionary psychologists | 0:30:16 | 0:30:19 | |
who believe that the child's resistance to bed | 0:30:19 | 0:30:22 | |
is actually very sensible | 0:30:22 | 0:30:24 | |
and is part of the in-built thing of not wanting to sleep | 0:30:24 | 0:30:27 | |
alone in the dark where there are genuine monsters, | 0:30:27 | 0:30:30 | |
animals and all kinds of things, and it's been inherited. | 0:30:30 | 0:30:33 | |
But in Hungary, they have a monster which is most peculiar. | 0:30:33 | 0:30:37 | |
It's called Rezfaszu bagoly, | 0:30:37 | 0:30:38 | |
though I'm sure it's not pronounced like that. | 0:30:38 | 0:30:40 | |
But what it means, in English, is "the copper-penised owl." | 0:30:40 | 0:30:44 | |
-He is a giant owl... -I'm glad you've shown me his face. | 0:30:44 | 0:30:48 | |
LAUGHTER | 0:30:48 | 0:30:50 | |
He's a giant owl and he has a copper penis, | 0:30:50 | 0:30:52 | |
-and he'll get you... -When you say "copper penis"... | 0:30:52 | 0:30:54 | |
-Yeah, I mean a penis made of copper. -Thank you. | 0:30:54 | 0:30:56 | |
Not a tiny policeman with balls. | 0:30:56 | 0:30:58 | |
LAUGHTER | 0:30:58 | 0:31:00 | |
That would be scary, though. | 0:31:00 | 0:31:01 | |
"Evenin', all." | 0:31:01 | 0:31:03 | |
The really scary part is he's a threat to children, this creature. | 0:31:03 | 0:31:06 | |
-Oh. -That's the point. | 0:31:06 | 0:31:08 | |
This is what's disturbing, is that the copper-penised owl | 0:31:08 | 0:31:11 | |
will get you if you don't do what your mother tells you. | 0:31:11 | 0:31:14 | |
What does it mean, "get you"? | 0:31:14 | 0:31:16 | |
Oh, my gosh. | 0:31:16 | 0:31:17 | |
What sort of mother would say that to a child? | 0:31:17 | 0:31:20 | |
If you don't behave, the copper-penised owl | 0:31:20 | 0:31:23 | |
will come and get you. | 0:31:23 | 0:31:25 | |
Imagine that, you're lying in bed at night and you hear... | 0:31:25 | 0:31:27 | |
IMITATES OWL | 0:31:27 | 0:31:29 | |
LAUGHTER | 0:31:29 | 0:31:31 | |
Oh, my God, it's tarnished! | 0:31:31 | 0:31:33 | |
There is some research to show that people who play | 0:31:33 | 0:31:36 | |
a lot of computer games | 0:31:36 | 0:31:38 | |
can sometimes develop the ability to take control of their nightmares | 0:31:38 | 0:31:41 | |
and fight back within them. | 0:31:41 | 0:31:43 | |
-Wow. -Yeah, it's rather good, isn't it? | 0:31:43 | 0:31:44 | |
Take it to the next level. | 0:31:44 | 0:31:46 | |
Take it to the next level. | 0:31:46 | 0:31:48 | |
Now, how do you keep a blue man happy? | 0:31:48 | 0:31:51 | |
I once auditioned for the Blue Man Group. | 0:31:54 | 0:31:56 | |
-Did you? -I auditioned for everything that was in The Stage, | 0:31:56 | 0:32:00 | |
which is a newspaper for out-of-work actors, | 0:32:00 | 0:32:03 | |
and I did not read that advert properly. | 0:32:03 | 0:32:05 | |
And not only do you need to be a man to be in the Blue Man Group, | 0:32:05 | 0:32:08 | |
but you also need to be over 6'5". | 0:32:08 | 0:32:10 | |
-Seriously? -And I was in the queue thinking... | 0:32:10 | 0:32:12 | |
"I think I've got this." | 0:32:12 | 0:32:14 | |
"I'm really special amongst all these people." | 0:32:15 | 0:32:18 | |
So is it... What is the Blue Man Group? | 0:32:18 | 0:32:20 | |
-Like that, completely painted blue. -They're a huge success, | 0:32:20 | 0:32:23 | |
-enormous. -There they are! | 0:32:23 | 0:32:25 | |
-They started in New York. -I didn't get it, if anyone was wondering. | 0:32:25 | 0:32:28 | |
They have five running just in the United States. | 0:32:28 | 0:32:31 | |
And whenever you're in any city in the world, you see | 0:32:31 | 0:32:34 | |
a poster for the Blue Man Group. | 0:32:34 | 0:32:36 | |
-Tourist fodder, because they're not dependent on language. -Exactly. | 0:32:36 | 0:32:39 | |
That's a very good point. | 0:32:39 | 0:32:41 | |
But these blue men are monsters in the world that we're in. | 0:32:41 | 0:32:45 | |
Not the Smurfs, then. | 0:32:45 | 0:32:46 | |
These are the Blue Men of the Minch, | 0:32:47 | 0:32:50 | |
Between the north-west coast of Scotland and the Hebrides. | 0:32:50 | 0:32:53 | |
And the Blue Men of Minch, they're also known as Sea Kelpies. | 0:32:53 | 0:32:58 | |
Oooh. Ooh, he's a charmer. | 0:32:58 | 0:33:01 | |
Yeah, isn't he? | 0:33:01 | 0:33:03 | |
And they used to lure sea folk. | 0:33:03 | 0:33:05 | |
They're always luring, aren't they, monsters? | 0:33:05 | 0:33:07 | |
It creates storms. But they had a really unique line | 0:33:07 | 0:33:10 | |
in allowing you to be saved. | 0:33:10 | 0:33:12 | |
And that is they would shout out two lines of poetry | 0:33:12 | 0:33:16 | |
and if you could shout back two which rhymed, that pleased them, | 0:33:16 | 0:33:20 | |
they would let your ship go. | 0:33:20 | 0:33:21 | |
There was a young man from Dunoon... | 0:33:21 | 0:33:24 | |
Like an improv game. | 0:33:26 | 0:33:28 | |
That's right. We have one example from Scottish mythology. | 0:33:28 | 0:33:31 | |
Perhaps you could supply the reply. | 0:33:31 | 0:33:33 | |
The chief of the Blue Men called out thus to a ship's captain - | 0:33:33 | 0:33:36 | |
"My men are eager, my men are ready | 0:33:36 | 0:33:39 | |
To drag you below the waves." | 0:33:39 | 0:33:41 | |
"One's called Steve, one called Zeddy..." | 0:33:41 | 0:33:44 | |
LAUGHTER | 0:33:44 | 0:33:45 | |
"The other three are all Daves." | 0:33:45 | 0:33:47 | |
LAUGHTER AND APPLAUSE | 0:33:47 | 0:33:49 | |
Very pleasing! | 0:33:51 | 0:33:53 | |
I think they would have been insane not to let you off with that. | 0:33:54 | 0:33:57 | |
In fact, the rather dull one that saved the skippers of that ship | 0:33:57 | 0:34:00 | |
that was attacked was, | 0:34:00 | 0:34:01 | |
"My ship is speedy, my ship is steady | 0:34:01 | 0:34:03 | |
If it sank, it would wreck your caves." | 0:34:03 | 0:34:07 | |
-Rubbish. -I like to think that it was like a proto version of The Voice. | 0:34:07 | 0:34:11 | |
They were all in chairs the other way around | 0:34:11 | 0:34:13 | |
and they shouted the rhymes. | 0:34:13 | 0:34:15 | |
And, like, "Yeah, that rhymes." | 0:34:15 | 0:34:17 | |
If they just said to me, "My men are eager, my men are ready | 0:34:17 | 0:34:20 | |
"To drag you below the waves", | 0:34:20 | 0:34:22 | |
I'd never have thought, | 0:34:22 | 0:34:24 | |
"They want me to rhyme with this." | 0:34:24 | 0:34:26 | |
LAUGHTER | 0:34:26 | 0:34:27 | |
I'd see that as a threat. | 0:34:27 | 0:34:29 | |
Maybe that's what hecklers have been wanting all along. | 0:34:30 | 0:34:33 | |
-What, a rhyme... -Yeah, rhyme back. | 0:34:34 | 0:34:38 | |
The theory is they were blue because they'd painted themselves. | 0:34:38 | 0:34:43 | |
And Latin for to paint is pictum, | 0:34:43 | 0:34:46 | |
as in picture and depict... | 0:34:46 | 0:34:49 | |
-and... -Picts. | 0:34:49 | 0:34:51 | |
Picts, exactly. They were Picts. The Picts and the Scots. | 0:34:51 | 0:34:54 | |
There were Picts in woad, possibly on kayaks, | 0:34:54 | 0:34:56 | |
who were aggressive and did indeed colonise Scotland, | 0:34:56 | 0:34:59 | |
so maybe that's who they were. | 0:34:59 | 0:35:01 | |
"Angus, can you hear lions singing?" | 0:35:01 | 0:35:03 | |
LAUGHTER | 0:35:03 | 0:35:06 | |
"Sounds awfully nice." | 0:35:06 | 0:35:08 | |
Wellll, if you don't want to sink in the Minch, | 0:35:08 | 0:35:11 | |
think of something that rhymes... | 0:35:11 | 0:35:14 | |
LAUGHTER ..at a pinch. | 0:35:14 | 0:35:15 | |
Um, yeah. | 0:35:15 | 0:35:17 | |
Ah, it's a cinch. | 0:35:17 | 0:35:18 | |
So, now it's time to descend into the dark | 0:35:18 | 0:35:21 | |
and fetid nest of nasties that is General Ignorance. | 0:35:21 | 0:35:24 | |
First, some real sea monsters. Fingers on buzzers. | 0:35:24 | 0:35:26 | |
Why do great white sharks bite people? | 0:35:26 | 0:35:29 | |
WOMAN SCREAMS Yes? | 0:35:29 | 0:35:31 | |
It's to keep themselves in the news. | 0:35:31 | 0:35:33 | |
LAUGHTER AND APPLAUSE | 0:35:33 | 0:35:34 | |
That's probably why. | 0:35:36 | 0:35:37 | |
It's so good and so true. | 0:35:38 | 0:35:40 | |
Is it cos they think they're something else? | 0:35:40 | 0:35:42 | |
It's a pretty good answer, yes... | 0:35:42 | 0:35:45 | |
People say it's because the shadow of a person, | 0:35:45 | 0:35:47 | |
especially if they're surfing, looks like a seal. | 0:35:47 | 0:35:50 | |
No, you see, the thing is when... They do eat seals, | 0:35:50 | 0:35:52 | |
but when they eat seals, it's a frenzy, it's a torpedo - | 0:35:52 | 0:35:54 | |
they dive in, and there's nothing left. | 0:35:54 | 0:35:56 | |
But when they attack people, they just take a bite, | 0:35:56 | 0:35:59 | |
and they usually then go off. | 0:35:59 | 0:36:01 | |
So it's generally believed that it's a kind of curiosity. | 0:36:01 | 0:36:04 | |
-"What is this?" -Oh, God. | 0:36:04 | 0:36:05 | |
So it's like at a party with a vol-au-vent? | 0:36:05 | 0:36:07 | |
Yeah, basically. | 0:36:07 | 0:36:09 | |
They just think, "I'll just take a little bit off it..." | 0:36:09 | 0:36:11 | |
-Oh, no, no. -"..and see if I like it, see what it is." | 0:36:11 | 0:36:14 | |
That's generally believed by... | 0:36:14 | 0:36:16 | |
Going over to his mates going, "Don't try that - it's horrible." | 0:36:16 | 0:36:19 | |
"Don't put it back on the tray. Don't put it back on the tray. | 0:36:19 | 0:36:22 | |
-"Put it over there." -"You've started it now." | 0:36:22 | 0:36:24 | |
Curious rather than predatory is the way their behaviour is. | 0:36:24 | 0:36:27 | |
Wrap it in a napkin, put it in your pocket. | 0:36:27 | 0:36:29 | |
If you're a human and you lose half your leg, | 0:36:29 | 0:36:31 | |
-you don't, obviously, think of it like that. -No, no. | 0:36:31 | 0:36:34 | |
But the point is if they wanted to kill you, | 0:36:34 | 0:36:36 | |
they are such ferocious... | 0:36:36 | 0:36:37 | |
"I hope that's sated your curiosity!" | 0:36:37 | 0:36:39 | |
So, yeah, sharks like to have a nibble | 0:36:41 | 0:36:43 | |
before they decide whether or not we're worth munching. | 0:36:43 | 0:36:46 | |
Who has the biggest face in America? | 0:36:46 | 0:36:48 | |
-Oh, is it... -MONSTER ROARS | 0:36:51 | 0:36:54 | |
..one of Mount Rushmore? | 0:36:54 | 0:36:56 | |
Ah... Dang nabbit. SIREN RINGS | 0:36:56 | 0:36:59 | |
No, I said "one of". | 0:37:00 | 0:37:02 | |
-Is it a clock? -No, it's not a clock. | 0:37:02 | 0:37:04 | |
-Good, good... Very smart. -OK. | 0:37:04 | 0:37:07 | |
-Where's Mount Rushmore? -Dakota. -South Dakota is right, yeah. | 0:37:07 | 0:37:11 | |
And this particular huge face | 0:37:11 | 0:37:14 | |
which is bigger by far than either of the four Presidents there... | 0:37:14 | 0:37:18 | |
But you can get a point for naming them. | 0:37:18 | 0:37:20 | |
-Washington... -Washington. -..Lincoln... | 0:37:20 | 0:37:22 | |
and the other two. | 0:37:22 | 0:37:24 | |
-McKinley, no? And... -Jefferson... -Jefferson and... | 0:37:26 | 0:37:29 | |
-..and Teddy Roosevelt. -Oh! Oh! -Oh! | 0:37:29 | 0:37:33 | |
Oh, we can all do that at the end, Josh. | 0:37:33 | 0:37:35 | |
-LAUGHTER -I knew all of them! Just on the... | 0:37:35 | 0:37:38 | |
Oh, Horniman Museum! | 0:37:38 | 0:37:39 | |
I'm not going to lie - I was going to go Obama, so... | 0:37:41 | 0:37:44 | |
15 miles away from Mount Rushmore is the biggest face in America. | 0:37:48 | 0:37:51 | |
-15 miles? -Which is an ongoing work, also sculpting a face. | 0:37:51 | 0:37:55 | |
Oh, it's the Indian head thing. | 0:37:55 | 0:37:57 | |
Yes, it's the head of a Lakota Sioux Indian chief | 0:37:57 | 0:38:00 | |
who was a hero to his people. | 0:38:00 | 0:38:02 | |
It's being done by one person who's been doing it for about 20 years. | 0:38:02 | 0:38:05 | |
Ancient Polish guy - I've met him. He's extraordinary, yeah. | 0:38:05 | 0:38:08 | |
-It's going to be much, much bigger than them, isn't it? -Yes. | 0:38:08 | 0:38:10 | |
87 feet high, is the face. | 0:38:10 | 0:38:12 | |
And do you know the name of the Indian brave? | 0:38:12 | 0:38:15 | |
He won, for his people, the battle, | 0:38:15 | 0:38:18 | |
of which was only a battle - they lost the war... | 0:38:18 | 0:38:20 | |
-Sitting Bull. -Sitting Bull. -Crazy Horse. | 0:38:20 | 0:38:22 | |
-Steve. -# Ow! # -"Steve!" | 0:38:22 | 0:38:24 | |
Crazy Horse. | 0:38:24 | 0:38:26 | |
-There it is - there's the face. -Oh, he's beautiful. | 0:38:26 | 0:38:28 | |
He beat Custer in the Battle of Little Bighorn. | 0:38:28 | 0:38:31 | |
Yeah, but they never found Roobarb. | 0:38:31 | 0:38:33 | |
LAUGHTER | 0:38:33 | 0:38:35 | |
Lordy, lord. | 0:38:37 | 0:38:38 | |
HE SINGS ROOBARB AND CUSTARD THEME MUSIC | 0:38:38 | 0:38:42 | |
But if you go sideways on, he's on his horse. | 0:38:42 | 0:38:44 | |
-IMITATES CUSTARD: -Look out, there's a big Indian after you. | 0:38:44 | 0:38:47 | |
-So, there's one guy who's done this? -Yeah. -Amazing. | 0:38:47 | 0:38:50 | |
-And he's still doing it. -That's why it's taking so long. | 0:38:50 | 0:38:53 | |
-When did he start? -Do you have to buy the mountain | 0:38:53 | 0:38:55 | |
first, or do you just do it on somebody else's? | 0:38:55 | 0:38:57 | |
Cos I'd be pretty angry if that was in my garden. | 0:38:57 | 0:38:59 | |
You know, the really impressive thing is | 0:38:59 | 0:39:02 | |
that he's done it with sandpaper. | 0:39:02 | 0:39:05 | |
Is he going to get to the end | 0:39:05 | 0:39:06 | |
and then they're going to realise he hasn't got planning permission? | 0:39:06 | 0:39:10 | |
"Put it all back, my friend." | 0:39:10 | 0:39:11 | |
"You have to rebuild the original mountain as it was. | 0:39:11 | 0:39:13 | |
-LAUGHTER -"We want it all back." | 0:39:13 | 0:39:16 | |
-There you can see how it should look. -Oh, wow. | 0:39:17 | 0:39:20 | |
That's the real thing in the background. | 0:39:20 | 0:39:23 | |
It's a noble endeavour, | 0:39:23 | 0:39:24 | |
but, goodness me, it's taking him a long time. | 0:39:24 | 0:39:26 | |
I don't know if he's using dynamite, | 0:39:26 | 0:39:28 | |
cos that's what they used in Mount Rushmore. | 0:39:28 | 0:39:30 | |
They used dynamite to four inches' worth of accuracy. | 0:39:30 | 0:39:33 | |
-Really? -You know, all the little features - | 0:39:33 | 0:39:35 | |
the nose and everything else. Unbelievable. | 0:39:35 | 0:39:37 | |
It was going to be Lewis and Clark, the explorers, | 0:39:37 | 0:39:40 | |
you know, who opened up the West, | 0:39:40 | 0:39:41 | |
and it was going to be Chief Red Cloud and Buffalo Bill, | 0:39:41 | 0:39:44 | |
but then they decided it should be presidents | 0:39:44 | 0:39:47 | |
just to get on the right side of politics, I suppose. | 0:39:47 | 0:39:49 | |
There's Buffalo Bill. Obviously, Lewis and Clark on the right. | 0:39:49 | 0:39:52 | |
And you know what you do after a good dynamite? | 0:39:52 | 0:39:55 | |
Pube party. | 0:39:55 | 0:39:56 | |
LAUGHTER | 0:39:56 | 0:39:59 | |
That must have been the biggest pube party of all time. | 0:39:59 | 0:40:01 | |
It was massive. | 0:40:01 | 0:40:03 | |
Anyway, name the largest single man-made structure on the planet. | 0:40:03 | 0:40:08 | |
-Oh... Oh, yeah. -Not falling for that one. | 0:40:08 | 0:40:11 | |
No way. No way! | 0:40:11 | 0:40:13 | |
Is it going to be a 50-mile long tunnel or a bridge | 0:40:13 | 0:40:17 | |
or something like that? | 0:40:17 | 0:40:18 | |
What we've got out of the way, cos it's hanging here like a worry, | 0:40:18 | 0:40:21 | |
is it's not the Great Wall of China. | 0:40:21 | 0:40:23 | |
-Oh, OK. -Yeah. -Try a continent where it might be. | 0:40:23 | 0:40:26 | |
-Europe. -OK. -Europe is not where it is. | 0:40:26 | 0:40:28 | |
-Asia. -Australia. -Nor Asia, nor Australia. | 0:40:28 | 0:40:30 | |
-North America. -Nor North America. | 0:40:30 | 0:40:32 | |
-South America. -Nor South America. | 0:40:32 | 0:40:33 | |
-Antarctica. -Antarctica. -Nor Antarctica. -Arctic. | 0:40:33 | 0:40:36 | |
-Africa. -Africa! Thank you. | 0:40:36 | 0:40:39 | |
-Hey! -Bloody hell, I'm glad... | 0:40:39 | 0:40:41 | |
LAUGHTER AND APPLAUSE | 0:40:41 | 0:40:43 | |
I really, really hope Ban Ki-moon isn't watching this. | 0:40:45 | 0:40:48 | |
"Africa! Africa!" | 0:40:48 | 0:40:51 | |
-So, is it Egyptian? Is it North...? -It's Nigeria, in fact. -Oh. | 0:40:51 | 0:40:55 | |
It's the Great Earthworks of Benin. | 0:40:55 | 0:40:57 | |
The Great Earthworks of Benin! | 0:40:57 | 0:40:59 | |
LAUGHTER | 0:40:59 | 0:41:02 | |
It's also called the Walls of Benin. | 0:41:02 | 0:41:04 | |
-The Walls, of course, Benin! -Defensive earthworks... | 0:41:04 | 0:41:06 | |
The Earthen Walls of Benin in... | 0:41:06 | 0:41:08 | |
..dug by the Edo people. | 0:41:08 | 0:41:11 | |
-10,000 miles in length. -Miles of it. 10,000 miles... -10,000 miles? | 0:41:11 | 0:41:14 | |
..of defensive earthworks by the Edos. | 0:41:14 | 0:41:17 | |
-10,000 miles in length. -How could I forget(?!) | 0:41:17 | 0:41:19 | |
-Four times longer than the Great Wall of China. -OK. | 0:41:21 | 0:41:23 | |
Puny little wall. | 0:41:23 | 0:41:24 | |
Consumed 100 times more material than the Great Pyramid of Cheops. | 0:41:24 | 0:41:27 | |
Took 700 years and an estimated 150 million hours of digging. | 0:41:27 | 0:41:32 | |
Severely damaged by... HE CLEARS THROAT | 0:41:32 | 0:41:35 | |
..the British...when we sacked and burned Benin in 1897. | 0:41:35 | 0:41:40 | |
Aren't the British brilliant? | 0:41:40 | 0:41:41 | |
"Yes. Well, they just wouldn't do as they were told." | 0:41:41 | 0:41:44 | |
LAUGHTER | 0:41:44 | 0:41:46 | |
"There's only so much gentle persuasion we've got time for. | 0:41:46 | 0:41:50 | |
"Sack and burn them. Fuck the earthworks." | 0:41:50 | 0:41:52 | |
More or less exactly what happened. | 0:41:54 | 0:41:57 | |
And then we twisted the knife by not remembering Africa existed. | 0:41:57 | 0:42:00 | |
LAUGHTER AND APPLAUSE | 0:42:00 | 0:42:03 | |
-What did they build it for? -Defences. | 0:42:03 | 0:42:05 | |
-Keep out the British, I'd imagine. -Keep out the British! | 0:42:05 | 0:42:08 | |
Didn't work very well, unfortunately. | 0:42:08 | 0:42:10 | |
"Here come the white folks. Dig, dig!" | 0:42:10 | 0:42:13 | |
Of course, you could argue that | 0:42:13 | 0:42:14 | |
the Eurasian road network is a bigger thing, | 0:42:14 | 0:42:17 | |
cos it covers Portugal all the way to Siberia. | 0:42:17 | 0:42:21 | |
-You can drive across the whole lot. -It's all connected by road. | 0:42:21 | 0:42:24 | |
-You know... -So, who do we take this up with? | 0:42:24 | 0:42:26 | |
The Guinness Book Of Records? Or do we go to Nigeria? | 0:42:26 | 0:42:30 | |
They'll go, "I think in fact we got something bigger, actually." | 0:42:30 | 0:42:33 | |
And further twist the knife again. | 0:42:33 | 0:42:34 | |
The monstrous Walls of Benin were the biggest thing ever built | 0:42:36 | 0:42:38 | |
until we monstrously knocked them down. | 0:42:38 | 0:42:40 | |
All of which brings us to the monstrous scores. | 0:42:40 | 0:42:43 | |
It's remarkable. PHILL AND SARA LAUGH | 0:42:44 | 0:42:47 | |
I'm going to start... | 0:42:47 | 0:42:48 | |
You've all done, may I say, remarkably well. | 0:42:48 | 0:42:52 | |
In last place, with a score that sometimes could be a winning score | 0:42:53 | 0:42:56 | |
of minus seven is Josh Widdicombe. | 0:42:56 | 0:42:58 | |
CHEERS AND APPLAUSE | 0:42:58 | 0:43:01 | |
In third place, with minus two... | 0:43:02 | 0:43:06 | |
Ooh! It's Sara Pascoe. | 0:43:06 | 0:43:09 | |
CHEERS AND APPLAUSE | 0:43:09 | 0:43:12 | |
No! Tell me it ain't so! | 0:43:15 | 0:43:18 | |
In second place, with plus five, Alan Davies! | 0:43:18 | 0:43:21 | |
CHEERS AND APPLAUSE | 0:43:21 | 0:43:24 | |
How close it was, | 0:43:26 | 0:43:28 | |
because the winner by a whisker on six points is Phill Jupitus. | 0:43:28 | 0:43:32 | |
CHEERS AND APPLAUSE I don't understand it. | 0:43:32 | 0:43:35 | |
That's all from Sara, Phill, Josh, Alan and me, | 0:43:40 | 0:43:44 | |
and I leave you with these words from Andre Breton. | 0:43:44 | 0:43:48 | |
"The man who can't visualise a horse galloping on a tomato | 0:43:48 | 0:43:52 | |
"is an idiot." | 0:43:52 | 0:43:53 | |
Thank you. | 0:43:53 | 0:43:55 | |
CHEERING AND APPLAUSE | 0:43:55 | 0:43:58 |