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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
APPLAUSE | 0:00:26 | 0:00:30 | |
Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, good evening, good evening, | 0:00:33 | 0:00:35 | |
and welcome to QI. | 0:00:35 | 0:00:39 | |
Tonight...we are musing on the medieval and the macabre. | 0:00:39 | 0:00:44 | |
Joining me in the Dark Ages are King of the Castle, David Mitchell! | 0:00:44 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:52 | |
Queen of the May, Julia Zemiro! | 0:00:52 | 0:00:55 | |
CHEERING AND APPLAUSE | 0:00:55 | 0:00:58 | |
Lord of the Manor, Matt Lucas. | 0:00:58 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:03 | |
And a knight on the tiles, Alan Davies. | 0:01:03 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:06 | 0:01:08 | |
And their buzzers are all very much connected with middle age. | 0:01:11 | 0:01:16 | |
David goes... | 0:01:16 | 0:01:17 | |
MONKS CHANTING | 0:01:17 | 0:01:19 | |
LAUGHTER | 0:01:19 | 0:01:21 | |
Julia goes... | 0:01:22 | 0:01:24 | |
MONKS CHANTING | 0:01:24 | 0:01:26 | |
It's the Middle Ages, all right. Matt goes... | 0:01:28 | 0:01:30 | |
MONKS CHANTING | 0:01:30 | 0:01:32 | |
And Alan goes... | 0:01:35 | 0:01:36 | |
Dear Sir, why, oh, why, oh, why must we always have endless monks | 0:01:36 | 0:01:40 | |
chanting on the BBC? | 0:01:40 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Which of these did they not have in the Middle Ages? | 0:01:47 | 0:01:52 | |
-Oh. -Swee... No. | 0:01:52 | 0:01:54 | |
LAUGHTER | 0:01:54 | 0:01:56 | |
-Iron maiden. -Well... | 0:01:56 | 0:01:58 | |
-They didn't have Iron... -I am aware there is a group. | 0:01:58 | 0:02:01 | |
LAUGHTER | 0:02:01 | 0:02:03 | |
The most medieval thing seems that thing with the spikes that you put | 0:02:03 | 0:02:06 | |
someone in. That'll be the thing they didn't actually have then. | 0:02:06 | 0:02:09 | |
You are absolutely right! | 0:02:09 | 0:02:12 | |
APPLAUSE | 0:02:12 | 0:02:14 | |
The iron maiden, as you say, that sort of sarcophagus with spikes, | 0:02:19 | 0:02:23 | |
they weren't even thought of, or imagined, until 1793. | 0:02:23 | 0:02:28 | |
Oh, I was going to say, I thought they were invented by Paul Daniels or someone. | 0:02:28 | 0:02:32 | |
The Spanish Inquisition, must be the Spanish Inquisition. | 0:02:32 | 0:02:35 | |
They weren't used in the Spanish Inquisition | 0:02:35 | 0:02:37 | |
because they weren't invented until 1793, which was... | 0:02:37 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:42 | |
My favourite one from the Spanish Inquisition... | 0:02:42 | 0:02:45 | |
was they put a pole up your anus, | 0:02:45 | 0:02:48 | |
and they do it in such a way that it | 0:02:48 | 0:02:50 | |
avoids all of your vital organs and comes out by your shoulder. | 0:02:50 | 0:02:54 | |
And then just leave you there for people to look at. | 0:02:54 | 0:02:56 | |
LAUGHTER | 0:02:56 | 0:02:58 | |
I like the first part of that. | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
Actual poles, not a Polish gentleman, it is | 0:03:05 | 0:03:07 | |
-an actual pole. -LAUGHTER | 0:03:07 | 0:03:10 | |
Less keen, less keen. | 0:03:10 | 0:03:12 | |
-I thought an iron maiden was a chastity belt. -No. | 0:03:12 | 0:03:16 | |
They call that a chastity belt. | 0:03:16 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:21 | |
So, they didn't ever exist? | 0:03:21 | 0:03:23 | |
Well, in 1793, | 0:03:23 | 0:03:25 | |
an archaeologist by the name of Johann Siebenkees gave an account of one, which was a hoax. | 0:03:25 | 0:03:29 | |
And then 100 years or so later, a guy called Matthias Pfau, had one | 0:03:29 | 0:03:34 | |
installed in Kyburg, his Swiss castle, as a visitor attraction. | 0:03:34 | 0:03:38 | |
It became the prototype for all the other iron maidens that were | 0:03:38 | 0:03:41 | |
used in museums and movies. | 0:03:41 | 0:03:43 | |
So they hadn't really been used as a method of torture. | 0:03:43 | 0:03:45 | |
No, that's what I mean. They were just a hoax for centuries. | 0:03:45 | 0:03:48 | |
-IN COCKNEY ACCENT: -"Here's one for you. Here's one for you." | 0:03:48 | 0:03:50 | |
-What a weird hoax. -LAUGHTER | 0:03:50 | 0:03:53 | |
Actually, if you think about it, | 0:03:53 | 0:03:55 | |
what they wanted to do in the Middle Ages is find a way of killing | 0:03:55 | 0:03:57 | |
people as gradually as possible, which is essentially... | 0:03:57 | 0:04:00 | |
Because it is going to kill them immediately, | 0:04:00 | 0:04:02 | |
and you don't even get to see it happening. | 0:04:02 | 0:04:05 | |
And they don't recant their heresy or whatever it is they were guilty of. | 0:04:05 | 0:04:08 | |
Yeah, they hadn't invented Perspex until 1974. | 0:04:08 | 0:04:12 | |
It would be a dead giveaway they weren't medieval | 0:04:12 | 0:04:14 | |
if they had a Perspex front. | 0:04:14 | 0:04:16 | |
LAUGHTER | 0:04:16 | 0:04:18 | |
Made by the people who brought you stripper heels. | 0:04:18 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:23 | |
If we go back to my little manuscript word cloud, | 0:04:23 | 0:04:26 | |
maybe the other ones didn't exist in medieval times. | 0:04:26 | 0:04:29 | |
There wasn't much cardboard about. | 0:04:29 | 0:04:31 | |
If there were greeting cards, they wouldn't have been... | 0:04:31 | 0:04:33 | |
-Not big readers, either, not many people could read. -Exactly. | 0:04:33 | 0:04:37 | |
But in fact, there were single sheet woodcuts | 0:04:37 | 0:04:39 | |
found from the mid-15th century, with pictures on them, | 0:04:39 | 0:04:43 | |
wishing the recipient a very good year, even. | 0:04:43 | 0:04:46 | |
-It seems a rather modern idea. -Sorry... | 0:04:46 | 0:04:48 | |
LAUGHTER | 0:04:48 | 0:04:51 | |
But those banderoles with the little bubbles were very popular. | 0:04:51 | 0:04:55 | |
And they would say things, not, "Sorry you've been unwell," | 0:04:55 | 0:04:58 | |
but things like, "A very good year." So they did exist. | 0:04:58 | 0:05:00 | |
What else might have existed, or did exist, in that era? | 0:05:00 | 0:05:04 | |
Sweet-and-sour sauce, definitely. | 0:05:04 | 0:05:06 | |
Yes, they called it sour-sweet, in fact. Aigre-doux. | 0:05:06 | 0:05:10 | |
And they used vinegar and sugar, cinnamon, orange, onions. | 0:05:10 | 0:05:13 | |
Whatever they could get their hands on. | 0:05:13 | 0:05:15 | |
Didn't they use onions to sweeten things? | 0:05:15 | 0:05:18 | |
Onions do contain more sugar than sugar beets, | 0:05:18 | 0:05:21 | |
as long as you cook them. | 0:05:21 | 0:05:23 | |
-Hence the caramelised...you know. -They are a bit oniony, though, as well. | 0:05:23 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
They can be sweet, | 0:05:28 | 0:05:29 | |
but you wouldn't want too many puddings being that oniony. | 0:05:29 | 0:05:34 | |
It's true, they're not that sweet. Because if you ever go to the freezer | 0:05:34 | 0:05:38 | |
and you go for a Mini Milk, and you've left a bag of onion rings | 0:05:38 | 0:05:41 | |
next to the Mini Milks in the freezer... | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
It doesn't taste too nice. | 0:05:46 | 0:05:49 | |
The Mini Milks taste a bit oniony. | 0:05:49 | 0:05:52 | |
IN AMERICAN ACCENT: What I do when I, you know, | 0:05:52 | 0:05:55 | |
slow roast a belly of pork is I take | 0:05:55 | 0:05:59 | |
an onion, a large onion, | 0:05:59 | 0:06:03 | |
and the juices from the pork go down, and the onion roasts, | 0:06:03 | 0:06:07 | |
and it is so sweet, it is... I swear you'll believe | 0:06:07 | 0:06:10 | |
you're eating...a Haribo..Har... | 0:06:10 | 0:06:14 | |
LAUGHTER | 0:06:14 | 0:06:16 | |
-Haribo? -Are you possessed at the moment? | 0:06:18 | 0:06:21 | |
LAUGHTER | 0:06:21 | 0:06:23 | |
We'll find a medieval cure for it. | 0:06:24 | 0:06:27 | |
During the Spanish Inquisition, they put a Mini Milk up your arse... | 0:06:27 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:32 | |
-What is a Mini Milk? -What is a Mini Milk? | 0:06:34 | 0:06:37 | |
LAUGHTER AND APPLAUSE | 0:06:37 | 0:06:38 | |
Oh, dear. | 0:06:38 | 0:06:40 | |
Is it one of those sweets that looks like a tiny bottle of milk? | 0:06:43 | 0:06:46 | |
-No, it's an ice cream on a stick, basically. -It is basically... | 0:06:46 | 0:06:49 | |
When you want a Magnum and your mum won't buy you a Magnum, | 0:06:49 | 0:06:52 | |
-you get a Mini Milk. -And you keep those with onion rings? -No, I didn't! | 0:06:52 | 0:06:57 | |
LAUGHTER | 0:06:57 | 0:06:58 | |
I have separate shelves. You've got to keep sweet... Put me on camera. | 0:06:58 | 0:07:02 | |
-You've got to keep... -LAUGHTER | 0:07:02 | 0:07:05 | |
You've got to keep sweet and savoury separate in freezers, | 0:07:05 | 0:07:07 | |
guys, come on! | 0:07:07 | 0:07:09 | |
LAUGHTER | 0:07:09 | 0:07:11 | |
Mini Milks are nice. They are like, I don't know, if you can't get a Sparkle, | 0:07:11 | 0:07:14 | |
-get a Mini Milk, I don't know. -What's a Sparkle? -Oh, dear. | 0:07:14 | 0:07:18 | |
-What's your ice cream of choice? -I used to like Mivvis when I was a boy. | 0:07:18 | 0:07:22 | |
-That's the point! Now I'm an adult! -Right. -I eat olives. | 0:07:23 | 0:07:28 | |
And I eat cheese. | 0:07:28 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:32 | |
-This has all gone very weird. -You started it. | 0:07:32 | 0:07:36 | |
We are a long way... I want to live in the Middle Ages now, | 0:07:36 | 0:07:39 | |
because they seem to have grown-up food. | 0:07:39 | 0:07:42 | |
LAUGHTER | 0:07:42 | 0:07:43 | |
Question from the floor, Mr Fry. What is a prefab? | 0:07:43 | 0:07:46 | |
Oh, don't you have those in Australia? | 0:07:46 | 0:07:48 | |
-I don't know. -It means a sort of modular building that is made outside | 0:07:48 | 0:07:52 | |
the site and then brought to it and assembled. | 0:07:52 | 0:07:55 | |
It is associated with low-cost housing. | 0:07:55 | 0:07:58 | |
-The Duchess of Cambridge grew up in one. -Did she? | 0:07:58 | 0:08:01 | |
No. | 0:08:01 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:05 | |
Because she grew up on an estate. | 0:08:05 | 0:08:08 | |
I just like the fact that people think she was common as muck. | 0:08:08 | 0:08:12 | |
-William the Conqueror had prefabs, didn't he? -Did he? | 0:08:12 | 0:08:15 | |
Didn't they bring prefab castles over with... | 0:08:15 | 0:08:19 | |
Not the Normandy landings, the other way round. | 0:08:20 | 0:08:23 | |
The Hasting landings. They brought... | 0:08:23 | 0:08:26 | |
Because all the plug sockets are different here, | 0:08:26 | 0:08:28 | |
and they wanted their own... | 0:08:28 | 0:08:30 | |
LAUGHTER | 0:08:30 | 0:08:31 | |
An example of prefab housing that we have is the Vikings, in fact, | 0:08:31 | 0:08:35 | |
who, when they invaded Orkney, found there was virtually nowhere to live, | 0:08:35 | 0:08:38 | |
and so they came back with supplies, on longboats, of prefab little houses. | 0:08:38 | 0:08:44 | |
And that's presumably where Vikings got the idea of flat-pack... | 0:08:44 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
Have you noticed that the current Vikings have decided | 0:08:52 | 0:08:55 | |
-it should be described as "ickier", not IKEA. -It is ridiculous. | 0:08:55 | 0:08:59 | |
-As in, "more icky"? -"More icky", yes. | 0:08:59 | 0:09:02 | |
There is a voice-over now that goes on about "ickier". | 0:09:02 | 0:09:04 | |
-Strange. -Oh, they can fick off, then. | 0:09:04 | 0:09:07 | |
LAUGHTER | 0:09:07 | 0:09:09 | |
APPLAUSE | 0:09:09 | 0:09:11 | |
That leaves us, I think, with official commemorative merchandise. | 0:09:14 | 0:09:17 | |
Would that be if you went to... | 0:09:17 | 0:09:19 | |
They used to be very keen on seeing a rotting old bit of a saint. | 0:09:19 | 0:09:23 | |
Very much so. If you were medieval, there was | 0:09:23 | 0:09:25 | |
one saint who was more or less contemporary, who was a martyr. | 0:09:25 | 0:09:29 | |
And they would stop off at this cathedral where he was murdered, | 0:09:29 | 0:09:33 | |
-famously. Who would that be? -Thomas Becket. -Thomas Becket. -Points! | 0:09:33 | 0:09:37 | |
-Points! -Points! Solid points. In the 12th century, Thomas Becket was killed by Henry II. | 0:09:37 | 0:09:42 | |
And they immediately tried to sell his blood, | 0:09:42 | 0:09:44 | |
and that ran out rather quickly, so they diluted it. | 0:09:44 | 0:09:48 | |
But also they sold little swords, little simulacra of the sword that | 0:09:48 | 0:09:53 | |
had stabbed him, and you could buy one of those. And it was official. | 0:09:53 | 0:09:57 | |
-It was, as it were, stamped. -It's still got a shop in the cathedral. | 0:09:57 | 0:10:00 | |
Exactly. | 0:10:00 | 0:10:02 | |
The Middle Ages, in fact, featured lots of very useful inventions, | 0:10:03 | 0:10:07 | |
but tell me, what has been called "the wickedest, silliest, | 0:10:07 | 0:10:10 | |
"most insane and most disastrous book in world literature?" | 0:10:10 | 0:10:14 | |
-The Liar by Stephen Fry. -Ah! | 0:10:14 | 0:10:16 | |
LAUGHTER | 0:10:16 | 0:10:18 | |
-It probably is. -Mein Kampf. | 0:10:18 | 0:10:20 | |
That would be a very sensible guess. | 0:10:20 | 0:10:22 | |
And in the interests of balance, The Da Vinci Code also. | 0:10:22 | 0:10:25 | |
KLAXON | 0:10:25 | 0:10:28 | |
APPLAUSE | 0:10:30 | 0:10:32 | |
These self-help books. | 0:10:35 | 0:10:36 | |
The books that say, | 0:10:36 | 0:10:37 | |
"If you just change the way you think, you'll be fine." | 0:10:37 | 0:10:40 | |
I mean, you know, everyone has got a mood board for something. | 0:10:40 | 0:10:43 | |
So, maybe there was a medieval mood board of some kind. | 0:10:43 | 0:10:46 | |
You're right to mention the medieval era, | 0:10:46 | 0:10:48 | |
-because it was a book of the 15th century. -Foxe's Book Of Martyrs. | 0:10:48 | 0:10:52 | |
No, that was a little later. But let me give you its title. | 0:10:52 | 0:10:55 | |
Malleus Maleficorum. MeleficARUM, I beg your pardon. | 0:10:55 | 0:10:58 | |
That's the point. If you know your Latin, that means... | 0:10:58 | 0:11:01 | |
Malleus, does it...? If you take the US off | 0:11:01 | 0:11:03 | |
-and put a T... -Mallet. -Mallet. Hammer. Malleus is hammer. | 0:11:03 | 0:11:07 | |
Timmy Mallett's autobiography. | 0:11:07 | 0:11:09 | |
LAUGHTER | 0:11:09 | 0:11:11 | |
Sorry, I'm bringing the tone down, I know. | 0:11:11 | 0:11:15 | |
Is it... Mal... Is that like "the bad-doing hammer" thing? | 0:11:15 | 0:11:19 | |
It is "of the". That's genitive. | 0:11:19 | 0:11:22 | |
Come on, boy, that's genitive. | 0:11:22 | 0:11:23 | |
LAUGHTER | 0:11:23 | 0:11:25 | |
So, it is "the hammer of...the bad-doing people." | 0:11:25 | 0:11:28 | |
But the "arum", not "orum", tells you it's bad... | 0:11:28 | 0:11:31 | |
-Doing women. -Yes. | 0:11:31 | 0:11:33 | |
-Bad-doing women and their hammer! -No. | 0:11:33 | 0:11:35 | |
The hammer of. I want to be the hammer of them. I want to beat them down. | 0:11:35 | 0:11:40 | |
-The crazy Witches of Eastwick. -Witches. -Witches. -You said it. You said it. We got there. | 0:11:40 | 0:11:45 | |
-We're supposed to hammer them? -The hammer of the witches is what that means. | 0:11:45 | 0:11:49 | |
-So it's not... They don't own the hammer. -No. -We own the hammer and we hammer away at them. | 0:11:49 | 0:11:53 | |
I am more confused than when I talked about Mini Milk. I... | 0:11:53 | 0:11:56 | |
LAUGHTER | 0:11:56 | 0:11:59 | |
We had a Latin parsing essay in which The Malleus Maleficarum turned out to mean The Hammer of Witches... | 0:11:59 | 0:12:06 | |
-Wow. -..the way to beat witches, and this was a textbook about how to destroy | 0:12:06 | 0:12:12 | |
and find witches. It was strange because it was mid-15th century. | 0:12:12 | 0:12:17 | |
In the mid-15th century, the Church banned belief in witches. | 0:12:17 | 0:12:21 | |
So this wasn't a time of witch burnings or anything of the nature | 0:12:21 | 0:12:24 | |
but the very nature of the success of the book meant that a slow | 0:12:24 | 0:12:29 | |
movement grew in which witches should be found, burned and tortured. | 0:12:29 | 0:12:34 | |
This book was therefore called the silliest, most wicked book written | 0:12:34 | 0:12:38 | |
because it made appalling claims about women, that for example, | 0:12:38 | 0:12:42 | |
-that they dispossessed men of their penises. -As if(!) | 0:12:42 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:47 | |
They would take their penises, put them on a tray and the penises would | 0:12:47 | 0:12:51 | |
wander around of their own volition eating...eating oats and corn. | 0:12:51 | 0:12:56 | |
LAUGHTER | 0:12:56 | 0:12:58 | |
-Not maize corn. -With a simple pecking motion. | 0:12:58 | 0:13:01 | |
LAUGHTER | 0:13:01 | 0:13:03 | |
Or with a suction. | 0:13:03 | 0:13:05 | |
-How would they do it? -There's a theory. | 0:13:05 | 0:13:08 | |
Do you know the theory about the witch's broomstick, | 0:13:08 | 0:13:10 | |
about how it might have developed? | 0:13:10 | 0:13:12 | |
Yeah, they put it up your anus... | 0:13:12 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:16 | |
It's funny you should say that | 0:13:16 | 0:13:18 | |
-cos, yes, they put them up their anus. -What? | 0:13:18 | 0:13:22 | |
You may say, why would a woman stick a broomstick up her botty? | 0:13:22 | 0:13:27 | |
I'm so glad we're having this conversation. | 0:13:27 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
But anyway, the point is there is a substance that has been accused, | 0:13:33 | 0:13:37 | |
if you like, throughout history, of being behind a lot of episodes | 0:13:37 | 0:13:41 | |
of mass hysteria and hallucination and so on | 0:13:41 | 0:13:44 | |
and the substance is called ergot. | 0:13:44 | 0:13:46 | |
-Have you heard of ergot? -No. Where can you get it? | 0:13:46 | 0:13:49 | |
You can get it if you live near a field of rye. | 0:13:49 | 0:13:52 | |
Where rye grows. It is a fungus that grows on rye. | 0:13:52 | 0:13:55 | |
Its spores can be breathed in and it is not unlike lysergic acid, | 0:13:55 | 0:14:00 | |
which is the L of LSD, and it causes weird trips. | 0:14:00 | 0:14:04 | |
Now, with any drug there are different ways of ingesting it. | 0:14:04 | 0:14:07 | |
-Intranasally, orally... -Or on a broomstick up your arse. | 0:14:07 | 0:14:11 | |
..intravenously or in a suppository form. | 0:14:11 | 0:14:14 | |
-Right. -So one way would be to take it and to grease up your... | 0:14:14 | 0:14:18 | |
LAUGHTER | 0:14:18 | 0:14:20 | |
-I'm not making this up. -Grease up your pole with ergot. | 0:14:20 | 0:14:23 | |
Grease up your pole and scatter it with bits of ergot and then, "Whoo!" | 0:14:23 | 0:14:27 | |
LAUGHTER | 0:14:27 | 0:14:29 | |
And you only... You feel like you're flying. | 0:14:29 | 0:14:32 | |
LAUGHTER | 0:14:32 | 0:14:35 | |
That's basically it. You then get your... | 0:14:35 | 0:14:37 | |
What does that mean? How much ergot are those kids at Hogwarts getting through? | 0:14:37 | 0:14:40 | |
LAUGHTER | 0:14:40 | 0:14:43 | |
-It's not appropriate to encourage that kind of drug taking in the young. -It isn't. | 0:14:43 | 0:14:48 | |
And there is another theory that it was actually intra-vaginal | 0:14:48 | 0:14:51 | |
-rather than intra-anal... JULIA: -Lovely(!) | 0:14:51 | 0:14:53 | |
..so that it was covered on the broom and then it went smoothly up. | 0:14:53 | 0:14:56 | |
I can't see anything smooth about this at all. | 0:14:56 | 0:14:59 | |
LAUGHTER | 0:14:59 | 0:15:01 | |
-I don't know. -Owww! | 0:15:01 | 0:15:03 | |
Do you want to apply it, do you? Do that yourself?! | 0:15:03 | 0:15:06 | |
You'd be a great gynaecologist, though, Stephen | 0:15:06 | 0:15:09 | |
cos because you're very calm the way you're explaining everything. | 0:15:09 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:13 | |
Let's get more decent here. What did old Mummy Pettigrew do? | 0:15:13 | 0:15:18 | |
-Wow. -Is there a clue in the picture? -No. The picture is there to deceive. | 0:15:18 | 0:15:24 | |
-The key is in the M word, this being the M series. -Was she a Mother Superior of a nunnery? | 0:15:24 | 0:15:30 | |
-No, she wasn't. -No. -Was she a Morrissey fan? | 0:15:30 | 0:15:34 | |
-This could take a long time, couldn't it? -Yes, it could. | 0:15:35 | 0:15:37 | |
-Madonna.... -I'm assuming she wasn't a dead Egyptian. | 0:15:37 | 0:15:41 | |
Ah, no, SHE wasn't. | 0:15:41 | 0:15:43 | |
-All right, Mummy Pettigrew - not female. -Oh, right. | 0:15:43 | 0:15:47 | |
If I was very interested in beetles, you might call me Beetle Fry, | 0:15:47 | 0:15:53 | |
and if I was very interested in mummies, you might call me Mummy Fry, | 0:15:53 | 0:15:56 | |
so, Mummy Pettigrew... | 0:15:56 | 0:15:57 | |
..was a Mr Pettigrew who was obsessed with Egyptology. | 0:15:57 | 0:16:00 | |
-On the money. -Ah. | 0:16:00 | 0:16:01 | |
And here you are, exactly, and there is a picture of him. | 0:16:01 | 0:16:04 | |
He was quite well-known. | 0:16:04 | 0:16:05 | |
He was Thomas "Mummy" Pettigrew. | 0:16:05 | 0:16:08 | |
He was a 19th-century anatomist, and what he would do, | 0:16:08 | 0:16:10 | |
he would issue invitations, | 0:16:10 | 0:16:12 | |
cos this was a period in which mummies were coming into Britain | 0:16:12 | 0:16:15 | |
from all over - mostly Egypt, obviously, but North Africa, too, | 0:16:15 | 0:16:18 | |
and other places where mummification was what happened. | 0:16:18 | 0:16:21 | |
-We went and robbed the world. -We robbed the world. | 0:16:21 | 0:16:23 | |
It was a pretty awful kind of cultural violation that went on, | 0:16:23 | 0:16:26 | |
-there, I'm afraid, but... -Not like the British to do that, | 0:16:26 | 0:16:29 | |
-through history, is it? -Americans, too, | 0:16:29 | 0:16:31 | |
-and it was... -French, also. -It was a big deal in America, | 0:16:31 | 0:16:33 | |
-and France almost invented Egyptology. -All right, hang on. | 0:16:33 | 0:16:36 | |
Well, all the countries of Europe, essentially - | 0:16:36 | 0:16:38 | |
the powers, as they were known in the 19th century - | 0:16:38 | 0:16:41 | |
loved Egyptology, and these mummies would come in, | 0:16:41 | 0:16:44 | |
and rather than unrolling them carefully in the British Museum, | 0:16:44 | 0:16:48 | |
these were public events and Pettigrew was the chief of it. | 0:16:48 | 0:16:51 | |
You would pay to see a mummy unrolled for the first time. | 0:16:51 | 0:16:55 | |
You had no idea what you'd see inside. | 0:16:55 | 0:16:56 | |
-That'd be amazing. -And there were hundreds of them coming in, yeah, | 0:16:56 | 0:17:00 | |
and the more you paid, the closer to the mummy you got, | 0:17:00 | 0:17:02 | |
-and some of them were so popular that... -People were betting. | 0:17:02 | 0:17:05 | |
"Will it be a dead body? Will it be a robot?" You know. | 0:17:05 | 0:17:07 | |
-Yeah, or someone going, "At last!" -Well... | 0:17:07 | 0:17:12 | |
There was an Egyptologist called George Gliddon, who, in 1850, | 0:17:12 | 0:17:15 | |
proudly unrolled, before his paying public, a princess. | 0:17:15 | 0:17:18 | |
IN AMERICAN ACCENT: Cos he'd been able to read the hieroglyphs | 0:17:18 | 0:17:21 | |
and tell that this was important - a princess. | 0:17:21 | 0:17:23 | |
He unrolled the mummy and this huge, great todger poked out, | 0:17:23 | 0:17:27 | |
so it was quite clear he wasn't exactly right. | 0:17:27 | 0:17:30 | |
It was clear that he wasn't yet dead. | 0:17:30 | 0:17:33 | |
And there was one occasion where the Archbishop of Canterbury was | 0:17:33 | 0:17:36 | |
pushed out cos the press of people was so great | 0:17:36 | 0:17:38 | |
that he couldn't even get a view. | 0:17:38 | 0:17:40 | |
These were very popular events, | 0:17:40 | 0:17:42 | |
and one of the greatest fans of them was the Duke of Hamilton, | 0:17:42 | 0:17:45 | |
who loved these things. | 0:17:45 | 0:17:46 | |
He became very obsessed, | 0:17:46 | 0:17:48 | |
and asked Pettigrew that he might be mummified, himself, when he died. | 0:17:48 | 0:17:52 | |
Although he looks younger in that picture than Pettigrew, I suppose... | 0:17:52 | 0:17:55 | |
Was that him with his wife? | 0:17:55 | 0:17:57 | |
Well, anyway, when he died, he was duly mummified | 0:17:59 | 0:18:02 | |
-by Thomas "Mummy" Pettigrew... -Yeah. | 0:18:02 | 0:18:05 | |
..and they rather got the proportions wrong of the sarcophagus | 0:18:05 | 0:18:07 | |
in which he was going to be placed as a mummy, | 0:18:07 | 0:18:09 | |
and so they had to cut his feet off. | 0:18:09 | 0:18:12 | |
Did they put his feet in a little shoebox? | 0:18:13 | 0:18:16 | |
-Yes, probably. -I'd like to be mummified. | 0:18:16 | 0:18:18 | |
I mean, obviously, | 0:18:18 | 0:18:20 | |
-once I'm dead, but I would... -Yeah, I was going to say. | 0:18:20 | 0:18:22 | |
It'd be good, cos I'd look like the Michelin man, | 0:18:22 | 0:18:24 | |
cos you know... It'd be nice. It'd be nice. | 0:18:24 | 0:18:26 | |
Let's see if we can guess where the northernmost mummies were found. | 0:18:26 | 0:18:29 | |
That's not eccentrics like the Duke of Hamilton, | 0:18:29 | 0:18:31 | |
who asked to be mummied, | 0:18:31 | 0:18:33 | |
-but proper mummified creatures according... -Wigan. -Erm... | 0:18:33 | 0:18:37 | |
No, a little further south than Wigan, but certainly north. | 0:18:37 | 0:18:40 | |
-Kent. -No, north... | 0:18:40 | 0:18:42 | |
Nottingham. | 0:18:42 | 0:18:43 | |
Ian McNeice. I think I'm right in saying Michael Parkinson. | 0:18:43 | 0:18:46 | |
-Barnsley. -Barnsley is right. That's right, Barnsley. | 0:18:46 | 0:18:49 | |
Now, why would there be found ancient mummies in Barnsley in 300AD? | 0:18:49 | 0:18:54 | |
There was no room in the car park in Leicester. | 0:18:54 | 0:18:57 | |
Good. | 0:18:57 | 0:18:59 | |
No, who was stationed and garrisoned in Britain? | 0:18:59 | 0:19:03 | |
-Oh, was it Egyptian Romans? -The Romans? | 0:19:03 | 0:19:05 | |
-North African, yes, who observed mummification... -Right, yeah. | 0:19:05 | 0:19:08 | |
..and they are the furthest north | 0:19:08 | 0:19:09 | |
-of any mummied remains. -They were in the Roman army? | 0:19:09 | 0:19:11 | |
-Yes. -Stationed here? -Absolutely. | 0:19:11 | 0:19:13 | |
They mummified folk? | 0:19:13 | 0:19:14 | |
Either as conscripts, or, you know mercenaries, I don't know. | 0:19:14 | 0:19:17 | |
Were there, sort of, British legionaries in Egypt | 0:19:17 | 0:19:20 | |
who played bagpipes? | 0:19:20 | 0:19:22 | |
Maybe. | 0:19:22 | 0:19:23 | |
So, we went all the way to Egypt and ransacked the pyramids | 0:19:23 | 0:19:26 | |
and then we had some in Barnsley? | 0:19:26 | 0:19:28 | |
It was a bit of a surprise. | 0:19:30 | 0:19:31 | |
Can't ransack Yorkshire, though, can you? They won't have it. | 0:19:31 | 0:19:35 | |
Was it a certain class of people only that were mummified? | 0:19:35 | 0:19:38 | |
-Was that the, like...? -No, actually, one of the most beautiful things | 0:19:38 | 0:19:41 | |
you could see when you go up the Nile, if you do, | 0:19:41 | 0:19:43 | |
is, there's the Valley of the Kings, | 0:19:43 | 0:19:45 | |
but behind it is the Valley of the Artisans and Artists, | 0:19:45 | 0:19:48 | |
and they're the most touchingly extraordinary ones because they were | 0:19:48 | 0:19:51 | |
the artists and artisans who worked on the great tombs of the Pharaohs. | 0:19:51 | 0:19:55 | |
I guess, if you had the art, you could do it yourself. | 0:19:55 | 0:19:58 | |
-IN NORTHERN ACCENT: -Hilda, get to t'mummy. | 0:19:58 | 0:20:01 | |
Enough. Mummy Pettigrew was very much a mummy's boy. | 0:20:01 | 0:20:05 | |
Now, for a mile-high question - | 0:20:05 | 0:20:07 | |
how do you get a whole row of seats to yourself | 0:20:07 | 0:20:10 | |
on a Virgin Airways flight? | 0:20:10 | 0:20:13 | |
Oh, if you're really fat. | 0:20:13 | 0:20:16 | |
That would... Yeah, I think they might be able to get rid of an arm... | 0:20:16 | 0:20:19 | |
but I don't think they'd let you on if you were any fatter. | 0:20:19 | 0:20:21 | |
-No, but, like, really fat. Oh, I see what you mean. -Die! | 0:20:21 | 0:20:24 | |
-Is the right answer. You'd have to die. -Oh... -Die. | 0:20:24 | 0:20:26 | |
We asked. | 0:20:26 | 0:20:28 | |
APPLAUSE | 0:20:28 | 0:20:31 | |
You can't... I mean, you can't make people sit next to the dead. | 0:20:31 | 0:20:35 | |
That's... That's the truth, isn't it? | 0:20:35 | 0:20:36 | |
Basically, I think that would be what it was, | 0:20:36 | 0:20:38 | |
and if you're flying, say, from London to New York, | 0:20:38 | 0:20:41 | |
if you're near enough, and someone dies, | 0:20:41 | 0:20:43 | |
you'd turn around and all the other passengers would be going, | 0:20:43 | 0:20:46 | |
"Oh, really! Please, have some consideration." | 0:20:46 | 0:20:50 | |
But once you've passed that point of no return, as they call it, | 0:20:50 | 0:20:53 | |
then there's nothing you can do, except go on to New York. | 0:20:53 | 0:20:56 | |
But what if the plane's full? | 0:20:56 | 0:20:58 | |
-Well... -Do they keep a row for the dead, just in case? | 0:20:58 | 0:21:00 | |
And, in which case, if they keep a row for the dead, | 0:21:01 | 0:21:03 | |
-what if two people die? -There's always a row at the back... | 0:21:03 | 0:21:06 | |
Exactly, if there's an outbreak of sickness. | 0:21:06 | 0:21:08 | |
-..and the crew use it for having a kip. -Oh, that's true. | 0:21:08 | 0:21:10 | |
-What it means is the crew will then have to be awake. -Yes. | 0:21:10 | 0:21:13 | |
The dead bloke - that'll piss him off. | 0:21:13 | 0:21:15 | |
Does it happen a lot, though? | 0:21:15 | 0:21:16 | |
Oh, now, this is what's interesting. | 0:21:16 | 0:21:18 | |
British Airways have about ten deaths a year in flight. | 0:21:18 | 0:21:21 | |
Well, that food is just... | 0:21:21 | 0:21:23 | |
And amongst the 36 million passengers, | 0:21:24 | 0:21:27 | |
so if you extrapolate out to the rather amazing 3.5 billion passengers | 0:21:27 | 0:21:33 | |
that fly every year, that means there must be around 1,000 deaths a year, | 0:21:33 | 0:21:37 | |
and different airlines have different ways of doing it. | 0:21:37 | 0:21:40 | |
Singapore Airlines have a corpse cupboard. | 0:21:40 | 0:21:42 | |
I don't know why it's funny, but it is. | 0:21:44 | 0:21:45 | |
-So no-one need even know there's a dead person. -"Oh, I'm sorry." | 0:21:45 | 0:21:49 | |
-It's all so Fawlty Towers, isn't it? -Yeah. | 0:21:51 | 0:21:53 | |
If I ever die on the plane, | 0:21:53 | 0:21:55 | |
I should like to be stored in the overhead lockers. | 0:21:55 | 0:21:58 | |
-For the rest of time. -Brilliant. | 0:21:59 | 0:22:02 | |
British Airways, though, you get a good deal if you die, | 0:22:02 | 0:22:04 | |
because you go to first class. | 0:22:04 | 0:22:06 | |
-Yeah. -Excellent. -Yeah. -At last. | 0:22:06 | 0:22:08 | |
One long established steward said, | 0:22:08 | 0:22:09 | |
"Many years ago, we used to give them a vodka and tonic, | 0:22:09 | 0:22:12 | |
"a Daily Mail and eyeshades, and tell the passengers they were fine. | 0:22:12 | 0:22:15 | |
"We don't do that any more." Yeah, I think... | 0:22:15 | 0:22:19 | |
It's bad enough being dead | 0:22:19 | 0:22:21 | |
-but having to hold the Daily Mail?! -The Daily Mail! | 0:22:21 | 0:22:24 | |
Oh, trash! APPLAUSE | 0:22:24 | 0:22:27 | |
The Daily Mail and other newspapers, not just the Daily Mail, | 0:22:31 | 0:22:35 | |
when they talk about their circulation, | 0:22:35 | 0:22:38 | |
they are also including the newspapers that they give away | 0:22:38 | 0:22:41 | |
-for free... -Oh, really? | 0:22:41 | 0:22:42 | |
..and so I don't think the airlines or any of those | 0:22:42 | 0:22:45 | |
kind of institutions actually pay for the newspapers. | 0:22:45 | 0:22:47 | |
-Oh, really? -So it's mainly... | 0:22:47 | 0:22:49 | |
-The Daily Mail is mainly dead people on aeroplanes. -Yes. | 0:22:49 | 0:22:51 | |
But they are... | 0:22:51 | 0:22:52 | |
The dead are very, very right-wing. | 0:22:52 | 0:22:56 | |
Oh, that is true. | 0:22:56 | 0:22:58 | |
All right. | 0:22:58 | 0:22:59 | |
When do you think - I'll give you five years either way - | 0:22:59 | 0:23:02 | |
was the first airline stewardess? | 0:23:02 | 0:23:04 | |
I think 200 years before the first aeroplane, | 0:23:04 | 0:23:07 | |
and I think it was a weird pointless scheme by a futurologist, | 0:23:07 | 0:23:11 | |
who just went up and down a field with a trolley, | 0:23:11 | 0:23:16 | |
asking the cattle, "Drink, sir?" | 0:23:16 | 0:23:18 | |
-1962. -'62? | 0:23:20 | 0:23:22 | |
1958. | 0:23:22 | 0:23:23 | |
-'58. -I'm going much earlier. | 0:23:23 | 0:23:25 | |
I'm going to say 1924. | 0:23:25 | 0:23:26 | |
Ooh, you're so close. | 0:23:26 | 0:23:28 | |
It's 1930. | 0:23:28 | 0:23:30 | |
-There she is, Ellen Church. -Aw... | 0:23:30 | 0:23:32 | |
The very first. She wanted to be a pilot but she wasn't allowed. | 0:23:32 | 0:23:35 | |
She and her colleagues, who were all nurses, | 0:23:35 | 0:23:38 | |
were known as "sky girls", in those early days. | 0:23:38 | 0:23:40 | |
That was United, as you can see - United Airlines. | 0:23:40 | 0:23:42 | |
Their duties included screwing down loose seats - | 0:23:42 | 0:23:47 | |
not loo-seats, loose seats - | 0:23:47 | 0:23:49 | |
-helping to fuel the plane... -Wow. | 0:23:49 | 0:23:52 | |
..and pushing the plane into its hangar at the end of the journey. | 0:23:52 | 0:23:55 | |
-All that and flogging the perfume, as well... -Yeah. | 0:23:57 | 0:23:59 | |
..and the scratchcards, | 0:23:59 | 0:24:01 | |
and going up and down with a bin liner saying, "Is that rubbish?" | 0:24:01 | 0:24:05 | |
I don't think they sell scratchcards on aeroplanes. | 0:24:05 | 0:24:07 | |
Not on the ones you go on, Stephen, but, yes, they do. | 0:24:07 | 0:24:10 | |
I would say a scra... a lottery card on an aeroplane, | 0:24:10 | 0:24:13 | |
you do not want to sell something when your chances of winning | 0:24:13 | 0:24:16 | |
are so much less than your chances of dying on that aeroplane. | 0:24:16 | 0:24:21 | |
So, good, now, | 0:24:21 | 0:24:23 | |
how would this man make your mouth water? | 0:24:23 | 0:24:27 | |
Oh, old Captain Saliva. | 0:24:27 | 0:24:29 | |
Is the stick relevant? | 0:24:31 | 0:24:32 | |
Well... Hmm... | 0:24:32 | 0:24:35 | |
-By making... -Hit you in the nuts with his walking stick. | 0:24:35 | 0:24:38 | |
Maybe if I told you his name, it might help. | 0:24:38 | 0:24:41 | |
Hang on, now dogs have appeared - walking sticks and dogs. | 0:24:41 | 0:24:44 | |
-His name was Ivan... -Doggie-stick. | 0:24:44 | 0:24:46 | |
..Petrovich... | 0:24:46 | 0:24:48 | |
-Pavlov, as someone shouted in the audience. -Pavlov. | 0:24:48 | 0:24:50 | |
-Oh, Pavlov's dogs. -So how would he make drool appear? | 0:24:50 | 0:24:53 | |
By ringing a bell. | 0:24:53 | 0:24:54 | |
Wrong! BELL RINGS | 0:24:54 | 0:24:56 | |
You said it. | 0:24:56 | 0:24:57 | |
Thank you for saying it. | 0:24:57 | 0:24:59 | |
-Aww. -Your fault, "Pavlov." -You see, it's so unfair. | 0:25:00 | 0:25:03 | |
-You led me astray there. -Would he make a pavlova? | 0:25:03 | 0:25:07 | |
-Did he invent that as well? -No, that was Anna Pavlova. | 0:25:08 | 0:25:11 | |
Anna Pavlova, yes, exactly. | 0:25:11 | 0:25:13 | |
They'd feed the dogs and they'd do something, well, | 0:25:13 | 0:25:15 | |
they'd ring a bell, wouldn't they? | 0:25:15 | 0:25:17 | |
And then the dogs would think the food was coming | 0:25:17 | 0:25:19 | |
and then they would get all excited. | 0:25:19 | 0:25:21 | |
That is what we think of when we thought of Pavlov and his dogs. | 0:25:21 | 0:25:26 | |
They were trained to recognise particular bells. | 0:25:26 | 0:25:28 | |
When he rang the bell, they would start immediately to salivate | 0:25:28 | 0:25:31 | |
because dogs salivate when they're about to eat because it helps | 0:25:31 | 0:25:34 | |
them digest but the weird thing is, he did everything except ring bells. | 0:25:34 | 0:25:39 | |
He did things that showed the extraordinary | 0:25:39 | 0:25:41 | |
sophistication of dogs' hearing. | 0:25:41 | 0:25:43 | |
They could distinguish between rhythms of | 0:25:43 | 0:25:46 | |
96 and 104 beats per minute, | 0:25:46 | 0:25:48 | |
so if he gave 104 beats per minute on a metronome, | 0:25:48 | 0:25:51 | |
there would be no food, 96, there would be food. | 0:25:51 | 0:25:54 | |
A day later he would go 96, they'd drool. | 0:25:54 | 0:25:58 | |
He tried also ascending and descending musical scales. | 0:25:58 | 0:26:01 | |
If a scale was going up, | 0:26:01 | 0:26:02 | |
they're going to eat, it was going down, they weren't going to eat. | 0:26:02 | 0:26:05 | |
All that and he could've just rung a bell. | 0:26:05 | 0:26:08 | |
Followers of Pavlov used bells but he didn't. | 0:26:08 | 0:26:11 | |
Is this a sort of victory of the journalist who reported it? | 0:26:11 | 0:26:15 | |
"It's like he rang a bell?" "No, no, there's a metronome." | 0:26:15 | 0:26:18 | |
"You know, basically he rang a bell." | 0:26:20 | 0:26:22 | |
And then they just reported it as a bell. | 0:26:22 | 0:26:24 | |
But do you want to know the weird thing? | 0:26:24 | 0:26:26 | |
Yes, I do, I want to know the weird thing. | 0:26:26 | 0:26:28 | |
In 1904, he became the first ever Russian to win... | 0:26:28 | 0:26:33 | |
the NO-BELL prize. | 0:26:33 | 0:26:36 | |
GROANS | 0:26:36 | 0:26:38 | |
APPLAUSE | 0:26:38 | 0:26:40 | |
I've always wondered why it was called that. | 0:26:42 | 0:26:45 | |
He became a Nobel laureate for his contribution to medicine, | 0:26:45 | 0:26:49 | |
particularly to digestion and so on. | 0:26:49 | 0:26:51 | |
And he decided to sell gastric juices of dogs | 0:26:51 | 0:26:55 | |
and I suppose his name was helpful. | 0:26:55 | 0:26:57 | |
And he felt that these would help people as | 0:26:57 | 0:26:59 | |
a digestive cure of some kind. | 0:26:59 | 0:27:01 | |
So you would drink the gastric juice of a dog to help your own | 0:27:01 | 0:27:04 | |
gastric business? | 0:27:04 | 0:27:05 | |
He would stick a catheter in a poor dog, up into its tummy to milk it | 0:27:05 | 0:27:10 | |
of its gastric juices and, yeah, he sold them. | 0:27:10 | 0:27:13 | |
We've got a picture of a dog giving his all here. | 0:27:13 | 0:27:17 | |
GROANS | 0:27:17 | 0:27:19 | |
It's only a drawing! | 0:27:19 | 0:27:20 | |
So, if you think Pavlov rings a bell, you're barking. | 0:27:23 | 0:27:25 | |
Now, Matt, what's dense, slimy, lives at the bottom of the sea | 0:27:25 | 0:27:30 | |
-and is called...? -David Walliams. | 0:27:30 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
APPLAUSE | 0:27:34 | 0:27:37 | |
He's a very strong swimmer, isn't he? | 0:27:42 | 0:27:46 | |
Oh, dear. | 0:27:46 | 0:27:48 | |
Matt, what's dense, slimy, lives at the bottom of the sea | 0:27:48 | 0:27:51 | |
and is called Matt? | 0:27:51 | 0:27:53 | |
-David Walliams. -Wa-hey! | 0:27:53 | 0:27:54 | |
And called Matt? Is it just a mat? | 0:27:56 | 0:27:59 | |
Oh, yes. | 0:27:59 | 0:28:01 | |
-Yes. -It's a mat. -So I AM clever. | 0:28:01 | 0:28:05 | |
Is it some kind of sea vegetable? | 0:28:05 | 0:28:08 | |
It's...it's...it's sea life, sea matter that's cohered. | 0:28:08 | 0:28:13 | |
-Algae. -How big would it be, the mat? | 0:28:13 | 0:28:14 | |
Huge, huge, hundreds of thousands of square miles. | 0:28:14 | 0:28:17 | |
Certainly the biggest we know of, it's about the size of Greece. | 0:28:17 | 0:28:21 | |
-There you are, you see. -You see. You ARE clever. | 0:28:21 | 0:28:23 | |
It's not in Greece or near Greece, it's off the coast of Peru and Chile. | 0:28:23 | 0:28:26 | |
Oh, look at David Walliams. | 0:28:26 | 0:28:29 | |
Stop it! | 0:28:31 | 0:28:33 | |
No, don't stop, carry on. | 0:28:33 | 0:28:35 | |
It's microbial. It's a whole load of microbes. | 0:28:35 | 0:28:38 | |
So many of them that they can create this matter that's thick and... | 0:28:38 | 0:28:42 | |
-Mat matter. -Mat matter, exactly. | 0:28:42 | 0:28:45 | |
Don't say anything bad about them because we owe the photosynthesis | 0:28:45 | 0:28:49 | |
and the oxygen-rich nature of our own atmosphere to these. | 0:28:49 | 0:28:53 | |
We couldn't live without them. | 0:28:53 | 0:28:54 | |
I've been served that in a motorway service station. | 0:28:54 | 0:28:57 | |
They eat hydrogen and they breathe nitrates. | 0:28:58 | 0:29:02 | |
And they live in streams and lakes as well as the ocean. | 0:29:02 | 0:29:05 | |
They're very, very exciting and here, | 0:29:05 | 0:29:07 | |
I know you like wonderful information, | 0:29:07 | 0:29:10 | |
the total weight of microbes in the ocean is equivalent | 0:29:10 | 0:29:13 | |
to 240 billion African elephants. | 0:29:13 | 0:29:18 | |
AUDIENCE MEMBER SQUEALS | 0:29:18 | 0:29:20 | |
LAUGHTER | 0:29:20 | 0:29:23 | |
The good thing about that is that really helps me visualise that. | 0:29:23 | 0:29:26 | |
-That was very, very helpful. -Let me help you more, then. | 0:29:26 | 0:29:29 | |
35 elephants made of microbes for everyone on the planet. | 0:29:29 | 0:29:33 | |
So each of us have got 35 elephants made of microbes surrounding us now. | 0:29:33 | 0:29:37 | |
-We're rich! -35, that's a lot of elephants. | 0:29:37 | 0:29:40 | |
The time has come to rule out lifting all that in one go. | 0:29:40 | 0:29:44 | |
Right. | 0:29:44 | 0:29:46 | |
You learn a lot on this show, | 0:29:46 | 0:29:48 | |
I never knew that the ocean was made up of 35,000 billion elephants. | 0:29:48 | 0:29:53 | |
I've really been educated. | 0:29:53 | 0:29:55 | |
No wonder elephants are endangered | 0:29:55 | 0:29:57 | |
when you think of the number who have been drowned. | 0:29:57 | 0:30:01 | |
To create a mat at the bottom of the sea. | 0:30:01 | 0:30:03 | |
That's probably why the trunks... They were trying to evolve snorkels. | 0:30:03 | 0:30:08 | |
LAUGHTER | 0:30:08 | 0:30:10 | |
APPLAUSE | 0:30:10 | 0:30:13 | |
Oh, dear. | 0:30:16 | 0:30:17 | |
I can see that I've not really explained myself very well. | 0:30:17 | 0:30:21 | |
And now for something slightly mucky. | 0:30:21 | 0:30:22 | |
Alan, have you ever had your dirt hole burgled without your knowledge? | 0:30:22 | 0:30:27 | |
LAUGHTER | 0:30:27 | 0:30:29 | |
Do you know what? I'm not going to answer that. | 0:30:35 | 0:30:38 | |
Fair enough. | 0:30:38 | 0:30:39 | |
I'm actually writing to Points Of View now in this book. | 0:30:39 | 0:30:43 | |
It's a question to do with the macabre side of human life, muck. | 0:30:44 | 0:30:49 | |
Oh, is this something like, in some context, excrement has a value? | 0:30:49 | 0:30:54 | |
Yes, where there's muck... | 0:30:54 | 0:30:56 | |
Yes, they need it for fertiliser or whatever | 0:30:56 | 0:30:58 | |
and so people would sell their, erm, you know, their shit. | 0:30:58 | 0:31:01 | |
So obviously other people would steal it. | 0:31:01 | 0:31:03 | |
Which gave it a value, and if something has a value, | 0:31:03 | 0:31:05 | |
there will always be some who wish to steal it. | 0:31:05 | 0:31:07 | |
Is this in medieval times or now? | 0:31:07 | 0:31:09 | |
No, actually, it's not medieval, it's 18th and 19th century. | 0:31:09 | 0:31:12 | |
-I think the question is flawed. -How so? | 0:31:12 | 0:31:15 | |
Because if I'd have had my dirt hole burgled without my knowledge, | 0:31:15 | 0:31:18 | |
I wouldn't know about it, would I? | 0:31:18 | 0:31:20 | |
Touche. You're absolutely right. | 0:31:23 | 0:31:26 | |
-So I don't know. -Is the right answer. -Possibly. | 0:31:26 | 0:31:29 | |
"Possibly." Yup. | 0:31:29 | 0:31:30 | |
So people kept their rubbish in holes that could be collected. | 0:31:30 | 0:31:34 | |
It was a bin collection. | 0:31:34 | 0:31:35 | |
The dustman and the dustcart were actually often collecting | 0:31:35 | 0:31:38 | |
dust as well because it was simply dirt that people had swept up | 0:31:38 | 0:31:42 | |
and poured into a little hole or into a bucket in a hole, | 0:31:42 | 0:31:45 | |
the dirt hole, because everything was recycled. | 0:31:45 | 0:31:47 | |
Even family pets, when they died, had a value. | 0:31:47 | 0:31:50 | |
White cat, sixpence, multicoloured cat, fourpence. | 0:31:50 | 0:31:54 | |
In those days, the Flying Dustmen, as they were called, | 0:31:54 | 0:31:57 | |
the people who came to collect it, | 0:31:57 | 0:31:59 | |
they were paid to get it rather than you paying rates to have it removed. | 0:31:59 | 0:32:03 | |
There was hardware and software. | 0:32:03 | 0:32:05 | |
Software would be things like a dead cat | 0:32:05 | 0:32:07 | |
and the hardware was broken crockery, oyster shells, things like that, | 0:32:07 | 0:32:10 | |
which road builders could use. | 0:32:10 | 0:32:12 | |
Anyway, from muck to mugshots. | 0:32:12 | 0:32:14 | |
What heinous crime was committed by Baby-Face Bertillon? | 0:32:14 | 0:32:19 | |
He stole the faces of babies. | 0:32:19 | 0:32:22 | |
And then wore them himself. | 0:32:23 | 0:32:25 | |
I don't know if you're a Sherlock Holmes buff. | 0:32:26 | 0:32:29 | |
-I... -I'm quite buff but... | 0:32:29 | 0:32:31 | |
no, not so much with Sherlock Holmes. | 0:32:31 | 0:32:33 | |
Sherlock Holmes talks about the Bertillon system at one point. | 0:32:33 | 0:32:36 | |
It was a famous system. | 0:32:36 | 0:32:38 | |
And it did involve, really, what you're looking at. | 0:32:39 | 0:32:42 | |
-Mugshots. -Mugshots is the right answer! | 0:32:42 | 0:32:45 | |
So Bertillon took a photograph of his young son, | 0:32:45 | 0:32:49 | |
hence the Baby-Face Bertillon. | 0:32:49 | 0:32:51 | |
And what he did there was he exhibited his technique, | 0:32:51 | 0:32:54 | |
which may seem obvious to us but what are we looking at? | 0:32:54 | 0:32:58 | |
Taking a front and profile. | 0:32:58 | 0:33:01 | |
He realised that ears were very, very good ways of identifying people, | 0:33:01 | 0:33:05 | |
and so you couldn't just have a full-on | 0:33:05 | 0:33:07 | |
but a side view is very important. | 0:33:07 | 0:33:09 | |
And, over the years, the French police | 0:33:09 | 0:33:12 | |
and the British got huge collections of pictures of criminals. | 0:33:12 | 0:33:17 | |
And these became the rogues' galleries, | 0:33:17 | 0:33:20 | |
the mugshots that are famous | 0:33:20 | 0:33:21 | |
in films and TV shows where some witness says, | 0:33:21 | 0:33:24 | |
"Oh, I'd know him if I saw him." | 0:33:24 | 0:33:26 | |
"Hey, show him, show him the mugshots." | 0:33:26 | 0:33:28 | |
You know. And the witness would go through the book | 0:33:28 | 0:33:31 | |
and each book would be... LAUGHTER | 0:33:31 | 0:33:35 | |
That was days after I'd had my dirt hole burgled. | 0:33:35 | 0:33:38 | |
LAUGHTER | 0:33:38 | 0:33:40 | |
Was it by Hugh Grant above you? | 0:33:40 | 0:33:42 | |
Hugh Grant's trying to look cross there. | 0:33:43 | 0:33:46 | |
And the crime that Bertillon's son had committed was nibbling all | 0:33:46 | 0:33:50 | |
the pears in a basket. | 0:33:50 | 0:33:52 | |
Trying one and putting it back. Yeah. My little boy does that. | 0:33:54 | 0:33:57 | |
-It drives me mad. -Which, to a Frenchman, is a grave sin. | 0:33:57 | 0:34:00 | |
Sorry, is it a euphemism? | 0:34:00 | 0:34:01 | |
Maybe it's a euphemism, have I missed something? | 0:34:01 | 0:34:04 | |
"I admit I nibbled all the pears in the basket. | 0:34:04 | 0:34:08 | |
"And she bloody loved it." | 0:34:08 | 0:34:10 | |
That's terrible. Anyway, yes. | 0:34:12 | 0:34:15 | |
Francois Bertillon was the notorious Paris pear nibbler. | 0:34:15 | 0:34:19 | |
And talking of delicious things to eat, one last medieval question. | 0:34:19 | 0:34:22 | |
How many uses can you think of for a monk's earwax? | 0:34:22 | 0:34:26 | |
-Oh, it's endless. Candles. -Candles, yeah. | 0:34:27 | 0:34:30 | |
-JULIA: -Polishing wood. -They might have done. | 0:34:30 | 0:34:32 | |
-DAVID: -That definitely sounds like a euphemism. | 0:34:32 | 0:34:34 | |
Yeah. | 0:34:34 | 0:34:37 | |
I meant it... | 0:34:37 | 0:34:38 | |
-DAVID: -There's not much else to do in a monastery, is there? | 0:34:38 | 0:34:41 | |
Polishing their own wood. | 0:34:41 | 0:34:42 | |
What have monks handed down to us mostly? | 0:34:42 | 0:34:44 | |
-Bibles. -Bibles and manuscripts, illustrated... | 0:34:44 | 0:34:46 | |
Spent their lifetime writing, copying them out. | 0:34:46 | 0:34:49 | |
-Doing lines, basically. -Yes. | 0:34:49 | 0:34:51 | |
There we are, there's a picture of a happy monk doing his illuminations. | 0:34:51 | 0:34:54 | |
And that side of it, the painty side of it, | 0:34:54 | 0:34:56 | |
they used a substance called glair - G-L-A-I-R - | 0:34:56 | 0:35:00 | |
and it tended to get bubbled but they found if they added earwax to it, | 0:35:00 | 0:35:07 | |
they could get a really smooth, beautiful lustre and sheen | 0:35:07 | 0:35:10 | |
to the illustrations they were doing, | 0:35:10 | 0:35:12 | |
which have lasted us down the centuries. | 0:35:12 | 0:35:14 | |
How do you think of that, though? To go, "Hmm, there it is." | 0:35:14 | 0:35:17 | |
A thing you might try at home is you could take a pint of foaming beer | 0:35:17 | 0:35:22 | |
and then pop earwax into the head of your foaming tankard | 0:35:22 | 0:35:27 | |
and the bubbles should collapse. | 0:35:27 | 0:35:30 | |
If you're watching TV, don't listen to this man. | 0:35:30 | 0:35:32 | |
I think you're right. | 0:35:36 | 0:35:38 | |
It would be better if it was the other way round. | 0:35:38 | 0:35:40 | |
You had a flat liquid and then you put a bit of earwax in it | 0:35:40 | 0:35:43 | |
and then it went, fzzeee! | 0:35:43 | 0:35:45 | |
Chuck some sodium in your beer. That should do it. | 0:35:45 | 0:35:48 | |
And which orifice does sodium come out of? | 0:35:48 | 0:35:50 | |
They left other little things for us, little maniculae, little hands | 0:35:52 | 0:35:56 | |
that pointed to certain sections of the text in the Bible. | 0:35:56 | 0:35:59 | |
You can see one on the left there. | 0:35:59 | 0:36:01 | |
Well, if you've read The Name Of The Rose, | 0:36:01 | 0:36:02 | |
they left clues everywhere, all sorts. | 0:36:02 | 0:36:04 | |
Yeah. And octopuses as well, you can see an octopus at the top there. | 0:36:04 | 0:36:07 | |
They, for some reason, liked octopuses. | 0:36:07 | 0:36:09 | |
Is that a person with a huge sort of trumpet up his bottom? | 0:36:09 | 0:36:13 | |
-It's something odd, isn't it? -Yeah, it is. | 0:36:13 | 0:36:15 | |
I don't know what they're doing there. They're praising the Lord. | 0:36:15 | 0:36:18 | |
ALAN MIMICS A TRUMPET | 0:36:18 | 0:36:22 | |
-It's so boring in those monasteries. -Exactly. | 0:36:22 | 0:36:25 | |
The old fart trumpet was the favourite... | 0:36:25 | 0:36:27 | |
I was going to say on a Sunday but perhaps not. | 0:36:28 | 0:36:32 | |
HE MIMICS A FART TRUMPET | 0:36:32 | 0:36:34 | |
"Dinner!" | 0:36:34 | 0:36:36 | |
They used to leave little remarks like, "Oh, God, it's cold in here," | 0:36:37 | 0:36:41 | |
or, "I'm so bored." | 0:36:41 | 0:36:42 | |
Round the Bible. Just like schoolkids on their desks. | 0:36:42 | 0:36:45 | |
Exactly like that. | 0:36:45 | 0:36:46 | |
So why are they fighting snails? | 0:36:46 | 0:36:48 | |
No-one is quite sure. But it's a common feature - knights vs snails. | 0:36:48 | 0:36:53 | |
They seemed to like... | 0:36:53 | 0:36:55 | |
Some people may think it was a symbol of the struggle of the poor | 0:36:55 | 0:36:57 | |
against the aristocracy. | 0:36:57 | 0:36:59 | |
I think people shouldn't watch this show any more. | 0:36:59 | 0:37:02 | |
Do you think they had loads of snails in these cold, | 0:37:03 | 0:37:06 | |
damp monasteries and there were snails everywhere | 0:37:06 | 0:37:09 | |
and they were hoping a gallant knight would come | 0:37:09 | 0:37:11 | |
and help them deal with the snail infestation problem? | 0:37:11 | 0:37:14 | |
Possibly! STEPHEN LAUGHS GASPINGLY | 0:37:14 | 0:37:16 | |
Which means it's time... LAUGHTER | 0:37:16 | 0:37:19 | |
..to place various intimate parts of you into the thumbscrew | 0:37:19 | 0:37:22 | |
of general ignorance. Fingers on buzzers, please. | 0:37:22 | 0:37:25 | |
Where are most missionaries positioned? | 0:37:25 | 0:37:29 | |
MATT'S BUZZER | 0:37:30 | 0:37:33 | |
I'm going to guess that most of them are in Utah where | 0:37:33 | 0:37:37 | |
the Mormons tend to kind of congregate | 0:37:37 | 0:37:40 | |
because they haven't yet been assigned their places to go to. | 0:37:40 | 0:37:44 | |
Interesting, interesting answer but I'm | 0:37:44 | 0:37:47 | |
talking about which is the country that receives the most incoming? | 0:37:47 | 0:37:50 | |
-DAVID'S BUZZER -Well, I'm not talking about that. | 0:37:50 | 0:37:53 | |
LAUGHTER | 0:37:53 | 0:37:54 | |
I'm talking about them before they've gone. | 0:37:54 | 0:37:57 | |
So I'm not asking you where the most missionaries come FROM, I'm asking... | 0:37:57 | 0:38:00 | |
I know but... | 0:38:00 | 0:38:02 | |
I'm trying to get a point. | 0:38:02 | 0:38:05 | |
By you answering the question that I haven't asked. | 0:38:05 | 0:38:08 | |
My guess is China. | 0:38:08 | 0:38:11 | |
Ah, it's a possibility. I mean, it's not... | 0:38:11 | 0:38:13 | |
Well, it IS a possibility but it's not a fact. | 0:38:13 | 0:38:15 | |
-Is it in Africa? -It's not Africa. -Is it England? -No. | 0:38:15 | 0:38:18 | |
-JULIA: -Is it South America? -England is much, much closer. | 0:38:18 | 0:38:21 | |
-South America. -Not South America, not SOUTH America. | 0:38:21 | 0:38:23 | |
-Central. -Not Central... -North America. -North America! | 0:38:23 | 0:38:26 | |
-America, United States. -Well, I think you'll find Utah is in America. | 0:38:26 | 0:38:29 | |
APPLAUSE | 0:38:29 | 0:38:32 | |
But I specifically said, "Where are the most | 0:38:36 | 0:38:39 | |
"missionaries who've come from outside one country?" | 0:38:39 | 0:38:42 | |
-I know, but I didn't choose to answer that. -Argh! | 0:38:42 | 0:38:45 | |
I've got to give you points, you deserve them for sheer tenacity. | 0:38:45 | 0:38:48 | |
The fact is, we don't quite know why missionaries... | 0:38:48 | 0:38:50 | |
Some think they just want to go to a very rich country, | 0:38:50 | 0:38:53 | |
others think these missionaries believe America has lapsed into sin. | 0:38:53 | 0:38:57 | |
You're absolutely right in one way, certainly, which is | 0:38:57 | 0:39:00 | |
that America produces the most missionaries. | 0:39:00 | 0:39:02 | |
I've gone, I'm passed it. | 0:39:02 | 0:39:05 | |
For me, it's gone. | 0:39:05 | 0:39:06 | |
32,400 missionaries went to | 0:39:06 | 0:39:08 | |
-the USA from other nations. -No, not interested. | 0:39:08 | 0:39:10 | |
-Whereas 127,000 go out of the US. -No, it's too late, too little too late. | 0:39:10 | 0:39:15 | |
-And I think he's a Mormon. -No, we're not looking. | 0:39:16 | 0:39:19 | |
In 2003... | 0:39:22 | 0:39:25 | |
ALAN CHUCKLES | 0:39:25 | 0:39:28 | |
..in 2003 the residents of a Fijian village... | 0:39:28 | 0:39:30 | |
-Don't listen to him. -..apologised... | 0:39:30 | 0:39:32 | |
LAUGHTER | 0:39:32 | 0:39:33 | |
..apologised to the family of an English missionary who had, | 0:39:33 | 0:39:37 | |
in 1867, been eaten by their ancestors. | 0:39:37 | 0:39:41 | |
Well, again, too little too late. | 0:39:41 | 0:39:44 | |
It's not known why the missionary was killed. | 0:39:45 | 0:39:47 | |
Because he looked bloody tasty, I should expect. | 0:39:47 | 0:39:50 | |
SAME AUDIENCE MEMBER SQUEALS | 0:39:50 | 0:39:51 | |
The villagers said that they had been suffering bad luck ever since eating | 0:39:51 | 0:39:56 | |
the missionary and hoped it would change their fortunes to apologise. | 0:39:56 | 0:39:59 | |
A year later, there was an earthquake. | 0:39:59 | 0:40:02 | |
Maybe they should have... | 0:40:02 | 0:40:04 | |
I wouldn't apologise for anyone my ancestors had eaten. | 0:40:04 | 0:40:08 | |
-I don't think it's my fault. -No, exactly. | 0:40:08 | 0:40:11 | |
And I wouldn't expect a descendant of mine | 0:40:11 | 0:40:13 | |
to apologise for anything I'd eaten, either. | 0:40:13 | 0:40:16 | |
I think what you eat, it's you to apologise, no-one else. | 0:40:16 | 0:40:19 | |
Ridiculous for having pan-generational responsibility | 0:40:19 | 0:40:22 | |
for ancestors' diets. | 0:40:22 | 0:40:25 | |
But they thought it brought them bad luck, they were superstitious. | 0:40:26 | 0:40:29 | |
So they weren't really sorry at all. | 0:40:29 | 0:40:32 | |
If they thought it would bring them good luck, | 0:40:32 | 0:40:34 | |
they'd probably eat another one. | 0:40:34 | 0:40:37 | |
OK, more missionaries go to the United States than anywhere else. | 0:40:37 | 0:40:41 | |
Do an impression of someone in the stocks. | 0:40:41 | 0:40:44 | |
"Fuck off, fuck off!" | 0:40:44 | 0:40:45 | |
It's like that, isn't it? | 0:40:48 | 0:40:50 | |
-Ah-ha! Points to Mitchell. Yes, absolutely. -That the pillory. | 0:40:50 | 0:40:53 | |
That's a pillory or fuse, as they were also known. | 0:40:53 | 0:40:56 | |
-That's stocks. -Oh, stocks are feet, are they? | 0:40:56 | 0:41:00 | |
I'm into public shaming, though. | 0:41:00 | 0:41:02 | |
If you've done something bad people can go, | 0:41:02 | 0:41:04 | |
"Oh, don't do it again," and then you go, | 0:41:04 | 0:41:05 | |
"Oh, that was awful, I won't have friends if I do this again." | 0:41:05 | 0:41:08 | |
And then you go back into society. I don't think it's so bad. | 0:41:08 | 0:41:11 | |
You're very right. They could be quite forgiving. | 0:41:11 | 0:41:13 | |
Sometimes people had flowers thrown at them. | 0:41:13 | 0:41:16 | |
Daniel Defoe, when he was in the stocks | 0:41:16 | 0:41:17 | |
because he defended the church, people threw flowers at him. | 0:41:17 | 0:41:20 | |
Those aren't stocks, so... | 0:41:20 | 0:41:22 | |
No, he wasn't in the stocks there, | 0:41:23 | 0:41:25 | |
he was pilloried, I think is the safest way to... | 0:41:25 | 0:41:27 | |
People threw horrible things at you, big heavy things, | 0:41:27 | 0:41:30 | |
-and actually you could die. -Yeah, no, absolutely. | 0:41:30 | 0:41:33 | |
Some people took great lengths to protect themselves as a result. | 0:41:33 | 0:41:36 | |
There was a gentleman here, Charles Hitchen, who was convicted | 0:41:36 | 0:41:39 | |
of attempted sodomy and he went into the stocks wearing a suit of armour. | 0:41:39 | 0:41:43 | |
What happened to successful ones, | 0:41:45 | 0:41:47 | |
ones that managed to bring it off, as it were? | 0:41:47 | 0:41:50 | |
Presumably you have to pay a lot for that when you were in the stocks. | 0:41:54 | 0:41:57 | |
The stocks weren't for your head and arms, just for your legs. | 0:41:57 | 0:42:01 | |
And, with that, | 0:42:01 | 0:42:02 | |
our mosey through the medieval macabre must come to an end. | 0:42:02 | 0:42:06 | |
We have scores. Mercy, mercy me. | 0:42:06 | 0:42:09 | |
Well, in joint first position, with minus six, | 0:42:10 | 0:42:15 | |
Matt and Julia. | 0:42:15 | 0:42:17 | |
APPLAUSE AND CHEERING | 0:42:17 | 0:42:20 | |
APPLAUSE DROWNS OUT SPEECH | 0:42:21 | 0:42:24 | |
In third place with minus ten, | 0:42:24 | 0:42:26 | |
David Mitchell. | 0:42:26 | 0:42:28 | |
APPLAUSE | 0:42:28 | 0:42:30 | |
But the witch we shall be burning this evening is | 0:42:34 | 0:42:37 | |
Alan Davies with minus 25. | 0:42:37 | 0:42:39 | |
APPLAUSE AND CHEERING | 0:42:39 | 0:42:41 | |
Well, it only remains for me to thank, Matt, David, Julia | 0:42:47 | 0:42:51 | |
and Alan and the last word on the Middle Ages comes from Bennett Cerf. | 0:42:51 | 0:42:55 | |
"Middle age is when your contemporaries are | 0:42:55 | 0:42:58 | |
"so grey and wrinkled and bald | 0:42:58 | 0:43:00 | |
"they don't recognise you." | 0:43:00 | 0:43:02 | |
Good night. APPLAUSE | 0:43:02 | 0:43:05 |