Browse content similar to Misconceptions. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:23 | 0:00:28 | |
Good evening, | 0:00:28 | 0:00:30 | |
good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, good evening, good evening... | 0:00:33 | 0:00:35 | |
and welcome to QI - | 0:00:35 | 0:00:36 | |
where, tonight, we're mired in misconceptions | 0:00:36 | 0:00:40 | |
and nothing is as it seems. | 0:00:40 | 0:00:42 | |
Or is it? Or will they? Have they? | 0:00:42 | 0:00:44 | |
I don't know. LAUGHTER | 0:00:44 | 0:00:46 | |
Do you? Maybe not. I simply don't know. | 0:00:46 | 0:00:48 | |
Or do I? LAUGHTER | 0:00:48 | 0:00:50 | |
Joining me tonight are... | 0:00:50 | 0:00:52 | |
Sue Perkins. | 0:00:52 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
..Chris Addison... | 0:00:57 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:02 | |
..Sara Cox... | 0:01:02 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:07 | |
..and Alan Davies. | 0:01:07 | 0:01:08 | |
-CHEERING AND APPLAUSE -Thank you, thank you. | 0:01:08 | 0:01:11 | |
So, let's hear your buzzers. | 0:01:13 | 0:01:16 | |
Sue goes... | 0:01:16 | 0:01:17 | |
BUZZER | 0:01:17 | 0:01:19 | |
-Oh! -Chris goes... IDENTICAL BUZZER | 0:01:19 | 0:01:22 | |
Sara goes... IDENTICAL BUZZER | 0:01:22 | 0:01:24 | |
Alan's buzzer... | 0:01:24 | 0:01:25 | |
BIRD SCREECHES | 0:01:25 | 0:01:27 | |
LAUGHTER | 0:01:27 | 0:01:28 | |
Oh. KLAXON | 0:01:28 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:32 | |
That wasn't a buzzer, that was a buzzard. | 0:01:32 | 0:01:34 | |
-That's harsh, though, isn't it? -It is harsh. | 0:01:34 | 0:01:37 | |
Am I on minus then already, | 0:01:37 | 0:01:39 | |
-before I've spoken? -Yes. | 0:01:39 | 0:01:41 | |
That is a new record. | 0:01:41 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:43 | |
I have no... My hands are tied. LAUGHTER | 0:01:43 | 0:01:47 | |
Now, because almost everything we think we know about | 0:01:47 | 0:01:50 | |
the world is wrong, we've given you each a map, | 0:01:50 | 0:01:54 | |
so you can refresh your memories. | 0:01:54 | 0:01:56 | |
-Yup, there it is. A map of the world. -Is that wrong? | 0:01:56 | 0:01:59 | |
You're telling us that's wrong. | 0:01:59 | 0:02:01 | |
Well, the sea is where the land should be. | 0:02:01 | 0:02:03 | |
So, I'm saying yes. | 0:02:06 | 0:02:09 | |
-I don't mind that, shakes things up a bit. -It does, doesn't it? | 0:02:09 | 0:02:12 | |
-It's wrong in other ways. -OK. -But it's a representation, | 0:02:12 | 0:02:15 | |
so we'll forgive it for not being perfectly accurate. | 0:02:15 | 0:02:17 | |
-OK. -Because it's flat, and the earth is round. | 0:02:17 | 0:02:21 | |
If we were on a direct flight from Madrid to Montana... | 0:02:21 | 0:02:26 | |
which American states beginning with "M" would we fly over on the way? | 0:02:26 | 0:02:31 | |
Merica? | 0:02:31 | 0:02:33 | |
Is that one? | 0:02:34 | 0:02:36 | |
None. Because you go over the top, you go straight over the top. | 0:02:36 | 0:02:40 | |
Is exactly right. Yes, that's right. | 0:02:40 | 0:02:44 | |
Very good. | 0:02:44 | 0:02:45 | |
-We will show you the route here. -You might go over Manitoba. | 0:02:47 | 0:02:50 | |
Yes, you do go over Manitoba. | 0:02:50 | 0:02:52 | |
You miss all the American states. | 0:02:52 | 0:02:53 | |
It's seems to not be a straight line, | 0:02:53 | 0:02:56 | |
but of course on the globe it is the shortest distance to go that way. | 0:02:56 | 0:02:59 | |
If you were to go what seems a straight line on flat paper, | 0:02:59 | 0:03:02 | |
it would actually be going around the curvature of the earth... | 0:03:02 | 0:03:05 | |
Madrid is on the same line of latitude as New York. | 0:03:05 | 0:03:07 | |
It is. | 0:03:07 | 0:03:09 | |
So you could go around that way. | 0:03:09 | 0:03:11 | |
Well, it's still further. | 0:03:11 | 0:03:13 | |
You've got a little globe there. | 0:03:15 | 0:03:17 | |
You can try with a piece of string. | 0:03:17 | 0:03:19 | |
OK. Let's do that. | 0:03:19 | 0:03:21 | |
Have a look. | 0:03:21 | 0:03:23 | |
Where's Madrid? There we go. | 0:03:23 | 0:03:26 | |
There you are, viewers. | 0:03:28 | 0:03:30 | |
I've illustrated it perfectly. | 0:03:32 | 0:03:33 | |
You're right. We're nearly over Winnipeg, there. | 0:03:33 | 0:03:36 | |
Go over Winnipeg and Regina. | 0:03:36 | 0:03:39 | |
Regina, you say? | 0:03:39 | 0:03:42 | |
If you compare the string with the lines of latitude on the globe, | 0:03:42 | 0:03:45 | |
you've come so much further up, haven't you? | 0:03:45 | 0:03:47 | |
Cos the line of latitude would be all the way along that way. | 0:03:47 | 0:03:50 | |
-Yeah. We need more string! -You need more string. | 0:03:50 | 0:03:53 | |
Are you wrestling with the world, here? | 0:03:55 | 0:03:57 | |
-Yes. -Aren't we all, Steve? -Yes, I suppose. | 0:03:57 | 0:04:01 | |
Well, that's solved a lot of... Yeah. | 0:04:01 | 0:04:04 | |
That's an excellent in flight tool for any air hostess. | 0:04:04 | 0:04:07 | |
-Yes. -Explaining where you're going. | 0:04:07 | 0:04:09 | |
Just going to colour in Scotland yellow. | 0:04:09 | 0:04:12 | |
-I didn't want them the same colour as England. -No. | 0:04:19 | 0:04:21 | |
What we have here is a particular kind of view of the world. | 0:04:21 | 0:04:27 | |
It's a 16th century cartographer. | 0:04:27 | 0:04:29 | |
Ricardo Montalban. | 0:04:29 | 0:04:31 | |
No, his name was Gerard Merchant, but it wasn't, it was Latinised. | 0:04:31 | 0:04:35 | |
-Gerard Merchant. -Gerardus... -Mercator. | 0:04:35 | 0:04:39 | |
Mercator. Well done, Chris. | 0:04:39 | 0:04:41 | |
It's called the Mercator Projection. | 0:04:41 | 0:04:43 | |
And it was the first time the world was expressed in such a way | 0:04:43 | 0:04:47 | |
that sailors could navigate using straight lines from the compass. | 0:04:47 | 0:04:51 | |
But in order to do that you had to compromise | 0:04:51 | 0:04:54 | |
the reality of the shape of the continent. | 0:04:54 | 0:04:56 | |
So Africa became, for example, much smaller. | 0:04:56 | 0:04:58 | |
-Everything near the equator was squashed. -Yeah. | 0:04:58 | 0:05:01 | |
Sometimes people think this was a sort of imperialist thing to make | 0:05:01 | 0:05:04 | |
Europe look bigger, but it wasn't actually anything to do with that. | 0:05:04 | 0:05:08 | |
It was, as always, to make money for commerce and trade. | 0:05:08 | 0:05:11 | |
Well, there you are, the great circle route is a roundabout way | 0:05:11 | 0:05:15 | |
of going in a straight line. | 0:05:15 | 0:05:17 | |
So, how did the first American airmail arrive at its destination? | 0:05:17 | 0:05:21 | |
Human cannonball. | 0:05:21 | 0:05:22 | |
LAUGHTER That's a good thought. | 0:05:22 | 0:05:24 | |
They just put a postman in a cannon and fired him. | 0:05:24 | 0:05:28 | |
Was it an air balloon? | 0:05:28 | 0:05:30 | |
It wasn't, I'm afraid. KLAXON | 0:05:30 | 0:05:33 | |
-I mean... -Ha-ha-ha! -..that seems... | 0:05:34 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:40 | |
Welcome to QI. Quite right. | 0:05:40 | 0:05:42 | |
Oh, surely a carrier pigeon. | 0:05:42 | 0:05:44 | |
-Oh! -As in... | 0:05:44 | 0:05:46 | |
KLAXON | 0:05:46 | 0:05:49 | |
Was it by bus? | 0:05:49 | 0:05:50 | |
Closer. | 0:05:50 | 0:05:52 | |
-Bus is closer. Airmail was by bus? -Stagecoach? | 0:05:52 | 0:05:54 | |
-Train. -Sedan chair. -Train is the right answer. -Sedan chair. | 0:05:54 | 0:05:57 | |
You deserve to get some points back, because it started by balloon, | 0:05:57 | 0:06:00 | |
-you see, Sara. -Oh, really? -Yeah. | 0:06:00 | 0:06:02 | |
With great hoopla, they started an airmail service. | 0:06:02 | 0:06:04 | |
It was going to go from Indiana to New York. | 0:06:04 | 0:06:07 | |
Unfortunately, they chose the opening day | 0:06:07 | 0:06:09 | |
and lots of mail had arrived, which was very self-consciously excited. | 0:06:09 | 0:06:12 | |
"My darling, you're going to get this by a new means of transport," | 0:06:12 | 0:06:15 | |
etc, etc. They were all thrilled by it. | 0:06:15 | 0:06:18 | |
There was no wind and, after five hours, it had gone 30 miles... | 0:06:18 | 0:06:21 | |
-LAUGHTER ..and so he just... -Could he...? | 0:06:21 | 0:06:24 | |
Basically, they let themselves down and got on a train. | 0:06:24 | 0:06:26 | |
Throwing the post overboard to keep height. | 0:06:26 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:30 | |
Was that in the days before the... | 0:06:30 | 0:06:32 | |
-They still had burners. -Did they literally use air for air balloons? | 0:06:32 | 0:06:35 | |
-Well, yes, it had to be hot air. -What's the technical term for... | 0:06:35 | 0:06:38 | |
-That is the technical term. -It's a burner. -Very hard to spell. | 0:06:38 | 0:06:42 | |
He was a piano maker turned ballooning pioneer, | 0:06:42 | 0:06:44 | |
Professor John Wise, who started it out. It was in 1859. | 0:06:44 | 0:06:49 | |
The world's first official airmail delivery took place in 1911. | 0:06:49 | 0:06:55 | |
-Where, do you think? -South Africa. | 0:06:55 | 0:06:58 | |
-SARA: -New Zealand. -Not South Africa or New Zealand. | 0:06:58 | 0:07:00 | |
-France. -Germany. | 0:07:00 | 0:07:02 | |
No, it's India. | 0:07:02 | 0:07:03 | |
-What?! -All right. | 0:07:03 | 0:07:07 | |
It's not that shocking, but it is perhaps surprising. | 0:07:07 | 0:07:10 | |
Yeah, it travelled five miles. | 0:07:10 | 0:07:12 | |
I wouldn't trust my letters in that contraption. | 0:07:12 | 0:07:14 | |
-They'd be blowing all over the shop. -They would, wouldn't they? | 0:07:14 | 0:07:17 | |
He can't be a postman, he's not got his shorts on either. | 0:07:17 | 0:07:19 | |
-They wear a short, a tailored short. -Yes. | 0:07:19 | 0:07:22 | |
That's powered by a dog chasing it. | 0:07:22 | 0:07:24 | |
The American airmail service was started in 1918 | 0:07:27 | 0:07:30 | |
as a way of training pilots - | 0:07:30 | 0:07:32 | |
and the assistant postmaster was ruthless, | 0:07:32 | 0:07:35 | |
and he insisted that the trainees | 0:07:35 | 0:07:38 | |
would fly, whatever the weather. | 0:07:38 | 0:07:40 | |
And out of 40 who started, | 0:07:40 | 0:07:42 | |
-more than half were killed. -Oh...! -Oh, dear. | 0:07:42 | 0:07:44 | |
He was a lunatic. He, himself, didn't fly - | 0:07:44 | 0:07:46 | |
so it was pretty obvious he had no idea what was going on, | 0:07:46 | 0:07:49 | |
so it was all rather tragic. | 0:07:49 | 0:07:50 | |
Good to see the use of a sinister doll on the mailbag as well. | 0:07:50 | 0:07:53 | |
LAUGHTER | 0:07:53 | 0:07:54 | |
-The whole thing's sent by voodoo. -Yeah, it is. | 0:07:54 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
It's for when they don't want to get in the plane, | 0:07:58 | 0:08:00 | |
-he makes them with the doll. -LAUGHTER | 0:08:00 | 0:08:02 | |
He walks the doll. | 0:08:02 | 0:08:03 | |
"I don't want to fly in the plane!" | 0:08:03 | 0:08:05 | |
The first airplane-powered glider airmail service | 0:08:05 | 0:08:10 | |
was founded by whom? | 0:08:10 | 0:08:12 | |
-Amy Johnson. -The first one was named after... | 0:08:12 | 0:08:14 | |
-No, she's not known as an aviatrix... -Oh, right. | 0:08:14 | 0:08:17 | |
..she's known as a novelist. | 0:08:17 | 0:08:18 | |
-Madonna. -Barbara Cartland. | 0:08:18 | 0:08:20 | |
Is the right answer! | 0:08:20 | 0:08:22 | |
APPLAUSE | 0:08:22 | 0:08:27 | |
INAUDIBLE | 0:08:27 | 0:08:29 | |
That was very impressive, Sue. | 0:08:29 | 0:08:30 | |
Barbara Cartland flew the first glider that dispensed mail? | 0:08:30 | 0:08:34 | |
-Yep, that's absolutely right. -Tell me it was painted pink. | 0:08:34 | 0:08:37 | |
The glider was called The Barbara Cartland, as you can see. Yeah. | 0:08:37 | 0:08:40 | |
-Where does she get her ideas? -Indeed. | 0:08:40 | 0:08:42 | |
Well, she was a flapper, she was a sort of deb. | 0:08:42 | 0:08:44 | |
She was very much an aristocrat, | 0:08:44 | 0:08:46 | |
part of the Bright Young Things - and they all loved to fly. | 0:08:46 | 0:08:49 | |
-It was an expression of youth. -"Oh, because it was extremely good fun! | 0:08:49 | 0:08:52 | |
"I mean, just really, really good to get in a glider | 0:08:52 | 0:08:54 | |
"and just shove a few letters out. | 0:08:54 | 0:08:55 | |
"Lovely, rollicking, good fun." | 0:08:55 | 0:08:58 | |
One of the people I most admire in the 20th century was | 0:08:58 | 0:09:00 | |
the writer PG Wodehouse. | 0:09:00 | 0:09:02 | |
He had such an extraordinary sunny disposition | 0:09:02 | 0:09:04 | |
and a genuine belief in the goodness of people. | 0:09:04 | 0:09:06 | |
One of the things he did when he was in London, he would type letters, | 0:09:06 | 0:09:11 | |
type the address, stamp it and throw it out the window. | 0:09:11 | 0:09:14 | |
And he reasoned that the average Britain on seeing a stamped | 0:09:14 | 0:09:17 | |
addressed envelope would put it in the nearest letterbox. | 0:09:17 | 0:09:20 | |
And he claimed he never had a letter go astray. | 0:09:20 | 0:09:23 | |
But then he never had a reply either. | 0:09:23 | 0:09:26 | |
America's first airmail letters arrived by train. | 0:09:28 | 0:09:31 | |
Now, from airmail to e-mail. | 0:09:31 | 0:09:33 | |
What's the most effective way to do a massive data dump? | 0:09:33 | 0:09:37 | |
-Is it...? -LAUGHTER | 0:09:37 | 0:09:39 | |
Is it - "Give your laptop to a British civil servant | 0:09:39 | 0:09:41 | |
"to leave in a car?" | 0:09:41 | 0:09:43 | |
LAUGHTER Yes, that will happen. | 0:09:43 | 0:09:44 | |
-A data dump? -Yeah. | 0:09:44 | 0:09:46 | |
I'm sorry about the picture, | 0:09:46 | 0:09:47 | |
it's nothing to do with anything lavatorial. | 0:09:47 | 0:09:49 | |
-Where have you got that from? -I've no idea. | 0:09:49 | 0:09:52 | |
They just googled "data dump", and there you are. | 0:09:52 | 0:09:54 | |
-Yeah. -The techno turd. -LAUGHTER | 0:09:54 | 0:09:56 | |
No, don't... Forget that whole side of it. We... | 0:09:56 | 0:09:58 | |
-No, I'm obsessed with that image. -It's our fault. | 0:09:58 | 0:10:01 | |
Our picture suggests the lavatory, but it's not about that. | 0:10:01 | 0:10:03 | |
If you want to transfer HUGE amounts of data, | 0:10:03 | 0:10:05 | |
-what's the best way to do it? -Dropbox. -Dropbox, yeah. | 0:10:05 | 0:10:08 | |
Dropbox. You send it... KLAXON | 0:10:08 | 0:10:10 | |
Oh, dear. Oh, dear. Oh, dear. Oh, dear. | 0:10:10 | 0:10:13 | |
Do you...? By data dump, do you mean to get the data somewhere else, | 0:10:13 | 0:10:16 | |
-or do you mean to...? -To wipe it? -Yeah, exactly. | 0:10:16 | 0:10:18 | |
-Oh sorry, the "wipe it" again, I mean... -No, not to wipe it. | 0:10:18 | 0:10:21 | |
LAUGHTER | 0:10:21 | 0:10:22 | |
But you always want to wipe after a data dump. | 0:10:22 | 0:10:25 | |
I'll give you an example. | 0:10:25 | 0:10:26 | |
Enormous data sets that come from Hubble | 0:10:26 | 0:10:28 | |
have to be transferred to different scientists, | 0:10:28 | 0:10:31 | |
to interpret and to render the images | 0:10:31 | 0:10:33 | |
and all these kind of... And they're huge data sets. | 0:10:33 | 0:10:35 | |
So, what do they use to send it? Do they use Ethernet? | 0:10:35 | 0:10:37 | |
Do they use...? What do they use? Fibre optics? | 0:10:37 | 0:10:39 | |
See, I'm regretting in our house that we divvy up all the duties. | 0:10:39 | 0:10:42 | |
You see, if you were to ask me about what factor sun cream | 0:10:42 | 0:10:45 | |
to pack for my kids' holidays, it's kind of one of my things. | 0:10:45 | 0:10:48 | |
Technology is my husband's. | 0:10:48 | 0:10:50 | |
Would your husband do the data dump? | 0:10:50 | 0:10:52 | |
Yeah, and light bulbs. | 0:10:52 | 0:10:55 | |
But he gives more to the family than that, do you know what I mean? | 0:10:56 | 0:11:00 | |
Do they just print it off? | 0:11:00 | 0:11:02 | |
-No, that's... -Do they put it in the Cloud? -They don't put it... | 0:11:02 | 0:11:04 | |
They run to a phone booth. They do all that, like in the old films. | 0:11:04 | 0:11:07 | |
"I've got all the data. OK, have you got a pen? Listen." | 0:11:07 | 0:11:10 | |
LAUGHTER | 0:11:10 | 0:11:11 | |
"OK, first thing - a star, then a space, then another star..." | 0:11:11 | 0:11:14 | |
-LAUGHTER -..and do that for some time. | 0:11:14 | 0:11:16 | |
What they do is they post it... | 0:11:16 | 0:11:19 | |
in the mail, the ordinary mail. | 0:11:19 | 0:11:21 | |
-It's quicker. -Bradley Wiggins delivers it. -It's quicker. | 0:11:21 | 0:11:24 | |
It takes less than 24 hours for each transfer | 0:11:24 | 0:11:26 | |
if you take it by mail. | 0:11:26 | 0:11:28 | |
Whereas, to transfer the complete data set, | 0:11:28 | 0:11:30 | |
which is 120 terabytes, | 0:11:30 | 0:11:31 | |
it would take 111 days... | 0:11:31 | 0:11:34 | |
-if you did it by the internet. -To send? | 0:11:34 | 0:11:36 | |
-You know, by e-mail. -Yeah. | 0:11:36 | 0:11:37 | |
That is surprising, isn't it? | 0:11:37 | 0:11:38 | |
And we've done some calculations. | 0:11:38 | 0:11:40 | |
FedEx or UPS, or any of those, | 0:11:40 | 0:11:43 | |
could deliver massive amounts of information | 0:11:43 | 0:11:45 | |
64 times faster than the internet. | 0:11:45 | 0:11:47 | |
Based on the weight of packages which ship every day... | 0:11:47 | 0:11:50 | |
They're going to love you! | 0:11:50 | 0:11:51 | |
-I hope you're getting money from them for this! -No, it's just... | 0:11:51 | 0:11:54 | |
I didn't... Oh, from FedEx. | 0:11:54 | 0:11:55 | |
It all ends up on an island with Tom Hanks... | 0:11:55 | 0:11:58 | |
"Faster than the internet." - Stephen Fry. | 0:11:58 | 0:12:00 | |
..for three years. | 0:12:00 | 0:12:02 | |
Based on the weight of packages and the weight of memory cards, | 0:12:02 | 0:12:04 | |
they could transport 2,222 terabytes per second. | 0:12:04 | 0:12:09 | |
Now that... The whole internet, in 2016, | 0:12:09 | 0:12:12 | |
is expected to be 34.5 terabytes a second. | 0:12:12 | 0:12:14 | |
What's a terabyte, Stephen? | 0:12:14 | 0:12:16 | |
-Well, you've got a byte... -Yes. -A byte. | 0:12:16 | 0:12:18 | |
..a kilobyte... | 0:12:18 | 0:12:20 | |
And then the terror-byte! | 0:12:20 | 0:12:21 | |
-..a megabyte... -Megabyte. -Yeah. Megabyte I can do, yeah. | 0:12:21 | 0:12:24 | |
-Yeah, a megabyte. ..and then a gigabyte... -Yeah. | 0:12:24 | 0:12:26 | |
..and a terabyte... | 0:12:26 | 0:12:29 | |
..and then you have a petabyte, even bigger than that. Petabyte. | 0:12:29 | 0:12:32 | |
But the expansion of memory, | 0:12:32 | 0:12:33 | |
the expansion of processing power in computing is bewildering - | 0:12:33 | 0:12:37 | |
partly because it doubles every two years, | 0:12:37 | 0:12:40 | |
and do you know what that is called? | 0:12:40 | 0:12:42 | |
It was predicted in the '60s that it would double. | 0:12:42 | 0:12:44 | |
-A gobble, a gobble, a double gobble. -No, there was a man who predicted... | 0:12:44 | 0:12:47 | |
-Oh, right. -..that it would double every two years. | 0:12:47 | 0:12:49 | |
His name was Gordon Moore and it's called Moore's Law, | 0:12:49 | 0:12:52 | |
-and Moore's Law... -Oh, that's good. | 0:12:52 | 0:12:54 | |
-That worked out well, didn't it? -Yeah. | 0:12:54 | 0:12:55 | |
Moore's Law has governed the astonishing rise in power | 0:12:55 | 0:12:58 | |
and capacity in computing ever since. | 0:12:58 | 0:13:01 | |
For a long, long time. It doubles and doubles and doubles. | 0:13:01 | 0:13:04 | |
To give you an example of how breathtaking and bewildering it is, | 0:13:04 | 0:13:06 | |
we've got some memory capacity here. | 0:13:06 | 0:13:09 | |
Here... This is from the '60s | 0:13:09 | 0:13:11 | |
and it's rather elegant in its own little way. | 0:13:11 | 0:13:14 | |
And it would have fitted into some sort of great, big cabinet | 0:13:14 | 0:13:17 | |
that was part of a computing system. | 0:13:17 | 0:13:19 | |
It's called the Univac 1004. | 0:13:19 | 0:13:21 | |
And it's a core store memory module. | 0:13:21 | 0:13:24 | |
And how much memory do you think that contains? | 0:13:24 | 0:13:27 | |
A byte. | 0:13:27 | 0:13:29 | |
No, it's a lot more than that. | 0:13:29 | 0:13:31 | |
-A gigabyte. -A gigabyte. | 0:13:31 | 0:13:32 | |
Oh, no, it's nothing like as big as that. | 0:13:32 | 0:13:34 | |
LAUGHTER | 0:13:34 | 0:13:35 | |
-It's one kilobyte. -A kilobyte?! -Yeah. | 0:13:35 | 0:13:38 | |
-There's a kilobyte, too. -What's a kilobyte? -I don't remember. | 0:13:38 | 0:13:40 | |
1,000 bytes. | 0:13:40 | 0:13:42 | |
And look. I've got here, this - | 0:13:42 | 0:13:44 | |
which is 128 gigabytes. | 0:13:44 | 0:13:46 | |
Can you see it? I'll put it there, it's a little... | 0:13:46 | 0:13:48 | |
micro SD chip. | 0:13:48 | 0:13:51 | |
And this, here, | 0:13:51 | 0:13:54 | |
would have to weigh 140,229 metric tonnes... | 0:13:54 | 0:14:00 | |
to carry this much information. LAUGHTER | 0:14:00 | 0:14:02 | |
-In 1963. -Yeah. -That is hugely impractical. | 0:14:02 | 0:14:05 | |
It's... Exactly. | 0:14:05 | 0:14:06 | |
Just under six-and-a-half Ark Royal aircraft carriers... | 0:14:06 | 0:14:09 | |
-I'd need an extension done. -LAUGHTER | 0:14:09 | 0:14:11 | |
..if this was what you were using. | 0:14:11 | 0:14:13 | |
And it just shows, this is an example of Moore's Law - | 0:14:13 | 0:14:15 | |
you go from that to that. | 0:14:15 | 0:14:16 | |
Or maybe this. | 0:14:16 | 0:14:18 | |
Ah! There we are. | 0:14:18 | 0:14:20 | |
-Look at that. Isn't that beautiful? -It is. | 0:14:20 | 0:14:22 | |
It is a splendid piece of work, isn't it? | 0:14:22 | 0:14:24 | |
-That's the middle of C-3PO. -LAUGHTER | 0:14:24 | 0:14:26 | |
It's the Elliott 803 core store memory module. | 0:14:26 | 0:14:30 | |
It was made in the early '60s, also, | 0:14:30 | 0:14:32 | |
-and it weighs 7kg... -Wow. | 0:14:32 | 0:14:34 | |
..and stores 20 kilobytes. | 0:14:34 | 0:14:37 | |
LAUGHTER Wow! | 0:14:38 | 0:14:40 | |
-Yeah. -How about that? | 0:14:40 | 0:14:41 | |
-My favourite one... -Supercomputers. | 0:14:41 | 0:14:43 | |
..is the Bryant Model-2 Series hard disk platter. | 0:14:43 | 0:14:47 | |
-Mine too. -Yeah. | 0:14:47 | 0:14:49 | |
I love that. I've got all of them. | 0:14:49 | 0:14:51 | |
I have a poster. Did you have the poster? | 0:14:51 | 0:14:53 | |
-Yeah, absolutely. I was obsessed. -I love it. I was in the club. | 0:14:53 | 0:14:56 | |
-I had the... -GASPS AND LAUGHTER | 0:14:56 | 0:14:57 | |
-There it is. -No! | 0:14:57 | 0:14:58 | |
THAT is a hard disk. | 0:14:58 | 0:15:00 | |
Isn't that good? | 0:15:00 | 0:15:02 | |
-It's a disk... -That's ludicrous! | 0:15:02 | 0:15:04 | |
HE KNOCKS ON DISK ..and it's hard. | 0:15:04 | 0:15:06 | |
LAUGHTER | 0:15:06 | 0:15:07 | |
It's very rare for technology to double as S&M equipment, isn't it? | 0:15:07 | 0:15:10 | |
LAUGHTER I think it's absolutely blissful. | 0:15:10 | 0:15:13 | |
You look like a Borrower playing with a CD. | 0:15:13 | 0:15:15 | |
I'm going to put that down again... | 0:15:15 | 0:15:17 | |
Oh! ..because it's so heavy. Oh! | 0:15:17 | 0:15:20 | |
It's made of magnesium alloy of some kind. | 0:15:20 | 0:15:22 | |
-Careful, you'll scratch it. -LAUGHTER | 0:15:22 | 0:15:24 | |
Yeah, I don't want to scratch it. | 0:15:24 | 0:15:26 | |
It carried eight megabytes, | 0:15:26 | 0:15:28 | |
so that was pretty impressive. | 0:15:28 | 0:15:29 | |
-What's a megabyte? -And its drive... LAUGHTER | 0:15:29 | 0:15:33 | |
Can't remember. | 0:15:33 | 0:15:34 | |
The drive that operated the Bryant Model-2 Series hard disk platter, | 0:15:34 | 0:15:39 | |
the brochure boasted its short warm-up time. | 0:15:39 | 0:15:42 | |
Which was? | 0:15:42 | 0:15:43 | |
15 minutes. | 0:15:43 | 0:15:44 | |
-LAUGHTER -Oh. | 0:15:44 | 0:15:47 | |
These are wonderful, I think, of the advances certainly in | 0:15:47 | 0:15:49 | |
memory management and in capacity and everything else. | 0:15:49 | 0:15:52 | |
It doesn't make us any better people. | 0:15:52 | 0:15:53 | |
Well, listen, I ought to say that we are extremely grateful | 0:15:53 | 0:15:56 | |
to the National Museum of Computing, who lent us these fabulous items. | 0:15:56 | 0:16:01 | |
If you want a really great day out, and I'm completely ashamed about | 0:16:01 | 0:16:04 | |
recommending it cos I'm a bit of a nerd when it comes to these things, | 0:16:04 | 0:16:07 | |
then you could do a lot worse than visit | 0:16:07 | 0:16:09 | |
the National Museum of Computing at Bletchley - | 0:16:09 | 0:16:11 | |
where, of course, Enigma was cracked | 0:16:11 | 0:16:13 | |
and it's the home of British engineering in that regard. | 0:16:13 | 0:16:17 | |
So we deeply thank Robert Dowell and Angie Lewis. | 0:16:17 | 0:16:20 | |
APPLAUSE | 0:16:20 | 0:16:24 | |
Alan, when will I finally be able to replace you with a machine? | 0:16:26 | 0:16:31 | |
Sooner than I would like. | 0:16:31 | 0:16:33 | |
Mm-hm. Yeah, that's maybe true. | 0:16:33 | 0:16:37 | |
There is a kind of, it's not a law, really, but when people predict | 0:16:37 | 0:16:41 | |
robots that replace humans, they always say in about 15 years' time. | 0:16:41 | 0:16:46 | |
That started in 1950. By 1965, they will have robots that replace us. | 0:16:46 | 0:16:53 | |
1965, it will be by 1980. | 0:16:53 | 0:16:57 | |
Presumably at some point that is true. | 0:16:57 | 0:16:59 | |
It's presumably that at some point that prediction comes true. | 0:16:59 | 0:17:02 | |
-Yes, it will be. -Or possibly was. -Yeah. | 0:17:02 | 0:17:03 | |
Well, indeed cos there are plenty of things in which humans | 0:17:03 | 0:17:06 | |
have been replaced by computers. Can you think of any examples? | 0:17:06 | 0:17:10 | |
At the supermarket, with self service. | 0:17:10 | 0:17:13 | |
God, I hate those! | 0:17:13 | 0:17:15 | |
I think instead of getting the self service tills | 0:17:15 | 0:17:17 | |
they should have got robots behind the tills | 0:17:17 | 0:17:20 | |
and just put them in a nice tabard... | 0:17:20 | 0:17:22 | |
Even cheapest, to have the humans you already have who just go... | 0:17:22 | 0:17:25 | |
beep, boop, beep, beep, boop. | 0:17:25 | 0:17:27 | |
Doing all the things they'd normally do. | 0:17:27 | 0:17:29 | |
-Beep, boop, beep, beep. -Peter Crouch tactic. | 0:17:29 | 0:17:33 | |
Boop, boop, beep, boop. | 0:17:33 | 0:17:35 | |
A friend of mine got so angry with those machines that he punched it. | 0:17:35 | 0:17:40 | |
I'll so end up doing that. | 0:17:40 | 0:17:42 | |
I'm sure that when I die and I'm in the crematorium, | 0:17:42 | 0:17:45 | |
last sound I'll hear will be, | 0:17:45 | 0:17:46 | |
"Unexpected item in the burning area." | 0:17:46 | 0:17:50 | |
I once mooned on that, | 0:17:50 | 0:17:51 | |
because I kept hearing, "Unexpected item in the bagging area." | 0:17:51 | 0:17:54 | |
Literally, trousers down and said, "Now there is." | 0:17:54 | 0:17:57 | |
-Had an absolute belly full of it. -Deal with it. Exactly. | 0:17:57 | 0:18:00 | |
-Permanently. -Horrifying. Well, that is one area indeed. | 0:18:00 | 0:18:03 | |
And of course, planes, flying planes. | 0:18:03 | 0:18:05 | |
On an average, how long do you think pilots are in control of the flight? | 0:18:05 | 0:18:10 | |
Like, 10% of the time or something. | 0:18:10 | 0:18:13 | |
Less than that. Three minutes. | 0:18:13 | 0:18:14 | |
Three minutes?! | 0:18:14 | 0:18:16 | |
That is an easy job, isn't it? | 0:18:16 | 0:18:18 | |
It's pretty good, isn't it? | 0:18:20 | 0:18:21 | |
You turn up to work, you work for a minute and a half and you go, | 0:18:21 | 0:18:24 | |
"There we go," for ten hours. | 0:18:24 | 0:18:27 | |
Just the taxi into the runway, that three minutes. | 0:18:27 | 0:18:29 | |
-It probably is. -And after that they go... | 0:18:29 | 0:18:32 | |
A couple of scientists at Oxford, Carl Frey | 0:18:35 | 0:18:38 | |
and Michael Osborne, have suggested that taxi drivers, | 0:18:38 | 0:18:41 | |
security guards, jobs most likely to be replaced by robots. | 0:18:41 | 0:18:44 | |
50% chance that computer programming could be outsourced to machines. | 0:18:44 | 0:18:48 | |
Cameramen have a 60% chance. | 0:18:48 | 0:18:51 | |
Oh! | 0:18:51 | 0:18:52 | |
Stay where you are. Don't worry. It's fine. | 0:18:52 | 0:18:55 | |
Television announcers only 10% apparently. | 0:18:55 | 0:18:57 | |
Yes! | 0:18:59 | 0:19:00 | |
Be a long time before comedians are replaced by machines. | 0:19:00 | 0:19:03 | |
That doesn't affect anyone here. | 0:19:03 | 0:19:06 | |
There are various teams around the world working on algorithms | 0:19:08 | 0:19:11 | |
to create jokes. | 0:19:11 | 0:19:12 | |
We've got two really weird ones here. | 0:19:12 | 0:19:14 | |
Dreadful puns, but they're so... | 0:19:14 | 0:19:15 | |
Surreal isn't the word, they're just odd. | 0:19:15 | 0:19:18 | |
What do you call a washing machine with a September? | 0:19:18 | 0:19:21 | |
I don't know, Stephen, | 0:19:23 | 0:19:25 | |
what do you call a washing machine with a September? | 0:19:25 | 0:19:27 | |
Autumnpoint. I don't know. | 0:19:27 | 0:19:29 | |
An autumn-matic washing machine. | 0:19:29 | 0:19:32 | |
-You nearly got it. -Yes, well, it's one of mine. | 0:19:34 | 0:19:37 | |
I've been trying that for years in the clubs, | 0:19:37 | 0:19:40 | |
never got anything out of it. | 0:19:40 | 0:19:41 | |
A washing machine with a September? | 0:19:41 | 0:19:43 | |
It hasn't quite got the point, has it? | 0:19:43 | 0:19:46 | |
-No. -Or, what kind of preschool has a wine? | 0:19:46 | 0:19:50 | |
Most of them. | 0:19:50 | 0:19:51 | |
A playgrape. | 0:19:53 | 0:19:54 | |
AUDIENCE GROANS | 0:19:56 | 0:19:58 | |
So, hang on, they've taken presumably the end | 0:19:58 | 0:20:00 | |
and then tried to back work the joke? | 0:20:00 | 0:20:02 | |
Yeah, they take words that sound like other words a bit, | 0:20:02 | 0:20:04 | |
so they obviously can find that automatic | 0:20:04 | 0:20:07 | |
sounds like autumn, so they've got quite a good database of sounds. | 0:20:07 | 0:20:10 | |
Yeah, but just no sense of humour. | 0:20:10 | 0:20:13 | |
Needs work, I think. | 0:20:13 | 0:20:14 | |
I would love to see one of them at a club though. | 0:20:14 | 0:20:18 | |
-ROBOT VOICE: -Sorry, this is all new. | 0:20:18 | 0:20:21 | |
What was I going to say next? Please don't leave. | 0:20:21 | 0:20:24 | |
What a funny idea. | 0:20:26 | 0:20:28 | |
I think it's safe to say that artificial intelligence | 0:20:28 | 0:20:30 | |
is still 15 years away. | 0:20:30 | 0:20:32 | |
Now then, for a question about mistakes, | 0:20:32 | 0:20:34 | |
what's the real cost of parachute jumping? | 0:20:34 | 0:20:37 | |
A shattered pelvis? | 0:20:37 | 0:20:38 | |
It can be. | 0:20:38 | 0:20:39 | |
Why do most people jump off planes? | 0:20:39 | 0:20:42 | |
-For charity. -Charity. -For charity. | 0:20:42 | 0:20:44 | |
Well... | 0:20:44 | 0:20:45 | |
Which is good, don't get me wrong. LAUGHTER | 0:20:45 | 0:20:47 | |
Can I just say, it's only in that situation, | 0:20:47 | 0:20:49 | |
falling out of a plane, that my hair makes sense. | 0:20:49 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:53 | |
I've been looking for a context for this for years. | 0:20:53 | 0:20:56 | |
-It does, doesn't it? -Now, finally. -Whoosh. | 0:20:56 | 0:20:58 | |
Stephen appears quite frightened at the back there. | 0:20:58 | 0:21:00 | |
-Well, I am... -Are you on fire? | 0:21:00 | 0:21:02 | |
..because I probably know about the 1999 Perth Royal Infirmary study - | 0:21:02 | 0:21:07 | |
which is most unfortunate. | 0:21:07 | 0:21:09 | |
They looked at five years of charity jumps | 0:21:09 | 0:21:12 | |
and found they resulted in injuries to 174 people, right? | 0:21:12 | 0:21:17 | |
-Which cost the National Health Service... -Oh, no. | 0:21:17 | 0:21:19 | |
over £600,000. | 0:21:19 | 0:21:22 | |
How much had they raised? | 0:21:22 | 0:21:23 | |
The average amount raised per person for charity was £30. | 0:21:23 | 0:21:27 | |
So, every pound raised | 0:21:27 | 0:21:29 | |
cost the NHS roughly £13.75. | 0:21:29 | 0:21:33 | |
Oh, that is so depressing, though. | 0:21:33 | 0:21:35 | |
And, of course, about 70% of the jumps | 0:21:35 | 0:21:40 | |
were raising money for NHS-related causes. | 0:21:40 | 0:21:43 | |
-LAUGHTER -Oh, no. That is amazing. | 0:21:43 | 0:21:46 | |
It is amazing, isn't it? | 0:21:46 | 0:21:47 | |
The thing is, when you think about it, don't do something | 0:21:47 | 0:21:50 | |
that is likely to injure yourself, if that's your game. | 0:21:50 | 0:21:53 | |
"I'm having a sponsored catch-the-measles." | 0:21:53 | 0:21:55 | |
LAUGHTER | 0:21:55 | 0:21:56 | |
-Sponsored... -For Measles Relief. -Yeah, for Measles relief. | 0:21:56 | 0:21:59 | |
Sponsored spread cholera. | 0:21:59 | 0:22:01 | |
-Bring typhus back...for charity. -LAUGHTER | 0:22:01 | 0:22:04 | |
A lot of them are first-time jumpers, of course, | 0:22:04 | 0:22:06 | |
and what happens is, very often, | 0:22:06 | 0:22:08 | |
when the ground rushes up to meet you, | 0:22:08 | 0:22:11 | |
you forget everything you've been taught | 0:22:11 | 0:22:13 | |
and so all the bad things you've been told could happen, happen. | 0:22:13 | 0:22:17 | |
And you need longer training, | 0:22:17 | 0:22:19 | |
not necessarily on the details of how to roll and drop - | 0:22:19 | 0:22:21 | |
but on how to prepare your mind so that you don't panic. | 0:22:21 | 0:22:25 | |
-That's the key. -Is that a thing that they do in the paras then? | 0:22:25 | 0:22:27 | |
So before they go behind enemy lines, are they there going, | 0:22:27 | 0:22:30 | |
-"Hmm..."? -LAUGHTER | 0:22:30 | 0:22:32 | |
"Just don't drop us yet, I'm not quite there." | 0:22:32 | 0:22:36 | |
LAUGHTER Maybe. Maybe. | 0:22:36 | 0:22:37 | |
I mean the fact is, it's a dangerous thing to do. | 0:22:37 | 0:22:40 | |
And in the days of, you know, those great commando parachute drops, | 0:22:40 | 0:22:43 | |
they're unlikely to survive more than three. | 0:22:43 | 0:22:46 | |
Well, but then there were people shooting at you then - | 0:22:46 | 0:22:48 | |
which might actually make them more fun, these charity drops. | 0:22:48 | 0:22:51 | |
Certainly add a bit of spice. | 0:22:51 | 0:22:53 | |
Well, there was a dog called Rob, in 1945, | 0:22:53 | 0:22:56 | |
and this was in Africa and Italy, in the campaign there, and he... | 0:22:56 | 0:23:01 | |
Apparently, he did 20 drops, and he won... | 0:23:01 | 0:23:04 | |
For the RSPCA! | 0:23:04 | 0:23:05 | |
He won the... LAUGHTER | 0:23:05 | 0:23:07 | |
-Yes, quite! -Fundraising. | 0:23:07 | 0:23:09 | |
He won the Dickin Medal, which is the VC for animals. | 0:23:09 | 0:23:12 | |
They just open the door of the plane, throw a bone out | 0:23:12 | 0:23:14 | |
and off he goes. | 0:23:14 | 0:23:16 | |
But it wasn't until 2006 that it was revealed | 0:23:16 | 0:23:18 | |
that his heroism was a hoax. | 0:23:18 | 0:23:20 | |
-What? -Oh. -For morale? | 0:23:20 | 0:23:22 | |
Well, not quite, actually. Well, sort of morale, in a way. | 0:23:22 | 0:23:25 | |
It was that the couple from Shropshire, | 0:23:25 | 0:23:27 | |
who had given the dog to the regiment, said, | 0:23:27 | 0:23:30 | |
"Can we have him back, please?" | 0:23:30 | 0:23:31 | |
And the regiment were so fond of him, | 0:23:31 | 0:23:34 | |
they made-up all these things to show that he was indispensable. | 0:23:34 | 0:23:37 | |
"He's a heroic dog, you will not believe what he can do." | 0:23:37 | 0:23:39 | |
And so they went, "Oh, all right then, you'd better keep him, | 0:23:39 | 0:23:42 | |
"I suppose. He's valuable for the war effort." | 0:23:42 | 0:23:44 | |
-But he wasn't at all, he was just a mascot. -Brilliant. | 0:23:44 | 0:23:46 | |
They just liked him. | 0:23:46 | 0:23:47 | |
Sending them pictures of him chewing Hitler's legs. | 0:23:47 | 0:23:49 | |
LAUGHTER Yes, that's right. | 0:23:49 | 0:23:51 | |
I presume that was the actual shape of his right front leg there. | 0:23:51 | 0:23:55 | |
And they were like, "Look what he's done on his trip, he was so brave." | 0:23:55 | 0:23:59 | |
After World War II, in America, they used surplus parachutes | 0:23:59 | 0:24:03 | |
to help repopulate beavers into the wild. | 0:24:03 | 0:24:06 | |
The idea was they'd shove them in a box. | 0:24:06 | 0:24:08 | |
They first thought, "We'll shove them in a box and they'll fall | 0:24:08 | 0:24:11 | |
"and then they'll gnaw their way out of the box." | 0:24:11 | 0:24:13 | |
-Then they worried... -This doesn't sound like sexy times to me. | 0:24:13 | 0:24:16 | |
Just shove them in a box. They'll pull through. | 0:24:16 | 0:24:18 | |
They worried that they'd eat through the box | 0:24:18 | 0:24:20 | |
-while they were still in the air. -They chucked them out of a plane? | 0:24:20 | 0:24:23 | |
-Yeah. -To repopulate... -Yeah. LAUGHTER | 0:24:23 | 0:24:24 | |
There are huge areas of wilderness. | 0:24:24 | 0:24:26 | |
-It's incredibly hard to... -Yes, it makes total sense. | 0:24:26 | 0:24:28 | |
..give them their own territory. | 0:24:28 | 0:24:30 | |
Couldn't they have driven them there, Stephen? | 0:24:30 | 0:24:32 | |
-They could have driven them there. -No... Wilderness. | 0:24:32 | 0:24:34 | |
Huge areas of wilderness. They're bigger than countries. | 0:24:34 | 0:24:37 | |
-They're bigger than England, these... -What, beavers?! | 0:24:37 | 0:24:39 | |
No, the parks! The parks. LAUGHTER | 0:24:39 | 0:24:41 | |
"Bring me some massive beavers!" | 0:24:41 | 0:24:43 | |
-The parks in which you wished to drop them. -OK. | 0:24:43 | 0:24:45 | |
And you want to sort of get them disposed evenly around. | 0:24:45 | 0:24:47 | |
-Why had they been dying out? -Oh, gosh. | 0:24:47 | 0:24:49 | |
-People had been throwing them out of planes. -Yeah. | 0:24:49 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:53 | |
As you fall out, you gnaw your way out of your crate and go, | 0:24:53 | 0:24:55 | |
"Oh, thanks a lot!" | 0:24:55 | 0:24:57 | |
-"Well, this is the middle of... -HE MOUTHS -..nowhere." | 0:24:57 | 0:24:59 | |
LAUGHTER | 0:24:59 | 0:25:01 | |
"I've got to go all the way back to Ottawa." | 0:25:01 | 0:25:02 | |
Until another beaver lands on your head at high velocity. | 0:25:02 | 0:25:05 | |
LAUGHTER | 0:25:05 | 0:25:06 | |
The rest of the wildlife... | 0:25:06 | 0:25:08 | |
The moose around there, | 0:25:08 | 0:25:09 | |
"What is going on?!" | 0:25:09 | 0:25:12 | |
Beavers coming out of the sky. | 0:25:12 | 0:25:13 | |
"My God! It's actually happening!" | 0:25:13 | 0:25:15 | |
"It's raining beavers." | 0:25:15 | 0:25:17 | |
Part of the moose religious texts is that that's... | 0:25:17 | 0:25:20 | |
LAUGHTER | 0:25:20 | 0:25:21 | |
That's a sign of the rapture is when the beavers start dropping. | 0:25:21 | 0:25:24 | |
Well, they had tried moving them | 0:25:24 | 0:25:26 | |
into new territories for them by mule | 0:25:26 | 0:25:29 | |
and they just simply got too hot and they really didn't like it at all. | 0:25:29 | 0:25:32 | |
-They put a beaver on horseback, essentially? -Yeah. | 0:25:32 | 0:25:35 | |
Well, you've got to transport it somehow. | 0:25:35 | 0:25:37 | |
-What...? How would you transport it? -Well, I... | 0:25:37 | 0:25:39 | |
But I don't understand why the beavers... | 0:25:39 | 0:25:41 | |
-I don't understand any of this. -LAUGHTER | 0:25:41 | 0:25:43 | |
They thought, "We can't..." | 0:25:43 | 0:25:45 | |
"OK, there's no way we can drop them into a park, | 0:25:45 | 0:25:47 | |
"other than from the sky." | 0:25:47 | 0:25:49 | |
Or by mule, which you found also incomprehensible. | 0:25:49 | 0:25:52 | |
Is there a man with...? | 0:25:52 | 0:25:54 | |
Or a lady with the beaver on horseback? | 0:25:54 | 0:25:57 | |
Or is it just a beaver on horseback? | 0:25:57 | 0:25:59 | |
LAUGHTER | 0:25:59 | 0:26:00 | |
Of course there's a person. | 0:26:00 | 0:26:02 | |
I'm confused. | 0:26:02 | 0:26:03 | |
So, is it one beaver per mule? | 0:26:03 | 0:26:05 | |
LAUGHTER | 0:26:05 | 0:26:07 | |
Because then they're repopulating the place with mules, | 0:26:07 | 0:26:09 | |
-as far as I can work it out. -LAUGHTER | 0:26:09 | 0:26:12 | |
Yeah, the beavers didn't want to stay. | 0:26:12 | 0:26:15 | |
The mules have forced the beavers further along... | 0:26:15 | 0:26:18 | |
They were relying on the mule to find its way back. | 0:26:18 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:21 | |
More complicated than you think, this beaver transportation thing. | 0:26:21 | 0:26:24 | |
Yeah, it is. Well, that was harder work than I expected. | 0:26:24 | 0:26:28 | |
LAUGHTER | 0:26:28 | 0:26:31 | |
In 1834, someone translated these ancient Swedish ruins. | 0:26:31 | 0:26:37 | |
-What do you think they said? -Best before 1833. | 0:26:37 | 0:26:40 | |
Don't try assembling the Billy bookcase from Ikea. | 0:26:42 | 0:26:46 | |
Is it particularly ghastly, the Billy bookcase? | 0:26:46 | 0:26:49 | |
I think they all are. I don't know. | 0:26:49 | 0:26:51 | |
I can't and won't... | 0:26:51 | 0:26:53 | |
Have you noticed that you never see a lorry with Ikea on the side? | 0:26:53 | 0:26:56 | |
-Don't you? -And that's because they transport | 0:26:56 | 0:26:58 | |
so much stuff that it would freak you out if it had Ikea on the wagon. | 0:26:58 | 0:27:02 | |
It would put the brand that much into your head, like, | 0:27:02 | 0:27:05 | |
"Wow, they've taken over the world. This isn't great." | 0:27:05 | 0:27:08 | |
So they just do it undercover in white wagons. | 0:27:08 | 0:27:10 | |
-That's really interesting. -In white wagons. | 0:27:10 | 0:27:12 | |
A friend told me that on the way back from the pub, so... | 0:27:12 | 0:27:16 | |
As he was saying, just behind your head an Ikea lorry was just going. | 0:27:17 | 0:27:22 | |
But it's good. You never see a lorry with that. | 0:27:22 | 0:27:26 | |
You know that Eddie Stobart is the Swedish for Ikea. | 0:27:26 | 0:27:29 | |
Oh, I love an Eddie Stobart. | 0:27:30 | 0:27:32 | |
I like how the front of Eddie Stobart lorries | 0:27:32 | 0:27:34 | |
always have the name of the driver's lady love. | 0:27:34 | 0:27:37 | |
I've always wanted to see just one of those guys in the Stobart livery, | 0:27:37 | 0:27:42 | |
with the tie, and just "Keith". | 0:27:42 | 0:27:44 | |
It would be great. | 0:27:46 | 0:27:49 | |
"I love him." | 0:27:49 | 0:27:51 | |
-Back to the ruins. It's in Runemo in Sweden. -So what is it? | 0:27:51 | 0:27:55 | |
Well, from the 12th century it was believed to be a secret message | 0:27:55 | 0:27:58 | |
written, no-one could solve it. | 0:27:58 | 0:28:00 | |
The Royal Danish scientific society took a look in 1833. | 0:28:00 | 0:28:03 | |
A scholar called Finnur Magnusson had a breakthrough. | 0:28:03 | 0:28:06 | |
He announced that no-one else had been able to decipher them | 0:28:06 | 0:28:09 | |
is that they were in Icelandic and they should be read backwards. | 0:28:09 | 0:28:12 | |
And he came up with the ruin's poem telling you of a battle victory. | 0:28:12 | 0:28:17 | |
And then they discovered in 2000-ish... | 0:28:17 | 0:28:22 | |
-Oh, dear. I sense bad things. -Yeah. | 0:28:22 | 0:28:24 | |
-Is it birds or something? -It's just cracks in the rock. | 0:28:24 | 0:28:28 | |
Love it. | 0:28:29 | 0:28:30 | |
He had worked on a copy someone else had made and it's just nothing. | 0:28:30 | 0:28:34 | |
So he'd written some huge poem? | 0:28:34 | 0:28:37 | |
That's right. It was 700 pages he wrote. | 0:28:37 | 0:28:41 | |
He must have padded that out. Look at that. | 0:28:41 | 0:28:44 | |
He thought it said this. Which is Runic for... | 0:28:44 | 0:28:48 | |
Out of focus. | 0:28:48 | 0:28:50 | |
STEPHEN READS OUT POEM | 0:28:50 | 0:28:52 | |
I like that there's obviously two symbols that he just couldn't | 0:29:05 | 0:29:08 | |
figure out and went, "They must be brackets." | 0:29:08 | 0:29:11 | |
It's a nice thought that, isn't it? | 0:29:11 | 0:29:13 | |
But what "Ole, hate" is about, I don't know. | 0:29:13 | 0:29:16 | |
It's an early football chant. | 0:29:16 | 0:29:18 | |
Yeah, the mysterious Runemo ruins turned out to be | 0:29:19 | 0:29:23 | |
a load of old cracks. | 0:29:23 | 0:29:24 | |
Now, we're off to the match and it's penalty time. | 0:29:24 | 0:29:27 | |
For the best chance of success, where should you aim? | 0:29:27 | 0:29:29 | |
At the ball. | 0:29:29 | 0:29:31 | |
LAUGHTER | 0:29:31 | 0:29:33 | |
-And then into the goal. -Wahey! | 0:29:33 | 0:29:35 | |
I'm so bad at sport, my inclination would be to... | 0:29:35 | 0:29:38 | |
I know where I'd hit it, | 0:29:38 | 0:29:39 | |
so I would then just reverse my natural inclination. | 0:29:39 | 0:29:41 | |
That would probably be the best. | 0:29:41 | 0:29:43 | |
-So, a bit of game theory going on, on yourself? -Yes. | 0:29:43 | 0:29:45 | |
-Yeah. -See, I'd go top right, | 0:29:45 | 0:29:48 | |
which means that probably the best way would be bottom left... | 0:29:48 | 0:29:50 | |
KLAXON | 0:29:50 | 0:29:53 | |
Yeah, top corner either way is not the best. | 0:29:53 | 0:29:55 | |
Is it "at the goalie?" | 0:29:55 | 0:29:57 | |
Yes. | 0:29:57 | 0:29:58 | |
-Because he's going to jump... -Yeah, because he's going to... | 0:29:58 | 0:30:01 | |
-He's going to go. -Because the goalkeeper nearly always | 0:30:01 | 0:30:03 | |
-goes one way or the other. -So you hit it straight down the middle? | 0:30:03 | 0:30:06 | |
Straight down the middle is, far and away, | 0:30:06 | 0:30:08 | |
the most statistical likely way of doing it. | 0:30:08 | 0:30:11 | |
But it's odd, because footballers know this... | 0:30:11 | 0:30:14 | |
because it's been, you know, obviously well gone over... | 0:30:14 | 0:30:17 | |
and yet footballers don't. | 0:30:17 | 0:30:19 | |
Is it because they just think they'd look so stupid | 0:30:19 | 0:30:21 | |
-if they kicked it right at the keeper... -Yes! | 0:30:21 | 0:30:24 | |
..and the keeper just caught it? | 0:30:24 | 0:30:25 | |
If the one or two times out of 100, | 0:30:25 | 0:30:27 | |
the goalkeeper does actually stay in the middle | 0:30:27 | 0:30:30 | |
and the ball goes and hits him, | 0:30:30 | 0:30:31 | |
the crowd would just boo their heads off | 0:30:31 | 0:30:33 | |
and think that the penalty taker is the biggest idiot in the world. | 0:30:33 | 0:30:36 | |
Although, statistically, he was doing exactly the right thing. | 0:30:36 | 0:30:38 | |
So, they'd rather not look a fool. You're absolutely right. | 0:30:38 | 0:30:41 | |
Because it's seen as 50/50. | 0:30:41 | 0:30:43 | |
If the goalie goes the correct way and saves it, | 0:30:43 | 0:30:45 | |
-it's still seen as all right, isn't it? -Yes. | 0:30:45 | 0:30:47 | |
In fact, it's 57% in one direction, | 0:30:47 | 0:30:50 | |
41% in the other. | 0:30:50 | 0:30:52 | |
-Do you know which that might be? -Left. Left-right. -Left? | 0:30:52 | 0:30:54 | |
-It's 57% left, yes. -Because you... | 0:30:54 | 0:30:57 | |
-They go left more often. -..use your right foot. | 0:30:57 | 0:30:59 | |
And 2% in the middle. | 0:30:59 | 0:31:00 | |
Three countries have an absolute | 0:31:00 | 0:31:02 | |
0% success record in penalty shoot-outs. | 0:31:02 | 0:31:05 | |
They played two and lost two. | 0:31:05 | 0:31:07 | |
-San Marino? -No, it's Gabon... | 0:31:07 | 0:31:09 | |
-Micronesia. -..Romania and Chile. | 0:31:09 | 0:31:12 | |
But there's one country that's taken part in more than two | 0:31:12 | 0:31:16 | |
and has the worst record of all in the world, apart from those three... | 0:31:16 | 0:31:19 | |
-Is it England? -..and it's England. -Yeah. | 0:31:19 | 0:31:22 | |
-AUDIENCE GROANS -Why is that? -What a surprise(!) | 0:31:22 | 0:31:24 | |
We've only ever won one. | 0:31:24 | 0:31:26 | |
We've won one out of eight. | 0:31:26 | 0:31:28 | |
12.5% success rate - as opposed to Germany, who've won 83% of theirs. | 0:31:28 | 0:31:33 | |
Why is that then? | 0:31:33 | 0:31:34 | |
Because, presumably, all teams have access to that | 0:31:34 | 0:31:37 | |
very simple statistical information. | 0:31:37 | 0:31:38 | |
Is it just the fact that it's now embedded in the psyche? | 0:31:38 | 0:31:41 | |
-FAUX GERMAN ACCENT: -"You are weak, mentally weak." | 0:31:41 | 0:31:43 | |
LAUGHTER | 0:31:43 | 0:31:45 | |
-Do you think hypnotism would help? -Probably. | 0:31:45 | 0:31:47 | |
-Of the keeper. -Of the keeper, yeah. -LAUGHTER | 0:31:47 | 0:31:50 | |
-Of the keeper, like... -LAUGHTER | 0:31:50 | 0:31:52 | |
I think if it was me, I'd stand by one post, feigning indifference... | 0:31:52 | 0:31:56 | |
-Having a fag. -..and, as they run up to take it, | 0:31:56 | 0:31:59 | |
-I would sprint to the other post... -LAUGHTER | 0:31:59 | 0:32:01 | |
..surely distracting him | 0:32:01 | 0:32:03 | |
and, if he did go that way, it would hit me on the way past. | 0:32:03 | 0:32:05 | |
LAUGHTER | 0:32:05 | 0:32:07 | |
That would do it. Yep, that's the plain truth. | 0:32:07 | 0:32:09 | |
To be successful in penalty shoot-outs, | 0:32:09 | 0:32:12 | |
either go straight down the middle or be German. | 0:32:12 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:16 | |
Do an impression of the world's first mime. | 0:32:16 | 0:32:19 | |
"Come back! I'm not supposed to be saying anything. Come back!" | 0:32:19 | 0:32:22 | |
-Is it the one where you do...? -Oh. | 0:32:22 | 0:32:25 | |
They do the... Is it that one? | 0:32:25 | 0:32:27 | |
KLAXON Oh, they're all doing it. | 0:32:27 | 0:32:31 | |
You're all doing activities. | 0:32:31 | 0:32:33 | |
Where does the word "mime" come from, do you imagine? | 0:32:33 | 0:32:36 | |
-"Twat in white gloves?" -Mimic? -LAUGHTER | 0:32:36 | 0:32:40 | |
Mimic, the same root as the word mimic. | 0:32:40 | 0:32:42 | |
You see... | 0:32:42 | 0:32:44 | |
-Mimesis. -Yeah. | 0:32:44 | 0:32:45 | |
-Greek word meaning... Yes, imitation. -Imitation, yeah. | 0:32:45 | 0:32:48 | |
But imitation doesn't stick to physical movements, does it? | 0:32:48 | 0:32:52 | |
No. So was it more like sort of Rorius Bremnerus? | 0:32:52 | 0:32:56 | |
It was acting, | 0:32:56 | 0:32:58 | |
it was full-on acting. | 0:32:58 | 0:32:59 | |
Speech and movement and everything else. | 0:32:59 | 0:33:02 | |
The world's first mime was a fellow called Sophron, | 0:33:02 | 0:33:05 | |
who was much admired by Plato, amongst others. | 0:33:05 | 0:33:07 | |
His audience don't seem to like him very much. | 0:33:07 | 0:33:10 | |
Well, no, that's... LAUGHTER | 0:33:10 | 0:33:11 | |
-They're punching him. -No, I think... | 0:33:11 | 0:33:13 | |
They're recreating that night after Top Gear. | 0:33:13 | 0:33:15 | |
LAUGHTER | 0:33:15 | 0:33:18 | |
Very good. APPLAUSE | 0:33:18 | 0:33:21 | |
In Rome, mimes were pretty amazing. | 0:33:21 | 0:33:24 | |
Women took the female parts, which is just... | 0:33:24 | 0:33:26 | |
-Scandalous! -Yeah. | 0:33:26 | 0:33:28 | |
LAUGHTER | 0:33:28 | 0:33:29 | |
Performers did not wear masks or formal acting shoes. | 0:33:29 | 0:33:33 | |
LAUGHTER | 0:33:33 | 0:33:34 | |
Oh! Forfend! | 0:33:34 | 0:33:36 | |
"My formal acting shoes." | 0:33:36 | 0:33:37 | |
"What kind of formal acting shoes would you wear?" | 0:33:37 | 0:33:40 | |
The object... Now you'll like this, Alan. | 0:33:40 | 0:33:42 | |
The object was to get laughs, no matter how obscene... | 0:33:42 | 0:33:44 | |
LAUGHTER ..the jokes had to be. | 0:33:44 | 0:33:46 | |
They all had a character called the "stupidus," or fool, who was some... | 0:33:46 | 0:33:50 | |
-Who's actually the cleverest one of them all. -Yes. Now, exactly. | 0:33:50 | 0:33:53 | |
LAUGHTER | 0:33:53 | 0:33:55 | |
Sometimes they featured adultery live on stage. | 0:33:55 | 0:33:57 | |
Wahey! | 0:33:57 | 0:33:59 | |
-Or a little bit less, less... -Gets better by the minute! | 0:33:59 | 0:34:02 | |
Less amusingly, | 0:34:02 | 0:34:03 | |
live executions with actors replaced by condemned criminals. | 0:34:03 | 0:34:07 | |
-Were they wearing the right shoes? -Yes. | 0:34:07 | 0:34:10 | |
The church excommunicated all mimes in the fifth century AD. | 0:34:10 | 0:34:13 | |
Not a moment too soon. | 0:34:13 | 0:34:15 | |
-Why? -I guess, because they were pleasurable and... | 0:34:15 | 0:34:19 | |
It's not why, it's... | 0:34:19 | 0:34:21 | |
-It's hard because you can't scream. -LAUGHTER | 0:34:21 | 0:34:24 | |
Marcel Marceau of course is the famous French mime | 0:34:24 | 0:34:28 | |
with his character Bip. Bip on the left. | 0:34:28 | 0:34:30 | |
And he's hardly recognisable as a man himself. | 0:34:30 | 0:34:33 | |
-Has he been excommunicated? -I don't think he has. | 0:34:33 | 0:34:36 | |
He did a sketch called walking in the wind, | 0:34:36 | 0:34:39 | |
and do you know who was influenced by that? | 0:34:39 | 0:34:41 | |
The people of East Anglia. | 0:34:41 | 0:34:43 | |
Charlie Chaplin. The people of East Anglia. | 0:34:43 | 0:34:45 | |
No, not Charlie Chaplin. It's Michael Jackson. | 0:34:45 | 0:34:48 | |
Moonwalking was essentially derived from Marcel Marceau. | 0:34:48 | 0:34:51 | |
Is that where the white glove comes from? | 0:34:51 | 0:34:53 | |
-Like an homage to... -Maybe, yes. | 0:34:53 | 0:34:55 | |
And the scary white face. | 0:34:55 | 0:34:57 | |
LAUGHTER | 0:34:57 | 0:35:00 | |
Very good. | 0:35:03 | 0:35:05 | |
The first mimes had plenty to say for themselves. | 0:35:05 | 0:35:07 | |
If you want something, what's the magic word? | 0:35:07 | 0:35:11 | |
"Darling..." | 0:35:11 | 0:35:13 | |
LAUGHTER | 0:35:13 | 0:35:15 | |
"Please." | 0:35:15 | 0:35:17 | |
KLAXON | 0:35:17 | 0:35:19 | |
LAUGHTER | 0:35:19 | 0:35:21 | |
This is something that's been researched. | 0:35:21 | 0:35:24 | |
There is a particular word. | 0:35:24 | 0:35:25 | |
Let's suppose that you queue-barge. | 0:35:25 | 0:35:28 | |
Now, in general, if you queue-barge apologetically and charmingly, | 0:35:28 | 0:35:33 | |
60% of people will let you in without too much complaint - | 0:35:33 | 0:35:36 | |
this was done for a queue to a photocopier - | 0:35:36 | 0:35:38 | |
but if you used this one word in your sentence, | 0:35:38 | 0:35:41 | |
you would get 95% of people letting you in quite happily. | 0:35:41 | 0:35:44 | |
-Smallpox? -LAUGHTER | 0:35:44 | 0:35:47 | |
-Letting you in... -"I've got the smallpox. Can I get in?" | 0:35:47 | 0:35:50 | |
Letting you in, not abandoning the queue. | 0:35:50 | 0:35:52 | |
-It's a good thought though. -It's probably better though. | 0:35:52 | 0:35:55 | |
-"Unclean, unclean." -What do you say? | 0:35:55 | 0:35:57 | |
Do you say, "Room for a small one?" | 0:35:57 | 0:35:59 | |
You say, "I like your blouse. Can I come in?" | 0:35:59 | 0:36:02 | |
LAUGHTER It's one word. | 0:36:02 | 0:36:04 | |
"Because. | 0:36:04 | 0:36:06 | |
"Because. Yeah, because I've got some photocopying to do." | 0:36:06 | 0:36:09 | |
And it's obvious you've got photocopying to do, | 0:36:09 | 0:36:12 | |
you've gone to the front of the photocopying queue, | 0:36:12 | 0:36:14 | |
-but just saying "because" is the magic word. -You can't... | 0:36:14 | 0:36:16 | |
It unlocks people's objection. "Because I'm in a hurry." | 0:36:16 | 0:36:19 | |
"Do you mind? Because I'm in a hurry." | 0:36:19 | 0:36:20 | |
Can you turn to someone and go, "Because!" | 0:36:20 | 0:36:23 | |
LAUGHTER Maybe. | 0:36:23 | 0:36:24 | |
# Because, because, because, because... # | 0:36:24 | 0:36:26 | |
Obviously there are... | 0:36:26 | 0:36:28 | |
There are variables in terms of attitude and niceness. | 0:36:28 | 0:36:31 | |
# I'm off to see the wizard... # | 0:36:31 | 0:36:33 | |
"Because!" | 0:36:33 | 0:36:34 | |
"All right, go in front, Christ!" | 0:36:34 | 0:36:36 | |
LAUGHTER | 0:36:36 | 0:36:38 | |
-He's going to do the whole musical. -You're ever so silly. Oh, dear. | 0:36:38 | 0:36:42 | |
# The wonderful Wizard of Oz... # "All right, go in front of me!" | 0:36:42 | 0:36:45 | |
Well, I can illustrate the answer, actually, | 0:36:45 | 0:36:48 | |
because - say it's a magical word here, this is... | 0:36:48 | 0:36:50 | |
-You know I like to do little magical moments... -I know. | 0:36:50 | 0:36:52 | |
..because it's the M series here - | 0:36:52 | 0:36:54 | |
and we've got, as you can see, MAGICAL. | 0:36:54 | 0:36:56 | |
So, what we do is, we take all the letters from MAGICAL... | 0:36:56 | 0:36:59 | |
As you can see, I hope. | 0:36:59 | 0:37:01 | |
..and we shuffle them about. | 0:37:01 | 0:37:02 | |
-I'll have one from the bottom, please. -Well... | 0:37:02 | 0:37:04 | |
Or from anywhere else, please, Carol. | 0:37:04 | 0:37:07 | |
What I'll do is, I'll give you... I'll give you the numbers, | 0:37:07 | 0:37:09 | |
so you can call out where you want the letter to go. | 0:37:09 | 0:37:12 | |
-Do you see? -OK. Yes, sir. | 0:37:12 | 0:37:14 | |
So I'll pick a letter up and you decide where it goes, all right. | 0:37:14 | 0:37:17 | |
-Three. -Three? | 0:37:17 | 0:37:18 | |
One, two, three, isn't it? There. Yeah. | 0:37:18 | 0:37:21 | |
-Smooth. -Seven. | 0:37:21 | 0:37:22 | |
Seven? All right. This will go in seven. | 0:37:22 | 0:37:25 | |
-Are you sure seven? -Five. -All right, OK. -Five. | 0:37:25 | 0:37:28 | |
One, two, three, four, five. Yeah. | 0:37:28 | 0:37:29 | |
-One. -One, oh... | 0:37:29 | 0:37:31 | |
-This is what happens when you do these things. -Four. | 0:37:31 | 0:37:33 | |
Four? Oh, God, you had to do that, didn't you? | 0:37:33 | 0:37:37 | |
-Yeah? -Two. -Two. | 0:37:37 | 0:37:38 | |
Two? All right, all right, all right. | 0:37:38 | 0:37:40 | |
And what are the chances? What are the chances? | 0:37:40 | 0:37:42 | |
What are the chances?! | 0:37:42 | 0:37:45 | |
APPLAUSE | 0:37:45 | 0:37:50 | |
The laws of physics absolutely defied on this programme. | 0:37:51 | 0:37:54 | |
It's frightening. LAUGHTER | 0:37:54 | 0:37:56 | |
Now - since this whole show has been about Misconceptions - | 0:37:56 | 0:37:59 | |
this week, we've replaced General Ignorance | 0:37:59 | 0:38:01 | |
with a test of your M-themed general knowledge. | 0:38:01 | 0:38:05 | |
There are lots and lots of points to be won in this quickfire round, | 0:38:05 | 0:38:08 | |
so fingers on buzzers. | 0:38:08 | 0:38:09 | |
What's the capital of Mexico? BUZZARD | 0:38:09 | 0:38:12 | |
Mexico City. | 0:38:12 | 0:38:13 | |
Is the right answer. Very good. Name the deepest part of the ocean? | 0:38:13 | 0:38:16 | |
-BUZZARD Yes? -The Mariana... | 0:38:16 | 0:38:18 | |
Marianas Trench or something? | 0:38:18 | 0:38:20 | |
The Mariana Trench is the right answer. | 0:38:20 | 0:38:22 | |
If something is genuine, it's the real...? | 0:38:22 | 0:38:24 | |
-BUZZER -McCoy. | 0:38:24 | 0:38:25 | |
Oh. KLAXON | 0:38:25 | 0:38:28 | |
LAUGHTER | 0:38:28 | 0:38:29 | |
No, the original phrase is McKay. | 0:38:29 | 0:38:31 | |
That's 42 years older than the phrase - "the real McCoy." | 0:38:31 | 0:38:34 | |
It's from G McKay, the Scottish distillers. | 0:38:34 | 0:38:37 | |
There you are. | 0:38:37 | 0:38:39 | |
FAUX SCOTTISH ACCENT: "A drappie o' the real McKay." | 0:38:39 | 0:38:41 | |
So, what city can be found on the Moscow River? | 0:38:41 | 0:38:44 | |
-BUZZER Yes? -Moscow. | 0:38:44 | 0:38:46 | |
Is the right answer! | 0:38:46 | 0:38:48 | |
What's the name of Cameron Mackintosh's | 0:38:48 | 0:38:50 | |
Abba-themed London Musical? | 0:38:50 | 0:38:51 | |
-BUZZARD Yes? -Mamma Mia. | 0:38:51 | 0:38:53 | |
BUZZER Mamma Mia? Oh, Alan! | 0:38:53 | 0:38:56 | |
KLAXON | 0:38:56 | 0:38:58 | |
No, indeed. BUZZER | 0:38:58 | 0:39:00 | |
Mamma Mia was produced by Judy Craymer - | 0:39:00 | 0:39:02 | |
but, before that, a musical called Abbacadabra, | 0:39:02 | 0:39:05 | |
produced by Cameron Mackintosh, | 0:39:05 | 0:39:07 | |
-staged at the Lyric, Hammersmith, in 1983. -Oh! -Yeah. | 0:39:07 | 0:39:11 | |
So, who created Miss Marple? | 0:39:11 | 0:39:13 | |
BUZZER Yes? | 0:39:13 | 0:39:15 | |
Agatha Christie. | 0:39:15 | 0:39:16 | |
-Of course. You see, nothing to be frightened of. -I'm scared now. | 0:39:16 | 0:39:19 | |
LAUGHTER That's the point... | 0:39:19 | 0:39:21 | |
-I'm really scared. -..we want you scared. | 0:39:21 | 0:39:23 | |
Agatha Christie, of course, created Miss Marple. | 0:39:23 | 0:39:25 | |
What's the gambling capital of the world? | 0:39:25 | 0:39:28 | |
-BUZZER Yes? -Las Vegas. | 0:39:28 | 0:39:30 | |
Oh! KLAXON | 0:39:30 | 0:39:33 | |
-Oh, that was really unlucky. -I don't know. | 0:39:33 | 0:39:36 | |
-Is it Croydon? -Dubai? -"Croydon." LAUGHTER | 0:39:36 | 0:39:38 | |
It's seven times bigger than Las Vegas. | 0:39:38 | 0:39:40 | |
-BUZZER -It's Hong Kong. | 0:39:40 | 0:39:43 | |
-No. You're in the right area. -The other one. | 0:39:43 | 0:39:45 | |
-What's our themed letter? -M. M... | 0:39:45 | 0:39:46 | |
-AUDIENCE CALL OUT: -Macau. | 0:39:46 | 0:39:48 | |
Audience gets the points. BUZZER | 0:39:48 | 0:39:51 | |
APPLAUSE | 0:39:51 | 0:39:52 | |
-I guessed on your behalf. -It's Macau. -Macau. -Is it really? | 0:39:52 | 0:39:55 | |
-Yes. -Where's your sheep, though? Hey! | 0:39:55 | 0:39:57 | |
-It's Ma-cow. -Here's me cow. | 0:39:57 | 0:40:00 | |
LAUGHTER | 0:40:00 | 0:40:02 | |
-Very, very, very, very... -Me cow. | 0:40:02 | 0:40:04 | |
..very amusing! | 0:40:04 | 0:40:06 | |
LAUGHTER | 0:40:06 | 0:40:08 | |
Macau is the gambling capital of the world. | 0:40:08 | 0:40:11 | |
Where's your cow? | 0:40:11 | 0:40:12 | |
Which planet is closest to the sun? | 0:40:12 | 0:40:14 | |
-BUZZER -Mercury. | 0:40:14 | 0:40:17 | |
Is of course the right answer. | 0:40:17 | 0:40:19 | |
How long do mayflies live for? BUZZER | 0:40:19 | 0:40:22 | |
17 hours. | 0:40:22 | 0:40:24 | |
Oh, no. BUZZER | 0:40:24 | 0:40:26 | |
That's a good answer. You didn't say a day. | 0:40:26 | 0:40:28 | |
No, it's not a day and it's not... | 0:40:28 | 0:40:30 | |
-BUZZER -Ages. | 0:40:30 | 0:40:32 | |
Ages is the right answer. | 0:40:32 | 0:40:33 | |
-No, up to four years. -Four years?! | 0:40:33 | 0:40:36 | |
-This is nonsense. -Not in that form. | 0:40:36 | 0:40:38 | |
But from the larva all the way through. | 0:40:38 | 0:40:40 | |
They have a long, long lifespan. | 0:40:40 | 0:40:42 | |
So they're in their adult form for 17... | 0:40:42 | 0:40:45 | |
-Yes, for a day. -A day and they're kids for... | 0:40:45 | 0:40:48 | |
As juveniles, they have a long, long time. | 0:40:48 | 0:40:51 | |
That's double a hamster. | 0:40:51 | 0:40:52 | |
I'm going to get those beauties for my kids. | 0:40:52 | 0:40:55 | |
"Oh, lovely mayfly." | 0:40:56 | 0:40:58 | |
Your last chance for lots of points is a picture round. | 0:40:58 | 0:41:01 | |
Please draw a picture of a juvenile fruit fly brain. | 0:41:01 | 0:41:05 | |
A juvenile fruit fly brain? | 0:41:08 | 0:41:10 | |
Yes, indeed. | 0:41:10 | 0:41:11 | |
All right. | 0:41:11 | 0:41:13 | |
I'll wager... | 0:41:13 | 0:41:15 | |
that it doesn't have one. | 0:41:15 | 0:41:17 | |
LAUGHTER | 0:41:17 | 0:41:20 | |
I'm going to do it... | 0:41:20 | 0:41:21 | |
So, we've already got... | 0:41:21 | 0:41:22 | |
We've got there, from Chris's juvenile fruit fly brain | 0:41:22 | 0:41:26 | |
-to scale. -I've done a banana. What have you drawn? | 0:41:26 | 0:41:28 | |
You've got a strawberry. | 0:41:28 | 0:41:30 | |
Well, the shattering news for you, Alan - | 0:41:30 | 0:41:32 | |
and it really is disappointing - | 0:41:32 | 0:41:33 | |
is that, for once, what you usually draw could have worked. | 0:41:33 | 0:41:36 | |
-What, it's like... -It's a cock and balls! -..a cock and balls? | 0:41:36 | 0:41:39 | |
-No! -Yes! LAUGHTER | 0:41:39 | 0:41:41 | |
There they are. | 0:41:41 | 0:41:42 | |
WHISTLING | 0:41:43 | 0:41:45 | |
You see, the one time you didn't. | 0:41:45 | 0:41:47 | |
The one time you behaved. Oh, you did? | 0:41:47 | 0:41:50 | |
-Before the show. -Before the show. | 0:41:50 | 0:41:52 | |
Before the show? I see. | 0:41:52 | 0:41:53 | |
We got the cock and balls out of our system before the show. | 0:41:53 | 0:41:56 | |
-LAUGHTER -We got that out of the way. | 0:41:56 | 0:41:58 | |
First thing you do when you arrive. Do the cock and balls. | 0:41:58 | 0:42:00 | |
Do the cock and balls, then you won't make a fool of yourself | 0:42:00 | 0:42:03 | |
by drawing a cock and balls on the programme. | 0:42:03 | 0:42:05 | |
Well, on that cock-shell, let's take a look at... | 0:42:05 | 0:42:07 | |
LAUGHTER | 0:42:07 | 0:42:08 | |
Let's take a look at the scores. | 0:42:08 | 0:42:10 | |
It's pretty exciting, because we have a clear winner, | 0:42:10 | 0:42:13 | |
on a staggering... | 0:42:13 | 0:42:15 | |
plus - and minus - zero, | 0:42:15 | 0:42:16 | |
is Chris Addison. CHEERING AND APPLAUSE | 0:42:16 | 0:42:20 | |
How? | 0:42:20 | 0:42:21 | |
In second place... | 0:42:21 | 0:42:24 | |
with a highly impressive minus six, | 0:42:24 | 0:42:26 | |
Sue Perkins. CHEERING AND APPLAUSE | 0:42:26 | 0:42:31 | |
Usually this would be good enough to win the wooden spoon, Sara, | 0:42:31 | 0:42:34 | |
it's a brilliant first appearance to get minus 13... | 0:42:34 | 0:42:38 | |
CHEERING AND APPLAUSE | 0:42:38 | 0:42:40 | |
..but it takes an old hand to do really, really badly at this game, | 0:42:40 | 0:42:44 | |
-Alan Davies on minus 54! -54?! | 0:42:44 | 0:42:47 | |
CHEERING AND APPLAUSE | 0:42:47 | 0:42:50 | |
So it's thank you from Sara, Chris, Sue, Alan and me. | 0:42:54 | 0:42:57 | |
And I leave you with this from Charlie Brown. | 0:42:57 | 0:43:00 | |
"Sometimes I lie awake at night and I ask, 'Where have I gone wrong?' | 0:43:00 | 0:43:04 | |
"Then a voice says to me, | 0:43:04 | 0:43:06 | |
" 'This is going to take more than one night.' " | 0:43:06 | 0:43:09 | |
LAUGHTER Goodnight. | 0:43:09 | 0:43:12 | |
APPLAUSE | 0:43:12 | 0:43:14 |