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This programme contains some strong language | 0:00:10 | 0:00:13 | |
APPLAUSE | 0:00:26 | 0:00:28 | |
Goooooood evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, good evening, good evening, | 0:00:33 | 0:00:35 | |
and welcome to QI, | 0:00:35 | 0:00:37 | |
where, tonight, we're mixing and matching | 0:00:37 | 0:00:40 | |
a medley of things beginning with M. | 0:00:40 | 0:00:44 | |
Now, let's meet our makers. | 0:00:44 | 0:00:46 | |
The matchless James Acaster. | 0:00:46 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:52 | |
The match-fit Jo Brand. | 0:00:52 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
The match made in heaven, Bill Bailey. | 0:00:57 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:04 | |
And... | 0:01:04 | 0:01:06 | |
match abandoned, Alan Davies. | 0:01:06 | 0:01:08 | |
CHEERING AND APPLAUSE | 0:01:08 | 0:01:12 | |
So, let's hear you mix. James goes... | 0:01:13 | 0:01:17 | |
EGG BEING BEATEN | 0:01:17 | 0:01:22 | |
-That's mixing. -Is it? | 0:01:22 | 0:01:24 | |
Yeah, you're beating an egg, I think. | 0:01:24 | 0:01:26 | |
-Beating something. -LAUGHTER | 0:01:26 | 0:01:29 | |
Now. | 0:01:29 | 0:01:31 | |
You're on your first warning. LAUGHTER | 0:01:31 | 0:01:33 | |
Jo goes... | 0:01:33 | 0:01:35 | |
ELECTRIC WHISK WHIRS | 0:01:35 | 0:01:39 | |
Yes, that's masturbation as I know it. | 0:01:39 | 0:01:41 | |
LAUGHTER | 0:01:41 | 0:01:46 | |
I'd love to know what the machine is, wouldn't you? | 0:01:46 | 0:01:49 | |
LAUGHTER | 0:01:49 | 0:01:52 | |
Bill goes... | 0:01:52 | 0:01:53 | |
TURNTABLE SCRATCHES | 0:01:53 | 0:01:56 | |
Ah, yeah. I like it, yes. | 0:01:56 | 0:01:58 | |
That's masturbation as I know it. | 0:01:58 | 0:02:00 | |
LAUGHTER AND APPLAUSE | 0:02:00 | 0:02:06 | |
So, three mixes and Alan goes... | 0:02:06 | 0:02:08 | |
MATCH OF THE DAY THEME PLAYS | 0:02:08 | 0:02:13 | |
-Ah, you see. -A match. -Yeah. | 0:02:13 | 0:02:15 | |
So, on with the game. | 0:02:15 | 0:02:16 | |
Now our first "M" tonight is "M" for metals. | 0:02:16 | 0:02:19 | |
Can you see anything on this board here that does not contain metal? | 0:02:19 | 0:02:24 | |
-Oh. -You've got a mushroom, | 0:02:24 | 0:02:26 | |
a balloon, a stack of coins, | 0:02:26 | 0:02:28 | |
a monkey, a star, an Alan Davies... | 0:02:28 | 0:02:32 | |
-of some kind. -An Alan Davies. | 0:02:32 | 0:02:34 | |
Well, bodies do contain metal, so it can't be... | 0:02:34 | 0:02:37 | |
-They do. -It can't be you... | 0:02:37 | 0:02:39 | |
-Alan, you contain metal. -Yes. -You do. -I do. | 0:02:39 | 0:02:42 | |
-Enough iron to make a nail. -Alan specifically? | 0:02:42 | 0:02:44 | |
LAUGHTER | 0:02:44 | 0:02:45 | |
-Yeah, just Alan. -Just Alan. He can make a nail. | 0:02:45 | 0:02:47 | |
But, no, that's right, isn't it? | 0:02:47 | 0:02:49 | |
The body contains enough iron to make a nail - | 0:02:49 | 0:02:51 | |
phosphorus, carbon, water... | 0:02:51 | 0:02:54 | |
-Magnesium. -Lime. | 0:02:54 | 0:02:56 | |
-Gold, actually. -A person... | 0:02:56 | 0:02:58 | |
You could boil it down to a half-decent kids' party. | 0:02:58 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:03 | |
You could get a paddling pool, some fireworks and a tequila slammer. | 0:03:03 | 0:03:06 | |
-All inside us, churning away. -All inside. So, it can't be Alan. | 0:03:06 | 0:03:09 | |
No, it's not me. And I don't... I'm... | 0:03:09 | 0:03:11 | |
-Now, look... -Now. | 0:03:11 | 0:03:13 | |
-Things that grow probably have got metal in them... -Yes. | 0:03:13 | 0:03:16 | |
-..that's my thinking. -Yeah. | 0:03:16 | 0:03:18 | |
The fact is, you've brilliantly avoided everything, | 0:03:18 | 0:03:20 | |
cos all those things contain metals. | 0:03:20 | 0:03:23 | |
When the universe was created... | 0:03:23 | 0:03:24 | |
4,000 years ago... | 0:03:24 | 0:03:26 | |
-4,000 years ago, as it says in the Bible. -..by our Lord. | 0:03:26 | 0:03:29 | |
LAUGHTER | 0:03:29 | 0:03:30 | |
..only two elements were created at that time. | 0:03:30 | 0:03:33 | |
Gold and silver. | 0:03:33 | 0:03:34 | |
-LAUGHTER -Yes. | 0:03:34 | 0:03:36 | |
-It was... -Frankincense and myrrh. | 0:03:36 | 0:03:39 | |
Cheese and pickle. | 0:03:39 | 0:03:40 | |
-They are still the most abundant elements in the universe. -Helium! | 0:03:40 | 0:03:43 | |
99% of the universe is composed of? | 0:03:43 | 0:03:45 | |
Helium and sarcasm. | 0:03:45 | 0:03:47 | |
LAUGHTER | 0:03:47 | 0:03:50 | |
Helium and... | 0:03:50 | 0:03:52 | |
Hydrogen? | 0:03:52 | 0:03:53 | |
-Hydrogen is correct. -Yes. | 0:03:53 | 0:03:55 | |
And then the first two elements to be created, | 0:03:55 | 0:03:58 | |
after hydrogen and helium, | 0:03:58 | 0:04:00 | |
which are both gases, | 0:04:00 | 0:04:01 | |
were both metals. | 0:04:01 | 0:04:03 | |
Imagine God was rather depressed by having created the universe. | 0:04:03 | 0:04:06 | |
-A knife. -I should think he bloody well was. I would be. -Yeah. | 0:04:06 | 0:04:09 | |
So, if you're depressed, what's the metal you'd go for? | 0:04:09 | 0:04:11 | |
-Lithium. -Lithium. | 0:04:11 | 0:04:12 | |
Lithium was one of them, and the other was beryllium. | 0:04:12 | 0:04:14 | |
-Oh, beryllium. -Beryllium, I love that one. -Beryllium. | 0:04:14 | 0:04:17 | |
And how were they created? What was the process? | 0:04:17 | 0:04:19 | |
It was in the stars. | 0:04:19 | 0:04:21 | |
-Fusion? -Fusion. | 0:04:21 | 0:04:22 | |
-You're on fire. -Crikey! | 0:04:22 | 0:04:24 | |
Like the stars, very good. | 0:04:24 | 0:04:26 | |
APPLAUSE Yeah. | 0:04:26 | 0:04:30 | |
And in that fusion, EVERYTHING was made. | 0:04:30 | 0:04:33 | |
And we are, as Carl Sagan famously said, we are made of star stuff. | 0:04:33 | 0:04:36 | |
We are made of the stuff that was created in those fusion moments. | 0:04:36 | 0:04:40 | |
Yes, we are. | 0:04:40 | 0:04:41 | |
And astronomers call anything that isn't the first two, | 0:04:41 | 0:04:45 | |
hydrogen and helium, a metal - | 0:04:45 | 0:04:48 | |
even if it's oxygen. | 0:04:48 | 0:04:50 | |
Are some people made of heavy metal? | 0:04:50 | 0:04:52 | |
LAUGHTER | 0:04:52 | 0:04:53 | |
-Yeah. -Lemmy. -Lemmy. | 0:04:53 | 0:04:55 | |
Lemmy from Motorhead. | 0:04:55 | 0:04:57 | |
Death metal. That's a good one. | 0:04:57 | 0:04:59 | |
Yeah. Thrash metal. | 0:04:59 | 0:05:00 | |
Nu metal, when I was a teenager. | 0:05:00 | 0:05:02 | |
What's nu metal? | 0:05:02 | 0:05:03 | |
It was rap and metal together. | 0:05:03 | 0:05:05 | |
It went very badly. | 0:05:05 | 0:05:07 | |
LAUGHTER | 0:05:07 | 0:05:08 | |
-Yeah, there was quite a lot of... -TURNTABLE SCRATCHES | 0:05:08 | 0:05:10 | |
Quite a lot of that in it, yeah. | 0:05:10 | 0:05:12 | |
There was one I was told about that was a mixture of techno and disco... | 0:05:12 | 0:05:17 | |
and it was called Tesco. | 0:05:17 | 0:05:19 | |
LAUGHTER | 0:05:19 | 0:05:21 | |
Then there was Valium metal, | 0:05:21 | 0:05:22 | |
and Tesco's own-brand metal. | 0:05:22 | 0:05:24 | |
LAUGHTER | 0:05:24 | 0:05:26 | |
Yeah, the human body contains a lot of metal, even gold. | 0:05:26 | 0:05:29 | |
How many human beings | 0:05:29 | 0:05:32 | |
would you need to extract the gold from | 0:05:32 | 0:05:34 | |
before you could make, of them, a gold coin? | 0:05:34 | 0:05:37 | |
Just Mr T. | 0:05:37 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:40 | |
Yes, just that, yeah. | 0:05:40 | 0:05:42 | |
Very good, that's true. | 0:05:42 | 0:05:43 | |
Normal humans. | 0:05:43 | 0:05:44 | |
-One million humans. -No. | 0:05:44 | 0:05:46 | |
-One billion humans. -No, it's... | 0:05:46 | 0:05:48 | |
47. | 0:05:48 | 0:05:49 | |
-Six. -LAUGHTER | 0:05:49 | 0:05:52 | |
This could take a long time. 40,000. | 0:05:52 | 0:05:54 | |
And how many different metals have we got inside us? | 0:05:54 | 0:05:56 | |
72. | 0:05:56 | 0:05:57 | |
47. | 0:05:57 | 0:05:59 | |
Very close, it's 48! | 0:05:59 | 0:06:00 | |
APPLAUSE | 0:06:00 | 0:06:03 | |
-Whoa! -On fire! | 0:06:03 | 0:06:04 | |
-Amazing. -On fire! | 0:06:04 | 0:06:07 | |
In your face! | 0:06:07 | 0:06:08 | |
Did you just point at Alan and say, "Eat it"? | 0:06:08 | 0:06:11 | |
No. | 0:06:11 | 0:06:12 | |
No, I pointed at him and went, "On fire!" | 0:06:12 | 0:06:14 | |
-Oh, "On fire." -"On fire!" | 0:06:14 | 0:06:16 | |
It's most impressive. | 0:06:16 | 0:06:17 | |
And you're all right, in many ways. | 0:06:17 | 0:06:19 | |
To astronomers, anything that isn't hydrogen or helium is a metal. | 0:06:19 | 0:06:22 | |
Even apparently normal metals can be quite deceptive, | 0:06:22 | 0:06:26 | |
as this trick shows. | 0:06:26 | 0:06:27 | |
I'm going to get a glass of water, | 0:06:27 | 0:06:30 | |
and I'll get a teaspoon. | 0:06:30 | 0:06:33 | |
-Right. -Oh, I'll just... To prove that it is water, I'll drink it. | 0:06:33 | 0:06:37 | |
That just proves it might be vodka. | 0:06:37 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:41 | |
-It proves at least that it's not sulphuric acid or something... -Yeah. | 0:06:41 | 0:06:45 | |
..because what I'm going to do | 0:06:45 | 0:06:46 | |
is try and make this teaspoon disappear. | 0:06:46 | 0:06:48 | |
It may not work. | 0:06:50 | 0:06:52 | |
I'm not a good magician, | 0:06:52 | 0:06:54 | |
I'm a great magician. | 0:06:54 | 0:06:56 | |
And so we stir it here and I... | 0:06:56 | 0:06:58 | |
Oh, don't, Oh, no... | 0:06:59 | 0:07:01 | |
Oh, it might not work, it might work, I don't know. | 0:07:01 | 0:07:04 | |
I'm, oh... | 0:07:04 | 0:07:06 | |
-Yeah, it seems to have worked. -Ooh. | 0:07:06 | 0:07:08 | |
AUDIENCE GASPS | 0:07:08 | 0:07:10 | |
APPLAUSE | 0:07:10 | 0:07:12 | |
Wow! | 0:07:12 | 0:07:14 | |
There you are. Thank you. | 0:07:14 | 0:07:17 | |
That's rather good, isn't it? | 0:07:17 | 0:07:18 | |
-Rather good. -That's good. -That is. | 0:07:18 | 0:07:20 | |
In fact, on this occasion, it wasn't a magic trick, | 0:07:20 | 0:07:22 | |
and it's something you can do. | 0:07:22 | 0:07:24 | |
I'll give you your water and you'll notice the water is rather warm. | 0:07:24 | 0:07:27 | |
-Oh, it's warm. -It's warm water. -Warm water. | 0:07:27 | 0:07:30 | |
And I'll give you a couple of spoons. | 0:07:30 | 0:07:32 | |
They are metal, they're metal spoons, but the metal... | 0:07:32 | 0:07:34 | |
Are they made out of Alka-Seltzer? | 0:07:34 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:37 | |
They might as well be - they're made out of gallium. | 0:07:37 | 0:07:40 | |
And gallium is a metal... | 0:07:40 | 0:07:43 | |
A very useful metal. | 0:07:43 | 0:07:44 | |
-Let's have a look. -..but it has the quality that it melts, | 0:07:44 | 0:07:47 | |
-as Alan is showing, in water. -Good Lord. | 0:07:47 | 0:07:51 | |
Oh, you wouldn't want that of your teaspoon, would you? | 0:07:51 | 0:07:53 | |
No, it wouldn't make a practical teaspoon. | 0:07:53 | 0:07:55 | |
-That's lasting less time than a biscuit. -Yeah. | 0:07:55 | 0:07:59 | |
-That's it. -Look at that. | 0:07:59 | 0:08:00 | |
Now, if you stir it, | 0:08:00 | 0:08:02 | |
it'll happen more quickly. | 0:08:02 | 0:08:04 | |
-Oh, good Lord, look at that. -Ah, jeez. -That is... | 0:08:04 | 0:08:06 | |
That would be the most annoying teaspoon in the world. | 0:08:06 | 0:08:09 | |
-It really would, wouldn't it? -Now, oh. | 0:08:09 | 0:08:11 | |
But it's, like, Terminator's teaspoon. | 0:08:11 | 0:08:13 | |
Yeah, exactly. Terminator 2, it should be said. | 0:08:13 | 0:08:16 | |
Yes. Terminator two-spoon. | 0:08:16 | 0:08:19 | |
Hey! | 0:08:19 | 0:08:20 | |
-Well, I hope you're impressed with that. -Wow. -I'm very impressed. -Yeah. | 0:08:20 | 0:08:23 | |
-It's not poisonous, gallium, so you can drink it again. -I shan't. | 0:08:23 | 0:08:27 | |
LAUGHTER OK. You can put your glasses away. | 0:08:27 | 0:08:30 | |
There you are, top man. | 0:08:30 | 0:08:32 | |
"Mmm, delicious." | 0:08:32 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
OK, pop away. | 0:08:35 | 0:08:36 | |
Er...gallium. | 0:08:36 | 0:08:38 | |
-Gallium was discovered in the 19th century by a Frenchman... -Yes... | 0:08:38 | 0:08:42 | |
..called Lecoq. | 0:08:42 | 0:08:43 | |
Oh... | 0:08:43 | 0:08:44 | |
And he called it gallium because he was French | 0:08:44 | 0:08:49 | |
-and he wanted to be patriotic. -Gaul. | 0:08:49 | 0:08:51 | |
Yeah. Exactly, as in our word "Gallic." | 0:08:51 | 0:08:54 | |
But also, there's another word which means "cockerel," | 0:08:54 | 0:08:58 | |
-Oh. -Which is "gallus," | 0:08:58 | 0:08:59 | |
so he called gallium after himself as well as after his country. | 0:08:59 | 0:09:03 | |
-So he was modest. -He was modest, exactly. | 0:09:03 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:06 | |
Staying with valuable metals, | 0:09:06 | 0:09:08 | |
though, what use did the world's richest man have for wide trousers? | 0:09:08 | 0:09:13 | |
ELECTRIC WHISK WHIRS Yeah? | 0:09:16 | 0:09:18 | |
Did he have very fat ankles? | 0:09:18 | 0:09:20 | |
LAUGHTER | 0:09:20 | 0:09:21 | |
That would be useful. Who was the world's richest man? | 0:09:21 | 0:09:24 | |
-That's what we have to discover. -Is he alive today? | 0:09:24 | 0:09:27 | |
-No. -Was he a Greek bloke? | 0:09:27 | 0:09:28 | |
-Was it... -No. -..Rockefeller? | 0:09:28 | 0:09:30 | |
Wasn't Croesus, wasn't Rockefeller. | 0:09:30 | 0:09:31 | |
But it has been calculated, quite recently in fact, that this | 0:09:31 | 0:09:36 | |
-man was the richest man by any standards... -Ever? | 0:09:36 | 0:09:39 | |
-..of which there has ever been. -Oh! | 0:09:39 | 0:09:41 | |
-Someone... -Aladdin. -Aladdin, yes. | 0:09:41 | 0:09:43 | |
LAUGHTER | 0:09:43 | 0:09:45 | |
I'm going to say, and I don't want to upset anybody, | 0:09:45 | 0:09:47 | |
I'm going to say it's someone real. | 0:09:47 | 0:09:48 | |
-Someone... -Ah, someone from Fifa. | 0:09:48 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:52 | |
APPLAUSE | 0:09:52 | 0:09:54 | |
Someone from the 14th century. | 0:09:59 | 0:10:01 | |
He is M- M- of M-. | 0:10:01 | 0:10:03 | |
-Murmansk. Did he come from Murmansk? -No. | 0:10:03 | 0:10:06 | |
-Mesopotamia. -No! | 0:10:07 | 0:10:08 | |
-No, it's good, though. -Margate. | 0:10:08 | 0:10:11 | |
LAUGHTER | 0:10:11 | 0:10:13 | |
-He visited Mesopotamia... -Mick of Margate. | 0:10:13 | 0:10:16 | |
-He visited Mesopotamia? -Well... | 0:10:16 | 0:10:19 | |
-Mu... Mohammed... -..Arabia. | 0:10:19 | 0:10:21 | |
Muchti? The Muchti. | 0:10:21 | 0:10:22 | |
He was Muslim, so that's another M. | 0:10:22 | 0:10:25 | |
-AUDIENCE MEMBER: -Ming the Merciless. -Ming the Merciless. | 0:10:25 | 0:10:27 | |
LAUGHTER | 0:10:27 | 0:10:30 | |
-AUDIENCE MEMBER: -Mansa Musa. -Is the right answer, but... -Who? | 0:10:31 | 0:10:34 | |
..you would have got more points... APPLAUSE | 0:10:34 | 0:10:38 | |
-The audience is very impressive, isn't it? -They are. | 0:10:40 | 0:10:42 | |
You'd only have got more points if you'd said Mansa Musa I. | 0:10:42 | 0:10:46 | |
Ah. | 0:10:46 | 0:10:47 | |
-But, no, Mansa Musa is the right answer. -Ah. | 0:10:47 | 0:10:49 | |
-What's the country he's from? -Mess... Er... -No. | 0:10:49 | 0:10:54 | |
-Muh... Mer... Muk... -Mali. | 0:10:54 | 0:10:55 | |
-Mali. Mali! -Mali, he comes from, Africa. | 0:10:55 | 0:10:58 | |
-Mali. -And his riches came from gold. | 0:10:58 | 0:11:01 | |
-Oh. -He had so much gold, you would not believe. | 0:11:01 | 0:11:04 | |
He was also a very faithful Muslim, | 0:11:04 | 0:11:06 | |
and he went on the Hajj to Mecca, and on his Hajj, every Friday, | 0:11:06 | 0:11:11 | |
he stopped and he built a mosque, but also, everyone he met, | 0:11:11 | 0:11:15 | |
he gave gold to. | 0:11:15 | 0:11:16 | |
Right. | 0:11:16 | 0:11:18 | |
By the time all these people went to cash their gold in, | 0:11:18 | 0:11:21 | |
it destroyed the market for it. | 0:11:21 | 0:11:23 | |
And they suffered from hyperinflation. | 0:11:23 | 0:11:26 | |
And he very generously tried to put right what he'd done wrong, | 0:11:26 | 0:11:30 | |
so he bought the gold back, | 0:11:30 | 0:11:32 | |
but it still destroyed the whole Mediterranean economy for ten years. | 0:11:32 | 0:11:37 | |
-What an idiot. -LAUGHTER | 0:11:37 | 0:11:39 | |
-He was trying to be kind. -Well, there's that saying, isn't there, | 0:11:39 | 0:11:42 | |
"No act of kindness ever goes unpunished." | 0:11:42 | 0:11:46 | |
-Yes! -And I think that's very true in this case. -It is very true. | 0:11:46 | 0:11:49 | |
He was also quite a warrior, and he had an army of 100,000, and | 0:11:49 | 0:11:54 | |
if he had a successful general, he would reward him with wide trousers. | 0:11:54 | 0:11:59 | |
That's... That was the question! | 0:11:59 | 0:12:01 | |
If you had wide trousers it was proof of your success as a general. | 0:12:01 | 0:12:04 | |
-Wide trousers being what? -Oxford bags. | 0:12:04 | 0:12:06 | |
-Pretty jolly wide. -Kind of Showaddywaddy. -Yeah. | 0:12:06 | 0:12:10 | |
On his way back from Mecca, | 0:12:11 | 0:12:13 | |
he stopped and established this city that became a great | 0:12:13 | 0:12:16 | |
centre for Islamic scholarship | 0:12:16 | 0:12:18 | |
-and world scholarship for the following century. -Hmm. | 0:12:18 | 0:12:20 | |
Do you know what that town was called? | 0:12:20 | 0:12:22 | |
-On the way from Mecca to Mali. -Yeah. | 0:12:22 | 0:12:24 | |
-Closer to Mali than Mecca by a long way. -Mombasa. | 0:12:25 | 0:12:28 | |
-No. There it is! -Good effort, though. | 0:12:28 | 0:12:30 | |
I keep looking at that picture | 0:12:30 | 0:12:32 | |
like I'm going to recognise it or something. | 0:12:32 | 0:12:34 | |
-LAUGHTER -Ah, yeah... | 0:12:34 | 0:12:36 | |
-Is it Timbuktu? -Yes! Timbuktu. | 0:12:38 | 0:12:40 | |
CHEERING AND APPLAUSE | 0:12:40 | 0:12:41 | |
Well done. | 0:12:45 | 0:12:46 | |
Yes, Mansa Musa of Mali made medieval markets melt down. | 0:12:47 | 0:12:53 | |
From one golden age to another, | 0:12:53 | 0:12:54 | |
how did the ancient Britons celebrate the merry month of May? | 0:12:54 | 0:12:58 | |
ELECTRIC WHISK WHIRS | 0:12:58 | 0:13:00 | |
-Jo. -Was it pole dancing? | 0:13:00 | 0:13:02 | |
Oh, ha-ha... | 0:13:02 | 0:13:04 | |
Oh, dear, oh, dear. | 0:13:04 | 0:13:05 | |
KLAXON BLARES | 0:13:05 | 0:13:07 | |
That's not... | 0:13:07 | 0:13:09 | |
-No, that's not what I said. -She's quite right. | 0:13:10 | 0:13:12 | |
You didn't say "maypole." | 0:13:12 | 0:13:14 | |
LAUGHTER | 0:13:14 | 0:13:16 | |
Human sacrifice, probably? | 0:13:18 | 0:13:20 | |
Human sacrifice, no, not that. | 0:13:20 | 0:13:22 | |
-Mead? -Mead is possible. | 0:13:22 | 0:13:24 | |
Cannibalism? | 0:13:24 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:27 | |
Not that we know of. We don't know much about the ancient Britons. | 0:13:27 | 0:13:31 | |
If only they'd blogged more. | 0:13:31 | 0:13:33 | |
LAUGHTER | 0:13:33 | 0:13:34 | |
Murder - they would murder people for a laugh. | 0:13:34 | 0:13:38 | |
Anyone who really liked April. | 0:13:38 | 0:13:39 | |
-They'd murder them really badly. -Yeah. | 0:13:39 | 0:13:42 | |
Well, they would pick flowers. | 0:13:42 | 0:13:44 | |
Ugh. | 0:13:44 | 0:13:45 | |
LAUGHTER | 0:13:45 | 0:13:47 | |
As far as we know, they didn't do much | 0:13:47 | 0:13:49 | |
other than the fact that it was early summer, | 0:13:49 | 0:13:51 | |
late spring, and they would put flowers in the house. | 0:13:51 | 0:13:54 | |
The things we think of - | 0:13:54 | 0:13:56 | |
Morris dancing and maypoles and the Queen of the May and everything - | 0:13:56 | 0:13:59 | |
were all later inventions. | 0:13:59 | 0:14:01 | |
Morris dancing seems to have arrived in the 15th century. | 0:14:01 | 0:14:06 | |
Oh, God, what a terrible year. | 0:14:06 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:10 | |
-A bad year. -They have much to answer for. -They have. | 0:14:10 | 0:14:12 | |
Do you know why it's called Morris dancing, where that comes from? | 0:14:12 | 0:14:15 | |
It was just boredom. That's really what it was, wasn't it? | 0:14:15 | 0:14:18 | |
A combination of boredom, | 0:14:18 | 0:14:20 | |
nothing to do and we might as well do something. | 0:14:20 | 0:14:23 | |
Do a dance. | 0:14:23 | 0:14:24 | |
-Do a dance. -Yeah. -Let's have some mead and do a dance. | 0:14:24 | 0:14:26 | |
"What's your name?" "Morris." "Right, we'll call it after you." | 0:14:26 | 0:14:29 | |
LAUGHTER | 0:14:29 | 0:14:30 | |
We think they borrowed the name from the Spaniards, | 0:14:30 | 0:14:33 | |
-who had a Morisco dance. -Oh! | 0:14:33 | 0:14:34 | |
When they celebrated the expulsion of the Moors, or Moriscos, | 0:14:34 | 0:14:39 | |
as in the word Morocco, from Spain, and this dance came to England | 0:14:39 | 0:14:43 | |
by the 15th century, and we did that sort of dance. | 0:14:43 | 0:14:45 | |
-So it's a bit racist, really. -If you like, yeah. | 0:14:45 | 0:14:49 | |
-Yeah. -Well, maybe we could get it banned on that account. | 0:14:49 | 0:14:51 | |
LAUGHTER | 0:14:51 | 0:14:53 | |
-Got to try. -Poor old Morris dancers. | 0:14:56 | 0:14:58 | |
Yeah. The most traditional way to celebrate May Day | 0:14:59 | 0:15:02 | |
is to decorate your house with flowers. | 0:15:02 | 0:15:04 | |
Our next M also grows in the ground. | 0:15:04 | 0:15:07 | |
Now, what sex is this mushroom? | 0:15:07 | 0:15:09 | |
-What sex? -What sex? | 0:15:10 | 0:15:12 | |
Well, it looks like a penis, so... | 0:15:12 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:15 | |
..I'm guessing it's female. | 0:15:15 | 0:15:17 | |
KLAXON BLARES | 0:15:17 | 0:15:18 | |
You see... | 0:15:18 | 0:15:20 | |
-Now... -Is it male, then? | 0:15:20 | 0:15:22 | |
Oh! KLAXON BLARES | 0:15:22 | 0:15:26 | |
TURNTABLE SCRATCHES | 0:15:27 | 0:15:28 | |
Is it asexual? | 0:15:28 | 0:15:30 | |
Well...it's not asexual, no. | 0:15:30 | 0:15:32 | |
-Is it a stinkhorn? -Just doesn't have a gen... | 0:15:32 | 0:15:34 | |
We're going to come to stinkhorns. | 0:15:34 | 0:15:36 | |
-But you can have a look. -I love them. | 0:15:36 | 0:15:38 | |
See if you can spot the organs of generation on those. | 0:15:38 | 0:15:41 | |
LAUGHTER | 0:15:41 | 0:15:43 | |
-Well, there's a mushroom. -Yeah. | 0:15:43 | 0:15:45 | |
Fry it up, lovely. | 0:15:45 | 0:15:47 | |
It's difficult to tell, isn't it? They're all sort of... | 0:15:47 | 0:15:49 | |
They're all vaguely suggestive | 0:15:49 | 0:15:51 | |
-in some way, aren't they? I mean... -Yeah. | 0:15:51 | 0:15:52 | |
Any type of fungus will tell you the same story - | 0:15:52 | 0:15:55 | |
they don't have genders. They don't have sexes. | 0:15:55 | 0:15:58 | |
-Oh, right. -They do reproduce, | 0:15:58 | 0:16:00 | |
but they don't use gender as a... | 0:16:00 | 0:16:03 | |
Spores? Is it spores? | 0:16:03 | 0:16:04 | |
-Spores, well, spores have to be... -Inseminated. | 0:16:04 | 0:16:06 | |
They have to be inseminated, germinated. | 0:16:06 | 0:16:08 | |
-But there is no gender, you don't have a female or a male. -Right. | 0:16:08 | 0:16:11 | |
-Oh, you've made a whole new one with a hat. -I've made a new one. | 0:16:11 | 0:16:14 | |
LAUGHTER | 0:16:14 | 0:16:15 | |
It's like a French painter. "Ah. Ah-ha-ho-ho." | 0:16:15 | 0:16:18 | |
But... | 0:16:18 | 0:16:19 | |
LAUGHTER | 0:16:19 | 0:16:21 | |
Oh! | 0:16:21 | 0:16:23 | |
IMITATES PIPE-SUCKING | 0:16:23 | 0:16:25 | |
-FAUX FRENCH ACCENT: -"No, I'm a... | 0:16:25 | 0:16:26 | |
"Some people say I'm a mushroom, but..." | 0:16:26 | 0:16:28 | |
IMITATES PIPE-SUCKING | 0:16:28 | 0:16:29 | |
-Oh, what the hell. -"I have no gender!" | 0:16:29 | 0:16:31 | |
LAUGHTER | 0:16:31 | 0:16:33 | |
"I have no gender, I am nothing, not male nor female." | 0:16:33 | 0:16:36 | |
"Ha-ha! I laugh at you. Ah-ha-ha!" | 0:16:36 | 0:16:38 | |
LAUGHTER | 0:16:38 | 0:16:39 | |
-You mentioned the stinkhorn. -Yes, I did, I love that. | 0:16:39 | 0:16:42 | |
Well, have a look at one. | 0:16:42 | 0:16:43 | |
There you are. | 0:16:43 | 0:16:45 | |
-Ohh! -Ooh, dirty stinkhorn. -Dirty! | 0:16:45 | 0:16:48 | |
It's pretty grim, isn't it? | 0:16:48 | 0:16:50 | |
Is that flies? | 0:16:50 | 0:16:51 | |
Yeah, flies all over it. Its Latin name is phallus impudicus, | 0:16:51 | 0:16:55 | |
-which means... -Oh, you wouldn't want that on your cock, would you? | 0:16:55 | 0:16:59 | |
LAUGHTER | 0:16:59 | 0:17:00 | |
Not again. | 0:17:00 | 0:17:01 | |
The meaning of its name is "shameless cock." | 0:17:01 | 0:17:03 | |
Shameless cock. | 0:17:03 | 0:17:05 | |
-Is it? -Shameless! -Yeah. | 0:17:05 | 0:17:06 | |
Phallus impudicus. | 0:17:06 | 0:17:08 | |
And it gives off a sort of mucus... | 0:17:08 | 0:17:10 | |
That's actually given me an idea for my husband's birthday present. | 0:17:10 | 0:17:14 | |
LAUGHTER | 0:17:14 | 0:17:15 | |
A little fly willy warmer. | 0:17:15 | 0:17:17 | |
-What do you think? -Yeah. -He'd love it. | 0:17:17 | 0:17:19 | |
-He would love it. -Beautiful idea. | 0:17:19 | 0:17:21 | |
There's a mucus that's given off on the top of it, um... | 0:17:21 | 0:17:26 | |
-And it stinks, hence the name stinkhorn. -It does. | 0:17:26 | 0:17:28 | |
It smells of rotting meat, and it attracts flies. | 0:17:28 | 0:17:32 | |
-You can't eat them, either, can you? -Oh, the Chinese do. -Do they? | 0:17:32 | 0:17:35 | |
They dry them and they eat them, | 0:17:35 | 0:17:37 | |
because they've discovered this really important scientific fact. | 0:17:37 | 0:17:42 | |
-They're aphrodisiac. -Of course they are. -Oh, yeah(!) | 0:17:42 | 0:17:46 | |
Er... | 0:17:46 | 0:17:47 | |
LAUGHTER | 0:17:47 | 0:17:48 | |
So there it is, that's the stinkhorn. | 0:17:48 | 0:17:49 | |
-Is that only because it looks like a penis, let's be honest? -It is. | 0:17:49 | 0:17:52 | |
-That's why it's called... -"Oh, look, it looks like an erect penis, | 0:17:52 | 0:17:55 | |
"therefore, ergo, it must be an aphrodisiac." | 0:17:55 | 0:17:58 | |
-Yeah. -That's what it is, really. -I'm afraid it is. -Effectively. | 0:17:58 | 0:18:01 | |
There's a lot of things that look like an erect penis that... | 0:18:01 | 0:18:04 | |
don't get used as aphrodisiacs. | 0:18:04 | 0:18:05 | |
-Like? -Like... | 0:18:05 | 0:18:07 | |
A baguette. | 0:18:07 | 0:18:08 | |
LAUGHTER | 0:18:08 | 0:18:10 | |
Very good. | 0:18:10 | 0:18:11 | |
Now, let's stay in the garden. | 0:18:11 | 0:18:14 | |
Why would you spread mustard on your lawn? | 0:18:14 | 0:18:17 | |
So you can... Like, if you stick roast beef on yourself, | 0:18:17 | 0:18:20 | |
-and you slide across the lawn... -LAUGHTER | 0:18:20 | 0:18:23 | |
Somebody's made a graphic of a man mowing some custard. | 0:18:23 | 0:18:26 | |
LAUGHTER | 0:18:26 | 0:18:28 | |
Imagine you wanted to conduct | 0:18:29 | 0:18:32 | |
a worm census of your lawn, | 0:18:32 | 0:18:35 | |
you wanted to find out how many worms there wah... "There wah"? | 0:18:35 | 0:18:38 | |
-..in your lawn. -Make them come up out of the earth | 0:18:38 | 0:18:41 | |
with washing-up liquid. | 0:18:41 | 0:18:42 | |
-Is that what you'd use? -Yeah. | 0:18:42 | 0:18:44 | |
That really works a treat, actually. | 0:18:44 | 0:18:46 | |
What, do you put the washing up liquid...? | 0:18:46 | 0:18:48 | |
You just spray washing-up liquid on the lawn and they all come up, | 0:18:48 | 0:18:51 | |
"Oh", like that, to help you with the washing up. | 0:18:51 | 0:18:53 | |
LAUGHTER | 0:18:53 | 0:18:55 | |
And it doesn't harm them? | 0:18:55 | 0:18:56 | |
Oh, it kills them. | 0:18:56 | 0:18:58 | |
LAUGHTER | 0:18:58 | 0:19:00 | |
This... | 0:19:00 | 0:19:01 | |
This is where your system and mine differ, | 0:19:01 | 0:19:03 | |
because my system is just about counting them and not harming them. | 0:19:03 | 0:19:06 | |
-Right. -Because it does... | 0:19:06 | 0:19:07 | |
But you can still count them when they're dead. | 0:19:07 | 0:19:09 | |
LAUGHTER | 0:19:09 | 0:19:11 | |
-Easier, really. -It is easier. -It's true, you're right. | 0:19:11 | 0:19:13 | |
-Dry them out. -But they're good for aerating the lawn, aren't they? | 0:19:13 | 0:19:17 | |
-So is a pitchfork. -Yeah. | 0:19:17 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:20 | |
Well, anyway, it irritates them slightly, | 0:19:20 | 0:19:22 | |
but it doesn't kill them. | 0:19:22 | 0:19:23 | |
And, in fact, they did this in America, | 0:19:23 | 0:19:26 | |
and discovered that 100% of North American worms are non-native. | 0:19:26 | 0:19:31 | |
All the worms of North America | 0:19:31 | 0:19:34 | |
were wiped out a long time ago. | 0:19:34 | 0:19:37 | |
-Washing-up liquid! -Must have been. | 0:19:37 | 0:19:39 | |
10,000 years ago, | 0:19:39 | 0:19:41 | |
-before washing-up liquid. -Ice age? | 0:19:41 | 0:19:43 | |
Ice age is the right answer. | 0:19:43 | 0:19:45 | |
Yeah, they were wiped out. | 0:19:45 | 0:19:46 | |
He's on fire, you're both on fire! | 0:19:46 | 0:19:48 | |
APPLAUSE | 0:19:48 | 0:19:52 | |
Yeah, the European worms arrived | 0:19:52 | 0:19:54 | |
in the root balls of plants | 0:19:54 | 0:19:56 | |
that were exported to the Americas. | 0:19:56 | 0:19:58 | |
But what else do we...? | 0:19:58 | 0:20:00 | |
Help me with mustard. | 0:20:00 | 0:20:01 | |
You can spread it on your hands if you're trying to give up smoking. | 0:20:01 | 0:20:04 | |
LAUGHTER | 0:20:04 | 0:20:06 | |
Yes, apparently a friend of mine did that, to try and, you know, | 0:20:06 | 0:20:09 | |
-give up smoking. -Did it work? | 0:20:09 | 0:20:11 | |
Um... No. | 0:20:11 | 0:20:13 | |
LAUGHTER | 0:20:13 | 0:20:15 | |
Gas, lethal gas. | 0:20:15 | 0:20:17 | |
Yes, mustard gas. | 0:20:17 | 0:20:19 | |
What was mustard gas? Did it have mustard in it? | 0:20:19 | 0:20:21 | |
It stank, poisonous. | 0:20:21 | 0:20:23 | |
It didn't actually contain mustard. | 0:20:23 | 0:20:25 | |
Nothing to do with mustard, called it only because of the colour of it. | 0:20:25 | 0:20:29 | |
-Well, the colour and the smell. -And the smell of it. | 0:20:29 | 0:20:31 | |
Sulphur mustard, it was called. | 0:20:31 | 0:20:33 | |
And rather like too much mustard, it could cause blistering. | 0:20:33 | 0:20:36 | |
And there were mustard baths. | 0:20:36 | 0:20:37 | |
A bath of mustard? | 0:20:37 | 0:20:39 | |
Is that a Comic Relief thing? | 0:20:39 | 0:20:40 | |
LAUGHTER No, you'd think it was. | 0:20:40 | 0:20:43 | |
But, funnily enough, | 0:20:43 | 0:20:45 | |
we British have mustard baths all the time, didn't you know that? | 0:20:45 | 0:20:48 | |
-No? -No. | 0:20:48 | 0:20:49 | |
According to the National Museum of Mustard, | 0:20:49 | 0:20:52 | |
which is in Middleton, Wisconsin. | 0:20:52 | 0:20:54 | |
I was going to say, it's got to be in America. | 0:20:54 | 0:20:56 | |
-Yeah. -Yeah. | 0:20:56 | 0:20:58 | |
They have a National Museum of Mustard and I... | 0:20:58 | 0:21:00 | |
Just be careful, | 0:21:00 | 0:21:01 | |
-because Norwich has a very famous mustard museum, as well. -Uh-oh. | 0:21:01 | 0:21:04 | |
-Mr Coleman? -Coleman's, exactly. | 0:21:04 | 0:21:07 | |
This museum in Middleton, Wisconsin, | 0:21:07 | 0:21:09 | |
it asserts that "bathing in mustard is an English custom | 0:21:09 | 0:21:12 | |
"to this very day." | 0:21:12 | 0:21:14 | |
LAUGHTER | 0:21:14 | 0:21:17 | |
There you are, that's what they think. | 0:21:17 | 0:21:19 | |
-FAUX-AMERICAN ACCENT: -That's right, over in England, at night they... | 0:21:19 | 0:21:23 | |
Everyone in England asks their butler to draw them a mustard bath. | 0:21:23 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:29 | |
And you spoke of Coleman's of Norwich... | 0:21:29 | 0:21:32 | |
-Norwich. -..the great mustard company of Norwich. | 0:21:32 | 0:21:34 | |
They provided quite a lot of mustard for Robert Falcon Scott | 0:21:34 | 0:21:37 | |
-and his Discovery Expedition. -To the South Pole. | 0:21:37 | 0:21:40 | |
As you can see there, he has pots of Coleman's Mustard. | 0:21:40 | 0:21:44 | |
-That's a genuine real photograph... -Yes, of course. | 0:21:44 | 0:21:46 | |
..not in the least bit touched-up. LAUGHTER | 0:21:46 | 0:21:49 | |
How much did Coleman's, of Norwich, give... | 0:21:49 | 0:21:53 | |
to Captain Scott's team in the 1901-02...? | 0:21:53 | 0:21:56 | |
Two enormous barrels of mustard. | 0:21:56 | 0:21:58 | |
-Actually, they gave them one and a half tonnes... -Tiny jar? | 0:21:58 | 0:22:01 | |
-One and a half tonnes?! -..of mustard. | 0:22:01 | 0:22:03 | |
Tonnes of mustard. | 0:22:03 | 0:22:05 | |
Excellent. | 0:22:05 | 0:22:06 | |
That's enough for a lot of baths, as well as a lot of food. | 0:22:06 | 0:22:09 | |
Now, from counting worms | 0:22:09 | 0:22:11 | |
to monkeys that count. | 0:22:11 | 0:22:13 | |
What job can even a monkey do? | 0:22:13 | 0:22:16 | |
ELECTRIC WHISK WHIRS | 0:22:16 | 0:22:17 | |
Yes, Jo? | 0:22:17 | 0:22:19 | |
Is it quantity surveying? | 0:22:19 | 0:22:21 | |
LAUGHTER | 0:22:21 | 0:22:24 | |
-They might be able to. -Apologies to all quantity surveyors watching. | 0:22:24 | 0:22:28 | |
-That includes my brother. -Is your brother...? -Oh, is he? | 0:22:28 | 0:22:30 | |
-He is a quantity surveyor, yes. -Does he survey quantities all day? | 0:22:30 | 0:22:33 | |
-Yeah, sadly for him. -Do you get tired of surveying quantities? | 0:22:33 | 0:22:36 | |
I mean, how many quantities can you survey in one day? | 0:22:36 | 0:22:39 | |
-He can survey 47 quantities in a day. -47 quantities? | 0:22:39 | 0:22:43 | |
That's a lot of quantities. | 0:22:43 | 0:22:44 | |
Wow. Well, no, I don't think monkeys can survey quantities. | 0:22:44 | 0:22:48 | |
-They can count. -Yes. | 0:22:48 | 0:22:50 | |
The person who counts how many people are on the plane | 0:22:50 | 0:22:52 | |
before you take off, that could be a monkey. | 0:22:52 | 0:22:55 | |
LAUGHTER | 0:22:55 | 0:22:56 | |
That would instil us all with confidence, wouldn't it? | 0:22:56 | 0:22:59 | |
LAUGHTER | 0:22:59 | 0:23:00 | |
Just before takeoff, | 0:23:00 | 0:23:01 | |
a small primate comes down the aisle with a clicker. | 0:23:01 | 0:23:05 | |
LAUGHTER | 0:23:05 | 0:23:08 | |
And he also does the duty-frees because no-one ever buys anything. | 0:23:08 | 0:23:11 | |
Yes. | 0:23:11 | 0:23:12 | |
In Thailand, there is a school. | 0:23:12 | 0:23:14 | |
-A monkey school? -Yep. | 0:23:14 | 0:23:16 | |
They have between three and six months of training - | 0:23:16 | 0:23:18 | |
the pig-tailed macaques - | 0:23:18 | 0:23:21 | |
and they end up working on a plantation, | 0:23:21 | 0:23:25 | |
where they can pick | 0:23:25 | 0:23:27 | |
between 800 and 1,000 whats a day? | 0:23:27 | 0:23:30 | |
-Bananas. -Not bananas cos they'd eat those, wouldn't they? -They would. | 0:23:30 | 0:23:33 | |
-Coconuts. -Coconuts! | 0:23:33 | 0:23:35 | |
Between 800 and 1,000 coconuts a day, they can pick. | 0:23:35 | 0:23:38 | |
There they are. | 0:23:38 | 0:23:39 | |
But it's very useful. | 0:23:39 | 0:23:41 | |
So, a lot more than a human could, probably. | 0:23:41 | 0:23:43 | |
But they do they count them, as well? | 0:23:43 | 0:23:45 | |
Well, I don't... Those don't, no. | 0:23:45 | 0:23:47 | |
Clicker in one hand. | 0:23:47 | 0:23:48 | |
LAUGHTER | 0:23:48 | 0:23:51 | |
In the US, they use capuchin monkeys | 0:23:51 | 0:23:53 | |
for a charity called Helping Hands, | 0:23:53 | 0:23:56 | |
which assists people with disabilities, | 0:23:56 | 0:23:58 | |
and they help with feeding, | 0:23:58 | 0:23:59 | |
retrieving dropped items, | 0:23:59 | 0:24:01 | |
changing compact discs, | 0:24:01 | 0:24:02 | |
-turning lights on and off. -Wow. | 0:24:02 | 0:24:05 | |
And in Tokyo, there's a tavern where... | 0:24:05 | 0:24:07 | |
A traditional sake house, | 0:24:07 | 0:24:09 | |
where macaques are employed | 0:24:09 | 0:24:11 | |
to bring customers hot towels. | 0:24:11 | 0:24:14 | |
I don't want a hot towel off that fella, I'll tell you that. | 0:24:14 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:19 | |
That is horrible. | 0:24:19 | 0:24:20 | |
Imagine that at the end of your bed at night. | 0:24:20 | 0:24:22 | |
Oh, God! | 0:24:22 | 0:24:24 | |
"Hot towel, sir?" Oh, fuck off! | 0:24:24 | 0:24:26 | |
LAUGHTER | 0:24:26 | 0:24:28 | |
The late, great Rik Mayall had a joke that he always told if you ever | 0:24:28 | 0:24:31 | |
went to a Japanese restaurant, sushi house or something, like that, | 0:24:31 | 0:24:34 | |
and he'd go, "Waiter!" | 0:24:34 | 0:24:36 | |
"Bring me several types of Japanese wine, and don't get all sake!" | 0:24:36 | 0:24:40 | |
-LAUGHTER -Yay! | 0:24:40 | 0:24:43 | |
Couldn't help saying it every time. | 0:24:43 | 0:24:45 | |
It somehow... | 0:24:45 | 0:24:46 | |
From him, it was funny. | 0:24:46 | 0:24:48 | |
Now, from smart monkeys to smart aleck kids. | 0:24:48 | 0:24:51 | |
Which of these would an ancient Mexican use | 0:24:51 | 0:24:55 | |
to teach children manners? | 0:24:55 | 0:24:57 | |
You've got chocolate, | 0:24:57 | 0:24:58 | |
chilli... | 0:24:58 | 0:24:59 | |
The monkey with a baseball bat seems pretty effective. | 0:24:59 | 0:25:03 | |
You've got to say "please" or you get the monkey with the bat. | 0:25:03 | 0:25:05 | |
I, personally, would use a cactus. | 0:25:05 | 0:25:08 | |
-Yeah. -What would you do with it? | 0:25:08 | 0:25:10 | |
Throw the child at it. | 0:25:10 | 0:25:11 | |
LAUGHTER | 0:25:11 | 0:25:13 | |
Then you are pretty much on a par with those ancient Mexicans. | 0:25:13 | 0:25:16 | |
Oh, am I? | 0:25:16 | 0:25:17 | |
Yeah. The Aztec or the... SHE MOUTHS | 0:25:17 | 0:25:20 | |
..Mexica. | 0:25:20 | 0:25:21 | |
LAUGHTER | 0:25:21 | 0:25:23 | |
-The Mexica, as they were called... -Yeah. | 0:25:23 | 0:25:25 | |
..from which, we get our word Mexico, | 0:25:25 | 0:25:27 | |
did have a firm, but fair, way of treating their children. | 0:25:27 | 0:25:30 | |
That means "very cruel". | 0:25:30 | 0:25:31 | |
Yeah, I know. | 0:25:31 | 0:25:32 | |
And the Codex Mendoza was written by someone | 0:25:32 | 0:25:35 | |
observing the practices of the Aztecs, | 0:25:35 | 0:25:37 | |
and this is what he found. | 0:25:37 | 0:25:39 | |
Basically, they were taught to be humble, hard-working and polite, | 0:25:39 | 0:25:44 | |
just like British... | 0:25:44 | 0:25:45 | |
Oh, no, what am I talking about? LAUGHTER | 0:25:45 | 0:25:48 | |
So this is how it went. | 0:25:48 | 0:25:50 | |
It begins with an eight-year-old boy | 0:25:50 | 0:25:51 | |
-being threatened with the spines of a cactus. -Wow. | 0:25:51 | 0:25:54 | |
The following year, he's stripped, bound and pierced | 0:25:54 | 0:25:57 | |
in his neck, side and thigh. | 0:25:57 | 0:25:59 | |
Next year, he's bound and beaten with a pine stick. | 0:25:59 | 0:26:03 | |
The year after that, aged 11, his father holds his son, | 0:26:03 | 0:26:05 | |
bound and weeping over a fire of burning chillies - | 0:26:05 | 0:26:10 | |
as you can see, top right, there. | 0:26:10 | 0:26:11 | |
-All practices carried on in English boarding schools. -Yes. | 0:26:11 | 0:26:14 | |
LAUGHTER | 0:26:14 | 0:26:15 | |
Finally, a stroppy 12-year-old is bound and dumped | 0:26:15 | 0:26:18 | |
in a damp vegetable patch for a day | 0:26:18 | 0:26:20 | |
to reflect on his conduct. | 0:26:20 | 0:26:22 | |
By the time he's 13, he's dutifully gathering reeds, as you can see. | 0:26:22 | 0:26:26 | |
Yeah, bearing a terrible grudge. | 0:26:26 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:29 | |
-Which he will take out on HIS child. -Yes. | 0:26:29 | 0:26:31 | |
Unfortunately, that's the way it works. | 0:26:31 | 0:26:33 | |
-So, it's a sort of a meme of cruelty. -It is, yeah. | 0:26:33 | 0:26:36 | |
But the Huichol Mexicans - and you'll like this, I think, Jo - | 0:26:36 | 0:26:39 | |
they had an interesting practice, | 0:26:39 | 0:26:41 | |
which was, when a woman was pregnant, | 0:26:41 | 0:26:43 | |
she would lie, and, | 0:26:43 | 0:26:44 | |
in the room above, | 0:26:44 | 0:26:46 | |
her husband would lie, | 0:26:46 | 0:26:48 | |
and he would have strings | 0:26:48 | 0:26:49 | |
attached to his testicles, | 0:26:49 | 0:26:51 | |
which would drop down into the room below - | 0:26:51 | 0:26:53 | |
where his wife was pregnant. | 0:26:53 | 0:26:55 | |
I'm loving this so far. | 0:26:55 | 0:26:56 | |
She would have... | 0:26:56 | 0:26:57 | |
She would hold the strings and, when she had a contraction, | 0:26:57 | 0:27:00 | |
she would pull... AUDIENCE GASPS | 0:27:00 | 0:27:02 | |
..so that he was forced to share her pain... | 0:27:02 | 0:27:05 | |
LAUGHTER | 0:27:05 | 0:27:07 | |
He, cunningly, slipped the string off, tied it onto the... | 0:27:07 | 0:27:10 | |
boards of the bed and went to the pub. | 0:27:10 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:14 | |
Tied it to the dog. | 0:27:14 | 0:27:15 | |
"Tied it to the dog"! | 0:27:15 | 0:27:17 | |
BILL BARKS | 0:27:17 | 0:27:19 | |
Or his 12-year-old son. | 0:27:19 | 0:27:20 | |
-"Argh!" -LAUGHTER | 0:27:20 | 0:27:22 | |
It's possible. | 0:27:22 | 0:27:24 | |
-Oh, we're... Sorry, go on. -No, carry on. | 0:27:24 | 0:27:26 | |
No, I was going to say a terrible | 0:27:26 | 0:27:27 | |
and very embarrassing story about testicles, but you carry on. | 0:27:27 | 0:27:30 | |
-Oh, I want your testicle story. -All right, then. | 0:27:30 | 0:27:32 | |
Well, we had this dog, and it got into the bed | 0:27:32 | 0:27:34 | |
and it started to lick... | 0:27:34 | 0:27:36 | |
the wrong set of testicles. | 0:27:36 | 0:27:38 | |
-That's all I'm saying. -LAUGHTER AND GASPS | 0:27:38 | 0:27:42 | |
Surely everybody wins? | 0:27:42 | 0:27:44 | |
-Everyone's a winner. -LAUGHTER | 0:27:44 | 0:27:47 | |
Not everyone, Stephen. | 0:27:47 | 0:27:48 | |
I haven't been back. | 0:27:48 | 0:27:50 | |
LAUGHTER | 0:27:50 | 0:27:53 | |
APPLAUSE | 0:27:53 | 0:27:58 | |
Yeah, the Mexica people of Mexico | 0:27:58 | 0:28:00 | |
used a very hands-on variety of tough love. | 0:28:00 | 0:28:04 | |
And speaking of hands, what's this man doing with his other hand? | 0:28:04 | 0:28:07 | |
LAUGHTER | 0:28:07 | 0:28:09 | |
-Oh, Lord! -It's M, it's M... | 0:28:09 | 0:28:11 | |
-It begins with M. -It begins with M. | 0:28:11 | 0:28:13 | |
He could be doing anything, Stephen. | 0:28:13 | 0:28:15 | |
Is it something beginning with M? | 0:28:15 | 0:28:17 | |
If that was me, it would be me trying to work out how the... | 0:28:17 | 0:28:19 | |
-Scratching? -..bloody thing works with a printer. | 0:28:19 | 0:28:21 | |
-Well, it does begin with M. -Massaging something? | 0:28:21 | 0:28:24 | |
-If I tell you that he's a professor. -He's got a massive mouse on his leg. | 0:28:24 | 0:28:27 | |
-Milking, mousing. -"Massive mouse." | 0:28:27 | 0:28:30 | |
You're right to think of an animal, cos he's a scientist - | 0:28:30 | 0:28:32 | |
a professor at the University of Kentucky. | 0:28:32 | 0:28:35 | |
Has he got his finger stuck in a moose? | 0:28:35 | 0:28:37 | |
LAUGHTER | 0:28:37 | 0:28:41 | |
He's a Mexican, he's a Mexican man, | 0:28:41 | 0:28:43 | |
and he's pressing a child against a cactus under the desk. | 0:28:43 | 0:28:46 | |
LAUGHTER | 0:28:46 | 0:28:48 | |
He's a cruel man. | 0:28:48 | 0:28:49 | |
He is Professor Grayson Brown, | 0:28:49 | 0:28:51 | |
and he's an entomologist of a particular kind. | 0:28:51 | 0:28:54 | |
A culicidologist, if that makes any sense to you. | 0:28:54 | 0:28:57 | |
-Molluscs? -Not molluscs. | 0:28:57 | 0:28:59 | |
-Oh. -An entomologist. -Mosquitoes. | 0:28:59 | 0:29:01 | |
Mosquitoes is the right answer. | 0:29:01 | 0:29:02 | |
CHEERING AND APPLAUSE | 0:29:02 | 0:29:05 | |
-Wow! -On fire. | 0:29:05 | 0:29:07 | |
Sorry. | 0:29:07 | 0:29:09 | |
That's brilliant. | 0:29:09 | 0:29:10 | |
He's very serious in his study of mosquitoes, | 0:29:10 | 0:29:12 | |
and he was allowing 1,000 mosquitoes - | 0:29:12 | 0:29:15 | |
as he does every morning, | 0:29:15 | 0:29:16 | |
while he carries on doing his e-mails - | 0:29:16 | 0:29:18 | |
to feast on his arm. | 0:29:18 | 0:29:21 | |
His body is so used to it they no longer leave a mark, apparently. | 0:29:21 | 0:29:24 | |
It's most bizarre. | 0:29:24 | 0:29:25 | |
Asian mosquitoes are very picky, | 0:29:25 | 0:29:28 | |
they only, ONLY, feast on humans... | 0:29:28 | 0:29:30 | |
They won't eat the blood of any other animal. | 0:29:30 | 0:29:33 | |
..and, in order to keep them happy, | 0:29:33 | 0:29:35 | |
obviously they need a big supply of blood. | 0:29:35 | 0:29:37 | |
So, he and his fellow workers... | 0:29:37 | 0:29:38 | |
And some animals, it has to be said, in his lab, | 0:29:38 | 0:29:41 | |
also supply the blood for other breeds of mosquito - | 0:29:41 | 0:29:44 | |
but, for the Asian ones, it's just humans. | 0:29:44 | 0:29:48 | |
And, of course, they have to keep them breeding. | 0:29:48 | 0:29:50 | |
Now, they're odd, these Asian mosquitoes, | 0:29:50 | 0:29:53 | |
cos they're really a bit lazy. | 0:29:53 | 0:29:54 | |
I suppose they produce so many thousands... | 0:29:54 | 0:29:56 | |
What's he trying to find out? | 0:29:56 | 0:29:58 | |
I mean, what is there left to know about these creatures? | 0:29:58 | 0:30:00 | |
Well, given how many millions of people they kill every year, | 0:30:00 | 0:30:03 | |
it's kind of... You can't know enough. | 0:30:03 | 0:30:05 | |
Cos they kill more, as you know, than wars. | 0:30:05 | 0:30:07 | |
But in order to get them to mate, to force-mate them. | 0:30:07 | 0:30:10 | |
Play some Barry White, give them some wine. | 0:30:10 | 0:30:12 | |
LAUGHTER | 0:30:12 | 0:30:14 | |
Well, that's what I thought, but in this case, | 0:30:14 | 0:30:16 | |
-they decapitate the male... -Oh, that's different. | 0:30:16 | 0:30:18 | |
-No, no, that wouldn't work. -Good so far. | 0:30:18 | 0:30:20 | |
LAUGHTER ..they anaesthetise the female. | 0:30:20 | 0:30:23 | |
They then insert the male's genitals | 0:30:23 | 0:30:25 | |
into his unconscious partner. | 0:30:25 | 0:30:28 | |
Despite the lack of the male's head, | 0:30:28 | 0:30:30 | |
and the lack of the female's consciousness, | 0:30:30 | 0:30:32 | |
the insects lock together, | 0:30:32 | 0:30:33 | |
sperm is transferred, | 0:30:33 | 0:30:35 | |
and the female becomes pregnant. | 0:30:35 | 0:30:37 | |
Does that happen with humans? SHE MOUTHS | 0:30:37 | 0:30:39 | |
-Yes? -Well, if you've had enough Jagermeister, | 0:30:39 | 0:30:41 | |
-I suppose it will, yeah. -LAUGHTER | 0:30:41 | 0:30:44 | |
And a skilled entomologist can do this without a microscope. | 0:30:44 | 0:30:47 | |
That's nothing to brag about, though, is it? | 0:30:47 | 0:30:49 | |
No, it probably isn't! | 0:30:49 | 0:30:51 | |
"Oh, I can make mosquitoes bang without a microscope." | 0:30:51 | 0:30:53 | |
LAUGHTER | 0:30:53 | 0:30:55 | |
We had a pair of preying mantis once in the kitchen, | 0:30:55 | 0:30:58 | |
In a... You know, in the tank, obviously. | 0:30:58 | 0:31:01 | |
And I came home one night and the male praying mantis | 0:31:01 | 0:31:04 | |
was on the kitchen floor | 0:31:04 | 0:31:05 | |
walking across, like, towards the door. | 0:31:05 | 0:31:07 | |
And I went, "Oh, no, he's got out of the t... Oh, what a shame." | 0:31:07 | 0:31:10 | |
And I carefully scooped him up, | 0:31:10 | 0:31:11 | |
and I placed him back in the tank, very gently, | 0:31:11 | 0:31:13 | |
and the female pounced and bit his head off and... | 0:31:13 | 0:31:15 | |
LAUGHTER | 0:31:15 | 0:31:17 | |
..he was clearly making a break for it. | 0:31:17 | 0:31:19 | |
-Oh, because they do. -The whole time, "No, don't put me back there. Oh." | 0:31:19 | 0:31:22 | |
-The females do eat the males, don't they? -Yes, they do. | 0:31:22 | 0:31:24 | |
-So, they must have just mated. -They must have just... And he was off. | 0:31:24 | 0:31:27 | |
Yeah. Oh, dear, oh, dear. | 0:31:27 | 0:31:28 | |
Now, then, what's the world's oldest complaint? | 0:31:28 | 0:31:31 | |
"I'm dying." | 0:31:31 | 0:31:33 | |
LAUGHTER | 0:31:33 | 0:31:34 | |
Er... | 0:31:36 | 0:31:37 | |
-We're after the first recorded complaint. -Oh. | 0:31:37 | 0:31:39 | |
A medical complaint? | 0:31:39 | 0:31:40 | |
-Not a medical complaint, actually. -Oh, right. | 0:31:40 | 0:31:42 | |
Complaint as in a moan, as in a... | 0:31:42 | 0:31:44 | |
Oh, I see, so the... | 0:31:44 | 0:31:45 | |
Where were the earliest pieces of writing that we have? | 0:31:45 | 0:31:48 | |
In hieroglyphs? | 0:31:48 | 0:31:50 | |
Not hieroglyphs, actually - they're made with reeds... | 0:31:50 | 0:31:53 | |
poked into wet clay onto tablets, | 0:31:53 | 0:31:55 | |
so the edge of the reed is like a wedge shape, | 0:31:55 | 0:31:58 | |
and Latin for "wedge," cuneus... | 0:31:58 | 0:32:02 | |
Cuneiform? | 0:32:02 | 0:32:03 | |
-Cuneiform, yes. -Oh, right. | 0:32:03 | 0:32:06 | |
Which was where - where did they do that? | 0:32:06 | 0:32:08 | |
-It's... -Babylon. | 0:32:08 | 0:32:09 | |
-Babylon, yeah, Mesopotamia. -Mesopotamia! | 0:32:09 | 0:32:12 | |
Mesopotamia! | 0:32:12 | 0:32:13 | |
Knew it'd come up! | 0:32:13 | 0:32:14 | |
-LAUGHTER -Keep saying it. | 0:32:14 | 0:32:16 | |
"Keep saying it, it'll be right in a minute." | 0:32:16 | 0:32:18 | |
And they have an enormous number of these in the British Museum, | 0:32:18 | 0:32:22 | |
-a fantastic collection. -Stolen! | 0:32:22 | 0:32:24 | |
Well... | 0:32:24 | 0:32:25 | |
Sorry - saved. | 0:32:25 | 0:32:26 | |
-LAUGHTER Saved! -Salvaged. | 0:32:26 | 0:32:28 | |
-What, so it's a complaint, you're saying? -It's a complaint. | 0:32:28 | 0:32:31 | |
It's from a merchant, and it's nearly 4,000 years old. | 0:32:31 | 0:32:35 | |
It's an ancient Babylonian copper merchant. | 0:32:35 | 0:32:38 | |
He's called Nanni. | 0:32:38 | 0:32:39 | |
He's complaining to a supplier called Ea-nasir | 0:32:39 | 0:32:42 | |
that he's received a shipment of copper ore which was late, | 0:32:42 | 0:32:46 | |
and it was damaged and of an inferior grade. | 0:32:46 | 0:32:49 | |
"You have put ingots which were not good enough before my messenger, | 0:32:49 | 0:32:53 | |
"and said, 'If you want to take them, take them. | 0:32:53 | 0:32:55 | |
"'If you do not want to take them, go away.' | 0:32:55 | 0:32:57 | |
"What do you take me for, | 0:32:57 | 0:32:58 | |
"that you treat me with such contempt? | 0:32:58 | 0:33:00 | |
"You alone treat my messenger with contempt. | 0:33:00 | 0:33:02 | |
"You have withheld my money bag from me in enemy territory. | 0:33:02 | 0:33:06 | |
"It's now up to you to restore my money to me in full." | 0:33:06 | 0:33:10 | |
I was thinking that earlier and I should have said it. | 0:33:10 | 0:33:12 | |
You...! LAUGHTER | 0:33:12 | 0:33:14 | |
Would there be a series of these complaints going back and forth? | 0:33:14 | 0:33:17 | |
We don't have... STEPHEN LAUGHS | 0:33:17 | 0:33:19 | |
"I refer you to the tablet of the 14th." | 0:33:19 | 0:33:21 | |
LAUGHTER | 0:33:21 | 0:33:23 | |
"I still have not received redress on the copper." | 0:33:23 | 0:33:25 | |
LAUGHTER | 0:33:25 | 0:33:26 | |
On and on, like, piles and piles of these things. | 0:33:26 | 0:33:29 | |
"Stick your ingots where the sun don't shine." | 0:33:29 | 0:33:32 | |
LAUGHTER | 0:33:32 | 0:33:33 | |
"I will be speaking to you now through my lawyers." | 0:33:33 | 0:33:36 | |
I mean, the things that survived most in terms of writing | 0:33:36 | 0:33:40 | |
-are nearly always things to do with money and trade. -Mmm. | 0:33:40 | 0:33:43 | |
Cos that's what people cared about most, | 0:33:43 | 0:33:44 | |
and that's how writing seemed to develop. | 0:33:44 | 0:33:46 | |
So, the world's first complaint was composed on a tablet. | 0:33:46 | 0:33:50 | |
But now it's time to move on | 0:33:50 | 0:33:51 | |
to the low-hanging fruit of General Ignorance. | 0:33:51 | 0:33:54 | |
What kind of animal is a musk ox? | 0:33:54 | 0:33:57 | |
Is it an ox? | 0:33:58 | 0:33:59 | |
KLAXON BLARES Oh! | 0:33:59 | 0:34:01 | |
How could you think such a thing? | 0:34:01 | 0:34:03 | |
-What kind of animal is a musk ox? -Musk. | 0:34:04 | 0:34:06 | |
KLAXON BLARES | 0:34:06 | 0:34:07 | |
Not a musk. | 0:34:07 | 0:34:09 | |
That's... | 0:34:09 | 0:34:10 | |
LAUGHTER | 0:34:10 | 0:34:11 | |
-You did say musk! -Is it a deer? | 0:34:11 | 0:34:14 | |
Is it a banana, Stephen? | 0:34:14 | 0:34:15 | |
Not a banana! LAUGHTER | 0:34:15 | 0:34:17 | |
-Have a look at one. -Have a look at one? | 0:34:17 | 0:34:19 | |
-Yeah, have a look at some musk oxen. -Cow. -Bison. | 0:34:19 | 0:34:22 | |
-Not a bison, no. -Is it a sheep? | 0:34:22 | 0:34:24 | |
A snake? | 0:34:24 | 0:34:25 | |
Sheep is the right answer-ish. | 0:34:25 | 0:34:27 | |
-CHEERING AND APPLAUSE -A goat? | 0:34:27 | 0:34:29 | |
A goat! | 0:34:29 | 0:34:31 | |
It's a goat, well done. | 0:34:32 | 0:34:34 | |
-It's a goat. -Got its horns right down the side, low down - | 0:34:34 | 0:34:37 | |
that's very difficult for rutting, isn't it? | 0:34:37 | 0:34:39 | |
Got to go up next to someone and hook them. | 0:34:39 | 0:34:41 | |
And they have enormous coats of fur. | 0:34:41 | 0:34:44 | |
Thought you might have said something else there. | 0:34:44 | 0:34:46 | |
LAUGHTER | 0:34:46 | 0:34:47 | |
Really huge, and they are very... | 0:34:47 | 0:34:49 | |
very good at surviving cold temperatures. | 0:34:49 | 0:34:51 | |
So good that they survived the cold temperature | 0:34:51 | 0:34:54 | |
that many of their fellow animals at the time didn't - | 0:34:54 | 0:34:56 | |
the sabre-toothed tiger, for example. | 0:34:56 | 0:34:58 | |
-ALAN GASPS -Ice age! | 0:34:58 | 0:35:00 | |
The ice age - they survived the ice age. | 0:35:00 | 0:35:02 | |
And they're a hardy, hardy beast. | 0:35:02 | 0:35:05 | |
They have this wonderful butting contest where they butt heads. | 0:35:05 | 0:35:09 | |
Males, don't they - they have these tremendous battles, male... | 0:35:09 | 0:35:13 | |
Man on man... Mano a mano. | 0:35:13 | 0:35:15 | |
-"Mano a mano" means "hand to hand." -Yeah. | 0:35:15 | 0:35:18 | |
OK, what's the head, then? | 0:35:18 | 0:35:20 | |
LAUGHTER | 0:35:20 | 0:35:22 | |
Well, yeah, despite its name, | 0:35:22 | 0:35:24 | |
the musk ox is a member of the goat family. | 0:35:24 | 0:35:27 | |
What do magpies like to steal? | 0:35:27 | 0:35:30 | |
Shiny things. | 0:35:30 | 0:35:31 | |
KLAXON BLARES LAUGHTER | 0:35:31 | 0:35:34 | |
Everyone knows that! | 0:35:34 | 0:35:35 | |
-Oh, Alany, Alany, Alany-walany, Alany-walany-woo. -Come on! | 0:35:35 | 0:35:38 | |
-No. We think they do, but they don't. -Oh. | 0:35:38 | 0:35:41 | |
-We've done tests. Well, WE haven't, people have. -Have you? | 0:35:41 | 0:35:44 | |
Out of 64 of them, magpies picked up a shiny object only twice, | 0:35:44 | 0:35:47 | |
and then immediately dropped it. | 0:35:47 | 0:35:48 | |
They're not interested in shiny things. | 0:35:48 | 0:35:51 | |
Like all animals, they're interested in things that look like food or... | 0:35:51 | 0:35:54 | |
that they can shag. LAUGHTER | 0:35:54 | 0:35:56 | |
The... It's folklore surrounding them, seems to be just that - | 0:35:56 | 0:35:59 | |
folklore, anecdotes. | 0:35:59 | 0:36:01 | |
But the Italian for magpie... | 0:36:01 | 0:36:03 | |
..leads to an interesting thing. | 0:36:04 | 0:36:05 | |
-FAUX ITALIAN ACCENT: -Magpie-o. | 0:36:05 | 0:36:07 | |
LAUGHTER | 0:36:07 | 0:36:09 | |
Awfully nice thought. | 0:36:09 | 0:36:10 | |
Do you know the Rossini opera, The Thieving Magpie? | 0:36:10 | 0:36:13 | |
Called "La Gazza Ladra." | 0:36:13 | 0:36:14 | |
"Gazza" is a magpie, | 0:36:14 | 0:36:17 | |
and a little magpie, "gazzetta." | 0:36:17 | 0:36:20 | |
-Oh, it's the newspaper. -Called the "gazzetta". | 0:36:20 | 0:36:23 | |
A newspaper - gazette. | 0:36:23 | 0:36:24 | |
And that's it, the gossipy chatter, | 0:36:24 | 0:36:26 | |
-like a magpie. -Ah! | 0:36:26 | 0:36:28 | |
That's where we get that word, "gazette". | 0:36:28 | 0:36:30 | |
-I like... I quite like that one. -Yeah, me too. -Yeah. -Yeah, certainly. | 0:36:30 | 0:36:33 | |
Also, if I were to say that the magpie's real name is a pie, | 0:36:33 | 0:36:37 | |
it's a pie. | 0:36:37 | 0:36:38 | |
Then where does the "mag" come from? | 0:36:38 | 0:36:41 | |
-Margaret. -Yeah. | 0:36:41 | 0:36:43 | |
-Margaret. -Was it? -Yeah. | 0:36:43 | 0:36:44 | |
CHEERING AND APPLAUSE | 0:36:44 | 0:36:48 | |
Where did that come from? | 0:36:48 | 0:36:52 | |
"Margaret Pie." | 0:36:52 | 0:36:54 | |
In medieval England, it was common to give birds a Christian name, | 0:36:54 | 0:36:57 | |
sometimes, and the ones that have survived have included magpie. | 0:36:57 | 0:37:02 | |
-Which other ones can you...? -Robin. -Robin. | 0:37:02 | 0:37:04 | |
-Robin redbreast. -Robin redbreast. | 0:37:04 | 0:37:05 | |
Robin's the only one where the first name is the one that's kept... | 0:37:05 | 0:37:08 | |
-Dave Starling. -Sorry? LAUGHTER | 0:37:08 | 0:37:10 | |
-Joseph Starling? -No, big Dave Starling. | 0:37:10 | 0:37:13 | |
LAUGHTER | 0:37:13 | 0:37:14 | |
Joseph would have been funny. | 0:37:14 | 0:37:16 | |
Joseph Starling is good, yeah. I like that. I prefer that. | 0:37:16 | 0:37:18 | |
-Not as funny as Dave, but it's better. -Yeah. | 0:37:18 | 0:37:21 | |
Tomtit. | 0:37:21 | 0:37:22 | |
-Jenny Wren. -Tomtit, yeah. | 0:37:22 | 0:37:23 | |
Charlie Crow. | 0:37:23 | 0:37:25 | |
-Jackdaw. -Jackdaw. -Oh, jackdaw. -Yeah, yeah. | 0:37:25 | 0:37:28 | |
-So there are a few of them. -Christopher Chaffinch. | 0:37:28 | 0:37:31 | |
LAUGHTER | 0:37:31 | 0:37:34 | |
-We had an injured bird in the garden yesterday... -Oh. | 0:37:34 | 0:37:37 | |
..and it looked like a magpie, and it couldn't take off, | 0:37:37 | 0:37:40 | |
and I was watching it for ages. I didn't know what to do with it, | 0:37:40 | 0:37:43 | |
so I opened the back gate and shooed it out. | 0:37:43 | 0:37:44 | |
LAUGHTER | 0:37:44 | 0:37:46 | |
-Oh, dear. -What do you think it was, then? What make? -"The back gate." | 0:37:46 | 0:37:50 | |
-I think it was a young crow... -Yeah. | 0:37:50 | 0:37:53 | |
..that was having a bit of trouble with flight, | 0:37:53 | 0:37:56 | |
-because it flew into a bush... -Oh, dear. | 0:37:56 | 0:37:58 | |
..and I presume it's dead by now. | 0:37:58 | 0:38:00 | |
LAUGHTER | 0:38:00 | 0:38:01 | |
-That's it, you...? -And that's the end of tonight's Springwatch. -Yes. | 0:38:01 | 0:38:04 | |
LAUGHTER | 0:38:04 | 0:38:07 | |
APPLAUSE | 0:38:07 | 0:38:13 | |
What could you have done with it? | 0:38:13 | 0:38:15 | |
-I don't know, what are you going to do with a bird? -Shoot it, shoot it. | 0:38:15 | 0:38:17 | |
-Take it out. -Shoot the... | 0:38:17 | 0:38:19 | |
-Sniper's rifle, through the brain. -I could have gone after it, | 0:38:19 | 0:38:22 | |
because it was in the garden and couldn't get out. | 0:38:22 | 0:38:24 | |
-I could have easily got it with a tennis racket. -Yeah, exactly. Yeah. -AUDIENCE GASPS | 0:38:24 | 0:38:28 | |
Just scoop it up with a tennis racket | 0:38:28 | 0:38:29 | |
-and hit it with a frying pan... -LAUGHTER | 0:38:29 | 0:38:31 | |
..and chuck it over the wall. That's what I'd do. | 0:38:31 | 0:38:33 | |
And then its parents would have come and ate it, wouldn't they? | 0:38:33 | 0:38:36 | |
-Yeah, that's right. -Let's face it, it is the wild. -Yeah. -Exactly, yes. | 0:38:36 | 0:38:39 | |
Even if it is Hampstead. | 0:38:39 | 0:38:40 | |
LAUGHTER | 0:38:40 | 0:38:42 | |
It's wild for them, though. | 0:38:42 | 0:38:43 | |
They'd have had it in a coulis. | 0:38:43 | 0:38:45 | |
LAUGHTER | 0:38:45 | 0:38:48 | |
A crow couscous. | 0:38:48 | 0:38:51 | |
With some quinoa. | 0:38:51 | 0:38:52 | |
LAUGHTER | 0:38:52 | 0:38:53 | |
I wonder what its name was. | 0:38:53 | 0:38:55 | |
Clive, I expect. | 0:38:55 | 0:38:56 | |
No, I think it was Vel. | 0:38:56 | 0:38:58 | |
-Vel? -Vel-crow. -"Velcro." | 0:38:58 | 0:39:00 | |
APPLAUSE | 0:39:00 | 0:39:03 | |
Oh, dear. Oh, dear. | 0:39:03 | 0:39:06 | |
So, magpies aren't particularly interested in shiny objects. | 0:39:06 | 0:39:10 | |
How many paintings did Vincent Van Gogh - | 0:39:10 | 0:39:13 | |
or "Goch," or "Gough," or "Go"... | 0:39:13 | 0:39:15 | |
How many did he sell while he was alive? | 0:39:15 | 0:39:17 | |
Don't say none. | 0:39:17 | 0:39:18 | |
TURNTABLE SCRATCHES | 0:39:18 | 0:39:20 | |
None! I'm going to say none. | 0:39:20 | 0:39:21 | |
KLAXON BLARES | 0:39:21 | 0:39:24 | |
-D'oh! -D'oh! | 0:39:24 | 0:39:26 | |
Really, I'm afraid... | 0:39:26 | 0:39:29 | |
-One. -A few, maybe? | 0:39:29 | 0:39:30 | |
KLAXON BLARES | 0:39:30 | 0:39:32 | |
"A few". | 0:39:32 | 0:39:34 | |
It was lots. He sold hundreds of paintings. | 0:39:34 | 0:39:37 | |
-Hundreds?! -Yeah, when he was 15, | 0:39:37 | 0:39:38 | |
he used to work in an art gallery. | 0:39:38 | 0:39:40 | |
-Oh, shut up! -LAUGHTER | 0:39:40 | 0:39:42 | |
It's true. | 0:39:42 | 0:39:43 | |
I just asked you how many paintings... | 0:39:43 | 0:39:46 | |
This is the closest I've come to walking out of this show! | 0:39:46 | 0:39:48 | |
I'd like a recount on those two. | 0:39:48 | 0:39:51 | |
It was a horribly mean question, | 0:39:51 | 0:39:53 | |
but the fact is, he did sell hundreds, | 0:39:53 | 0:39:55 | |
they just weren't his own. | 0:39:55 | 0:39:57 | |
He was very good at selling them, too - | 0:39:57 | 0:39:59 | |
he did extremely well, and it was a big French company, | 0:39:59 | 0:40:02 | |
and his brother, Theo, | 0:40:02 | 0:40:04 | |
ran the Montmartre branch, | 0:40:04 | 0:40:06 | |
and Vincent relocated, after a while, to the London branch. | 0:40:06 | 0:40:10 | |
And he spent two years in London, living in Brixton, | 0:40:10 | 0:40:13 | |
and he called it the happiest time of his life. | 0:40:13 | 0:40:16 | |
Yeah, he did really well, and he loved it. | 0:40:16 | 0:40:18 | |
-Good fun in Brixton. -It's great. -It was good fun, it's a good place. | 0:40:18 | 0:40:21 | |
-Brixton Village. -Brixton Village. | 0:40:21 | 0:40:22 | |
He would have gone and got some chicken from Chickenliquor, | 0:40:22 | 0:40:25 | |
that's real nice. | 0:40:25 | 0:40:26 | |
-Yeah. -Is that your manor? | 0:40:26 | 0:40:29 | |
I used to live in Brixton and... | 0:40:29 | 0:40:31 | |
Do you know what I nearly did then? I nearly called you "man," | 0:40:31 | 0:40:33 | |
-and then I stopped myself. -Thank you. | 0:40:33 | 0:40:35 | |
-I just want you to appreciate that. -I really do. Thank you. | 0:40:35 | 0:40:38 | |
-Anyway, perhaps the most surprising thing we'll all learn today... -Yes. | 0:40:38 | 0:40:43 | |
..is that, after Brixton, | 0:40:43 | 0:40:45 | |
he came back to the UK in 1876, | 0:40:45 | 0:40:48 | |
and Vincent Van Gogh... | 0:40:48 | 0:40:50 | |
worked... | 0:40:50 | 0:40:51 | |
as a supply teacher in Ramsgate. | 0:40:51 | 0:40:54 | |
-Oh! -Isn't that wonderful? | 0:40:54 | 0:40:56 | |
-Wow. -That's a big surprise, isn't it? -It is. It is, yeah. | 0:40:56 | 0:40:59 | |
I wonder if the children remembered him for years afterwards... | 0:40:59 | 0:41:02 | |
-Mr Van Gogh? -..as a flame-haired figure. -Moody sod. | 0:41:02 | 0:41:04 | |
-Yeah. -Yeah. -Then he became a painter, supported financially, | 0:41:04 | 0:41:07 | |
and, indeed, emotionally by his brother, Theo. | 0:41:07 | 0:41:09 | |
He suffered from tinnitus, vertigo and, of course, depression, | 0:41:09 | 0:41:12 | |
and he killed himself aged 37. | 0:41:12 | 0:41:15 | |
Only one of his 900 paintings | 0:41:15 | 0:41:18 | |
was sold in his lifetime. | 0:41:18 | 0:41:20 | |
Sold to a remarkable woman called Anna Boch, | 0:41:20 | 0:41:23 | |
-who was, herself, a painter. -One. | 0:41:23 | 0:41:24 | |
-You said one! -I said one. -You said one. | 0:41:24 | 0:41:26 | |
I asked how many paintings, not how many of HIS OWN paintings. | 0:41:26 | 0:41:29 | |
BILL GROANS | 0:41:29 | 0:41:30 | |
I know, I'm sorry, but, look, I did say... | 0:41:30 | 0:41:32 | |
Chairman of the Pedantic Association. | 0:41:32 | 0:41:34 | |
LAUGHTER | 0:41:34 | 0:41:36 | |
"It's actually the Society of Pedantics, but I'll let that go." | 0:41:36 | 0:41:39 | |
Yes, exactly, in fact. LAUGHTER | 0:41:39 | 0:41:42 | |
Anna Boch paid 400 francs | 0:41:42 | 0:41:44 | |
for a painting of his called The Red Vineyard, | 0:41:44 | 0:41:47 | |
which is rather beautiful. | 0:41:47 | 0:41:49 | |
About £1,000 today, that would be. | 0:41:49 | 0:41:52 | |
Bet he had a big night that night. | 0:41:52 | 0:41:54 | |
Well, it was only four months before his death, | 0:41:54 | 0:41:56 | |
so it obviously didn't cheer him up enormously. | 0:41:56 | 0:41:58 | |
Five out of the 30 most valuable paintings ever sold at auction | 0:41:58 | 0:42:02 | |
are Van Goghs. | 0:42:02 | 0:42:03 | |
Four of them raising over 100 million each. | 0:42:03 | 0:42:06 | |
That, er... That was his life, a very unfortunate one in that sense. | 0:42:06 | 0:42:10 | |
But his work lives on for ever, of course. | 0:42:10 | 0:42:13 | |
And with that, the final whistle has blown and... | 0:42:13 | 0:42:15 | |
STEPHEN LAUGHS | 0:42:15 | 0:42:17 | |
..the match has come to an end. | 0:42:17 | 0:42:19 | |
It's actually a very extraordinary series of scores. | 0:42:19 | 0:42:22 | |
Um... | 0:42:22 | 0:42:24 | |
In first place, with plus eight - | 0:42:24 | 0:42:26 | |
yes, she WAS on fire - Jo Brand! | 0:42:26 | 0:42:29 | |
CHEERING AND APPLAUSE | 0:42:29 | 0:42:34 | |
In second place... | 0:42:34 | 0:42:37 | |
with minus seven, it's James. | 0:42:37 | 0:42:39 | |
CHEERING AND APPLAUSE | 0:42:39 | 0:42:42 | |
In third place... | 0:42:42 | 0:42:45 | |
with minus 32, is Bill Bailey. | 0:42:45 | 0:42:48 | |
-Minus, how...? -CHEERING AND APPLAUSE | 0:42:48 | 0:42:52 | |
In fourth place... | 0:42:52 | 0:42:54 | |
with minus 41, Alan Davies. | 0:42:54 | 0:42:55 | |
CHEERING AND APPLAUSE | 0:42:55 | 0:42:58 | |
So, all that remains for me | 0:43:02 | 0:43:05 | |
is to pull up the corner flags, | 0:43:05 | 0:43:07 | |
thank James, Bill, Jo and Alan, | 0:43:07 | 0:43:09 | |
and to leave you with this classic piece of Ron Atkinson | 0:43:09 | 0:43:11 | |
when asked about what made the perfect match. | 0:43:11 | 0:43:14 | |
"Well, Clive, it's all about the two M's - | 0:43:14 | 0:43:17 | |
"movement and positioning." | 0:43:17 | 0:43:19 | |
Good night. | 0:43:19 | 0:43:20 | |
APPLAUSE | 0:43:20 | 0:43:23 |