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This programme contains some strong language | 0:00:02 | 0:00:09 | |
APPLAUSE | 0:00:28 | 0:00:32 | |
Good evening, good evening, good evening, good evening, | 0:00:32 | 0:00:34 | |
good evening, good evening - and welcome to QI. | 0:00:34 | 0:00:38 | |
Dearly beloved, we are gathered here today to celebrate Marriage and Mating. | 0:00:38 | 0:00:43 | |
To help me tie the knot, I've brought along a few mates - | 0:00:43 | 0:00:47 | |
the ministerial Bill Bailey... APPLAUSE | 0:00:47 | 0:00:51 | |
..the matchmaking Greg Davies... APPLAUSE | 0:00:56 | 0:00:58 | |
..the Maid of Honour, Jo Brand... APPLAUSE | 0:01:00 | 0:01:05 | |
Maid of Honour? | 0:01:05 | 0:01:06 | |
..and the "Must We Really Invite Him?" Alan Davies. | 0:01:08 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:13 | |
So, let's hear your mating calls. Bill goes... | 0:01:17 | 0:01:21 | |
TOAD CROAKS | 0:01:21 | 0:01:23 | |
You'll recognise that, Bill, being an animal man. | 0:01:24 | 0:01:26 | |
Oh, should I? Is that an animal? | 0:01:26 | 0:01:29 | |
-It's an amphibian. -I thought it was a... | 0:01:30 | 0:01:32 | |
Oh, it's a frog of some kind? | 0:01:32 | 0:01:34 | |
It's a marine toad. | 0:01:34 | 0:01:36 | |
LAUGHTER | 0:01:36 | 0:01:38 | |
And Jo goes... | 0:01:41 | 0:01:42 | |
MOOSE CALL | 0:01:42 | 0:01:44 | |
I do actually go like that. | 0:01:46 | 0:01:47 | |
Well, that was a moose. | 0:01:49 | 0:01:52 | |
And Greg goes... | 0:01:52 | 0:01:53 | |
MONKEY CHATTERS | 0:01:53 | 0:01:56 | |
It's been a few years since I did that. | 0:01:57 | 0:02:00 | |
-That is a spider monkey. -Of course it is. | 0:02:01 | 0:02:03 | |
-Two animals for the price of one. -Wonderful. | 0:02:03 | 0:02:05 | |
So, Alan goes... | 0:02:05 | 0:02:07 | |
-MALE ESSEX ACCENT: -'Hello, darling, you all right?' | 0:02:07 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:12 | |
And that's the mating call of... Where do you come from, Alan, again? | 0:02:13 | 0:02:17 | |
-Essex. -Yeah. There we are. | 0:02:17 | 0:02:18 | |
And then you have sex, that's how it works. | 0:02:19 | 0:02:21 | |
LAUGHTER | 0:02:21 | 0:02:23 | |
Everybody wins. Fantastic. | 0:02:23 | 0:02:26 | |
But what's the recipe for a disastrous marriage? | 0:02:26 | 0:02:29 | |
MOOSE CALL Oh, Jo? | 0:02:29 | 0:02:31 | |
Dead vicar? | 0:02:31 | 0:02:34 | |
It would be, you're right. | 0:02:34 | 0:02:35 | |
MONKEY CHATTERS Yeah? | 0:02:35 | 0:02:37 | |
Live vicar, lovely couple, escaped Bengali tiger. | 0:02:37 | 0:02:40 | |
Yeah, that would be tricky. | 0:02:41 | 0:02:43 | |
You've painted a word picture, Greg, there. | 0:02:43 | 0:02:45 | |
Let's think first about budget. | 0:02:45 | 0:02:47 | |
The price of the wedding? | 0:02:47 | 0:02:49 | |
The price of the wedding, yeah. | 0:02:49 | 0:02:50 | |
Isn't it about 20 grand now? To get... | 0:02:50 | 0:02:54 | |
Yeah, is that a good thing? | 0:02:54 | 0:02:55 | |
-I mean does that affect the long-term... -Oh, I see. | 0:02:55 | 0:02:57 | |
So the more you spend | 0:02:57 | 0:02:58 | |
doesn't necessarily mean you're going to have a happier marriage. | 0:02:58 | 0:03:01 | |
It's actually the more you spend, the shorter the marriage. | 0:03:01 | 0:03:04 | |
-Oh. -Yes. -Oh. -Really? | 0:03:04 | 0:03:06 | |
-Isn't that extraordinary? -It IS extraordinary. | 0:03:06 | 0:03:08 | |
Mine should be over in a couple of weeks. | 0:03:08 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
Cost a bloody fortune. | 0:03:13 | 0:03:14 | |
It was economists at Emory University, Atlanta, who discovered this. | 0:03:16 | 0:03:20 | |
They found an inverse correlation between money spent | 0:03:20 | 0:03:22 | |
and how long it lasts. | 0:03:22 | 0:03:24 | |
Those who spent less than 1,000 - which is what, £700? - | 0:03:24 | 0:03:29 | |
had divorce rates 53% below average, | 0:03:29 | 0:03:32 | |
while those who spent more than 20,000 - | 0:03:32 | 0:03:34 | |
you were talking about that as a sum - | 0:03:34 | 0:03:36 | |
had divorce rates 46% above average. | 0:03:36 | 0:03:39 | |
What about numbers who attend weddings? | 0:03:39 | 0:03:41 | |
Is that a similar inverse correlation? | 0:03:41 | 0:03:43 | |
The more who come, the shorter the marriage? | 0:03:43 | 0:03:45 | |
-I presume so, because of the cost factor. -Expense, yeah. | 0:03:45 | 0:03:48 | |
Oddly enough, the reverse is true. | 0:03:48 | 0:03:50 | |
The more people who witness the wedding, the longer it lasts. | 0:03:50 | 0:03:56 | |
So you've got to have a cheap wedding with lots of people. | 0:03:56 | 0:03:59 | |
That seems to be the key. | 0:03:59 | 0:04:00 | |
This is Randy Olson, a PhD student at Michigan State. | 0:04:00 | 0:04:03 | |
He found that couples who marry in front of more than 200 people are | 0:04:03 | 0:04:06 | |
92% less likely to get divorced than those who only have a few witnesses. | 0:04:06 | 0:04:11 | |
-So really you want to get married in Selfridges on Christmas Eve. -Yes! | 0:04:11 | 0:04:14 | |
Or maybe, if you want to have it cheap and cheerful, | 0:04:14 | 0:04:17 | |
but lots of people, maybe somewhere like McDonald's, you might think. | 0:04:17 | 0:04:21 | |
In Hong Kong. | 0:04:21 | 0:04:23 | |
For 900, you can get 200 guests at a McDonald's. | 0:04:23 | 0:04:27 | |
-McDonald's Happy Marriage. -It's a Happy Marriage, yes! LAUGHTER | 0:04:27 | 0:04:31 | |
You get a two-hour venue rental, | 0:04:31 | 0:04:34 | |
you get 50 McDonaldland character gifts. | 0:04:34 | 0:04:38 | |
You get two McDonald balloon wedding rings. | 0:04:38 | 0:04:40 | |
Yeah, but how many burgers do you get? | 0:04:40 | 0:04:43 | |
LAUGHTER | 0:04:43 | 0:04:45 | |
Come on, give us that info, | 0:04:45 | 0:04:46 | |
I'm thinking about getting remarried there. | 0:04:46 | 0:04:48 | |
It's a very simple ceremony, isn't it? | 0:04:48 | 0:04:50 | |
You point to the bride, "Do you love it?" "I'm loving it." | 0:04:50 | 0:04:53 | |
-"All right..." -APPLAUSE | 0:04:53 | 0:04:56 | |
It's all over in five minutes. | 0:05:01 | 0:05:02 | |
Yeah. Put a ring on it. | 0:05:02 | 0:05:04 | |
Yeah, that's right. Oh, onions, lovely, put a ring on it. | 0:05:04 | 0:05:06 | |
Onion rings. | 0:05:06 | 0:05:08 | |
If you love it, put an onion ring on it. | 0:05:08 | 0:05:11 | |
Randy Olson from Michigan State, who discovered that we should be... | 0:05:11 | 0:05:15 | |
I can't get a picture of an erection | 0:05:15 | 0:05:16 | |
-with an onion ring on it out of my head. -Oh! | 0:05:16 | 0:05:18 | |
LAUGHTER | 0:05:18 | 0:05:20 | |
-I get that. -How do you get a thought out of your head? | 0:05:20 | 0:05:23 | |
What, like onion ring quoits? | 0:05:23 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
I used to do a bit of stand-up about this thing that I found... | 0:05:30 | 0:05:33 | |
-About onion rings? -That sounds great. -That sounds brilliant. | 0:05:35 | 0:05:38 | |
What it was, we were doing a secret Santa, right, | 0:05:38 | 0:05:40 | |
and it was a £10 limit. | 0:05:40 | 0:05:43 | |
And I went in... There was quite a good adult shop on the Essex Road, | 0:05:43 | 0:05:46 | |
and for under £10 the only thing they offered was anal hoopla. | 0:05:46 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
Anal hoopla consists of a stick, | 0:05:53 | 0:05:56 | |
-which goes, guess where... -Oh, yeah. | 0:05:56 | 0:05:59 | |
-And three hoops. -LAUGHTER | 0:05:59 | 0:06:02 | |
That's...that's the actual game. | 0:06:03 | 0:06:06 | |
It's an ice breaker. It's an ice breaker. | 0:06:06 | 0:06:09 | |
-If things have gone a bit flat, you know, in the bedroom area. -Come on! | 0:06:09 | 0:06:12 | |
-I mean, the tone of this show is SO difficult to get right. -I'm sorry! | 0:06:12 | 0:06:17 | |
I'm just... I'm recalibrating. | 0:06:17 | 0:06:20 | |
-All this anal hoopla. -Who would have predicted anal hoopla? | 0:06:20 | 0:06:25 | |
On the front of it, on the front of the packet is a cartoon drawing, | 0:06:25 | 0:06:28 | |
a bit like a saucy postcard. | 0:06:28 | 0:06:30 | |
Two people playing, | 0:06:30 | 0:06:32 | |
as if they couldn't get anyone to actually demo it. | 0:06:32 | 0:06:34 | |
-Oh, my goodness, yeah. -I dare say it doesn't work. | 0:06:34 | 0:06:36 | |
Where was this for sale? At the ARSE-nal football ground? | 0:06:36 | 0:06:39 | |
Wahey! | 0:06:39 | 0:06:41 | |
BILL SHOUTS GIBBERISH | 0:06:41 | 0:06:44 | |
-Thank you. -That's Klingon for, "Anal hoopla?" | 0:06:44 | 0:06:46 | |
LAUGHTER | 0:06:46 | 0:06:49 | |
SHOUTS GIBBERISH AGAIN | 0:06:50 | 0:06:55 | |
"No, thanks." | 0:06:55 | 0:06:56 | |
"Let's play Scrabble." | 0:06:57 | 0:06:59 | |
Now, what's the longest anyone has ever gone without sex? | 0:07:01 | 0:07:05 | |
I went for a whole panel show once, but I... | 0:07:05 | 0:07:08 | |
It's not over yet, Greg. | 0:07:10 | 0:07:11 | |
I can't see that happening again. | 0:07:11 | 0:07:13 | |
A bit of hoopla? You know... | 0:07:14 | 0:07:17 | |
I just think you get to a certain age and you're up for new experiences, Bill. | 0:07:18 | 0:07:22 | |
-Yeah, go on. -MONKEY CHATTERS | 0:07:22 | 0:07:25 | |
That's it, once you've been with a beardy, you never go back. | 0:07:25 | 0:07:30 | |
I don't know. Is it human? Are you talking humans here? | 0:07:31 | 0:07:33 | |
-No, we're not talking humans. -Of course not. | 0:07:33 | 0:07:35 | |
Something buried in the ground, like a lungfish for something. | 0:07:35 | 0:07:38 | |
-Is a tortoise? -Yeah. -I'm just trying to think of things | 0:07:38 | 0:07:41 | |
that live for a long time that could not have sex. | 0:07:41 | 0:07:43 | |
-Trees. -HE MOUTHS | 0:07:43 | 0:07:45 | |
-Well, no. -I beg your pardon? -I wasn't doing an impression of you. | 0:07:45 | 0:07:48 | |
-It's like... -I didn't think you were. But now I do. | 0:07:48 | 0:07:52 | |
No, I had an aunt who couldn't say, "...ex", like that. "...ex". | 0:07:52 | 0:07:57 | |
I love aunts like that. A friend of mine, | 0:07:57 | 0:07:59 | |
his aunt was in hospital having an operation on her leg, | 0:07:59 | 0:08:03 | |
and the surgeon came round to check how it was and she said to him, | 0:08:03 | 0:08:07 | |
"It's the first time I've had my legs together for years." | 0:08:07 | 0:08:10 | |
-Of course everyone around the bed went... -SUPPRESSED LAUGHTER | 0:08:10 | 0:08:13 | |
Like that, and she had no idea what we were talking about. | 0:08:13 | 0:08:16 | |
Yes, but this is an animal. | 0:08:16 | 0:08:18 | |
What it is about is, when we say species have sex, | 0:08:18 | 0:08:23 | |
what do we mean by that? | 0:08:23 | 0:08:24 | |
-Actually... -Conjoin. -Conjoin. | 0:08:24 | 0:08:26 | |
Yeah. We're going back hundreds of millions of years. | 0:08:26 | 0:08:29 | |
Dinosaurs. | 0:08:29 | 0:08:31 | |
-Yes, we're going back to that. -Shrews! Shrews! | 0:08:31 | 0:08:33 | |
We're under the sea. The first animal known to have sex... | 0:08:33 | 0:08:36 | |
-Barnacle. -No. | 0:08:36 | 0:08:39 | |
The first species to do it was a fish called Microbrachius dicki. | 0:08:39 | 0:08:43 | |
-Come on. -JO: -Microbrachius what? | 0:08:45 | 0:08:49 | |
-Dicki. -Dicki. -D-I-C-K-I. | 0:08:49 | 0:08:52 | |
-The old dicki. -The old dicki. | 0:08:52 | 0:08:54 | |
Microbrachius means small arms. Small arms dick. | 0:08:54 | 0:08:57 | |
-Small arms dick. -Dick small arms. -OK. | 0:08:57 | 0:08:59 | |
Dicky small arms. | 0:08:59 | 0:09:01 | |
The Microbrachius dicki, | 0:09:01 | 0:09:04 | |
380 million years ago was the first creature that we | 0:09:04 | 0:09:08 | |
know of to engage in internal organ sex. | 0:09:08 | 0:09:12 | |
-Penetrative. -Yes, penetrative, exactly. | 0:09:12 | 0:09:16 | |
Fortunately, it kept a diary. | 0:09:16 | 0:09:18 | |
They had bony protrusions running down both sides of their bodies, | 0:09:20 | 0:09:23 | |
and during copulation the male's bony bits stuck to the female's | 0:09:23 | 0:09:27 | |
like Velcro, which held them together. | 0:09:27 | 0:09:29 | |
-Aw. It looks quite sweet, though. -So, they had sex sideways. | 0:09:29 | 0:09:31 | |
But it didn't really catch on. | 0:09:31 | 0:09:33 | |
And the species' descendants then evolved to stop having sex. | 0:09:34 | 0:09:39 | |
No creature attempted to have internal sex again for between | 0:09:40 | 0:09:45 | |
20 and 40 million years, as far as we know. | 0:09:45 | 0:09:48 | |
I'm not sure how evolution works. | 0:09:48 | 0:09:49 | |
Will it have been one of these fish who just suddenly went, | 0:09:49 | 0:09:52 | |
"I think I'm going to try this today"? | 0:09:52 | 0:09:54 | |
Maybe it started with the lady one laying the eggs | 0:09:54 | 0:10:00 | |
and the man one fertilising the eggs, | 0:10:00 | 0:10:03 | |
and then one day he saw the eggs coming out and he decided to get ahead of the game. | 0:10:03 | 0:10:07 | |
To beat the others. I think you're probably right. | 0:10:07 | 0:10:09 | |
And those that did that passed on their genes more successfully. | 0:10:09 | 0:10:13 | |
Until it got further and further inside. | 0:10:13 | 0:10:15 | |
It looks like they're wearing blindfolds. | 0:10:15 | 0:10:17 | |
It's a bit 50 Shades, isn't it? | 0:10:17 | 0:10:19 | |
"What's that? What that?" "It's my male claspers." | 0:10:21 | 0:10:24 | |
Looks like it's been superimposed on an ice lolly. | 0:10:25 | 0:10:28 | |
-Yeah, happy face. -Yeah. | 0:10:29 | 0:10:30 | |
Anyway, animals first had sex 380 million years ago, | 0:10:32 | 0:10:36 | |
then give it a rest for around 30 million years. | 0:10:36 | 0:10:39 | |
Who's still having sex? | 0:10:39 | 0:10:42 | |
-Not me. -Not me. | 0:10:42 | 0:10:44 | |
-I'll tell you what, these toads. -TOAD CROAKS | 0:10:44 | 0:10:47 | |
-They're begging for it. -Begging for it. | 0:10:47 | 0:10:49 | |
-But are they having it? -Are they having it? | 0:10:49 | 0:10:51 | |
Who's still having sex? | 0:10:51 | 0:10:52 | |
What, long-term? Some animals lock together for ages, don't they? | 0:10:52 | 0:10:55 | |
Are we still... are we in the animal kingdom? | 0:10:55 | 0:10:57 | |
Well, Alan, you're in absolutely the right area, | 0:10:57 | 0:10:59 | |
in as much as you've spotted our phrase, | 0:10:59 | 0:11:01 | |
"Still having sex," as being having sex in a still position. | 0:11:01 | 0:11:06 | |
Ah! | 0:11:06 | 0:11:07 | |
So it is the species that most has to be utterly motionless | 0:11:07 | 0:11:11 | |
when having sex that we could discover. | 0:11:11 | 0:11:13 | |
Is it nuns? | 0:11:13 | 0:11:15 | |
LAUGHTER | 0:11:15 | 0:11:17 | |
It's not nuns. | 0:11:18 | 0:11:20 | |
Prehistoric nuns. | 0:11:23 | 0:11:24 | |
-It's a moth. -A moth? -It's a moth. It's a moth. | 0:11:26 | 0:11:28 | |
-And so... -There it is. -Oh, right. | 0:11:28 | 0:11:30 | |
There it is, beautiful, beautiful moth. It's the gold swift moth. | 0:11:30 | 0:11:34 | |
And it's at its most vulnerable when mating. | 0:11:34 | 0:11:36 | |
Because it might move and exhibit ecstasy. | 0:11:36 | 0:11:39 | |
So what it does instead is keep incredibly still, | 0:11:39 | 0:11:43 | |
so that the bat doesn't spot the twitch, any movement. | 0:11:43 | 0:11:46 | |
But it has a wonderful repertoire of positions... | 0:11:46 | 0:11:49 | |
(sexual positions.) | 0:11:49 | 0:11:51 | |
-(Why are we whispering?) -Unique amongst... | 0:11:51 | 0:11:53 | |
-Because we don't want to disturb it. Look, there they are. -OK. | 0:11:55 | 0:11:58 | |
Do you know what, you went all David Attenborough, then. | 0:11:58 | 0:12:02 | |
As though we were sort of... (just about to watch it.) | 0:12:02 | 0:12:04 | |
-I think Stephen's worried about being attacked by a bat. -I was. | 0:12:04 | 0:12:07 | |
AS ATTENBOROUGH: On the left there is the standard, facing position. | 0:12:07 | 0:12:14 | |
And in the middle, an extraordinary upside down... | 0:12:14 | 0:12:17 | |
See the tiny moth cock. | 0:12:17 | 0:12:19 | |
Mr Moth and Kate Moth... | 0:12:20 | 0:12:22 | |
LAUGHTER | 0:12:22 | 0:12:24 | |
-Wahey! -Thank you. | 0:12:24 | 0:12:26 | |
But they are a marvellous species, I think you'll agree. | 0:12:26 | 0:12:30 | |
Yeah, the gold swift moth, | 0:12:30 | 0:12:31 | |
it has to remain completely still when having sex. | 0:12:31 | 0:12:35 | |
Now for something completely different. | 0:12:35 | 0:12:37 | |
Who's still having sex? | 0:12:37 | 0:12:38 | |
The, erm, gold...fish moth? What was it called? | 0:12:42 | 0:12:46 | |
-God, dementia already. -The swift. -Gold swift moth. | 0:12:48 | 0:12:50 | |
-The gold swift. -Oh, the gold swift moth. | 0:12:50 | 0:12:53 | |
JAUNTY TUNE | 0:12:53 | 0:12:55 | |
-Well done. You get points for remembering. -Oh. | 0:12:55 | 0:12:57 | |
We are so impressed, because it's very rare that anyone on QI | 0:12:57 | 0:13:00 | |
can remember the question that's just been asked. | 0:13:00 | 0:13:02 | |
Oh, I was so close, I said goldfish moth. | 0:13:02 | 0:13:04 | |
You were close. I know. | 0:13:04 | 0:13:05 | |
-Is this a new thing, then? Master Of Memory? -Yes, that's right. -Wow! | 0:13:05 | 0:13:08 | |
-Yeah, well done you. -Will we get some slightly easier ones, like our names? | 0:13:08 | 0:13:12 | |
-Because my memory's terrible. -Mine's terrible. -Yeah, really bad. | 0:13:14 | 0:13:18 | |
Such a fabulously middle-aged new feature. | 0:13:18 | 0:13:20 | |
-Isn't it?! -I love it. -I know. | 0:13:20 | 0:13:21 | |
Master of Memory! | 0:13:21 | 0:13:22 | |
Well done for remembering something seconds ago. | 0:13:24 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:30 | |
FRAIL VOICE: Is it Neville Chamberlain?' Anyway... | 0:13:30 | 0:13:33 | |
-IN POSH VOICE: -One of those rave parties. | 0:13:33 | 0:13:36 | |
LAUGHTER | 0:13:36 | 0:13:38 | |
So, what was the question? | 0:13:39 | 0:13:41 | |
-Eh? What? -Eh? What, what? -What was the question? | 0:13:41 | 0:13:44 | |
Who's still having sex? | 0:13:44 | 0:13:45 | |
Yes, well done. You remembered that, good. | 0:13:45 | 0:13:47 | |
-POSH ACCENT: -I like a bit of kedgeree in the morning... | 0:13:47 | 0:13:49 | |
LAUGHTER | 0:13:49 | 0:13:51 | |
So, it's another question, who's still having sex? | 0:13:51 | 0:13:54 | |
Is it anything to do with that lady in the picture? | 0:13:54 | 0:13:56 | |
-No, the picture, as always, is a complete distraction. -She's washed her smalls. | 0:13:56 | 0:14:00 | |
Oh, I suppose that's what it is. | 0:14:00 | 0:14:01 | |
Old ladies don't wear underwear like that. | 0:14:01 | 0:14:03 | |
That one does. | 0:14:03 | 0:14:05 | |
-I think they're her husband's. -Do you? | 0:14:05 | 0:14:07 | |
LAUGHTER | 0:14:07 | 0:14:09 | |
So, who's still having sex? | 0:14:09 | 0:14:12 | |
-It's a fetish. -A cult. -Another animal? | 0:14:12 | 0:14:14 | |
A fetish about having sex with things that are still. | 0:14:14 | 0:14:17 | |
-Oh, oh... -Oh, I see. -Statues? | 0:14:17 | 0:14:18 | |
-Yes. -Oh. | 0:14:18 | 0:14:20 | |
-Absolutely right. -Is it? -Really? -Yeah, yeah. | 0:14:20 | 0:14:22 | |
And what's the Greek myth of someone who fell in love with a statue? | 0:14:22 | 0:14:26 | |
-Oh, thing. -"Thing," yes. | 0:14:26 | 0:14:29 | |
-Can we do better? -What's it begin with? | 0:14:29 | 0:14:30 | |
-It begins with, well, the... -Pygmalion. | 0:14:30 | 0:14:32 | |
The sculpture begins with P, Pygmalion, exactly. | 0:14:32 | 0:14:35 | |
Pygmalion is the sculpture of... | 0:14:35 | 0:14:36 | |
-Yes! Memory, memory! -ONE PERSON APPLAUDS | 0:14:36 | 0:14:38 | |
Thank you. That one person. | 0:14:38 | 0:14:41 | |
-APPLAUSE -Well, no, but... | 0:14:41 | 0:14:43 | |
Pygmalion made a statue of Galatea and he fell in love with it. | 0:14:46 | 0:14:49 | |
And in the myth, the gods took pity and breathed life into her. | 0:14:49 | 0:14:53 | |
But it does seem to be a genuine passion people have. | 0:14:53 | 0:14:56 | |
Even in Greek times, the first recorded case, Pliny claimed... | 0:14:56 | 0:14:59 | |
-And we love Pliny, don't we? -Yeah. -Oh, yes, yes. | 0:14:59 | 0:15:02 | |
Pliny claimed that Praxiteles' naked statue of Aphrodite of Cnidus, | 0:15:02 | 0:15:06 | |
-which is the first naked female statue of that time... -Yes. | 0:15:06 | 0:15:09 | |
Apparently she had a permanent stain on her leg from where | 0:15:09 | 0:15:12 | |
a sailor got carried away. | 0:15:12 | 0:15:14 | |
-Wow. -Ugh. | 0:15:14 | 0:15:16 | |
What you might call seaman stains. AUDIENCE GROANS | 0:15:16 | 0:15:19 | |
Seaman stains, yeah, well, it's true. Quite literally. | 0:15:19 | 0:15:22 | |
But Cleisophus was a man who tried to make love to | 0:15:22 | 0:15:24 | |
a statue in the temple of Samos. | 0:15:24 | 0:15:27 | |
When he found the marble very, very cold, he changed his mind | 0:15:27 | 0:15:30 | |
and laid out a piece of meat on the floor and made love to that instead. | 0:15:30 | 0:15:33 | |
AUDIENCE GROANS | 0:15:33 | 0:15:35 | |
-It's an incredible jump to make, isn't it? -It is, a species... | 0:15:35 | 0:15:38 | |
"Oh, this statue's not working for me, get me down the butcher's." | 0:15:38 | 0:15:42 | |
It is a bit odd, isn't it? That would make... | 0:15:42 | 0:15:44 | |
But surely a statue is only a kind of less giving blow-up doll, | 0:15:44 | 0:15:49 | |
-really, isn't it? Don't you think? -This is a really good point, Jo, | 0:15:49 | 0:15:53 | |
because you've absolutely... | 0:15:53 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:56 | |
Yeah, thank you. | 0:15:56 | 0:15:57 | |
Sex psychiatrists have - | 0:16:00 | 0:16:01 | |
sexologists as they like to call themselves - were early on puzzled by | 0:16:01 | 0:16:04 | |
the fact that this particular fetish seemed to die away in the 1950s, | 0:16:04 | 0:16:10 | |
until they'd considered that maybe it was replaced by the love | 0:16:10 | 0:16:14 | |
of blow-up dolls, as they arrived on the market. | 0:16:14 | 0:16:17 | |
So it is, whatever that fetish is, that desire to... | 0:16:17 | 0:16:20 | |
I suppose it's to... so often the case, men's control, | 0:16:20 | 0:16:23 | |
power and all that sort of thing, | 0:16:23 | 0:16:25 | |
that you can control and have power over something that | 0:16:25 | 0:16:27 | |
-can't answer back, that is inanimate. -Well, I saw... -Yeah? | 0:16:27 | 0:16:30 | |
I saw a picture in the paper the other day of a very lifelike woman robot. | 0:16:30 | 0:16:34 | |
And I must admit thinking to myself, it's not going to be long. | 0:16:34 | 0:16:37 | |
-It isn't, is it? -No. | 0:16:37 | 0:16:39 | |
Wait a minute, that was Theresa May. | 0:16:39 | 0:16:41 | |
APPLAUSE | 0:16:41 | 0:16:43 | |
It was recognised as an illness until the mid-20th century | 0:16:48 | 0:16:51 | |
when it was dropped because no actual cases presented themselves. | 0:16:51 | 0:16:54 | |
What was it called? | 0:16:54 | 0:16:55 | |
It was called agalmatophobia. | 0:16:55 | 0:16:58 | |
Sorry, -philia, rather. Phobia is the fear of things. | 0:16:58 | 0:17:02 | |
-What's that, sorry? -Agalmatophilia. -Philia. -Yes, agalmatophilia. | 0:17:02 | 0:17:06 | |
-The proclivity of having sex with statues. -Extraordinary word. | 0:17:06 | 0:17:08 | |
OK, agalmatophobia is the fear of having sex with statues. | 0:17:08 | 0:17:12 | |
-Yes. Well, the fear of statues. -Oh, I see. Right. | 0:17:12 | 0:17:15 | |
Now, who married Big-Mouthed Margaret? | 0:17:15 | 0:17:19 | |
Denis. | 0:17:19 | 0:17:20 | |
KLAXON BLARES | 0:17:20 | 0:17:22 | |
Oh, thank you. Thank you for that. | 0:17:24 | 0:17:27 | |
Well, how can you know Big-Mouthed Margaret? | 0:17:27 | 0:17:30 | |
Was it Tiny-Todger Tony? | 0:17:30 | 0:17:32 | |
LAUGHTER | 0:17:32 | 0:17:34 | |
If I said Muckle-Mou'ed Meg, would that help? | 0:17:37 | 0:17:42 | |
Muckle being big and mou'ed being mouthed, Meg being Margaret. | 0:17:42 | 0:17:46 | |
Is it Rabbie Burns? | 0:17:46 | 0:17:48 | |
Well, no, but, astonishingly, you're in the right area, | 0:17:48 | 0:17:52 | |
in as much as it involves a very - probably after Robbie Burns - | 0:17:52 | 0:17:56 | |
-the most famous Scottish writer. -Wee Willie Winkie. | 0:17:56 | 0:17:59 | |
The most famous Scottish writer after Robbie Burns. | 0:17:59 | 0:18:02 | |
-Walter Scott? -Walter Scott, yes, brilliant. -Bloody hell! | 0:18:02 | 0:18:05 | |
APPLAUSE Really good. | 0:18:05 | 0:18:07 | |
-You're on fire. -I'm on fire! | 0:18:07 | 0:18:09 | |
You are on fire. | 0:18:09 | 0:18:12 | |
Yeah, and there you can see William Scott and the woman herself, | 0:18:12 | 0:18:15 | |
Muckle-Mou'ed Meg. | 0:18:15 | 0:18:16 | |
And William Scott was Walter Scott's great-great-grandfather, | 0:18:16 | 0:18:21 | |
and he stole some cattle off a man. | 0:18:21 | 0:18:24 | |
And he was sentenced to be hanged, or to marry the man's | 0:18:24 | 0:18:29 | |
incredibly, apparently, ugly daughter, Muckle-Mou'ed Meg. | 0:18:29 | 0:18:33 | |
-I know, it's... -What sort of a court was this? | 0:18:33 | 0:18:36 | |
And William Scott said, "I think I'll be hanged." | 0:18:36 | 0:18:40 | |
LAUGHTER | 0:18:40 | 0:18:41 | |
But at the very last minute he changed his mind and he married her. | 0:18:41 | 0:18:44 | |
And they had a very happy marriage. | 0:18:44 | 0:18:47 | |
And because of it, they had Walter Scott as a... | 0:18:47 | 0:18:51 | |
Even Robert Browning wrote a poem on it, because they all | 0:18:51 | 0:18:53 | |
worshipped Walter Scott in a way that we don't any more. | 0:18:53 | 0:18:56 | |
Jane Austen venerated him, | 0:18:56 | 0:18:58 | |
particularly the European writers, Balzac and others venerated him. | 0:18:58 | 0:19:01 | |
Yes, William Scott said, "I do," to Muckle-Mouthed Meg. | 0:19:01 | 0:19:06 | |
And it's a good thing he did, or we wouldn't have Sir Walter. | 0:19:06 | 0:19:09 | |
But who advised dissecting a woman before marrying one? | 0:19:09 | 0:19:13 | |
I think my husband said something similar, | 0:19:13 | 0:19:15 | |
when we were a bit pissed one night. | 0:19:15 | 0:19:17 | |
Some great, one of the Victorian... | 0:19:19 | 0:19:21 | |
He was a great, and he was 19th century. | 0:19:21 | 0:19:24 | |
Oddly enough, I've mentioned his name today. | 0:19:24 | 0:19:26 | |
He was a great writer. | 0:19:26 | 0:19:28 | |
-Walter Scott. -No. | 0:19:28 | 0:19:30 | |
-Balzac. -Honore de Balzac. | 0:19:30 | 0:19:32 | |
-Pliny. -Honore de Balzac is the right answer. | 0:19:32 | 0:19:34 | |
-I just said Balzac! I said Balzac! -No, he did just say that. He did. | 0:19:34 | 0:19:37 | |
-You didn't say the first name! -All right, calm down. There he is. | 0:19:37 | 0:19:39 | |
There he is, I'd know him anywhere! | 0:19:39 | 0:19:42 | |
Did his fiancee hang herself? | 0:19:42 | 0:19:45 | |
-Bless him. -Well, his fiancee stayed his fiancee | 0:19:46 | 0:19:48 | |
for a very, very long time. | 0:19:48 | 0:19:50 | |
He fell in love with a countess, who said, "You can't marry me | 0:19:50 | 0:19:53 | |
"until my husband dies," because she was already married. | 0:19:53 | 0:19:56 | |
And it took 17 years. | 0:19:56 | 0:19:58 | |
Eventually they got married. | 0:19:58 | 0:19:59 | |
Five months later, Balzac died. | 0:19:59 | 0:20:01 | |
So, he didn't get much use out of her, | 0:20:01 | 0:20:03 | |
if that's the right word. | 0:20:03 | 0:20:04 | |
-I don't think it is. -No. | 0:20:04 | 0:20:06 | |
He wrote a book in 1829 called The Physiology Of Marriage, | 0:20:07 | 0:20:10 | |
in which he said, "A man ought not to marry without having | 0:20:10 | 0:20:13 | |
"studied anatomy and dissected at least one woman." | 0:20:13 | 0:20:17 | |
-So, I mean a dead woman, he's not... -Oh, that's such a creepy suggestion. -It is a bit creepy. | 0:20:17 | 0:20:20 | |
I guess it's so he knows what's... the bits, where they all go. | 0:20:20 | 0:20:24 | |
-And where everything is. -Really? | 0:20:24 | 0:20:27 | |
No, I hand my mother a cup of tea without knowing | 0:20:27 | 0:20:29 | |
the workings of her hand. | 0:20:29 | 0:20:31 | |
-That's a very good point. -It's not very romantic, is it? -No. | 0:20:31 | 0:20:33 | |
-"Darling..." -Well, I don't want it to be, she's my mother. | 0:20:33 | 0:20:36 | |
LAUGHTER | 0:20:36 | 0:20:38 | |
There's a lot worse coming, which I'm not going to read you, | 0:20:38 | 0:20:41 | |
-because you'll never read Balzac again. -Ooh, great. -Oh, please. | 0:20:41 | 0:20:44 | |
He said that "A man should weaken the will | 0:20:44 | 0:20:46 | |
"and strength of a wife by tiring her out under the load of constant work, | 0:20:46 | 0:20:50 | |
"so that she has no energy left to cause trouble." | 0:20:50 | 0:20:54 | |
-He deserved a big spank, didn't he? -He was an early founder of Ukip. | 0:20:54 | 0:20:57 | |
LAUGHTER | 0:20:57 | 0:21:00 | |
And, very weirdly, he said, "Never allow her to drink water alone. | 0:21:00 | 0:21:04 | |
"If you do, you are lost." | 0:21:04 | 0:21:07 | |
I mean, it's interesting, within a few sentences, | 0:21:07 | 0:21:10 | |
he is clearly just a fucking nutter, isn't he? | 0:21:10 | 0:21:12 | |
-Yeah. -He's having a laugh, surely. | 0:21:12 | 0:21:14 | |
I'd find him hard to forgive if he wasn't such a looker. | 0:21:14 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:20 | |
Do you know the Rodin sculpture of him, which is fantastic? | 0:21:20 | 0:21:22 | |
It's one of the great works of art. | 0:21:22 | 0:21:24 | |
-I've rubbed against it. -Have you? -No! | 0:21:24 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:29 | |
Balzac drank 50 cups of coffee a day. I don't know if that excuses him. | 0:21:29 | 0:21:33 | |
There's a cup of coffee, in case you didn't know what one looked like. | 0:21:33 | 0:21:37 | |
He drank 50 cups of coffee a day? | 0:21:37 | 0:21:39 | |
Yeah, and when he found that didn't quite hit the spot, | 0:21:39 | 0:21:41 | |
he then took to eating the grounds, coffee grounds. It was really weird. | 0:21:41 | 0:21:44 | |
Well, I'm amazed he was as coherent as he was. | 0:21:44 | 0:21:47 | |
If I drank 50 cups of coffee I'd be jumping off buildings. Incredible. | 0:21:47 | 0:21:52 | |
Well, Beethoven always counted out exactly 60 coffee beans | 0:21:52 | 0:21:57 | |
for every cup he drank. | 0:21:57 | 0:21:58 | |
Kierkegaard, on the other hand, the philosopher, | 0:21:58 | 0:22:01 | |
had 50 different coffee cups. | 0:22:01 | 0:22:05 | |
Whenever he wanted a cup of coffee - I really want to kill him so much - | 0:22:05 | 0:22:09 | |
he instructed his secretary to select one of these cups | 0:22:09 | 0:22:13 | |
and provide a valid philosophical reason for doing so. | 0:22:13 | 0:22:17 | |
He sounds like a right knob. | 0:22:17 | 0:22:20 | |
-"Invalid. Invalid reason." -"No, no." -"Take it away." | 0:22:21 | 0:22:26 | |
Anyway, Balzac thought that you should dissect a woman before marrying one. | 0:22:26 | 0:22:31 | |
What do monkeys spend their money on? | 0:22:31 | 0:22:33 | |
It depends on the monkey, doesn't it? | 0:22:33 | 0:22:36 | |
Your macaque will spend it on cigarettes and drink. | 0:22:36 | 0:22:40 | |
Your mandrill, DIY. | 0:22:40 | 0:22:42 | |
LAUGHTER Clever! | 0:22:42 | 0:22:44 | |
Very good. Man-drill. | 0:22:46 | 0:22:49 | |
-Surely the macaque would spend it on lavatory paper. -Of course! | 0:22:52 | 0:22:55 | |
Oh, we're going that way, are we? Oh, OK. I see. | 0:22:57 | 0:23:00 | |
Food, I bet this... | 0:23:00 | 0:23:01 | |
Is this going to be some sort of experiment where they got rewarded | 0:23:01 | 0:23:05 | |
with something and they had to take it somewhere to get something else? | 0:23:05 | 0:23:08 | |
-Like sort of a monkey thing? -Well, they actually were taught... | 0:23:08 | 0:23:11 | |
they were taught the principles of money, monetary exchange. | 0:23:11 | 0:23:14 | |
They were given silver discs | 0:23:14 | 0:23:15 | |
and taught that they could exchange them for food. | 0:23:15 | 0:23:18 | |
These are capuchins. | 0:23:18 | 0:23:20 | |
So called because of their colours, the creamy top... | 0:23:20 | 0:23:22 | |
-They really do look at a camera lens, monkeys. -Those do, yeah. | 0:23:22 | 0:23:25 | |
-You see those shots of loads of monkeys all staring at a camera lens. -Yeah. | 0:23:25 | 0:23:28 | |
If you've noticed, there's one of them who's not looking at the camera lens. | 0:23:28 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:33 | |
Quite notably, yes. | 0:23:38 | 0:23:40 | |
Unless that monkey has had a very unfortunate accident with a camera. | 0:23:40 | 0:23:44 | |
Or he's looking for a game of anal hoopla. | 0:23:44 | 0:23:48 | |
Why are capuchins called capuchins? | 0:23:48 | 0:23:50 | |
-Isn't it something to do with... -Cappuccino. | 0:23:50 | 0:23:52 | |
Cappuccino? Because they're coffee-coloured? | 0:23:52 | 0:23:54 | |
Because they are the same colour as cappuccino, | 0:23:54 | 0:23:56 | |
cream colour at the top, dark at the bottom. | 0:23:56 | 0:23:58 | |
-But that's why... -Monks. | 0:23:58 | 0:24:00 | |
That's right, it starts with the monks. | 0:24:00 | 0:24:02 | |
APPLAUSE | 0:24:02 | 0:24:05 | |
What is going on today? | 0:24:06 | 0:24:08 | |
Something's gone wrong with me, I tell you, because normally... | 0:24:08 | 0:24:11 | |
Capuchin monks have a cream-coloured cowl and dark habit. | 0:24:11 | 0:24:15 | |
And so the coffee was named cappuccino, | 0:24:15 | 0:24:18 | |
-because it was creamy at the top and coffee below. -Oh! | 0:24:18 | 0:24:21 | |
And similarly, capuchin monkeys have that colouring. | 0:24:21 | 0:24:24 | |
It's impossible to take your eyes off that one, I want to. | 0:24:24 | 0:24:28 | |
I just imagine what's going on in his head. | 0:24:28 | 0:24:30 | |
It is so severely inspecting, isn't he? | 0:24:30 | 0:24:33 | |
"Mate, you've got a problem back here, seriously." | 0:24:33 | 0:24:36 | |
"Something's just crawled into your arse." | 0:24:36 | 0:24:38 | |
LAUGHTER | 0:24:38 | 0:24:41 | |
Researchers at Yale taught capuchin monkeys that in exchange | 0:24:41 | 0:24:44 | |
for a certain number of tokens, | 0:24:44 | 0:24:45 | |
they could buy a certain number of grapes or little cubes of jelly. | 0:24:45 | 0:24:50 | |
Once they grasped this, the extraordinary thing was, | 0:24:50 | 0:24:53 | |
they really got the whole concept. | 0:24:53 | 0:24:55 | |
One of the monkeys used their new currency to give to a female | 0:24:55 | 0:24:59 | |
to have sex with him - | 0:24:59 | 0:25:00 | |
essentially a prostitute. | 0:25:00 | 0:25:02 | |
And the female would then take the disc and buy herself a grape. | 0:25:02 | 0:25:06 | |
So the money had gone, you know, through the system, as money does. | 0:25:06 | 0:25:09 | |
But there is a separate piece of research in 2005 which involved macaques, | 0:25:09 | 0:25:14 | |
that showed that they pay to look at porn. | 0:25:14 | 0:25:19 | |
-It's true. -Wow. -But the extraordinary thing is, only classy porn. | 0:25:23 | 0:25:28 | |
-Oh, that's all right. -Yeah. | 0:25:28 | 0:25:29 | |
They forfeited their usual reward, | 0:25:31 | 0:25:33 | |
which was a glass of cherry juice, for pictures of the faces and bottoms | 0:25:33 | 0:25:39 | |
of what are known as high-ranking females within the troop of macaques. | 0:25:39 | 0:25:44 | |
But they wouldn't look at pictures of the bottoms and faces of | 0:25:44 | 0:25:49 | |
lower ranked females unless they were GIVEN a glass of juice. | 0:25:49 | 0:25:52 | |
So, they would give up their juice to look at the porn of the higher ranking ones, | 0:25:52 | 0:25:56 | |
but they had to be paid in juice to look at the other ones. | 0:25:56 | 0:26:01 | |
It's extraordinary. They're monkeys. It is not a moral thing. | 0:26:01 | 0:26:03 | |
Again, I know I say this a lot, but who is funding this? | 0:26:03 | 0:26:06 | |
What kind of twisted... | 0:26:08 | 0:26:12 | |
-"Go on, give them money..." -HE LEERS | 0:26:12 | 0:26:15 | |
Anyway, what uses can you think of for a parachute on your wedding day? | 0:26:15 | 0:26:19 | |
Dress? | 0:26:21 | 0:26:22 | |
Yes! It's that simple. | 0:26:22 | 0:26:24 | |
APPLAUSE | 0:26:24 | 0:26:27 | |
You're running away with it. | 0:26:27 | 0:26:29 | |
Well, normally I'm thick as shit, | 0:26:29 | 0:26:31 | |
I can't really understand what's going on. Anyway. | 0:26:31 | 0:26:33 | |
It was particularly in World War II, and parachutes were made out of...? | 0:26:33 | 0:26:36 | |
-AUDIENCE: -Silk. -BILL: -Silk, yes. | 0:26:36 | 0:26:38 | |
Thank you, ladies and gentlemen, exactly. | 0:26:38 | 0:26:41 | |
And any spare, or ones that were found in fields, | 0:26:41 | 0:26:44 | |
were grabbed by grateful people to turn into wedding dresses. | 0:26:44 | 0:26:48 | |
There was a village in 1941 where a German soldier | 0:26:48 | 0:26:51 | |
landed in his parachute and he... | 0:26:51 | 0:26:53 | |
Didn't have a swastika on it, did it? | 0:26:53 | 0:26:56 | |
No, no, fortunately not! Or if it did... | 0:26:56 | 0:26:58 | |
ALAN SINGS THE WEDDING MARCH | 0:26:58 | 0:27:02 | |
"I say, she's got a bloody swastika!" | 0:27:02 | 0:27:04 | |
LAUGHTER | 0:27:04 | 0:27:06 | |
"I think that's in very bad taste." | 0:27:09 | 0:27:11 | |
Even if they were, it was great, because that village | 0:27:12 | 0:27:15 | |
turned them into bloomers, you known, into long knickers. | 0:27:15 | 0:27:18 | |
Oh, that's all right, to have a swastika on your bloomers, though. | 0:27:18 | 0:27:21 | |
-Well, no-one would see. -I think it's positively encouraged, actually. | 0:27:21 | 0:27:25 | |
"There's something you don't know about me..." | 0:27:25 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:30 | |
But there you see a wedding dress, | 0:27:32 | 0:27:34 | |
and the majority of wedding dresses were not white until after the war. | 0:27:34 | 0:27:40 | |
White was a more common colour than any other, | 0:27:40 | 0:27:42 | |
but it still wasn't the majority. | 0:27:42 | 0:27:44 | |
Jane Austen's mother wore a bright red dress, for example. | 0:27:44 | 0:27:49 | |
And Queen Victoria had a white wedding dress, | 0:27:49 | 0:27:51 | |
and that was quite a sort of fashion statement that people copied. | 0:27:51 | 0:27:55 | |
But things didn't get really white | 0:27:55 | 0:27:58 | |
until the age of the washing machine and things like that. | 0:27:58 | 0:28:00 | |
Right, it was a luxury, afforded by the rich. | 0:28:00 | 0:28:03 | |
And even in the '50s, people expected to wear their wedding dress | 0:28:03 | 0:28:06 | |
again, it wasn't a one-off thing, as it is now. | 0:28:06 | 0:28:08 | |
But I'll tell you an interesting thing about Queen Victoria. | 0:28:08 | 0:28:11 | |
-Yeah? -Yeah. | 0:28:11 | 0:28:12 | |
When she died, towards the end of her life... | 0:28:12 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:17 | |
-No, it's gossip and I feel guilty about telling you. -Go on. | 0:28:17 | 0:28:19 | |
She won't find out. | 0:28:19 | 0:28:22 | |
She was wider than she was tall. | 0:28:22 | 0:28:24 | |
-Really? -So? | 0:28:24 | 0:28:26 | |
APPLAUSE | 0:28:26 | 0:28:28 | |
-I wore my wedding dress again, actually. -Did you? | 0:28:33 | 0:28:36 | |
Yeah. I went to a fancy dress party as Alaska. | 0:28:36 | 0:28:39 | |
-LAUGHTER -Anyway... | 0:28:39 | 0:28:41 | |
Tell us about...more about old... | 0:28:41 | 0:28:44 | |
She was 59 inches tall, | 0:28:44 | 0:28:46 | |
-and she was 66 inches wide. -Wow! -Bless her. -Really? -Yes. | 0:28:46 | 0:28:51 | |
-But wide or in circumference? -In circumference. -Yeah, I was going to say. -Sorry, not wide. | 0:28:51 | 0:28:54 | |
-She can't possibly have been... -No, no. Sorry. LAUGHTER | 0:28:54 | 0:28:58 | |
That's circumference. Yeah. | 0:28:58 | 0:29:01 | |
-I don't mean width, but I mean... -"Here she comes." | 0:29:01 | 0:29:03 | |
All the way round was 66. | 0:29:03 | 0:29:05 | |
-"We're going to have to knock through." -Yeah. | 0:29:05 | 0:29:08 | |
Can't get through any of the doors. | 0:29:08 | 0:29:10 | |
And that's how the Victoria Line was started. | 0:29:11 | 0:29:14 | |
She needs a pew of her own. | 0:29:16 | 0:29:17 | |
The Albert Hall was just a cast of her body. | 0:29:19 | 0:29:22 | |
This is her bust size, I'm talking about. 66. | 0:29:23 | 0:29:26 | |
-Wow! -66 bust? -Yeah. -Crikey! -Good Lord! | 0:29:26 | 0:29:29 | |
-She was very short. -Oo-hee, there's some lovin' there. | 0:29:29 | 0:29:32 | |
Her bloomers were sold, quite recently, for over £6,000. | 0:29:32 | 0:29:35 | |
Must have been an enormous swastika on there. | 0:29:35 | 0:29:39 | |
-Almost certainly a swastika. -What do you think their waist was? | 0:29:39 | 0:29:41 | |
Bloomers start at the waist, they're like pants... | 0:29:41 | 0:29:44 | |
-80 inches. -Well... -XXXL. | 0:29:44 | 0:29:47 | |
Yeah, they were XXX... There were lots of Xs, 56 inch waist. | 0:29:47 | 0:29:50 | |
-56. -56. -I'm so sorry. I got it all wrong. It's 52. -52. | 0:29:50 | 0:29:53 | |
I completely exaggerated. | 0:29:53 | 0:29:55 | |
-And she was what, how tall? -4'11". | 0:29:55 | 0:29:57 | |
-59 inches. -4'11". Aw. -Bless her heart. | 0:29:57 | 0:30:01 | |
-A tiny, little Queen. -Yes, she was! | 0:30:01 | 0:30:04 | |
So, what uses can you think of for a half-naked Frenchman | 0:30:04 | 0:30:08 | |
on your wedding night? | 0:30:08 | 0:30:09 | |
If it was the other half, hoopla. | 0:30:11 | 0:30:13 | |
IN FRENCH ACCENT: There is an half-naked Frenchman. That is Gerard Depardieu. | 0:30:16 | 0:30:20 | |
He is about three times that size now, he is enormous. | 0:30:20 | 0:30:23 | |
He's gone all Victoria, hasn't he? | 0:30:23 | 0:30:25 | |
He is a little bit tubbier than that now, it must be said. | 0:30:25 | 0:30:28 | |
It is not actually a question about Depardieu, | 0:30:28 | 0:30:30 | |
it is a question about an half-naked Frenchman. | 0:30:30 | 0:30:32 | |
So, what are we talking about? | 0:30:32 | 0:30:34 | |
Would you use him to give you a bit of a run out, first, as it were? | 0:30:34 | 0:30:37 | |
Practice? | 0:30:37 | 0:30:39 | |
We're going back in this case to the 16th century, and we're thinking | 0:30:39 | 0:30:43 | |
about how a marriage can be shown to work, especially in royal circles. | 0:30:43 | 0:30:48 | |
-Le droit du seigneur? -No, it's not that, that's one thing, but... | 0:30:48 | 0:30:52 | |
Not the old blood on the sheet routine? | 0:30:52 | 0:30:54 | |
Well, the blood on the sheet demonstrates what? | 0:30:54 | 0:30:57 | |
-Consummation. -Consummation. And without consummation, | 0:30:57 | 0:31:00 | |
a marriage is considered invalid, ultimately. | 0:31:00 | 0:31:02 | |
-Without consomme... -Yeah, without consomme. | 0:31:02 | 0:31:06 | |
-So, if the man has not done his duty by the woman... -Done the biz. | 0:31:06 | 0:31:08 | |
Henry VIII again. | 0:31:08 | 0:31:10 | |
Well, exactly, and precisely, we are talking about Henry VIII's family. | 0:31:10 | 0:31:13 | |
But it doesn't have to be on the first night, does it? | 0:31:13 | 0:31:16 | |
It doesn't have to be the first night, | 0:31:16 | 0:31:18 | |
-but the first night gets it all out of the way. -Fair dos. | 0:31:18 | 0:31:21 | |
So, we are in royal circles here. | 0:31:21 | 0:31:23 | |
You mentioned Henry VIII, | 0:31:23 | 0:31:25 | |
and we're actually in the world of Henry VIII's sister. | 0:31:25 | 0:31:27 | |
She was a Tudor, and her name was Mary, | 0:31:27 | 0:31:29 | |
but she is not to be confused with Mary Tudor who was Henry's daughter, | 0:31:29 | 0:31:33 | |
or Bloody Mary, as she was also known. | 0:31:33 | 0:31:35 | |
There she is. She married Louis XII of France. | 0:31:35 | 0:31:39 | |
Louis XII had better things to do on the wedding night, | 0:31:39 | 0:31:42 | |
so Mary went into the bedroom, she took off her clothes, | 0:31:42 | 0:31:45 | |
and the Duc de Longueville pulled off his hose and his doublet | 0:31:45 | 0:31:50 | |
and he laid a bare leg and thigh | 0:31:50 | 0:31:53 | |
on the bed till it touched hers under the covers. | 0:31:53 | 0:31:57 | |
HE YELPS | 0:31:57 | 0:31:58 | |
All the people there - there was a crowd - applauded. HE APPLAUDS | 0:31:58 | 0:32:03 | |
And that was consummation. Even though it wasn't even the husband. | 0:32:03 | 0:32:07 | |
That's how mad the period was. | 0:32:07 | 0:32:09 | |
-He was proxy. -Ah, I see. -So that was a gig, then? | 0:32:09 | 0:32:13 | |
You could get that as a gig, to touch legs? | 0:32:13 | 0:32:15 | |
Being the proxy? Yeah. The leg toucher. Leg toucher to royal brides. | 0:32:15 | 0:32:20 | |
Yeah. You'd be in the taverns, "Yeah, I'm leg toucher to the Royals, yeah". | 0:32:20 | 0:32:24 | |
-"I've touched them all, you know." -"Touched them all." | 0:32:24 | 0:32:27 | |
I think they had to check them medically before they were | 0:32:27 | 0:32:30 | |
allowed to do it, though, to make sure they didn't have any venereal disease, | 0:32:30 | 0:32:35 | |
-cos they didn't want a poxy proxy. -APPLAUSE | 0:32:35 | 0:32:40 | |
Thank you. | 0:32:40 | 0:32:43 | |
APPLAUSE DROWNS SPEECH | 0:32:45 | 0:32:48 | |
Like after a walk on a windswept cliff, | 0:32:48 | 0:32:49 | |
but there was a beautiful cake at the end of it. | 0:32:49 | 0:32:52 | |
Yes, Mary Tudor got a bit of a leg over, but it wasn't her husband's. | 0:32:52 | 0:32:56 | |
Now it's time to enrol in the dreaded school of General Ignorance. | 0:32:56 | 0:33:01 | |
Describe the sex chromosomes of the Queen. | 0:33:01 | 0:33:03 | |
Xs and Ys. Ys. Two Ys? | 0:33:03 | 0:33:07 | |
-Erm... -An X and a Y. | 0:33:08 | 0:33:11 | |
TOAD CROAKS | 0:33:11 | 0:33:12 | |
One doesn't have chromosomes. | 0:33:12 | 0:33:14 | |
One has a chromosome proxy, you know. | 0:33:15 | 0:33:17 | |
-Well, you've just given me very seriously male chromosomes. -Right. | 0:33:19 | 0:33:22 | |
-I was having a go, though, wasn't I? I was trying. -You were. | 0:33:22 | 0:33:26 | |
I'm under pressure up here. | 0:33:26 | 0:33:28 | |
-You've actually done rather well. -Have I? -Yeah. | 0:33:28 | 0:33:31 | |
Generally speaking, human beings have how many pairs of chromosomes? | 0:33:31 | 0:33:35 | |
-One? Two? -We have 23, which is not as many as a potato. | 0:33:35 | 0:33:39 | |
We have 23 pairs, and one of those pairs determines our sex, gender. | 0:33:40 | 0:33:45 | |
-And if you are a female you're... -XX. -XX. | 0:33:45 | 0:33:49 | |
-And if you're male... -XY. -XY. | 0:33:49 | 0:33:52 | |
-And there are variations... -I thought it was YY. | 0:33:52 | 0:33:54 | |
..but generally speaking, we've got the Y. | 0:33:54 | 0:33:56 | |
If you've got YY, what are you, then? | 0:33:56 | 0:33:59 | |
Boy George. | 0:33:59 | 0:34:01 | |
LAUGHTER | 0:34:01 | 0:34:03 | |
-But the Queen has given birth to males. -And does that change you? | 0:34:05 | 0:34:09 | |
There is a little bit of two-way going on in the womb, | 0:34:09 | 0:34:12 | |
up and down the placenta, as it were, and that is that if you have a male | 0:34:12 | 0:34:15 | |
child inside you, it has XY chromosomes, of course, and a little | 0:34:15 | 0:34:19 | |
bit of that XY chromosome will lodge inside the mother and stay there. | 0:34:19 | 0:34:24 | |
A 93-year-old woman recently was found to have the XY | 0:34:24 | 0:34:28 | |
chromosome in her head from a male child she had had decades ago. | 0:34:28 | 0:34:33 | |
-Oh! -So the Queen will have, having had three male children, namely... | 0:34:33 | 0:34:40 | |
Er... | 0:34:40 | 0:34:41 | |
-She's had Charles, Andrew and Edward. -That's right, very good. | 0:34:41 | 0:34:45 | |
Lucky, Lucky and Lucky. | 0:34:45 | 0:34:47 | |
And somewhere there will be remnants of the XY chromosomes. | 0:34:49 | 0:34:53 | |
Makes you more likely to like football. | 0:34:53 | 0:34:56 | |
Prince Philip was in a school, children were showing him, | 0:34:56 | 0:34:58 | |
saying if you inspect the genes you can tell the gender, | 0:34:58 | 0:35:02 | |
and Prince Philip said, "Can't you just pull them down?" | 0:35:02 | 0:35:05 | |
Ah, bless him. Here's a card, isn't he? | 0:35:09 | 0:35:13 | |
Totally. Here is an easy one. | 0:35:13 | 0:35:15 | |
How many legally recognised political parties are there in China? | 0:35:15 | 0:35:19 | |
MONKEY CHATTERS | 0:35:19 | 0:35:21 | |
-Yes, Greg? -One. | 0:35:21 | 0:35:23 | |
KLAXON BLARES | 0:35:23 | 0:35:26 | |
-Oh, dear. -No, it's not one. -None. | 0:35:26 | 0:35:29 | |
Ah, you see, you've played this game a lot. | 0:35:29 | 0:35:31 | |
You think you can... No. | 0:35:31 | 0:35:33 | |
LAUGHTER | 0:35:33 | 0:35:36 | |
-Two. -KLAXON BLARES | 0:35:36 | 0:35:39 | |
We could have fun here, couldn't we? | 0:35:40 | 0:35:43 | |
There are actually eight other parties other than | 0:35:43 | 0:35:45 | |
the Communist Party. Isn't that extraordinary? | 0:35:45 | 0:35:48 | |
They are a multiparty state. There they all are. | 0:35:48 | 0:35:52 | |
Day release from prison. | 0:35:52 | 0:35:53 | |
So, what is the maximum number of children allowed in every family in China? | 0:35:55 | 0:36:01 | |
-Oh... -Ah... -Ah! | 0:36:01 | 0:36:04 | |
-Hold on. -Who is going to go? Do it, do it! | 0:36:04 | 0:36:07 | |
TOAD CROAKS | 0:36:07 | 0:36:09 | |
-Have a plump. One. -KLAXON BLARES | 0:36:09 | 0:36:13 | |
-They had a policy. -They did have a policy. | 0:36:15 | 0:36:18 | |
But it was never all the people of China, | 0:36:18 | 0:36:20 | |
all the families of China who were affected. | 0:36:20 | 0:36:22 | |
For example, if you were an ethnic minority it didn't apply to you. | 0:36:22 | 0:36:27 | |
Ethnic minority meant anyone who wasn't Han Chinese. | 0:36:27 | 0:36:30 | |
36% of the population were subject to a one child rule, | 0:36:30 | 0:36:34 | |
but never the whole of China. | 0:36:34 | 0:36:37 | |
The average number of children a Chinese woman bears is 1.4. | 0:36:37 | 0:36:40 | |
-That's weird, isn't it? -HE CHUCKLES | 0:36:40 | 0:36:43 | |
What do you think it is in Britain? | 0:36:43 | 0:36:45 | |
I thought it was 2.4 children? | 0:36:45 | 0:36:46 | |
1.7. 1.8. | 0:36:46 | 0:36:49 | |
-1.9. -1.9. -You were nearly there. | 0:36:49 | 0:36:52 | |
And I'd be very impressed if you knew the country in the world with the highest birth rate. | 0:36:52 | 0:36:57 | |
This country is in anagram of what Queen Elizabeth does. | 0:36:57 | 0:37:01 | |
-Niger. -Yes! | 0:37:01 | 0:37:03 | |
Wow! Very quick. | 0:37:03 | 0:37:06 | |
APPLAUSE DROWNS SPEECH | 0:37:06 | 0:37:12 | |
-Did he just ask you what she had for breakfast? -Yes. | 0:37:13 | 0:37:16 | |
Because I want to know what combination of things | 0:37:16 | 0:37:18 | |
she's had that make her brain work so well today. | 0:37:18 | 0:37:21 | |
Yes, the Queen reigns, and it is Niger. "Niger". Seven is the average. | 0:37:21 | 0:37:25 | |
-Good Lord. -Quite a burden for a woman in Niger. | 0:37:25 | 0:37:29 | |
Now, name a monogamous bird? | 0:37:29 | 0:37:32 | |
-Me. -LAUGHTER | 0:37:32 | 0:37:34 | |
Swan. | 0:37:34 | 0:37:36 | |
KLAXON BLARES | 0:37:36 | 0:37:37 | |
Sorry, we just had to get you there. | 0:37:37 | 0:37:40 | |
-MAN IN AUDIENCE: -Penguin. | 0:37:40 | 0:37:41 | |
Penguin. Penguin from the audience. | 0:37:41 | 0:37:45 | |
Oh, does the audience want one? KLAXON BLARES | 0:37:45 | 0:37:47 | |
APPLAUSE | 0:37:47 | 0:37:50 | |
-That's what happens... -We've got a dumb audience. | 0:37:50 | 0:37:53 | |
-Yeah, you see. -Not so clever now! | 0:37:53 | 0:37:55 | |
LAUGHTER | 0:37:55 | 0:37:58 | |
-ANOTHER MAN: -Magpie. | 0:37:58 | 0:37:59 | |
No, it's a nun, it's a nun. | 0:37:59 | 0:38:00 | |
APPLAUSE | 0:38:00 | 0:38:04 | |
Almost no birds are monogamous, | 0:38:04 | 0:38:06 | |
even ones that are thought of as monogamous are not truly monogamous. | 0:38:06 | 0:38:10 | |
They misbehave. They cheat. | 0:38:10 | 0:38:12 | |
I mean, the only one we've come up with is the black vulture. | 0:38:12 | 0:38:15 | |
-Where you do genetic tests... -Nobody... -Nobody will have him. -No. | 0:38:15 | 0:38:18 | |
Ugh! | 0:38:18 | 0:38:20 | |
A proud, handsome fellow. | 0:38:20 | 0:38:22 | |
-Or girl. -He is monogamous? -He is, yeah. -Not by choice. -Yeah. | 0:38:22 | 0:38:26 | |
LAUGHTER | 0:38:26 | 0:38:28 | |
No infidelity is found by DNA testing, | 0:38:28 | 0:38:31 | |
whereas in almost all the other birds... | 0:38:31 | 0:38:33 | |
Ducks are... They're dirty sods, aren't they? | 0:38:33 | 0:38:36 | |
Swans have also...black swans in particular - one in six cygnets is | 0:38:36 | 0:38:40 | |
the result of extra-pair copulation, what we would call extra-marital. | 0:38:40 | 0:38:44 | |
-Yes. -Despite the love hearts | 0:38:44 | 0:38:46 | |
and the beautiful romantic shape that they make. | 0:38:46 | 0:38:48 | |
Other orders or classes of animal that are genuinely monogamous, | 0:38:48 | 0:38:51 | |
apart from black vultures, are the flatworm Diplozoon paradoxum. | 0:38:51 | 0:38:56 | |
When a male meets a female, they actually fuse together, | 0:38:56 | 0:38:58 | |
so they don't really have any choice in the matter. | 0:38:58 | 0:39:01 | |
So they remain faithful till death. | 0:39:01 | 0:39:03 | |
And voles. | 0:39:03 | 0:39:05 | |
-That's very sweet. Look at that. -Aw! | 0:39:05 | 0:39:07 | |
How can you not love a vole? | 0:39:07 | 0:39:08 | |
Everything eats them as well, it's such a shame for them. Yeah. | 0:39:08 | 0:39:11 | |
-Owls in particular. -Yeah. -An owl can hear the heartbeat of a vole or... | 0:39:11 | 0:39:17 | |
-Or a shrew. -..or something, from, when it's four feet underground, | 0:39:17 | 0:39:21 | |
-when it's flying overhead. -I know, it's amazing. | 0:39:21 | 0:39:23 | |
And they've got their concave face, the owls, | 0:39:23 | 0:39:25 | |
it's like an echo chamber, and they can hear the heartbeat underground. | 0:39:25 | 0:39:28 | |
-Isn't that amazing? They say they can, anyway. -Yeah. | 0:39:28 | 0:39:32 | |
"Yes, I heard it underground. Hmm." | 0:39:32 | 0:39:34 | |
I was like that when I had my ears waxed | 0:39:34 | 0:39:37 | |
and it was like that, you know, coming out of the surgery. | 0:39:37 | 0:39:40 | |
"Oh, my God, I can hear a vole four miles away!" | 0:39:40 | 0:39:43 | |
I saw an owl flying for the first time in my life this year. | 0:39:43 | 0:39:48 | |
-And they make no noise at all, do they? -No. | 0:39:48 | 0:39:50 | |
-And apparently they're really thick. -Are they? | 0:39:50 | 0:39:52 | |
-They're not as wise as people have been going on about, are they? -No, apparently not. | 0:39:52 | 0:39:56 | |
Barn owls are really stupid, they don't even know where they live. | 0:39:56 | 0:39:59 | |
They have to have the habitat built into the name. | 0:39:59 | 0:40:01 | |
"Where do I live? Barn, barn! That's it. Oh, yes." | 0:40:04 | 0:40:07 | |
LAUGHTER | 0:40:07 | 0:40:09 | |
Well, voles are monogamous and charming | 0:40:09 | 0:40:12 | |
and indeed their names are an anagram of? | 0:40:12 | 0:40:15 | |
-Love. -Yes. Isn't that nice? | 0:40:15 | 0:40:18 | |
Well, many supposedly monogamous birds have a little tit on the side. | 0:40:18 | 0:40:22 | |
Who can marry you at sea? | 0:40:24 | 0:40:28 | |
The captain of the ship. | 0:40:28 | 0:40:29 | |
KLAXON BLARES | 0:40:29 | 0:40:31 | |
A vicar who happened to be on the ship. | 0:40:36 | 0:40:39 | |
Ship's entertainer? | 0:40:39 | 0:40:41 | |
No. No, I don't think so. | 0:40:41 | 0:40:42 | |
That would be great, wouldn't it? "Des O'Connor's marrying you." | 0:40:42 | 0:40:46 | |
The thing is, a ship's captain can't, and never has been able to. | 0:40:46 | 0:40:50 | |
-It's a total myth. -Oh. -Where's that come from, then? | 0:40:50 | 0:40:52 | |
Why do I know that to be true? | 0:40:52 | 0:40:53 | |
It seems to come from films, you know, all kinds of things. | 0:40:53 | 0:40:56 | |
The Amorous Adventures of Moll Flanders, it happens. | 0:40:56 | 0:40:58 | |
-Look, Bill, there's your pipe character made flesh. -Oh, yes. | 0:40:58 | 0:41:01 | |
-Oh, yes. It is, yeah. -Look at that moustache. | 0:41:01 | 0:41:03 | |
"Good God! | 0:41:03 | 0:41:04 | |
"I can't marry you, but I'm going to have a bloody good go." | 0:41:06 | 0:41:08 | |
LAUGHTER | 0:41:08 | 0:41:10 | |
"The things I can do with this moustache, | 0:41:13 | 0:41:15 | |
-"you wouldn't believe, madam." -"Extraordinary." | 0:41:15 | 0:41:17 | |
"Ooh, oooh!" | 0:41:17 | 0:41:21 | |
"You can actually play hoopla with this moustache." | 0:41:21 | 0:41:25 | |
"And once I bring the pipe into play... | 0:41:25 | 0:41:27 | |
"..you'll be begging for mercy." | 0:41:29 | 0:41:31 | |
"Ooh, ho-ah!" | 0:41:31 | 0:41:33 | |
The only country we could find where it is true that the captain | 0:41:33 | 0:41:37 | |
-can marry is Japan. -Japan. -Yeah. | 0:41:37 | 0:41:39 | |
But the couple has to be Japanese, as well. | 0:41:39 | 0:41:42 | |
-The captain can if the couple is Japanese. -All right. | 0:41:42 | 0:41:44 | |
He's punching above his weight, that fella, isn't he? Blimey. | 0:41:44 | 0:41:48 | |
Aren't they the ones that were in McDonald's earlier? | 0:41:48 | 0:41:51 | |
I think they do look like it, | 0:41:51 | 0:41:52 | |
we may have just put the different backdrop on. | 0:41:52 | 0:41:54 | |
-I think you have. -The horrible truth. I think it's right, yeah. | 0:41:54 | 0:41:58 | |
A ship's captain is no more qualified to marry you than I am. | 0:41:58 | 0:42:02 | |
So, to the scores. Oh, my actual. | 0:42:02 | 0:42:05 | |
Well, in first place, the blindingly, anagrammatically, | 0:42:05 | 0:42:09 | |
factually gifted Jo Brand with seven points! | 0:42:09 | 0:42:11 | |
APPLAUSE | 0:42:11 | 0:42:14 | |
Well done, Jo. | 0:42:14 | 0:42:16 | |
Plus 7, that's a rare plus. | 0:42:16 | 0:42:19 | |
In second place, what a debut, with minus 4, it's Greg. | 0:42:19 | 0:42:24 | |
Well done, Greg Davies. APPLAUSE | 0:42:24 | 0:42:27 | |
In third place, with a mighty minus 13, is Bill Bailey. | 0:42:30 | 0:42:33 | |
APPLAUSE | 0:42:33 | 0:42:36 | |
But never knowingly out-hopelessed, | 0:42:39 | 0:42:41 | |
with minus 32, is Alan Davies. | 0:42:41 | 0:42:43 | |
APPLAUSE | 0:42:43 | 0:42:45 | |
It only remains for me to thank Greg, Bill, Jo and Alan. | 0:42:50 | 0:42:53 | |
And I leave you with this wise old adage off a bumper sticker. | 0:42:53 | 0:42:57 | |
"Marriage is like a hurricane, | 0:42:57 | 0:42:58 | |
"it starts with all that sucking and blowing, | 0:42:58 | 0:43:01 | |
"and, in the end, you lose your house." | 0:43:01 | 0:43:03 | |
Goodnight. APPLAUSE | 0:43:03 | 0:43:05 |