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CHEERING AND APPLAUSE | 0:00:24 | 0:00:28 | |
Hello, everybody! | 0:00:28 | 0:00:30 | |
Aye-aye! | 0:00:30 | 0:00:32 | |
Ahoy and welcome aboard the good ship QI, | 0:00:32 | 0:00:34 | |
where tonight we'll be splicing each other's timbers, | 0:00:34 | 0:00:37 | |
hoisting our mainbraces and giving the ship's cat a good kicking | 0:00:37 | 0:00:40 | |
in the naval navigation show. Let's meet the crew. | 0:00:40 | 0:00:43 | |
First of all, my old mate Ronni Ancona. | 0:00:43 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:48 | |
And something of a figurehead, Johnny Vegas. | 0:00:51 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
A bit of a bottom feeder, Jimmy Carr. | 0:00:58 | 0:01:02 | |
-CHEERING AND APPLAUSE -Wow. What? | 0:01:02 | 0:01:05 | |
One time, one time. | 0:01:05 | 0:01:07 | |
And Roger the cabin boy, it's Alan Davies. | 0:01:07 | 0:01:10 | |
CHEERING AND APPLAUSE | 0:01:10 | 0:01:12 | |
Let's hear your naval noises. Ronni goes... | 0:01:17 | 0:01:20 | |
HIGH-PITCHED SHIP'S HOOTER | 0:01:20 | 0:01:23 | |
Johnny goes... | 0:01:23 | 0:01:25 | |
LOW-PITCHED SHIP'S HOOTER | 0:01:25 | 0:01:27 | |
Jimmy goes... | 0:01:30 | 0:01:32 | |
RASPY SHIP'S HOOTER | 0:01:32 | 0:01:35 | |
That's Mexican food. | 0:01:35 | 0:01:37 | |
Alan goes... | 0:01:37 | 0:01:38 | |
# Yummy, yummy, yummy | 0:01:38 | 0:01:40 | |
# I got love in my tummy | 0:01:40 | 0:01:42 | |
# And as silly as it may seem... # | 0:01:42 | 0:01:44 | |
Yeah, no, I meant N-A-V-A-L, not the other kind of navel. | 0:01:47 | 0:01:50 | |
First up, a question on nautical names. | 0:01:51 | 0:01:54 | |
Now, you each have got a hat. Put them on, there we go. | 0:01:54 | 0:01:58 | |
Sure. I mean, a lot of people would look stupid in this, but me... | 0:01:58 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:04 | |
So, what I want to know is, as you look round the room, | 0:02:07 | 0:02:10 | |
how many of you are genuine ship names? | 0:02:10 | 0:02:14 | |
Banterer, we've got Ronni's Spanker. | 0:02:14 | 0:02:16 | |
-Spanker? -Flirt, we've got for Johnny, and Titan Uranus. | 0:02:16 | 0:02:20 | |
HMS Flirt? | 0:02:20 | 0:02:22 | |
-Hello, sailor! -When you said it out loud, then it all made sense. | 0:02:24 | 0:02:27 | |
Yes, sorry. Tried to be polite. | 0:02:27 | 0:02:30 | |
Titan Uranus. | 0:02:30 | 0:02:31 | |
-What do we reckon? -Spanker's got to be a ship | 0:02:31 | 0:02:33 | |
out of a Carry On film, hasn't it? | 0:02:33 | 0:02:35 | |
-Yes. -Reporting for duty, everyone. Welcome aboard the Spanker! | 0:02:35 | 0:02:39 | |
Now, hands at the ready. | 0:02:39 | 0:02:41 | |
Oooh, naughty! | 0:02:41 | 0:02:42 | |
But I happen to know, because of a naval connection... | 0:02:45 | 0:02:49 | |
What is your naval connection? | 0:02:49 | 0:02:52 | |
I think I might have seen it online. | 0:02:52 | 0:02:54 | |
My brother is an admiral in the Navy. | 0:02:56 | 0:02:58 | |
Oh, whoa! | 0:02:58 | 0:03:00 | |
-An admiral? -And my father was a commander. | 0:03:00 | 0:03:04 | |
-Your father was a commander in the Navy? -Yeah. | 0:03:04 | 0:03:06 | |
-So, your brother's done rather better. -My brother... | 0:03:06 | 0:03:08 | |
Yes, cos he's got that insurance business on the side, hasn't he? | 0:03:08 | 0:03:12 | |
Yeah, my dad back-doored in through the Merchant Navy. | 0:03:12 | 0:03:16 | |
Did he? A lot of them do, I've heard. | 0:03:16 | 0:03:18 | |
LAUGHTER | 0:03:18 | 0:03:20 | |
I knew that was coming up. | 0:03:20 | 0:03:22 | |
That will "Titan Uranus". | 0:03:22 | 0:03:23 | |
-If anything, the reverse, I find. -But... | 0:03:25 | 0:03:27 | |
You look so innocent and then it says Titan Uranus. | 0:03:27 | 0:03:30 | |
Isn't that fantastic? | 0:03:30 | 0:03:31 | |
I could have hours of fun if I went out in this tonight. | 0:03:31 | 0:03:34 | |
What do you reckon, Johnny? You reckon yours, HMS Flirt, | 0:03:34 | 0:03:37 | |
do you reckon's the real thing? | 0:03:37 | 0:03:38 | |
Yeah, I reckon HMS Flirt could be the one. | 0:03:38 | 0:03:41 | |
-Yeah, could be the... -The others might have been nicknames. | 0:03:41 | 0:03:43 | |
Ah, a bit of fun amongst the sailors. | 0:03:43 | 0:03:45 | |
In fact, Spanker, Banterer and Flirt were all, | 0:03:45 | 0:03:47 | |
or had been all, ships in the Royal Navy. | 0:03:47 | 0:03:50 | |
Titan Uranus was... There have been two merchant ships, | 0:03:50 | 0:03:53 | |
actually, there was an oil tanker and an ore carrier. | 0:03:53 | 0:03:55 | |
Lots named after animals - | 0:03:55 | 0:03:57 | |
there has been Kangaroo, Gnat, Weasel, Zebra. | 0:03:57 | 0:03:59 | |
Is the downside to this not the...? | 0:03:59 | 0:04:01 | |
I mean, obviously the Royal Navy, very proud history, | 0:04:01 | 0:04:04 | |
but, occasionally, ships get sunk and people die, | 0:04:04 | 0:04:06 | |
and then you've got to report back. | 0:04:06 | 0:04:08 | |
"I'm afraid things did not go well, 60 souls lost on Titan Uranus." | 0:04:08 | 0:04:13 | |
Yeah, well, there are worse ones - Cockchafer. | 0:04:13 | 0:04:16 | |
That is how a lot of the sailors died. | 0:04:17 | 0:04:20 | |
And HMS Pansy. | 0:04:20 | 0:04:22 | |
JIMMY LAUGHS And... | 0:04:22 | 0:04:26 | |
-Oh, that's fantastic. -..my favourite, Happy Entrance. | 0:04:26 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:30 | |
So, just to say. | 0:04:30 | 0:04:32 | |
So, have a quick look, imagine you are at sea | 0:04:32 | 0:04:34 | |
and we've got, I don't know, say, HMS Cockchafer coming at you | 0:04:34 | 0:04:38 | |
in the dark or possibly going away from you in the dark, OK? | 0:04:38 | 0:04:41 | |
Can you tell which one it is? | 0:04:41 | 0:04:44 | |
Coming towards you or going away? | 0:04:44 | 0:04:47 | |
Well, green towards you, red away? | 0:04:47 | 0:04:50 | |
Erm, not quite. | 0:04:50 | 0:04:52 | |
Anybody? Your brother's an admiral, for goodness' sake! | 0:04:52 | 0:04:54 | |
-I know, I know! -Is one port and the other starboard? | 0:04:54 | 0:04:57 | |
One is port and one is starboard, yes. | 0:04:57 | 0:04:58 | |
-Do you know which is which? -No. | 0:04:58 | 0:05:00 | |
-It's quite good to know. -Does anyone know? | 0:05:00 | 0:05:02 | |
-AUDIENCE MEMBER: -Red is port. -Red is port, red is port. | 0:05:02 | 0:05:05 | |
Yes. Yeah, I could've told you that. OK... | 0:05:05 | 0:05:09 | |
That's how you remember, like, port is red. | 0:05:09 | 0:05:11 | |
And green is...sherry? | 0:05:11 | 0:05:13 | |
Green is starboard. And what you say is, "Green to green, red to red, | 0:05:13 | 0:05:16 | |
"perfect safety, go ahead." | 0:05:16 | 0:05:18 | |
So what you would know from this is that the boat is coming towards you, | 0:05:18 | 0:05:21 | |
and that would be important information to have | 0:05:21 | 0:05:23 | |
-when you're at sea. -Oh, hang on! | 0:05:23 | 0:05:25 | |
-I definitely would have crashed into that. -Yeah. | 0:05:25 | 0:05:28 | |
There is one of my favourite books of all time that you could read | 0:05:28 | 0:05:30 | |
to avoid this happening. | 0:05:30 | 0:05:31 | |
It was published in 1992 and it is called How To Avoid Huge Ships. | 0:05:31 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:39 | |
-RONNI: -That's brilliant! That is so brilliant. | 0:05:39 | 0:05:41 | |
And who was this sold to? Small islands? | 0:05:41 | 0:05:44 | |
It went through several editions. | 0:05:45 | 0:05:47 | |
What worries me is that they may have left stuff out | 0:05:47 | 0:05:49 | |
in the first edition and then gone, | 0:05:49 | 0:05:50 | |
"Oh, that was the other thing I meant to put in." | 0:05:50 | 0:05:53 | |
It's ranked as the third oddest book title of all time. | 0:05:53 | 0:05:56 | |
Oh, go on, what are the other two? | 0:05:56 | 0:05:57 | |
The second, number two - | 0:05:57 | 0:05:59 | |
Greek Rural Postmen And Their Cancellation Numbers. | 0:05:59 | 0:06:02 | |
LAUGHTER | 0:06:02 | 0:06:04 | |
Yeah, the one about the urban postmen I found a bit ehhh. | 0:06:04 | 0:06:06 | |
Who's that bothered? | 0:06:06 | 0:06:08 | |
This is my favourite, number one, oddest book title of all time - | 0:06:08 | 0:06:10 | |
People Who Don't Know They're Dead, | 0:06:10 | 0:06:12 | |
How They Attach Themselves To Unsuspecting Bystanders | 0:06:12 | 0:06:15 | |
And What To Do About It. | 0:06:15 | 0:06:17 | |
LAUGHTER | 0:06:17 | 0:06:19 | |
Put your hats away, please. | 0:06:19 | 0:06:21 | |
Why would you spend a year's rent hiring a rowing boat? | 0:06:21 | 0:06:25 | |
You're sleepy and drunk. | 0:06:26 | 0:06:28 | |
You've not been living in London long, | 0:06:30 | 0:06:32 | |
and you've gone on the Thames. | 0:06:32 | 0:06:34 | |
Yeah, I like all of those reasons, but no. It was in 1815. | 0:06:34 | 0:06:38 | |
-So, what happened in 1815? -It was that... | 0:06:38 | 0:06:41 | |
lesser known Fire of London. | 0:06:41 | 0:06:44 | |
Like, a really small fire that didn't get widely reported? | 0:06:46 | 0:06:49 | |
Just a tiny one. People cashed in completely. | 0:06:50 | 0:06:54 | |
-RONNI: -Waterloo. -Waterloo, exactly. | 0:06:54 | 0:06:56 | |
The big battle of Waterloo. Napoleon was defeated. | 0:06:56 | 0:06:59 | |
-What happened to Napoleon? -Oh! Abba played live in the harbour. -Yes. | 0:06:59 | 0:07:02 | |
That's it exactly. And people took rowing boats out. | 0:07:04 | 0:07:06 | |
It was lovely. There were picnics. | 0:07:06 | 0:07:07 | |
They couldn't get enough of that blonde one, absolutely. | 0:07:07 | 0:07:10 | |
-It's not that. -Is that when he was banished? -Yes. | 0:07:10 | 0:07:13 | |
This is a really interesting part of the story, which I don't think | 0:07:13 | 0:07:16 | |
ever gets reported. Do you know where he wanted to go | 0:07:16 | 0:07:18 | |
-when he was defeated? -Isle of Wight. | 0:07:18 | 0:07:20 | |
-He wanted to emigrate to the United States. -Did he? | 0:07:20 | 0:07:23 | |
He went to the west coast of France, to Rochefort. There was a boat... | 0:07:23 | 0:07:27 | |
There it is, the HMS Bellerophon, known by the men as Billy Ruffian. | 0:07:27 | 0:07:31 | |
And they blockaded the port. | 0:07:31 | 0:07:33 | |
So, he surrendered and was taken to the UK. | 0:07:33 | 0:07:37 | |
And it was supposed to be a secret that he was first in Brixham, | 0:07:37 | 0:07:40 | |
then the ship was moved to Plymouth. | 0:07:40 | 0:07:41 | |
But he was so popular in the UK that people would spend a year's rent | 0:07:41 | 0:07:47 | |
to get a rowboat out to the ship in order to see Napoleon. | 0:07:47 | 0:07:52 | |
And he wasn't allowed to come to land because they were so afraid | 0:07:52 | 0:07:56 | |
that he was so popular that there would be a public uprising. | 0:07:56 | 0:07:58 | |
And, in the end, | 0:07:58 | 0:08:00 | |
achieve his goal of defeating Britain in the first place. | 0:08:00 | 0:08:03 | |
10,000 people boarded 1,000 small boats in order to get | 0:08:03 | 0:08:07 | |
-a glimpse of him. -How was he that popular? Hadn't we just fought him? | 0:08:07 | 0:08:10 | |
Well, that's the weird thing. | 0:08:10 | 0:08:12 | |
In a way, Waterloo, not hugely good for democracy, | 0:08:12 | 0:08:14 | |
it's not something anybody says. | 0:08:14 | 0:08:16 | |
But the Bourbons were restored as kings of France, | 0:08:16 | 0:08:18 | |
and the revolution was over. | 0:08:18 | 0:08:19 | |
And there were people who believed him when he said that | 0:08:19 | 0:08:22 | |
if he had come to Britain, he'd have got rid of the nobility, | 0:08:22 | 0:08:24 | |
and he'd have spread all the money to the people. | 0:08:24 | 0:08:26 | |
But, in fact, that never happened because he never came. | 0:08:26 | 0:08:29 | |
There were people who genuinely thought he was incredible. | 0:08:29 | 0:08:31 | |
And the crew used to hang notices over the side of the ship | 0:08:31 | 0:08:34 | |
saying, "He's having his breakfast." | 0:08:34 | 0:08:35 | |
"He's having dinner with the Captain Maitland." | 0:08:35 | 0:08:37 | |
It's the most extraordinary story that he was too popular | 0:08:37 | 0:08:40 | |
to be allowed to land. It's extraordinary. | 0:08:40 | 0:08:42 | |
And he was taken to St Helena, and then about 2,800 men | 0:08:42 | 0:08:46 | |
and a squadron of 11 ships made sure that that one man stayed there. | 0:08:46 | 0:08:50 | |
You can see it from that picture, can't you? | 0:08:50 | 0:08:52 | |
He's like the Bieber of his day. Lovely grey pallor. Oh. | 0:08:52 | 0:08:57 | |
Anybody know when Nelson's pension ran out? | 0:08:57 | 0:09:00 | |
-1974. -Close. | 0:09:00 | 0:09:03 | |
-Seriously close. -Is it one of these anomalies... | 0:09:03 | 0:09:06 | |
-Is someone still claiming it? -Not any more. | 0:09:06 | 0:09:08 | |
It ran out in 1947, 142 years after his death. | 0:09:08 | 0:09:11 | |
After the Battle of Trafalgar, his brother, | 0:09:11 | 0:09:14 | |
who was an obscure Norfolk parson called Reverend William Nelson, | 0:09:14 | 0:09:18 | |
was given an earldom and a pension of £5,000 a year. | 0:09:18 | 0:09:22 | |
And this carried on, | 0:09:22 | 0:09:23 | |
passed on down the family line until Clement Attlee stopped it in 1947. | 0:09:23 | 0:09:26 | |
Even then, it was worth £400,000 a year in today's money. | 0:09:26 | 0:09:30 | |
It was a serious amount of money. | 0:09:30 | 0:09:32 | |
Right, time for some salty language now. | 0:09:32 | 0:09:36 | |
Complete the nautical rhyme. | 0:09:36 | 0:09:38 | |
"A pig on the knee..." | 0:09:38 | 0:09:39 | |
A pig on the knee, I'm a Tory MP? | 0:09:39 | 0:09:41 | |
LAUGHTER AND APPLAUSE | 0:09:43 | 0:09:45 | |
So, a pig on the knee is actually safety at sea. | 0:09:51 | 0:09:54 | |
Safety at sea, that old favourite. | 0:09:54 | 0:09:56 | |
The next one is, a cock on the right... | 0:09:56 | 0:09:58 | |
Transgender surgery doesn't always go right. | 0:09:58 | 0:10:00 | |
Put out the lights. | 0:10:03 | 0:10:04 | |
-Put out the lights? -Don't take flight. | 0:10:04 | 0:10:07 | |
No. A cock on the right... | 0:10:07 | 0:10:09 | |
The parish priest is strolling tonight. | 0:10:09 | 0:10:11 | |
LAUGHTER AND APPLAUSE | 0:10:11 | 0:10:14 | |
That's poetry from you, Johnny. | 0:10:18 | 0:10:20 | |
-Cock on the right, never lose a fight, it is. -Never lose a fight. | 0:10:20 | 0:10:22 | |
So, it was superstitious sailors. | 0:10:22 | 0:10:24 | |
They used to get tattoos of a pig on the left knee and a rooster, | 0:10:24 | 0:10:27 | |
or a cock, on the right foot. | 0:10:27 | 0:10:29 | |
So, pig on the knee, safety at sea. | 0:10:29 | 0:10:31 | |
A cock on the right, never lose a fight. | 0:10:31 | 0:10:33 | |
Because the idea was that pigs and cockerels were kept in crates | 0:10:33 | 0:10:36 | |
on the ships, and when the ships sank, the crates floated, | 0:10:36 | 0:10:38 | |
and the animals were associated with surviving shipwrecks. | 0:10:38 | 0:10:41 | |
I heard that because a pig and a cock can't swim, | 0:10:41 | 0:10:45 | |
so God would look at you benevolently. | 0:10:45 | 0:10:48 | |
Can pigs not swim? | 0:10:48 | 0:10:50 | |
-I think famously pigs can't fly. -Yeah. | 0:10:50 | 0:10:52 | |
That's the one. You're thinking of the Royal Air Force. | 0:10:52 | 0:10:55 | |
They're full of salt. Surely that bobs, doesn't it, salt? | 0:10:55 | 0:10:58 | |
It's going to be a struggle. When I took my baby swimming | 0:10:58 | 0:11:01 | |
for the first time, I strapped two pigs to his hands. | 0:11:01 | 0:11:04 | |
And I'm banned from the local swimming pool. | 0:11:05 | 0:11:07 | |
-For bringing your own food in. -Yeah. | 0:11:07 | 0:11:09 | |
Anybody know where tattoos come from? | 0:11:11 | 0:11:14 | |
I guess the South Pacific. Maui... | 0:11:14 | 0:11:16 | |
They had them but it isn't where they come from. | 0:11:16 | 0:11:19 | |
Is it your lot? Is it the... Scandinavian, the Vikings? | 0:11:19 | 0:11:23 | |
-We randy Scandis, yes. -Is it the Vikings? -No, it isn't at all. | 0:11:23 | 0:11:27 | |
As far as we know, medical tattoos go back about 5,000 years. | 0:11:27 | 0:11:30 | |
Otzi the Iceman, who was found in the Alps, 5,000-year-old corpse, | 0:11:30 | 0:11:34 | |
he had tattoos over his spine, over his right knee and ankles. | 0:11:34 | 0:11:38 | |
And he also had osteoarthritis in his joints, and so it's possible | 0:11:38 | 0:11:41 | |
they thought a tattoo had some healing effect, | 0:11:41 | 0:11:43 | |
or that it might do something. So they're at least 5,000 years old. | 0:11:43 | 0:11:46 | |
My brother got one. | 0:11:46 | 0:11:48 | |
And you know the trend a few years ago, | 0:11:48 | 0:11:50 | |
to get it in a language you don't understand | 0:11:50 | 0:11:52 | |
-so you don't know if it's been misspelt? -Yeah. | 0:11:52 | 0:11:54 | |
I said, "What does it mean?" He went, "Honesty." | 0:11:54 | 0:11:56 | |
And as my mum walked in, | 0:11:56 | 0:11:57 | |
he pulled his shirt on and just pretended he hadn't had it. | 0:11:57 | 0:12:00 | |
Lots of great women, tattooed ladies. | 0:12:05 | 0:12:08 | |
Nora Hildebrandt, she was America's very first | 0:12:08 | 0:12:10 | |
professional tattooed lady. | 0:12:10 | 0:12:12 | |
This is a wonderful drawing by my friend Sandy Nightingale | 0:12:12 | 0:12:15 | |
of Nora Hildebrandt. Doesn't she look fab? | 0:12:15 | 0:12:17 | |
She had 365 designs tattooed on her. | 0:12:17 | 0:12:20 | |
She claimed she had been captured by Sitting Bull and his tribe | 0:12:20 | 0:12:23 | |
and tied to a tree and tattooed every day for a year, | 0:12:23 | 0:12:26 | |
but, in fact, her dad did it. | 0:12:26 | 0:12:28 | |
-Slightly, it's a weirder story. -I think she may have been trying to | 0:12:30 | 0:12:33 | |
detract from men staring at her nose. | 0:12:33 | 0:12:35 | |
-I mean, you've got to question that. -Well, if you don't do your homework, | 0:12:37 | 0:12:40 | |
I mean... What do you expect? | 0:12:40 | 0:12:42 | |
How did he get involved? | 0:12:42 | 0:12:44 | |
She was likely his showcase, as it were, his window display, | 0:12:44 | 0:12:47 | |
to say, "These are the ones I can do." | 0:12:47 | 0:12:49 | |
Thank God he didn't own a garage, | 0:12:49 | 0:12:51 | |
or he'd have just glued car parts to her. | 0:12:51 | 0:12:53 | |
-Yes. -She would have looked like a Transformer. | 0:12:53 | 0:12:56 | |
How creepy is that? You walk into a tattooist's, say, | 0:12:56 | 0:12:59 | |
"I'm thinking about getting a tattoo," and he goes, | 0:12:59 | 0:13:02 | |
"Well, just look at my daughter for a while. | 0:13:02 | 0:13:04 | |
-"Pick anything you want." -Yeah. | 0:13:04 | 0:13:06 | |
"O...OK..." | 0:13:06 | 0:13:07 | |
When you have a tattoo lasered off, what happens to it? | 0:13:07 | 0:13:10 | |
-Do you know where it goes? -To heaven. | 0:13:10 | 0:13:13 | |
They can't recycle them, can they? | 0:13:15 | 0:13:17 | |
No. They don't scrape them off and give them to somebody else. | 0:13:17 | 0:13:21 | |
There was a guy at Barts that had an incredible collection of tattoos. | 0:13:21 | 0:13:25 | |
-Had he actually cut them off people's skin? -Yeah, so, | 0:13:25 | 0:13:27 | |
whenever they got cadavers in, | 0:13:27 | 0:13:28 | |
if they had an interesting tattoo, he'd take that piece of skin... | 0:13:28 | 0:13:31 | |
-And frame it? -I think it was, like, in the '60s. | 0:13:31 | 0:13:34 | |
They kind of went, "I don't think we can do that any more." | 0:13:34 | 0:13:36 | |
What happens to them? We laser off a tattoo, what...? | 0:13:36 | 0:13:39 | |
-It goes into your body. -Yes, exactly right. | 0:13:39 | 0:13:41 | |
The beams of light heat the ink and breaks it down into little pieces. | 0:13:41 | 0:13:44 | |
It's absorbed into the blood and it is excreted. | 0:13:44 | 0:13:47 | |
So it comes out in your poo. | 0:13:47 | 0:13:49 | |
So, you see it in your poo and you go, "That's what I really wanted!" | 0:13:49 | 0:13:53 | |
Yeah, so if you loved somebody once... | 0:13:53 | 0:13:55 | |
-A tattoo poo. -Yeah, you can poo them away, basically. | 0:13:55 | 0:13:58 | |
If it came out in the wee, you'd stand there going, "I'm an octopus!" | 0:13:58 | 0:14:02 | |
I now understand why boys make such a mess in the toilet, | 0:14:05 | 0:14:08 | |
because they're not holding on. | 0:14:08 | 0:14:09 | |
-Here's a naval question you'll know, if your brother's an admiral. -Yes. | 0:14:12 | 0:14:15 | |
Why is the Navy salute different to the Army salute? | 0:14:15 | 0:14:18 | |
And you know how it's different? | 0:14:18 | 0:14:20 | |
Er... | 0:14:20 | 0:14:21 | |
It is... The Navy one's more of a, "Cooee!" | 0:14:22 | 0:14:26 | |
"Hello, sailor!" | 0:14:28 | 0:14:30 | |
-This? -That's right, that's the Navy. -That's the Navy. -And the Army? | 0:14:32 | 0:14:35 | |
Is like that, exactly right. Do you know why? | 0:14:35 | 0:14:38 | |
It's because Benny Hill wasn't in the Navy? | 0:14:38 | 0:14:40 | |
Because their hands were covered in grease and Queen Victoria | 0:14:40 | 0:14:43 | |
didn't like it, so she made them, instead of standing like that, | 0:14:43 | 0:14:45 | |
she made them stand like that | 0:14:45 | 0:14:47 | |
so she couldn't see how dirty their hands were. | 0:14:47 | 0:14:48 | |
So they were meeting the Queen? "Shall we wash our hands?" | 0:14:48 | 0:14:51 | |
"No, it's only the Queen coming aboard, don't worry about it." | 0:14:51 | 0:14:54 | |
There's a lot of weird Navy things. | 0:14:54 | 0:14:55 | |
They toast the Queen sitting down, the Navy, they don't stand up. | 0:14:55 | 0:14:58 | |
They're the only services that are allowed to do that. | 0:14:58 | 0:15:01 | |
I'm not sure why - it was either William IV or Charles II, | 0:15:01 | 0:15:03 | |
and he was coming back to England, | 0:15:03 | 0:15:05 | |
and he stood up during the toast and he bumped his head on a beam, | 0:15:05 | 0:15:09 | |
and he announced from then on the Navy would sit down when drinking. | 0:15:09 | 0:15:12 | |
And, so, now they do, toasting the King and Queen. | 0:15:12 | 0:15:15 | |
They've got all sorts of very interesting language. | 0:15:15 | 0:15:18 | |
-Jack Tar speak. -It's a bit rude, but the term for | 0:15:18 | 0:15:21 | |
premature ejaculation is "getting off at Fratton," | 0:15:21 | 0:15:24 | |
because Fratton is the train station | 0:15:24 | 0:15:28 | |
two before Portsmouth. | 0:15:28 | 0:15:31 | |
LAUGHTER | 0:15:31 | 0:15:33 | |
Which is your final destination, really. | 0:15:33 | 0:15:35 | |
Two before, so what's the station just one before? | 0:15:38 | 0:15:40 | |
Because sometimes it's not that bad. | 0:15:40 | 0:15:42 | |
Sometimes I fall asleep at the station and I'm there for ages. | 0:15:44 | 0:15:47 | |
That's almost too much information for me, really. | 0:15:49 | 0:15:53 | |
I go to Portsmouth all the time. I shall look at Fratton with new eyes. | 0:15:53 | 0:15:56 | |
Do you? Ooh! | 0:15:56 | 0:15:58 | |
-I do, yes. -Same here, same here, yeah. | 0:15:58 | 0:16:00 | |
What, go to Portsmouth? | 0:16:00 | 0:16:01 | |
Oh, no, I thought we were talking about Fratton. Sorry. | 0:16:01 | 0:16:05 | |
I'm so sorry! | 0:16:05 | 0:16:07 | |
For some sailors, tattoos were thought to be a real life-saver. | 0:16:07 | 0:16:10 | |
Now, what are these men looking at? | 0:16:10 | 0:16:13 | |
Their feet. | 0:16:13 | 0:16:15 | |
-No, something higher up. -Their genitalia. | 0:16:15 | 0:16:18 | |
-It's higher than that. -Their navels, they're navel-gazing. | 0:16:18 | 0:16:20 | |
Yes. They're engaged in omphaloskepsis, or navel-gazing. | 0:16:20 | 0:16:25 | |
So, the Greek for navel is omphalos, | 0:16:25 | 0:16:28 | |
and apparently it's an aid to meditation. | 0:16:28 | 0:16:30 | |
It doesn't look like what they're doing, does it? | 0:16:30 | 0:16:32 | |
But in some yoga practices, it's regarded as an aid to meditation. | 0:16:32 | 0:16:34 | |
It looks like they're thinking, | 0:16:34 | 0:16:36 | |
"These pills I bought on the internet are not working. | 0:16:36 | 0:16:38 | |
"I've been bloody ripped off, haven't I?" | 0:16:40 | 0:16:41 | |
You can never quite capture in a statue someone crying. | 0:16:41 | 0:16:45 | |
-That's true, that's true. -And going, "Why me, God, why me?" | 0:16:47 | 0:16:50 | |
After having a couple of kids, I tell you, it's not meditative. | 0:16:50 | 0:16:53 | |
I just see blind panic when I look at mine. | 0:16:53 | 0:16:56 | |
We should all possibly panic when we look at our navels, | 0:16:56 | 0:16:58 | |
because the average human navel has about 50 species of bacteria in it. | 0:16:58 | 0:17:03 | |
That one's got a peanut in it. | 0:17:03 | 0:17:05 | |
Never mind bacteria, that's a whole peanut. | 0:17:07 | 0:17:09 | |
They're very varied, aren't they? | 0:17:09 | 0:17:11 | |
-Yeah. -Belly buttons. | 0:17:11 | 0:17:12 | |
An innie, an outie, and a kind of natural horizon. | 0:17:12 | 0:17:15 | |
Honestly, if you combine it with my man-breasts, | 0:17:15 | 0:17:19 | |
whenever I take my top off, | 0:17:19 | 0:17:20 | |
it looks like my midriff has been rejected for a loan. | 0:17:20 | 0:17:25 | |
LAUGHTER | 0:17:25 | 0:17:28 | |
It looks so depressed, | 0:17:30 | 0:17:32 | |
like it's filled out all the forms and everything. | 0:17:32 | 0:17:34 | |
But if you stand on your hands, does it look like it's got the loan? | 0:17:37 | 0:17:40 | |
Yeah, I can turn upside down and it looks like it's in tax exile. | 0:17:40 | 0:17:43 | |
Mine's got real passion. | 0:17:45 | 0:17:47 | |
It's got more range than this has. | 0:17:47 | 0:17:49 | |
Do you know why there are innies or outies? | 0:17:51 | 0:17:53 | |
Do you know what the reason is? | 0:17:53 | 0:17:54 | |
It's just where they tie it off, isn't it? | 0:17:54 | 0:17:56 | |
No, it's nothing to do with that at all. | 0:17:56 | 0:17:57 | |
So, after birth, the umbilical cord is cut to, whatever it is, | 0:17:57 | 0:18:00 | |
an inch or two from the newborn's belly, | 0:18:00 | 0:18:02 | |
and then it dries up and falls off as the muscles close up. | 0:18:02 | 0:18:04 | |
And the navel is just the scar left, basically, | 0:18:04 | 0:18:06 | |
from the base of the cord. | 0:18:06 | 0:18:08 | |
And usually it ends up slightly retracted, | 0:18:08 | 0:18:10 | |
but sometimes a bit of extra skin stays, that's all, | 0:18:10 | 0:18:12 | |
and it makes it stick out or the muscles don't close off, | 0:18:12 | 0:18:14 | |
and you're left with a little tiny protruding hernia. | 0:18:14 | 0:18:17 | |
That one's got a hand growing out of it. | 0:18:17 | 0:18:20 | |
LAUGHTER | 0:18:20 | 0:18:22 | |
A bloody disaster, that. | 0:18:22 | 0:18:24 | |
It is amazing, they can remove your kidney, | 0:18:24 | 0:18:27 | |
your gall bladder through the navel, now. | 0:18:27 | 0:18:29 | |
They don't have even any scarring. | 0:18:29 | 0:18:31 | |
They've got to ask, though, haven't they? | 0:18:31 | 0:18:32 | |
They do have to ask, yeah. | 0:18:32 | 0:18:34 | |
They'll do you a tattoo of a little door. | 0:18:36 | 0:18:38 | |
It beats waking up in a bath on holiday | 0:18:40 | 0:18:43 | |
with all that ice around you. | 0:18:43 | 0:18:46 | |
"Not again!" | 0:18:46 | 0:18:48 | |
They can do everything now, | 0:18:48 | 0:18:50 | |
-they can turn you inside out through your navel. -Can they? -Yeah. | 0:18:50 | 0:18:53 | |
-JOHNNY: -How can they turn you inside out? | 0:18:53 | 0:18:55 | |
Just put your hand... It's like a duvet cover. | 0:18:55 | 0:18:58 | |
LAUGHTER | 0:18:58 | 0:18:59 | |
My mum has got some loose skin at the back. | 0:19:02 | 0:19:04 | |
Next time she's holding drinks, I'm going to try the... | 0:19:04 | 0:19:06 | |
"My mum's got some loose skin at the back." | 0:19:10 | 0:19:12 | |
Well, I'm sure she's watching this, proud as ever. | 0:19:12 | 0:19:17 | |
"Oh, my Johnny's on television this evening, so proud of that boy." | 0:19:17 | 0:19:20 | |
Her phone's already ringing off the hook. | 0:19:20 | 0:19:22 | |
"What's this about loose skin on your back? | 0:19:22 | 0:19:26 | |
"It's the talk of the street!" | 0:19:26 | 0:19:27 | |
It's the only work I do that the girls from bingo watch. | 0:19:29 | 0:19:32 | |
But imagine if she were still holding the tray of drinks. | 0:19:32 | 0:19:35 | |
And suddenly looking ten years younger. | 0:19:39 | 0:19:41 | |
There's an underwear model, I think, Karolina Kurkova. | 0:19:43 | 0:19:46 | |
She's got no belly button at all. Well, I mean... | 0:19:46 | 0:19:48 | |
All humans ought to have a belly button | 0:19:48 | 0:19:50 | |
but I think there are a few people that don't... | 0:19:50 | 0:19:52 | |
Oh, now! There's a tattooed woman who's had the whites of her eyes | 0:19:52 | 0:19:55 | |
tattooed blue, and she's had her navel removed. | 0:19:55 | 0:19:58 | |
-I think you can do it as a cosmetic thing. -She's had her eyes... | 0:19:58 | 0:20:01 | |
-Not her eyeballs? -Yes! -Her eyelids! -Yes, she has. -Or her eyeballs? | 0:20:01 | 0:20:05 | |
Her eyeballs. | 0:20:05 | 0:20:06 | |
-Injected with purple ink. -So, you can get your eyeballs tattooed. | 0:20:06 | 0:20:10 | |
-It saves on mascara. Why would you do that? -I don't know. | 0:20:10 | 0:20:15 | |
Because she probably saw it on QI and went, "Yeah, why not?" | 0:20:15 | 0:20:18 | |
All you have to do is drink for 20 years and then you get | 0:20:18 | 0:20:21 | |
a lovely shade of red. | 0:20:21 | 0:20:22 | |
It's all been worth it, Johnny. | 0:20:24 | 0:20:26 | |
Contemplating your navel can bring you both innie and outie peace. | 0:20:27 | 0:20:31 | |
That's nice, isn't it? AUDIENCE GROANS | 0:20:31 | 0:20:34 | |
All right, back off! | 0:20:34 | 0:20:35 | |
-When I get angry... -LAUGHTER | 0:20:35 | 0:20:38 | |
What am I an inch and a half taller than? | 0:20:38 | 0:20:40 | |
-I'm five foot tall. -The cast of Time Bandits. | 0:20:42 | 0:20:45 | |
Kylie Minogue. She's 4' 11", isn't she? | 0:20:48 | 0:20:51 | |
-She is tiny. -You were an inch and a half - | 0:20:51 | 0:20:53 | |
God rest his soul - smaller than Ronnie Corbett. | 0:20:53 | 0:20:57 | |
Yes, Ronnie... | 0:20:57 | 0:20:58 | |
-He was 5'1½". -..Ronnie Corbett and I worked together often. | 0:20:58 | 0:21:01 | |
I remember playing golf with Ronnie, and he said, | 0:21:01 | 0:21:04 | |
"Dear God, darling, from a distance we must look like a condiment set." | 0:21:04 | 0:21:07 | |
LAUGHTER AND APPLAUSE | 0:21:07 | 0:21:10 | |
I pay tribute to him, one of the funniest men I ever worked with. | 0:21:14 | 0:21:17 | |
-A delight. -Is it a naval thing, anything to do with naval...? | 0:21:17 | 0:21:20 | |
It is about exploration, it's about travel, | 0:21:20 | 0:21:22 | |
but it's about travel in a different direction, away from... | 0:21:22 | 0:21:25 | |
-Is it roller-coasters? -Space. -Space, yes, it's space. | 0:21:25 | 0:21:27 | |
Yes, it's the minimum height for Nasa. You need to be 4'10½". | 0:21:27 | 0:21:31 | |
And the maximum is 6'4". | 0:21:31 | 0:21:33 | |
Basically, you need to be tall enough to reach the controls, | 0:21:33 | 0:21:35 | |
and not too tall to fit in the seat. | 0:21:35 | 0:21:37 | |
The weird thing is that in space... I'd quite like to go, | 0:21:37 | 0:21:40 | |
because you grow two inches because of the lack of gravity. | 0:21:40 | 0:21:43 | |
So you would go into space and exceed the height limit, | 0:21:43 | 0:21:45 | |
if you started out at 6'4"... | 0:21:45 | 0:21:47 | |
LAUGHTER | 0:21:47 | 0:21:50 | |
APPLAUSE | 0:21:54 | 0:21:56 | |
Surely it all comes crashing down once you land? | 0:22:05 | 0:22:08 | |
As you're getting nearer and nearer the Earth... | 0:22:08 | 0:22:10 | |
Yeah, but what if you're up in space, | 0:22:13 | 0:22:15 | |
you're up in space and then they suddenly tell you | 0:22:15 | 0:22:17 | |
-you're too tall? -Well, when astronaut Scott Kelly | 0:22:17 | 0:22:19 | |
came back from the International Space Station, | 0:22:19 | 0:22:22 | |
he had a twin brother. They had been the same height when he left, | 0:22:22 | 0:22:24 | |
and he was two inches taller than his brother when he got back. | 0:22:24 | 0:22:26 | |
Once you get back to Earth, you shrink back pretty quickly. | 0:22:26 | 0:22:29 | |
And the other thing... See, this would be very good, | 0:22:29 | 0:22:31 | |
you'd like this, Johnny - it's very good for your figure, OK? | 0:22:31 | 0:22:34 | |
Why would that be good for me, Sandi? | 0:22:34 | 0:22:36 | |
-I'm dying to know. -Because your chest and navel might get a loan. | 0:22:38 | 0:22:42 | |
But then... | 0:22:44 | 0:22:45 | |
But then it would stretch, I'd get over competent, | 0:22:45 | 0:22:48 | |
and then break the record for eating cheesecake in space. | 0:22:48 | 0:22:51 | |
What happens is, in space, the internal organs move up | 0:22:53 | 0:22:55 | |
inside the torso, so your waist shrinks by several inches. | 0:22:55 | 0:22:58 | |
So, on Earth, for example, the human leg muscles, | 0:22:58 | 0:23:01 | |
they pump blood into the upper body against gravity, but in space, | 0:23:01 | 0:23:04 | |
no gravity, so the blood and fluids get pumped upwards, | 0:23:04 | 0:23:07 | |
and you get this buffed-up torso. | 0:23:07 | 0:23:08 | |
Can you get breasts that sit above your clavicle, Sandi? | 0:23:08 | 0:23:11 | |
-That would be great. -You sound like that's something that people want. | 0:23:11 | 0:23:14 | |
They go, "Oh!" | 0:23:14 | 0:23:16 | |
You could eat a pizza and keep it there for two weeks. | 0:23:16 | 0:23:19 | |
If you've just got bad acid indigestion, you could do that. | 0:23:22 | 0:23:25 | |
I'm used to reflux. | 0:23:25 | 0:23:28 | |
This is very off-topic, but when I first met Johnny... | 0:23:28 | 0:23:30 | |
-I don't know why you're apologising. -..he had acid reflux. | 0:23:30 | 0:23:33 | |
It was in the Gilded Balloon in Edinburgh, back in the day. | 0:23:33 | 0:23:35 | |
And you were making home-made Gaviscon from half a pint of Baileys | 0:23:35 | 0:23:40 | |
and half a pint of Cointreau. | 0:23:40 | 0:23:42 | |
And you said... | 0:23:50 | 0:23:51 | |
"Have a sip of that. It's home-made Gaviscon. | 0:23:51 | 0:23:54 | |
"It really takes the edge off." | 0:23:54 | 0:23:56 | |
It was a drink that allowed you to keep on drinking whilst, | 0:23:56 | 0:23:59 | |
you know, keeping the acid demons at bay. | 0:23:59 | 0:24:03 | |
Half a pint of Baileys, half a pint of Cointreau. | 0:24:03 | 0:24:06 | |
Literally, a recipe for disaster. | 0:24:06 | 0:24:08 | |
Did it work? Did it work, though? | 0:24:09 | 0:24:11 | |
The Cointreau gives you an edge, and the Baileys... | 0:24:11 | 0:24:14 | |
-Takes it away again. -..takes away the edge. | 0:24:14 | 0:24:17 | |
I'd quite like to see you in space, it'd be great. | 0:24:18 | 0:24:20 | |
-Would you like to go? -I would love to go. | 0:24:20 | 0:24:22 | |
-Is that the weightlessness? The view of Earth? -It's that it's so other. | 0:24:22 | 0:24:26 | |
Apparently, the weirdest thing is, | 0:24:26 | 0:24:28 | |
because your organs are kind of up in the top of your body, | 0:24:28 | 0:24:30 | |
you can also feel your food literally floating around as well. | 0:24:30 | 0:24:34 | |
Helen Sharman talked about this weird feeling of your own food | 0:24:34 | 0:24:36 | |
-floating inside because there's no gravity. -It doesn't appeal. | 0:24:36 | 0:24:40 | |
Does it not? Oh, I would love to go. | 0:24:40 | 0:24:42 | |
I wish they could send some poets and some artists up there, | 0:24:42 | 0:24:44 | |
so we can get a bit more of an idea of what it actually... | 0:24:44 | 0:24:47 | |
Because if you see anyone interviewed, they go, | 0:24:47 | 0:24:49 | |
"Yeah, it's very nice." | 0:24:49 | 0:24:51 | |
If they sent Will Self, do a video diary. | 0:24:51 | 0:24:54 | |
"The majestic splendour of Earth... | 0:24:57 | 0:24:59 | |
"..is a little disappointing. | 0:25:00 | 0:25:02 | |
"14 days without a cigarette now." | 0:25:04 | 0:25:06 | |
LAUGHTER AND APPLAUSE | 0:25:06 | 0:25:09 | |
The minimum height for a Nasa astronaut is 4'10½", | 0:25:13 | 0:25:16 | |
so, hope for me yet. | 0:25:16 | 0:25:18 | |
Alan, what have you got that most people would describe as average | 0:25:18 | 0:25:21 | |
-rather than large or small? -Oh... | 0:25:21 | 0:25:23 | |
Don't you look handsome? | 0:25:25 | 0:25:26 | |
-RONNI: -Oh, you do. -Look at you. -He dresses up well. | 0:25:26 | 0:25:29 | |
When did people start wearing ties with a suit like that? | 0:25:29 | 0:25:32 | |
When did that start happening? | 0:25:32 | 0:25:33 | |
What have you got people would describe as average rather | 0:25:36 | 0:25:39 | |
-than large or small? -All of me is average. -No, that's not true. | 0:25:39 | 0:25:42 | |
Nothing of me is large, or too small. | 0:25:42 | 0:25:45 | |
So, it's in your visage. | 0:25:48 | 0:25:49 | |
-The distance between his eyes. -Eyes, nose, mouth, teeth... | 0:25:49 | 0:25:52 | |
-It's your nose, it's your nose. -Nose. -Here's the weird thing. | 0:25:52 | 0:25:54 | |
Early British passports didn't have photographs at all | 0:25:54 | 0:25:57 | |
so you had to describe your facial features. So, for nose, | 0:25:57 | 0:26:00 | |
almost everybody wrote "average" rather than "large" or "small." | 0:26:00 | 0:26:03 | |
I suppose, overall, they were right. | 0:26:03 | 0:26:04 | |
If you wanted to appear authoritative, | 0:26:11 | 0:26:13 | |
you could put "Roman," apparently. You could say you had a Roman nose. | 0:26:13 | 0:26:16 | |
Other categories, forehead. How would you describe your forehead? | 0:26:16 | 0:26:19 | |
I would describe mine as at least a six or possibly an eight head. | 0:26:19 | 0:26:22 | |
I'd describe mine as an Ant, off of Ant and Dec. | 0:26:24 | 0:26:27 | |
I can never remember which one that is. | 0:26:29 | 0:26:32 | |
It's the one with the Jimmy Carter forehead. | 0:26:32 | 0:26:34 | |
Complexion. How would you describe your complexion? | 0:26:36 | 0:26:38 | |
-Those are the other things they've to do. -I would say ruddy. -Ruddy... | 0:26:38 | 0:26:41 | |
-Ruddy is good. -Ruddy was good. -"I've got a ruddy complexion." | 0:26:41 | 0:26:44 | |
"Fresh" was good. | 0:26:44 | 0:26:45 | |
The British government apparently disliked the idea of putting | 0:26:45 | 0:26:48 | |
physical descriptions on passports. | 0:26:48 | 0:26:50 | |
It meant that British people would be scrutinised by foreigners. | 0:26:50 | 0:26:54 | |
Quite right, too. | 0:26:54 | 0:26:55 | |
Those were the days when it was only the British that travelled. | 0:26:55 | 0:26:58 | |
-And everyone trusted us anyway. -Absolutely. | 0:26:58 | 0:27:00 | |
In 1835, the Foreign Secretary, Lord Palmerston, | 0:27:00 | 0:27:02 | |
argued with the Belgian government saying, "Requirements to provide | 0:27:02 | 0:27:05 | |
"one's height and eye colour was degrading and offensive." | 0:27:05 | 0:27:08 | |
And, besides, none of us want to come to Belgium. | 0:27:08 | 0:27:10 | |
How things have changed. | 0:27:12 | 0:27:13 | |
My eight-year-old was body searched and swept for explosives twice. | 0:27:13 | 0:27:17 | |
-Your eight-year-old? -And, guess what? | 0:27:17 | 0:27:20 | |
She was clear so we can all sleep easy in our beds. | 0:27:20 | 0:27:22 | |
So, what was... Why was she going alone to Syria? | 0:27:22 | 0:27:25 | |
There's a fantastic letter written in 1914 by a man | 0:27:31 | 0:27:35 | |
called Bassett Digby. It says, "Sir. | 0:27:35 | 0:27:37 | |
"A little light might be shed with advantage | 0:27:37 | 0:27:39 | |
"upon the high-handed methods of the passports department | 0:27:39 | 0:27:42 | |
"of the Foreign Office. On the form provided for the purpose, | 0:27:42 | 0:27:44 | |
"I described my face as 'intelligent.' | 0:27:44 | 0:27:47 | |
"Instead of finding this characterisation entered, | 0:27:47 | 0:27:50 | |
"I have received a passport in which some official, | 0:27:50 | 0:27:52 | |
"utterly unknown to me, has taken it upon himself | 0:27:52 | 0:27:55 | |
"to call my face 'oval.'" | 0:27:55 | 0:27:57 | |
-That's so brilliant. You could just be anybody you wanted to be. -Yeah. | 0:27:59 | 0:28:04 | |
Why do you think it changed? | 0:28:04 | 0:28:05 | |
Why did we suddenly think, actually, that's not a good idea, | 0:28:05 | 0:28:08 | |
-these written physical descriptions? -Wartime? -Yeah. It's World War I. | 0:28:08 | 0:28:11 | |
We suddenly got very anxious about German spies. | 0:28:11 | 0:28:14 | |
We thought, actually, they don't take a good photograph. | 0:28:14 | 0:28:16 | |
We'll take photographs. It'll be absolutely fine. | 0:28:16 | 0:28:18 | |
-Who doesn't need a passport? -I presume the Queen. -Her Majesty. | 0:28:18 | 0:28:22 | |
-But she has to bring a 20. -Yeah. | 0:28:22 | 0:28:25 | |
"Could you just turn to the side, ma'am?" "Certainly. That's me." | 0:28:27 | 0:28:30 | |
The passport is issued in her name and, therefore, she is, | 0:28:30 | 0:28:33 | |
as it were, a passport. | 0:28:33 | 0:28:35 | |
So she doesn't need to carry one. | 0:28:35 | 0:28:37 | |
Now, for a truly gigantic feat of navigation. Every year, | 0:28:37 | 0:28:40 | |
this bird flies 5,000 miles across the Pacific. | 0:28:40 | 0:28:44 | |
What does it do when it gets there? | 0:28:44 | 0:28:46 | |
Has a cocktail. | 0:28:46 | 0:28:47 | |
I like that it has a cocktail, but no. | 0:28:47 | 0:28:49 | |
-Remembers it's left the gas on? -Sweet. | 0:28:49 | 0:28:53 | |
Unclips its wings, unzips, | 0:28:53 | 0:28:55 | |
and it's an otter. | 0:28:55 | 0:28:57 | |
Two points to Johnny. | 0:29:02 | 0:29:05 | |
It goes to duty-free, gets 200 fags, flies back. | 0:29:05 | 0:29:09 | |
Well, the last part is, in fact, correct. | 0:29:09 | 0:29:13 | |
-What, it flies 5,000 miles...? -It's the weirdest thing. | 0:29:13 | 0:29:16 | |
It has a rest, and then it goes back again. | 0:29:16 | 0:29:19 | |
It's the ancient murrelet, and it's a Pacific sea bird. | 0:29:19 | 0:29:23 | |
The common murre is a large auk, so the murrelet is a small one. | 0:29:23 | 0:29:25 | |
And it's called "ancient" because of its grey back, | 0:29:25 | 0:29:28 | |
it's supposed to look like a shawl draped over... | 0:29:28 | 0:29:30 | |
draped over an old person's shoulders. | 0:29:30 | 0:29:32 | |
And every year it travels 5,000 miles across the North Pacific, | 0:29:32 | 0:29:36 | |
from western Canada to the seas off Japan, and then the following | 0:29:36 | 0:29:39 | |
spring, it goes back again for no discernible benefit whatsoever. | 0:29:39 | 0:29:43 | |
Do you think it's just disappointed with its destination? | 0:29:43 | 0:29:47 | |
Well, mostly they migrate for warmer weather, or better food sources. | 0:29:47 | 0:29:50 | |
But the food and the climate is the same at both ends. | 0:29:50 | 0:29:53 | |
So, the only explanation scientists have come up with is that | 0:29:53 | 0:29:57 | |
it is automatically following an ancient migration route, | 0:29:57 | 0:30:00 | |
which used to make sense, | 0:30:00 | 0:30:02 | |
and the poor bird hasn't realised yet that it's pointless. | 0:30:02 | 0:30:05 | |
-You mean there's no benefit in the seasons, or the climate? -No. | 0:30:06 | 0:30:09 | |
-No benefit whatsoever. -Or the temperature? | 0:30:09 | 0:30:11 | |
You do have the penguins on the beach in South Africa, | 0:30:11 | 0:30:14 | |
so, they just get there, and they're going, "Ha. Ha!" | 0:30:14 | 0:30:18 | |
And there's a kind of social awkwardness. | 0:30:18 | 0:30:20 | |
And they go, "Come on, Mildred, we're leaving. | 0:30:20 | 0:30:22 | |
"Don't take your coat off. We're not staying." | 0:30:24 | 0:30:26 | |
They go from western Canada to the seas off Japan. | 0:30:27 | 0:30:30 | |
I don't think they take in South Africa on the way. | 0:30:30 | 0:30:33 | |
You know what? In my head, it was a great theory. | 0:30:33 | 0:30:36 | |
The Arctic terns are extraordinary. | 0:30:37 | 0:30:39 | |
Every year, they travel up to 50,000 miles between the Earth's poles. | 0:30:39 | 0:30:43 | |
-What's their act? Out of interest. -What kind of a "turn" is it? | 0:30:43 | 0:30:47 | |
-Yeah. -I'm there with you. | 0:30:47 | 0:30:49 | |
Rather than flying directly from the Arctic to Antarctica, | 0:30:49 | 0:30:53 | |
they go on a route which adds 1,800 miles to the trip. | 0:30:53 | 0:30:56 | |
So, it's incredibly complicated. | 0:30:56 | 0:30:58 | |
But they take advantage of the global wind system, | 0:30:58 | 0:31:01 | |
so they're probably saving energy. | 0:31:01 | 0:31:02 | |
I'm sorry, could that map be a little bit less clear? | 0:31:02 | 0:31:05 | |
I'd just like to know less about what's going on. | 0:31:07 | 0:31:09 | |
If my child had three crayons in a pizza parlour. | 0:31:09 | 0:31:14 | |
Sorry, what's that telling us? | 0:31:14 | 0:31:16 | |
-Spaghetti's delicious. -It's showing us they don't go straight | 0:31:16 | 0:31:18 | |
from the Antarctic to the Arctic. | 0:31:18 | 0:31:20 | |
That's what you call cartologists covering their options, aren't they? | 0:31:20 | 0:31:23 | |
Most of the journey, they're going, "Whoa! | 0:31:23 | 0:31:27 | |
"It's windy! It's windy!" | 0:31:27 | 0:31:29 | |
Imagine, though, to travel that far. | 0:31:30 | 0:31:32 | |
Although the longest nonstop flight ever recorded | 0:31:32 | 0:31:34 | |
is the bar-tailed godwit, | 0:31:34 | 0:31:36 | |
and when it migrates, it flies 7,100 miles without stopping. | 0:31:36 | 0:31:39 | |
-I once went to Swansea for 70 quid. -Did you? | 0:31:39 | 0:31:42 | |
A very similar journey. | 0:31:44 | 0:31:45 | |
Equally pointless. | 0:31:46 | 0:31:48 | |
-Did you get there and come straight back again? -I wanted to. | 0:31:50 | 0:31:54 | |
Someone put me up and it turned out all right. | 0:31:54 | 0:31:57 | |
I do find the whole navigation thing so extraordinary. | 0:31:57 | 0:31:59 | |
Sand wasps fly backwards around their home when they leave in | 0:31:59 | 0:32:02 | |
the morning, and it's to make sure they can find their way back again. | 0:32:02 | 0:32:05 | |
They check out exactly what it looks like around their home, | 0:32:05 | 0:32:08 | |
so they fly backwards away from home, check out what it's like. | 0:32:08 | 0:32:10 | |
That's what you should be doing, Johnny. | 0:32:10 | 0:32:12 | |
Just walk backwards around your house a few times. | 0:32:12 | 0:32:15 | |
You'll never get lost again! | 0:32:15 | 0:32:16 | |
Now, it's time for us to pull out the bungs and immerse ourselves | 0:32:17 | 0:32:20 | |
in the murky waters of general ignorance, | 0:32:20 | 0:32:23 | |
so fingers on buzzers, please. | 0:32:23 | 0:32:24 | |
What is the fastest swimming stroke? | 0:32:26 | 0:32:29 | |
-RASPY HONK Jimmy. -Dolphin. | 0:32:29 | 0:32:32 | |
Well, dolphins are jolly quick, | 0:32:32 | 0:32:34 | |
but even they can't do this stroke. | 0:32:34 | 0:32:37 | |
But they could probably beat whoever's doing it. | 0:32:37 | 0:32:39 | |
What they can do, which we can't do, | 0:32:39 | 0:32:41 | |
we create a bow wave when we're swimming | 0:32:41 | 0:32:42 | |
and dolphins are able to leap over it, so there's no water resistance. | 0:32:42 | 0:32:46 | |
So, points for that then. 100% right. | 0:32:46 | 0:32:48 | |
No. It isn't the fastest swimming stroke. | 0:32:48 | 0:32:50 | |
Are we looking for a human stroke? | 0:32:50 | 0:32:52 | |
It is a stroke that humans can do, but we got it from somewhere else. | 0:32:52 | 0:32:56 | |
-The butterfly. -Oh, I like that we got it from the butterfly. | 0:32:56 | 0:32:59 | |
I like that. | 0:32:59 | 0:33:02 | |
The backstroke. | 0:33:02 | 0:33:03 | |
No, it's not the butterfly, it's not the crawl. | 0:33:03 | 0:33:05 | |
-Doggy paddle! -The tumble turn. | 0:33:05 | 0:33:08 | |
When they turn, and then they swim, do you know what they do then? | 0:33:08 | 0:33:11 | |
Oh, that sort of wiggling underwater bit? | 0:33:11 | 0:33:13 | |
The wiggling underwater thing, it's called the fish kick. | 0:33:13 | 0:33:16 | |
You know what else they call it? They call it "the dolphin." | 0:33:16 | 0:33:19 | |
Because that's exactly what a dolphin does. | 0:33:19 | 0:33:22 | |
Literally points, cos, I mean, that is a dolphin. | 0:33:22 | 0:33:24 | |
-He's doing the dolphin. -In Jimmy's defence, they don't wear Speedos, | 0:33:24 | 0:33:27 | |
-but they look very similar. -They do look very similar. | 0:33:27 | 0:33:30 | |
You're only allowed to swim underwater for the first 15m, | 0:33:30 | 0:33:33 | |
so that's why people don't do it in competitive swimming. | 0:33:33 | 0:33:35 | |
Although there are some fantastic... | 0:33:35 | 0:33:37 | |
This is an American swimmer, who has the best name ever. Her name is... | 0:33:37 | 0:33:42 | |
-Is it Hyman? -She's called Misty Hyman. -Misty Hyman. -I do know her. | 0:33:42 | 0:33:48 | |
She's one of the most famous proponents | 0:33:49 | 0:33:52 | |
of this underwater fish kick. | 0:33:52 | 0:33:54 | |
And she thinks underwater swimming would be rather fine for audiences. | 0:33:54 | 0:33:57 | |
She said, they would have the excitement of wondering | 0:33:57 | 0:33:59 | |
where you're going to pop up again. | 0:33:59 | 0:34:01 | |
I very much enjoyed the interviews they did with the swimmers | 0:34:01 | 0:34:04 | |
who won gold medals in the Olympics. And I remember one of them saying, | 0:34:04 | 0:34:07 | |
they said, "What was his secret?" He said, "I realised | 0:34:07 | 0:34:09 | |
"the competition was very stiff, so I put my head down | 0:34:09 | 0:34:11 | |
"and swam really fast." | 0:34:11 | 0:34:12 | |
Always good. | 0:34:14 | 0:34:16 | |
Now, what did Highland warriors wear at the Battle of Bannockburn? | 0:34:16 | 0:34:21 | |
Kilts. | 0:34:21 | 0:34:22 | |
No, not kilts, no. | 0:34:23 | 0:34:25 | |
-Here's a random Scandinavian fact. -Oh, OK. | 0:34:27 | 0:34:29 | |
The word kilt comes from the Danish word kilte, meaning tuck. | 0:34:29 | 0:34:33 | |
-So it's actually a Danish word. -Oh! -Yes, that's rather fine. | 0:34:33 | 0:34:36 | |
But medieval Scottish warriors did not wear kilts | 0:34:36 | 0:34:38 | |
when they went into battle. What did they wear, anybody know? | 0:34:38 | 0:34:41 | |
-Dungarees. -Pantaloons! -It was a yellow tunic. | 0:34:41 | 0:34:43 | |
A yellow tunic?! | 0:34:43 | 0:34:45 | |
A yellow tunic, called a leine croich. | 0:34:45 | 0:34:47 | |
I love the bloke on the left's got one of those | 0:34:47 | 0:34:49 | |
umbrella hats from the fair. | 0:34:49 | 0:34:50 | |
Yes, they're rather fine, aren't they? | 0:34:50 | 0:34:52 | |
He's trying to knock it off. | 0:34:52 | 0:34:54 | |
-SCOTTISH ACCENT: -"That's a stupid hat!" | 0:34:54 | 0:34:56 | |
"It's not even raining!" | 0:34:59 | 0:35:00 | |
What was weird, they used saffron to make them yellow. | 0:35:02 | 0:35:05 | |
But if they didn't have saffron, they used to use... | 0:35:05 | 0:35:07 | |
-Urine! -Yes. | 0:35:07 | 0:35:08 | |
-Horse urine. -Very keen on the yellow, then. | 0:35:08 | 0:35:11 | |
"Pish-stained tunic." | 0:35:11 | 0:35:13 | |
Urine was in all the tweeds as well, | 0:35:13 | 0:35:14 | |
because they used to use it to fix the colours of the tweeds. | 0:35:14 | 0:35:16 | |
Yeah, but still, you know, | 0:35:16 | 0:35:18 | |
"Can we not make it green from the grass?" | 0:35:18 | 0:35:20 | |
"No, keep on pissing on it." | 0:35:20 | 0:35:21 | |
That horse has got the hots for the painter. | 0:35:23 | 0:35:27 | |
Yeah, he's looking right at him, isn't he? | 0:35:27 | 0:35:30 | |
"Hello. Are you getting my best side? | 0:35:30 | 0:35:33 | |
"Don't paint the twat in the umbrella hat, for God's sake." | 0:35:33 | 0:35:36 | |
We do have an image, don't we, of the kilt being part of the attire? | 0:35:36 | 0:35:41 | |
-Very much so. -But, in fact, | 0:35:41 | 0:35:42 | |
it was invented for a totally different reason, it was... | 0:35:42 | 0:35:45 | |
Invented for weddings. They're always in weddings. | 0:35:45 | 0:35:47 | |
-No, it was... -Sometimes you can have too much material for a kilt. | 0:35:47 | 0:35:51 | |
"Just wrap it round here, don't worry about it." | 0:35:53 | 0:35:55 | |
"One day they'll invent scissors." | 0:35:55 | 0:35:57 | |
It was actually invented in the 1720s by an English Quaker | 0:35:58 | 0:36:01 | |
and industrialist, a man called Thomas Rawlinson, | 0:36:01 | 0:36:04 | |
and he wanted a safer item of clothing for his employees, | 0:36:04 | 0:36:07 | |
his Scottish employees, in his iron foundry. | 0:36:07 | 0:36:09 | |
Can I suggest you don't go north of the border and mention that fact? | 0:36:09 | 0:36:13 | |
Well, the word tartan comes from Middle French - | 0:36:13 | 0:36:16 | |
they won't like any of it, really. | 0:36:16 | 0:36:17 | |
The word kilt is Danish - none of it's good. | 0:36:17 | 0:36:20 | |
Did he have a shop for tourists in Edinburgh? | 0:36:20 | 0:36:22 | |
Was that why he was secretly...? | 0:36:22 | 0:36:24 | |
Have you ever been in one of those shops that says, | 0:36:24 | 0:36:26 | |
"We can find the tartan for any surname"? | 0:36:26 | 0:36:28 | |
-Oh, yeah. -Apparently not. | 0:36:28 | 0:36:30 | |
Sorry, can you explain what you're wearing? | 0:36:32 | 0:36:34 | |
Ah, yes, the great Danish Toksvig tartan! | 0:36:34 | 0:36:38 | |
-It's rather fetching. -Sandi, would you speak a bit of Danish for us? | 0:36:38 | 0:36:41 | |
SHE SPEAKS DANISH | 0:36:41 | 0:36:44 | |
-So, there we are. -Did she just make that up? -No, I just said... | 0:36:44 | 0:36:46 | |
No, she just said it backwards. | 0:36:46 | 0:36:48 | |
-I said, you're the most beautiful woman I've ever seen. -Thank you! | 0:36:49 | 0:36:53 | |
I can lie in two languages. If you... | 0:36:53 | 0:36:56 | |
LAUGHTER AND APPLAUSE | 0:36:56 | 0:36:57 | |
If you're so hungry you could eat a kilt, don't eat the yellow ones, | 0:37:01 | 0:37:04 | |
that's the advice. | 0:37:04 | 0:37:06 | |
Name a cold-blooded creature. | 0:37:06 | 0:37:08 | |
Lizard. | 0:37:08 | 0:37:09 | |
So, there are some, yes, but there are also... | 0:37:15 | 0:37:19 | |
That's why they like the sun to warm up. | 0:37:19 | 0:37:21 | |
-We've had it on here before, I learnt that on here! -Yes. | 0:37:21 | 0:37:25 | |
LAUGHTER | 0:37:25 | 0:37:26 | |
He's spent ten years doing this show | 0:37:26 | 0:37:28 | |
for pieces of information like that! | 0:37:28 | 0:37:30 | |
-But I've arrived with new information! -Oh, no! | 0:37:30 | 0:37:33 | |
Simon Cowell. | 0:37:33 | 0:37:34 | |
There are in fact warm-blooded lizards, | 0:37:37 | 0:37:39 | |
and indeed warm-blooded fish. | 0:37:39 | 0:37:40 | |
Almost all reptiles, you're right. | 0:37:40 | 0:37:42 | |
-That's a horrible picture. -It's not a good one, no. | 0:37:42 | 0:37:44 | |
That is a yacare caiman eating a catfish. | 0:37:44 | 0:37:48 | |
Or a catfish eating the caiman's tongue. | 0:37:48 | 0:37:50 | |
Almost all reptiles and fish are cold-blooded, | 0:37:52 | 0:37:54 | |
so they depend on their surroundings to heat them up. | 0:37:54 | 0:37:57 | |
However, in 2015, we have just had new news - | 0:37:57 | 0:38:00 | |
scientists have discovered warm-blooded lizards and fish. | 0:38:00 | 0:38:03 | |
-Argh! -I know. | 0:38:03 | 0:38:04 | |
So that lizard there, on the left, | 0:38:04 | 0:38:06 | |
can heat itself up to ten degrees warmer than its environment | 0:38:06 | 0:38:09 | |
and nobody knows why. | 0:38:09 | 0:38:11 | |
And they both live together? | 0:38:11 | 0:38:13 | |
No, they don't. | 0:38:13 | 0:38:14 | |
They look surprised, the fish looks very surprised. | 0:38:15 | 0:38:18 | |
It's called an opah fish. | 0:38:18 | 0:38:19 | |
It's the only completely warm-blooded fish. | 0:38:19 | 0:38:22 | |
How is it the only one? | 0:38:22 | 0:38:23 | |
Is it just really awkward? | 0:38:23 | 0:38:24 | |
I'm sorry, how do you become the only fish that's warm-blooded | 0:38:26 | 0:38:30 | |
out of a whole...? | 0:38:30 | 0:38:31 | |
Or did it just have an overbearing mum who made it | 0:38:31 | 0:38:34 | |
a hot-water bottle and it just ate it and had an idea? | 0:38:34 | 0:38:37 | |
It's a really good question, | 0:38:37 | 0:38:38 | |
because the fact is we don't know how warm-bloodedness evolved. | 0:38:38 | 0:38:42 | |
Ate a hot-water bottle! | 0:38:42 | 0:38:43 | |
Looks like a hot-water bottle shape. | 0:38:45 | 0:38:47 | |
What's more prevalent, post the wipe-out of the dinosaurs? | 0:38:47 | 0:38:51 | |
Isn't there a theory they died | 0:38:51 | 0:38:52 | |
because of the change in temperature? | 0:38:52 | 0:38:54 | |
The thing is, dinosaurs were neither | 0:38:54 | 0:38:55 | |
warm-blooded nor cold-blooded, they were somewhere in between. | 0:38:55 | 0:38:58 | |
-There were just right, weren't they? -They were just right! | 0:38:58 | 0:39:01 | |
They had lovely Goldilocks blood. | 0:39:01 | 0:39:03 | |
Because there are disadvantages to being warm-blooded, OK? | 0:39:03 | 0:39:06 | |
Because one of the things is you have to keep eating to get fuel | 0:39:06 | 0:39:09 | |
to maintain the constant body temperature. | 0:39:09 | 0:39:11 | |
So, if, for example, a lion was as big as a Tyrannosaurus rex, | 0:39:11 | 0:39:14 | |
it probably wouldn't be able to eat enough to survive. | 0:39:14 | 0:39:17 | |
Isn't there a theory on the dinosaurs | 0:39:17 | 0:39:19 | |
where they died out because over a certain temperature | 0:39:19 | 0:39:22 | |
all the eggs hatched as male, | 0:39:22 | 0:39:24 | |
and below a certain temperature they all hatched as female, | 0:39:24 | 0:39:26 | |
and then the temperature went down and they all hatched as female, | 0:39:26 | 0:39:29 | |
and then there were no more... no-one to mate with? | 0:39:29 | 0:39:32 | |
Well, there are many theories about how the dinosaurs... | 0:39:32 | 0:39:34 | |
But that's the correct one. | 0:39:34 | 0:39:36 | |
The one that I can vaguely remember, I'm 90% sure it's 100% correct. | 0:39:36 | 0:39:40 | |
There's someone who's never watched King Kong. | 0:39:40 | 0:39:43 | |
Massive gorilla, mate. Twatted all of them. | 0:39:45 | 0:39:48 | |
LAUGHTER | 0:39:48 | 0:39:51 | |
Well, that's spoilt the end of that film. Now... | 0:39:51 | 0:39:53 | |
What was the name of the village where Napoleon was defeated in 1815? | 0:39:55 | 0:40:00 | |
-Ah... -Ah... | 0:40:00 | 0:40:02 | |
Definitely was, I mean, 100%. | 0:40:02 | 0:40:04 | |
-RASPY HONK -It was Waterloo. | 0:40:04 | 0:40:06 | |
-No. -It was! | 0:40:06 | 0:40:08 | |
-It definitely was. -It wasn't. -No. -Well... | 0:40:08 | 0:40:11 | |
The Battle of Waterloo did not take place at Waterloo. | 0:40:11 | 0:40:15 | |
It is called that because it's where the Duke of Wellington | 0:40:15 | 0:40:17 | |
stayed the night after the battle, | 0:40:17 | 0:40:19 | |
and it's where he wrote to his superiors about the battle. | 0:40:19 | 0:40:21 | |
But, in fact, most of the battle happened a few miles away | 0:40:21 | 0:40:24 | |
in the municipalities of Braine-l'Alleud and Lasne. | 0:40:24 | 0:40:28 | |
You'd be really pissed off if you were a little village | 0:40:28 | 0:40:31 | |
or a little town and your claim to fame was a massive victory, | 0:40:31 | 0:40:34 | |
and you have to spend all the time going, "No, it was here, with us." | 0:40:34 | 0:40:38 | |
-It's a few miles up... -I'm going to write to Abba now. | 0:40:38 | 0:40:41 | |
What should the song be called? What should it be called? | 0:40:41 | 0:40:44 | |
The municipality of Braine-l'Alleud and Lasne. | 0:40:44 | 0:40:46 | |
That's bit difficult to rhyme, but OK. | 0:40:46 | 0:40:48 | |
-Yeah. -Municipality... -Yeah. | 0:40:48 | 0:40:51 | |
-That's going to ruin "Mamma Mia!", but fine, have it your way. -I know. | 0:40:51 | 0:40:54 | |
The Battle of Waterloo didn't happen in Waterloo. | 0:40:54 | 0:40:56 | |
And, finally, who wore the trousers in Britain in the 18th century? | 0:40:56 | 0:41:00 | |
No-one. | 0:41:00 | 0:41:01 | |
Somebody did. One class of person. | 0:41:01 | 0:41:04 | |
Where have we been from the beginning? | 0:41:04 | 0:41:06 | |
-The sailors. -Oh, sailor! -The sailors, absolutely right. | 0:41:06 | 0:41:09 | |
It was only sailors. Men wore britches and women wore skirts. | 0:41:09 | 0:41:13 | |
And trousers were specifically defined | 0:41:13 | 0:41:15 | |
in a 1718 nautical dictionary as a sort of loose britches of canvas, | 0:41:15 | 0:41:20 | |
worn by common sailors. | 0:41:20 | 0:41:22 | |
So what about your officer class? | 0:41:22 | 0:41:23 | |
-They'd have britches, wouldn't they? -They'd have britches on, yes. | 0:41:23 | 0:41:26 | |
In fact, the Duke of Wellington was once thrown out of a club | 0:41:26 | 0:41:28 | |
-for wearing trousers. -All been there, eh, Johnny? | 0:41:28 | 0:41:31 | |
LAUGHTER | 0:41:31 | 0:41:34 | |
"Why are you throwing me out?" "Because of your trousers!" | 0:41:35 | 0:41:38 | |
Actually, Nelson died on deck partly because he was wearing | 0:41:38 | 0:41:40 | |
his epaulettes, so he could be seen. | 0:41:40 | 0:41:42 | |
Whereas Wellington, rather famously, wore dark clothing | 0:41:42 | 0:41:44 | |
with no decorations. He's one of the first people | 0:41:44 | 0:41:46 | |
who wore camouflage, as it were. | 0:41:46 | 0:41:48 | |
He didn't want the enemy to be able to spot him. | 0:41:48 | 0:41:50 | |
Nelson refused to take them off, didn't he? | 0:41:50 | 0:41:52 | |
They pleaded with him to take off because | 0:41:52 | 0:41:55 | |
-he could be seen and become a target. -Yeah. | 0:41:55 | 0:41:57 | |
Although, originally, he had discouraged other officers | 0:41:57 | 0:41:59 | |
from wearing them, saying it was too French, but it was important to him | 0:41:59 | 0:42:02 | |
that he, as it were, led the way. So, anyway... | 0:42:02 | 0:42:05 | |
In the 18th century, the only people who wore trousers | 0:42:05 | 0:42:07 | |
were jolly Jack Tars. | 0:42:07 | 0:42:08 | |
And that's your lot for tonight - time to settle the old scores. | 0:42:08 | 0:42:11 | |
Well, it's an outright win. | 0:42:11 | 0:42:13 | |
With a magnificent seven points, it's Ronni. | 0:42:13 | 0:42:17 | |
Did I win?! | 0:42:17 | 0:42:19 | |
CHEERING AND APPLAUSE | 0:42:19 | 0:42:21 | |
In second place, and I'm very surprised, | 0:42:23 | 0:42:24 | |
because he had winner written all over him, | 0:42:24 | 0:42:26 | |
but with one point, it's Johnny. | 0:42:26 | 0:42:28 | |
CHEERING AND APPLAUSE | 0:42:28 | 0:42:30 | |
In third place, with -2, it's Jimmy. | 0:42:35 | 0:42:38 | |
-2. What was the point? | 0:42:38 | 0:42:41 | |
What was the point of that? | 0:42:41 | 0:42:43 | |
And an epic fail, -36, Alan. | 0:42:43 | 0:42:46 | |
CHEERING AND APPLAUSE | 0:42:46 | 0:42:48 | |
That brings us to the end of our naval adventures. | 0:42:56 | 0:42:59 | |
Thanks to Ronni, Jimmy, Johnny and Alan. | 0:42:59 | 0:43:01 | |
And I leave you with this nautical headline | 0:43:01 | 0:43:03 | |
from the Western Daily Press - | 0:43:03 | 0:43:05 | |
"Fish rescued from a large pool of water." | 0:43:05 | 0:43:08 | |
LAUGHTER | 0:43:09 | 0:43:12 | |
Goodnight. | 0:43:12 | 0:43:14 | |
APPLAUSE | 0:43:14 | 0:43:16 |