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APPLAUSE | 0:00:23 | 0:00:25 | |
Goooood...evening! Good evening, good evening, good evening, good evening! | 0:00:30 | 0:00:35 | |
Welcome to QI, the quiz show that glows in the dark. | 0:00:35 | 0:00:40 | |
Tonight, we're peering through the gloom | 0:00:40 | 0:00:42 | |
at subjects of illumination and invisibility. | 0:00:42 | 0:00:46 | |
Joining me under the covers with a torch, a packet of crisps | 0:00:46 | 0:00:49 | |
and the latest edition of The Gentleman's Magazine, | 0:00:49 | 0:00:51 | |
-we have the enlightened Jack Dee! -APPLAUSE | 0:00:51 | 0:00:55 | |
-The illuminating Chris Addison! -APPLAUSE | 0:00:58 | 0:01:02 | |
-The incandescent Rich Hall! -APPLAUSE | 0:01:04 | 0:01:08 | |
-And that bright spark, Alan Davies! -CHEERING | 0:01:10 | 0:01:15 | |
Now, should any of you wish to draw attention to your brilliance, | 0:01:19 | 0:01:23 | |
you can light up my life in this manner... | 0:01:23 | 0:01:25 | |
-Jack goes... -LIGHT SABER WHIRRS | 0:01:25 | 0:01:30 | |
-Chris goes... -BOMBS EXPLODE | 0:01:30 | 0:01:34 | |
-Rich goes... -LIGHTNING | 0:01:34 | 0:01:37 | |
-And Alan goes... -TICKING | 0:01:37 | 0:01:41 | |
BOOM! | 0:01:41 | 0:01:44 | |
Good. Now, each of you should have a set of cards. | 0:01:44 | 0:01:49 | |
During the course of the game, I want you to see if you can find out | 0:01:49 | 0:01:53 | |
what these international symbols stand for. | 0:01:53 | 0:01:57 | |
You can decide for yourself. | 0:01:57 | 0:01:58 | |
You can write underneath each... On top, beside. | 0:01:58 | 0:02:03 | |
They are all recognised international symbols for some very real... | 0:02:03 | 0:02:09 | |
That's Lady Gaga! | 0:02:09 | 0:02:11 | |
You've already made your mind up. | 0:02:11 | 0:02:14 | |
You've also got a question-marked joker card. | 0:02:14 | 0:02:17 | |
One of the questions I ask tonight | 0:02:17 | 0:02:21 | |
has the answer "nobody knows". | 0:02:21 | 0:02:23 | |
-If you can guess... -FANFARE | 0:02:23 | 0:02:25 | |
-"Nobody knows!" -There you are. -LAUGHTER | 0:02:25 | 0:02:29 | |
That caught you by surprise. | 0:02:29 | 0:02:31 | |
If you guess which question it is to which nobody knows, you'll get extra points. | 0:02:31 | 0:02:36 | |
In 1879, the Blackpool Illuminations began. | 0:02:36 | 0:02:41 | |
They were visited by up to 100,000 people from all over Britain | 0:02:41 | 0:02:46 | |
and were so bright that they were described as "artificial sunshine". | 0:02:46 | 0:02:49 | |
My question simply is, how many lamps did they use? | 0:02:49 | 0:02:54 | |
I love that the people of Blackpool consider this to be sunshine. | 0:02:54 | 0:02:57 | |
-Are you saying we don't know? We do know. -Ahh! | 0:02:57 | 0:03:00 | |
-We know precisely how many they used. -Damn! | 0:03:00 | 0:03:03 | |
-Hang on. 1879? -Yes. | 0:03:03 | 0:03:06 | |
So, this is before the invention of the bulb? | 0:03:06 | 0:03:11 | |
Well done! Certainly before the invention of the filament bulb by Thomas Alva Edison, yes. | 0:03:11 | 0:03:16 | |
He didn't have the idea for the bulb, he had an idea for something else. He went, "Bing! Oh!" | 0:03:16 | 0:03:22 | |
-"Hey!" -That's very good! -"I'll do that instead!" -Yes! | 0:03:22 | 0:03:27 | |
-But it, isn't it? -It wasn't light bulbs as we know them. They were carbon arc lamps. | 0:03:27 | 0:03:33 | |
They were still used by the film industry up until the 1980s. | 0:03:33 | 0:03:37 | |
100,000 people visited. | 0:03:37 | 0:03:39 | |
How many lamps did they use to draw that many people? | 0:03:39 | 0:03:42 | |
-12. -12 lamps! You're damn close. It's eight. | 0:03:42 | 0:03:46 | |
-Is it?! -Yes! That's what's so extraordinary! | 0:03:46 | 0:03:49 | |
Eight, at a distance of 370 yards apart, | 0:03:49 | 0:03:52 | |
it was still astonishing enough, no-one had ever seen anything like it, to draw crowds. | 0:03:52 | 0:03:56 | |
Back then, there wasn't much to do, was there? | 0:03:56 | 0:03:59 | |
Everything else was gaslight, which this was a different sort of light, | 0:03:59 | 0:04:03 | |
and this was a white, bright daylight sort of light. | 0:04:03 | 0:04:06 | |
What did moths do before? | 0:04:06 | 0:04:09 | |
Why don't moths come out during the day if they're so fond of the bloody light? | 0:04:09 | 0:04:14 | |
-I'm mean, really! -They could just sit still and go, | 0:04:14 | 0:04:17 | |
"Wow! This is amazing!" | 0:04:17 | 0:04:22 | |
It's very peculiar! | 0:04:22 | 0:04:24 | |
Blackpool were keen to attract people and it worked, | 0:04:24 | 0:04:28 | |
as you probably know as a lad from the northwest. | 0:04:28 | 0:04:31 | |
In fact, from all over Britain people go, every September, just as the season is ending, | 0:04:31 | 0:04:36 | |
the Illuminations go up and attract millions of people. | 0:04:36 | 0:04:39 | |
Fabulous celebrities come to turn on... | 0:04:39 | 0:04:43 | |
Can you name some of the...? | 0:04:43 | 0:04:45 | |
-I think Jayne Mansfield did it. -Very good, Chris! | 0:04:45 | 0:04:48 | |
-Way, way back. -There she is. Jayne Mansfield came. -Whoo-hoo! | 0:04:48 | 0:04:52 | |
And then the lads from Top Gear, so they've maintained...! | 0:04:52 | 0:04:55 | |
The bloke on the left can't believe it! | 0:04:55 | 0:04:59 | |
-That's the mayor, I think. -"This is terrific!" | 0:04:59 | 0:05:01 | |
-Even the mayoress is delighted! -She is rather! | 0:05:01 | 0:05:05 | |
But other people have opened. Red Rum. | 0:05:05 | 0:05:08 | |
They made a special pedal so that when he trod on it, it turned on. That was in 1977. | 0:05:08 | 0:05:14 | |
And then they electrocuted him. | 0:05:14 | 0:05:16 | |
Michael Ball in 1997 and in 2006, Dale Winton. | 0:05:16 | 0:05:22 | |
-They should've electrocuted him. -They've peaked! Where can they go from there? | 0:05:22 | 0:05:26 | |
-Dale's definitely peaked. -They've reached the top. | 0:05:26 | 0:05:29 | |
-It cost them £50,000 worth of electricity - -To get Dale Winton? | 0:05:29 | 0:05:33 | |
No! Of electricity to run the Illuminations. | 0:05:33 | 0:05:37 | |
Not any more. They use low-energy light bulbs. | 0:05:37 | 0:05:40 | |
There's no point going for the first 15 minutes. | 0:05:40 | 0:05:44 | |
You have to wait for it to warm up. "Three, two, one...!" "Oh." | 0:05:44 | 0:05:49 | |
"I'll come back in 15. They'll be lovely." | 0:05:49 | 0:05:52 | |
The original Blackpool Illuminations consisted of eight bulbs. | 0:05:52 | 0:05:56 | |
Today, they're six-miles long and use 200 miles of wire and a million bulbs. | 0:05:56 | 0:06:00 | |
Now, if you can dispel the shadows on this one for me, I'd be very grateful. | 0:06:00 | 0:06:05 | |
What is this man about to do? | 0:06:05 | 0:06:08 | |
LAUGHTER | 0:06:11 | 0:06:13 | |
It's to do with our theme, one of our "I" words. | 0:06:13 | 0:06:15 | |
-Invisible. -Yes. | 0:06:15 | 0:06:17 | |
I mean, if I said, "They're going to turn invisible" | 0:06:17 | 0:06:21 | |
you'd imagine they're going to disappear completely. | 0:06:21 | 0:06:24 | |
Nonetheless, it is technology that is on the way to invisibility. | 0:06:24 | 0:06:29 | |
It certainly creates a transparent coat, as you will see. | 0:06:29 | 0:06:34 | |
-Oh! -That's not a post effect. | 0:06:36 | 0:06:40 | |
That is happening in real time and is being filmed. | 0:06:40 | 0:06:44 | |
And that's the coat and that's it being filmed. | 0:06:44 | 0:06:47 | |
-There are two cameras, aren't there? -Yes. What's happening? | 0:06:47 | 0:06:50 | |
-Superimposing the front camera onto the picture on the back camera. -That's the technique. | 0:06:50 | 0:06:55 | |
It has interesting applications that are beginning to be developed, | 0:06:55 | 0:06:59 | |
allowing pilots to see through the floors of their planes, for example. | 0:06:59 | 0:07:04 | |
Why, to scare the shit out of them?! | 0:07:04 | 0:07:06 | |
"Ugh! Got to keep my mind on my job! Holy shit! Keep looking up!" | 0:07:06 | 0:07:10 | |
That could be the reason! | 0:07:10 | 0:07:13 | |
It's quite a good effect, isn't it? | 0:07:13 | 0:07:15 | |
He's called Professor Susumu Tachi and the cloak is made of a material called retro-reflectum. | 0:07:15 | 0:07:21 | |
As Jack rightly spotted, it projects an image into itself of what is behind the wearer. | 0:07:21 | 0:07:25 | |
The computer generates the image projected, so the viewer, effectively, sees through. | 0:07:25 | 0:07:30 | |
-That would really screw them up at airports. -Wouldn't that be odd?! -Going through security! | 0:07:30 | 0:07:35 | |
It'd be great for talking to boring people. You could look at what's going on behind them. | 0:07:35 | 0:07:40 | |
Cloaking technology, as we know, is at its... It's at an early stage. | 0:07:40 | 0:07:45 | |
-The Romulans have it, I believe. -Harry Potter. | 0:07:45 | 0:07:48 | |
Ron Weasley's car can go invisible, his dad's Ford Anglia. | 0:07:48 | 0:07:52 | |
-Yes. -It can go invisible. -That's true. | 0:07:52 | 0:07:54 | |
-But that does wear the battery out. -Yes! Exactly. | 0:07:54 | 0:07:58 | |
-And Harry has an invisibility cloak. -Invisibility cloak! | 0:07:58 | 0:08:01 | |
There are interesting technologies that make things invisible, which have limitations. | 0:08:01 | 0:08:06 | |
One is, it's only infrared. | 0:08:06 | 0:08:08 | |
Or one is on objects which are so small, | 0:08:08 | 0:08:11 | |
they are already invisible to the naked eye! | 0:08:11 | 0:08:14 | |
"You see that thing you can't see? Ta-da! I just made it invisible!" | 0:08:14 | 0:08:19 | |
That doesn't work, does it? | 0:08:19 | 0:08:21 | |
Interesting, of course, in nature, | 0:08:21 | 0:08:23 | |
they've got round this problem, not exactly of invisibility but... | 0:08:23 | 0:08:27 | |
Well, there is camouflage. | 0:08:27 | 0:08:30 | |
-Chameleons can change... -I saw an octopus | 0:08:30 | 0:08:32 | |
-and it appears to change the colour of its skin and just looks like a rock. -Yes! | 0:08:32 | 0:08:36 | |
It's amazing to watch. | 0:08:36 | 0:08:38 | |
Other cephalopods, notably the Hawaiian bobtail squid, | 0:08:38 | 0:08:41 | |
like your octopus, can camouflage itself. | 0:08:41 | 0:08:44 | |
But the one thing that might give you away if you camouflage yourself is your shadow. | 0:08:44 | 0:08:49 | |
This clever chap can even make his shadow invisible. | 0:08:49 | 0:08:53 | |
-He's got iridescence that he can use to light behind him. -Yes! | 0:08:53 | 0:08:58 | |
You're very quick-minded! | 0:08:58 | 0:09:00 | |
He ingests bioluminescent food that goes into his stomach | 0:09:00 | 0:09:04 | |
and his stomach controls, by the use of oxygen, | 0:09:04 | 0:09:06 | |
how much the bioluminescent food in his stomach shines, | 0:09:06 | 0:09:10 | |
and it shines out and casts a light over his shadow, thus dispelling it. | 0:09:10 | 0:09:15 | |
It's a lot of bother to go to, isn't it? | 0:09:15 | 0:09:17 | |
It's a magnificent piece of evolution, really. | 0:09:17 | 0:09:20 | |
-Jim Lovell, who was a... -The astronaut. -Apollo 13. | 0:09:20 | 0:09:25 | |
All his instruments died - he was a naval pilot. | 0:09:25 | 0:09:28 | |
He was at sea in complete blackness, I think there was no moon that particular night. | 0:09:28 | 0:09:32 | |
How could he find his aircraft carrier? | 0:09:32 | 0:09:35 | |
And he could just see this very faint phosphorus wake | 0:09:35 | 0:09:40 | |
of the aircraft carrier, which was over the horizon. | 0:09:40 | 0:09:42 | |
So he followed it and, eventually, he got to the aircraft carrier and landed on it. | 0:09:42 | 0:09:48 | |
There is a lot of luminescent life at sea. It's quite beautiful. | 0:09:48 | 0:09:51 | |
It was a very rare occurrence. That luminescence happened every so often. | 0:09:51 | 0:09:56 | |
When it happened to Lovell, it was a coincidence. | 0:09:56 | 0:09:59 | |
It wouldn't always have happened. | 0:09:59 | 0:10:01 | |
-So a doubly lucky man. -Very lucky. -Surviving 13, as well. | 0:10:01 | 0:10:05 | |
-So, you knew the story already? -I did. The moon is my thing. | 0:10:05 | 0:10:08 | |
I'd forgotten that! You're very much a moon chap. | 0:10:08 | 0:10:11 | |
Extra points all the way to Chris Addison. | 0:10:11 | 0:10:13 | |
-We're beginning to get a little bit humiliated by him! -Yeah, I might as well... | 0:10:13 | 0:10:18 | |
Chris, do you know what these mean? | 0:10:18 | 0:10:21 | |
I think I've got a guess! | 0:10:21 | 0:10:23 | |
During the Indonesian Confrontation, as it was called, in the early '60s, | 0:10:23 | 0:10:28 | |
the British Army were very puzzled as to how the Indonesians could travel in the darkest forest | 0:10:28 | 0:10:33 | |
and they'd all stay together in single file. | 0:10:33 | 0:10:36 | |
They would tuck a rotting leaf into the back of their hats | 0:10:36 | 0:10:40 | |
and it gave off just enough phosphorescence for them to see the person ahead | 0:10:40 | 0:10:44 | |
and they could stay in absolute line. | 0:10:44 | 0:10:46 | |
-Is that any rotting... -I don't think it's any rotting thing. | 0:10:46 | 0:10:49 | |
I think they knew which leaves to pick. | 0:10:49 | 0:10:52 | |
What do these people do for a living? | 0:10:52 | 0:10:56 | |
This thing's going to go off, isn't it? Ninja. | 0:10:56 | 0:10:59 | |
ALARM WAILS | 0:10:59 | 0:11:01 | |
-Are they not ninjas? -No, they're not ninjas. | 0:11:03 | 0:11:06 | |
The darkest clothes ninjas have ever worn have been blue, possibly at night. | 0:11:06 | 0:11:10 | |
But ninjas never wear black. The reason - | 0:11:10 | 0:11:12 | |
Why? It's so slimming! | 0:11:12 | 0:11:15 | |
I always thought ninjas might be fat and that's why they... | 0:11:15 | 0:11:18 | |
-Yes, they want to look better. -"Is that better for me?" -It's a sort of odd thing. | 0:11:18 | 0:11:22 | |
There is a tradition in Kabuki Theatre | 0:11:22 | 0:11:26 | |
that if anything is black, you can't see it. | 0:11:26 | 0:11:28 | |
So people can move furniture around, | 0:11:28 | 0:11:31 | |
because they're wearing black, they are stagehands. | 0:11:31 | 0:11:34 | |
And then, as a rather wonderful surprise in Kabuki, | 0:11:34 | 0:11:37 | |
they might have a stagehand suddenly kill someone! | 0:11:37 | 0:11:41 | |
They'd be a ninja, because ninjas were the secret assassins! | 0:11:41 | 0:11:44 | |
And so this pop association appeared | 0:11:44 | 0:11:48 | |
that ninjas wore black, but they never did. | 0:11:48 | 0:11:51 | |
Stay with Japan for a moment. Tell me something quite interesting about the original geishas. | 0:11:51 | 0:11:57 | |
-They were all men. -Yes! | 0:11:57 | 0:11:59 | |
Oh, God. LAUGHTER | 0:11:59 | 0:12:02 | |
Absolutely right! | 0:12:02 | 0:12:04 | |
-APPLAUSE -Bravo! | 0:12:04 | 0:12:07 | |
Until 1751, all geishas were men. | 0:12:07 | 0:12:11 | |
Originally, geishas were almost like court jesters. | 0:12:11 | 0:12:14 | |
They were not courtesans, as they're considered to be now. | 0:12:14 | 0:12:17 | |
It took about 100 years before it was an even number, | 0:12:17 | 0:12:21 | |
and then female geishas overtook and now they're all female. | 0:12:21 | 0:12:25 | |
How about an ingenious interlude? | 0:12:25 | 0:12:29 | |
Have a look at this glass tank behind me | 0:12:29 | 0:12:31 | |
and tell me how many balls there are in there. | 0:12:31 | 0:12:35 | |
One... | 0:12:35 | 0:12:37 | |
-Two, three. -Well done, Alan. -Four. -So far, so good. | 0:12:37 | 0:12:42 | |
Yep, five. Yep. | 0:12:42 | 0:12:44 | |
Five. | 0:12:44 | 0:12:45 | |
This is the worst episode of the National Lottery ever! | 0:12:45 | 0:12:49 | |
So, how many are in there, would you say? | 0:12:49 | 0:12:52 | |
-Five? -Five. -It looked like five, didn't it? | 0:12:52 | 0:12:55 | |
ALARM WAILS | 0:12:55 | 0:12:57 | |
But you might be rather surprised to know | 0:12:57 | 0:13:00 | |
-that there are actually over 1,000 in there. -Fail. Fail. | 0:13:00 | 0:13:03 | |
We can show you a better view of how many there are. | 0:13:03 | 0:13:07 | |
-ALL: Ahh! -They're all invisible. | 0:13:07 | 0:13:10 | |
In fact, we have an example of precisely these kinds of... | 0:13:10 | 0:13:15 | |
-There they are. -They're gooey. -They're weird. They're called hydrogel beads. | 0:13:15 | 0:13:19 | |
-I can see them. -We've deliberately allowed them to be visible. | 0:13:19 | 0:13:23 | |
-But in large glass tanks, they wouldn't be visible. -If I push it underwater, it goes invisible. | 0:13:23 | 0:13:28 | |
-They have the same refractive index as water. -Light can pass through at the same angle. | 0:13:28 | 0:13:33 | |
So they appear to be invisible in water. | 0:13:33 | 0:13:37 | |
-I can't see it! -LAUGHTER | 0:13:37 | 0:13:40 | |
-Quick, a hairdryer! -It's gone down the set. | 0:13:40 | 0:13:43 | |
You're going to start floating away! | 0:13:43 | 0:13:47 | |
-Is there a use for them? -I've got a glass there... | 0:13:47 | 0:13:50 | |
-Are they worth £500 each? -Are they edible? | 0:13:50 | 0:13:52 | |
-I wouldn't want to take responsibility, but I don't think they'll do you any harm. -Try one. | 0:13:52 | 0:13:58 | |
What are they used for? | 0:13:58 | 0:14:00 | |
-They have a commercial use - -I broke it! | 0:14:00 | 0:14:02 | |
-Oh, no. Is it burst? -It burst. | 0:14:02 | 0:14:05 | |
-It's sort of gone into pieces. -It's rather strange material. | 0:14:05 | 0:14:09 | |
-Can you guess their commercial use? -Packing things. -No. Flower arranging is one. | 0:14:09 | 0:14:14 | |
-Is it for packing goldfish? -LAUGHTER | 0:14:14 | 0:14:18 | |
Why aren't they making battleships out of it? | 0:14:18 | 0:14:21 | |
-All kinds of new uses may be found. -Make a submarine! | 0:14:21 | 0:14:25 | |
-This feels gorgeous. -It's quite good, isn't it? | 0:14:25 | 0:14:28 | |
It's quite addictive. | 0:14:28 | 0:14:30 | |
There's something quite gorgeous about that. | 0:14:30 | 0:14:34 | |
-I might have a play around with that later. -Yep! You might! | 0:14:34 | 0:14:39 | |
-Another use is the manufacture of... -LAUGHTER | 0:14:39 | 0:14:42 | |
-Behave! -You're disgusting. | 0:14:42 | 0:14:45 | |
-Another use... -LAUGHTER | 0:14:45 | 0:14:48 | |
Jack's going to put his willy in it. | 0:14:48 | 0:14:52 | |
-Oh, dear! -I've already put it in that one. | 0:14:53 | 0:14:56 | |
It's weird because when he put it in, he couldn't see it! | 0:14:57 | 0:15:01 | |
-Ohh! -That's the refractive index - | 0:15:01 | 0:15:04 | |
"Think of a comeback!" | 0:15:04 | 0:15:08 | |
The other use, apart from flower arranging, | 0:15:08 | 0:15:11 | |
is the manufacture of contact lenses. | 0:15:11 | 0:15:13 | |
You'd really freak people out if you put them in your eyes! | 0:15:13 | 0:15:17 | |
-Yes. Not necessarily in the round... -Marty Feldman's contact lenses! | 0:15:17 | 0:15:22 | |
-Any of these coming up in any of this? -Not yet, no! | 0:15:22 | 0:15:26 | |
My next question is this, why can't blindfolded people walk in a straight line? | 0:15:26 | 0:15:31 | |
They can't see where they're going. | 0:15:31 | 0:15:33 | |
Next question. | 0:15:35 | 0:15:37 | |
-Because - -I'm afraid the chance has passed. | 0:15:39 | 0:15:42 | |
-The fact is, nobody knows! -THEY GROAN | 0:15:42 | 0:15:46 | |
There you go. Although it is a recognised phenomenon and people have theories, | 0:15:46 | 0:15:51 | |
nobody's really quite sure why it should be | 0:15:51 | 0:15:54 | |
that one's ability to walk in an absolutely straight line is completely compromised. | 0:15:54 | 0:15:58 | |
Even in short distances, people don't just go off straight, they actually curve. | 0:15:58 | 0:16:04 | |
It was discovered by a fella who saw it in amoebas and thought, "I wonder if it's true of humans?" | 0:16:04 | 0:16:09 | |
Who's blindfolded amoebas? | 0:16:09 | 0:16:11 | |
-How do you do it? They're so small! -How do you do such a thing? | 0:16:11 | 0:16:14 | |
"Come here, you bastard! It's gone again." | 0:16:14 | 0:16:18 | |
He was called Asa Schaeffer. | 0:16:18 | 0:16:20 | |
He asked a friend of his, who he blindfolded, | 0:16:20 | 0:16:22 | |
he instructed him to walk in a straight line across a field and he plotted his track, | 0:16:22 | 0:16:28 | |
which was a clockwise spiral until the man happened to stumble into a tree. | 0:16:28 | 0:16:32 | |
But it was a complete spiral. This is what people do. | 0:16:32 | 0:16:35 | |
We've covered this before, but more research has been done and we have a little film. | 0:16:35 | 0:16:40 | |
Someone made a cartoon. We didn't. We don't have the budget. | 0:16:40 | 0:16:43 | |
This is what he told him to do, walk in a straight line. | 0:16:43 | 0:16:46 | |
-Is that how he walks? -Apparently. | 0:16:46 | 0:16:49 | |
-He was practicing to be a zombie. -This is exactly it. | 0:16:49 | 0:16:52 | |
He was convinced he was going straight. Spiral, spiral, spiral, till he hit the stump. | 0:16:52 | 0:16:58 | |
And that is how we will all do it. We will swear, "I'm going straight!" | 0:16:58 | 0:17:03 | |
We hold our hands up, as if that helps, | 0:17:03 | 0:17:05 | |
and for some reason, we need a visual cue, a mountain or the sun, | 0:17:05 | 0:17:09 | |
but nobody knows why that should be. | 0:17:09 | 0:17:12 | |
-Could it be, and I'm being quite serious... -Yes. | 0:17:12 | 0:17:14 | |
Well, as you'll see, it's not funny what I'm about to say. | 0:17:14 | 0:17:17 | |
Could it be a preservation thing, er, | 0:17:17 | 0:17:21 | |
so that we have an inbuilt device | 0:17:21 | 0:17:24 | |
that makes us go in a huge circle, and we can't see where we're going, | 0:17:24 | 0:17:28 | |
so you always get back to where you know where you are? | 0:17:28 | 0:17:31 | |
-I think I've cracked it. -That's a very good point! | 0:17:31 | 0:17:34 | |
-I like it! -APPLAUSE | 0:17:34 | 0:17:36 | |
-I mean, it's - -Can we make a bonfire, please? | 0:17:36 | 0:17:39 | |
It's as convincing as anybody else's theorem. | 0:17:39 | 0:17:42 | |
Further proof that the world is flat! | 0:17:42 | 0:17:45 | |
-Maybe that's what it is. -Preservation device to stop you walking off the edge. | 0:17:45 | 0:17:50 | |
Now, what happened when Colonel William Rankin | 0:17:52 | 0:17:56 | |
got stuck for 30 minutes in one of these? | 0:17:56 | 0:17:59 | |
Ohh! | 0:17:59 | 0:18:02 | |
Oh, it was a puzzle and he had to try and solve it. | 0:18:02 | 0:18:05 | |
You haven't got one of those. | 0:18:05 | 0:18:07 | |
But that is an example. You've got international symbols. | 0:18:07 | 0:18:11 | |
-Is it a diving bell? -It's not. | 0:18:11 | 0:18:14 | |
-It is an international - -It's an expired parking meter. | 0:18:14 | 0:18:17 | |
-Any other thoughts? -Kaiser's helmet? -An igloo with a loft conversion? | 0:18:17 | 0:18:22 | |
These are all good answers. | 0:18:22 | 0:18:25 | |
When I say it's the tallest structure that we know on the planet... | 0:18:25 | 0:18:30 | |
-Manmade? -No. | 0:18:30 | 0:18:32 | |
-Is it beneath the ocean? -No. | 0:18:33 | 0:18:35 | |
It's in the other direction. | 0:18:35 | 0:18:38 | |
-It's in the sky? -Yes. | 0:18:38 | 0:18:41 | |
-A cloud. -Yes! It's a particular kind of cloud. | 0:18:41 | 0:18:45 | |
That kind of a cloud, | 0:18:45 | 0:18:46 | |
-if that was its symbol. -A fluffy cloud. | 0:18:46 | 0:18:50 | |
It's a Cumulonimbus. It's an anvil-shaped. | 0:18:50 | 0:18:55 | |
-He was stuck in there for half an hour? -He was, yes. | 0:18:55 | 0:18:58 | |
He was a US pilot and he ejected. | 0:18:58 | 0:19:01 | |
-He'd opened his chute, then? -Yes, but it was half an hour inside this thing, being buffeted about. | 0:19:01 | 0:19:06 | |
So, how tall was the pole this sign was on? | 0:19:06 | 0:19:10 | |
LAUGHTER | 0:19:10 | 0:19:12 | |
You may've missed the point, Jack! | 0:19:16 | 0:19:20 | |
They get up to about 23,000 metres high, which is fantastically high. | 0:19:20 | 0:19:25 | |
He was buffeted about in it. He did survive. His eyes and ears were bleeding. | 0:19:25 | 0:19:30 | |
He was pelted with hail. He was in a terrible state! | 0:19:30 | 0:19:32 | |
But he's the only person to have fallen through one of these structures and survived. | 0:19:32 | 0:19:39 | |
Anyway, listen, while we're with clouds, | 0:19:39 | 0:19:41 | |
what use to a pilot is a morning glory? | 0:19:41 | 0:19:44 | |
-Ah, now... -If your joystick fails...! | 0:19:44 | 0:19:48 | |
LAUGHTER | 0:19:48 | 0:19:51 | |
Oh, dear! He's smiling, isn't he? | 0:19:52 | 0:19:54 | |
I think it was the co-pilot's joystick! | 0:19:54 | 0:19:57 | |
That's why they always sound so relaxed. "Good morning, ladies and gentlemen. | 0:19:57 | 0:20:01 | |
"Welcome on board." | 0:20:01 | 0:20:04 | |
-Aside from the possibility - -It'll be something to do with the sunlight coming over the horizon. | 0:20:04 | 0:20:09 | |
It's an annual event that takes place in Northern Queensland, Australia, called the Morning Glory. | 0:20:09 | 0:20:14 | |
It's a remarkable cloud system. It's really amazing. | 0:20:14 | 0:20:18 | |
We've got a picture of it. It can be up to 600 miles long. It's as long as the United Kingdom. | 0:20:18 | 0:20:23 | |
Look at that. It's over Burketown, which has a population of 178. | 0:20:23 | 0:20:28 | |
But lots of people come. | 0:20:28 | 0:20:30 | |
The reason is, if you're a gliding pilot, you get the ride of your life. | 0:20:30 | 0:20:35 | |
It can go at 35 miles an hour, | 0:20:35 | 0:20:37 | |
and inside, it's the most exciting thing you can experience. | 0:20:37 | 0:20:41 | |
Then you bump into a bloke with a parachute. "Get off!" | 0:20:41 | 0:20:44 | |
-His eyes are bleeding! "Help me!" -"Didn't you see the sign?" | 0:20:44 | 0:20:49 | |
APPLAUSE | 0:20:49 | 0:20:52 | |
-Oh, dear! -And that's the only place where a cloud like that forms? | 0:20:52 | 0:20:56 | |
Yes. It's the mother of them all. | 0:20:56 | 0:20:59 | |
Apparently, soaring along it is the greatest experience. | 0:20:59 | 0:21:02 | |
Indian Granny Clouds... What can you tell me about them? | 0:21:02 | 0:21:06 | |
-Did it win... -LAUGHTER | 0:21:06 | 0:21:08 | |
Did "Indian Granny Cloud" win the 2.30 at Kempton Park? | 0:21:08 | 0:21:12 | |
The, er - | 0:21:12 | 0:21:13 | |
Is it a fart in a restaurant? | 0:21:13 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:19 | |
-Oh, I'm so disappointed in you! -When an old lady does a pump in curry house! | 0:21:19 | 0:21:24 | |
Do they go up in the sky and can't remember what they went up for? | 0:21:24 | 0:21:28 | |
-Now... -LAUGHTER | 0:21:28 | 0:21:30 | |
Think of cloud in the 21st century. What other use has "cloud" been put to as a word? | 0:21:30 | 0:21:35 | |
-It's a computer thing. -The internet. | 0:21:35 | 0:21:37 | |
This is a scheme whereby grannies in England, | 0:21:37 | 0:21:40 | |
using Skype or similar technology, | 0:21:40 | 0:21:43 | |
teach and educate and inform and enlighten children in India all the way from England. | 0:21:43 | 0:21:49 | |
-It was started by Professor Sugata Mitra. -"How To Make Jam". | 0:21:49 | 0:21:53 | |
"How To Make Jam", possibly! | 0:21:53 | 0:21:55 | |
They tutor Indian classes where they're short of teachers. It's an enormous success. | 0:21:55 | 0:21:59 | |
-Why grannies? -They've got time on their hands and because they care! | 0:21:59 | 0:22:05 | |
"Drop one, purl one." | 0:22:05 | 0:22:07 | |
Imagine the exports of Werther's Originals to India! | 0:22:07 | 0:22:10 | |
-They're all listening to Michael Ball records! -Yes! | 0:22:10 | 0:22:16 | |
What we're looking at with your symbols | 0:22:16 | 0:22:19 | |
are part of what is known as the International Cloud Atlas. | 0:22:19 | 0:22:25 | |
-And can you tell me what they are? -Do they represent countries? | 0:22:25 | 0:22:29 | |
-No, they represent - -On an atlas. -No, no! | 0:22:29 | 0:22:33 | |
-God! -I don't really listen enough, do I? | 0:22:33 | 0:22:37 | |
-They represent types - -I bet you're a teacher! "He reminds me of all my kids!" | 0:22:37 | 0:22:42 | |
They represent a type of cloud. | 0:22:42 | 0:22:45 | |
-It looks like simpleton snap. -It does! I know. | 0:22:45 | 0:22:49 | |
-What did you think they were? -I had this one. -Had you written anything on them? | 0:22:49 | 0:22:53 | |
I thought they were things to help traumatise children. | 0:22:53 | 0:22:57 | |
"Tell me what you think." | 0:22:57 | 0:23:00 | |
-I have "Elderly Use Handbrake". -Yes! "Elderly Use Handbrake". | 0:23:00 | 0:23:05 | |
-That's fantastic! -Very good. | 0:23:05 | 0:23:07 | |
"You call that pregnant? This is pregnant!" | 0:23:07 | 0:23:10 | |
Very good! | 0:23:12 | 0:23:15 | |
That's actually ET being quite rude. LAUGHTER | 0:23:15 | 0:23:19 | |
-You don't know what it means, but it's rude! -Absolutely! | 0:23:20 | 0:23:25 | |
Well, there you are, the International Cloud Atlas. | 0:23:25 | 0:23:27 | |
-There were three forms, the cumulus... -The stratocumulus. | 0:23:27 | 0:23:31 | |
-The stratus. -Nimbus. -And the cirrus, the fluffy one. | 0:23:31 | 0:23:34 | |
And then they're all the mixtures of those in between, | 0:23:34 | 0:23:37 | |
the altocumulus, the stratocumulus, and so on. | 0:23:37 | 0:23:39 | |
It's that time when we grope our way towards general ignorance at the end of the tunnel. | 0:23:39 | 0:23:45 | |
Fingers on buzzers, please. Name the largest black body in the solar system. | 0:23:45 | 0:23:50 | |
Oprah Winfrey. | 0:23:50 | 0:23:52 | |
Whoa! Ohh! Ohh, Rich! | 0:23:52 | 0:23:56 | |
Ohh! Ohh! | 0:23:56 | 0:24:00 | |
LAUGHTER | 0:24:00 | 0:24:04 | |
-Within the solar system. -The Black Hole? | 0:24:04 | 0:24:06 | |
ALARM WAILS | 0:24:06 | 0:24:08 | |
-If there was a black hole in the solar system, we'd be in real trouble. -We would. | 0:24:08 | 0:24:12 | |
I don't know any other black things in the solar system. | 0:24:12 | 0:24:16 | |
-The strange thing is, it's the sun. -I see. | 0:24:16 | 0:24:19 | |
A black body, in cosmology, is something that doesn't reflect, | 0:24:19 | 0:24:22 | |
and the sun only radiates, | 0:24:22 | 0:24:25 | |
so it is the blackest body in the solar system. | 0:24:25 | 0:24:28 | |
-That's cheating. -It seems to be a little bit of a cheat question, | 0:24:28 | 0:24:32 | |
but had you known the answer, it wouldn't have been. | 0:24:32 | 0:24:35 | |
If you were to shine a light on the sun, which would be pointless, I accept that... | 0:24:35 | 0:24:40 | |
It wouldn't reflect off it. | 0:24:40 | 0:24:41 | |
In the solar system, there is no other body so unreflective. | 0:24:41 | 0:24:45 | |
The moon is nothing but reflective. | 0:24:45 | 0:24:47 | |
-It gives off nothing, but reflects all the light. -The same as us. | 0:24:47 | 0:24:51 | |
But the sun reflects nothing. | 0:24:51 | 0:24:53 | |
How long does light from the centre of the sun take to reach the earth? | 0:24:53 | 0:24:58 | |
-EXPLOSIONS -Yes? | 0:24:58 | 0:25:01 | |
Now, I know this. | 0:25:01 | 0:25:03 | |
-LAUGHTER -Right! | 0:25:03 | 0:25:05 | |
It might not be the centre, it sounds like a trick, but the light from the sun takes eight minutes. | 0:25:05 | 0:25:10 | |
-Mm... -ALARM WAILS | 0:25:10 | 0:25:13 | |
Ahh! Oh, dear. | 0:25:13 | 0:25:17 | |
The thing is, it actually takes 100,000 years | 0:25:17 | 0:25:22 | |
to get from the centre of the sun to the surface... | 0:25:22 | 0:25:26 | |
..to the surface of the sun. | 0:25:26 | 0:25:29 | |
Eight minutes! | 0:25:29 | 0:25:31 | |
But he was absolutely right. From the surface of the sun... | 0:25:31 | 0:25:35 | |
..to the earth takes eight minutes. | 0:25:35 | 0:25:38 | |
-I added that qualifier! -You did. You were right. | 0:25:38 | 0:25:42 | |
It's eight minutes 26 seconds, roughly. | 0:25:42 | 0:25:44 | |
The photons have an enormous amount of work to do right in the middle of this gigantic system. | 0:25:44 | 0:25:50 | |
How many earths could you fit in the sun, were you able to do so? | 0:25:50 | 0:25:54 | |
Four. | 0:25:54 | 0:25:56 | |
-Easily! -Easily, yes, you could. | 0:25:56 | 0:26:00 | |
That's quite true! I can't deny that. | 0:26:00 | 0:26:04 | |
-400,000. -The maximum number is 1.3 million. | 0:26:04 | 0:26:07 | |
Three million earths! | 0:26:07 | 0:26:09 | |
It's responsible for 99.8 percent | 0:26:09 | 0:26:12 | |
-of the mass of the solar system. -Really? | 0:26:12 | 0:26:15 | |
-Cor! -That's extraordinary! -It is. There's a lot of it. | 0:26:15 | 0:26:18 | |
What happens to alcohol when you boil it? | 0:26:18 | 0:26:21 | |
-Ah, you boil it off, don't you, Chef? -Yes, you do. You waste it. | 0:26:21 | 0:26:25 | |
-ALARM WAILS -Whoa! -That's his. | 0:26:25 | 0:26:29 | |
It's nothing to do with me. I didn't touch it! | 0:26:29 | 0:26:33 | |
There's this idea that it all evaporates and so on. In fact, it takes a very long time, | 0:26:33 | 0:26:38 | |
three hours, at least, before you get rid of it. | 0:26:38 | 0:26:41 | |
Flambeing only gets rid of... If you like a crepe Suzette, | 0:26:41 | 0:26:44 | |
if you light the brandy, that only gets rid of a quarter of the alcohol. | 0:26:44 | 0:26:49 | |
So the idea that you're burning it off... | 0:26:49 | 0:26:51 | |
It's not particularly important, unless you're drinking carefully so that you're under the limit, | 0:26:51 | 0:26:56 | |
then you have a crepe Suzette and drive and are surprised that you're over the limit. | 0:26:56 | 0:27:00 | |
We've all been there! | 0:27:00 | 0:27:02 | |
The same goes to a Christmas pud when you put the brandy on, | 0:27:02 | 0:27:06 | |
-give it to the kids and say, "There won't be alcohol." -Exactly! | 0:27:06 | 0:27:09 | |
-That's right. -And a 20-pence piece that might choke them to death! | 0:27:09 | 0:27:13 | |
-Could you get done for eat-driving? -Yes, if you had enough of it! | 0:27:13 | 0:27:19 | |
Eat-driving! It's a heck of a thought! | 0:27:19 | 0:27:21 | |
Interestingly, if you add alcohol to a recipe | 0:27:21 | 0:27:24 | |
and you don't heat it at all, just leave it uncovered overnight, | 0:27:24 | 0:27:28 | |
it will get rid of more alcohol than by flambeing it. | 0:27:28 | 0:27:31 | |
30 percent of it will go just by natural evaporation. | 0:27:31 | 0:27:34 | |
-So, if you leave a glass of wine out at night, the alcohol will evaporate? -Some of it. | 0:27:34 | 0:27:38 | |
Or someone will come down and drink it. | 0:27:38 | 0:27:42 | |
LAUGHTER DROWNS OUT SPEECH "..it's gone." | 0:27:42 | 0:27:44 | |
And so from the caliginous shadows of general ignorance, | 0:27:44 | 0:27:48 | |
we emerge into the unforgiving light of the scores. | 0:27:48 | 0:27:52 | |
My goodness me, aren't they interesting? | 0:27:52 | 0:27:54 | |
Well, tonight's indisputable illuminatus, | 0:27:54 | 0:27:57 | |
with three whole points, is Rich Hall! | 0:27:57 | 0:28:01 | |
APPLAUSE | 0:28:01 | 0:28:03 | |
Burning brightly in second place with minus one, Jack Dee! | 0:28:04 | 0:28:09 | |
APPLAUSE | 0:28:09 | 0:28:12 | |
Despite his stunning knowledge in so many areas, | 0:28:14 | 0:28:17 | |
he did fall into a few of our little Heffalump traps, | 0:28:17 | 0:28:20 | |
so in third place, guttering and spluttering a little on minus nine, | 0:28:20 | 0:28:24 | |
-Chris Addison! -APPLAUSE | 0:28:24 | 0:28:27 | |
But cast forever into outer darkness, | 0:28:27 | 0:28:31 | |
with minus 45, Alan Davies! | 0:28:31 | 0:28:34 | |
CHEERING | 0:28:34 | 0:28:37 | |
That's all for this frankly brilliant edition of QI. | 0:28:41 | 0:28:45 | |
It's lights out and good night from Chris, Rich, Jack, Alan and me. | 0:28:45 | 0:28:49 | |
I leave you with this from Steven Wright: "Light travels faster than sound | 0:28:49 | 0:28:53 | |
"and isn't that why some people appear bright until you hear them speak?" | 0:28:53 | 0:28:57 | |
-Good night. -APPLAUSE | 0:28:57 | 0:28:59 | |
Subtitles by Red Bee Media Ltd | 0:29:02 | 0:29:06 | |
E-mail [email protected] | 0:29:06 | 0:29:10 |