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GOOD evening, good evening, good evening, good evening, | 0:00:31 | 0:00:33 | |
good evening, good evening and welcome to QI, | 0:00:33 | 0:00:36 | |
where this week I shall be messing with your minds. | 0:00:36 | 0:00:40 | |
Joining me on the psychiatrist's couch, | 0:00:40 | 0:00:43 | |
we have the open-minded Sarah Millican. | 0:00:43 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:48 | |
The sharp-minded Josh Widdicombe. | 0:00:49 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
The broad-minded Tommy Tiernan. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:00 | |
And... | 0:01:02 | 0:01:04 | |
Oh, never mind, it's Alan Davies. | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:09 | |
So, let's be mindful of their buzzers. | 0:01:12 | 0:01:15 | |
Sarah goes... | 0:01:15 | 0:01:16 | |
MUSIC: You Were Always On My Mind by Elvis Presley | 0:01:16 | 0:01:21 | |
Josh goes... | 0:01:21 | 0:01:23 | |
MUSIC: I've Got My Mind Set On You by George Harrison | 0:01:23 | 0:01:27 | |
Tommy goes... | 0:01:29 | 0:01:31 | |
MUSIC: Making Your Mind Up by Bucks Fizz | 0:01:31 | 0:01:34 | |
And Alan goes... | 0:01:36 | 0:01:37 | |
-TRAIN RATTLES -'Mind the gap. Mind the gap.' | 0:01:37 | 0:01:43 | |
LAUGHTER | 0:01:43 | 0:01:45 | |
Good. | 0:01:45 | 0:01:46 | |
So, it's time to get down to minding our own business. | 0:01:48 | 0:01:51 | |
Alan, we've been working together now for 13 years, | 0:01:51 | 0:01:54 | |
playing together, I like to think of it. | 0:01:54 | 0:01:56 | |
-But of course. -Quite wrongly. | 0:01:56 | 0:01:58 | |
And we get on like a, like a mouse on fire. | 0:01:58 | 0:02:00 | |
Was it love at first sight? | 0:02:02 | 0:02:03 | |
Oh, yeah, absolutely, Stephen. | 0:02:03 | 0:02:05 | |
CLAXON Oh! | 0:02:05 | 0:02:07 | |
That's such a shame. | 0:02:09 | 0:02:11 | |
No. No, it wasn't. | 0:02:11 | 0:02:12 | |
Well, it's about the mind and another capacity of the mind, | 0:02:12 | 0:02:15 | |
one of its most important capacities, that begins with M. | 0:02:15 | 0:02:19 | |
-Memory. -Memory is right, yeah. Absolutely. | 0:02:19 | 0:02:21 | |
Can we really remember things? | 0:02:21 | 0:02:23 | |
13 years ago, emotional states, | 0:02:23 | 0:02:25 | |
do we remember them accurately? | 0:02:25 | 0:02:27 | |
Things like falling in love at first sight. | 0:02:27 | 0:02:30 | |
But isn't there a difference between fact and truth? | 0:02:30 | 0:02:36 | |
-Right. -So... -JOSH: -13 years of QI saps us. | 0:02:36 | 0:02:39 | |
-That's good... -Keep going, we like this. | 0:02:39 | 0:02:40 | |
This could really help me on this show, you know. | 0:02:40 | 0:02:43 | |
So, I would remember stuff from my childhood that my father says | 0:02:43 | 0:02:46 | |
didn't happen, but there's truth in the memory. | 0:02:46 | 0:02:50 | |
-Yes. -I have a memory, he would suggest that it never happened, | 0:02:50 | 0:02:54 | |
of him holding me by the ankles over the side of a ship. | 0:02:54 | 0:02:57 | |
LAUGHTER | 0:02:57 | 0:03:00 | |
And he says he... | 0:03:02 | 0:03:03 | |
So, he thinks that's a false memory syndrome event. | 0:03:03 | 0:03:05 | |
He questions it, but I know that the feeling of being held by the ankles | 0:03:05 | 0:03:10 | |
over the side of a ship by my father speaks a truth of my childhood. | 0:03:10 | 0:03:15 | |
-Right. -That the facts may not support. | 0:03:15 | 0:03:18 | |
-It doesn't mean... -Is your dad...? -It's very profound and correct. | 0:03:18 | 0:03:21 | |
So there's truth in the feeling of the memory, | 0:03:21 | 0:03:23 | |
so the feeling is nothing to do with facts. | 0:03:23 | 0:03:25 | |
You wouldn't fail a lie detector test | 0:03:25 | 0:03:27 | |
if you explained that memory to a polygraph. | 0:03:27 | 0:03:29 | |
-Much to my father's chagrin. -Right. | 0:03:29 | 0:03:33 | |
I think I've got the opposite, | 0:03:33 | 0:03:34 | |
cos I think my first memory is something that I've been told | 0:03:34 | 0:03:38 | |
so many times happened, that I don't think I do remember it. | 0:03:38 | 0:03:43 | |
-I did... -Yes, so that's the opposite of what happened to Tommy. | 0:03:43 | 0:03:46 | |
-You've had yours reinforced by your family. -Yeah. -Yeah. | 0:03:46 | 0:03:49 | |
Does that make you worry that you might be a robot? | 0:03:49 | 0:03:52 | |
And like they've just been, | 0:03:52 | 0:03:54 | |
all these memories have just been uploaded. | 0:03:54 | 0:03:57 | |
Well, we're all a bit like that. | 0:03:57 | 0:03:58 | |
Certainly in terms of falling in love at first sight, there was | 0:03:58 | 0:04:01 | |
a survey of 10,000 people in long-term relationships | 0:04:01 | 0:04:05 | |
and half of the men in that survey | 0:04:05 | 0:04:07 | |
said they fell in love at first sight. | 0:04:07 | 0:04:10 | |
A quarter of the women said they fell in love at first sight. | 0:04:10 | 0:04:13 | |
So a lot of men were fooling themselves. | 0:04:13 | 0:04:15 | |
No, what that is though, I think that's just the law of averages, | 0:04:15 | 0:04:18 | |
because say like you're a single man, I think when I've been single, | 0:04:18 | 0:04:22 | |
I fall in love with women 20 to 30 times a day. | 0:04:22 | 0:04:26 | |
LAUGHTER | 0:04:26 | 0:04:27 | |
-I think... -So, the law of averages, | 0:04:27 | 0:04:29 | |
eventually the one I get together with, | 0:04:29 | 0:04:31 | |
she'll be one of the 400,000 I fell in love with. | 0:04:31 | 0:04:34 | |
There is a sense in which many people would say | 0:04:34 | 0:04:38 | |
that despite this view of women's sentimental literature | 0:04:38 | 0:04:42 | |
and the rest of it, men are far more sentimental than women. | 0:04:42 | 0:04:46 | |
Women are practical and less sentimental | 0:04:46 | 0:04:49 | |
-and they probably have a clearer... -Because women... | 0:04:49 | 0:04:51 | |
LAUGHTER | 0:04:51 | 0:04:53 | |
-There, see. -Why has he got it facing away from him though?! | 0:04:53 | 0:04:57 | |
That's so rude! | 0:04:59 | 0:05:00 | |
On the other side of it though, it's a picture of Stephen. | 0:05:00 | 0:05:03 | |
Bound to be. | 0:05:04 | 0:05:06 | |
APPLAUSE | 0:05:06 | 0:05:09 | |
Oh, dear. | 0:05:09 | 0:05:10 | |
He's looking at the back of your head. | 0:05:10 | 0:05:13 | |
Yeah, maybe that's what it is. | 0:05:13 | 0:05:14 | |
That's rather, you see there he's all dreamy-eyed | 0:05:14 | 0:05:17 | |
-and maybe you're clear-eyed. -Well, women are more practical | 0:05:17 | 0:05:20 | |
because they've got more shit to get done. | 0:05:20 | 0:05:22 | |
-Yeah. Yeah. -That's what it is. | 0:05:22 | 0:05:24 | |
Do you know that story about the journalist who interviewed | 0:05:24 | 0:05:27 | |
a busy sort of woman and said they were doing this | 0:05:27 | 0:05:30 | |
survey about who makes the important decisions in your household. | 0:05:30 | 0:05:33 | |
She said, "Oh, my husband makes all the important decisions, I make all | 0:05:33 | 0:05:36 | |
"the trivial decisions, like what the children should wear and what they | 0:05:36 | 0:05:40 | |
"should eat and how much we should spend on our household budget, and | 0:05:40 | 0:05:43 | |
"where we should go on holiday and what sort of car we should drive. | 0:05:43 | 0:05:47 | |
"But my husband makes all the important decisions, like whether | 0:05:47 | 0:05:51 | |
"there should be a United Nations presence in Bosnia for example." | 0:05:51 | 0:05:54 | |
That sort of sums up basically men fantasising about political things, | 0:05:56 | 0:06:01 | |
where women get on with the real business of life, maybe. | 0:06:01 | 0:06:04 | |
-I don't think I fell in love at first sight. -You didn't? | 0:06:04 | 0:06:07 | |
I don't think so. I don't think, that makes it sound... | 0:06:07 | 0:06:10 | |
I've never been so hurt in my life. | 0:06:10 | 0:06:11 | |
Yes, well, we'll do an experiment actually with memory | 0:06:13 | 0:06:15 | |
a little later on. | 0:06:15 | 0:06:17 | |
So there we are. I can't remember what kind of point | 0:06:17 | 0:06:20 | |
I was trying to make there. | 0:06:20 | 0:06:22 | |
But fortunately, neither can you. | 0:06:22 | 0:06:24 | |
Now, how much sleep does a paradoxical insomniac get? | 0:06:24 | 0:06:29 | |
TOMMY'S BUZZER | 0:06:29 | 0:06:32 | |
Paradoxical, lots? | 0:06:32 | 0:06:33 | |
Well, yes. He does. | 0:06:33 | 0:06:36 | |
-More than he thinks. -Yes. | 0:06:37 | 0:06:39 | |
It's like a paradoxical kleptomaniac who leaves things in shops. | 0:06:39 | 0:06:44 | |
What a wonderful thing to be. | 0:06:47 | 0:06:49 | |
APPLAUSE | 0:06:49 | 0:06:51 | |
Oh, look, he's left a DVD on the teabags again. | 0:06:51 | 0:06:55 | |
Yeah, it's a very rare condition, but essentially your body sleeps | 0:06:55 | 0:06:59 | |
very happily and all the scientific equipment that goes onto the | 0:06:59 | 0:07:02 | |
brain to check that you're sleeping shows that you are sleeping, | 0:07:02 | 0:07:06 | |
but you're awake, and you remember where you are and what's going on. | 0:07:06 | 0:07:10 | |
But you're refreshed. | 0:07:10 | 0:07:12 | |
-Are you doing stuff, like are you driving a bus or something? -No. | 0:07:12 | 0:07:14 | |
No, absolutely not. No, they're definitely asleep in bed. | 0:07:14 | 0:07:17 | |
So are these people, do they...? Sorry, I don't really understand | 0:07:17 | 0:07:22 | |
and I think you're lying, but anyway. | 0:07:22 | 0:07:25 | |
Are these people the sort of people, do they say, | 0:07:25 | 0:07:27 | |
"I've had a good night's sleep," or, "I haven't slept a wink"? | 0:07:27 | 0:07:30 | |
How do they feel? They feel refreshed? | 0:07:30 | 0:07:32 | |
-They feel refreshed, they feel fine. -How do they know they haven't slept? | 0:07:32 | 0:07:35 | |
-Cos they've been awake all the time. -They've slept, haven't they? | 0:07:35 | 0:07:38 | |
In their mind, they've been awake all the time. | 0:07:38 | 0:07:40 | |
Is this when you have to be awake at ten to five, | 0:07:40 | 0:07:44 | |
and miraculously you are awake at ten to five. | 0:07:44 | 0:07:46 | |
That's an alarm clock, love. | 0:07:46 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:50 | |
-No, I have that too, I do definitely. -Yeah. | 0:07:50 | 0:07:52 | |
-It's extraordinary. -So is that the same kind of... -It works very well. | 0:07:52 | 0:07:55 | |
At school when we, if we were going on a, you know, | 0:07:55 | 0:07:58 | |
a little dawn raid, or something like that, you'd, they'd say... | 0:07:58 | 0:08:01 | |
Sorry? | 0:08:01 | 0:08:02 | |
Well, you know, to do a raid on the kitchens and steal jelly | 0:08:02 | 0:08:06 | |
and things, you know. So... | 0:08:06 | 0:08:08 | |
I forgot you grew up in an Enid Blyton novel. | 0:08:08 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:13 | |
To get your catapult back from the teacher. | 0:08:13 | 0:08:16 | |
You would do this onto the pillow, you would go, | 0:08:18 | 0:08:20 | |
"One, two, three, four," | 0:08:20 | 0:08:22 | |
like that, and you'd wake up at four in the morning. | 0:08:22 | 0:08:24 | |
-And it always seemed to work. -No. | 0:08:24 | 0:08:26 | |
-Honestly, I can't remember a time when it didn't. -That is bullshit! | 0:08:26 | 0:08:29 | |
-No... -OK. | 0:08:29 | 0:08:31 | |
I totally agree. | 0:08:31 | 0:08:33 | |
It's maybe a false memory I've got, but it's a very clear one. | 0:08:33 | 0:08:36 | |
It all changes when you get an enlarged prostate. | 0:08:36 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:41 | |
And do you have to hit it four times on the pillow? | 0:08:49 | 0:08:52 | |
This is something that Blyton didn't cover much. | 0:08:52 | 0:08:54 | |
She didn't, did she? Not lashings of enlarged prostates, no. | 0:08:54 | 0:08:58 | |
Oh, dear. | 0:08:58 | 0:08:59 | |
Anyway, how well you sleep is really all in your mind. | 0:08:59 | 0:09:03 | |
Now, how much would you pay for a machine that can print money? | 0:09:03 | 0:09:08 | |
TOMMY'S BUZZER | 0:09:08 | 0:09:10 | |
Nothing, because the person you bought it from wouldn't need cash. | 0:09:10 | 0:09:17 | |
-Oh, clever. -Very good. -Clever. | 0:09:17 | 0:09:19 | |
Well, I'm going to put it up for offers, because I've got | 0:09:19 | 0:09:21 | |
a machine which I hope you will see is able to print money. | 0:09:21 | 0:09:25 | |
What I've got is a piece of paper, | 0:09:25 | 0:09:30 | |
which is the right size. | 0:09:30 | 0:09:31 | |
And my printer, which is pretty accurate. | 0:09:31 | 0:09:34 | |
-At least if I print it well. -Ah, very good. | 0:09:34 | 0:09:37 | |
Well, there it is. | 0:09:37 | 0:09:39 | |
-Oooh. -There you go. | 0:09:39 | 0:09:41 | |
-Blimey! -What do you think? -Eh? | 0:09:41 | 0:09:43 | |
APPLAUSE | 0:09:43 | 0:09:45 | |
There you are. | 0:09:45 | 0:09:48 | |
So, how much would you pay for that machine? | 0:09:48 | 0:09:51 | |
I'd pay a tenner, because... | 0:09:51 | 0:09:53 | |
LAUGHTER | 0:09:53 | 0:09:55 | |
And then I'd go out onto the South Bank and make loads of money. | 0:09:55 | 0:09:59 | |
We'll keep that. | 0:09:59 | 0:10:01 | |
We'll keep that, we'll keep that ten and maybe we'll see | 0:10:01 | 0:10:04 | |
if we can make more money later on. | 0:10:04 | 0:10:06 | |
Tell me this, which do you find most convincing, the IKEA Effect, | 0:10:06 | 0:10:11 | |
the Rhyme As Reason Effect | 0:10:11 | 0:10:14 | |
or the Frequency Illusion? | 0:10:14 | 0:10:16 | |
Is the IKEA Effect just arrows on the floor? | 0:10:16 | 0:10:19 | |
Is that what that is? | 0:10:19 | 0:10:20 | |
Just not being able to get out of anywhere ever. | 0:10:20 | 0:10:22 | |
That, if you can... | 0:10:22 | 0:10:23 | |
Is that prison? Is that prison? | 0:10:23 | 0:10:25 | |
Prison with tea lights. | 0:10:26 | 0:10:28 | |
It may be better understood by saying things like | 0:10:29 | 0:10:32 | |
if you make crab apple jelly, say, or jam, in my case apricot jam, | 0:10:32 | 0:10:38 | |
I made last year, it's just the best apricot jam there ever was. | 0:10:38 | 0:10:41 | |
I knew this, it's a fact. | 0:10:41 | 0:10:43 | |
It's the best apricot jam anyone's ever tasted. | 0:10:43 | 0:10:46 | |
But I'm told that it's part of the IKEA Effect. In other words, | 0:10:46 | 0:10:49 | |
if you've made it yourself from your own ingredients, you just think it's | 0:10:49 | 0:10:53 | |
better than anything else that you can buy in a shop or anything else. | 0:10:53 | 0:10:56 | |
-Is that why people are really smug about their babies? -Yes. | 0:10:56 | 0:10:59 | |
LAUGHTER | 0:10:59 | 0:11:01 | |
Basically, they are an IKEA Effect. | 0:11:01 | 0:11:02 | |
APPLAUSE | 0:11:02 | 0:11:05 | |
Well, let's move on to the second in our list then, which is | 0:11:07 | 0:11:11 | |
the Rhyme As Reason Effect. | 0:11:11 | 0:11:13 | |
What do you think that can be about? | 0:11:13 | 0:11:15 | |
Is that like, no pain no gain? | 0:11:15 | 0:11:18 | |
-Yes. -Or treat them mean, keep them keen, would be another. | 0:11:18 | 0:11:22 | |
-Yes. -Oh, like, there's loads of alcohol ones, | 0:11:22 | 0:11:24 | |
isn't there, like if you drink wine you'll be fine, and... | 0:11:24 | 0:11:27 | |
-Oh, yeah, yeah. -Beer you'll be queer. | 0:11:27 | 0:11:29 | |
Only shots, yeah. | 0:11:29 | 0:11:31 | |
But that did work, didn't it, Stephen? | 0:11:31 | 0:11:33 | |
It did, yeah, yeah. It worked on me. | 0:11:33 | 0:11:34 | |
-Only shots, you'll get the trots, that sort of thing. -Yeah. | 0:11:34 | 0:11:37 | |
Yeah, all the boozy ones. | 0:11:37 | 0:11:38 | |
-Yeah, isn't there one with grape and grain? -Yeah. | 0:11:38 | 0:11:41 | |
Never the twain with... No. | 0:11:41 | 0:11:43 | |
-LAUGHING: -..with the grape and grain. | 0:11:43 | 0:11:46 | |
They do seem to work, in as much as, if you suggest a kind of rhyming | 0:11:46 | 0:11:50 | |
piece of advice to someone, and to another group of people you put the | 0:11:50 | 0:11:55 | |
same sentiment that doesn't rhyme, they'll believe the rhyming one. | 0:11:55 | 0:11:59 | |
So, for example, they gave "wealth makes health," | 0:11:59 | 0:12:02 | |
to a group of people, and almost all of them agreed with it. | 0:12:02 | 0:12:05 | |
They then said, "Financial success improves medical outcomes." | 0:12:05 | 0:12:09 | |
Catchy. It's catchy. | 0:12:09 | 0:12:11 | |
And they didn't agree at all, despite it meaning the same thing. | 0:12:11 | 0:12:14 | |
So it shows there is a strange quality that a rhyming phrase has. | 0:12:14 | 0:12:17 | |
It's easier to remember as well, | 0:12:17 | 0:12:19 | |
-so you might want to pass it on to somebody else. -That's right. | 0:12:19 | 0:12:21 | |
If it rhymes. | 0:12:21 | 0:12:22 | |
And it seems just to have some sort of authority or imprimatur, | 0:12:22 | 0:12:25 | |
that an ordinary phrase doesn't. It's also the Keats heuristic, | 0:12:25 | 0:12:28 | |
because it's beautiful, it must be true. | 0:12:28 | 0:12:31 | |
Beauty is truth and truth beauty, is the idea. | 0:12:31 | 0:12:34 | |
You may remember OJ Simpson's defence lawyer, | 0:12:34 | 0:12:36 | |
Johnnie Cochran, do you remember him? | 0:12:36 | 0:12:39 | |
-Oh, it doesn't fit. -If the glove doesn't fit... | 0:12:39 | 0:12:41 | |
-If the glove doesn't fit... -..you must... -Acquit. -Acquit. | 0:12:41 | 0:12:44 | |
That's it, yeah. | 0:12:44 | 0:12:45 | |
That seems to be one of the things that got OJ... | 0:12:45 | 0:12:47 | |
That's quite specific as well, | 0:12:47 | 0:12:48 | |
you can't use that, like, every day, can you? | 0:12:48 | 0:12:52 | |
It's not going to come up a lot, that one, is it? | 0:12:52 | 0:12:54 | |
No. It worked on the day though. | 0:12:54 | 0:12:57 | |
The Frequency Illusion, does that mean anything to you? | 0:12:58 | 0:13:00 | |
No. | 0:13:00 | 0:13:03 | |
No reason why it should. | 0:13:03 | 0:13:04 | |
When I used the word heuristic, it may be that you didn't know | 0:13:04 | 0:13:07 | |
the word, but it's quite likely that in a couple of days you might | 0:13:07 | 0:13:10 | |
see it in a magazine or hear someone else using it on the radio or | 0:13:10 | 0:13:13 | |
TV and you go, "That's weird, I only just heard that word | 0:13:13 | 0:13:15 | |
"for the first time two days ago, and now it keeps cropping up everywhere." | 0:13:15 | 0:13:19 | |
-Have you ever had that experience? -Yeah. I was talking to Richard Osman | 0:13:19 | 0:13:22 | |
about this, cos he was complaining about people saying there's always | 0:13:22 | 0:13:25 | |
-tennis questions on Pointless. -Oh, yes. | 0:13:25 | 0:13:26 | |
And the moment you think | 0:13:26 | 0:13:28 | |
that there's tennis questions on Pointless, | 0:13:28 | 0:13:30 | |
if you see one, you think, | 0:13:30 | 0:13:31 | |
-"Well, that completely reinforces everything." -Yes, that's right. | 0:13:31 | 0:13:34 | |
All these things are called a sort of cognitive bias, they push | 0:13:34 | 0:13:38 | |
you into a way of thinking, some different ways of thinking. | 0:13:38 | 0:13:42 | |
So, you can tell the most appalling lie, | 0:13:42 | 0:13:45 | |
if it rhymes or it's featured on QI. | 0:13:45 | 0:13:48 | |
What did the amnesiac say when the doctor asked him his name? | 0:13:48 | 0:13:53 | |
TOMMY'S BUZZER | 0:13:53 | 0:13:55 | |
I don't know the answer to that question. | 0:13:55 | 0:13:57 | |
Oh! CLAXON | 0:13:57 | 0:14:00 | |
No, no, I was telling you that... | 0:14:00 | 0:14:02 | |
-That you didn't know the, very clever. -Right... | 0:14:02 | 0:14:05 | |
Very clever, give him his points back. | 0:14:05 | 0:14:07 | |
He didn't know the answer to the question. | 0:14:07 | 0:14:09 | |
Did he just say his name, | 0:14:09 | 0:14:11 | |
because it was written on the inside label of his knickers? | 0:14:11 | 0:14:13 | |
That would be the contortionist amnesiac. | 0:14:13 | 0:14:17 | |
Yeah. | 0:14:17 | 0:14:19 | |
There's the guy that they said, "What's your name?" and he | 0:14:19 | 0:14:22 | |
asked for a pen and paper, and he drew a piano and they brought him | 0:14:22 | 0:14:25 | |
a piano and he wouldn't speak to them, but he'd just play the piano. | 0:14:25 | 0:14:28 | |
-Do you remember this guy? -I do. | 0:14:28 | 0:14:30 | |
Yeah, and then it turned out, I think, that he was a con artist. | 0:14:30 | 0:14:32 | |
-Yeah, he was. -He didn't have amnesia at all. | 0:14:32 | 0:14:35 | |
Because, if you have amnesia, you don't forget your name | 0:14:35 | 0:14:37 | |
and you don't forget your past life. | 0:14:37 | 0:14:39 | |
What you're not capable of doing | 0:14:39 | 0:14:41 | |
is remembering new things that happen to you. | 0:14:41 | 0:14:43 | |
-That's the point. -You've just ruined loads of films. | 0:14:43 | 0:14:46 | |
I know, you're absolutely right. | 0:14:46 | 0:14:48 | |
It's films in particular that relish this idea that you | 0:14:48 | 0:14:51 | |
might have a trauma and you lose all memory of who you are | 0:14:51 | 0:14:54 | |
and you become a fresh, new, empty person. | 0:14:54 | 0:14:56 | |
And very often as well a second clump on the head | 0:14:56 | 0:15:00 | |
will bring your memory back. | 0:15:00 | 0:15:02 | |
And all this is utterly unknown to medical science. | 0:15:02 | 0:15:05 | |
-It's completely made-up. -A very rudimentary psychiatric hospital in | 0:15:05 | 0:15:08 | |
the west of Ireland would use that as a technique. | 0:15:08 | 0:15:11 | |
LAUGHTER A clump on the back of the head. | 0:15:11 | 0:15:13 | |
If it was a thump on the head that got you sick, | 0:15:13 | 0:15:15 | |
it'll be a thump on the head that'll make you better. | 0:15:15 | 0:15:18 | |
Yeah, we're back in Memory Lane and now it's time for our memory test. | 0:15:18 | 0:15:22 | |
All right, I want the audience and you four, | 0:15:22 | 0:15:25 | |
if you'd be kind enough, to listen to and remember these words. | 0:15:25 | 0:15:30 | |
Bed. Rest. Awake. | 0:15:30 | 0:15:34 | |
Tired. Dream. Wake. | 0:15:34 | 0:15:38 | |
Snooze. Blanket. Doze. | 0:15:38 | 0:15:42 | |
Slumber. | 0:15:42 | 0:15:43 | |
Snore. Nap. | 0:15:43 | 0:15:46 | |
Peace. Yawn. | 0:15:46 | 0:15:48 | |
Drowsy. | 0:15:48 | 0:15:50 | |
All right? | 0:15:50 | 0:15:52 | |
Remember those words, if you'd be so kind. | 0:15:52 | 0:15:55 | |
Good. Well, I think we've earned ourselves | 0:15:55 | 0:15:57 | |
-another money-making moment, yes? Go on. -Excellent. | 0:15:57 | 0:16:00 | |
Because I've got another machine. Well, it's not a machine | 0:16:00 | 0:16:03 | |
in this case, it's just an ordinary blotter and a piece of paper. | 0:16:03 | 0:16:07 | |
This is a, see, there you are. | 0:16:07 | 0:16:10 | |
It's all pretty straightforward. | 0:16:10 | 0:16:12 | |
The blotter is to blot out all the excess ink as we try | 0:16:12 | 0:16:17 | |
and print out this, we try and print it out, there we go. | 0:16:17 | 0:16:20 | |
Oh, let's have a go. Oh. | 0:16:20 | 0:16:23 | |
-Oh, yes, that's worked. -Now that is good. -That's good. -That is so good. | 0:16:23 | 0:16:27 | |
APPLAUSE | 0:16:27 | 0:16:30 | |
There you are. More money for us. | 0:16:30 | 0:16:33 | |
Isn't that pleasing? | 0:16:33 | 0:16:35 | |
Are you going to show us how they work later on? | 0:16:35 | 0:16:37 | |
-Of course! -Good. | 0:16:37 | 0:16:39 | |
Before I kill you. | 0:16:39 | 0:16:40 | |
-I don't mind. I don't mind. No. -Oh, you don't mind, good, no. | 0:16:41 | 0:16:44 | |
-It's just... -If you do any... -What a way to go, | 0:16:44 | 0:16:46 | |
that's a trade-off I'll take. | 0:16:46 | 0:16:47 | |
Now for some multiple choice, listen carefully. True or false? | 0:16:47 | 0:16:52 | |
True or false questions are more likely to be true than false. | 0:16:52 | 0:16:57 | |
-I'm going to... -I need an answer. | 0:17:03 | 0:17:05 | |
JOSH'S BUZZER | 0:17:05 | 0:17:07 | |
Oh, I love George Harrison. | 0:17:07 | 0:17:09 | |
I'm going to go...true. | 0:17:09 | 0:17:12 | |
-Is the right answer. -Oh! | 0:17:12 | 0:17:14 | |
APPLAUSE | 0:17:14 | 0:17:16 | |
Very good. Yeah. | 0:17:16 | 0:17:18 | |
50/50 ball, as they say. | 0:17:20 | 0:17:21 | |
And you did well, that's right. Yeah, it's... | 0:17:21 | 0:17:24 | |
But there isn't a vault or a bank where all the true or false | 0:17:24 | 0:17:28 | |
questions in the world were ever asked | 0:17:28 | 0:17:30 | |
and somebody decides to count which are more true or more false. | 0:17:30 | 0:17:35 | |
That's like saying, when you're given directions, is the first | 0:17:35 | 0:17:39 | |
direction more often likely to be turn left or turn right? | 0:17:39 | 0:17:42 | |
Depends where you're going. | 0:17:42 | 0:17:44 | |
-Left. -Yes. | 0:17:44 | 0:17:46 | |
But you can analyse a huge bank of questions, which is what was done. | 0:17:46 | 0:17:49 | |
American exam questions, in this instance. | 0:17:49 | 0:17:52 | |
And they found that it was 56% of them the answer was true, | 0:17:52 | 0:17:56 | |
-and 44% the answer was false. -Right. | 0:17:56 | 0:17:58 | |
And it seems the reason is that the examiners, of course, | 0:17:58 | 0:18:01 | |
have to think of the questions all the time, and it's a lot | 0:18:01 | 0:18:04 | |
easier to think of a true question than it is to think of a false one. | 0:18:04 | 0:18:07 | |
When I did my GCSEs, they said as a tip, | 0:18:07 | 0:18:12 | |
if you're doing a multiple choice, A, B, C, D, | 0:18:12 | 0:18:14 | |
and you don't know the answer, go B or C, because the lazy examiners | 0:18:14 | 0:18:20 | |
are more likely to put the answer in the middle than on the edge. | 0:18:20 | 0:18:24 | |
Would have been better if they just taught us the answers. | 0:18:24 | 0:18:27 | |
-Yes, I was going to say. -Just important to... | 0:18:27 | 0:18:30 | |
Don't worry about learning about science, just go C. | 0:18:30 | 0:18:34 | |
All right, I'll give you another chance then, OK. | 0:18:34 | 0:18:36 | |
If question one is true in an exam, what is question two likely to be? | 0:18:36 | 0:18:43 | |
True. | 0:18:43 | 0:18:45 | |
Oh! CLAXON | 0:18:45 | 0:18:47 | |
No, true, false, true, false is more prevalent. | 0:18:47 | 0:18:50 | |
Oh, that's so boring though. | 0:18:50 | 0:18:51 | |
It's not absolutely guaranteed, of course, | 0:18:51 | 0:18:54 | |
but the chance the next answer will be different | 0:18:54 | 0:18:56 | |
from the present one is 63% though, so it's quite a high amount. | 0:18:56 | 0:18:59 | |
So if question two the answer was true, | 0:18:59 | 0:19:01 | |
question three, 63% that it will be false. | 0:19:01 | 0:19:04 | |
The way therefore to optimise your scores, if you're doing a true | 0:19:04 | 0:19:07 | |
or false, is to answer all the ones you know the answer to, obviously. | 0:19:07 | 0:19:13 | |
Then the ones next to them, put the opposite. | 0:19:13 | 0:19:15 | |
And then all the rest that are left over put true. | 0:19:17 | 0:19:20 | |
And then you've got your best chance of a good score. | 0:19:20 | 0:19:22 | |
-Oh, that's, I like it. -Yeah. -Or just revise more. | 0:19:22 | 0:19:25 | |
Or just revise more. | 0:19:25 | 0:19:27 | |
Yeah, you are everything that is wrong with British education. | 0:19:27 | 0:19:30 | |
LAUGHTER | 0:19:30 | 0:19:32 | |
So, pay attention now, it's time for another magical money-making moment. | 0:19:32 | 0:19:36 | |
Oh. | 0:19:36 | 0:19:37 | |
Yes. I've got a proper, proper printing press here. | 0:19:37 | 0:19:40 | |
It's very, it's a rather exciting one, | 0:19:40 | 0:19:43 | |
and as you can see, it's got all the bells and whistles. | 0:19:43 | 0:19:46 | |
And it's even got a little calibration here. | 0:19:46 | 0:19:48 | |
I'm going to, let's, can you see it's on ten, I'm going | 0:19:48 | 0:19:51 | |
to move it up to 20. Because I've got a 20-sized one here. | 0:19:51 | 0:19:54 | |
This may, I hope this works. | 0:19:54 | 0:19:56 | |
It takes a long time to fill it with ink, | 0:19:56 | 0:19:58 | |
so if it doesn't work, I'm not going to do it twice. | 0:19:58 | 0:20:00 | |
Oh, yes, that works. Oh, good, there you are. | 0:20:00 | 0:20:02 | |
-Oh, wow. -There you are. APPLAUSE | 0:20:02 | 0:20:04 | |
Oh, there we go. | 0:20:06 | 0:20:07 | |
Stephen, hold on, one of the options is 100. | 0:20:07 | 0:20:11 | |
I just want to see what one of them looks like. | 0:20:11 | 0:20:13 | |
OK. OK. | 0:20:13 | 0:20:15 | |
Oh, oh, there we go. | 0:20:16 | 0:20:18 | |
And, oh... Oh, it's a 50. It should be 100. | 0:20:18 | 0:20:22 | |
Oh, it is 100. There you are! | 0:20:22 | 0:20:25 | |
That's good. | 0:20:25 | 0:20:26 | |
APPLAUSE | 0:20:26 | 0:20:28 | |
There we are. | 0:20:28 | 0:20:30 | |
So, yeah, we've made a, made a proper amount of money today. | 0:20:30 | 0:20:34 | |
Just shows, with a little application | 0:20:34 | 0:20:37 | |
and a little skill, you can make money pretty easily. | 0:20:37 | 0:20:41 | |
-That's amazing. -Yes. | 0:20:41 | 0:20:42 | |
But I feel guilty about it, so I'll probably give it away, | 0:20:42 | 0:20:45 | |
to a bookmaker. | 0:20:45 | 0:20:47 | |
LAUGHTER | 0:20:47 | 0:20:49 | |
Now, how would you swear like a pre-pubescent supercomputer? | 0:20:49 | 0:20:54 | |
Bum, bum, wee. | 0:20:54 | 0:20:56 | |
-Bum, bum, wee. -And poo. | 0:20:56 | 0:20:58 | |
-Pretty close. -They're the main, they're the main ones? | 0:20:58 | 0:21:01 | |
The big three. | 0:21:01 | 0:21:02 | |
It's a supercomputer, we've called it pre-pubescent | 0:21:02 | 0:21:05 | |
because it's about 11 years old now. And... | 0:21:05 | 0:21:09 | |
And it swears? | 0:21:09 | 0:21:11 | |
Well, it's called Watson | 0:21:11 | 0:21:12 | |
and it is one of the smartest supercomputers around. | 0:21:12 | 0:21:15 | |
It was first trained to win at the American quiz game Jeopardy, | 0:21:15 | 0:21:19 | |
which you may have seen if you've ever been in the United States, | 0:21:19 | 0:21:22 | |
it's on every single day. | 0:21:22 | 0:21:23 | |
They give an answer and you say the question. | 0:21:23 | 0:21:25 | |
Exactly. So this actor played Jonathan Creek. | 0:21:25 | 0:21:27 | |
The answer is, on Jeopardy, Who is Alan Davies? | 0:21:27 | 0:21:30 | |
-Yes. -It's been going for 40 years or something on American TV. | 0:21:30 | 0:21:33 | |
Does the supercomputer do proper swearing or swearing like | 0:21:33 | 0:21:36 | |
-"mother funster," or... -Melon farmer! -Yeah, exactly. -Yeah. | 0:21:36 | 0:21:39 | |
What they did was, they fed it an online dictionary | 0:21:39 | 0:21:41 | |
and I think you can guess which one it was, if it was swearing. | 0:21:41 | 0:21:44 | |
Urban Dictionary. | 0:21:44 | 0:21:45 | |
-Urban Dictionary, yes, which is a rather naughty dictionary. -It is. | 0:21:45 | 0:21:48 | |
It has bad M words. | 0:21:48 | 0:21:50 | |
I don't know what, I really, what's motorboat? | 0:21:50 | 0:21:53 | |
Am I, am I the only...? | 0:21:53 | 0:21:54 | |
Oh, OK. I've got this one, | 0:21:54 | 0:21:57 | |
-I've got this one! -APPLAUSE | 0:21:57 | 0:21:59 | |
I'm not going to do it, it's where you | 0:21:59 | 0:22:01 | |
put your head in between there and then do that... | 0:22:01 | 0:22:04 | |
Oh, yes, that's right. "Brrr." It's rather sweet, that, isn't it? | 0:22:04 | 0:22:08 | |
-Rather sweet?! -Well... | 0:22:08 | 0:22:09 | |
LAUGHTER | 0:22:09 | 0:22:11 | |
Well, I don't know. | 0:22:11 | 0:22:12 | |
Nicer than minger, or muffin top? Milkshake. | 0:22:12 | 0:22:15 | |
Where's your man cave? | 0:22:15 | 0:22:17 | |
That's not... Oh, no, is that, have I got a man... No? | 0:22:19 | 0:22:21 | |
LAUGHTER | 0:22:21 | 0:22:22 | |
-No. Is that what...? -Is it like a den where you... | 0:22:22 | 0:22:26 | |
Oh. | 0:22:26 | 0:22:27 | |
LAUGHS | 0:22:27 | 0:22:29 | |
That sounded like you'd suddenly got a catchphrase, | 0:22:29 | 0:22:31 | |
where's your man cave? | 0:22:31 | 0:22:32 | |
It's Sarah 'Where's Your Man Cave' Millican. | 0:22:34 | 0:22:36 | |
It's Sarah Millican, Where's Your Man Cave! | 0:22:36 | 0:22:38 | |
-TOMMY: -Sarah, you definitely have one man cave, the question is, | 0:22:38 | 0:22:41 | |
do you have two? | 0:22:41 | 0:22:42 | |
Ah, yes. | 0:22:42 | 0:22:44 | |
LAUGHTER | 0:22:44 | 0:22:47 | |
No? | 0:22:47 | 0:22:48 | |
-Was that the right answer? -I don't know. | 0:22:50 | 0:22:52 | |
I'm still recovering from motorboat. | 0:22:52 | 0:22:54 | |
So, that's Urban Dictionary and it was popped into Watson, | 0:22:56 | 0:23:01 | |
this IBM computer and unfortunately, he learnt too much from it | 0:23:01 | 0:23:05 | |
and so when they were testing it, before it went on Jeopardy, | 0:23:05 | 0:23:09 | |
it was just saying bullshit to every question that you posed | 0:23:09 | 0:23:12 | |
to it, like a stroppy pre-pubescent, basically. | 0:23:12 | 0:23:16 | |
It's now... | 0:23:16 | 0:23:17 | |
The question he asked was never, "Where's your man cave?" | 0:23:17 | 0:23:20 | |
No, it never was. | 0:23:20 | 0:23:21 | |
We just gave you some M's just because it's the M series, | 0:23:21 | 0:23:24 | |
but there are plenty of others. | 0:23:24 | 0:23:25 | |
Are they all like new words, because milkshake's been around | 0:23:25 | 0:23:28 | |
for a long time, but has it got a new meaning that I need to learn? | 0:23:28 | 0:23:31 | |
-Yeah. -You're young. | 0:23:31 | 0:23:33 | |
-Um, well... -What is it? | 0:23:33 | 0:23:35 | |
Well, Kelis sung, "My milkshake brings all the boys to the yard," | 0:23:35 | 0:23:39 | |
-didn't she? -Yes, because she had like a van that sold milkshakes. | 0:23:39 | 0:23:42 | |
If that's what you want to think she meant, that's what she meant. | 0:23:44 | 0:23:47 | |
My dormitory at school had a milkshake club, | 0:23:47 | 0:23:50 | |
but we won't go into that. | 0:23:50 | 0:23:51 | |
It wasn't all like Enid Blyton, then, was it? | 0:23:54 | 0:23:56 | |
No, no. | 0:23:56 | 0:23:58 | |
Ooooh, where were we? | 0:24:00 | 0:24:02 | |
Oh, yes. Good. | 0:24:02 | 0:24:03 | |
And so we glide from the canyons of our minds into the clueless | 0:24:03 | 0:24:07 | |
depths of General Ignorance. | 0:24:07 | 0:24:08 | |
Fingers on buzzers, if you would. | 0:24:08 | 0:24:11 | |
Do mushrooms prefer to grow in the light or in the dark? | 0:24:11 | 0:24:15 | |
SARAH'S BUZZER | 0:24:15 | 0:24:17 | |
Well, the thing's going to go off if I say in the dark, | 0:24:17 | 0:24:20 | |
so I'm going to say in the light. | 0:24:20 | 0:24:21 | |
-CLAXON -Oh, bugger! | 0:24:21 | 0:24:23 | |
The answer is they don't prefer either. | 0:24:26 | 0:24:28 | |
They grow just as well in dark, half light. | 0:24:28 | 0:24:31 | |
They rarely express a preference. What would you like? | 0:24:31 | 0:24:34 | |
Would you like the light on, or shall I leave it? | 0:24:34 | 0:24:37 | |
Maybe a little bedtime story, be tucked in. | 0:24:37 | 0:24:40 | |
But going by how much they thrive, it clearly doesn't make any | 0:24:40 | 0:24:43 | |
difference, so why is it traditional to grow them in the dark? | 0:24:43 | 0:24:46 | |
Because it's a dirty secret? | 0:24:46 | 0:24:48 | |
Like if you have them in your house, | 0:24:48 | 0:24:50 | |
it's not something you tell everybody. | 0:24:50 | 0:24:52 | |
I've got mushrooms in the back bedroom. | 0:24:52 | 0:24:54 | |
It's simply cheaper. We don't have to turn the light on. | 0:24:56 | 0:24:59 | |
So you just shove them in a cellar or a dark room, | 0:24:59 | 0:25:01 | |
somewhere you've got and they'll grow. | 0:25:01 | 0:25:03 | |
-It's that simple. -Oh. | 0:25:03 | 0:25:05 | |
Not very exciting, but quite interesting. | 0:25:05 | 0:25:07 | |
Magic mushrooms, double M, they have psychotropic, | 0:25:07 | 0:25:12 | |
or at least hallucinogenic qualities, I believe, don't they? | 0:25:12 | 0:25:15 | |
-Good Lord! -Is that, we're now seeing that? | 0:25:15 | 0:25:18 | |
That's horrible. | 0:25:18 | 0:25:19 | |
But they have a disadvantage, | 0:25:21 | 0:25:22 | |
which is that you get a terrible tummy ache, | 0:25:22 | 0:25:25 | |
and what did people do in order to obviate this disadvantage? | 0:25:25 | 0:25:29 | |
-I'm afraid... -They'd make themselves sick, would they? | 0:25:29 | 0:25:32 | |
Well, no, what they did is, | 0:25:32 | 0:25:34 | |
they'd give the mushrooms to the village idiot. | 0:25:34 | 0:25:37 | |
And he'd then have a pee and they'd drink the pee, which had all the... | 0:25:37 | 0:25:41 | |
-No! -..had all the psycho-active properties. -Wow. | 0:25:41 | 0:25:44 | |
Who is the idiot in that scenario? | 0:25:44 | 0:25:46 | |
I don't know. No. | 0:25:46 | 0:25:47 | |
It is very unfortunate. | 0:25:47 | 0:25:49 | |
Are we the only creatures who are affected by eating magic mushrooms? | 0:25:49 | 0:25:53 | |
Like, if a cow went into a field full of magic mushrooms, and ate | 0:25:53 | 0:25:58 | |
them all, will it have some moments of insight | 0:25:58 | 0:26:01 | |
that it would be impossible to share with us, | 0:26:01 | 0:26:05 | |
the whole town would gather round him there. | 0:26:05 | 0:26:07 | |
Moooo! | 0:26:07 | 0:26:10 | |
"I don't get it, I don't get it." | 0:26:10 | 0:26:12 | |
Moo! | 0:26:12 | 0:26:13 | |
-And there was a... -Are you trying to tell us something? | 0:26:14 | 0:26:16 | |
There was a theory that Jesus Christ... | 0:26:16 | 0:26:20 | |
..was a magic mushroom. | 0:26:22 | 0:26:25 | |
He actually was a mushroom? | 0:26:25 | 0:26:26 | |
I mightn't have remembered this entirely correctly, but... | 0:26:26 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:31 | |
Does your dad deny this story? | 0:26:31 | 0:26:34 | |
There's a thing called the Amanita muscaria, which is the, | 0:26:34 | 0:26:40 | |
it's the notion of using mushrooms as a means to transcendence. | 0:26:40 | 0:26:46 | |
-Right. -And I don't know the rest of the story. | 0:26:46 | 0:26:48 | |
Oh! You heard it here first, ladies and gentlemen. | 0:26:48 | 0:26:53 | |
Yes, mushrooms are grown in the dark to save electricity. | 0:26:53 | 0:26:57 | |
So, with that we stagger dazed and confused into the most | 0:26:57 | 0:27:01 | |
mind-numbing and mind-bending subject of all, the QI scores. | 0:27:01 | 0:27:06 | |
Oh, how interesting they are. My goodness me. | 0:27:06 | 0:27:09 | |
In fourth place, with a very respectable -22, | 0:27:09 | 0:27:13 | |
is Josh Widdicombe. | 0:27:13 | 0:27:14 | |
APPLAUSE | 0:27:14 | 0:27:17 | |
In third place, with a splendid -18 is Sarah Millican. | 0:27:17 | 0:27:22 | |
APPLAUSE | 0:27:22 | 0:27:25 | |
He's achieved heights that may require oxygen, | 0:27:27 | 0:27:30 | |
on -6, it's Alan Davies. | 0:27:30 | 0:27:32 | |
-Thank you very much. -APPLAUSE | 0:27:32 | 0:27:35 | |
What a debut, Tommy Tiernan on 2! | 0:27:37 | 0:27:40 | |
Plus 2! | 0:27:40 | 0:27:42 | |
MUSIC PLAYS | 0:27:43 | 0:27:47 | |
Thanks to Sarah, Josh, Tommy and Alan. | 0:27:48 | 0:27:50 | |
Oh, I nearly forgot our memory test. | 0:27:50 | 0:27:52 | |
Oh, how ironic. Can we turn the cameras onto the audience? | 0:27:52 | 0:27:56 | |
Let's see by a show of hands which words you remembered me saying. | 0:27:56 | 0:28:02 | |
Who remembered the word bed? | 0:28:02 | 0:28:03 | |
Oh, most of you, that's pretty good. | 0:28:05 | 0:28:07 | |
Snooze? | 0:28:07 | 0:28:08 | |
Pretty good. | 0:28:10 | 0:28:12 | |
Sleep? | 0:28:12 | 0:28:13 | |
CLAXON Oh, audience. | 0:28:14 | 0:28:17 | |
No, I didn't say sleep, | 0:28:19 | 0:28:21 | |
I said words so closely connected to it that it was easy to force | 0:28:21 | 0:28:24 | |
yourself into the memory of thinking that I did say it. | 0:28:24 | 0:28:27 | |
So you all encountered a sort of false memory planting there. | 0:28:27 | 0:28:30 | |
If you don't believe me, | 0:28:30 | 0:28:31 | |
you'll just have to watch the show all over again, won't you? | 0:28:31 | 0:28:34 | |
So, from me, from all of us, thank you and goodnight. | 0:28:34 | 0:28:38 | |
APPLAUSE | 0:28:38 | 0:28:41 |