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APPLAUSE | 0:00:29 | 0:00:30 | |
Welcome to a show | 0:00:32 | 0:00:34 | |
where we will be noodling about with an eNormous array of things | 0:00:34 | 0:00:38 | |
beginning with N. | 0:00:38 | 0:00:40 | |
Please welcome the netholiginous Jerry Springer. | 0:00:40 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:46 | |
The nonalturantist Matt Lucas. | 0:00:48 | 0:00:51 | |
Thank you. Thank you very much, I'm very happy to be here. | 0:00:51 | 0:00:56 | |
The noctivagant Cariad Lloyd. | 0:00:56 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:02 | |
And nicky, nacky, noo, | 0:01:03 | 0:01:06 | |
it's Alan Davies. | 0:01:06 | 0:01:07 | |
CHEERING AND APPLAUSE | 0:01:07 | 0:01:09 | |
And their buzzers have been lavishly personalised. | 0:01:12 | 0:01:15 | |
Jerry goes... | 0:01:15 | 0:01:16 | |
-CHANTS: -'Jerry! Jerry! | 0:01:16 | 0:01:18 | |
'Jerry! Jerry! | 0:01:18 | 0:01:20 | |
'Jerry! Jerry! | 0:01:20 | 0:01:22 | |
'Jerry! Jerry! | 0:01:22 | 0:01:24 | |
'Jerry!' | 0:01:24 | 0:01:26 | |
Can you tell we're a bit excited that you're here, Jerry? | 0:01:26 | 0:01:29 | |
Matt goes... | 0:01:29 | 0:01:30 | |
'Nope, but yet, but no, yeah, oh, my God, | 0:01:30 | 0:01:32 | |
'I so can't believe you just said that.' | 0:01:32 | 0:01:34 | |
APPLAUSE | 0:01:34 | 0:01:38 | |
-Cariad goes... -I don't have a famous catchphrase, so... | 0:01:38 | 0:01:41 | |
# Always Cariad Always Cariad Lloyd... # | 0:01:43 | 0:01:50 | |
'Oh, look, there's Cariad Lloyd!' | 0:01:50 | 0:01:52 | |
LAUGHTER AND APPLAUSE | 0:01:52 | 0:01:55 | |
-You have a theme tune now. -I've got a theme tune. | 0:01:59 | 0:02:01 | |
You've got walk-on music. | 0:02:01 | 0:02:02 | |
Yeah! And Alan goes... | 0:02:02 | 0:02:04 | |
'Alan! Alan! Alan! Alan! | 0:02:04 | 0:02:08 | |
'Alan! Al! | 0:02:08 | 0:02:09 | |
'Alan! Alan!' | 0:02:09 | 0:02:10 | |
SHOTGUN GOES OFF | 0:02:10 | 0:02:12 | |
Anyway, moving on. | 0:02:13 | 0:02:16 | |
Now, I've got a list here | 0:02:16 | 0:02:18 | |
of the Christian names of the first 200 parachutists | 0:02:18 | 0:02:23 | |
to land in Normandy on D-Day. | 0:02:23 | 0:02:26 | |
I'd like you to give me the name of any of them. | 0:02:26 | 0:02:28 | |
-Their Christian names? -Any Christian name. | 0:02:28 | 0:02:30 | |
-Yeah. -Vladimir. -Vladimir, we're going to start with. | 0:02:30 | 0:02:33 | |
Another first name? | 0:02:36 | 0:02:38 | |
-Mordechai? -Mordechai? | 0:02:38 | 0:02:40 | |
Well... | 0:02:40 | 0:02:41 | |
You have over 200 choices in here. | 0:02:43 | 0:02:45 | |
John. Dave. William. | 0:02:45 | 0:02:46 | |
Enid. | 0:02:46 | 0:02:47 | |
LAUGHTER | 0:02:47 | 0:02:50 | |
'Alan! Alan! Al! Alan! Alan!' | 0:02:51 | 0:02:56 | |
Are you suggesting that it's Alan? SHOTGUN GOES OFF | 0:02:56 | 0:02:59 | |
They were dummy people. | 0:02:59 | 0:03:01 | |
They WERE dummy people. You are absolutely right. | 0:03:01 | 0:03:05 | |
APPLAUSE | 0:03:05 | 0:03:09 | |
The very first Allied parachutists into Normandy | 0:03:09 | 0:03:12 | |
consisted of 200 dummies, six men, | 0:03:12 | 0:03:14 | |
some gramophones and a pigeon. | 0:03:14 | 0:03:16 | |
That's a good night! | 0:03:16 | 0:03:17 | |
It's a classic, yes! Absolute classic! | 0:03:17 | 0:03:20 | |
The 200 dummies were a diversionary tactic, the six men were SAS troops. | 0:03:20 | 0:03:24 | |
I like this, they played battle noises on gramophones | 0:03:24 | 0:03:27 | |
to divert the Germans from the real air drops | 0:03:27 | 0:03:29 | |
which were going on elsewhere. | 0:03:29 | 0:03:31 | |
And the pigeon was a carrier | 0:03:31 | 0:03:32 | |
strapped to the very first man to land, | 0:03:32 | 0:03:35 | |
so the first soldier to land was called Norman Poole. | 0:03:35 | 0:03:37 | |
I think they thought, Normandy, Norman! Let's have Norman. | 0:03:37 | 0:03:41 | |
But the very first ones, there were 200 dummies, | 0:03:41 | 0:03:43 | |
and they were all called Rupert. | 0:03:43 | 0:03:46 | |
Because British soldiers often | 0:03:46 | 0:03:48 | |
referred to their officers as Ruperts. | 0:03:48 | 0:03:50 | |
They were only two foot nine inches tall, | 0:03:50 | 0:03:52 | |
but from the ground, they would have looked full-size. | 0:03:52 | 0:03:55 | |
I've got helmets for you, if you wouldn't mind, | 0:03:55 | 0:03:57 | |
just stick those on there. | 0:03:57 | 0:03:58 | |
Just following orders. | 0:03:58 | 0:03:59 | |
Yep. | 0:03:59 | 0:04:00 | |
Because we're going to show you, from the ground, | 0:04:00 | 0:04:02 | |
what the parachute drop would have looked like. | 0:04:02 | 0:04:04 | |
It would have looked like this. | 0:04:04 | 0:04:06 | |
It's possible you didn't need the helmets, | 0:04:12 | 0:04:14 | |
but, then, it is possible that you would need them. | 0:04:14 | 0:04:16 | |
-I needed it, yeah. -So those are replicas, obviously, of Rupert. | 0:04:20 | 0:04:23 | |
They contained firecrackers | 0:04:23 | 0:04:24 | |
so that when they landed it sounded like they were firing. | 0:04:24 | 0:04:27 | |
This one is anatomically correct. | 0:04:27 | 0:04:28 | |
They distracted nearly a full German division, and in 2013, | 0:04:31 | 0:04:35 | |
a Rupert was discovered in a garden shed in the UK, | 0:04:35 | 0:04:37 | |
and nobody knows how he got back. | 0:04:37 | 0:04:39 | |
We have a real one here which comes from the Museum of Army Flying | 0:04:39 | 0:04:43 | |
in Middle Wallop. Don't you love this country? | 0:04:43 | 0:04:45 | |
We have a place called Middle Wallop. | 0:04:45 | 0:04:47 | |
It is accompanied by his curator, Susan Lindsay. | 0:04:47 | 0:04:51 | |
Thank you, Susan. | 0:04:51 | 0:04:52 | |
Do you not think that is the coolest thing? | 0:04:55 | 0:04:57 | |
Because how Rupert survived and made it all the way back to the UK, | 0:04:57 | 0:05:00 | |
absolutely nobody knows. | 0:05:00 | 0:05:02 | |
My favourite story from that time is Lord Lovat, | 0:05:02 | 0:05:04 | |
he was the commander of the first commando brigade. | 0:05:04 | 0:05:06 | |
He took with him his personal bagpiper, | 0:05:06 | 0:05:08 | |
this is very British, to do this. | 0:05:08 | 0:05:10 | |
He took with him Bill Millin, who was his personal bagpiper. | 0:05:10 | 0:05:13 | |
In the hope that he'd get shot? | 0:05:13 | 0:05:15 | |
The story is he walked slowly up and down Sword Beach in Highland dress | 0:05:17 | 0:05:20 | |
playing to encourage the Allied troops, | 0:05:20 | 0:05:22 | |
and then he later piped the commandos | 0:05:22 | 0:05:24 | |
through the French countryside, | 0:05:24 | 0:05:25 | |
and the German snipers said, | 0:05:25 | 0:05:27 | |
"We didn't shoot him because we thought he'd gone mad." | 0:05:27 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:31 | |
Jerry. Now, this time that we're talking about, | 0:05:34 | 0:05:36 | |
the battle of Normandy, | 0:05:36 | 0:05:38 | |
you were in the UK? | 0:05:38 | 0:05:40 | |
Yes. I'd been born six months earlier, yes. | 0:05:40 | 0:05:43 | |
And where were you? | 0:05:43 | 0:05:44 | |
I was actually born in Highgate, in the tube station. | 0:05:44 | 0:05:46 | |
-During an air raid? -Not during an air raid, but you didn't know... | 0:05:46 | 0:05:49 | |
Your mother just missed her train and... | 0:05:49 | 0:05:51 | |
Yes. | 0:05:51 | 0:05:52 | |
Women in the ninth month would often spend nights in the subway | 0:05:52 | 0:05:57 | |
because those were the bomb shelters. | 0:05:57 | 0:05:59 | |
Have you been back to the station? | 0:05:59 | 0:06:00 | |
Yeah, and there's not even a plaque there! | 0:06:00 | 0:06:03 | |
LAUGHTER | 0:06:03 | 0:06:04 | |
You know. | 0:06:04 | 0:06:06 | |
You'd need to have been conceived to have a plaque there, I think. | 0:06:06 | 0:06:10 | |
When you were Mayor of Cincinnati... | 0:06:10 | 0:06:12 | |
-Yes. -1977, is that right? | 0:06:12 | 0:06:15 | |
1977, '78, yeah. | 0:06:15 | 0:06:16 | |
Oh, my God! | 0:06:16 | 0:06:18 | |
What are you doing in that picture? | 0:06:18 | 0:06:20 | |
Well, you know, when you're mayor, | 0:06:20 | 0:06:21 | |
you also get a lot of ceremonial things to do, | 0:06:21 | 0:06:23 | |
so it probably was some... | 0:06:23 | 0:06:25 | |
Oh, I know. That's when I got circumcised. | 0:06:25 | 0:06:27 | |
LAUGHTER | 0:06:27 | 0:06:30 | |
That's when everybody got circumcised. | 0:06:30 | 0:06:33 | |
Is it true about Cincinnati, | 0:06:33 | 0:06:35 | |
that there is a full abandoned subway system that was never used, | 0:06:35 | 0:06:39 | |
that's underneath the city, is that true? | 0:06:39 | 0:06:40 | |
Yeah, they ran out of money, actually. | 0:06:40 | 0:06:42 | |
And so it was never completed. | 0:06:42 | 0:06:44 | |
-But, yeah. -So are there stations? | 0:06:44 | 0:06:46 | |
-Yeah. -So why did they not do it...? | 0:06:46 | 0:06:48 | |
It was before my time. | 0:06:48 | 0:06:50 | |
If I were mayor, we would have finished that subway! | 0:06:50 | 0:06:52 | |
Quite right. | 0:06:52 | 0:06:55 | |
APPLAUSE | 0:06:55 | 0:06:57 | |
From Normandy to Newcastle now, | 0:06:58 | 0:07:00 | |
we know why you'd take a canary down a coal mine, | 0:07:00 | 0:07:04 | |
but why would you take a dead fish? | 0:07:04 | 0:07:06 | |
Is it one of those fish you put in your hand, you know, | 0:07:06 | 0:07:08 | |
you used to get from the shop for a pound? | 0:07:08 | 0:07:10 | |
Oh, for fortune telling? | 0:07:10 | 0:07:11 | |
A fortune-telling fish. So you'd be like, "There is coal here." | 0:07:11 | 0:07:14 | |
And it rolls over. And goes, "No, the coal-mining industry has gone." | 0:07:14 | 0:07:17 | |
Wow, that's like the saddest fortune fish of all time. | 0:07:17 | 0:07:19 | |
LAUGHTER | 0:07:19 | 0:07:21 | |
If you brought a live fish down, | 0:07:21 | 0:07:23 | |
they would be dead by the time you got to the bottom of the mine, | 0:07:23 | 0:07:26 | |
so this just saves time. | 0:07:26 | 0:07:28 | |
That's true. | 0:07:28 | 0:07:29 | |
If you want to have a fish at all, just save time by killing it first. | 0:07:29 | 0:07:32 | |
-Right. -Maybe, because in some cultures people eat fish. | 0:07:32 | 0:07:36 | |
So... Maybe the people in the mine are peckish. | 0:07:36 | 0:07:40 | |
OK. We're in Newcastle. | 0:07:40 | 0:07:41 | |
Do they eat fish in Newcastle? | 0:07:41 | 0:07:43 | |
Oh, yes, they do. | 0:07:43 | 0:07:45 | |
They have a little fishy on a little dishy when the boat comes in. | 0:07:45 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:49 | |
Dance for your daddy, my little laddie. | 0:07:49 | 0:07:52 | |
Is it possible you spend too much time with your small children? | 0:07:52 | 0:07:55 | |
LAUGHTER | 0:07:55 | 0:07:58 | |
OK, so I'm going to give you a clue. | 0:07:58 | 0:07:59 | |
The fish in the picture is glowing. | 0:07:59 | 0:08:01 | |
It does something down there | 0:08:01 | 0:08:02 | |
that tells you that something's not right, | 0:08:02 | 0:08:04 | |
and it's time to leave? Similar to the canary. | 0:08:04 | 0:08:06 | |
Well, the canary was used, of course, to work out if there was... | 0:08:06 | 0:08:10 | |
Poisonous gases. | 0:08:10 | 0:08:11 | |
-..if there was poisonous gases. -So the canary would die first. | 0:08:11 | 0:08:14 | |
Absolutely. But in the 18th century in the Newcastle coal mines, | 0:08:14 | 0:08:17 | |
they used dead fish as lights. | 0:08:17 | 0:08:19 | |
So some dead fish, not all, glow faintly, | 0:08:19 | 0:08:23 | |
and they are safer than lamps in mines because of explosive gas. | 0:08:23 | 0:08:27 | |
Unfortunately, the fish have two putrefy | 0:08:27 | 0:08:29 | |
in order to be able to glow, | 0:08:29 | 0:08:30 | |
so the smell must have been unbelievable. | 0:08:30 | 0:08:34 | |
But it is called bioluminescence. | 0:08:34 | 0:08:36 | |
And they glow because of bacteria, | 0:08:36 | 0:08:38 | |
and it's possible that the bacteria glow | 0:08:38 | 0:08:40 | |
to attract living fish to eat the dead fish | 0:08:40 | 0:08:43 | |
and that helps the bacteria to spread. | 0:08:43 | 0:08:45 | |
-That is incredible. -Yeah. Cunning bacteria. | 0:08:45 | 0:08:47 | |
And it's been known about for years. | 0:08:48 | 0:08:50 | |
Aristotle spotted that damp wood glowed, | 0:08:50 | 0:08:52 | |
Pliny the Elder, he recommended using, I like this, | 0:08:52 | 0:08:55 | |
a walking stick dipped in a jellyfish's glowing slime | 0:08:55 | 0:08:58 | |
as a torch. | 0:08:58 | 0:09:00 | |
When Kanye West played Madison Square Gardens, | 0:09:00 | 0:09:03 | |
-he lit the show just with fish. -Dead fish. | 0:09:03 | 0:09:06 | |
That's the same as, you know toxoplasmosis, that bacteria, | 0:09:06 | 0:09:10 | |
and it lives in cats. | 0:09:10 | 0:09:11 | |
It wants to be in cats. | 0:09:11 | 0:09:13 | |
But if it can't get in a cat, say it infects a rat or a mouse, | 0:09:13 | 0:09:16 | |
it will make the mouse not scared of cats any more, | 0:09:16 | 0:09:19 | |
so that it's more likely to be ate by a cat. | 0:09:19 | 0:09:21 | |
-Are you making this up? -No. | 0:09:21 | 0:09:23 | |
They have found that human beings who have toxoplasmosis | 0:09:23 | 0:09:27 | |
are more likely to have car crashes, | 0:09:27 | 0:09:28 | |
so the bacteria is trying to kill you. | 0:09:28 | 0:09:31 | |
So that a cat will find you. | 0:09:31 | 0:09:33 | |
-LAUGHTER -It's true. | 0:09:33 | 0:09:35 | |
Is this why we have these books, to write this down? | 0:09:35 | 0:09:39 | |
It's also to write down what medication Cariad is on. | 0:09:39 | 0:09:43 | |
Toxoplasmosis, guys. | 0:09:43 | 0:09:44 | |
It is absolutely true what Cariad is saying. | 0:09:44 | 0:09:46 | |
Absolutely true. The world is so extraordinary, | 0:09:46 | 0:09:48 | |
there are lots of sea creatures that glow | 0:09:48 | 0:09:50 | |
when they are disturbed by a boat's wake. | 0:09:50 | 0:09:53 | |
So that glows. | 0:09:53 | 0:09:54 | |
And this is a serious issue, | 0:09:54 | 0:09:55 | |
so in World War I, there was a German submarine tracked and sunk | 0:09:55 | 0:09:59 | |
because they had disturbed enough bioluminescent organisms. | 0:09:59 | 0:10:02 | |
We could see where it was? | 0:10:02 | 0:10:04 | |
Exactly. It glowed from the surface. | 0:10:04 | 0:10:05 | |
And they can also use it in various ways, for example, | 0:10:05 | 0:10:08 | |
they can inject mice | 0:10:08 | 0:10:09 | |
with a genetically modified glowing herpes virus. | 0:10:09 | 0:10:12 | |
And who hasn't wanted to have that at some point? | 0:10:12 | 0:10:15 | |
Scientists can examine how it moves through the body. | 0:10:15 | 0:10:17 | |
No, I don't know why it's glowing, honey. | 0:10:17 | 0:10:20 | |
LAUGHTER | 0:10:20 | 0:10:23 | |
Just one of those things. | 0:10:24 | 0:10:27 | |
You get up in the night, and you don't need to put the light on. | 0:10:27 | 0:10:29 | |
LAUGHTER | 0:10:29 | 0:10:31 | |
I can just find my way. | 0:10:31 | 0:10:33 | |
LAUGHTER | 0:10:33 | 0:10:35 | |
Now for a question on non-employment. | 0:10:35 | 0:10:37 | |
What is the most painless way of sacking 24,000 people | 0:10:37 | 0:10:40 | |
at the same time? | 0:10:40 | 0:10:42 | |
-Don't tell them. -Don't tell them? | 0:10:42 | 0:10:44 | |
-Don't tell them. -Just don't mention it? | 0:10:44 | 0:10:46 | |
Are they dummies again? Are they fake employees that never existed? | 0:10:46 | 0:10:49 | |
They are. And it did happen. | 0:10:49 | 0:10:50 | |
So it was February, 2016. | 0:10:50 | 0:10:52 | |
Nigeria sacked 23,846 employees from the government payroll, | 0:10:52 | 0:10:57 | |
all for the same offence, they didn't exist. | 0:10:57 | 0:11:00 | |
And the move saved £8 million a month. | 0:11:01 | 0:11:04 | |
They were ghost workers. | 0:11:04 | 0:11:06 | |
It's a common problem, | 0:11:06 | 0:11:07 | |
You get real workers collect fictional colleagues' payrolls. | 0:11:07 | 0:11:10 | |
In 2011, a newborn baby was added to the government payroll | 0:11:10 | 0:11:13 | |
and got £90 a month, and a diploma. | 0:11:13 | 0:11:17 | |
You can get high office as well. | 0:11:17 | 0:11:19 | |
In 2007, Andre Kasongo Ilunga became the Minister of Foreign Trade | 0:11:19 | 0:11:24 | |
in the Democratic Republic of the Congo, | 0:11:24 | 0:11:26 | |
despite the fact that he was entirely fictional. | 0:11:26 | 0:11:29 | |
The Congolese law is that there has to be two candidates | 0:11:30 | 0:11:33 | |
for any ministerial post. | 0:11:33 | 0:11:35 | |
So there was a politician called Kasimba Ngoi, | 0:11:35 | 0:11:37 | |
and he really wanted the role. | 0:11:37 | 0:11:39 | |
So what he did was he invented a fake rival, this gentleman. | 0:11:39 | 0:11:43 | |
-And the fake guy won? -Well... | 0:11:43 | 0:11:45 | |
Kasimba assumed that the Prime Minister | 0:11:46 | 0:11:49 | |
would choose the person he'd heard of. | 0:11:49 | 0:11:51 | |
But, unfortunately for Mr Ngoi, | 0:11:51 | 0:11:54 | |
the Prime Minister disliked him intensely | 0:11:54 | 0:11:56 | |
and chose the fictional Mr Ilunga. | 0:11:56 | 0:11:58 | |
Mr Ngoi later claimed that Ilunga had resigned. | 0:11:58 | 0:12:01 | |
But the Prime Minister said he would only accept | 0:12:01 | 0:12:04 | |
the resignation in person. | 0:12:04 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:07 | |
Eventually, Ilunga was sacked. | 0:12:08 | 0:12:10 | |
-Possibly for non-attendance. -For not turning up. | 0:12:10 | 0:12:13 | |
Now, which is worse, death or Norfolk? | 0:12:13 | 0:12:15 | |
LAUGHTER | 0:12:17 | 0:12:19 | |
Well, you could leave Norfolk. | 0:12:19 | 0:12:21 | |
Yes, that's a very good point. | 0:12:21 | 0:12:23 | |
But it's not the English county of Norfolk, that we are talking about. | 0:12:23 | 0:12:26 | |
Sometimes I think the questions on this show | 0:12:26 | 0:12:29 | |
aren't quite what they seem. | 0:12:29 | 0:12:32 | |
Let me give you a clue, OK. So which newly-discovered continent, | 0:12:32 | 0:12:36 | |
beginning and ending in A, | 0:12:36 | 0:12:38 | |
were most British convicts transported to in the 18th century? | 0:12:38 | 0:12:42 | |
Australia. | 0:12:42 | 0:12:44 | |
Or Australasia. | 0:12:44 | 0:12:45 | |
No, nor Australasia. | 0:12:50 | 0:12:52 | |
Antarctica. | 0:12:52 | 0:12:53 | |
-Not Antarctica. -America. | 0:12:53 | 0:12:55 | |
You are absolutely right. So 1718 to 1775, | 0:12:58 | 0:13:01 | |
they were sent exclusively to America, | 0:13:01 | 0:13:03 | |
at least 52,000 of them. | 0:13:03 | 0:13:06 | |
It wasn't America yet. | 0:13:06 | 0:13:07 | |
No, it wasn't even America yet. | 0:13:07 | 0:13:08 | |
And some people estimate that as many as a tenth of the migrants | 0:13:08 | 0:13:11 | |
to America during that period were, in fact, British convicts. | 0:13:11 | 0:13:14 | |
And Australia was only used after | 0:13:14 | 0:13:16 | |
the American War of Independence broke out | 0:13:16 | 0:13:17 | |
and everybody thought, "What a dangerous place. | 0:13:17 | 0:13:20 | |
"Let's send them somewhere else." | 0:13:20 | 0:13:21 | |
But the Norfolk we are talking about is in Australasia, | 0:13:21 | 0:13:23 | |
which is what you mentioned. | 0:13:23 | 0:13:25 | |
It's a tiny little island called Norfolk Island. | 0:13:25 | 0:13:28 | |
And in 1825, it was established as a penal colony for a penal colony. | 0:13:28 | 0:13:32 | |
So it was for people who had committed crimes | 0:13:32 | 0:13:35 | |
while already serving a sentence in Australia. | 0:13:35 | 0:13:37 | |
Oh, my God. | 0:13:37 | 0:13:39 | |
Not a place that anybody wanted to go. | 0:13:39 | 0:13:40 | |
In fact, people who were sentenced to death on the mainland | 0:13:40 | 0:13:43 | |
thanked God that they were not going to Norfolk Island. | 0:13:43 | 0:13:46 | |
Some people hated the island so much, | 0:13:46 | 0:13:47 | |
they openly committed capital crimes. | 0:13:47 | 0:13:49 | |
They openly would kill somebody just to be taken back to Sydney | 0:13:49 | 0:13:52 | |
to be tried and executed, because it was so horrendous. | 0:13:52 | 0:13:55 | |
Now, in which country is the very highest peak of the Alps? | 0:13:55 | 0:13:59 | |
Isn't Mont Blanc the tallest? | 0:14:00 | 0:14:03 | |
-OK, so where is that? -Where is it, Matt? | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:08 | |
Italy, I think. | 0:14:08 | 0:14:11 | |
-Yeah, it's on the border. -It is, exactly on the border. | 0:14:11 | 0:14:13 | |
The French-Italian border, in fact, | 0:14:13 | 0:14:15 | |
passes directly over Mont Blanc's peak. | 0:14:15 | 0:14:17 | |
The very highest peak of the Alps is not there. | 0:14:17 | 0:14:20 | |
-Not Mont Blanc? -Neither in France, nor in Italy. | 0:14:20 | 0:14:22 | |
-Switzerland? -So we'll go for Switzerland. | 0:14:22 | 0:14:24 | |
I want you to think, unlikely, and I want you to think, you know... | 0:14:24 | 0:14:27 | |
like a flat place. | 0:14:27 | 0:14:29 | |
Is it that the Alps go much further? | 0:14:29 | 0:14:30 | |
No, it's in the Netherlands. | 0:14:30 | 0:14:32 | |
-Really? -There was a Swiss geologist called Horace-Benedict de Saussure, | 0:14:32 | 0:14:37 | |
born in 1740, | 0:14:37 | 0:14:39 | |
he led the very first expedition up Mont Blanc. | 0:14:39 | 0:14:41 | |
When he got to the top, he took the top as a souvenir. | 0:14:41 | 0:14:45 | |
It is now in the Teylers Museum in Haarlem in the Netherlands. | 0:14:45 | 0:14:50 | |
I'm going to guess it's not quite that big. | 0:14:50 | 0:14:53 | |
And it's not floating in a museum. | 0:14:53 | 0:14:55 | |
He was a fantastic polymath, de Saussure. | 0:14:55 | 0:14:58 | |
He was described as the inventor of climbing, or Alpinism. | 0:14:58 | 0:15:01 | |
Did he invent climbing? | 0:15:01 | 0:15:03 | |
-Well, he invented... -People were climbing in the Alps before, | 0:15:03 | 0:15:06 | |
and he came along and went, "I will call this climbing." | 0:15:06 | 0:15:10 | |
People must have been climbing before then, yeah. | 0:15:10 | 0:15:12 | |
Just boys making things up. It's not right, is it? | 0:15:12 | 0:15:15 | |
You've never had that on your show, have you? | 0:15:15 | 0:15:17 | |
-People making things up? -That would be so wrong. | 0:15:17 | 0:15:19 | |
That would be very wrong, Jerry. | 0:15:19 | 0:15:20 | |
It would be a good topic for the show, | 0:15:20 | 0:15:22 | |
"My friend claims he invented climbing." | 0:15:22 | 0:15:24 | |
And the women who love him. | 0:15:26 | 0:15:28 | |
LAUGHTER | 0:15:28 | 0:15:30 | |
You can say any sentence in the world, and as long as you add, | 0:15:30 | 0:15:33 | |
-"and the women who love him"... -Yeah. -..then you've got a show. | 0:15:33 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:38 | |
My labrador, and the women who love him. | 0:15:38 | 0:15:42 | |
This thing of taking the top off, | 0:15:42 | 0:15:44 | |
so there was an artist called Oscar Santillan in 2015, | 0:15:44 | 0:15:47 | |
and he removed the topmost inch of Scafell Pike. | 0:15:47 | 0:15:50 | |
He made everybody very cross in Cumbria, the managing director, | 0:15:50 | 0:15:54 | |
Ian Stephens, of Cumbrian Tourism said, "This is taking the mickey. | 0:15:54 | 0:15:57 | |
"We want the top of our mountain back." | 0:15:57 | 0:15:59 | |
Yeah, you'd get a mohel for that. | 0:15:59 | 0:16:01 | |
A mohel? That's a Jewish gentleman who does circumcision? | 0:16:01 | 0:16:05 | |
That's right, yeah. | 0:16:05 | 0:16:06 | |
Yeah, that's painful. | 0:16:06 | 0:16:07 | |
It happens when you're eight days old, so in theory, | 0:16:08 | 0:16:11 | |
-you don't remember it. -But you two are both in pain still. | 0:16:11 | 0:16:14 | |
I'm still limping, yeah. | 0:16:14 | 0:16:17 | |
I don't care if it was a subway station, I'll remember it. | 0:16:17 | 0:16:20 | |
Wow, I'll never see Highgate station the same way again. | 0:16:21 | 0:16:24 | |
LAUGHTER | 0:16:24 | 0:16:26 | |
So, if you want to get really high, go to the Netherlands. | 0:16:26 | 0:16:28 | |
But what is Britain's biggest national secret? | 0:16:28 | 0:16:31 | |
If we tell it, it won't be a secret any more. | 0:16:31 | 0:16:33 | |
Ah, well, that is true, | 0:16:33 | 0:16:34 | |
and that was the thing that worried people for a long, long time. | 0:16:34 | 0:16:37 | |
-So we're in London. -Right. | 0:16:37 | 0:16:38 | |
-So... -Was it the London Tower or something? | 0:16:38 | 0:16:40 | |
It is a tower. Tower is right, Jerry. | 0:16:40 | 0:16:42 | |
Is this some enormous building that isn't supposed to... | 0:16:42 | 0:16:45 | |
Yes, there is an enormous building | 0:16:45 | 0:16:46 | |
that was a secret for years and years. | 0:16:46 | 0:16:48 | |
-The Gherkin. -The BT Tower. | 0:16:48 | 0:16:50 | |
The BT Tower is exactly right. | 0:16:50 | 0:16:53 | |
It was built in 1965, | 0:16:53 | 0:16:54 | |
it was considered such an important part of the telecoms infrastructure | 0:16:54 | 0:16:58 | |
that it was classified as an official secret. | 0:16:58 | 0:17:00 | |
What?! | 0:17:00 | 0:17:02 | |
Because no-one can see it! | 0:17:02 | 0:17:03 | |
No, it was Britain's tallest building, | 0:17:03 | 0:17:06 | |
it contained a public viewing gallery, and a revolving restaurant. | 0:17:06 | 0:17:11 | |
I went to that place once for a charity event. | 0:17:11 | 0:17:14 | |
And Rick Astley was singing. | 0:17:14 | 0:17:16 | |
It was wonderful. And I went to the loo, which is in the middle, | 0:17:17 | 0:17:20 | |
and when I came out of the loo it had revolved, | 0:17:20 | 0:17:23 | |
and I came out right on stage next to him. | 0:17:23 | 0:17:25 | |
LAUGHTER | 0:17:25 | 0:17:27 | |
He was going... # Never going to give you up... # | 0:17:29 | 0:17:32 | |
It was technically illegal to take photographs of the tower | 0:17:35 | 0:17:38 | |
under the Official Secrets Act. | 0:17:38 | 0:17:39 | |
It wasn't included in any Ordnance Survey maps | 0:17:39 | 0:17:41 | |
until the mid-1990s. | 0:17:41 | 0:17:44 | |
In a 1978 case a judge would only refer to it as location 23, | 0:17:44 | 0:17:49 | |
and in 1993 the MP Kate Hoey | 0:17:49 | 0:17:51 | |
spoke in parliament to state the location, she said, | 0:17:51 | 0:17:54 | |
"I hope I that I am covered by Parliamentary privilege | 0:17:54 | 0:17:56 | |
"when I reveal that the British Telecom Tower does exist, | 0:17:56 | 0:17:59 | |
"and that its address is 60 Cleveland St, London," | 0:17:59 | 0:18:03 | |
which, the restaurant was fantastic. | 0:18:03 | 0:18:05 | |
Did you ever go to the revolving restaurant? | 0:18:05 | 0:18:08 | |
-No. -It was just glorious. | 0:18:08 | 0:18:09 | |
And in 2009, BT said they were going to reopen it, | 0:18:09 | 0:18:11 | |
and anybody who's ever had a promise from BT | 0:18:11 | 0:18:13 | |
will know that'll never happen. | 0:18:13 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:16 | |
You get a lot of e-mails saying your order's on its way. | 0:18:16 | 0:18:19 | |
LAUGHTER | 0:18:19 | 0:18:21 | |
What's the best cure for nostalgia? | 0:18:21 | 0:18:24 | |
Is it actually living in the actual past? | 0:18:24 | 0:18:28 | |
And staying there? | 0:18:28 | 0:18:30 | |
And then you don't need nostalgia, cos you're still living in it. | 0:18:30 | 0:18:33 | |
But wouldn't you be nostalgic for the hundred years before that? | 0:18:33 | 0:18:36 | |
Would there not be a period... There's always going to be a period. | 0:18:36 | 0:18:38 | |
-Oh, yeah. -Like, even the Dark Ages. | 0:18:38 | 0:18:40 | |
Do you get nostalgic, Jerry? | 0:18:40 | 0:18:42 | |
Yeah. Smell. | 0:18:42 | 0:18:44 | |
If you smell something, it brings back a memory. | 0:18:44 | 0:18:47 | |
-Straight away, isn't it? -Cigarettes in pubs. | 0:18:47 | 0:18:50 | |
Do you miss them? | 0:18:50 | 0:18:52 | |
-Oh, yeah. -Smell affects your memory part more than sight, or touch, | 0:18:52 | 0:18:55 | |
or anything. It instantly affects your memory. | 0:18:55 | 0:18:57 | |
My wife, when she smells beer on me, she knows where I've been. | 0:18:57 | 0:19:00 | |
LAUGHTER | 0:19:00 | 0:19:03 | |
Are there things you're nostalgic for, Alan? | 0:19:03 | 0:19:05 | |
I'm not a nostalgic person, no. | 0:19:05 | 0:19:07 | |
-That's probably good. -I think the future's going to be great. | 0:19:07 | 0:19:12 | |
The past, whatever. | 0:19:12 | 0:19:14 | |
I'm nostalgic for when Alan used to be nostalgic. | 0:19:14 | 0:19:18 | |
-That was a lovely time. -Those were the days. | 0:19:18 | 0:19:20 | |
Well, in the 18th and 19th century, it was seen as a deadly disease. | 0:19:20 | 0:19:23 | |
-Really? -To be nostalgic. | 0:19:23 | 0:19:25 | |
It was known as Schweizenkrankheit, or Swiss illness, | 0:19:25 | 0:19:29 | |
because Swiss soldiers were apparently particularly prone to it. | 0:19:29 | 0:19:33 | |
And in the American Civil War more than 5,000 men were diagnosed | 0:19:33 | 0:19:36 | |
with nostalgia and 74 allegedly died from it. | 0:19:36 | 0:19:40 | |
In fact, the Unionist army was forbidden | 0:19:40 | 0:19:42 | |
from playing Home Sweet Home in case it brought on an attack. | 0:19:42 | 0:19:46 | |
No doubt the past makes you upset. | 0:19:46 | 0:19:48 | |
I found, when I wrote my book, this is not a plug, it's out of print. | 0:19:48 | 0:19:52 | |
No-one bought it. | 0:19:52 | 0:19:53 | |
LAUGHTER | 0:19:53 | 0:19:56 | |
It was part-memoir, | 0:19:56 | 0:19:57 | |
that meant a lot of going back through childhood memories. | 0:19:57 | 0:20:00 | |
And it's not pleasant, it's not nice. | 0:20:00 | 0:20:02 | |
It's much better to look forward, that hasn't happened yet. | 0:20:02 | 0:20:04 | |
You can invent it. | 0:20:04 | 0:20:05 | |
The only one thing I would like to have is my grandmother's trifle. | 0:20:05 | 0:20:10 | |
Oh, was it particularly good? | 0:20:10 | 0:20:12 | |
It was so good. She died in 1974, and it went with her. | 0:20:12 | 0:20:15 | |
-No-one knew how to make it. -Have you tried to recreate it? | 0:20:15 | 0:20:18 | |
I don't even know how she did it. No-one knows. | 0:20:18 | 0:20:20 | |
Grannies everywhere, write down all your recipes | 0:20:20 | 0:20:23 | |
so that we can continue to have them. | 0:20:23 | 0:20:25 | |
Funnily enough, I just bought a book for my kids | 0:20:25 | 0:20:26 | |
for all the things that I've learnt from previous generations, | 0:20:26 | 0:20:29 | |
and I'm starting to write the recipes down. | 0:20:29 | 0:20:31 | |
Yeah, I think that's a good idea. | 0:20:31 | 0:20:33 | |
So if you've just tuned in, | 0:20:33 | 0:20:34 | |
this evening's episode was a tribute to Cariad, | 0:20:34 | 0:20:37 | |
Jerry, Sandi and Alan, who all, very sadly, died of nostalgia. | 0:20:37 | 0:20:41 | |
LAUGHTER AND APPLAUSE | 0:20:41 | 0:20:44 | |
So they still haven't worked out what the best cure is. | 0:20:50 | 0:20:54 | |
A Russian general came up with it in 1733. | 0:20:54 | 0:20:57 | |
Vodka. Did it involve vodka? | 0:20:57 | 0:20:58 | |
It didn't involve vodka. | 0:20:58 | 0:20:59 | |
What he did was, he warned the troops | 0:20:59 | 0:21:01 | |
that the very first man | 0:21:01 | 0:21:03 | |
to come down with a case of nostalgia would be buried alive. | 0:21:03 | 0:21:07 | |
And cases plummeted. | 0:21:07 | 0:21:08 | |
The suspected causes of nostalgia | 0:21:10 | 0:21:12 | |
were unfulfilled ambition, poor hygiene, | 0:21:12 | 0:21:16 | |
coming from farming stock, and masturbation. | 0:21:16 | 0:21:18 | |
Those were the... | 0:21:18 | 0:21:20 | |
I've got two of those. | 0:21:20 | 0:21:22 | |
LAUGHTER | 0:21:22 | 0:21:24 | |
Me too, and I've never been on a farm. | 0:21:24 | 0:21:27 | |
It was declassified as a disease as late as 1899. | 0:21:27 | 0:21:30 | |
What was? Oh... | 0:21:30 | 0:21:31 | |
Nostalgia. Yeah. | 0:21:31 | 0:21:33 | |
They say that's still troublesome. | 0:21:33 | 0:21:35 | |
I miss it. | 0:21:35 | 0:21:36 | |
Actually, it can be useful. It is thought to protect, slightly, | 0:21:38 | 0:21:40 | |
against cold. So people can stand the pain of icy water for longer | 0:21:40 | 0:21:44 | |
-if they focus on nostalgic memories. -Who writes this stuff down? | 0:21:44 | 0:21:47 | |
So you mean if you're trapped in a freezer by a gangland criminal | 0:21:47 | 0:21:51 | |
you just say to someone, | 0:21:51 | 0:21:52 | |
"Do you remember when we weren't trapped in this freezer?" | 0:21:52 | 0:21:55 | |
You're going to make it. | 0:21:55 | 0:21:56 | |
I think you have to think about Grandma Davies's trifle. | 0:21:56 | 0:21:59 | |
Oh, I see what you mean, yeah. | 0:21:59 | 0:22:01 | |
Now for something completely different. | 0:22:01 | 0:22:03 | |
Alan. Are you a narcissist? | 0:22:03 | 0:22:05 | |
I know I don't like looking at myself. | 0:22:05 | 0:22:08 | |
LAUGHTER | 0:22:08 | 0:22:11 | |
I would take either of those two lives ahead of my own! | 0:22:13 | 0:22:15 | |
LAUGHTER | 0:22:15 | 0:22:18 | |
Yes or no, are you a narcissist? | 0:22:18 | 0:22:19 | |
No, I'm not. | 0:22:19 | 0:22:20 | |
That is correct. | 0:22:20 | 0:22:22 | |
And this is a complete reversal of the usual format, | 0:22:22 | 0:22:25 | |
because whether you said yes or no, we are going to give you two points. | 0:22:25 | 0:22:28 | |
-Oh. -And that is because in the standard modern test for narcissism, | 0:22:28 | 0:22:32 | |
research shows that narcissists feel so good about themselves, | 0:22:32 | 0:22:35 | |
they don't mind admitting it. | 0:22:35 | 0:22:37 | |
So if you think you are a narcissist, then you are. | 0:22:37 | 0:22:41 | |
Would you say that you were a narcissist? | 0:22:41 | 0:22:43 | |
Yes. | 0:22:43 | 0:22:44 | |
Totally fine. What about you, Jerry? | 0:22:45 | 0:22:47 | |
Would you say you're a narcissist? | 0:22:47 | 0:22:48 | |
No, I've got a mirror, that depresses me. | 0:22:48 | 0:22:52 | |
I mean, you're asking the star of the Jerry Springer show! | 0:22:52 | 0:22:57 | |
-CHANT: -Jerry! | 0:22:57 | 0:22:58 | |
Me, a narcissist? | 0:23:01 | 0:23:03 | |
In mythology, of course, we get narcissism from... | 0:23:03 | 0:23:06 | |
Narcissis gazing in a pond. | 0:23:06 | 0:23:09 | |
That's a beautiful picture by John William Waterhouse. | 0:23:09 | 0:23:12 | |
He became so transfixed by his own reflection | 0:23:12 | 0:23:16 | |
that he was unable to drag himself away, and he stayed there, | 0:23:16 | 0:23:18 | |
and was eventually transformed into a flower. | 0:23:18 | 0:23:20 | |
What flower was he transformed into? | 0:23:20 | 0:23:22 | |
Oh, self-raising! | 0:23:22 | 0:23:23 | |
LAUGHTER AND APPLAUSE | 0:23:23 | 0:23:27 | |
-What did you say? -A narcissi? | 0:23:30 | 0:23:32 | |
No, it's one of those weird things, it's not connected. | 0:23:32 | 0:23:34 | |
So you'd think that the scientific name for the daffodil is connected, | 0:23:34 | 0:23:37 | |
but in fact, that's related to the narcotic quality of the bulb. | 0:23:37 | 0:23:40 | |
Did he turn into a lily? | 0:23:40 | 0:23:41 | |
We don't know. We've no idea. | 0:23:41 | 0:23:43 | |
So why did you ask us, then, you don't even have the answer! | 0:23:43 | 0:23:46 | |
Some things are unknown, Matt. | 0:23:46 | 0:23:48 | |
That's OK. Anyway, now it's time for our weekly brush | 0:23:48 | 0:23:51 | |
with general ignorance. | 0:23:51 | 0:23:53 | |
Fingers on buzzers, please. | 0:23:53 | 0:23:54 | |
Which of these two men has stronger muscles? | 0:23:54 | 0:23:57 | |
'I can't believe you've just said that!' | 0:23:57 | 0:24:01 | |
Well, the one on the right certainly has bigger muscles, | 0:24:01 | 0:24:04 | |
but maybe the muscles on the left are stronger | 0:24:04 | 0:24:07 | |
because they're not as strong, | 0:24:07 | 0:24:09 | |
and yet they're still working. | 0:24:09 | 0:24:11 | |
Stop now! Stop now, you're doing so well. | 0:24:11 | 0:24:13 | |
Or is the answer, we just don't know? | 0:24:13 | 0:24:15 | |
Pound for pound, body-builders have weaker muscles than normal people. | 0:24:15 | 0:24:18 | |
So one of the reasons body-builders are so strong | 0:24:18 | 0:24:20 | |
is that they have a large amount of muscle. | 0:24:20 | 0:24:22 | |
But the muscles they do have are, in fact, weaker. | 0:24:22 | 0:24:26 | |
Here is the thing. If you don't have muscles, | 0:24:26 | 0:24:28 | |
but you have a really good imagination, | 0:24:28 | 0:24:30 | |
you can exercise your muscles. | 0:24:30 | 0:24:33 | |
So say your hand is in a cast. | 0:24:33 | 0:24:35 | |
You can prevent yourself from losing muscle mass | 0:24:35 | 0:24:38 | |
by simply imagining yourself using your hand muscles. | 0:24:38 | 0:24:41 | |
-Wow! -Well, I'm just imagining myself winning the show. | 0:24:41 | 0:24:45 | |
I'm imagining myself using my hands. | 0:24:46 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:51 | |
Now, which of Shakespeare's plays wasn't performed at first | 0:24:52 | 0:24:55 | |
because it was believed to be cursed? | 0:24:55 | 0:24:58 | |
# Cariad Lloyd... # | 0:24:58 | 0:25:00 | |
Is it Richard II | 0:25:00 | 0:25:02 | |
because the language was so provocative? | 0:25:02 | 0:25:04 | |
It's a good choice, but it is not Richard II. | 0:25:04 | 0:25:06 | |
Is it Midsummer Night's Dream, in which I played Bottom, | 0:25:06 | 0:25:09 | |
and got the best reviews of my career? | 0:25:09 | 0:25:12 | |
Er, no. | 0:25:13 | 0:25:14 | |
Is it the one that was playing when the Globe was burned down? | 0:25:14 | 0:25:18 | |
It is the one that was playing. | 0:25:18 | 0:25:19 | |
Oh, No Sex, Please, We're British. | 0:25:19 | 0:25:23 | |
Run For Your Wife! | 0:25:23 | 0:25:24 | |
1613, it was a production of Henry VIII. | 0:25:24 | 0:25:26 | |
I was going to say Henry VIII! | 0:25:26 | 0:25:28 | |
The very first recorded performance at the Globe, | 0:25:28 | 0:25:30 | |
and they fired a cannon, | 0:25:30 | 0:25:31 | |
as one of the special effects, | 0:25:31 | 0:25:33 | |
and it hit the straw of the thatched roof | 0:25:33 | 0:25:35 | |
and the theatre burned down. | 0:25:35 | 0:25:36 | |
Absolutely nobody was injured, | 0:25:36 | 0:25:37 | |
the only risk to life was one man's britches caught fire | 0:25:37 | 0:25:40 | |
and his friend put him out with a bottle of beer. | 0:25:40 | 0:25:44 | |
Theatres used to burn down all the time. | 0:25:44 | 0:25:47 | |
And one theatre was burned down about four or five hundred years ago | 0:25:47 | 0:25:51 | |
because one guy advertised | 0:25:51 | 0:25:53 | |
that he could squeeze himself into a quart bottle on stage. | 0:25:53 | 0:25:57 | |
And so thousands of people turned out to see him, and when it was... | 0:25:57 | 0:26:01 | |
Weirdly, he couldn't do it. | 0:26:01 | 0:26:03 | |
Weirdly, he couldn't do it, and there was a riot, | 0:26:03 | 0:26:04 | |
and the theatre burned down. | 0:26:04 | 0:26:06 | |
Why don't they do that on Britain's Got Talent? | 0:26:06 | 0:26:08 | |
-Yeah. -What is the play that actors have often treated as being cursed? | 0:26:08 | 0:26:12 | |
Macbeth. And the reason you're not supposed to say Macbeth | 0:26:12 | 0:26:17 | |
is because, traditionally, | 0:26:17 | 0:26:19 | |
when repertory companies were doing a play, and no-one was coming, | 0:26:19 | 0:26:25 | |
what they would do is quickly put on Macbeth, | 0:26:25 | 0:26:28 | |
which was in their repertoire, | 0:26:28 | 0:26:30 | |
because people always came to see Macbeth. | 0:26:30 | 0:26:31 | |
So if you were putting on Macbeth, | 0:26:31 | 0:26:33 | |
it was that the thing you really wanted to do was a disaster. | 0:26:33 | 0:26:36 | |
But nobody was superstitious | 0:26:36 | 0:26:38 | |
about the Scottish play in Shakespeare's lifetime. | 0:26:38 | 0:26:40 | |
Name America's biggest fault. | 0:26:40 | 0:26:42 | |
Donald Trump. | 0:26:44 | 0:26:45 | |
Now, it's not, is it NOT going to be the San Andreas fault? | 0:26:56 | 0:27:00 | |
It is NOT the San Andreas, you're absolutely right. | 0:27:00 | 0:27:04 | |
It is not even the most dangerous fault line in California. | 0:27:04 | 0:27:07 | |
So here's the thing, California sits across two continental plates, | 0:27:07 | 0:27:10 | |
the Pacific and the North American. | 0:27:10 | 0:27:12 | |
There's dozens of fault lines between them. | 0:27:12 | 0:27:15 | |
And the maximum size of earthquake | 0:27:15 | 0:27:17 | |
that the San Andreas fault could cause is | 0:27:17 | 0:27:19 | |
8.2 on the moment magnitude scale. | 0:27:19 | 0:27:21 | |
The nearby Cascadia Subduction Zone, just off the coast, | 0:27:21 | 0:27:26 | |
is far more dangerous. | 0:27:26 | 0:27:28 | |
A huge rupture along it could release an earthquake | 0:27:28 | 0:27:31 | |
30 times stronger than the San Andreas. | 0:27:31 | 0:27:33 | |
That is half as large again as the quake | 0:27:33 | 0:27:36 | |
that caused the Indian Ocean tsunami on Boxing Day in 2004. | 0:27:36 | 0:27:39 | |
It is a huge thing. | 0:27:39 | 0:27:41 | |
They estimate a big earthquake would cause a tsunami up to 100 feet high. | 0:27:41 | 0:27:45 | |
Yikes! | 0:27:45 | 0:27:46 | |
Yeah, yikes indeed. And that brings me to the matter of the scores. | 0:27:46 | 0:27:50 | |
Well, my goodness, | 0:27:50 | 0:27:52 | |
in first place with a magnificent seven points, it's Cariad. | 0:27:52 | 0:27:55 | |
APPLAUSE | 0:27:55 | 0:27:58 | |
In second place with minus 26, it's Jerry. | 0:28:02 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:06 | |
In third place with minus 36, Matt. | 0:28:09 | 0:28:12 | |
I'm very proud, thank you. | 0:28:14 | 0:28:17 | |
And Alan, with a breathtaking minus 56, | 0:28:17 | 0:28:21 | |
fourth place. | 0:28:21 | 0:28:23 | |
APPLAUSE | 0:28:23 | 0:28:27 | |
Our thanks to Jerry, Cariad, Matt and Alan. | 0:28:31 | 0:28:33 | |
Tonight, I'm going to leave the last word to Jerry. | 0:28:33 | 0:28:36 | |
Watch this show, or I'll kill my dog. | 0:28:36 | 0:28:40 | |
LAUGHTER | 0:28:40 | 0:28:42 | |
Just kidding. Just kidding. | 0:28:42 | 0:28:45 | |
Take care of yourselves, and each other. Goodnight! | 0:28:45 | 0:28:49 | |
CHEERING AND APPLAUSE | 0:28:49 | 0:28:51 |