Browse content similar to Next. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:28 | 0:00:30 | |
How very nice. | 0:00:30 | 0:00:32 | |
Hello! | 0:00:32 | 0:00:34 | |
Good evening, and a very warm welcome to the next episode of QI. | 0:00:34 | 0:00:38 | |
Next to me tonight are the next best thing, Ross Noble. | 0:00:38 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:44 | |
Who's next? Lucy Porter. | 0:00:45 | 0:00:47 | |
APPLAUSE | 0:00:47 | 0:00:49 | |
Whatever next? It's Frankie Boyle. | 0:00:51 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
And, better luck next time, Alan Davies. | 0:00:56 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
Next, let's hear their buzzers. Ross goes... | 0:01:04 | 0:01:08 | |
# I wanna get next to you. # | 0:01:08 | 0:01:13 | |
Ooh. Cocktails, half price. | 0:01:13 | 0:01:15 | |
Frankie goes... | 0:01:15 | 0:01:17 | |
-# And the next step is love -The next step is love. # | 0:01:17 | 0:01:22 | |
Aww. Lucy goes... | 0:01:22 | 0:01:24 | |
# For 24 years I've been living next door to Alice. # | 0:01:24 | 0:01:27 | |
-Alice... -And... | 0:01:29 | 0:01:31 | |
Alan goes... | 0:01:33 | 0:01:35 | |
-BELL DINGS -'Next!' | 0:01:35 | 0:01:37 | |
Right, what's the difference between the next big thing and a turkey? | 0:01:40 | 0:01:45 | |
Well, a turkey is sometimes a disaster. | 0:01:45 | 0:01:47 | |
Yes, it's an American show business term for a flop. | 0:01:47 | 0:01:50 | |
-A terrible show. -Yeah. | 0:01:50 | 0:01:51 | |
So, the difference between the next big thing and abject failure. | 0:01:51 | 0:01:54 | |
It can be the length of the first half of the show. | 0:01:54 | 0:01:57 | |
By the interval, the next big thing was a turkey. | 0:01:58 | 0:02:02 | |
So, how can we tell? How can we tell that something is going to be | 0:02:02 | 0:02:05 | |
a big thing, or it's going to be a failure? | 0:02:05 | 0:02:07 | |
-Well, we don't know. -Yeah. | 0:02:07 | 0:02:08 | |
Till the curtain goes up and the audience comes in, who knows? | 0:02:08 | 0:02:10 | |
-But maybe you can know... -Well, here's the extraordinary thing. | 0:02:10 | 0:02:13 | |
There are certain people, consumers, | 0:02:13 | 0:02:16 | |
who systematically buy products that go on to fail. | 0:02:16 | 0:02:20 | |
And their lack of popular taste is unerringly reliable. | 0:02:20 | 0:02:25 | |
And they are called "harbingers of failure." | 0:02:26 | 0:02:28 | |
But they did some research, | 0:02:30 | 0:02:31 | |
the Massachusetts Institute of Technology. | 0:02:31 | 0:02:33 | |
They analysed ten million transactions | 0:02:33 | 0:02:35 | |
at a chain of convenience stores, and what they discovered was, | 0:02:35 | 0:02:38 | |
people who buy the nail polish that fails | 0:02:38 | 0:02:40 | |
are also the people buying the ice cream that fails. | 0:02:40 | 0:02:44 | |
And there's some fantastic products that have been snapped up | 0:02:44 | 0:02:46 | |
by harbingers in the past. Watermelon-flavoured Oreo biscuits. | 0:02:46 | 0:02:50 | |
This is my favourite, there was a range of ready meals | 0:02:52 | 0:02:54 | |
made by a toothpaste manufacturer called Colgate's Kitchen Entrees. | 0:02:54 | 0:02:59 | |
-ROSS: -Oh, that, I would've bought that! | 0:02:59 | 0:03:01 | |
Would you have bought that, cleaned your teeth | 0:03:01 | 0:03:03 | |
-while you're eating? -You're eating the spaghetti | 0:03:03 | 0:03:05 | |
and flossing at the same time. That's genius! | 0:03:05 | 0:03:07 | |
But if you can find these people who've got what they call | 0:03:07 | 0:03:09 | |
a "flop affinity", then it's fantastic for market research. | 0:03:09 | 0:03:13 | |
-I'll tell you two things those harbingers have bought. -Yeah. | 0:03:13 | 0:03:16 | |
My book and my last DVD. | 0:03:16 | 0:03:19 | |
APPLAUSE | 0:03:21 | 0:03:23 | |
Well, I've got both those, so I feel terrible now! | 0:03:25 | 0:03:28 | |
90% of all new products fail, | 0:03:28 | 0:03:30 | |
and there is a Museum of Failed Products in Michigan. | 0:03:30 | 0:03:33 | |
It was meant to be a reference library of consumer goods, | 0:03:33 | 0:03:36 | |
but the vast majority are failures, and there's some fantastic things. | 0:03:36 | 0:03:39 | |
This is one of my favourites. | 0:03:39 | 0:03:40 | |
Pre-scrambled eggs in a cardboard tube, | 0:03:40 | 0:03:42 | |
designed to be eaten in the car. | 0:03:42 | 0:03:44 | |
I'll have that! | 0:03:47 | 0:03:48 | |
Breath mints that look like crack cocaine. | 0:03:48 | 0:03:51 | |
This is very good. | 0:03:53 | 0:03:54 | |
100% recycled pillow-soft "Shit Be Gone" loo paper. | 0:03:54 | 0:03:58 | |
"Shit be gone!" | 0:04:01 | 0:04:02 | |
You have to do that when you use it. | 0:04:02 | 0:04:05 | |
"Whack Off insect repellent." | 0:04:05 | 0:04:07 | |
We've all done that! | 0:04:10 | 0:04:11 | |
It's a funny way to get rid of insects! | 0:04:13 | 0:04:15 | |
Can I just say, I have got some fabulous information about turkeys | 0:04:15 | 0:04:18 | |
which is not totally relevant. But you know when you learn something, | 0:04:18 | 0:04:21 | |
and you just think, "I totally have to share this," OK? | 0:04:21 | 0:04:23 | |
So, in the 1950s, they discovered that males would mate | 0:04:23 | 0:04:27 | |
with a lifelike model of a female turkey as eagerly | 0:04:27 | 0:04:31 | |
as they would mate with the real thing. So, of course, | 0:04:31 | 0:04:34 | |
they decided to try and find out what was the minimal stimulus | 0:04:34 | 0:04:37 | |
that would get a turkey going, OK? | 0:04:37 | 0:04:39 | |
They gradually stripped the model of its tail, its feet and its wings. | 0:04:41 | 0:04:45 | |
This did not deter the male bird in any way. | 0:04:45 | 0:04:49 | |
When there was just a head left on a stick, they were still up for it! | 0:04:49 | 0:04:54 | |
That is why my range of turkey sex toys never took off. | 0:04:55 | 0:04:58 | |
They were too lifelike. | 0:04:58 | 0:05:00 | |
Yes, well... | 0:05:00 | 0:05:02 | |
A freshly severed head on a stick was the most effective, | 0:05:02 | 0:05:05 | |
like, the sexiest thing. | 0:05:05 | 0:05:06 | |
That was followed by a dried male head. | 0:05:07 | 0:05:11 | |
And in third place, a two-year-old withered female head. | 0:05:11 | 0:05:14 | |
And in last place, but still eliciting a sexual response, | 0:05:14 | 0:05:18 | |
a plain balsa wood model of a head. | 0:05:18 | 0:05:20 | |
I don't know if you've ever taken a turkey to a Punch and Judy show. | 0:05:22 | 0:05:25 | |
It's horrific. | 0:05:25 | 0:05:27 | |
Unbelievable. | 0:05:29 | 0:05:30 | |
-That's all I want to do now. -Yeah! | 0:05:30 | 0:05:33 | |
Anyway, the last people you want to buy your next big thing | 0:05:33 | 0:05:37 | |
are the first people to buy it. | 0:05:37 | 0:05:39 | |
Which of these would be nice next-door neighbours? | 0:05:39 | 0:05:42 | |
Galaxies, hyenas, newlyweds, octopuses or burglars? | 0:05:42 | 0:05:47 | |
That's more of a mime artist than a burglar. | 0:05:47 | 0:05:50 | |
It is, yes. | 0:05:50 | 0:05:52 | |
I imagine that burglars don't burgle their neighbours? | 0:05:52 | 0:05:54 | |
-Yes, that's absolutely right. -They go further afield? -Yeah. | 0:05:54 | 0:05:57 | |
-They're nice. -I won't do the neighbours. -They're not lazy, | 0:05:57 | 0:05:59 | |
-that's something in their defence. -No. | 0:05:59 | 0:06:01 | |
-FRANKIE: -It could be selfishness, though, couldn't it? | 0:06:01 | 0:06:03 | |
It could be that they just don't want to put | 0:06:03 | 0:06:05 | |
their own insurance premium up. | 0:06:05 | 0:06:07 | |
That's a very good point. | 0:06:08 | 0:06:09 | |
But you are right. Burglars are very good neighbours, | 0:06:09 | 0:06:11 | |
in that they're not going to burgle you. | 0:06:11 | 0:06:13 | |
Galaxies are bad neighbours. | 0:06:13 | 0:06:14 | |
So what happens, when they reach a certain age, | 0:06:14 | 0:06:16 | |
a galaxy stops spawning new stars | 0:06:16 | 0:06:18 | |
and they just swallow smaller galaxies. | 0:06:18 | 0:06:20 | |
So our own home galaxy, the Milky Way, is expected quite soon, | 0:06:20 | 0:06:24 | |
this is in astronomical terms, four billion years from now, | 0:06:24 | 0:06:29 | |
to eat two of its neighbours, the large and small Magellanic Clouds. | 0:06:29 | 0:06:33 | |
And then about a billion years after that, | 0:06:33 | 0:06:35 | |
the Milky Way will get eaten itself by the Andromeda galaxy. | 0:06:35 | 0:06:37 | |
-Andromeda, yeah. -Yeah. What about hyenas? | 0:06:37 | 0:06:39 | |
-Good neighbours, bad neighbours? -All that laughing. | 0:06:39 | 0:06:42 | |
When Mrs Brown's Boys is on, it's probably a nightmare. | 0:06:42 | 0:06:45 | |
That's actually what they do in the studio audience. | 0:06:47 | 0:06:51 | |
They don't use canned laughter on that show, they have live hyenas. | 0:06:51 | 0:06:55 | |
The trouble with hyenas is, | 0:06:55 | 0:06:56 | |
-you spend days and days stalking your deer. -Yeah. | 0:06:56 | 0:06:59 | |
And then they just come and rob it off you. | 0:06:59 | 0:07:01 | |
So I bet they're terrible neighbours. | 0:07:01 | 0:07:02 | |
Terrible neighbours. Any more for any more, Frankie? | 0:07:02 | 0:07:05 | |
I just think, although you'd know that they weren't laughing at you, | 0:07:05 | 0:07:10 | |
-it'd be hard not to be a little paranoid. -Yeah. | 0:07:10 | 0:07:12 | |
They're extraordinary creatures, they're so aggressive. | 0:07:14 | 0:07:16 | |
There's so much testosterone in a hyena | 0:07:16 | 0:07:18 | |
that when a baby hyena is born, the first thing it does | 0:07:18 | 0:07:21 | |
is it turns around and tries to kill the next one | 0:07:21 | 0:07:23 | |
that's trying to be born. So, they're really aggressive. | 0:07:23 | 0:07:26 | |
-However, very good neighbours. -Ah. | 0:07:26 | 0:07:28 | |
Most people who live in hyena-prone areas, in fact encourage hyenas, | 0:07:28 | 0:07:31 | |
because they control pests | 0:07:31 | 0:07:33 | |
and they clear up all diseased animal carcasses. | 0:07:33 | 0:07:35 | |
And they don't attack humans as much as that photograph might suggest. | 0:07:35 | 0:07:39 | |
That one's wearing a John Lydon wig. | 0:07:39 | 0:07:41 | |
What about newlyweds? | 0:07:45 | 0:07:46 | |
What do you think, good neighbours, bad neighbours? | 0:07:46 | 0:07:48 | |
Well, I enjoy hearing other people making love. | 0:07:48 | 0:07:51 | |
I so rarely do it myself these days. | 0:07:53 | 0:07:56 | |
Since my husband got a turkey's head on a stick | 0:07:56 | 0:07:58 | |
he's not interested any more but... | 0:07:58 | 0:08:00 | |
They did a survey in Colorado, | 0:08:00 | 0:08:02 | |
and they found that people are much happier if they think | 0:08:02 | 0:08:04 | |
they're having more sex than their neighbours. | 0:08:04 | 0:08:06 | |
That's a thing. And so, having a honeymoon couple move in next door | 0:08:06 | 0:08:09 | |
makes you feel depressed. | 0:08:09 | 0:08:12 | |
What about gloomy octopuses? Good neighbours, bad neighbours? | 0:08:12 | 0:08:15 | |
-FRANKIE: -They'd have lovely gardens. | 0:08:15 | 0:08:18 | |
Well, yes and no is the weird thing. | 0:08:18 | 0:08:20 | |
It's the common Sydney octopus, but it's known as the gloomy octopus. | 0:08:20 | 0:08:24 | |
What it does is, it throws rubbish at its neighbours. | 0:08:24 | 0:08:28 | |
It lives in Jervis Bay in Australia, and it gathers debris into its arms, | 0:08:29 | 0:08:33 | |
and then it uses the jet propulsion siphons on the sides of its body | 0:08:33 | 0:08:37 | |
to hurl it at the neighbours. | 0:08:37 | 0:08:39 | |
It's really unusual to find projectile weapons in animals. | 0:08:39 | 0:08:43 | |
So it may just be over-enthusiastic housework, I don't know. | 0:08:43 | 0:08:46 | |
-Is it cos the octopuses next door are having more sex? -Yeah. | 0:08:46 | 0:08:50 | |
-LUCY: -The sound of the suckers... -SHE MAKES SUCKER SOUNDS | 0:08:50 | 0:08:52 | |
OK, that thought is never going to leave me now. | 0:08:52 | 0:08:55 | |
Now, the next question isn't a next question, | 0:08:58 | 0:09:01 | |
it's a NECKS question. | 0:09:01 | 0:09:03 | |
So, I have... | 0:09:03 | 0:09:05 | |
I think that would look nice on you. | 0:09:05 | 0:09:07 | |
-And you can have this one here. -Lovely. | 0:09:07 | 0:09:10 | |
And there we go. | 0:09:10 | 0:09:11 | |
This one there. Right, make yourselves a prat. | 0:09:13 | 0:09:16 | |
Now, who knows how to make a prat? | 0:09:18 | 0:09:19 | |
What have you done, darling, what knot have you done? | 0:09:20 | 0:09:23 | |
I don't know. It's what I used to do at school. | 0:09:23 | 0:09:25 | |
Did you ever have that thing called "peanutting" at school? | 0:09:25 | 0:09:28 | |
-When people pull your tie tight? -They pull it really tight | 0:09:28 | 0:09:30 | |
-and then you can't get it undone. -Yes, that happened a lot. | 0:09:30 | 0:09:32 | |
OK, do you know the answer to stop that happening? | 0:09:32 | 0:09:35 | |
Oh, I wish you'd been around in 1976! | 0:09:35 | 0:09:37 | |
If you put a 2p coin inside the knot, | 0:09:38 | 0:09:40 | |
then it's impossible to peanut somebody. | 0:09:40 | 0:09:43 | |
-I shall tell my boys. -Pass it on. | 0:09:43 | 0:09:45 | |
So, the prat, basically you have to have it back to front, | 0:09:45 | 0:09:49 | |
like this, in order to tie it. | 0:09:49 | 0:09:51 | |
I haven't worn a tie since I gave up the pipe. Erm... | 0:09:51 | 0:09:54 | |
Like this. | 0:09:56 | 0:09:58 | |
And this is a self-releasing version of the prat, | 0:09:58 | 0:10:01 | |
it's called a Nicky knot. | 0:10:01 | 0:10:02 | |
And the reason it's self-releasing, | 0:10:02 | 0:10:04 | |
is that when you pull it out like that, you can just let it go. | 0:10:04 | 0:10:07 | |
And it won't end up in a knot. | 0:10:07 | 0:10:09 | |
APPLAUSE Thank you very much! | 0:10:09 | 0:10:11 | |
-FRANKIE: -I sort of think the minute you get a really depressing job, | 0:10:15 | 0:10:18 | |
the one thing you have to wear is a sort of suicide kit. | 0:10:18 | 0:10:21 | |
Anybody know how long we've been wearing ties for? | 0:10:25 | 0:10:27 | |
-How long they've been around? -About five minutes, now. | 0:10:27 | 0:10:31 | |
We've had ties since the Thirty Years' War, which was 1618. | 0:10:31 | 0:10:34 | |
It was the Croatians who first brought the notion | 0:10:34 | 0:10:37 | |
of wearing something. They wore a little small, knotted... | 0:10:37 | 0:10:40 | |
Am I a time traveller? | 0:10:40 | 0:10:41 | |
Just turn sideways. Turn this... | 0:10:43 | 0:10:44 | |
APPLAUSE | 0:10:48 | 0:10:50 | |
-That is quite spooky. -My God, they've found out my secret! | 0:10:53 | 0:10:58 | |
Fire up the machine, we must travel back! | 0:10:58 | 0:11:00 | |
It's where we get "cravat" from. It's from the Croatians. | 0:11:00 | 0:11:03 | |
Then it took off, and the Parisians loved it. | 0:11:03 | 0:11:05 | |
King Louis XIV was so obsessed with his cravats, | 0:11:05 | 0:11:07 | |
he had a cravateur who used to lay out cravats for him to choose. | 0:11:07 | 0:11:12 | |
God, I've put on a bit of weight, haven't I?! | 0:11:12 | 0:11:14 | |
We could do a show with you just being characters from history! | 0:11:20 | 0:11:24 | |
While we're doing knots, now, I've been practising this, | 0:11:25 | 0:11:28 | |
and I can do it about one in three. | 0:11:28 | 0:11:30 | |
So, you've all got an opportunity to give this a go. | 0:11:30 | 0:11:34 | |
There we go. That was pretty cool! | 0:11:35 | 0:11:37 | |
APPLAUSE | 0:11:37 | 0:11:39 | |
OK, so, it is just a length of chain, | 0:11:42 | 0:11:46 | |
and then you place the ring up in like this... | 0:11:46 | 0:11:48 | |
Now, if you hold it with your thumb, | 0:11:48 | 0:11:51 | |
and then hold it with one of your fingers, and what you need to do, | 0:11:51 | 0:11:55 | |
you just let the finger go and not the thumb. | 0:11:55 | 0:11:58 | |
Just try and let the... Yeah, Ross has got it! | 0:11:58 | 0:12:00 | |
APPLAUSE | 0:12:00 | 0:12:02 | |
-Just a few more goes... -All right, you're determined. | 0:12:04 | 0:12:07 | |
Put the chain... OK. | 0:12:07 | 0:12:09 | |
Don't make me get up and show you! | 0:12:09 | 0:12:11 | |
So, make your hand wide like this, OK? | 0:12:13 | 0:12:17 | |
And then, hook your thumb like this, but don't hook the chain. | 0:12:17 | 0:12:20 | |
Just hold that like that and only let your finger go. | 0:12:20 | 0:12:23 | |
APPLAUSE | 0:12:25 | 0:12:27 | |
I feel like a teaching assistant. | 0:12:33 | 0:12:34 | |
And where can you get one of those, this time of day? | 0:12:34 | 0:12:37 | |
Oh, yes! APPLAUSE AND CHEERING | 0:12:37 | 0:12:39 | |
I feel my time here has been worthwhile. | 0:12:45 | 0:12:48 | |
Right. Is this the neck verse thing? | 0:12:48 | 0:12:52 | |
CHORAL SINGING | 0:12:52 | 0:12:55 | |
Isn't it beautiful? | 0:13:04 | 0:13:07 | |
It's not worth losing your nuts for though, is it? | 0:13:11 | 0:13:13 | |
Well, you might lose more than that... | 0:13:18 | 0:13:21 | |
Really? Is it about hanging? | 0:13:21 | 0:13:23 | |
It is about dying, certainly. | 0:13:23 | 0:13:26 | |
It's known as the neck verse. Does anybody know why? | 0:13:26 | 0:13:29 | |
-FRANKIE: -The neck verse is how a German doctor tells you | 0:13:29 | 0:13:31 | |
you have whiplash. | 0:13:31 | 0:13:33 | |
-I do know this. -Yes? | 0:13:37 | 0:13:38 | |
-There used to be a thing called benefit of clergy. -Yep. | 0:13:38 | 0:13:41 | |
Where if people could prove that they were in the clergy | 0:13:41 | 0:13:44 | |
-by reciting a verse of the Bible... -Yep. | 0:13:44 | 0:13:46 | |
..then they were tried under ecclesiastical law | 0:13:46 | 0:13:49 | |
instead of normal law, where they'd be more likely to get hung. | 0:13:49 | 0:13:52 | |
Yeah, you're absolutely right, it's brilliant. | 0:13:52 | 0:13:54 | |
APPLAUSE | 0:13:54 | 0:13:56 | |
It's Psalm 51 and it was known as the neck verse, | 0:14:00 | 0:14:03 | |
and you had to be able to recite it in Latin. | 0:14:03 | 0:14:05 | |
"O God, have mercy upon me, | 0:14:05 | 0:14:06 | |
"according to thine heartfelt mercifulness." | 0:14:06 | 0:14:09 | |
And, the benefit of the clergy, it existed for about 600 years, | 0:14:09 | 0:14:11 | |
from about the 12th century to 1841. | 0:14:11 | 0:14:14 | |
And some crimes, the clergy would get lesser sentences. | 0:14:14 | 0:14:18 | |
And so it used to be you had to prove you were clergy. | 0:14:18 | 0:14:21 | |
But over time, it was enough to prove you were literate, | 0:14:21 | 0:14:23 | |
so, obviously, in Latin, and this created a loophole. | 0:14:23 | 0:14:26 | |
So, illiterate people could learn that verse by heart, | 0:14:26 | 0:14:30 | |
and the courts were happy to go along with this legal fiction | 0:14:30 | 0:14:33 | |
because there were many crimes which it was felt | 0:14:33 | 0:14:35 | |
that the punishment was too harsh. So, they would allow this fiction | 0:14:35 | 0:14:38 | |
that you were a member of the clergy, | 0:14:38 | 0:14:40 | |
and therefore you could get away with it. | 0:14:40 | 0:14:42 | |
In fact, Ben Jonson, the playwright, in 1598, | 0:14:42 | 0:14:44 | |
he avoided being hanged for killing an actor in a duel, | 0:14:44 | 0:14:47 | |
an actor called Gabriel Spenser, by pleading benefit of clergy. | 0:14:47 | 0:14:50 | |
I know a bit about Ben Jonson. | 0:14:50 | 0:14:52 | |
He murdered someone that he acted in a play with, | 0:14:52 | 0:14:55 | |
the play was called The Isle Of Dogs. | 0:14:55 | 0:14:57 | |
And it was so offensive that it was suppressed so completely | 0:14:57 | 0:15:01 | |
nobody's ever worked out what it was about. | 0:15:01 | 0:15:03 | |
-We don't even have a record of the script or anything? -No. | 0:15:03 | 0:15:05 | |
-And then you released it on DVD! -Yeah! | 0:15:05 | 0:15:08 | |
APPLAUSE | 0:15:08 | 0:15:10 | |
So, what's the best thing about clickbait? | 0:15:13 | 0:15:16 | |
There's nothing good about it at all, it's horrifying. | 0:15:16 | 0:15:20 | |
Why would you think it's horrifying? | 0:15:20 | 0:15:22 | |
Because there's nothing about me taking a quiz | 0:15:22 | 0:15:24 | |
saying which Game Of Thrones character I am | 0:15:24 | 0:15:27 | |
that suggests that I am in the market for a brand-new Lexus. | 0:15:27 | 0:15:31 | |
But why do you do it? That's the question, why do you do it? | 0:15:31 | 0:15:35 | |
Boredom. I think it's also the internet tries to sell itself as, | 0:15:35 | 0:15:38 | |
oh, it's connective, you're connecting with people | 0:15:38 | 0:15:40 | |
and you're not. The other day I saw a thing about the FA Cup final | 0:15:40 | 0:15:43 | |
on the BBC website, and at the bottom it said "Get involved". | 0:15:43 | 0:15:47 | |
What, in the FA Cup final?! | 0:15:47 | 0:15:49 | |
How?! | 0:15:50 | 0:15:52 | |
Can somebody describe clickbait for anybody who doesn't know what it is? | 0:15:52 | 0:15:55 | |
-LUCY: -The worst ones are the... | 0:15:55 | 0:15:57 | |
"23 things you never knew about ducks. | 0:15:57 | 0:16:00 | |
-"Number 12 will astonish you!" -Yeah. | 0:16:00 | 0:16:02 | |
They call them "listicles", | 0:16:02 | 0:16:03 | |
which is portmanteau of "list" and "testicles" cos... | 0:16:03 | 0:16:07 | |
..they're all complete bollocks. | 0:16:08 | 0:16:10 | |
So, here's the weird thing. | 0:16:10 | 0:16:11 | |
The research suggests that the pleasure we get | 0:16:11 | 0:16:13 | |
from cute and funny or shocking videos, | 0:16:13 | 0:16:15 | |
the ones that do the rounds on the internet, | 0:16:15 | 0:16:17 | |
we get the pleasure from anticipating them | 0:16:17 | 0:16:19 | |
and not from actually seeing them. | 0:16:19 | 0:16:21 | |
There's also a thing called the spoiler paradox, | 0:16:21 | 0:16:23 | |
which has a similar effect. People enjoy a story more, | 0:16:23 | 0:16:26 | |
when they know how it's going to turn out. | 0:16:26 | 0:16:28 | |
And we think maybe the story's easier for the brain to process, | 0:16:28 | 0:16:31 | |
without the distraction of wondering how it's going to end. | 0:16:31 | 0:16:33 | |
So, spoiler alert, Alan's going to come last today. | 0:16:33 | 0:16:37 | |
Already, the audience having a much better time! | 0:16:39 | 0:16:41 | |
Looking forward to something is more than half the fun, it seems. | 0:16:43 | 0:16:47 | |
And the next question is absolutely fantastic! | 0:16:47 | 0:16:51 | |
Who has green sponge balls? | 0:16:51 | 0:16:54 | |
-FRANKIE: -Is it...? -AUDIENCE MEMBER: -SpongeBob SquarePants! -Ah... | 0:16:56 | 0:16:59 | |
KLAXON | 0:16:59 | 0:17:01 | |
APPLAUSE | 0:17:01 | 0:17:04 | |
That's why you're sitting over there! | 0:17:08 | 0:17:10 | |
-ROSS: -Can you imagine that bloke, for the rest of his life, | 0:17:10 | 0:17:13 | |
he's going to go, "And I knew the answer, and I shouted it... | 0:17:13 | 0:17:16 | |
"Oh, God!" Who was it? Hand up, hand up, who was it? | 0:17:16 | 0:17:20 | |
-Welcome to my world. -Let's have a clear shot of you. | 0:17:20 | 0:17:22 | |
-What's your name? -Nick! -You're going to be so sorry. OK. | 0:17:22 | 0:17:26 | |
You're a harbinger of failure, Nick. | 0:17:28 | 0:17:30 | |
-Anybody else know? OK. So... -Green sponge balls... | 0:17:32 | 0:17:35 | |
-Green sponge balls. -..is what they have on a snooker table | 0:17:35 | 0:17:37 | |
in a tinnitus clinic. | 0:17:37 | 0:17:39 | |
So, who has, in the UK, who has green sponge balls? | 0:17:43 | 0:17:49 | |
-LUCY: -Erm... -Is it a medical thing? -No, it's a species. | 0:17:49 | 0:17:52 | |
Would it be a sponge? | 0:17:52 | 0:17:54 | |
-It's not a sponge, but is in the sea. -Seaweed? | 0:17:54 | 0:17:56 | |
It is seaweed. It is a kind of seaweed. | 0:17:56 | 0:17:59 | |
APPLAUSE | 0:17:59 | 0:18:01 | |
But, you know, what's sad is that there isn't any any more. | 0:18:03 | 0:18:06 | |
It's all gone, | 0:18:06 | 0:18:07 | |
but it used to be one of the must-have species | 0:18:07 | 0:18:10 | |
in the mid-19th century for seaweed collectors. | 0:18:10 | 0:18:13 | |
So there was a brief craze, | 0:18:13 | 0:18:14 | |
it gripped the daughters of Victorian well-to-do. | 0:18:14 | 0:18:17 | |
In fact, even Queen Victoria herself had a seaweed album. | 0:18:17 | 0:18:21 | |
-FRANKIE: -Before TV, people were just so bored. | 0:18:21 | 0:18:23 | |
They were just sitting there going, | 0:18:23 | 0:18:24 | |
-"Collect some seaweed, invade India..." -Yeah. | 0:18:24 | 0:18:26 | |
"Let's just try and get through this." | 0:18:26 | 0:18:30 | |
That's true. Yeah. | 0:18:30 | 0:18:31 | |
And what happened, it's a bit like egg collecting and butterflies, | 0:18:31 | 0:18:34 | |
it caused the depletion of certain species. | 0:18:34 | 0:18:37 | |
Some of which still have never recovered, | 0:18:37 | 0:18:38 | |
and the green sponge ball was thought to be extinct | 0:18:38 | 0:18:41 | |
because of that, at least in the UK. | 0:18:41 | 0:18:43 | |
Now to the NEST question. | 0:18:43 | 0:18:46 | |
Why would your mum have you for breakfast? | 0:18:46 | 0:18:48 | |
-Is there a species that eats its young? -Yes. | 0:18:51 | 0:18:53 | |
-Not all of the young, I presume? -Some. -It would be short-lived. | 0:18:53 | 0:18:56 | |
But why might that be? | 0:18:56 | 0:18:58 | |
Is it that the babies are just particularly delicious? | 0:18:58 | 0:19:01 | |
You think they just can't resist that. | 0:19:01 | 0:19:03 | |
Yeah, exactly, like a little quail or something. | 0:19:03 | 0:19:05 | |
You go, "Ooh. | 0:19:05 | 0:19:07 | |
"Ooh, lovely. Lovely bit of butter on that." | 0:19:07 | 0:19:09 | |
Yeah, it's lucky that chickens don't like eggs, really, isn't it? | 0:19:09 | 0:19:12 | |
-Yeah, that's true. -Yeah. | 0:19:12 | 0:19:13 | |
They're all sitting there eating omelettes and dying out. | 0:19:13 | 0:19:16 | |
Maybe it's that thing where you sniff your own baby | 0:19:17 | 0:19:20 | |
and they seem to you so delicious, you almost want to eat them. | 0:19:20 | 0:19:23 | |
-Yeah. -Maybe insects just go, | 0:19:23 | 0:19:25 | |
"There's no society to hold me back, I'm going to follow through." | 0:19:25 | 0:19:28 | |
I often say I could eat my son with a spoon. | 0:19:28 | 0:19:30 | |
-I don't mean it but... LUCY: -Yeah. It's the knees. | 0:19:30 | 0:19:33 | |
I could just eat babies' knees all day long. | 0:19:33 | 0:19:35 | |
-I really could. Just the knees. -They are just gorgeous. | 0:19:35 | 0:19:38 | |
-They could have the rest. -Yeah. Even their feet are... | 0:19:38 | 0:19:40 | |
-Oh, yeah. -Delicious. | 0:19:40 | 0:19:41 | |
No, we are talking about a burrowing beetle and its larva. | 0:19:41 | 0:19:45 | |
And it chooses to make its life in a rotting corpse | 0:19:45 | 0:19:48 | |
of some kind or other, and that's where it has its babies. | 0:19:48 | 0:19:51 | |
And it has to adjust the size of the brood to the size of the carcass. | 0:19:51 | 0:19:56 | |
There's got to be enough food. | 0:19:56 | 0:19:57 | |
And so, researchers at the University of Edinburgh | 0:19:57 | 0:20:00 | |
have established that she will choose to eat the ones | 0:20:00 | 0:20:02 | |
that nag her most. | 0:20:02 | 0:20:04 | |
-This is great parenting. -Yeah. -This is what we all need, isn't it? | 0:20:06 | 0:20:09 | |
So, the burrowing beetle baby that keeps going, "I want a snack, | 0:20:09 | 0:20:12 | |
"I want a snack..." Gone. | 0:20:12 | 0:20:14 | |
-Finished. -If my children are watching, I am learning a lot. | 0:20:16 | 0:20:19 | |
Your children aren't watching, | 0:20:20 | 0:20:22 | |
they're in their bedrooms with their knees missing. | 0:20:22 | 0:20:24 | |
APPLAUSE | 0:20:26 | 0:20:29 | |
Any of you boys do half the housework in your homes? | 0:20:35 | 0:20:37 | |
Don't be stupid! | 0:20:37 | 0:20:39 | |
Because here's an extraordinary thing. | 0:20:41 | 0:20:42 | |
In heterosexual relationships, even if the man does half the housework, | 0:20:42 | 0:20:46 | |
it's usually the woman who's in charge of allocating the tasks, | 0:20:46 | 0:20:49 | |
and making sure it gets done. | 0:20:49 | 0:20:50 | |
So, in other words, nagging itself, | 0:20:50 | 0:20:53 | |
yet another job about the house which women are expected to do, | 0:20:53 | 0:20:57 | |
and men wriggle out of. | 0:20:57 | 0:21:00 | |
Moving on now. All the way from Pennsylvania, | 0:21:00 | 0:21:03 | |
the marvel from Philadelphia, Euphonia! | 0:21:03 | 0:21:06 | |
What's her act? | 0:21:06 | 0:21:08 | |
She removes her legs... | 0:21:08 | 0:21:11 | |
and hovers above a man on a knitting machine. | 0:21:11 | 0:21:15 | |
Well, you're not far off. It is a machine. | 0:21:15 | 0:21:18 | |
She looks rather hirsute, doesn't she? | 0:21:18 | 0:21:20 | |
She's called Euphonia, she's from 1845. | 0:21:20 | 0:21:22 | |
-FRANKIE: -Were they trying to do the turkey experiment with a human? | 0:21:22 | 0:21:26 | |
It's heading more and more towards the head. | 0:21:27 | 0:21:30 | |
So, 1845, a German inventor called Joseph Faber | 0:21:30 | 0:21:32 | |
exhibited this incredible machine. | 0:21:32 | 0:21:34 | |
It could talk, it had bellows for lungs, | 0:21:34 | 0:21:37 | |
a tongue and a larynx made of wires and reeds and levers, | 0:21:37 | 0:21:40 | |
and it was operated by a piano-like keyboard. | 0:21:40 | 0:21:42 | |
So there were 16 keys, plus one to open the glottis, the vocal cords, | 0:21:42 | 0:21:45 | |
and foot pedals, and sounds came out of her mouth. | 0:21:45 | 0:21:48 | |
She could laugh, she could whisper, she could sing God Save The Queen. | 0:21:48 | 0:21:51 | |
But the fundamental problem with her is that she scared people. | 0:21:51 | 0:21:54 | |
-Yeah, she's scaring me now! -Yeah. She had... | 0:21:54 | 0:21:57 | |
Urgh! | 0:21:57 | 0:21:58 | |
The turkeys have kicked off! | 0:21:58 | 0:22:00 | |
"That's the one." | 0:22:02 | 0:22:03 | |
HE IMITATES AN EXCITED TURKEY | 0:22:03 | 0:22:05 | |
It's like a frustrated turkey was in the room! | 0:22:08 | 0:22:11 | |
Apparently her tongue lolled about in her mouth | 0:22:12 | 0:22:14 | |
-and her voice was awful... -Oh, no. | 0:22:14 | 0:22:16 | |
..it was as if it came from the depths of a tomb. | 0:22:16 | 0:22:18 | |
It was very, sort of, hoarse and hideous. | 0:22:18 | 0:22:20 | |
And Faber, who made it, | 0:22:20 | 0:22:22 | |
twice he destroyed the Euphonia out of frustration. | 0:22:22 | 0:22:25 | |
And the first time he rebuilt it and the second time, well, | 0:22:25 | 0:22:27 | |
-he took his own life. -So it's basically like Siri. | 0:22:27 | 0:22:30 | |
It is a kind of Siri. | 0:22:30 | 0:22:32 | |
Now, fingers next to buzzers, please, | 0:22:32 | 0:22:35 | |
for the General Ignorance round. | 0:22:35 | 0:22:36 | |
Why are dock leaves good for nettle stings? | 0:22:36 | 0:22:39 | |
# Next to you. # | 0:22:39 | 0:22:41 | |
-Ross? -They're not. | 0:22:41 | 0:22:42 | |
You're absolutely right. | 0:22:42 | 0:22:44 | |
The fact is, we don't even know why nettle stings hurt quite so much, | 0:22:44 | 0:22:47 | |
or last so long. What we do know | 0:22:47 | 0:22:49 | |
is that nettles are covered with tiny little hollow hairs, | 0:22:49 | 0:22:52 | |
which break off when you touch them and they act like needles | 0:22:52 | 0:22:54 | |
and they inject, oh, it's a cocktail of unpleasantness into your skin... | 0:22:54 | 0:22:58 | |
But yet, delightful as soup. | 0:22:58 | 0:23:01 | |
Very good as soup, and in theory, very, very good medicine. | 0:23:01 | 0:23:04 | |
So, there's a thing called urtification, | 0:23:04 | 0:23:06 | |
-do you know what that is? -I don't, no. | 0:23:06 | 0:23:07 | |
It's beating yourself with stinging nettles, fundamentally. | 0:23:07 | 0:23:10 | |
And the Romans used to do it in Britain because there was damp | 0:23:10 | 0:23:13 | |
and it gave them arthritis. | 0:23:13 | 0:23:14 | |
And so urtification apparently got rid of it. | 0:23:14 | 0:23:17 | |
And they did a study in 2000, | 0:23:17 | 0:23:18 | |
and the Royal Society of Medicine confirmed it is a safe | 0:23:18 | 0:23:21 | |
and effective treatment for rheumatic pain, so you can use it. | 0:23:21 | 0:23:24 | |
-Not many people know that the actor John Nettles... -Yes. | 0:23:24 | 0:23:27 | |
..you shake his hand, burns your skin. | 0:23:27 | 0:23:29 | |
-It's horrible, horrible. -But if you throw yourself against him, | 0:23:29 | 0:23:33 | |
it gets rid of your rheumatism. | 0:23:33 | 0:23:36 | |
Very much so. Romans can't help themselves. | 0:23:36 | 0:23:39 | |
Getting John Nettles to smack himself against them. | 0:23:39 | 0:23:43 | |
Old ladies, he's like a faith healer. | 0:23:43 | 0:23:45 | |
You know when they're like... "Have you got rheumatism in your body? | 0:23:45 | 0:23:48 | |
"I want you to come down." | 0:23:48 | 0:23:50 | |
John Nettles slaps you on the knees. | 0:23:50 | 0:23:52 | |
Your kids would like him. | 0:23:53 | 0:23:55 | |
The longer I work with Ross, the more I believe him... | 0:23:57 | 0:23:59 | |
LAUGHTER DROWNS SPEECH | 0:23:59 | 0:24:01 | |
Now, what kind of questions are barristers never allowed | 0:24:01 | 0:24:05 | |
to ask the witness? | 0:24:05 | 0:24:07 | |
Leading questions. | 0:24:07 | 0:24:09 | |
KLAXON | 0:24:09 | 0:24:11 | |
# Next door... # | 0:24:16 | 0:24:17 | |
-Lucy? -Multiple choice? | 0:24:17 | 0:24:19 | |
APPLAUSE | 0:24:22 | 0:24:24 | |
"Did you A, kill them, B, have a takeaway, C...?" | 0:24:27 | 0:24:31 | |
"Oh, mostly Cs, you're a Gemini!" | 0:24:31 | 0:24:34 | |
So, you can sometimes have leading questions. | 0:24:36 | 0:24:38 | |
They are allowed in cross-examination. | 0:24:38 | 0:24:40 | |
So, when you're questioning the other side's witness, | 0:24:40 | 0:24:42 | |
it's absolutely fine. They're not allowed in what's called | 0:24:42 | 0:24:45 | |
evidence in chief. So, that's when you're questioning your own side. | 0:24:45 | 0:24:48 | |
You couldn't, for example, say, | 0:24:48 | 0:24:49 | |
"And did the accused hit you about the buttocks with the cucumber?" | 0:24:49 | 0:24:54 | |
You're not allowed to say that... | 0:24:54 | 0:24:56 | |
-"Or, did he B..." -Yeah. -"..put the cucumber between the buttocks?" | 0:24:57 | 0:25:01 | |
"Or, was it C, the actor John Nettles, | 0:25:01 | 0:25:05 | |
-"who was just trying to help?" -Yeah, you're not allowed to do that. | 0:25:05 | 0:25:08 | |
You have to say "what happened next", is basically the thing. | 0:25:08 | 0:25:11 | |
But, in cross-examination, | 0:25:11 | 0:25:12 | |
you're not only allowed to ask leading questions, | 0:25:12 | 0:25:14 | |
most people say you SHOULD ask them. | 0:25:14 | 0:25:16 | |
Is the fellow on the right, by any chance, saying "tattyfilarious"? | 0:25:16 | 0:25:22 | |
"Oh, lovely day, a lovely day for committing murder." | 0:25:22 | 0:25:25 | |
That's why I didn't become a lawyer, | 0:25:28 | 0:25:30 | |
there's not enough funny voices in the law. | 0:25:30 | 0:25:32 | |
Now, what kind of evidence isn't going to get you convicted | 0:25:33 | 0:25:37 | |
under any circumstances? | 0:25:37 | 0:25:39 | |
Circumstantial. | 0:25:39 | 0:25:41 | |
KLAXON | 0:25:41 | 0:25:44 | |
And that was a leading question! | 0:25:45 | 0:25:47 | |
We think it's the case that you can't use circumstantial, | 0:25:49 | 0:25:52 | |
but in fact most convictions depend entirely on circumstantial evidence. | 0:25:52 | 0:25:56 | |
Because fingerprints and DNA samples and phone records, | 0:25:56 | 0:25:59 | |
credit card receipts, bloodstains, lack of an alibi, | 0:25:59 | 0:26:02 | |
that can all be circumstantial evidence, | 0:26:02 | 0:26:05 | |
stuff from which you can infer that somebody was present at a crime. | 0:26:05 | 0:26:09 | |
And finally, a male black widow spider | 0:26:09 | 0:26:12 | |
and a female black widow spider have just finished having sex. | 0:26:12 | 0:26:17 | |
What happens next? | 0:26:17 | 0:26:19 | |
-# Next to you. # -Yeah, Ross? | 0:26:19 | 0:26:21 | |
Tiny cigarette. | 0:26:21 | 0:26:24 | |
APPLAUSE | 0:26:24 | 0:26:27 | |
-Oh, no, no! It wouldn't be a tiny cigarette, would it? -No. | 0:26:27 | 0:26:30 | |
It'd be eight tiny cigarettes. Like that. | 0:26:30 | 0:26:32 | |
"Shall we do it again?" | 0:26:41 | 0:26:43 | |
Maybe she could try and kill him in that way, rather than by eating him, | 0:26:44 | 0:26:47 | |
which I think is the answer that we were being led towards. | 0:26:47 | 0:26:50 | |
Ah, she eats him. | 0:26:50 | 0:26:52 | |
KLAXON | 0:26:52 | 0:26:54 | |
No, she does not, if she's a black widow. | 0:26:59 | 0:27:02 | |
So, there is once species in the widow group in which the female, | 0:27:02 | 0:27:05 | |
let's say, routinely eats the male... | 0:27:05 | 0:27:07 | |
-Scottish widows? -The Scottish widow! | 0:27:07 | 0:27:09 | |
Yes, but at least she's insured. | 0:27:13 | 0:27:15 | |
It's the redback spider of Australia, it's the only one. | 0:27:17 | 0:27:19 | |
There are three species found in North America | 0:27:19 | 0:27:22 | |
and post-coital cannibalism in one of the three is rare | 0:27:22 | 0:27:26 | |
and in the other two it's completely unknown. | 0:27:26 | 0:27:28 | |
And they get their name "widow" | 0:27:28 | 0:27:29 | |
probably because people have watched their behaviour in captivity, | 0:27:29 | 0:27:32 | |
when they're not behaving normally, I think. | 0:27:32 | 0:27:35 | |
Post-coital cannibalism amongst black widows is the exception, | 0:27:35 | 0:27:38 | |
not the rule. OK, next, it's the scores, and in first place, | 0:27:38 | 0:27:41 | |
with a magnificent 6 points, it's Ross! | 0:27:41 | 0:27:43 | |
APPLAUSE | 0:27:43 | 0:27:45 | |
And in second, just one point behind with 5, it's Frankie! | 0:27:48 | 0:27:52 | |
APPLAUSE | 0:27:52 | 0:27:54 | |
In third place, with -4, Lucy! | 0:27:56 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:01 | |
APPLAUSE DROWNS SPEECH | 0:28:01 | 0:28:04 | |
And in fourth place with -10, | 0:28:04 | 0:28:08 | |
it's the audience! | 0:28:08 | 0:28:09 | |
Which means that in last place of the next show, is, was, | 0:28:15 | 0:28:19 | |
or will be, with -25, Alan. | 0:28:19 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:23 | |
My thanks to Frankie, Ross, Lucy and Alan. | 0:28:29 | 0:28:31 | |
I leave you with this news from the Western Daily Press, | 0:28:31 | 0:28:34 | |
concerning what people plan to do next, after they retire. | 0:28:34 | 0:28:38 | |
A survey of 1,000 over-50-year-olds found that many | 0:28:38 | 0:28:42 | |
intended to travel more, write a book, do a parachute jump, | 0:28:42 | 0:28:45 | |
or take up a new hobby when they reach 60. | 0:28:45 | 0:28:48 | |
Some of those polled said they wanted to become a volunteer, | 0:28:48 | 0:28:50 | |
or raise money for charity. | 0:28:50 | 0:28:52 | |
While others just wanted to eat more cakes, and have more sex. | 0:28:52 | 0:28:55 | |
Until next time, goodbye. | 0:28:55 | 0:28:57 | |
APPLAUSE | 0:28:57 | 0:29:00 |