Browse content similar to Origins and Openings. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Good evening, and welcome to QI | 0:00:32 | 0:00:35 | |
for a truly original episode about origins and openings. | 0:00:35 | 0:00:40 | |
Please welcome with open arms the open-eyed Rich Hall. | 0:00:40 | 0:00:43 | |
APPLAUSE | 0:00:43 | 0:00:46 | |
The open-minded Susan Calman. | 0:00:47 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:53 | |
The open-mouthed Josh Widdicombe. | 0:00:54 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:00:59 | |
And opening a can of worms, it's Alan Davies. | 0:01:01 | 0:01:04 | |
APPLAUSE | 0:01:04 | 0:01:07 | |
So, without further ado, I declare the show open. | 0:01:11 | 0:01:13 | |
Rich goes... | 0:01:13 | 0:01:14 | |
MUSIC: Grieg's Piano Concerto | 0:01:14 | 0:01:20 | |
That's lovely. | 0:01:22 | 0:01:23 | |
-I have to wait for all of that before I can answer? -Yes. | 0:01:23 | 0:01:27 | |
Susan goes... | 0:01:27 | 0:01:28 | |
DRAMATIC ORCHESTRAL MUSIC | 0:01:28 | 0:01:34 | |
Some of the greatest openings in the world. Josh goes... | 0:01:37 | 0:01:40 | |
MUSIC: Beethoven's Fifth Symphony | 0:01:40 | 0:01:44 | |
Alan goes... | 0:01:44 | 0:01:45 | |
MUSIC: The Muppet Show theme | 0:01:45 | 0:01:49 | |
APPLAUSE | 0:01:52 | 0:01:55 | |
Right, I'd like you to act out the opening scene | 0:01:55 | 0:01:58 | |
of the classic film All Together Passionately. | 0:01:58 | 0:02:01 | |
Sorry, am I on the wrong show? | 0:02:01 | 0:02:04 | |
I mean, I'm happy to do it, as long as I can go on top. | 0:02:04 | 0:02:07 | |
I think you should speak to Josh. | 0:02:09 | 0:02:11 | |
As long as you've got a cushion, I'm fine with it. | 0:02:11 | 0:02:13 | |
Anybody know All Together Passionately? | 0:02:15 | 0:02:17 | |
-A great film. -It's not ringing any bells. | 0:02:17 | 0:02:19 | |
It is the Italian name, I will tell you, for a very famous film. | 0:02:19 | 0:02:22 | |
Tutti Insieme Appassionatamente. | 0:02:22 | 0:02:26 | |
I'll be honest, if anything, I'm further away from the answer. | 0:02:26 | 0:02:29 | |
-OK, if I do this... -The Passion of the Christ. | 0:02:30 | 0:02:32 | |
-No. -Titanic. -Titanic? | 0:02:32 | 0:02:34 | |
No, and I'm twirling around on top of an Austrian mountain... | 0:02:34 | 0:02:37 | |
Oh, The Sound Of Music. | 0:02:37 | 0:02:38 | |
The Sound Of Music. It is the Italian name... | 0:02:38 | 0:02:40 | |
There's no Italian phrase for the sound of music? | 0:02:40 | 0:02:43 | |
Apparently, that's what they called it, All Together Passionately. | 0:02:43 | 0:02:46 | |
In Italy? | 0:02:46 | 0:02:47 | |
That sounds like a film you wouldn't watch on a train. | 0:02:47 | 0:02:50 | |
-Do you watch a lot of films on trains? -Lots of them. You have to... | 0:02:50 | 0:02:53 | |
Oh, yes, because you don't fly, so you spend your life on a train. | 0:02:53 | 0:02:55 | |
Yes, so you have to be very careful sometimes if you have a film | 0:02:55 | 0:02:58 | |
with a bit of... | 0:02:58 | 0:02:59 | |
-Naughtiness. -..naughtiness. You have to turn it to the window. | 0:02:59 | 0:03:02 | |
Does anybody here cry at movies on planes | 0:03:02 | 0:03:05 | |
that you wouldn't normally cry at? | 0:03:05 | 0:03:07 | |
Like Paul Blart - Mall Cop. That's... | 0:03:07 | 0:03:10 | |
I'm in floods. Floods! | 0:03:11 | 0:03:13 | |
Not just at movies, sometimes just a credit card ad. | 0:03:13 | 0:03:15 | |
Like, "Oh, my God, she lost her... | 0:03:15 | 0:03:17 | |
"Oh, she got it back. Thank God!" | 0:03:17 | 0:03:19 | |
So many emotions to handle in one commercial! | 0:03:20 | 0:03:23 | |
Well, here is a thing about The Sound Of Music. | 0:03:23 | 0:03:25 | |
It was so popular in South Korea when it was first released, | 0:03:25 | 0:03:29 | |
one theatre owner in Seoul made the film shorter | 0:03:29 | 0:03:33 | |
by cutting out all the musical numbers... | 0:03:33 | 0:03:35 | |
LAUGHTER | 0:03:35 | 0:03:37 | |
..so they could show it more often. | 0:03:37 | 0:03:40 | |
Do you know what? I've never seen it. | 0:03:40 | 0:03:42 | |
-SANDI GASPS -Josh! | 0:03:42 | 0:03:44 | |
-Oh, really? Never? -You've never seen... | 0:03:44 | 0:03:46 | |
-THROATILY: -# You are 16 Going on 17... # | 0:03:46 | 0:03:49 | |
Yeah, it's like that, but with a tune. | 0:03:49 | 0:03:51 | |
APPLAUSE | 0:03:52 | 0:03:55 | |
Do you know, I was once lucky enough to meet Julie Andrews? | 0:03:58 | 0:04:00 | |
It's the only time in my entire life I have been completely speechless. | 0:04:00 | 0:04:04 | |
Because she wouldn't shut up? | 0:04:04 | 0:04:06 | |
Kept harping on about what her favourite things were. | 0:04:06 | 0:04:08 | |
It was very annoying. | 0:04:08 | 0:04:09 | |
-COCKNEY ACCENT: -"Do you like them tied up with string? | 0:04:14 | 0:04:17 | |
"I bet you do, girl! I bet you do! | 0:04:17 | 0:04:21 | |
"What's a deer? What's a female deer? Come on!" | 0:04:21 | 0:04:24 | |
Oh, Julie, leave me alone! | 0:04:24 | 0:04:26 | |
"I'll get the puppets out. I'll get the puppets out! | 0:04:27 | 0:04:30 | |
"Do you want to see the goat herd?" | 0:04:30 | 0:04:31 | |
# High on the hill... # "It wasn't me singing." | 0:04:33 | 0:04:35 | |
# High on the hill... # | 0:04:35 | 0:04:37 | |
"I'm Maria. I'll be back with you. I'm Maria." | 0:04:38 | 0:04:40 | |
Shut up, Julie! God! | 0:04:42 | 0:04:45 | |
APPLAUSE | 0:04:45 | 0:04:47 | |
I'll be honest, I understood none of that. | 0:04:53 | 0:04:55 | |
OK, let's try five more original movie titles. | 0:04:56 | 0:04:59 | |
The top one, I can tell you, Please Don't Touch The Old Women, | 0:04:59 | 0:05:03 | |
an Italian version of a famous film. | 0:05:03 | 0:05:05 | |
Is it Cocoon? | 0:05:05 | 0:05:07 | |
No! | 0:05:09 | 0:05:11 | |
It's The Producers. | 0:05:11 | 0:05:12 | |
-What?! -The Producers. | 0:05:12 | 0:05:14 | |
Yes. Because, you know, the whole thing is about him raising money | 0:05:14 | 0:05:17 | |
from the old women, so I guess that's the bit they most focused on. | 0:05:17 | 0:05:20 | |
Try the next one - this is the Brazilian title of the famous film. | 0:05:20 | 0:05:23 | |
11 Men And A Secret. | 0:05:23 | 0:05:25 | |
Ah, it was 12 Angry Men, but one of them is transgender. | 0:05:25 | 0:05:28 | |
-Ocean's Eleven. -It is Ocean's Eleven, you're absolutely right. | 0:05:36 | 0:05:39 | |
-Yay! -OK, this one is also Italian, this next one. | 0:05:39 | 0:05:42 | |
Don't Open That Door! | 0:05:42 | 0:05:44 | |
Das Boot. | 0:05:44 | 0:05:46 | |
APPLAUSE | 0:05:47 | 0:05:50 | |
It's The Texas Chainsaw Massacre. | 0:05:52 | 0:05:54 | |
Right, this next one is Chinese. | 0:05:56 | 0:05:58 | |
I'll be honest, when you say which country it's from, | 0:05:58 | 0:06:00 | |
it's of no relevance. "Oh, it's Chinese, oh, yes." | 0:06:00 | 0:06:03 | |
It's Chinese, yes. His Great... | 0:06:03 | 0:06:04 | |
MUPPET SHOW OPENING THEME Yes? | 0:06:04 | 0:06:06 | |
The Man With The Golden Gun. | 0:06:06 | 0:06:08 | |
Come on! | 0:06:08 | 0:06:09 | |
No, it's Boogie Nights. | 0:06:09 | 0:06:11 | |
Oh! | 0:06:11 | 0:06:12 | |
No, no, no, no! | 0:06:15 | 0:06:17 | |
Would you like to see my great device? | 0:06:17 | 0:06:19 | |
Now, next question. | 0:06:22 | 0:06:24 | |
What did Mr First think of Mr Second? | 0:06:24 | 0:06:27 | |
Oh! | 0:06:27 | 0:06:28 | |
Didn't like him. | 0:06:28 | 0:06:30 | |
We are talking about Omero Catan, an American man who claimed | 0:06:30 | 0:06:35 | |
to have been the first person at over 500 opening events, | 0:06:35 | 0:06:38 | |
and he was known as Mr First. | 0:06:38 | 0:06:40 | |
And his brother Michael very occasionally took his place, | 0:06:40 | 0:06:43 | |
and he was known as Mr Second. | 0:06:43 | 0:06:45 | |
But the rivalry between the two was truly terrible. | 0:06:45 | 0:06:47 | |
So he would just turn up at openings? | 0:06:47 | 0:06:49 | |
So, when he was 13 years old, Omero Catan heard of a family friend | 0:06:49 | 0:06:53 | |
who had been the very first to cross the Brooklyn Bridge when it opened, | 0:06:53 | 0:06:56 | |
so that is 1883, and that inspired him, one year later, | 0:06:56 | 0:07:00 | |
when he was 14, to become the very first American passenger | 0:07:00 | 0:07:03 | |
aboard the Graf Zeppelin. | 0:07:03 | 0:07:05 | |
There it is, the Graf Zeppelin. Look at that thing! | 0:07:05 | 0:07:08 | |
You could fit three 747s on one of those airships. | 0:07:08 | 0:07:11 | |
But he was the very first American passenger to fly the Atlantic | 0:07:11 | 0:07:14 | |
-in that airship. -Yeah. | 0:07:14 | 0:07:16 | |
Which took four and a half days in those days. | 0:07:16 | 0:07:18 | |
And then he rose to fame. He did all sorts of things. | 0:07:18 | 0:07:21 | |
He set up camp outside the Lincoln Tunnel for four days | 0:07:21 | 0:07:23 | |
so he could be the first to drive through. | 0:07:23 | 0:07:25 | |
He was the first person to buy a ticket for the Eighth Avenue Subway, | 0:07:25 | 0:07:28 | |
first person to skate on the Rockefeller ice rink, first person | 0:07:28 | 0:07:31 | |
to drive across the Hudson Tappan Zee Bridge, and the | 0:07:31 | 0:07:33 | |
first person to put a quarter in a New York parking meter. | 0:07:33 | 0:07:35 | |
-You should never be first to do things like that. -Why not? | 0:07:35 | 0:07:38 | |
Because the danger aspect. You wait until a lot of people have done it | 0:07:38 | 0:07:41 | |
and then you know it's safe, and then you pop on. | 0:07:41 | 0:07:43 | |
It's so good Neil Armstrong didn't make that speech. | 0:07:43 | 0:07:46 | |
Oh, I bet he hates Neil Armstrong, doesn't he, Mr First? | 0:07:48 | 0:07:52 | |
No, actually, he said, "I wouldn't have had the nerve," | 0:07:52 | 0:07:54 | |
is what he said about Neil Armstrong when he was asked. | 0:07:54 | 0:07:56 | |
I bet Mr First is an absolute bore at dinner parties. | 0:07:56 | 0:08:00 | |
-Yes. -"I've been here ages!" | 0:08:00 | 0:08:03 | |
But what happened was, in 1945, the third Lincoln Tunnel opened | 0:08:03 | 0:08:07 | |
and Mr First was in the UK. And so his brother Michael | 0:08:07 | 0:08:10 | |
was asked if he would be there in his place. | 0:08:10 | 0:08:13 | |
He began to step in more and more regularly, and the papers started | 0:08:13 | 0:08:17 | |
to give them equal status, and Mr Second became Mr First. | 0:08:17 | 0:08:21 | |
GASPS | 0:08:21 | 0:08:23 | |
Terrible tensions. Terrible tensions between them! | 0:08:23 | 0:08:25 | |
-Oh, my God. -Omero became convinced that | 0:08:25 | 0:08:27 | |
his brother was trying to steal the limelight. | 0:08:27 | 0:08:29 | |
There were offers from Hollywood to make a movie, he wouldn't have it | 0:08:29 | 0:08:32 | |
because he didn't want his brother to get equal billing | 0:08:32 | 0:08:34 | |
and his very last first was a drive through the newly opened | 0:08:34 | 0:08:38 | |
I-595 highway from Fort Lauderdale Hollywood International Airport | 0:08:38 | 0:08:42 | |
to the Everglades. | 0:08:42 | 0:08:44 | |
-Not one of his classics, that, was it? -No. | 0:08:44 | 0:08:47 | |
Now, what's the worst thing that can happen when you open something? | 0:08:47 | 0:08:50 | |
Well, if it's the gentleman that pressed the button | 0:08:50 | 0:08:53 | |
on the Virgin Train from Glasgow to London, he'd say | 0:08:53 | 0:08:56 | |
it's seeing me on the toilet, which is what happened today. | 0:08:56 | 0:08:59 | |
Those doors take so long to open! | 0:09:04 | 0:09:06 | |
Especially... If you're a gentleman, you can go, "Oh, gosh!" | 0:09:10 | 0:09:12 | |
If you're a lady, you just have to sit and go... | 0:09:12 | 0:09:15 | |
But the problem is... | 0:09:17 | 0:09:19 | |
The problem is, because I'm so short, my legs were swinging. | 0:09:19 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:24 | |
I love that you felt you needed to explain that to ME! | 0:09:26 | 0:09:28 | |
We used to take the train to visit my aunt in California | 0:09:31 | 0:09:33 | |
and it took five days to get there. | 0:09:33 | 0:09:35 | |
And so it's quite boring for children, so what we used to do | 0:09:35 | 0:09:37 | |
was go to the toilet on the train and then flush, | 0:09:37 | 0:09:39 | |
and then run to the back of the train. | 0:09:39 | 0:09:41 | |
And there was a little sort of platform, and you could watch all | 0:09:41 | 0:09:44 | |
the toilet paper rushing out across the desert. | 0:09:44 | 0:09:46 | |
The most marvellous entertainment for children. It was very good. | 0:09:46 | 0:09:50 | |
When did you grow up?! | 0:09:50 | 0:09:52 | |
It was a black and white time. | 0:09:54 | 0:09:55 | |
I was born in 1958. | 0:09:57 | 0:09:59 | |
That is astonishing... | 0:09:59 | 0:10:01 | |
-What, that I'm still working? -Five days! No... | 0:10:01 | 0:10:03 | |
Josh, just a wee thing for you, sweetie pie. See when a woman | 0:10:04 | 0:10:08 | |
talks about her past, don't go, "When did you grow up?!" | 0:10:08 | 0:10:11 | |
I was... | 0:10:12 | 0:10:14 | |
It's not the 18th century. | 0:10:14 | 0:10:16 | |
In the '60s, yes. | 0:10:16 | 0:10:18 | |
No, that's what I presumed. | 0:10:18 | 0:10:19 | |
I presumed the '70s or '80s, actually. | 0:10:19 | 0:10:21 | |
Thank you. | 0:10:21 | 0:10:23 | |
And this week's winner is Josh! | 0:10:23 | 0:10:24 | |
APPLAUSE | 0:10:27 | 0:10:30 | |
OK, what's the worst thing that can happen when you open something? | 0:10:30 | 0:10:33 | |
Is it something that begins with O? | 0:10:33 | 0:10:35 | |
Well, it's lots of opening nights that have not | 0:10:35 | 0:10:37 | |
-gone as well as possible. -Oh. -So the O-lympics, we could start with. | 0:10:37 | 0:10:41 | |
-There will be no doves at the Tokyo 2020... -Oh, no! | 0:10:41 | 0:10:44 | |
..which is because they were banned after the 1988 Seoul Olympics, | 0:10:44 | 0:10:49 | |
when, instead of flying out, as this photograph suggests... | 0:10:49 | 0:10:51 | |
GASPS | 0:10:51 | 0:10:53 | |
..into the sky, they decided to perch on the huge saucer | 0:10:53 | 0:10:55 | |
in the centre of the stadium with the Olympic Flame, | 0:10:55 | 0:10:58 | |
and several birds were incinerated. | 0:10:58 | 0:11:01 | |
-You say incinerated, but you mean roasted. -I do, yes. | 0:11:01 | 0:11:05 | |
-Mm! Just a little bit more! -Absolutely delicious. | 0:11:05 | 0:11:08 | |
Most delicious opening ceremony I've ever been at! | 0:11:08 | 0:11:12 | |
-Opening night of BBC Two was a disaster. -Oh, that's... | 0:11:12 | 0:11:14 | |
There was a power outage | 0:11:14 | 0:11:16 | |
and the whole of Television Centre went dark that night. | 0:11:16 | 0:11:18 | |
But the best bit of the story is, to publicise the launch, | 0:11:18 | 0:11:21 | |
they had been using a graphic of a kangaroo. | 0:11:21 | 0:11:23 | |
So the kangaroo represented BBC One and then in the pouch, | 0:11:23 | 0:11:26 | |
the little joey is BBC Two. | 0:11:26 | 0:11:28 | |
So they thought, "For opening night, let's get some real kangaroos..." | 0:11:28 | 0:11:31 | |
-Oh, no. -"..in the studio." | 0:11:31 | 0:11:33 | |
And they had just got them into the lift | 0:11:33 | 0:11:34 | |
and pressed the button at the moment when the power went... | 0:11:34 | 0:11:37 | |
Oh, my word! | 0:11:37 | 0:11:39 | |
..and apparently, the kangaroos went berserk! | 0:11:39 | 0:11:41 | |
I'd like to think that there was just some guy in the lift, | 0:11:43 | 0:11:46 | |
going, "Oh, my God!" | 0:11:46 | 0:11:47 | |
Also, some opening nights of plays have been disastrous. | 0:11:49 | 0:11:51 | |
So, Balzac wrote a play called Les Ressources De Quinola, | 0:11:51 | 0:11:55 | |
and it opened to a completely empty house on March 19th 1842. | 0:11:55 | 0:12:00 | |
So he had hoped to create a buzz about the play | 0:12:00 | 0:12:02 | |
and he told everybody that the tickets were sold out, | 0:12:02 | 0:12:06 | |
it was impossible to get a ticket. | 0:12:06 | 0:12:07 | |
-Oh, no! -So nobody bothered. -Oh, no! | 0:12:07 | 0:12:10 | |
-Yeah. Nobody came. -Did they do the play? | 0:12:10 | 0:12:12 | |
Well, the Equity rule is you don't have to do the play | 0:12:12 | 0:12:14 | |
if there are fewer members of the audience than there are in the play, | 0:12:14 | 0:12:17 | |
-so whether it was... -That's true. | 0:12:17 | 0:12:19 | |
Once, I was doing a gig at Willesden Library Centre... | 0:12:19 | 0:12:22 | |
LAUGHTER | 0:12:22 | 0:12:23 | |
Bill Bailey was there in The Rubber Bishops. | 0:12:25 | 0:12:27 | |
So there was the two of them, I think Bob Mills, me, | 0:12:27 | 0:12:29 | |
someone else and then there were seven people in the audience. | 0:12:29 | 0:12:32 | |
So we're thinking, | 0:12:32 | 0:12:33 | |
"Oh, shit, there's more of them than there are of us." | 0:12:33 | 0:12:35 | |
And then this couple came over to us and said, | 0:12:35 | 0:12:37 | |
"Would it help if we left?" | 0:12:37 | 0:12:39 | |
LAUGHTER | 0:12:39 | 0:12:40 | |
And we said, "As a matter of fact, technically, it would." | 0:12:43 | 0:12:45 | |
So they left and we didn't have to do the gig! | 0:12:45 | 0:12:48 | |
That's great. | 0:12:49 | 0:12:50 | |
So, when Disneyland opened, the very first Disneyland in California, | 0:12:50 | 0:12:54 | |
July 17th 1955, it's known as Black Sunday, because so much went wrong. | 0:12:54 | 0:12:58 | |
The first thing was there were 15,000 gate-crashers. | 0:12:58 | 0:13:02 | |
Apparently, it was incredibly easy to counterfeit the tickets, | 0:13:02 | 0:13:04 | |
plus somebody got a ladder to the parking lot | 0:13:04 | 0:13:07 | |
and people could pay 5 to climb over the hedge. | 0:13:07 | 0:13:10 | |
The asphalt had been poured at 6.00 that morning, | 0:13:11 | 0:13:13 | |
so all the guests' shoes got stuck in it. | 0:13:13 | 0:13:16 | |
There was a circus parade in which a tiger and a panther broke loose | 0:13:16 | 0:13:19 | |
-and had a fight. -I mean, if they're going to break loose, | 0:13:19 | 0:13:22 | |
-at least they've cancelled each other out. -Yes. | 0:13:22 | 0:13:25 | |
Yeah, lucky there were two of them out. | 0:13:25 | 0:13:28 | |
Not the tiger looking for a fight. | 0:13:28 | 0:13:30 | |
"Release the panther! The tiger's already out!" | 0:13:30 | 0:13:33 | |
There was a plumbers' strike and so they had to choose | 0:13:34 | 0:13:36 | |
between drinking fountains and flushing toilets. | 0:13:36 | 0:13:39 | |
-Definitely flushing toilets. -Yeah! | 0:13:39 | 0:13:41 | |
If I go to someone's house, "Have you got a toilet?" | 0:13:41 | 0:13:43 | |
"No, but I've got a drinking fountain." | 0:13:43 | 0:13:45 | |
There's a drinking fountain, | 0:13:46 | 0:13:48 | |
but Susan Calman's sitting on it at the moment. | 0:13:48 | 0:13:50 | |
Now, I'm open to a bit of artistic paper folding. | 0:13:52 | 0:13:57 | |
Of course, the art of making folded paper models | 0:13:57 | 0:14:00 | |
without cutting the paper comes from... | 0:14:00 | 0:14:01 | |
Japan. | 0:14:01 | 0:14:03 | |
KLAXON | 0:14:03 | 0:14:05 | |
-No. -I forgot about that bit! -Yes! | 0:14:06 | 0:14:09 | |
It does not come from Japan. | 0:14:10 | 0:14:12 | |
"Ori" means folding and "kami" means paper, | 0:14:12 | 0:14:14 | |
so the word "origami" comes from Japan, that is correct. | 0:14:14 | 0:14:17 | |
But Japanese paper folding was done with white paper which was | 0:14:17 | 0:14:19 | |
both folded and cut. | 0:14:19 | 0:14:22 | |
The modern version, in which we only fold and we don't cut it, | 0:14:22 | 0:14:25 | |
often done with the coloured paper on one side | 0:14:25 | 0:14:27 | |
and the white paper on the other side, | 0:14:27 | 0:14:28 | |
it's actually imported from German kindergartens into Japan, | 0:14:28 | 0:14:31 | |
after Japan opened its borders in 1860. | 0:14:31 | 0:14:33 | |
So the answer is that origami, as we now understand it, is German. | 0:14:33 | 0:14:37 | |
-Is anybody good at origami? -I did that thing... -Oh, yeah, that one. | 0:14:38 | 0:14:41 | |
The only thing I've done is that thing where it goes, | 0:14:41 | 0:14:43 | |
"Pick a number, Josh." | 0:14:43 | 0:14:44 | |
-Oh... -Three. -SUSAN MUMBLES | 0:14:44 | 0:14:46 | |
-"Pick a colour." -Red. | 0:14:46 | 0:14:47 | |
SUSAN MUMBLES | 0:14:47 | 0:14:48 | |
"He fancies you!" That's all I've done. | 0:14:48 | 0:14:51 | |
How is it so accurate?! | 0:14:51 | 0:14:52 | |
-But I've got some very good ones for you, so, Josh, you can have... -Oh! | 0:14:56 | 0:15:00 | |
-A frog. -..a little jumping frog. | 0:15:00 | 0:15:02 | |
And, Rich, you have a jack rabbit. There's a jack rabbit for you. | 0:15:02 | 0:15:06 | |
-And, Susan, you've got an elephant. -Oh! | 0:15:07 | 0:15:10 | |
-And, Alan, what's this? -That's a blue whale. | 0:15:10 | 0:15:13 | |
KLAXON | 0:15:13 | 0:15:16 | |
APPLAUSE | 0:15:16 | 0:15:18 | |
-No, THIS is a blue whale. -Oh, of course. | 0:15:22 | 0:15:24 | |
All these years, still don't recognise it. | 0:15:26 | 0:15:29 | |
There you are, there's your blue whale. | 0:15:29 | 0:15:31 | |
A friend of mine is brilliant at origami and he made... | 0:15:31 | 0:15:34 | |
This is a little badge. | 0:15:34 | 0:15:36 | |
It is a 1 bill which he has made into a badge for me. | 0:15:36 | 0:15:39 | |
Isn't it lovely? | 0:15:39 | 0:15:40 | |
-And that is without any cutting, it's all folded and beautiful. -Wow! | 0:15:40 | 0:15:43 | |
Josh, your frog is rather marvellous. | 0:15:43 | 0:15:44 | |
If you press the back of it, it will... Yes. | 0:15:44 | 0:15:47 | |
-Well, be less violent with it. -Oh, sorry. -It will jump. | 0:15:47 | 0:15:51 | |
Be gentle, like you're touching a woman. | 0:15:51 | 0:15:53 | |
Let me show you. Let me show you, darling. | 0:15:54 | 0:15:56 | |
APPLAUSE | 0:15:57 | 0:16:01 | |
I've never wanted someone to fail so much at anything! | 0:16:01 | 0:16:04 | |
Right, so, let's put our origami away, please. | 0:16:07 | 0:16:10 | |
-Still playing. -My rabbit, look out for the car! | 0:16:10 | 0:16:13 | |
ASTONISHED LAUGHTER | 0:16:13 | 0:16:15 | |
Right. I've got oysters, ox horns, wood | 0:16:20 | 0:16:23 | |
and the walrus penis. | 0:16:23 | 0:16:25 | |
What are my plans? | 0:16:25 | 0:16:26 | |
That's like those old ads in Loot. "I've got... | 0:16:26 | 0:16:30 | |
"oysters...ox horns, wood, | 0:16:30 | 0:16:33 | |
"and a walrus penis. | 0:16:33 | 0:16:35 | |
"No time wasters, please. | 0:16:37 | 0:16:38 | |
"It's a set, I can't break it up." | 0:16:40 | 0:16:42 | |
Sometimes I watch Nigella Lawson and she always goes, | 0:16:47 | 0:16:50 | |
"I went to my pantry to make some supper | 0:16:50 | 0:16:52 | |
"and I had what everyone has, which is some oysters, some oxtails, | 0:16:52 | 0:16:56 | |
"some wood and a walrus penis. | 0:16:56 | 0:16:57 | |
"I'm going to make myself a frittata." | 0:16:57 | 0:16:59 | |
It's like she's in the room! | 0:17:02 | 0:17:03 | |
The answer is that all of those materials | 0:17:05 | 0:17:08 | |
can be used to make windows. | 0:17:08 | 0:17:10 | |
Can you imagine making windows out of penises? | 0:17:10 | 0:17:12 | |
Well, let's start with the oyster. | 0:17:12 | 0:17:14 | |
The windowpane oyster is found in the Philippines, | 0:17:14 | 0:17:17 | |
and the shells, look at those beautiful windows, | 0:17:17 | 0:17:20 | |
the stuff in between the wood there is windowpane oyster. | 0:17:20 | 0:17:24 | |
The shell lets 80% of the incident light through | 0:17:24 | 0:17:28 | |
and it's been used for thousands of years. | 0:17:28 | 0:17:29 | |
It's also incredibly strong. Despite being 99% calcite, | 0:17:29 | 0:17:33 | |
which is a really brittle mineral, it can withstand multiple blows | 0:17:33 | 0:17:36 | |
because of the way the material is structured. And it may have | 0:17:36 | 0:17:39 | |
some uses for the military. They may even have a look at | 0:17:39 | 0:17:41 | |
windowpane oysters for visors you can see through, | 0:17:41 | 0:17:43 | |
but are also bulletproof. You wouldn't think that from an oyster... | 0:17:43 | 0:17:46 | |
-Isn't it beautiful? -It's a pity | 0:17:46 | 0:17:48 | |
they put those two big pillars in front of it. | 0:17:48 | 0:17:50 | |
Wood, you can have see-through wood. It's being developed. Much stronger | 0:17:50 | 0:17:54 | |
and more insulating than glass, so we're not really | 0:17:54 | 0:17:57 | |
interested in the leaves, but to show how much you can see through, | 0:17:57 | 0:18:00 | |
what you do is you boil the wood in water, sodium hydroxide | 0:18:00 | 0:18:03 | |
and other chemicals to remove the lignin, | 0:18:03 | 0:18:05 | |
so that's the bit that gives wood its colour. | 0:18:05 | 0:18:07 | |
And then epoxy resin is poured over it to make it stronger. | 0:18:07 | 0:18:10 | |
-But look how much you can see through. -Wow. | 0:18:10 | 0:18:11 | |
Cow horn, used for windows in medieval times. | 0:18:11 | 0:18:14 | |
So, all of that stuff between is cow horn, and it becomes translucent | 0:18:14 | 0:18:17 | |
if you soak it in water for three months, then it becomes malleable. | 0:18:17 | 0:18:21 | |
Now, the walrus penis, and who hasn't wanted to think, | 0:18:21 | 0:18:24 | |
-"What am I going to do with...?" -"Make a sofa out of the walrus." | 0:18:24 | 0:18:27 | |
Yes, historically used in the construction of Arctic dwellings. | 0:18:27 | 0:18:30 | |
It's stretched over window openings. The bit... I don't know how to | 0:18:30 | 0:18:32 | |
say this, it's a bit like clingfilm, really. | 0:18:32 | 0:18:34 | |
-It stretches out? -Well, it depends how excited the walrus is, really. | 0:18:34 | 0:18:39 | |
Yes, it's a stretchy thing, | 0:18:39 | 0:18:41 | |
and you can stretch it out and use it a bit like clingfilm. | 0:18:41 | 0:18:44 | |
-So, it'd be the skin of the penis and not the...the...the... -Penis. | 0:18:44 | 0:18:48 | |
-I don't know... -Doesn't feel good in your mouth, does it? | 0:18:49 | 0:18:52 | |
So, the walrus has to stand outside your window | 0:19:00 | 0:19:04 | |
for the rest of its life, with its cock stretched out? | 0:19:04 | 0:19:07 | |
A really annoyed walrus. | 0:19:11 | 0:19:13 | |
-"How did I get this gig?" -"I'm not getting paid enough." | 0:19:13 | 0:19:16 | |
Now, for a question on job openings. | 0:19:18 | 0:19:21 | |
What will be the first occupation done exclusively by robots? | 0:19:21 | 0:19:26 | |
Oh, I hope it's not people on panel shows, otherwise... | 0:19:26 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:31 | |
-I would think something like surgery. -OK. Which kind of surgery? | 0:19:31 | 0:19:35 | |
Keyhole heart surgery maybe, something like that, | 0:19:35 | 0:19:37 | |
or brain surgery, where they can be incredibly precise. | 0:19:37 | 0:19:41 | |
-So, I need you to go to the other end. -It would be anal surgery. | 0:19:41 | 0:19:45 | |
Wiping arses. | 0:19:46 | 0:19:47 | |
You have to try and imagine that you are training to be a proctologist | 0:19:47 | 0:19:51 | |
and you need to, at some point, have a look inside a rectum, | 0:19:51 | 0:19:56 | |
that's going to be your basic training. | 0:19:56 | 0:19:58 | |
Until recently, the UK has had only one registered | 0:19:58 | 0:20:03 | |
rectal teaching assistant, who travels around the country, | 0:20:03 | 0:20:07 | |
visiting medical schools offering up his rectum to students. | 0:20:07 | 0:20:13 | |
-Oh, no, Sandi. -Oh, yes. -But somebody says, "I'll do it!" | 0:20:13 | 0:20:19 | |
Yeah, "Leave that with me." So, there are some problems with this. | 0:20:19 | 0:20:22 | |
You'd definitely make up what you did for a living, wouldn't you? | 0:20:22 | 0:20:25 | |
There are a few problems with this. First of all, the strain of training | 0:20:26 | 0:20:29 | |
an entire country of doctors with one rectum, I think...is pressing. | 0:20:29 | 0:20:33 | |
And then the problem with using a real person is that the professor | 0:20:33 | 0:20:36 | |
who is teaching you, can't really tell | 0:20:36 | 0:20:39 | |
if you're doing it properly because they can't see what you're doing. | 0:20:39 | 0:20:42 | |
Sorry, can I just...? | 0:20:42 | 0:20:43 | |
-Sorry. For the profession of proctologist... -Yes. | 0:20:43 | 0:20:48 | |
-..everyone in the country... -Yeah. -..is using the same person? | 0:20:48 | 0:20:53 | |
-You can see the problem with this, can't you? -So... | 0:20:53 | 0:20:57 | |
you apply for it or does it...? | 0:20:57 | 0:20:59 | |
Well, they only got one applicant. | 0:20:59 | 0:21:01 | |
It's been a problem, so Imperial College | 0:21:02 | 0:21:05 | |
have come up with a robotic rectum. | 0:21:05 | 0:21:07 | |
So, this guy can go home and sit down. | 0:21:07 | 0:21:09 | |
There are tiny robotic arms that apply pressure | 0:21:09 | 0:21:11 | |
to the silicon rectal passage. SUSAN SQUIRMS | 0:21:11 | 0:21:14 | |
And then the hardware can be changed to different levels of difficulty. | 0:21:14 | 0:21:18 | |
You can change the size and shape of the rectum... | 0:21:18 | 0:21:20 | |
..you can change the prostate. | 0:21:22 | 0:21:23 | |
Eventually, you get to a boss fight at the end. | 0:21:23 | 0:21:25 | |
And each one of these arse holes costs £25,000. | 0:21:28 | 0:21:31 | |
So, once the current rectal teaching assistant retires, we will go from | 0:21:33 | 0:21:37 | |
a workforce of one to a workforce of none, and there will be just robots. | 0:21:37 | 0:21:40 | |
My arse definitely needs a good looking at. | 0:21:40 | 0:21:43 | |
CONSTERNATED LAUGHTER | 0:21:43 | 0:21:47 | |
I've been wondering what to give as a prize this evening. | 0:21:47 | 0:21:50 | |
The UK's a rectal trailblazer in more ways than one. | 0:21:56 | 0:22:00 | |
People who have rectums that no longer function | 0:22:00 | 0:22:02 | |
-can be fitted with a bionic rectum. -Oh, yeah! | 0:22:02 | 0:22:06 | |
They can fire out their shit over 40 feet! | 0:22:06 | 0:22:09 | |
Or they just pull their pants down and launch themselves up. | 0:22:11 | 0:22:15 | |
You know, like, Steve Austin, they can get on the roofs of buildings. | 0:22:17 | 0:22:20 | |
MAKES LOUD FARTING NOISE | 0:22:21 | 0:22:23 | |
So, was the 6 million man technically a robot? | 0:22:24 | 0:22:27 | |
-Well, depends how much percentage... -He was a cyborg. -Cyborg, yeah. | 0:22:27 | 0:22:31 | |
-What's the difference? -Depends on how much of you is a robot | 0:22:31 | 0:22:34 | |
and how much of you is still a human being. | 0:22:34 | 0:22:36 | |
-RICH: -So, what about Robbie Williams? | 0:22:36 | 0:22:38 | |
-What about him? -Cyborg or robot? | 0:22:38 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:42 | |
That's a game we could play for a very long time. | 0:22:42 | 0:22:44 | |
I'm going to carry on with my bionic rectum if it kills me. | 0:22:44 | 0:22:47 | |
I hope someone's just tuned in at that point. | 0:22:47 | 0:22:50 | |
Anyway, if you take a muscle from the inside of a leg | 0:22:53 | 0:22:56 | |
and you wrap it around the anus, | 0:22:56 | 0:22:57 | |
and then you hook it up to the device with electrodes that makes | 0:22:57 | 0:23:00 | |
the muscle contract or relax with an electric signal, | 0:23:00 | 0:23:02 | |
so, basically, you activate it by remote control. | 0:23:02 | 0:23:04 | |
The only thing I think is if you have a bionic rectum, | 0:23:04 | 0:23:06 | |
keep hold of the controls. Don't let the... | 0:23:06 | 0:23:08 | |
Don't let the children... | 0:23:10 | 0:23:12 | |
Imagine the panic when you've lost that remote down the sofa. | 0:23:13 | 0:23:16 | |
Anyway, we salute the passage of the UK's only rectal teaching | 0:23:18 | 0:23:22 | |
assistant and welcome our new robot bottom overlords. | 0:23:22 | 0:23:26 | |
Now, it's time to open the floodgates to general ignorance. | 0:23:26 | 0:23:30 | |
Fingers on buzzers. When's the best time to rob a bank? | 0:23:30 | 0:23:35 | |
Yes, Susan? | 0:23:36 | 0:23:38 | |
-Thursday morning. -Why? | 0:23:39 | 0:23:41 | |
It's when I'm most free and... | 0:23:41 | 0:23:44 | |
I think I can fit you in around ten | 0:23:47 | 0:23:49 | |
and then I've got coffee with Sandi Toksvig. | 0:23:49 | 0:23:51 | |
-RICH: -Ski season because everybody would have a ski mask on. | 0:23:53 | 0:23:56 | |
-There would be a lot more suspects. -Yes. -Alan, do you want | 0:23:58 | 0:24:01 | |
-to give it a go? -Well, it's either when it's open | 0:24:01 | 0:24:03 | |
or when it's closed... | 0:24:03 | 0:24:05 | |
KLAXON | 0:24:05 | 0:24:07 | |
Bless you. Here's the thing, | 0:24:09 | 0:24:11 | |
you cannot rob a bank when nobody's there. | 0:24:11 | 0:24:14 | |
-Why is that? -No-one's going to open anything. | 0:24:14 | 0:24:16 | |
No, a robbery's when you steal something by threatening somebody. | 0:24:16 | 0:24:19 | |
So, if you steal from somewhere and nobody sees you, you know this, | 0:24:19 | 0:24:23 | |
-you're lawyer, it's a burglary. -Yeah. | 0:24:23 | 0:24:25 | |
So, the Hatton Garden heist was actually a burglary not a robbery. | 0:24:25 | 0:24:29 | |
-I also like a Friday about four o'clock. -Right. -I think | 0:24:29 | 0:24:33 | |
-the best time to do anything... -Is Friday at four? | 0:24:33 | 0:24:35 | |
-Is Friday about four o'clock. -RICH: -How are you going to get | 0:24:35 | 0:24:38 | |
in the safe? You can't even get into a train toilet. | 0:24:38 | 0:24:40 | |
LAUGHTER AND APPLAUSE | 0:24:40 | 0:24:43 | |
She could get in the safe, then it would shut her in again. | 0:24:45 | 0:24:48 | |
So, the only time you can rob a bank is when there's somebody there. | 0:24:52 | 0:24:57 | |
What colour is the pigment in this person's eyes? | 0:24:57 | 0:25:00 | |
BEETHOVEN'S FIFTH SYMPHONY | 0:25:00 | 0:25:01 | |
-Yes, Josh? -Mauve. | 0:25:02 | 0:25:05 | |
Mauve is a very good colour that we hadn't thought of, so... | 0:25:07 | 0:25:10 | |
APPLAUSE | 0:25:13 | 0:25:15 | |
I'm going to give you a point for your colour knowledge | 0:25:19 | 0:25:23 | |
but not because it's correct. | 0:25:23 | 0:25:24 | |
-OK. -Obviously, it's a bluey-green colour, isn't it? | 0:25:24 | 0:25:27 | |
KLAXON | 0:25:27 | 0:25:29 | |
So, everybody has melanin in the iris of their eye | 0:25:33 | 0:25:36 | |
and all melanin is dark brown in colour. | 0:25:36 | 0:25:39 | |
The thing is that people with blue eyes have less melanin | 0:25:39 | 0:25:43 | |
and people with brown eyes have more. | 0:25:43 | 0:25:45 | |
This is called the Tyndall effect. So, melanin absorbs light. | 0:25:45 | 0:25:49 | |
If you have less of it, so you have blue eyes, that means that the | 0:25:49 | 0:25:52 | |
light is not absorbed and, instead, some of the light is reflected back. | 0:25:52 | 0:25:57 | |
So, people with blue eyes are reflecting back more light. | 0:25:57 | 0:26:00 | |
So, people with dark brown eyes, are they better, then? | 0:26:00 | 0:26:03 | |
You just checked my eyes before you said that! | 0:26:04 | 0:26:07 | |
You looked at me and thought, "I'm going to win this one!" | 0:26:09 | 0:26:12 | |
Anyway, to finish off, let's go right back to the origin of man. | 0:26:12 | 0:26:15 | |
What is happening in this diagram? | 0:26:15 | 0:26:17 | |
-RICH: -If you reverse that, it's the story of Alabama. | 0:26:17 | 0:26:21 | |
-Very good. What do we think it is? -Well, it's not right, is it? | 0:26:25 | 0:26:29 | |
-Why is it not right? -We didn't evolve from monkeys in that way. | 0:26:29 | 0:26:33 | |
There are various branches of the tree of evolution, aren't there? | 0:26:33 | 0:26:36 | |
Yeah, the diagram's originally called The Road To Homo Sapiens. | 0:26:36 | 0:26:38 | |
It was done by an illustrator called Rudolph Zallinger | 0:26:38 | 0:26:41 | |
and it was to illustrate a book called Early Man. | 0:26:41 | 0:26:43 | |
Remember those Time-Life Books that were incredibly popular? | 0:26:43 | 0:26:46 | |
It's most famously known nowadays as the March Of Progress, | 0:26:46 | 0:26:49 | |
but all of these things are incredibly misleading | 0:26:49 | 0:26:52 | |
because the road from early primates | 0:26:52 | 0:26:54 | |
to humans cannot be shown in such a neat diagram. | 0:26:54 | 0:26:57 | |
So, the first four figures there are in fact offshoots | 0:26:57 | 0:27:00 | |
to the road to Homo sapiens. They aren't ancestors of us at all. | 0:27:00 | 0:27:03 | |
The original drawing had 15 figures in it, and there they are. | 0:27:03 | 0:27:06 | |
Slightly better. Again, it's got some blind alleys in it. | 0:27:06 | 0:27:09 | |
Species that died out or didn't evolve into modern humans at all. | 0:27:09 | 0:27:13 | |
And the author said it was not supposed to imply | 0:27:13 | 0:27:15 | |
-that one led to the other. -But it clearly does. | 0:27:15 | 0:27:18 | |
What you need in the middle | 0:27:18 | 0:27:19 | |
are the four Beatles crossing the zebra crossing. | 0:27:19 | 0:27:22 | |
What is, in terms of human evolution, | 0:27:24 | 0:27:27 | |
what is the biggest problem with this particular picture? | 0:27:27 | 0:27:30 | |
Is it the guy second from the left? He's the best one. | 0:27:30 | 0:27:33 | |
He's spoiling for a fight. Look at him! | 0:27:33 | 0:27:36 | |
So, this is a picture of the whole of human evolution. | 0:27:36 | 0:27:38 | |
-There's no women. -There's no bloody women in it! | 0:27:38 | 0:27:41 | |
There we are, you're absolutely right. | 0:27:41 | 0:27:44 | |
APPLAUSE | 0:27:44 | 0:27:45 | |
It's like watching an episode of Mock The Week. | 0:27:47 | 0:27:49 | |
Which brings us to the open and shut case of the scores. | 0:27:53 | 0:27:56 | |
And in fourth place, well, it's magnificent, | 0:27:56 | 0:27:59 | |
with -25, it's Alan! | 0:27:59 | 0:28:01 | |
APPLAUSE | 0:28:01 | 0:28:02 | |
In third place, with -8 points, it's Josh! | 0:28:05 | 0:28:08 | |
APPLAUSE | 0:28:08 | 0:28:11 | |
I'll take -8. | 0:28:11 | 0:28:13 | |
In second place, with three points, it's Rich! | 0:28:13 | 0:28:16 | |
APPLAUSE | 0:28:16 | 0:28:17 | |
And tonight's winner, with a magnificent nine points, it's Susan! | 0:28:19 | 0:28:22 | |
CHEERING AND APPLAUSE | 0:28:22 | 0:28:24 | |
So, thank you to Susan, Josh, Rich and Alan, | 0:28:31 | 0:28:34 | |
and I leave you with advice that Professor Walter Kotschnig | 0:28:34 | 0:28:38 | |
once gave his students at Holyoke College. "Keep an open mind, | 0:28:38 | 0:28:42 | |
"but not so open that your brains fall out." Thank you and goodnight. | 0:28:42 | 0:28:45 |