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APPLAUSE | 0:00:28 | 0:00:30 | |
Good evening and welcome to QI, | 0:00:34 | 0:00:38 | |
where tonight, we are ogling an odditorium of objects and ornaments. | 0:00:38 | 0:00:42 | |
Let's meet some ornaments to their profession. | 0:00:42 | 0:00:44 | |
The opulent Sarah Millican. | 0:00:44 | 0:00:46 | |
APPLAUSE | 0:00:46 | 0:00:48 | |
The ostentatious Cariad Lloyd. | 0:00:50 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:55 | |
The oratorical Alice Levine. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:00 | |
And, objection! Alan Davies. | 0:01:02 | 0:01:05 | |
APPLAUSE | 0:01:05 | 0:01:06 | |
And their ornamental noises are from priceless objects | 0:01:11 | 0:01:14 | |
kindly lent to us by the Victoria and Albert Museum. So, Sarah goes... | 0:01:14 | 0:01:18 | |
GLASS WIND CHIMES RING | 0:01:18 | 0:01:20 | |
That's nice, pretty, isn't it? Cariad goes... | 0:01:21 | 0:01:24 | |
MANTLE CLOCK CHIMES | 0:01:24 | 0:01:26 | |
Lovely. Alice goes... | 0:01:28 | 0:01:30 | |
MUSIC BOX LULLABY CHIMES | 0:01:30 | 0:01:33 | |
LAUGHTER | 0:01:33 | 0:01:35 | |
And Alan goes... | 0:01:39 | 0:01:41 | |
TAPPING ON GLASS | 0:01:41 | 0:01:42 | |
Don't touch the exhibit, sir! | 0:01:42 | 0:01:44 | |
RUMBLING | 0:01:44 | 0:01:45 | |
GLASS BREAKS, CRASHING | 0:01:45 | 0:01:47 | |
Well, that's horribly familiar, that. | 0:01:48 | 0:01:50 | |
Right, top question, where are you most likely to come across a UFO? | 0:01:51 | 0:01:57 | |
GLASS WIND CHIMES Yes? Millican? | 0:01:57 | 0:01:59 | |
In the sky? | 0:01:59 | 0:02:01 | |
KLAXON | 0:02:01 | 0:02:02 | |
Anybody else? | 0:02:06 | 0:02:07 | |
-MANTLE CLOCK CHIMES Yes? -Reading. | 0:02:07 | 0:02:10 | |
Not much happens in Reading, so... | 0:02:12 | 0:02:13 | |
Don't you think they'd want to go somewhere where | 0:02:13 | 0:02:16 | |
-the stuff is happening? -No, because they want to be secret. | 0:02:16 | 0:02:18 | |
The whole of Reading could be aliens, you wouldn't even know. | 0:02:18 | 0:02:21 | |
Why do they want to be secret? | 0:02:21 | 0:02:22 | |
This big assumption that they come here all this way | 0:02:22 | 0:02:25 | |
-and then just hide. -That's true. | 0:02:25 | 0:02:26 | |
Somebody knows a lot about them, don't they? | 0:02:26 | 0:02:29 | |
Near airports, because they always look like planes, weirdly. | 0:02:29 | 0:02:32 | |
-Yes, that is quite a strange thing, isn't it? -Yeah. | 0:02:32 | 0:02:34 | |
They do look like planes. And the answer is the ocean. | 0:02:34 | 0:02:36 | |
The most common and most dangerous UFOs are | 0:02:36 | 0:02:38 | |
Unidentified Floating Objects. | 0:02:38 | 0:02:40 | |
These are pieces of lost cargo and they lie along the shipping | 0:02:40 | 0:02:43 | |
routes, just under the surface, and they can damage ships tremendously. | 0:02:43 | 0:02:47 | |
Between 2008-2013, | 0:02:47 | 0:02:48 | |
an average of about 1,700 shipping containers were lost at sea. | 0:02:48 | 0:02:51 | |
Look at this picture! | 0:02:51 | 0:02:53 | |
That is seriously bad packing, isn't it? That's... | 0:02:53 | 0:02:56 | |
Surely not in one go? | 0:02:56 | 0:02:57 | |
Well, about half of those 1,700 | 0:02:57 | 0:02:59 | |
came from a single ship, the MOL Comfort. | 0:02:59 | 0:03:02 | |
The ship actually broke in half and all the containers went into the sea. | 0:03:02 | 0:03:05 | |
-But that's fair enough then. -Yeah. -That wasn't careless, was it? | 0:03:05 | 0:03:08 | |
No. No. | 0:03:08 | 0:03:10 | |
Some of the strange stuff that has washed up in the sea, | 0:03:10 | 0:03:13 | |
-in 2008, a six-foot-tall Lego man - my people... -What?! | 0:03:13 | 0:03:16 | |
-..washed up on Brighton beach. -Aw! -That's amazing. | 0:03:18 | 0:03:21 | |
The really extraordinary thing is, | 0:03:21 | 0:03:22 | |
I've been trying to find out what happened to it. | 0:03:22 | 0:03:24 | |
It just swam off. | 0:03:24 | 0:03:25 | |
If anybody knows, please could you let me know. | 0:03:29 | 0:03:31 | |
I want to know where the Brighton Lego man is. | 0:03:31 | 0:03:33 | |
I'd like to come and say hello. | 0:03:33 | 0:03:35 | |
Why is it never a Lego woman that's washed up? | 0:03:35 | 0:03:38 | |
Because the Lego woman wasn't beach-ready. | 0:03:38 | 0:03:40 | |
APPLAUSE | 0:03:43 | 0:03:46 | |
So... | 0:03:46 | 0:03:47 | |
February 2017, £50 million worth of cocaine washed up | 0:03:49 | 0:03:53 | |
on a beach in Norfolk, and I don't know where that is either. | 0:03:53 | 0:03:56 | |
SNIFFS | 0:03:56 | 0:03:58 | |
There is a National UFO Reporting Centre, which is | 0:03:58 | 0:04:01 | |
the UFOs that we normally think of, the Unidentified Flying Objects. | 0:04:01 | 0:04:04 | |
It was started by a man called Robert Gribble, | 0:04:04 | 0:04:06 | |
who's a fireman from Seattle and he collects UFO sightings. | 0:04:06 | 0:04:09 | |
And since 1905, there have been 105,000 reports of alien sightings. | 0:04:09 | 0:04:15 | |
A tenth of those have been here, in the UK. | 0:04:15 | 0:04:17 | |
But the photos are never on a camera that's more than one megapixel. | 0:04:17 | 0:04:20 | |
-Yeah. -It's always conveniently grainy. | 0:04:20 | 0:04:22 | |
-A little bit fuzzy. -Yeah. | 0:04:22 | 0:04:24 | |
Anybody know the best place in the UK to see a UFO? | 0:04:24 | 0:04:26 | |
-MANTLE CLOCK CHIMES Yes, Reading! -Reading! -No. | 0:04:26 | 0:04:29 | |
-I think there's some near us. -Do you? | 0:04:29 | 0:04:31 | |
Because my dog barks at all other dogs, | 0:04:31 | 0:04:33 | |
but no people, apart from one family near us. | 0:04:33 | 0:04:35 | |
And whenever they walk past, we just, | 0:04:36 | 0:04:39 | |
we look at, my husband and I go, "Lizard people." | 0:04:39 | 0:04:42 | |
And I know that they're walking past going, "He knows." | 0:04:42 | 0:04:45 | |
-Norfolk. -No, it's not, | 0:04:47 | 0:04:48 | |
it's Scotland, it's Bonnybridge in Scotland. | 0:04:48 | 0:04:50 | |
-Oh, yeah, yeah. -It's the place where you are most likely. | 0:04:50 | 0:04:53 | |
-I don't know why. -Is that one of them? Is that guy an alien? | 0:04:53 | 0:04:55 | |
This is a man called Billy Buchanan, he's a councillor in Bonnybridge. | 0:04:55 | 0:04:58 | |
I'm not sure why he photo-bombed our shot of the sign. | 0:04:58 | 0:05:03 | |
They have 300 sightings a year, roughly, in Bonnybridge. | 0:05:03 | 0:05:06 | |
-Is it all by one man? -"I've seen another one, and another one." | 0:05:06 | 0:05:11 | |
He has 65 days off a year. | 0:05:11 | 0:05:12 | |
It's also known as the Falkirk Triangle. | 0:05:15 | 0:05:17 | |
The fact is that Bonnybridge is under three flight paths, | 0:05:17 | 0:05:21 | |
including those for Edinburgh and Glasgow Airports. | 0:05:21 | 0:05:23 | |
And just, it's your point there, Alice, isn't it? | 0:05:23 | 0:05:26 | |
I mean, just saying. | 0:05:26 | 0:05:27 | |
But the place in America that you would most likely find a UFO | 0:05:27 | 0:05:30 | |
is Roswell, is the place that everybody thinks about them. | 0:05:30 | 0:05:33 | |
So these are the street lamps in Roswell, aren't they great? | 0:05:33 | 0:05:36 | |
-Well, you're not helping matters, are you? -No, not really. | 0:05:36 | 0:05:39 | |
Every night at around 7pm, they come out. | 0:05:39 | 0:05:43 | |
I wondered if I could interest you in an insurance policy | 0:05:43 | 0:05:45 | |
against alien abduction? | 0:05:45 | 0:05:46 | |
How much is it? | 0:05:47 | 0:05:49 | |
Well, for about £120 a year, | 0:05:49 | 0:05:51 | |
I can protect you against alien impregnation. | 0:05:51 | 0:05:54 | |
What if I was on the pill? | 0:05:56 | 0:05:59 | |
Or 41, you know. | 0:05:59 | 0:06:01 | |
Well, men are also able to purchase impregnation insurance of this kind, | 0:06:01 | 0:06:05 | |
for protection against the unknown capabilities of alien technology. | 0:06:05 | 0:06:10 | |
So your pill, not really going to be anywhere. | 0:06:10 | 0:06:13 | |
-So far, more than 30,000 of these policies have been sold. -No! | 0:06:13 | 0:06:17 | |
I love these insurance policies. | 0:06:18 | 0:06:20 | |
In 2000, there were three sisters from Inverness who insured | 0:06:20 | 0:06:23 | |
themselves against the possibility of miraculously conceiving | 0:06:23 | 0:06:26 | |
and raising the second Christ. | 0:06:26 | 0:06:28 | |
-I hate it when that happens. -Hate it when that happens, yes. | 0:06:30 | 0:06:33 | |
Right - you wake up covered in orange paint, | 0:06:33 | 0:06:36 | |
there's confetti everywhere | 0:06:36 | 0:06:39 | |
and you smell of smoke. | 0:06:39 | 0:06:40 | |
What the heck happened? | 0:06:40 | 0:06:42 | |
Thaaat's Tuesday! | 0:06:42 | 0:06:43 | |
Now, can anybody, first of all, spot whose face that is, in the picture? | 0:06:45 | 0:06:49 | |
-We've Photoshopped... -Cariad. -It's Cariad's face. | 0:06:49 | 0:06:52 | |
How do you not recognise your own face? | 0:06:52 | 0:06:54 | |
Yeah, I mean, no... | 0:06:54 | 0:06:55 | |
So, as a man, sexily posing with spots all over | 0:06:55 | 0:06:58 | |
his body and an orange haze, I wasn't instantly sure it was me. | 0:06:58 | 0:07:02 | |
-I was! -Sandi, tell me, what is it? | 0:07:03 | 0:07:05 | |
They are all methods... | 0:07:05 | 0:07:07 | |
LAUGHTER | 0:07:07 | 0:07:10 | |
I would need to take more clothes off, but I'm not going to, | 0:07:10 | 0:07:13 | |
unlike the picture. | 0:07:13 | 0:07:14 | |
-Those are all methods of dealing with offenders. -What? | 0:07:14 | 0:07:17 | |
So, anybody waking up with those has probably committed a crime, | 0:07:17 | 0:07:20 | |
is the truth of it. Take the orange paintballs, | 0:07:20 | 0:07:23 | |
they're for shop staff in Japan to throw at offenders. | 0:07:23 | 0:07:26 | |
They are the size of a tennis ball | 0:07:26 | 0:07:28 | |
and they are known as "bohan yu kara boru" - | 0:07:28 | 0:07:31 | |
anti-crime colour balls. | 0:07:31 | 0:07:32 | |
And the idea, if somebody's committing a crime, | 0:07:32 | 0:07:35 | |
you throw it at them, and then they are marked and easier to track. | 0:07:35 | 0:07:38 | |
You have to be good at throwing. | 0:07:38 | 0:07:39 | |
Well, this is the main problem with them. | 0:07:39 | 0:07:41 | |
-You might hit the wrong person. -Yeah. -Yeah, God. | 0:07:41 | 0:07:43 | |
So, they are widely distributed, | 0:07:43 | 0:07:45 | |
and under moments of stress, staff either tend to forget they... | 0:07:45 | 0:07:48 | |
..the staff tend to forget they've got them... | 0:07:54 | 0:07:56 | |
-You have no reflexes at all. -No. | 0:07:56 | 0:07:57 | |
Cariad's reflex is just to go into the position in the photo. | 0:07:59 | 0:08:02 | |
And people forget they've got them or they freeze, | 0:08:04 | 0:08:06 | |
or they see that the robber is armed and think, | 0:08:06 | 0:08:09 | |
"That paintball thing, not going to go so well." | 0:08:09 | 0:08:11 | |
They have signs in the shops where they've got the orange paintballs, | 0:08:11 | 0:08:14 | |
that does seem to put some people off from robbing them, but... | 0:08:14 | 0:08:17 | |
That's what they do in Poundland. | 0:08:17 | 0:08:18 | |
They have a picture of a policeman in the window, because | 0:08:18 | 0:08:21 | |
if they put a picture of a policeman in the window, people shoplift less. | 0:08:21 | 0:08:24 | |
-Do they? -Yeah. -So they could put a picture of the balls in the window. | 0:08:24 | 0:08:27 | |
That's all they need. | 0:08:27 | 0:08:28 | |
Do you feel like you should say something though, | 0:08:28 | 0:08:30 | |
when you throw it, you should be like, "No!" | 0:08:30 | 0:08:32 | |
-Yeah, like, "Stop! -"Don't!" -"Stop it." -Yeah. | 0:08:32 | 0:08:34 | |
-"Bad." -"I've seen you." -I quite like that with a robber, | 0:08:34 | 0:08:37 | |
-"Stop it." -"Stop it!" | 0:08:37 | 0:08:38 | |
Do you know, I was on a train once, | 0:08:38 | 0:08:40 | |
and there were some boys who'd had a sherry too many, and they were being | 0:08:40 | 0:08:43 | |
very vulgar and loud and frightening some people over on the other side. | 0:08:43 | 0:08:47 | |
And I suddenly stood up and I went, "That will do!" | 0:08:47 | 0:08:50 | |
APPLAUSE | 0:08:53 | 0:08:55 | |
They said sorry. | 0:08:58 | 0:09:00 | |
Smoke machines, used in some stores in the UK, they set them off | 0:09:02 | 0:09:05 | |
and it obscures the view of any stuff in the shop, whatsoever. | 0:09:05 | 0:09:08 | |
And makes it like an '80s music video. | 0:09:08 | 0:09:10 | |
"So, we're really mad that you're robbing us, but..." | 0:09:11 | 0:09:13 | |
# Whooooaaa... # | 0:09:13 | 0:09:15 | |
And confetti is another safety mechanism. | 0:09:15 | 0:09:17 | |
When you fire a Taser gun, apparently, | 0:09:17 | 0:09:19 | |
it also releases a tiny amount of confetti. | 0:09:19 | 0:09:21 | |
-Oh, how lovely. -Well, you know, kind of, "Ow!", but, "Ooh, nice." | 0:09:21 | 0:09:25 | |
"My heart's stopped! Aaaah." | 0:09:26 | 0:09:28 | |
If you look in the middle picture, you can just see little bits, | 0:09:28 | 0:09:31 | |
-tiny, coloured bits of confetti. -Has somebody literally thought, | 0:09:31 | 0:09:33 | |
"Oh, I mean, it's so sad, let's jazz it up when they get tasered." | 0:09:33 | 0:09:37 | |
It's supposed to deter people using Tasers to commit crimes. | 0:09:37 | 0:09:40 | |
In order to get a Taser, you have to register it with the company, | 0:09:40 | 0:09:43 | |
and then you get a specific number, that number's on the confetti | 0:09:43 | 0:09:45 | |
to make sure that bad people don't use them. | 0:09:45 | 0:09:47 | |
You know what they could have done instead? | 0:09:47 | 0:09:49 | |
when I got married, people threw confetti, which was lovely, | 0:09:49 | 0:09:52 | |
cos it's, like, pretend-y flowers, but some people threw rice, | 0:09:52 | 0:09:54 | |
and I don't know if you know this, but rice really hurts. | 0:09:54 | 0:09:58 | |
It's like being pelted with grit. | 0:09:58 | 0:10:00 | |
So, anyway - | 0:10:01 | 0:10:03 | |
what was Lord Montagu's secretary doing on the bonnet of his car? | 0:10:03 | 0:10:07 | |
-Wow! -Hmm. | 0:10:07 | 0:10:09 | |
I don't know, but she called a lot of people before she did it. | 0:10:09 | 0:10:13 | |
It must have been a warm day. | 0:10:13 | 0:10:15 | |
Was she a cog in the patriarchy, but she was getting paid for it, | 0:10:15 | 0:10:18 | |
so in a way it was OK, because of the time? | 0:10:18 | 0:10:20 | |
It's possible I love you, Cariad. | 0:10:22 | 0:10:24 | |
Er, no. | 0:10:25 | 0:10:27 | |
He was Lord Montagu of...? | 0:10:27 | 0:10:28 | |
-Beaulieu. -Lord Montagu of Beaulieu. Was is Beaulieu famous for? | 0:10:28 | 0:10:32 | |
-Motor Museum. -Motor Museum. So cars, we're talking about cars. | 0:10:32 | 0:10:35 | |
This is a bit like how they used to entice you to buy lots of things. | 0:10:35 | 0:10:39 | |
Like washing machines, you're like, "Do I want a washing machine? | 0:10:39 | 0:10:41 | |
"Oh, a sexy lady is sat on it! I now want that washing machine." | 0:10:41 | 0:10:44 | |
He was particularly associated with one motorcar. | 0:10:45 | 0:10:48 | |
-A British-made one? -Yes, beautiful, amazing... -A Bentley? | 0:10:48 | 0:10:51 | |
-No, possibly, I think, the... -A Ford Ka. | 0:10:51 | 0:10:53 | |
The most beautiful car of all time. | 0:10:56 | 0:10:58 | |
-Rolls-Royce? -Rolls-Royce! -Rolls-Royce, absolutely right. | 0:10:58 | 0:11:01 | |
-Oh, was she the lady? -Yes, the iconic figure. -Ah! | 0:11:01 | 0:11:04 | |
The Spirit of Ecstasy. | 0:11:05 | 0:11:07 | |
Eleanor Thornton, she was the secretary to | 0:11:07 | 0:11:10 | |
John Walter Douglas-Scott, Montagu, second Baron Montagu of Beaulieu. | 0:11:10 | 0:11:14 | |
A motoring pioneer. | 0:11:14 | 0:11:15 | |
And he commissioned a figure as a personal mascot | 0:11:15 | 0:11:18 | |
on the front of the 1910 Rolls-Royce Silver Ghost. | 0:11:18 | 0:11:21 | |
It was called The Whisper. | 0:11:21 | 0:11:22 | |
And so the original one was like that, | 0:11:22 | 0:11:24 | |
because, allegedly, it was a secret love affair that they were having. | 0:11:24 | 0:11:28 | |
It's not that secret if you've put it on the front of all the cars. | 0:11:28 | 0:11:31 | |
Was his wife like, "Oh, right, I see, | 0:11:31 | 0:11:33 | |
"so you based that on your secretary, but nothing's going on?" | 0:11:33 | 0:11:36 | |
To be fair, you wouldn't necessarily know who that was. | 0:11:37 | 0:11:40 | |
You'd be like, "Does he work with anyone with one eye, | 0:11:40 | 0:11:42 | |
"a moustache, a crew cut | 0:11:42 | 0:11:45 | |
"and one mono-boob?" | 0:11:45 | 0:11:47 | |
"His secretary!" | 0:11:48 | 0:11:50 | |
Over the years, people have put lots of ornaments and the choice | 0:11:50 | 0:11:52 | |
is not always suitable for the sort of things that people have had. | 0:11:52 | 0:11:55 | |
So there's been... | 0:11:55 | 0:11:56 | |
-Oh, my God. -So that's why they standardised it. | 0:11:58 | 0:12:00 | |
The Whisper became the Spirit of Ecstasy, | 0:12:00 | 0:12:02 | |
because they didn't want people doing that kind of thing. | 0:12:02 | 0:12:04 | |
The DVLA has a banned list of licence plates that runs | 0:12:04 | 0:12:07 | |
to 46 pages, things that you may not have as your licence. | 0:12:07 | 0:12:11 | |
-Bollocks. -Well, kind of. | 0:12:11 | 0:12:13 | |
So, this one is supposed to be rude | 0:12:13 | 0:12:16 | |
if you read it in your rear view mirror. | 0:12:16 | 0:12:18 | |
So can anybody work it out? | 0:12:18 | 0:12:20 | |
-Oral... -I nearly just did that! | 0:12:20 | 0:12:22 | |
I haven't got a mirror with me. | 0:12:24 | 0:12:25 | |
Yeah, it's supposed to be oral sex. Anyway, it's banned, it's banned. | 0:12:25 | 0:12:28 | |
"Banned! Banned! | 0:12:28 | 0:12:31 | |
"Ban! Possible humour, banned!" | 0:12:31 | 0:12:33 | |
"Possible smiling, banned! | 0:12:35 | 0:12:37 | |
"No smiling on the road, banned! | 0:12:37 | 0:12:40 | |
"Do not think of sex! Banned! | 0:12:40 | 0:12:43 | |
"Stop it, stop it!" | 0:12:43 | 0:12:44 | |
-See if you can work out these other ones? -"Filth!" | 0:12:45 | 0:12:49 | |
-Top left? -Doggers. -Doggers. | 0:12:49 | 0:12:51 | |
Doggers. "Banned! Banned! No intercourse." | 0:12:51 | 0:12:54 | |
-Heroin? -Heroin. -Oh, scrotum. -Scrotum. | 0:12:54 | 0:12:57 | |
-SARAH: -Oh, scrotum. -"How dare you! I feel sick!" | 0:12:57 | 0:12:59 | |
-What's the bottom one? -Alcohol. -Oh. | 0:12:59 | 0:13:01 | |
"Banned! No!" | 0:13:01 | 0:13:03 | |
It's fair enough to ban alcohol. | 0:13:03 | 0:13:05 | |
I love that Sarah just went, "Oh, scrotum, are these available ones? | 0:13:05 | 0:13:08 | |
"I'll just..." | 0:13:08 | 0:13:09 | |
-In America, you can buy these, OK? -Oh, Sandi. -I know. | 0:13:10 | 0:13:13 | |
-Do you know how to handle them? -Hang on a second... | 0:13:13 | 0:13:15 | |
Hang on a minute. | 0:13:17 | 0:13:19 | |
I've totally got this. "Cough." | 0:13:19 | 0:13:21 | |
When you said cough, did you just breathe in a little, | 0:13:21 | 0:13:24 | |
have a little sniff? | 0:13:24 | 0:13:25 | |
-She did, she went, "Cough," and then she went, "Wahey!" -Hey! | 0:13:25 | 0:13:30 | |
This is a sight you will see nowhere else in the world. | 0:13:30 | 0:13:33 | |
Alan, is that normal size? | 0:13:33 | 0:13:36 | |
Well, they're a little small. | 0:13:36 | 0:13:37 | |
-They're called... -Jesus! | 0:13:40 | 0:13:41 | |
They're called truck nuts. | 0:13:42 | 0:13:44 | |
-Wow! -And they are genitals for your car. | 0:13:46 | 0:13:48 | |
-Do you know what, I'm all right thanks. -Oh, come on. "Banned!" | 0:13:48 | 0:13:52 | |
Well, they have been banned in some states. | 0:13:52 | 0:13:54 | |
Have they? Truck nuts? What, you hang them on your truck? | 0:13:54 | 0:13:57 | |
Yes, look, there. See the picture. | 0:13:57 | 0:13:58 | |
What's wrong with that? | 0:14:02 | 0:14:03 | |
Right, moving on. | 0:14:05 | 0:14:06 | |
Describe the world's best-dressed crab. | 0:14:06 | 0:14:10 | |
MUSIC BOX LULLABY CHIMES Alice? | 0:14:10 | 0:14:12 | |
I'm going to say a little bit of lime, some chilli, some mayo, | 0:14:12 | 0:14:16 | |
and then just, yeah, served with, like, brown bread, probably. | 0:14:16 | 0:14:18 | |
-That does sound delicious. -Sounds good, doesn't it? -Yeah. | 0:14:18 | 0:14:21 | |
-But I'm actually talking about a live crab. -You didn't say that. | 0:14:21 | 0:14:24 | |
No, I didn't. I should be clearer. | 0:14:24 | 0:14:26 | |
-A lot of the things you've said tonight have been ambiguous. -Yes. | 0:14:26 | 0:14:28 | |
-And that's difficult for me. -Welcome to the show. | 0:14:28 | 0:14:31 | |
Is it in a shell suit? | 0:14:33 | 0:14:35 | |
APPLAUSE | 0:14:35 | 0:14:37 | |
I'm proud to be your friend. | 0:14:40 | 0:14:42 | |
No. There's something called a dresser crab, | 0:14:42 | 0:14:45 | |
or indeed the decorator crab. | 0:14:45 | 0:14:46 | |
And what it does is it gathers material from all around itself | 0:14:46 | 0:14:50 | |
in order to blend in with the surroundings. | 0:14:50 | 0:14:52 | |
So it's basically making camouflage clothing. | 0:14:52 | 0:14:54 | |
They cover their shells in seaweed, in sponge and pearls, | 0:14:54 | 0:14:57 | |
chewing on the material in order to make it fibrous, | 0:14:57 | 0:15:00 | |
and then it attaches it to itself. | 0:15:00 | 0:15:01 | |
It's got, like, little, tiny Velcro bits on its claws and legs. | 0:15:01 | 0:15:05 | |
I love this one, it's seriously getting dressed-up. | 0:15:05 | 0:15:07 | |
That's Cardiff on a Saturday night, that is. | 0:15:09 | 0:15:11 | |
That's proper getting ready. | 0:15:11 | 0:15:13 | |
And they're found off the coast of Australia. They're tiny. | 0:15:13 | 0:15:16 | |
Just over 1.5 inches. | 0:15:16 | 0:15:17 | |
And sometimes what they do is they put noxious stuff on them | 0:15:17 | 0:15:19 | |
to ward off predators. It's called aposematism. | 0:15:19 | 0:15:22 | |
It's called Lynx. | 0:15:22 | 0:15:23 | |
Other sprays are available. | 0:15:27 | 0:15:29 | |
But there are lots of what we call augmented animals, | 0:15:29 | 0:15:32 | |
so, animals who make themselves look a bit different. | 0:15:32 | 0:15:34 | |
One of my favourites, Uraba lugens caterpillar. | 0:15:34 | 0:15:37 | |
-It keeps its old heads and wears them as hats. -What?! | 0:15:37 | 0:15:41 | |
Oh, my God. | 0:15:43 | 0:15:45 | |
That is hoarding gone mad. | 0:15:45 | 0:15:46 | |
As it grows, it sheds its exoskeleton | 0:15:48 | 0:15:50 | |
and the protrusion on the top of the head remains, | 0:15:50 | 0:15:53 | |
and eventually it has a stack, which it uses both as a weapon | 0:15:53 | 0:15:56 | |
and as a false target for any would-be predators. | 0:15:56 | 0:15:59 | |
It's known as the Mad Hatterpillar. | 0:15:59 | 0:16:01 | |
-Yeah, I mean it would be, wouldn't it? -Yeah. | 0:16:01 | 0:16:03 | |
Found in Australia and New Zealand. Isn't it wonderful? | 0:16:03 | 0:16:06 | |
-That's incredible. -He doesn't even need that. | 0:16:06 | 0:16:08 | |
-Look how much you'd remember him anyway. -Yeah. | 0:16:08 | 0:16:11 | |
"You know the one, do you remember the guy, | 0:16:11 | 0:16:13 | |
"you met him last week, he had five heads on his, five heads as a hat." | 0:16:13 | 0:16:16 | |
-Five-Head Gary, yeah. -Oh, yeah, yeah, yeah. | 0:16:16 | 0:16:18 | |
There's another one which is a beetle that lives | 0:16:18 | 0:16:20 | |
in the Costa Rican rainforest. | 0:16:20 | 0:16:22 | |
It's called Nymphister kronaueri | 0:16:22 | 0:16:24 | |
and it disguises itself as an army ant's bottom. | 0:16:24 | 0:16:27 | |
So, that looks like it's just an ant, | 0:16:27 | 0:16:30 | |
but the bit that is a protrusion, | 0:16:30 | 0:16:31 | |
as if the ant has got terrible haemorrhoids, is actually a beetle. | 0:16:31 | 0:16:35 | |
And what it does is, it bites onto the ant | 0:16:35 | 0:16:37 | |
and then it rides around disguised as an army ant's bottom. | 0:16:37 | 0:16:42 | |
-What a life. -We've all done it. -What a life, I know. | 0:16:42 | 0:16:44 | |
Do you think the ant knows what's happening, | 0:16:46 | 0:16:50 | |
why it's got an extra bum? | 0:16:50 | 0:16:52 | |
Or do you think the ant is like, "Oh, my God, the piles are back?" | 0:16:52 | 0:16:56 | |
Yeah. | 0:16:56 | 0:16:57 | |
-It'd keep going like that, wouldn't it? -"What the hell is that?" | 0:16:57 | 0:17:01 | |
"There's something... I'm sure there's something..." | 0:17:01 | 0:17:04 | |
And the beetle's like that. | 0:17:04 | 0:17:05 | |
"Oh, no, no. | 0:17:07 | 0:17:10 | |
"You never see me." | 0:17:10 | 0:17:11 | |
-And every now and then it goes... -HUMS TWILIGHT ZONE THEME | 0:17:13 | 0:17:16 | |
"I can hear something, I can hear something." | 0:17:16 | 0:17:19 | |
But then the ant will shit in its face. | 0:17:19 | 0:17:22 | |
"Ugh, you ruined it!" | 0:17:22 | 0:17:23 | |
"You were behind me, you cheeky beetle!" | 0:17:23 | 0:17:27 | |
All the other ants are going, | 0:17:27 | 0:17:28 | |
"You haven't put on any weight, you look fine." | 0:17:28 | 0:17:30 | |
"Oh, really, are you sure?" "You look fine." | 0:17:30 | 0:17:32 | |
Then the five-head caterpillar goes, | 0:17:32 | 0:17:34 | |
"Have you seen him? He's hanging onto his arse." | 0:17:34 | 0:17:36 | |
"Shut up!" "He's hanging onto his arse." | 0:17:36 | 0:17:38 | |
"Well, he can't possibly be living down there." | 0:17:38 | 0:17:40 | |
"He is, he's on his arse!" | 0:17:40 | 0:17:41 | |
"There's a beetle on the ant's arse." | 0:17:44 | 0:17:46 | |
"There's a beetle on the ant's arse?" | 0:17:46 | 0:17:47 | |
"Yes, I can see it from here." | 0:17:47 | 0:17:49 | |
"Swap places, swap places." "All right." | 0:17:49 | 0:17:51 | |
"Oh, there is, there is, there's a beetle on the ant's arse! | 0:17:53 | 0:17:56 | |
"Go and have a look." "All right." | 0:17:56 | 0:17:57 | |
"I can't get up there, why am I always at the bottom?" | 0:17:59 | 0:18:02 | |
APPLAUSE | 0:18:02 | 0:18:04 | |
-Something like that. -I like that they're all from the same animal, | 0:18:11 | 0:18:14 | |
but they're all from different regions, different places. | 0:18:14 | 0:18:17 | |
Isn't there a thing - you can have your bottom made bigger? | 0:18:17 | 0:18:19 | |
-Can you do that? -Bottom implants, yeah. -Can you? | 0:18:19 | 0:18:21 | |
I just eat more. | 0:18:21 | 0:18:24 | |
How do you guarantee that it goes to the bottom? | 0:18:24 | 0:18:26 | |
-You just sit a lot. -OK. | 0:18:26 | 0:18:27 | |
Now, what is the lady at the back of this picture saying? | 0:18:29 | 0:18:33 | |
"What's going on?" | 0:18:34 | 0:18:36 | |
-Has she got a mask on? -She has got a mask on. | 0:18:36 | 0:18:38 | |
Is she wondering how she's keeping her mask on? | 0:18:38 | 0:18:41 | |
Because I can't see any elastic. | 0:18:41 | 0:18:42 | |
That is exactly the question. So, these are black velvet masks. | 0:18:42 | 0:18:46 | |
We haven't got black velvet ones, but we have got masks for you. | 0:18:46 | 0:18:49 | |
They were worn in the 16th century, and the way you kept them on, | 0:18:49 | 0:18:51 | |
there's a sort of a bead, but we've done a button for you there. | 0:18:51 | 0:18:54 | |
And you put that in your mouth. | 0:18:54 | 0:18:56 | |
If anyone turns on now, this is like an episode of Black Mirror. | 0:18:56 | 0:18:59 | |
So the answer is, she's not saying anything, because she's using... | 0:19:00 | 0:19:03 | |
-MUFFLED: -Because she's got a button in her mouth. -Sorry, what? | 0:19:03 | 0:19:06 | |
-She's got a button... -MOCK MUFFLED: She's got a button in her mouth. | 0:19:06 | 0:19:09 | |
Is exactly right. | 0:19:09 | 0:19:10 | |
She's saying, "I'm not marrying a hippo." | 0:19:10 | 0:19:13 | |
Why...? | 0:19:17 | 0:19:18 | |
The glasses are a triumph, if I may say so. | 0:19:22 | 0:19:26 | |
I have a re-occurring nightmare and it's this. This, right here. | 0:19:26 | 0:19:29 | |
Why might she be wearing it? What's the reason? | 0:19:29 | 0:19:31 | |
Is it scars from horrible sexually transmitted diseases? | 0:19:31 | 0:19:34 | |
She's proving how rich she is. So how is she doing that? | 0:19:34 | 0:19:37 | |
Oh, to keep her skin so white? | 0:19:37 | 0:19:38 | |
-I was going to say, she looks almost as pale as me. -Yeah. | 0:19:38 | 0:19:41 | |
So, the idea is to avoid sunburn. | 0:19:41 | 0:19:43 | |
The most complete example that we have of one of these | 0:19:43 | 0:19:45 | |
is the Daventry Mask, which was discovered - there it is - | 0:19:45 | 0:19:48 | |
in Northamptonshire, found inside a wall while they were | 0:19:48 | 0:19:50 | |
renovating a 16th-century building. And the idea is... | 0:19:50 | 0:19:53 | |
They've spent about five seconds making that, haven't they? | 0:19:53 | 0:19:56 | |
"You'd be better off not going out!" | 0:20:01 | 0:20:03 | |
The lady in our painting is actually wearing something called | 0:20:05 | 0:20:09 | |
a moretta muta, it was a Venetian variation on the mask. | 0:20:09 | 0:20:11 | |
Does anybody know what this painting is? | 0:20:11 | 0:20:13 | |
It's a wonderful painting of Clara the Rhinoceros, from 1751. | 0:20:13 | 0:20:17 | |
This is a sort of sad story, | 0:20:17 | 0:20:18 | |
17 years, she was toured round Europe, and of course it was | 0:20:18 | 0:20:20 | |
an extraordinary thing, nobody had ever seen rhinoceroses. | 0:20:20 | 0:20:23 | |
They've just taken the horn off, is that what they've done? | 0:20:23 | 0:20:25 | |
Well, as far as we know, the year before she was displayed in | 0:20:25 | 0:20:28 | |
Venice, she had rubbed the horn off in Rome, where she was on display. | 0:20:28 | 0:20:32 | |
So, clearly, an animal in some distress. And she eventually... | 0:20:32 | 0:20:34 | |
Whenever I'm in distress, I rub a horn. Always. Yeah. | 0:20:34 | 0:20:38 | |
Eventually, she came to Britain. In fact, she died in Lambeth, | 0:20:38 | 0:20:40 | |
at the Horse and Groom pub, where she was being shown for sixpence. | 0:20:40 | 0:20:43 | |
We've all died at the Horse and Groom. | 0:20:43 | 0:20:45 | |
Now, where would you find these ornaments? | 0:20:48 | 0:20:51 | |
-MANTLE CLOCK CHIMES -Oh. -Yes? | 0:20:51 | 0:20:54 | |
-That is an orchid. -It is. | 0:20:54 | 0:20:55 | |
That's genuinely called something like the... | 0:20:55 | 0:20:57 | |
Oh, like, the hanging willy man, or something. | 0:20:57 | 0:20:59 | |
-It's called the orchis italica. -Oh, OK! | 0:20:59 | 0:21:01 | |
"Ha-ha-ha! The orchis italica!" | 0:21:04 | 0:21:05 | |
"Ha-ha-ha-ha!" | 0:21:07 | 0:21:10 | |
It's known amongst gardeners as, like, the naked man, isn't it? | 0:21:10 | 0:21:13 | |
-It is called the naked man orchid, is its nickname. -People who can't do Latin, like. | 0:21:13 | 0:21:16 | |
-FARMER VOICE: -"My naked man's come up lovely this year." | 0:21:16 | 0:21:19 | |
"I've got 16 naked men in my garden." | 0:21:19 | 0:21:21 | |
"I've been giving a lot of attention to my naked man." | 0:21:21 | 0:21:25 | |
Which is funny, because the orchid is named after the female genitalia. | 0:21:25 | 0:21:29 | |
That's where the Latin comes from. | 0:21:29 | 0:21:30 | |
I think the orchid's name means testicles. | 0:21:30 | 0:21:32 | |
You've got your genitalia round the wrong way, which... | 0:21:32 | 0:21:35 | |
-That could explain a lot. -I can help you with that. | 0:21:35 | 0:21:38 | |
But orchids come in the most wonderful shapes. | 0:21:42 | 0:21:44 | |
There's one shaped like the laughing bumblebee, on the left there. | 0:21:44 | 0:21:47 | |
-Wow. -The other one is the swaddled baby. -Yeah, yeah. | 0:21:47 | 0:21:50 | |
And then the one on the right, it's a birthwort flower. | 0:21:50 | 0:21:53 | |
-Do you not think it looks a bit like Darth Vader? -Yes. | 0:21:53 | 0:21:56 | |
That's an STI. | 0:21:56 | 0:21:57 | |
"I'm not going to come in, | 0:22:01 | 0:22:03 | |
"I'm just going to send you a photograph of it." | 0:22:03 | 0:22:05 | |
"I can't get any clothes on with this thing. | 0:22:07 | 0:22:10 | |
"Could we Skype? Could we Skype it?" | 0:22:10 | 0:22:11 | |
It is known as Dutchman's pipe, is its nickname. | 0:22:12 | 0:22:15 | |
Oh! You do not want one of those. | 0:22:15 | 0:22:17 | |
And apparently it stinks, it smells of rotting flesh. | 0:22:17 | 0:22:19 | |
-No, orchid means testicles, because in... -Sorry, I got my... | 0:22:19 | 0:22:22 | |
No, it's all right. In middle English it was called Bollockwort. | 0:22:22 | 0:22:25 | |
The next time you're backstage with somebody and a marvellous orchid | 0:22:25 | 0:22:28 | |
has been delivered, you go, "Oh, nice bollockwort." | 0:22:28 | 0:22:30 | |
I think we should bring that back. | 0:22:31 | 0:22:33 | |
Bollockwort is much better than orchids. | 0:22:33 | 0:22:36 | |
I've got two lovely bollockworts, actually, on my windowsill. | 0:22:36 | 0:22:39 | |
-Good for you. -Hmm. | 0:22:39 | 0:22:41 | |
One of the UK's rarest plants is an orchid, | 0:22:41 | 0:22:42 | |
it's a beautiful thing called the ghost orchid. | 0:22:42 | 0:22:45 | |
It was first discovered in Britain in 1845, | 0:22:45 | 0:22:47 | |
and isn't it delicate and amazing? | 0:22:47 | 0:22:50 | |
I like the one with the cock more. | 0:22:50 | 0:22:51 | |
What I like about you, Sarah, is you're reliable. | 0:22:53 | 0:22:55 | |
Now, the object of the game is to avoid the klaxons, | 0:23:00 | 0:23:02 | |
as we play General Ignorance. | 0:23:02 | 0:23:04 | |
So, fingers on buzzers, please. | 0:23:04 | 0:23:06 | |
What would a medieval knight call this? | 0:23:07 | 0:23:10 | |
-Chain mail. -Chain mail. KLAXON | 0:23:10 | 0:23:12 | |
-No, it's just mail. -Oh. -I know. | 0:23:16 | 0:23:19 | |
Is that like saying PIN number? | 0:23:19 | 0:23:21 | |
Yes, it is what's called a Victorian pleonasm. | 0:23:21 | 0:23:24 | |
It's when you use many more words to explain something than | 0:23:24 | 0:23:27 | |
is necessary, you don't really need that many words. | 0:23:27 | 0:23:29 | |
-Isn't that QI? -It is QI, yes. | 0:23:29 | 0:23:32 | |
In Lord Of The Rings, you know they had all that chain mail? | 0:23:32 | 0:23:35 | |
So, it took seven years to film the Lord Of The Rings films, | 0:23:35 | 0:23:37 | |
and there was a man whose only job was to slice a thin plastic tube | 0:23:37 | 0:23:41 | |
every single day, and in that plastic tube he made the chain mail. | 0:23:41 | 0:23:44 | |
And on the special features of the DVD of Lord Of The Rings - | 0:23:44 | 0:23:46 | |
it's, like, 40 hours, you can watch it... | 0:23:46 | 0:23:48 | |
-Wow! We're lucky you're here tonight. -Yeah, I know. | 0:23:48 | 0:23:50 | |
And this man, they said to him at the end, "So, you've been doing this for seven years." | 0:23:50 | 0:23:54 | |
He went, "I wouldn't take back a day, it's been the best experience of my whole entire life." | 0:23:54 | 0:23:58 | |
-But what's it for? -To make fake chain mail, | 0:23:58 | 0:24:00 | |
they couldn't give them real, because it's too heavy. | 0:24:00 | 0:24:02 | |
So they made it out of plastic and sprayed it silver. | 0:24:02 | 0:24:04 | |
-So, why are they remaking it every day? -Cos there were so many extras, | 0:24:04 | 0:24:07 | |
there was so much to make, they had to constantly make it. | 0:24:07 | 0:24:10 | |
Had everyone thrown it away at the end of the day? | 0:24:10 | 0:24:12 | |
No, it's plastic, so it just kept breaking. | 0:24:12 | 0:24:13 | |
And also, Viggo Mortensen probably was, like, really living it, because he was so... | 0:24:13 | 0:24:17 | |
LAUGHTER | 0:24:19 | 0:24:20 | |
Moving on, medieval battles were full of mail-on-mail action. | 0:24:22 | 0:24:27 | |
AUDIENCE GROANS | 0:24:27 | 0:24:28 | |
Working me arse off here, people. | 0:24:31 | 0:24:32 | |
What would you have seen tumbling across the prairie | 0:24:34 | 0:24:37 | |
after George Washington made a terrible joke? | 0:24:37 | 0:24:40 | |
ALICE GROANS | 0:24:40 | 0:24:42 | |
MUSIC BOX LULLABY CHIMES Alice? | 0:24:42 | 0:24:44 | |
-Tumbleweed... -KLAXON | 0:24:44 | 0:24:47 | |
The answer is, we don't know whether he ever made a joke, | 0:24:49 | 0:24:52 | |
is the truth of it. But we do know it wasn't tumbleweed, | 0:24:52 | 0:24:55 | |
because during his lifetime there was...? | 0:24:55 | 0:24:57 | |
-No tumbleweed? -No tumbleweed. | 0:24:57 | 0:24:59 | |
It's native to Russia, not to the USA, and it arrived in the USA | 0:24:59 | 0:25:04 | |
long after he had passed away, in the late 19th century. | 0:25:04 | 0:25:07 | |
It was accidentally imported in shipments of flax seed from Russia. | 0:25:07 | 0:25:11 | |
Although when you drive now, you do see it just like that. | 0:25:11 | 0:25:14 | |
And a single tumbleweed can become the size of a Volkswagen Beetle. | 0:25:14 | 0:25:18 | |
They can bury houses, they can fuel forest fires, | 0:25:18 | 0:25:21 | |
-I mean it is fearful stuff. -Oh, my God! | 0:25:21 | 0:25:24 | |
As it tumbles, it scatters seeds up to 250,000 per plant. | 0:25:24 | 0:25:28 | |
So it keeps perpetuating itself. | 0:25:28 | 0:25:30 | |
And in 2016, there's a rural city in Australia called Wangaratta, | 0:25:30 | 0:25:35 | |
and they were hit by a type of tumbleweed called hairy panic. | 0:25:35 | 0:25:38 | |
-That could be your wrestling name, Sandi. -Yeah. | 0:25:41 | 0:25:43 | |
"Here she comes, all the way from Denmark, it's Hairy Panic! | 0:25:45 | 0:25:49 | |
"She's small, but she's fierce!" | 0:25:49 | 0:25:52 | |
Right, does anybody fancy a cup of tea? | 0:25:52 | 0:25:55 | |
-Yes. -Tea all round? -Yes, please. Yes. -Ooh, yes. | 0:25:55 | 0:25:57 | |
Yes, I feel there's not enough tea breaks. | 0:25:57 | 0:25:59 | |
-So what I'm going to do, I'm going to... -Do you have any herbal? | 0:25:59 | 0:26:02 | |
Jesus Christ. | 0:26:02 | 0:26:03 | |
No, I haven't. | 0:26:06 | 0:26:07 | |
Right, anybody know, to the nearest 100ml, | 0:26:07 | 0:26:12 | |
how much water did it take to make this tea? | 0:26:12 | 0:26:15 | |
-To make the whole pot? -To make the cup of tea I'm giving you. | 0:26:15 | 0:26:18 | |
So one cup of tea, I'm going to... I've given you a little bit of milk. | 0:26:18 | 0:26:21 | |
And everybody gets two sugars, you don't have to use them, but I'm... | 0:26:21 | 0:26:24 | |
So, that's what I'm asking. There's a cup of tea. | 0:26:24 | 0:26:27 | |
-Tea, Cariad? -Thanks, darling. -Thanks. -Do you want sugar? | 0:26:27 | 0:26:30 | |
-Do you guys want sugar? -That's piss weak, Sandi. | 0:26:30 | 0:26:32 | |
I didn't actually... I didn't make the tea. | 0:26:32 | 0:26:35 | |
I have people for that. | 0:26:36 | 0:26:39 | |
To the nearest 100ml? | 0:26:39 | 0:26:40 | |
-300. -300! KLAXON | 0:26:40 | 0:26:43 | |
Do you mean to the cup or in the flask? | 0:26:46 | 0:26:48 | |
Yes, so one cup, to the nearest 100ml, | 0:26:48 | 0:26:50 | |
-how much water did it take to make the tea? -200. | 0:26:50 | 0:26:52 | |
KLAXON | 0:26:52 | 0:26:55 | |
-I sense a pattern here. -Any more? | 0:26:55 | 0:26:56 | |
-100? -100! KLAXON | 0:26:56 | 0:26:58 | |
Ten litres. | 0:27:00 | 0:27:02 | |
-Ten... You're getting closer. -Oh? | 0:27:02 | 0:27:04 | |
Yes. The answer is 52,000ml. | 0:27:04 | 0:27:08 | |
-Oh, to grow the tea plants? -That's why it's so weak. | 0:27:08 | 0:27:11 | |
-That wasn't the question! -It was, to make this... | 0:27:11 | 0:27:14 | |
I'm trying to work out how much that is. | 0:27:14 | 0:27:16 | |
Yes, but it's QI. | 0:27:16 | 0:27:18 | |
Oh, I forgot what programme I was on! | 0:27:18 | 0:27:21 | |
52 litres of water, roughly, go into white tea with two sugars. | 0:27:21 | 0:27:25 | |
So we'll see how it breaks down. | 0:27:25 | 0:27:26 | |
Around 30 litres to make the amount of tea in a single tea bag. | 0:27:26 | 0:27:31 | |
Ten litres to make the dash of milk. | 0:27:31 | 0:27:33 | |
And six litres needed for every teaspoon of sugar. | 0:27:33 | 0:27:35 | |
So, 60 billion cups of tea consumed in Britain every year. | 0:27:35 | 0:27:39 | |
So that gives us a footprint of 3,000 billion litres of water. | 0:27:39 | 0:27:43 | |
That's about ten times the volume of water in Lake Windermere | 0:27:43 | 0:27:45 | |
that is needed to make the tea for Britain. | 0:27:45 | 0:27:47 | |
Imagine making Lake Windermere into a giant cup of tea. | 0:27:47 | 0:27:50 | |
Now that you have dodged that round, let's take a look at the scores. | 0:27:50 | 0:27:54 | |
And in fourth place, with a magnificent -34, it's Alan. | 0:27:54 | 0:27:58 | |
-Thank you very much. -APPLAUSE | 0:27:58 | 0:28:00 | |
In third place, with a very creditable -29, Sarah. | 0:28:02 | 0:28:06 | |
APPLAUSE | 0:28:06 | 0:28:07 | |
In second place, and considering it's her first show, | 0:28:09 | 0:28:11 | |
what an incredible score, -18, Alice. | 0:28:11 | 0:28:13 | |
APPLAUSE | 0:28:13 | 0:28:15 | |
And, finally, in first place, with four points, Cariad! | 0:28:16 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:23 | |
Tonight's prize, Cariad, obviously... | 0:28:28 | 0:28:33 | |
This lovely pair of truck nuts. There you are, congratulations. | 0:28:33 | 0:28:36 | |
Thank you, thank you. | 0:28:36 | 0:28:37 | |
APPLAUSE | 0:28:37 | 0:28:38 | |
It only remains for me to thank Alice, Sarah, Cariad and Alan, | 0:28:41 | 0:28:45 | |
and you've all been so great it's practically criminal, so let's | 0:28:45 | 0:28:48 | |
break out my favourite object - confetti cannons. There we are. | 0:28:48 | 0:28:52 | |
Ready? Steady, fire! | 0:28:54 | 0:28:56 | |
CHEERING | 0:28:57 | 0:29:00 | |
Good night. | 0:29:00 | 0:29:02 | |
APPLAUSE | 0:29:02 | 0:29:04 |