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APPLAUSE | 0:00:32 | 0:00:34 | |
Hello and welcome to QI. | 0:00:34 | 0:00:36 | |
Tonight's show is an other-worldly odyssey | 0:00:36 | 0:00:39 | |
through the mysterious occult. | 0:00:39 | 0:00:41 | |
Please offer up oblations to the Prince of Darkness - Russell Brand. | 0:00:41 | 0:00:45 | |
APPLAUSE AND CHEERING | 0:00:45 | 0:00:48 | |
The Beast of Revelations, Aisling Bea. | 0:00:49 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:55 | |
The Lord of the Flies, Noel Fielding. | 0:00:56 | 0:00:59 | |
LAUGHTER CHEERING AND APPLAUSE | 0:00:59 | 0:01:01 | |
And, hell, yes, it's Alan Davies! | 0:01:04 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:09 | |
Hey-hey! | 0:01:09 | 0:01:10 | |
That was a terrifying outfit. LAUGHTER | 0:01:15 | 0:01:17 | |
I was really hoping there'd be a new car under there, but it's just Alan. | 0:01:17 | 0:01:21 | |
And their buzzers are obligingly ominous. Russell goes... | 0:01:21 | 0:01:24 | |
WOLF HOWLS | 0:01:24 | 0:01:28 | |
Aisling goes... | 0:01:29 | 0:01:31 | |
EVIL GIGGLING | 0:01:31 | 0:01:34 | |
And Noel goes... | 0:01:34 | 0:01:36 | |
EVIL GUFFAWING | 0:01:36 | 0:01:39 | |
And Alan goes... | 0:01:39 | 0:01:42 | |
OMINOUS ORGAN MUSIC PLAYS | 0:01:42 | 0:01:45 | |
FAIRGROUND MUSIC PLAYS ON ORGAN | 0:01:48 | 0:01:51 | |
Hey, right. We're going to begin with some mind-reading, | 0:01:55 | 0:01:59 | |
but those of you who are psychic will already know that. | 0:01:59 | 0:02:02 | |
We have asked some members of our front row to write some | 0:02:02 | 0:02:04 | |
words on cards and put them in an envelope, which I have not seen. | 0:02:04 | 0:02:09 | |
So if the QI minion, this is our magic minion, | 0:02:09 | 0:02:13 | |
can please collect them. | 0:02:13 | 0:02:15 | |
Then we are going to attempt some spooky mind-reading. | 0:02:15 | 0:02:19 | |
And what are they? Just facts, or? | 0:02:19 | 0:02:21 | |
It's just a word, a single word, is that right? | 0:02:21 | 0:02:23 | |
Each one's written a single word. | 0:02:23 | 0:02:24 | |
So the minion is going to give me the cards. | 0:02:24 | 0:02:27 | |
Do you believe in this kind of thing? | 0:02:27 | 0:02:28 | |
-Do you believe in mind-reading? -Yes. | 0:02:28 | 0:02:31 | |
OK. LAUGHTER | 0:02:31 | 0:02:33 | |
So in order for this to work, I need to make my mind a complete blank. | 0:02:33 | 0:02:36 | |
Alan, how do I do that? | 0:02:36 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:39 | |
Oh-ha-ha-ha-ha-ha-ha-ha-ha! | 0:02:39 | 0:02:42 | |
Now, some of you may know I have an ear piece, | 0:02:42 | 0:02:44 | |
I don't want you to think that in any way that anybody can | 0:02:44 | 0:02:46 | |
communicate with me, so I can't use that. | 0:02:46 | 0:02:48 | |
What's going to happen now is that I am going to place the card | 0:02:48 | 0:02:51 | |
to my head, and I need to concentrate. | 0:02:51 | 0:02:54 | |
I am going to say potato. Who said potato? | 0:02:54 | 0:02:58 | |
Anybody say? You did say potato? Did you? OK. | 0:02:58 | 0:03:00 | |
Very, very good. Indeed. | 0:03:00 | 0:03:03 | |
OK, let's do the next one. LAUGHTER | 0:03:03 | 0:03:05 | |
Let's see. Oh, this one's difficult. | 0:03:05 | 0:03:09 | |
This one is very difficult. | 0:03:09 | 0:03:11 | |
I am going to say sin, something to do with sin... | 0:03:11 | 0:03:15 | |
synchronicity? | 0:03:15 | 0:03:17 | |
It is, synchronicity is your word? | 0:03:17 | 0:03:19 | |
She's a witch, burn her! | 0:03:19 | 0:03:21 | |
Goodness. Oh, indeed, OK. | 0:03:22 | 0:03:25 | |
So, we'll just do one more and see if I can think. | 0:03:26 | 0:03:29 | |
Oh, this one's nice - mushroom. I think it's mushroom. | 0:03:29 | 0:03:32 | |
Yes. Absolutely. Well, there we go, that will do. | 0:03:32 | 0:03:34 | |
APPLAUSE | 0:03:34 | 0:03:37 | |
See I love those tricks, I think they are fantastic, | 0:03:38 | 0:03:41 | |
-I mean, clearly they are a trick. And... -What?! | 0:03:41 | 0:03:43 | |
Of genius, a trick of genius, in some way. | 0:03:43 | 0:03:47 | |
Are you a fan of magic shows, Russell? | 0:03:47 | 0:03:49 | |
I'm astounded that we're all just sat here | 0:03:49 | 0:03:50 | |
while you have unravelled one of the great mysteries of the universe. | 0:03:50 | 0:03:54 | |
Now we're going to have to work out through which necromancy | 0:03:54 | 0:03:57 | |
you have taken over Bake-Off. | 0:03:57 | 0:03:59 | |
You've managed to install Noel Fielding, | 0:04:03 | 0:04:05 | |
an astonishing piece of casting. What's next? | 0:04:05 | 0:04:08 | |
I am channelling Mrs Beaton, that's what's happening. | 0:04:08 | 0:04:11 | |
-You have powers beyond my comprehension. -I know, I know. | 0:04:11 | 0:04:14 | |
So what I'm going to do, I'm going to take a blank card like this | 0:04:14 | 0:04:17 | |
and I'm going to write a word myself on it, | 0:04:17 | 0:04:19 | |
and I'm going to stick it in an envelope. | 0:04:19 | 0:04:21 | |
And then we will place that in this big book, | 0:04:21 | 0:04:25 | |
so that it's not possible for me to change it. | 0:04:25 | 0:04:27 | |
Russell can see it from where you are, | 0:04:27 | 0:04:29 | |
I saw your eyes looking, it's cheating. | 0:04:29 | 0:04:31 | |
Yeah, but I would never use that knowledge to trick the QI audience. | 0:04:31 | 0:04:34 | |
OK, let's put it on there, let's put it on there | 0:04:34 | 0:04:35 | |
so that I can't cheat with it, you can all see it, it's in, | 0:04:35 | 0:04:38 | |
there it is, it's in plain sight, OK. | 0:04:38 | 0:04:40 | |
So, there used to be a thought that some people could read | 0:04:40 | 0:04:43 | |
through something other than their eyes. | 0:04:43 | 0:04:46 | |
It's called dermo-optical perception, or cutaneous perception. | 0:04:46 | 0:04:50 | |
And the idea is, so I put it against my head | 0:04:50 | 0:04:52 | |
so that you could read through your fingers or you could read through your skin. | 0:04:52 | 0:04:55 | |
But in fact our mind-reading was done by a completely different trick. | 0:04:55 | 0:04:58 | |
There was a mentalist who used to be known as Alexander - | 0:04:58 | 0:05:01 | |
The Man Who Knows. | 0:05:01 | 0:05:02 | |
-I've got that very poster. -Have you? -Yeah. | 0:05:02 | 0:05:04 | |
Do you know who he actually is, Alexander The Man Who Knows? | 0:05:04 | 0:05:07 | |
-He was called Alexander. -LAUGHTER | 0:05:07 | 0:05:09 | |
And he worked as a psychic. | 0:05:09 | 0:05:12 | |
His real name was Claude Conlin and he was from South Dakota. | 0:05:12 | 0:05:15 | |
But he was quite a guy, Alexander. | 0:05:15 | 0:05:17 | |
He married 8 to 14 women, many at the same time. | 0:05:17 | 0:05:19 | |
We don't know exactly how many, maybe 14 women. | 0:05:19 | 0:05:22 | |
-14 women? -Yeah, it's quite a lot. | 0:05:22 | 0:05:23 | |
That's not that many, is it, Russell? | 0:05:23 | 0:05:26 | |
LAUGHTER | 0:05:26 | 0:05:28 | |
You are a conservative mind-bender. | 0:05:28 | 0:05:29 | |
I can't tell you how he read the mind of our front row, | 0:05:32 | 0:05:34 | |
but I can say that we have a plant in the audience. | 0:05:34 | 0:05:37 | |
-Yeah. -CHUCKLING | 0:05:37 | 0:05:40 | |
OK, so I've got an object here for you. | 0:05:40 | 0:05:43 | |
-There's one for you guys to share. -Thank you very much. | 0:05:43 | 0:05:45 | |
And one for you to share. | 0:05:45 | 0:05:47 | |
And I want you to tell me how you would use it to burgle a house. | 0:05:47 | 0:05:51 | |
-OK, so... -I have an idea. -Yes, go on, then. | 0:05:51 | 0:05:53 | |
Well, I think what you'd do is, you would melt the waxen tips, | 0:05:53 | 0:05:57 | |
-there are waxen tips. -There are. | 0:05:57 | 0:05:58 | |
You would get the finger prints of the person whose house it | 0:05:58 | 0:06:01 | |
was on their hi-tech James Bond style fingerprint system. | 0:06:01 | 0:06:04 | |
-Yeah. -I don't know how you get in that bit, | 0:06:04 | 0:06:06 | |
cos if you've got that kind of access to the person, | 0:06:06 | 0:06:08 | |
simply charm them into allowing you in to rob the safe at your leisure. | 0:06:08 | 0:06:13 | |
And then you put their fingerprints on there, | 0:06:13 | 0:06:15 | |
then you put this very discreet garment on your other hand | 0:06:15 | 0:06:19 | |
and wander into Canary Wharf, or wherever it is, and say - | 0:06:19 | 0:06:23 | |
"I'm just one of the people who happens to live here. | 0:06:23 | 0:06:25 | |
"Don't judge me by that. I move among you. | 0:06:25 | 0:06:28 | |
"I love you. I'm a banker, just like you." | 0:06:28 | 0:06:29 | |
Then you press all the buttons, you're in there | 0:06:29 | 0:06:32 | |
-and that's how you rob their house. -And that's that sorted. | 0:06:32 | 0:06:34 | |
-Simple business. -Yeah. I don't know why we didn't think of that. | 0:06:34 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:41 | |
It's gone rogue. | 0:06:41 | 0:06:43 | |
I think you could only rob a house if Freddy Krueger lived there. | 0:06:43 | 0:06:47 | |
Just put your hand through the letterbox and the dog lets you in. | 0:06:47 | 0:06:51 | |
We wanted to set fire to them, | 0:06:51 | 0:06:52 | |
but apparently it's a health and safety nightmare. | 0:06:52 | 0:06:54 | |
There's a fire there though. | 0:06:54 | 0:06:55 | |
Why is fire allowed there and not near Noel? | 0:06:55 | 0:06:58 | |
-Now I understand. -LAUGHTER | 0:06:58 | 0:07:00 | |
-Who wants me to try? -CHEERING | 0:07:00 | 0:07:04 | |
-OK. -Don't put it near your hair product, will you. | 0:07:04 | 0:07:07 | |
-Are you left or right handed? -Well, the glove is left handed. | 0:07:07 | 0:07:10 | |
Yeah, but... | 0:07:10 | 0:07:12 | |
LAUGHTER AND APPLAUSE | 0:07:12 | 0:07:16 | |
-OK. So hang on, is that it? -There we go. | 0:07:18 | 0:07:23 | |
Light the others. I used to do this with... | 0:07:23 | 0:07:26 | |
-AISLING: -So, in answer to your question, Sandi, | 0:07:26 | 0:07:28 | |
while they are doing that, I go and burgle the house. | 0:07:28 | 0:07:30 | |
-Yes. -Is that what it is? | 0:07:30 | 0:07:32 | |
-Hi, nice to meet you. -OTHERS SING: -Happy birthday to you. | 0:07:36 | 0:07:38 | |
Really rubbish pitch singing. | 0:07:38 | 0:07:40 | |
CHEERING AND APPLAUSE | 0:07:40 | 0:07:42 | |
-Is it the flame that's significant? -Kind of. Or the rubber? | 0:07:47 | 0:07:50 | |
So, you needed the pickled hand of a hanged man, OK? | 0:07:50 | 0:07:53 | |
-Oh, wow. -You then needed to make | 0:07:53 | 0:07:55 | |
a candle from the fat of the condemned man. | 0:07:55 | 0:07:58 | |
-Ugh. -And then, in an idea world, you would make the wick out of his hair. | 0:07:58 | 0:08:03 | |
It's called a Hand of Glory. | 0:08:03 | 0:08:04 | |
If you were holding the Hand of Glory, | 0:08:04 | 0:08:06 | |
and the Hand of Glory had a... | 0:08:06 | 0:08:08 | |
LAUGHTER | 0:08:08 | 0:08:10 | |
That's not the Hand of Glory, Sandi. That's the Hand of Glory. | 0:08:10 | 0:08:14 | |
It was a race. | 0:08:16 | 0:08:19 | |
It's sweet when boys are so pleased with themselves. | 0:08:19 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:23 | |
It's a good job this desk is here. | 0:08:23 | 0:08:26 | |
No, you're all right. Um... | 0:08:27 | 0:08:29 | |
So the idea was - if you held one of these | 0:08:30 | 0:08:32 | |
when you went into somebody's house, it would have a | 0:08:32 | 0:08:35 | |
stupefying effect upon them, and put them to sleep. | 0:08:35 | 0:08:37 | |
Now, the only photograph that we have of a genuine Hand of Glory is | 0:08:37 | 0:08:41 | |
courtesy of the Whitby Museum, | 0:08:41 | 0:08:43 | |
and that is probably the only one still in existence, and that was... | 0:08:43 | 0:08:46 | |
It's quite a wild pitch like for Dragons' Den, to go - | 0:08:46 | 0:08:49 | |
"I've got this idea, all we need is one hand | 0:08:49 | 0:08:51 | |
"of a hanged man, we stick his hair in there, | 0:08:51 | 0:08:53 | |
"make a candle out of his skin, the hair is going to be the wick. | 0:08:53 | 0:08:55 | |
"That's important. When we go into the house, | 0:08:55 | 0:08:57 | |
"it'll automatically send people to sleep | 0:08:57 | 0:08:59 | |
"and that's how we're going to burgle the house." | 0:08:59 | 0:09:01 | |
"I'm in, £250,000. I see nothing wrong with this idea." | 0:09:01 | 0:09:04 | |
-NOEL: -Or, just wait till they go on holiday. | 0:09:04 | 0:09:06 | |
LAUGHTER | 0:09:06 | 0:09:08 | |
Well, the Observer, in 1831, | 0:09:08 | 0:09:09 | |
reported on the 16th January, "Burglars entered a house | 0:09:09 | 0:09:13 | |
"in County Meath, armed with a dead man's hand | 0:09:13 | 0:09:15 | |
"with a lighted candle in it, believing in the superstitious | 0:09:15 | 0:09:18 | |
"notion that it would prevent those who may be asleep from awaking." | 0:09:18 | 0:09:21 | |
-Do you think it worked? -No. | 0:09:21 | 0:09:22 | |
No, they woke instantly and raised the alarm. | 0:09:22 | 0:09:24 | |
-Screamed their heads off. -Yeah, absolutely. | 0:09:24 | 0:09:26 | |
-He's got a burning hand! -LAUGHTER | 0:09:26 | 0:09:29 | |
The occult was also used against burglars. | 0:09:30 | 0:09:32 | |
So there used to be quite a lot of book curses, | 0:09:32 | 0:09:34 | |
because books were phenomenally expensive. | 0:09:34 | 0:09:36 | |
So in the Middle Ages they wanted to stop people from stealing books. | 0:09:36 | 0:09:39 | |
This is a fantastic one from a 15th century manuscript | 0:09:39 | 0:09:42 | |
owned by Count Jean d'Orleans. | 0:09:42 | 0:09:44 | |
"Whoever steals this book will hang on a gallows in Paris, | 0:09:44 | 0:09:47 | |
"and if he isn't hung, he'll drown, and if he doesn't drown, | 0:09:47 | 0:09:50 | |
"he'll roast, and if he doesn't roast, a worse end will befall him." | 0:09:50 | 0:09:54 | |
-He's covering a lot of bases there. -He is really, yeah. | 0:09:54 | 0:09:57 | |
-He don't want that book stolen. -No, that's not going to... | 0:09:57 | 0:10:00 | |
-Look after it. -Yeah. | 0:10:00 | 0:10:02 | |
Now, which horny member of royalty is immune from any | 0:10:02 | 0:10:06 | |
form of legal prosecution? | 0:10:06 | 0:10:08 | |
EVIL GIGGLE Yes? | 0:10:08 | 0:10:11 | |
Prince Andrew? | 0:10:11 | 0:10:13 | |
BELLS RING AND KLAXON WAILS Oh, no. | 0:10:13 | 0:10:16 | |
-It's going to be something with horns? -Yes. | 0:10:17 | 0:10:20 | |
Is it like a royal cow or something? | 0:10:20 | 0:10:22 | |
-No. There should be, I think. -The Royal Cow. | 0:10:22 | 0:10:25 | |
-NOEL: -That's a snail what you're doing. | 0:10:25 | 0:10:27 | |
LAUGHTER | 0:10:27 | 0:10:29 | |
-Brian from Magic Roundabout. -Magic Roundabout. -Hello. | 0:10:29 | 0:10:33 | |
-Who was it - Florence and Dougal? -Yeah. | 0:10:33 | 0:10:35 | |
And there was the one who's based on Bob Dylan, the rabbit. | 0:10:35 | 0:10:38 | |
Dylan. And he was stoned all the time. | 0:10:38 | 0:10:40 | |
Yeah, exactly, it was the '70s. | 0:10:40 | 0:10:42 | |
You were allowed to be stoned in a children's cartoon. | 0:10:42 | 0:10:45 | |
-AISLING: -Helen did you say? | 0:10:45 | 0:10:46 | |
-AUDIENCE MEMBER: Dylan. -Dylan, yeah. -Dylan. -Dylan, yeah. | 0:10:46 | 0:10:49 | |
Yes, we just said that, thanks. We said that. | 0:10:49 | 0:10:51 | |
That person just woke up. "Dylan, they're talking about Dylan! | 0:10:51 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:55 | |
"They're talking about Magic Roundabout! Dylan!" | 0:10:55 | 0:10:58 | |
The guy's just beginning to get the hang of mind-reading. | 0:11:00 | 0:11:03 | |
-"Mushroom! Mushroom! -LAUGHTER | 0:11:04 | 0:11:07 | |
"Potato!" | 0:11:07 | 0:11:08 | |
Come on now - horny, member of royalty. | 0:11:08 | 0:11:11 | |
-In the context of the occult... -Yes. | 0:11:11 | 0:11:13 | |
-..who is a horny royal? -The Devil. | 0:11:13 | 0:11:14 | |
The Devil is exactly right. | 0:11:14 | 0:11:16 | |
The Devil. You can't prosecute the Devil? | 0:11:16 | 0:11:19 | |
No, so, 1971 there was an American called Gerald Mayo, | 0:11:19 | 0:11:22 | |
attempted to sue the Devil. | 0:11:22 | 0:11:24 | |
And there is the case. | 0:11:24 | 0:11:26 | |
"United States ex rel. Gerald Mayo | 0:11:26 | 0:11:28 | |
"vs Satan and His Staff." | 0:11:28 | 0:11:30 | |
And it was heard by the US District Court | 0:11:30 | 0:11:33 | |
for the Western District of Pennsylvania. | 0:11:33 | 0:11:35 | |
Mr Mayo alleged: "Satan has on numerous occasions caused | 0:11:35 | 0:11:39 | |
"plaintiff misery and unwarranted threats. | 0:11:39 | 0:11:41 | |
"Against the will of the plaintiff, Satan has placed deliberate | 0:11:41 | 0:11:44 | |
"obstacles in his path and has caused the plaintiff's downfall." | 0:11:44 | 0:11:47 | |
The first point that was raised by the judge, | 0:11:47 | 0:11:50 | |
a man called Gerald J Weber, was that he wasn't sure that they | 0:11:50 | 0:11:53 | |
could prosecute Satan, as Satan was technically a foreign prince | 0:11:53 | 0:11:58 | |
and if sued he might be able to claim immunity. | 0:11:58 | 0:12:01 | |
Surely it's a typo, he meant "Stan." | 0:12:01 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:05 | |
And in the end they refused his request, | 0:12:07 | 0:12:09 | |
because nobody could find an address to serve the Satan the papers. | 0:12:09 | 0:12:11 | |
You actually have to put it in their hand, don't you? | 0:12:11 | 0:12:14 | |
-Yeah. -Otherwise it doesn't count. | 0:12:14 | 0:12:15 | |
-Yeah. -Wow! -But do you know about the Devil's Advocate? | 0:12:15 | 0:12:17 | |
-Do you know about that? -Avocado? -As in being one? | 0:12:17 | 0:12:19 | |
Well, it's a Roman Catholic thing, the Devil's Advocate. | 0:12:19 | 0:12:22 | |
Yeah, as in to play Devil's Advocate? | 0:12:22 | 0:12:23 | |
Well, that's where the phrase comes from, | 0:12:23 | 0:12:25 | |
but it used to be a proper job. | 0:12:25 | 0:12:27 | |
It was the job of the Devil's Advocate | 0:12:27 | 0:12:29 | |
to argue the case against proposed sainthoods. | 0:12:29 | 0:12:31 | |
So his job was to say - | 0:12:31 | 0:12:32 | |
this person is going to come up to be a saint, | 0:12:32 | 0:12:34 | |
I don't think it's a good idea. | 0:12:34 | 0:12:35 | |
It was got rid of by Pope John Paul II, in 1983, | 0:12:35 | 0:12:38 | |
and the number of saints just shot through the roof. | 0:12:38 | 0:12:41 | |
But anybody know the correct way to greet the Devil? | 0:12:41 | 0:12:43 | |
-High five? -No. -I reckon there's got to be some deference in it, | 0:12:43 | 0:12:47 | |
you go down on one knee, little bit of a hornpipe, sticking | 0:12:47 | 0:12:50 | |
AN elbow out, two thumbs up, come on, | 0:12:50 | 0:12:52 | |
take us on a wild, giddy journey. | 0:12:52 | 0:12:54 | |
OK, yeah. Down on one knee is a good place to start. | 0:12:54 | 0:12:58 | |
-See. -Like, no, not a blowy. -LAUGHTER | 0:12:58 | 0:13:02 | |
It's the kiss of shame, you have to kiss the Devil's... | 0:13:03 | 0:13:05 | |
-You kiss his ring? -His arse, you have to kiss his arse. There it is. | 0:13:05 | 0:13:09 | |
-What?! -Yeah. -Kiss his bum. | 0:13:09 | 0:13:11 | |
The Osculum Infame, the Kiss of Shame. Kissing the Devil's arse. | 0:13:11 | 0:13:15 | |
Do you think he lifts his own tail, or do you have to lift his tail? | 0:13:15 | 0:13:18 | |
Flick that tail right up, reveal the anus, a little wink. | 0:13:18 | 0:13:22 | |
Give us a kiss. | 0:13:22 | 0:13:23 | |
I'd like it if it was like a Pez dispenser, | 0:13:23 | 0:13:25 | |
so like when it lifts up, you get a little Devil sweet. | 0:13:25 | 0:13:27 | |
You're like, yum-yum, thank you. | 0:13:27 | 0:13:29 | |
You've crossed, you've crossed the line, did you hear that noise? | 0:13:29 | 0:13:31 | |
LAUGHTER | 0:13:31 | 0:13:33 | |
-Sweets from the Devil's arse? No. -Not on the BBC. | 0:13:33 | 0:13:37 | |
The rest of that chat's fine, but we're drawing the line there. | 0:13:37 | 0:13:41 | |
We like Pez and you've ruined it for us! | 0:13:41 | 0:13:45 | |
-LAUGHTER -Mushroom! | 0:13:45 | 0:13:47 | |
Alan actually knows the parameters. | 0:13:49 | 0:13:51 | |
We think of you as a sort of a shambling, lovable figure, | 0:13:51 | 0:13:54 | |
but you actually are sensing stuff like a shaman. | 0:13:54 | 0:13:58 | |
-You're reading their minds, Alan. -Yeah. | 0:13:58 | 0:14:01 | |
No, they just made a funny noise. | 0:14:01 | 0:14:03 | |
Now, time for mind-reading number two. | 0:14:04 | 0:14:08 | |
OK, so for this I'm going to ask Aisling please to channel | 0:14:08 | 0:14:12 | |
Carol Vorderman for me, if you don't mind. | 0:14:12 | 0:14:15 | |
-Vr-o-o-o-p. -So here is a pen. | 0:14:15 | 0:14:17 | |
So you've got to hold it up so that everybody can see. | 0:14:17 | 0:14:20 | |
-Yes. -So maybe Alan can help you with that. | 0:14:20 | 0:14:22 | |
Well, I think I'm all right. | 0:14:22 | 0:14:24 | |
No, no, I mean hold it up so that the audience can see | 0:14:24 | 0:14:27 | |
what you're writing. | 0:14:27 | 0:14:28 | |
-Oh, I see what you mean. Yes. -LAUGHTER | 0:14:28 | 0:14:31 | |
Thank God I got this big strong man with me | 0:14:33 | 0:14:35 | |
to help with this heavy old board. | 0:14:35 | 0:14:37 | |
-Oh! -LAUGHTER | 0:14:37 | 0:14:39 | |
There's a gentleman wearing a T-shirt | 0:14:40 | 0:14:42 | |
that says "Love Is" something. | 0:14:42 | 0:14:44 | |
Any random number please. | 0:14:44 | 0:14:46 | |
-Just single-digit number. -Eight. -It wasn't a difficult question. | 0:14:46 | 0:14:50 | |
-LAUGHTER -Eight. -He's gone eight. | 0:14:50 | 0:14:53 | |
-Write that down please. -OK. | 0:14:53 | 0:14:55 | |
Just to warn you, you're going to write a three-digit number | 0:14:55 | 0:14:57 | |
and there's going to be quite a lot of numbers. | 0:14:57 | 0:14:59 | |
-So, eight. -Oh, dear God. LAUGHTER | 0:14:59 | 0:15:02 | |
Could you just start again? OK. | 0:15:09 | 0:15:11 | |
That was just me having a gentle laugh with you, Sandi | 0:15:11 | 0:15:14 | |
I love it. There is, let's go right up the back there, | 0:15:14 | 0:15:17 | |
first row at the very back. | 0:15:17 | 0:15:19 | |
-The blue shirt at the end? -Two. -Two, number two. | 0:15:19 | 0:15:22 | |
-OK, two. -OK, there we go. | 0:15:22 | 0:15:25 | |
-Squeaky. -Shut up, Debbie McGee, go back again. | 0:15:25 | 0:15:29 | |
And let's go over here, lady with a patterned top? | 0:15:29 | 0:15:32 | |
Seven. 827. OK. | 0:15:32 | 0:15:34 | |
-Whoa. -So what I want you to do now is reverse the digits underneath. | 0:15:34 | 0:15:38 | |
Oh, yes. Oh... | 0:15:39 | 0:15:42 | |
..but that's always going to be two in the middle. | 0:15:42 | 0:15:44 | |
Yeah, that's fine, keep going. | 0:15:44 | 0:15:45 | |
-That's still... -Put it upside down. | 0:15:45 | 0:15:47 | |
It's not really complicated, what I'm asking you to do. | 0:15:47 | 0:15:50 | |
-LAUGHTER -Yes, yes, yes. | 0:15:50 | 0:15:51 | |
Could you now subtract the smaller | 0:15:51 | 0:15:54 | |
number from the larger? | 0:15:54 | 0:15:55 | |
Right, yeah. OK, | 0:15:57 | 0:15:58 | |
so we're going to do this now. | 0:15:58 | 0:16:00 | |
SANDI LAUGHS | 0:16:00 | 0:16:02 | |
So we take eight from seven, just not possible, | 0:16:02 | 0:16:04 | |
I think we all know that. | 0:16:04 | 0:16:06 | |
OK. Yes, so we're going to do... | 0:16:06 | 0:16:10 | |
-Wow! -I mean, I'm in the arts, you see, so... | 0:16:10 | 0:16:13 | |
-Yeah. -It's just... -Nine, nine, nine! | 0:16:13 | 0:16:15 | |
-Um...um... -Stop saying "no" at me in German | 0:16:15 | 0:16:18 | |
-and tell me what this is. -LAUGHTER | 0:16:18 | 0:16:20 | |
-Nine. -Yeah, and then it's going to be nine again. | 0:16:20 | 0:16:23 | |
-And then this one comes down here... -It's going to be nine again. | 0:16:23 | 0:16:26 | |
So it's three from nine, God! | 0:16:26 | 0:16:27 | |
So I need to have three numbers, so put a zero now please. | 0:16:27 | 0:16:30 | |
So you have three numbers. | 0:16:30 | 0:16:32 | |
Now reverse those digits, please. Zero... | 0:16:32 | 0:16:35 | |
Always nine. | 0:16:35 | 0:16:36 | |
And please could you add them together? | 0:16:36 | 0:16:39 | |
-Um... -LAUGHTER | 0:16:39 | 0:16:43 | |
-So 18. -No. LAUGHTER | 0:16:43 | 0:16:46 | |
-So nine and zero, start again. -Oh! | 0:16:47 | 0:16:50 | |
Nine and zero is nine. Nine and nine is eight, carry one. | 0:16:50 | 0:16:53 | |
-18. -So the answer is? -1,089. | 0:16:53 | 0:16:56 | |
OK, so we've come to 1089. OK, thank you very much. | 0:16:56 | 0:16:58 | |
AISLING SIGHS Wow, that was painful. | 0:16:58 | 0:17:01 | |
CHEERING AND APPLAUSE Really painful. | 0:17:01 | 0:17:04 | |
So what was the number that we had? We had 1089. | 0:17:06 | 0:17:10 | |
So, Noel, I'm going to pass you a copy of 1,342 QI Facts | 0:17:10 | 0:17:13 | |
To Leave You Flabbergasted. LAUGHTER | 0:17:13 | 0:17:17 | |
-Noel? -Yes? -Could you, let's see, 1089, | 0:17:17 | 0:17:21 | |
take the tenth word on page 89 | 0:17:21 | 0:17:24 | |
-and tell me what it is. -Yeah. | 0:17:24 | 0:17:26 | |
-What is it? -French. | 0:17:26 | 0:17:28 | |
French. Here is the envelope that I did earlier. | 0:17:28 | 0:17:32 | |
-And there is the word French. -No! -APPLAUSE AND CHEERING | 0:17:32 | 0:17:36 | |
-Whoa! -Isn't that fab? -That's a very good trick. | 0:17:44 | 0:17:48 | |
-I mean, that's nuts. -Yeah. | 0:17:48 | 0:17:50 | |
Sandi, you clearly are Satan born again, show me | 0:17:50 | 0:17:52 | |
-the correct greeting once more. -LAUGHTER | 0:17:52 | 0:17:57 | |
I'm ready. | 0:18:00 | 0:18:03 | |
And the powers it will surely imbue. | 0:18:03 | 0:18:04 | |
Anyway, thank you very much to our audience, | 0:18:07 | 0:18:09 | |
and very well done to Carol there. Very good. | 0:18:09 | 0:18:11 | |
APPLAUSE | 0:18:11 | 0:18:12 | |
-Does anybody want to know how I did it? -Yes. | 0:18:14 | 0:18:17 | |
Nah, I'm not telling. | 0:18:17 | 0:18:18 | |
Can you tell me the final title in Shakespeare's oeuvre? | 0:18:20 | 0:18:23 | |
-Anybody know? -He was very cranial, wasn't he? | 0:18:23 | 0:18:26 | |
-Big forehead. -Yes. Receding. | 0:18:26 | 0:18:28 | |
Really you'd like to hit him with a teaspoon. | 0:18:28 | 0:18:31 | |
Dip a soldier in him. | 0:18:31 | 0:18:32 | |
It would come out with sonnets on it. | 0:18:34 | 0:18:36 | |
-Last work authored by Shakespeare? -Tempest, ain't it? | 0:18:37 | 0:18:40 | |
-The Tempest. -Oh. -BELLS RING, KLAXON HOOTS | 0:18:40 | 0:18:43 | |
You've been in that? | 0:18:43 | 0:18:45 | |
Is it definitely a play or could it have been a poem? | 0:18:45 | 0:18:49 | |
It's not a play, it is a work authored by Shakespeare. | 0:18:49 | 0:18:52 | |
Did he have a diary or something? | 0:18:52 | 0:18:54 | |
I can tell you it was written in 1920. | 0:18:54 | 0:18:57 | |
-OK. -Yeah. And we're doing the occult. | 0:18:57 | 0:18:59 | |
-Did someone channel him? -That's exactly right. | 0:18:59 | 0:19:01 | |
That's what they used to do, didn't they? According to a wonderful book called | 0:19:01 | 0:19:04 | |
Essential Cataloguing: The Basics, it's the guide | 0:19:04 | 0:19:07 | |
followed by the British Library and the US Library of Congress. | 0:19:07 | 0:19:09 | |
Books written by authors after their death are still catalogued | 0:19:09 | 0:19:13 | |
under their own name. | 0:19:13 | 0:19:14 | |
So his last work, published in 1920, | 0:19:14 | 0:19:17 | |
The Book For Him I Name For Jesus' Sake, | 0:19:17 | 0:19:20 | |
by William Shakespeare (spirit)... | 0:19:20 | 0:19:23 | |
-Wow. -..is in fact the last listed work by William Shakespeare | 0:19:23 | 0:19:26 | |
in the British Library. | 0:19:26 | 0:19:27 | |
So the royalties of that go to his family? | 0:19:27 | 0:19:29 | |
Sadly not, I think they go to Sarah Taylor Shatford, who wrote it. | 0:19:29 | 0:19:33 | |
-Shatford? -Shatford. LAUGHTER | 0:19:33 | 0:19:36 | |
She deserves some cash. | 0:19:36 | 0:19:37 | |
Mark Twain wrote a book seven years after his death entitled | 0:19:37 | 0:19:40 | |
Jap Herron: A Novel Written From the Ouija Board. | 0:19:40 | 0:19:43 | |
And noted spiritualist and dead person, Sir Arthur Conan Doyle | 0:19:43 | 0:19:46 | |
got in touch in 1983 to write The Great Mystery of Life Beyond Death. | 0:19:46 | 0:19:50 | |
Are these all by a Ouija board, or are some of them | 0:19:50 | 0:19:52 | |
with automatic writing? That was a thing, wasn't it? | 0:19:52 | 0:19:55 | |
Some of them are automatic writing, so they're a kind of a mix. | 0:19:55 | 0:19:57 | |
That is a weird Ouija board scenario, | 0:19:57 | 0:19:59 | |
that's a gingham shirt and they're clearly on public transport. | 0:19:59 | 0:20:02 | |
LAUGHTER | 0:20:02 | 0:20:04 | |
First we summons the dead, then a hoedown. | 0:20:04 | 0:20:08 | |
Anyway, William Shakespeare's last work was written through | 0:20:08 | 0:20:11 | |
the medium of a medium. | 0:20:11 | 0:20:13 | |
What's the worst omen you can see on a football pitch? | 0:20:13 | 0:20:16 | |
-An omen? -Yeah. Are footballers superstitious? | 0:20:16 | 0:20:20 | |
-Yes! -Is it a young woman with a list of allegations? | 0:20:20 | 0:20:23 | |
LAUGHTER AND APPLAUSE | 0:20:23 | 0:20:26 | |
But is there something about the markings on the field | 0:20:31 | 0:20:34 | |
that are significant to occultists? | 0:20:34 | 0:20:36 | |
It's to do with the many superstitions | 0:20:36 | 0:20:38 | |
that are associated with football. 1990 World Cup... | 0:20:38 | 0:20:41 | |
-Right. -..there was an Argentine goal keeper called Sergio Goycochea. | 0:20:41 | 0:20:45 | |
Did he have a body part of an animal or something in the goal net? | 0:20:45 | 0:20:48 | |
No, what happened to him was, Argentina's quarterfinal | 0:20:48 | 0:20:51 | |
was against Yugoslavia, and it ended in a draw, which meant? | 0:20:51 | 0:20:54 | |
-Penalty shoot-out. -They had to do a penalty shoot-out. | 0:20:54 | 0:20:57 | |
He needed to wee, but he wasn't allowed to leave the field. | 0:20:57 | 0:21:00 | |
So his team-mates surrounded him | 0:21:00 | 0:21:01 | |
and he had a wee and he then blocked two penalty shots. | 0:21:01 | 0:21:04 | |
So, the coach thought this was a marvellous thing, took it as an | 0:21:04 | 0:21:07 | |
omen, and he went on to urinate on the field again, with his team-mates | 0:21:07 | 0:21:12 | |
around him, before the semifinal penalty shoot-out against Italy. | 0:21:12 | 0:21:15 | |
He blocked two shots and then went on into the finals, | 0:21:15 | 0:21:18 | |
but they lost the finals against West Germany, because? | 0:21:18 | 0:21:21 | |
-He didn't urinate. -He didn't wee, because? | 0:21:21 | 0:21:23 | |
-It didn't go to a shoot-out. -It didn't go to a shoot-out. | 0:21:23 | 0:21:25 | |
But, wasn't Germany's winning goal a penalty? | 0:21:25 | 0:21:27 | |
It was a late penalty and it was in the main body of the game, | 0:21:27 | 0:21:30 | |
-so he didn't have time to wee. -Didn't have time for a wee. -No. | 0:21:30 | 0:21:32 | |
When they stood around him, did they look in or out, do you know? | 0:21:32 | 0:21:36 | |
Do you know, I always think I've got all the information | 0:21:36 | 0:21:39 | |
I need for this show. | 0:21:39 | 0:21:40 | |
Do you think he was a bit self-conscious? | 0:21:40 | 0:21:42 | |
-His team-mates around him. -Well, because he might have been wearing somebody else's underpants, | 0:21:42 | 0:21:46 | |
apparently that's a very common footballer thing, | 0:21:46 | 0:21:49 | |
is that they swap underpants. Some of them wear them inside out. | 0:21:49 | 0:21:51 | |
-They do not! -Yeah. | 0:21:51 | 0:21:53 | |
Was it Barry Fry who weed in all four corners of the ground? | 0:21:53 | 0:21:56 | |
-Do you remember that? -Yes, I believe that is a fact, | 0:21:56 | 0:21:58 | |
that Barry Fry, whilst manager of Birmingham, | 0:21:58 | 0:22:00 | |
perhaps, weed in every corner of the ground. | 0:22:00 | 0:22:03 | |
I thought you said Barry Cryer! | 0:22:03 | 0:22:05 | |
No, not Barry Cryer. | 0:22:05 | 0:22:08 | |
He's weed in all four corners of the Just A Minute studio. | 0:22:08 | 0:22:11 | |
Yeah, just for that. | 0:22:11 | 0:22:12 | |
Now, it's time for the ritual sacrifice of rationality | 0:22:12 | 0:22:15 | |
that we call General Ignorance. | 0:22:15 | 0:22:17 | |
Fingers on buzzers, please. Take a look at this. | 0:22:17 | 0:22:21 | |
This is Tommaso, the world's richest cat. | 0:22:21 | 0:22:23 | |
According to legend, how many lives does he have? | 0:22:23 | 0:22:26 | |
-Well, now usually they have... -Yes? | 0:22:26 | 0:22:29 | |
-One less than ten. -Yes? LAUGHTER | 0:22:29 | 0:22:32 | |
BELLS RING KLAXON WAILS | 0:22:32 | 0:22:35 | |
That isn't fair! I was being so clever. | 0:22:37 | 0:22:40 | |
So, I can tell you that he is Italian, and that has a bearing. | 0:22:40 | 0:22:44 | |
-He's Italian? That cat? -Yes. -Where's his mouth? | 0:22:44 | 0:22:47 | |
So why would it matter that he's Italian? | 0:22:48 | 0:22:50 | |
Why would that make a difference? | 0:22:50 | 0:22:52 | |
Because he has got so many past-a lives. | 0:22:52 | 0:22:55 | |
COLLECTIVE GROAN | 0:22:55 | 0:22:58 | |
Look, that is actually professional comedy you just witnessed. | 0:22:58 | 0:23:01 | |
LAUGHTER | 0:23:01 | 0:23:03 | |
Are they superstitious, Italians, about cats? | 0:23:03 | 0:23:05 | |
Yeah, but the number of lives that a cat has in superstition | 0:23:05 | 0:23:08 | |
varies from culture to culture. | 0:23:08 | 0:23:09 | |
So the Italians believe it is seven. | 0:23:09 | 0:23:11 | |
In Turkish and Arabic tradition it's six. | 0:23:11 | 0:23:14 | |
Germany, Greece, Brazil, | 0:23:14 | 0:23:15 | |
a few Spanish-speaking places it's seven as well. We have nine. | 0:23:15 | 0:23:19 | |
Tommaso is possibly just one of the world's richest cats. | 0:23:19 | 0:23:22 | |
He was a stray adopted by an elderly Italian woman named | 0:23:22 | 0:23:25 | |
Maria Assunta, and when she died in 2011, she bequeathed him | 0:23:25 | 0:23:28 | |
13,000,000, to make sure he would be loved and cuddled. | 0:23:28 | 0:23:34 | |
I would totally do it and I don't like cats. I'm... | 0:23:34 | 0:23:36 | |
I'd sit at the bottom of an old man's bed | 0:23:36 | 0:23:40 | |
and drink milk naked for 13,000,000. | 0:23:40 | 0:23:42 | |
-For probably 20 quid. -Just for 20... | 0:23:42 | 0:23:44 | |
Why do so many cultures have an idea that cats always come back? | 0:23:46 | 0:23:49 | |
It's more they're cheating death, isn't that the thing? | 0:23:49 | 0:23:52 | |
Yeah, they cheat death. They fall off a roof and they walk away. | 0:23:52 | 0:23:55 | |
Lots of people think that they... | 0:23:55 | 0:23:56 | |
But, if you put them in a tumble dryer, they will die. They will. | 0:23:56 | 0:23:59 | |
-LAUGHTER -Eventually. | 0:23:59 | 0:24:01 | |
On the ninth time. "He's still alive! | 0:24:03 | 0:24:06 | |
-"Go again!" -This is the eighth cycle! | 0:24:06 | 0:24:11 | |
"I can't even touch him, he's so hot! | 0:24:11 | 0:24:14 | |
"Arrgh, boof!" | 0:24:14 | 0:24:17 | |
"Meow, bang, meow, bang." | 0:24:17 | 0:24:19 | |
-NOEL: -Can you put my socks in with it? | 0:24:20 | 0:24:24 | |
Now, what should you use to make a traditional Jack-o-Lantern? | 0:24:24 | 0:24:27 | |
Pumpkin. | 0:24:27 | 0:24:29 | |
BELL RINGS KLAXON BLARES | 0:24:29 | 0:24:32 | |
No, it's not a pumpkin. Yes? | 0:24:33 | 0:24:36 | |
A turnip. | 0:24:36 | 0:24:37 | |
A turnip is exactly right. Yes, very good. | 0:24:37 | 0:24:40 | |
Yeah. So turnips there on the left, and if you can't get a turnip, | 0:24:40 | 0:24:42 | |
something called a mangelwurzel, which is on the right. | 0:24:42 | 0:24:45 | |
Do you know where the tradition of Halloween comes from? | 0:24:45 | 0:24:47 | |
-I'm looking at Aisling. -Best country in the world, Sandi. | 0:24:47 | 0:24:50 | |
-Denmark. -Oh, no. -No? | 0:24:50 | 0:24:53 | |
Ireland, it came from Ireland, from Samhain, S-A-M-H-A-I-N, | 0:24:53 | 0:24:57 | |
which is Halloween, All Hallows Eve, we celebrate our dead. | 0:24:57 | 0:25:01 | |
How do you say it? Because it looks like Sam Hain. | 0:25:01 | 0:25:03 | |
-Yeah, Samhain. -So-wan. -Samhain. | 0:25:03 | 0:25:05 | |
-Just haven't got time to say the whole thing properly. -Yeah. Very busy people. | 0:25:05 | 0:25:08 | |
Now, I've got each of you some magic sticks, | 0:25:08 | 0:25:11 | |
but I want you to tell me which of these sticks is a wand. | 0:25:11 | 0:25:16 | |
So I'm going to give this one to Aisling, there we go. | 0:25:16 | 0:25:19 | |
I am going to give this one to Noel. | 0:25:19 | 0:25:24 | |
-There we go. -That's it. | 0:25:24 | 0:25:26 | |
I'm going to give this one to Russell. | 0:25:26 | 0:25:28 | |
Oh, they're getting bigger and bigger. There we go. | 0:25:28 | 0:25:31 | |
And ah... LAUGHTER | 0:25:31 | 0:25:34 | |
That's for Alan. | 0:25:34 | 0:25:36 | |
-Aw. -Actually, I've got two for you. | 0:25:36 | 0:25:38 | |
You can have that one as well. | 0:25:38 | 0:25:40 | |
-Anybody know what a wand used to be? -A walking stick? | 0:25:40 | 0:25:43 | |
It's a unit of length. | 0:25:43 | 0:25:45 | |
This was originally equivalent to a modern metre. | 0:25:45 | 0:25:48 | |
So in fact Aisling has the original wand. | 0:25:48 | 0:25:50 | |
Ooph! LAUGHTER | 0:25:52 | 0:25:55 | |
No, they're all old lengths. | 0:25:57 | 0:25:59 | |
So, Noel, you've got something, it's called an "ars." | 0:25:59 | 0:26:02 | |
LAUGHTER | 0:26:02 | 0:26:03 | |
It's an old Turkish unit meaning forearm. | 0:26:03 | 0:26:05 | |
So you know in the Bible it says, Noah builds the ark using cubits? | 0:26:05 | 0:26:09 | |
-Yes, by cubits. -That's that measure. That's the one you've got there. | 0:26:09 | 0:26:12 | |
-OK. -And the one you've got, Russell, is Mongolian, it's an "ald", | 0:26:12 | 0:26:15 | |
so it's the width of a man's arms outstretched. | 0:26:15 | 0:26:17 | |
It was used in the time of Genghis Khan. | 0:26:17 | 0:26:19 | |
I don't know if your arms would be the same as that span? | 0:26:19 | 0:26:22 | |
There's nothing wrong with Genghis and his army, | 0:26:22 | 0:26:24 | |
out there on the plains, fighting on horseback, bows and arrows, | 0:26:24 | 0:26:27 | |
up against the Chinese, why the hell not? | 0:26:27 | 0:26:29 | |
What else are you going to do, just sit quietly? | 0:26:29 | 0:26:31 | |
To hell with it, we've got me wand, I'm off out there. | 0:26:31 | 0:26:35 | |
-Alan, your little one is actually a measure. -Oh. | 0:26:37 | 0:26:40 | |
It's a pyramid inch, which briefly in the 19th century | 0:26:40 | 0:26:43 | |
they believed was the measure that had been used by the Egyptians | 0:26:43 | 0:26:46 | |
to build their pyramids. | 0:26:46 | 0:26:47 | |
The other one you've got, Alan, is a Scandinavian measure, | 0:26:47 | 0:26:49 | |
and do you know what it's called? It's 60cm long. | 0:26:49 | 0:26:52 | |
A, er, no. | 0:26:52 | 0:26:56 | |
-It's called an "alen." -Aw. | 0:26:56 | 0:26:58 | |
-Is it? -None of them are in fact magic wands. | 0:26:58 | 0:27:01 | |
Does anybody know what you have to say in order to get a magic wand? | 0:27:01 | 0:27:04 | |
Please. | 0:27:04 | 0:27:05 | |
-GASPING -Ah! Ah! | 0:27:05 | 0:27:08 | |
-She's a witch! Witch! -APPLAUSE | 0:27:08 | 0:27:11 | |
-That was genuinely alarming. -Genuinely. | 0:27:13 | 0:27:16 | |
Which brings us to the hell fire and damnation of the scores, | 0:27:16 | 0:27:19 | |
and, oh, my. Last place, with minus 17 - | 0:27:19 | 0:27:22 | |
Noel Fielding. APPLAUSE AND CHEERING | 0:27:22 | 0:27:25 | |
In a very creditable third place - | 0:27:29 | 0:27:31 | |
Russell! | 0:27:31 | 0:27:33 | |
CHEERING AND APPLAUSE | 0:27:33 | 0:27:36 | |
In second place, with minus two - | 0:27:37 | 0:27:40 | |
it's Alan! | 0:27:40 | 0:27:42 | |
CHEERING AND APPLAUSE | 0:27:42 | 0:27:46 | |
And that means... | 0:27:46 | 0:27:48 | |
SHE GASPS Oh, my God! | 0:27:48 | 0:27:50 | |
This week I've won. No, it means... | 0:27:50 | 0:27:53 | |
with no points at all, this week's winner is Aisling. | 0:27:53 | 0:27:58 | |
CHEERING AND APPLAUSE | 0:27:58 | 0:28:00 | |
And that means that Aisling is the winner of tonight's | 0:28:07 | 0:28:10 | |
objectionable object. | 0:28:10 | 0:28:11 | |
This is the skull of one of the QI researchers, as a matter of fact. | 0:28:11 | 0:28:15 | |
So there you are, Aisling, there is your object to take home. | 0:28:15 | 0:28:17 | |
Oh, goodness me. Is it a real skull? | 0:28:17 | 0:28:19 | |
-Yes, of course darling, look at the size of it. -Oh. | 0:28:19 | 0:28:22 | |
Just, your biology as good as your maths. | 0:28:22 | 0:28:25 | |
LAUGHTER | 0:28:25 | 0:28:28 | |
Thank you to Russell, Noel, Aisling and Alan, I leave you with this, | 0:28:28 | 0:28:32 | |
the great French zoologist Georges Cuvier was irritatingly logical. | 0:28:32 | 0:28:37 | |
One day, to teach him a lesson, | 0:28:37 | 0:28:38 | |
a colleague broke into his bedroom dressed as a devil with | 0:28:38 | 0:28:40 | |
horns on his head, and shouted: "Mr Cuvier, I'm going to eat you!" | 0:28:40 | 0:28:43 | |
To which he replied: | 0:28:43 | 0:28:44 | |
"All animals with horns and hooves are herbivorous." | 0:28:44 | 0:28:48 | |
And he went back to sleep. Thank you and good night. | 0:28:48 | 0:28:51 |