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APPLAUSE AND CHEERING | 0:00:24 | 0:00:27 | |
Good evening! | 0:00:31 | 0:00:33 | |
Welcome to QI. | 0:00:33 | 0:00:36 | |
Tonight, we have a show that promises to be | 0:00:37 | 0:00:40 | |
an outright omnishambles, | 0:00:40 | 0:00:42 | |
and trying to stay on top of it all, | 0:00:42 | 0:00:44 | |
we have the cack-handed Josh Widdicombe. | 0:00:44 | 0:00:47 | |
APPLAUSE AND CHEERING | 0:00:47 | 0:00:50 | |
The ham-fisted Stephen K Amos. | 0:00:50 | 0:00:53 | |
APPLAUSE AND CHEERING | 0:00:53 | 0:00:56 | |
The butter-fingered Cally Beaton. | 0:00:56 | 0:00:58 | |
APPLAUSE AND CHEERING | 0:00:58 | 0:01:01 | |
And the...Alan Davies. | 0:01:02 | 0:01:04 | |
APPLAUSE AND CHEERING | 0:01:04 | 0:01:07 | |
And their buzzers are going all over the place. Josh goes... | 0:01:08 | 0:01:11 | |
BARKING, MOOING | 0:01:11 | 0:01:15 | |
That doesn't sound good, does it? | 0:01:16 | 0:01:18 | |
No. It went on far longer than I'd expected, as well. | 0:01:18 | 0:01:20 | |
Stephen goes... | 0:01:20 | 0:01:22 | |
BARKING, NEIGHING, GALLOPING | 0:01:22 | 0:01:25 | |
Wow, that's terrifying. Cally goes... | 0:01:26 | 0:01:28 | |
BARKING, CLUCKING | 0:01:28 | 0:01:31 | |
And Alan goes... | 0:01:31 | 0:01:33 | |
BARKING Listen! Listen! Listen! | 0:01:33 | 0:01:37 | |
APPLAUSE | 0:01:38 | 0:01:40 | |
OK, what's this all about? | 0:01:43 | 0:01:46 | |
A disgrace! | 0:01:47 | 0:01:48 | |
Dangerous! | 0:01:48 | 0:01:50 | |
Not a very edifying spectacle! | 0:01:50 | 0:01:52 | |
Wretched women! What...? | 0:01:52 | 0:01:55 | |
Is this about women on panel shows? | 0:01:55 | 0:01:57 | |
Ah, yes. Only last year, in fact, I think! | 0:01:57 | 0:02:01 | |
-Horrified. -Yeah. -Yeah, a bit horrifying to be here. | 0:02:02 | 0:02:05 | |
So panel shows, it's to do with games of some kind. | 0:02:05 | 0:02:09 | |
Is it women playing sport? | 0:02:09 | 0:02:10 | |
Yes, women doing sport. | 0:02:10 | 0:02:12 | |
It was thought to be one of the most shocking things in the world. | 0:02:12 | 0:02:15 | |
These are descriptions of the women's 800 metres | 0:02:15 | 0:02:18 | |
at the 1928 Olympics, OK? | 0:02:18 | 0:02:20 | |
So women had been allowed to compete in the track and field events | 0:02:20 | 0:02:23 | |
for the very first time, and the media reported | 0:02:23 | 0:02:25 | |
that it was a disaster. According to these reports, | 0:02:25 | 0:02:28 | |
out of the 11 runners, five collapsed before getting to the end. | 0:02:28 | 0:02:31 | |
Five fainted at the finish line and only one was still standing, | 0:02:31 | 0:02:35 | |
and she passed out in the dressing room moments later. | 0:02:35 | 0:02:38 | |
Some of the women took 15 minutes to regain consciousness. | 0:02:38 | 0:02:42 | |
Those who hadn't won sobbed hysterically. | 0:02:42 | 0:02:44 | |
And as a result, the 800 metres race was deemed to be just too injurious | 0:02:44 | 0:02:48 | |
to these women and it was dropped from the Olympics for 32 years. | 0:02:48 | 0:02:52 | |
In reality, there were nine women runners, | 0:02:53 | 0:02:56 | |
they all completed it, no-one collapsed, | 0:02:56 | 0:02:58 | |
no-one became hysterical and six of them beat the existing world record. | 0:02:58 | 0:03:02 | |
This wasn't the first Olympics women competed in, though, was it? | 0:03:05 | 0:03:08 | |
-No. -They'd competed before. -Only in some sports. | 0:03:08 | 0:03:10 | |
So the founder of the modern Olympics, Pierre de Coubertin, | 0:03:10 | 0:03:13 | |
he vehemently opposed female participation, | 0:03:13 | 0:03:15 | |
he absolutely wasn't having it. | 0:03:15 | 0:03:16 | |
That's Rowan Atkinson! | 0:03:16 | 0:03:18 | |
It does look like him, doesn't it?! | 0:03:21 | 0:03:23 | |
Anyway, him, Pierre de Coubertin, | 0:03:23 | 0:03:25 | |
he vehemently opposed female participation. | 0:03:25 | 0:03:27 | |
He said it would be, "impractical, uninteresting, unaesthetic | 0:03:27 | 0:03:30 | |
"and improper". | 0:03:30 | 0:03:31 | |
He said, women's primary role should be, "to crown the victors, | 0:03:31 | 0:03:35 | |
"since they were, above all, a companion to men". | 0:03:35 | 0:03:38 | |
But you're absolutely right, | 0:03:38 | 0:03:39 | |
they had been allowed to compete from 1900, but only in five sports, | 0:03:39 | 0:03:42 | |
-and they were considered the kind of easy ones. -Sewing. | 0:03:42 | 0:03:45 | |
Sewing, yes, was a big one. LAUGHTER | 0:03:45 | 0:03:46 | |
It was tennis, croquet, golf, sailing and equestrian. | 0:03:46 | 0:03:49 | |
And the women got fed up with this. | 0:03:49 | 0:03:51 | |
So in 1922, they held their own Olympics in Paris. | 0:03:51 | 0:03:55 | |
20,000 people attended. | 0:03:55 | 0:03:57 | |
-Oh, wow! -There were 18 world records set. | 0:03:57 | 0:04:00 | |
One of the more unusual events is that one on the right, | 0:04:00 | 0:04:02 | |
it's the two-handed javelin. | 0:04:02 | 0:04:04 | |
And athletes had to throw once with their right hand, then once | 0:04:04 | 0:04:07 | |
with their left hand, and the score was the combined distance | 0:04:07 | 0:04:10 | |
-of the two throws. -So a sort of ambidextrous javelin. | 0:04:10 | 0:04:13 | |
-Yes, yes. -Yeah. -And then your team-mate had to catch it! -Yes. | 0:04:13 | 0:04:16 | |
I wouldn't want to be the one who had to measure it | 0:04:16 | 0:04:18 | |
when people were throwing the javelin left-handed. | 0:04:18 | 0:04:21 | |
But one of the great... | 0:04:21 | 0:04:23 | |
Is that two together that you're doing? | 0:04:25 | 0:04:27 | |
That's two, that's getting the javelin and throwing them. | 0:04:27 | 0:04:30 | |
-Quite difficult, I'd have thought. -I would think it was quite tricky. | 0:04:30 | 0:04:33 | |
I think she's going too far up, that one, it's going to go straight up | 0:04:33 | 0:04:36 | |
-and down in front of her. -Her trajectory is all wrong. | 0:04:36 | 0:04:38 | |
One of the reasons why women wanted to take part in the Olympics was the | 0:04:38 | 0:04:41 | |
incredibly restricted clothing that they wore in the traditional games. | 0:04:41 | 0:04:44 | |
So, up until the mid 1900s, female swimmers had to wear blouses | 0:04:44 | 0:04:48 | |
and bloomers in the pool. | 0:04:48 | 0:04:49 | |
They used to play tennis in dresses that covered the ankle | 0:04:49 | 0:04:52 | |
and multiple petticoats and corsets, and so on. Shoes with heels. | 0:04:52 | 0:04:55 | |
But I think that's why it took so long for women | 0:04:55 | 0:04:58 | |
to get involved in sports, because I run, and it's all about two bras. | 0:04:58 | 0:05:02 | |
-Yeah. -Keeping... Nothing should move. | 0:05:02 | 0:05:03 | |
Because otherwise, honestly, take your eye out. | 0:05:03 | 0:05:06 | |
Yeah. Yeah. | 0:05:06 | 0:05:07 | |
I feel like giving tips out at race days, | 0:05:07 | 0:05:09 | |
sometimes to middle-aged men, to be honest. | 0:05:09 | 0:05:12 | |
I was not a really big sports fan at school at all, because I come | 0:05:15 | 0:05:18 | |
from quite a big family, and all my stuff was hand-me-downs. | 0:05:18 | 0:05:21 | |
So I'd be the only boy on the sports field with a training bra. | 0:05:21 | 0:05:24 | |
So I know what you're talking about, yeah. | 0:05:26 | 0:05:28 | |
Anyway, moving on. | 0:05:30 | 0:05:31 | |
When is it cool to wet your pants? | 0:05:31 | 0:05:34 | |
Is it when it's, like, in a hot situation? | 0:05:35 | 0:05:38 | |
Obviously, we're going to be, yes, somewhere hot. | 0:05:38 | 0:05:40 | |
Somewhere where your wee is cooler than everything else around you. | 0:05:40 | 0:05:43 | |
OK. It's... | 0:05:43 | 0:05:44 | |
Or if you've had a really cold drink and you get it out quick. | 0:05:44 | 0:05:48 | |
Is it to do with, um, jellyfish, you know, | 0:05:48 | 0:05:51 | |
when you have to pee on a... | 0:05:51 | 0:05:52 | |
-Because my daughter got stung by a jellyfish in South Africa. -Right. | 0:05:52 | 0:05:55 | |
And she was crying, really upset, and so I pulled my tankini - | 0:05:55 | 0:05:58 | |
which is what older women wear instead of a bikini - | 0:05:58 | 0:06:01 | |
I pulled it to the side to pee, and the sight | 0:06:01 | 0:06:04 | |
of my pulled-to-the-side gusset fully stopped her crying. | 0:06:04 | 0:06:07 | |
I would imagine. | 0:06:07 | 0:06:08 | |
It worked really well. | 0:06:08 | 0:06:10 | |
And she begged me not to pee on the sting. | 0:06:10 | 0:06:12 | |
-No. -Is it to do...? No. -Does she still have dreams about this? | 0:06:12 | 0:06:14 | |
-She does. We're working on it. -It's best. -We're working it through. | 0:06:14 | 0:06:17 | |
I think we're all going to have dreams about it, aren't we? | 0:06:17 | 0:06:19 | |
Is it in space? | 0:06:21 | 0:06:23 | |
It is not in space. | 0:06:23 | 0:06:24 | |
We're not doing people at all, | 0:06:24 | 0:06:26 | |
and "wet their pants" is more of a... | 0:06:26 | 0:06:27 | |
What's another expression for pant? | 0:06:27 | 0:06:30 | |
-An animal panting. -Oh. -An animal panting. It is ostriches, in fact. | 0:06:31 | 0:06:34 | |
Ostriches have a phenomenal capacity for water. | 0:06:34 | 0:06:37 | |
They can swallow up to ten litres of water in one go. | 0:06:37 | 0:06:40 | |
And then what they do is, they pant really quickly, | 0:06:40 | 0:06:43 | |
so that the air that they bring into their bodies evaporates | 0:06:43 | 0:06:45 | |
the water, and it works exactly the same way as us | 0:06:45 | 0:06:47 | |
evaporating sweat on our skin, in order to keep us cool. | 0:06:47 | 0:06:51 | |
And they have to avoid getting too much oxygen | 0:06:51 | 0:06:53 | |
into their bloodstream while they do this, and so, | 0:06:53 | 0:06:55 | |
as they pant, their windpipe redirects the air away | 0:06:55 | 0:06:58 | |
from the lungs. Essentially, they pant without breathing. | 0:06:58 | 0:07:00 | |
Did you know this? They're the only birds to have a bladder. | 0:07:00 | 0:07:03 | |
Birds do not wee, because they'd be too heavy to be | 0:07:03 | 0:07:05 | |
carrying around a big bladder, and so on. | 0:07:05 | 0:07:07 | |
But the flightless ostrich can cope with the extra thing. | 0:07:07 | 0:07:09 | |
So there's a little takeaway for you - birds don't wee. | 0:07:09 | 0:07:12 | |
-Who knew that? -Wow! | 0:07:12 | 0:07:14 | |
Any creature that's got an eye here | 0:07:14 | 0:07:16 | |
-and an eye there that goes that way, nah. -Yes. | 0:07:16 | 0:07:19 | |
It's not right! | 0:07:20 | 0:07:22 | |
I really do think they're quite creepy. | 0:07:22 | 0:07:24 | |
Would you like them more if they could fly? Can you imagine that? | 0:07:24 | 0:07:28 | |
This thing in the sky, argh! | 0:07:28 | 0:07:29 | |
-Ugh! -Do you think they'd fly with their necks up, | 0:07:29 | 0:07:32 | |
or would they just put their necks forward? | 0:07:32 | 0:07:34 | |
Or their neck up, looking behind them. | 0:07:36 | 0:07:39 | |
"WHOA! | 0:07:39 | 0:07:40 | |
"Whoa-ho! Ho-ho-ho!" | 0:07:42 | 0:07:46 | |
I imagine they'd do that all the time. | 0:07:46 | 0:07:48 | |
The first one that went up would do that. | 0:07:48 | 0:07:50 | |
I'd like to have an ostrich, though, | 0:07:50 | 0:07:52 | |
because one scrambled ostrich egg is the same as 25 chicken eggs, | 0:07:52 | 0:07:55 | |
so you'd only have to go and collect the one. That would be... | 0:07:55 | 0:07:58 | |
And that would save you time, because normally you have to make | 0:07:58 | 0:08:01 | |
25 chicken eggs in the morning. | 0:08:01 | 0:08:02 | |
I know. It's a nightmare. | 0:08:02 | 0:08:04 | |
The other thing about them is, their legs go the wrong way. | 0:08:04 | 0:08:07 | |
So, when they're running, if you show an ostrich running | 0:08:07 | 0:08:11 | |
and reverse the film, it looks like a person. | 0:08:11 | 0:08:13 | |
It looks like Bernie Clifton. | 0:08:13 | 0:08:15 | |
There, you can see, right, if you look at it, | 0:08:16 | 0:08:19 | |
it looks like it's running that way, but its body is on backwards. | 0:08:19 | 0:08:22 | |
-Yeah. Yeah. -Do you get it, are you seeing it now?! | 0:08:22 | 0:08:24 | |
-So if it was running that way, you'd think, "Yeah." -"Yeah, fair enough." | 0:08:24 | 0:08:27 | |
-Yeah. -That's like, that's Bernie Clifton, right. | 0:08:27 | 0:08:30 | |
But Bernie's got to get his... | 0:08:30 | 0:08:31 | |
-If he'd had major surgery in about 1972. -Yeah. | 0:08:31 | 0:08:34 | |
Alan, it sounds like you've done quite a lot of research on this. | 0:08:34 | 0:08:37 | |
I did, I shared a dressing room with Bernie Clifton at the recent | 0:08:37 | 0:08:40 | |
-Royal Variety Performance. -Did you? | 0:08:40 | 0:08:42 | |
-Did you? -Oh. -Me, Bernie Clifton and the Chuckle Brothers. | 0:08:42 | 0:08:45 | |
-I swear to God, it was... -Talk about knowing your place in showbiz. | 0:08:47 | 0:08:50 | |
-I'll tell you what... -I'm 51 now, right... | 0:08:51 | 0:08:54 | |
I've been doing stand-up for a very long time, nearly 30 years, | 0:08:54 | 0:08:57 | |
and I was such a junior person in that room. | 0:08:57 | 0:09:00 | |
-Aah. -I was in heaven. | 0:09:00 | 0:09:02 | |
I like to think that they totally ignored you for the whole time. | 0:09:02 | 0:09:06 | |
They had no idea who I was. | 0:09:06 | 0:09:07 | |
But you're right about the legs, | 0:09:11 | 0:09:13 | |
and look at the extraordinary feet of the ostrich, they're amazing. | 0:09:13 | 0:09:16 | |
So the scientific name is Struthio camelus, | 0:09:16 | 0:09:18 | |
so it's from the ancient Greek, it literally means "camel sparrow". | 0:09:18 | 0:09:21 | |
And the Greeks considered it similar to the camel because if you look | 0:09:21 | 0:09:24 | |
at the hooves of the ostrich and you look at the hooves of the camel. | 0:09:24 | 0:09:27 | |
Hang on, what's what? The ostrich is on the left? | 0:09:27 | 0:09:29 | |
The ostrich is on the left, the camel on the right. | 0:09:29 | 0:09:31 | |
-Look at those toes. -That toenail, that needs bringing in, doesn't it?! | 0:09:31 | 0:09:35 | |
He's getting through some socks with that, isn't he? | 0:09:36 | 0:09:39 | |
Right, moving on. | 0:09:39 | 0:09:41 | |
What's the wrong way to get out of a car? | 0:09:41 | 0:09:44 | |
Sunroof. | 0:09:44 | 0:09:45 | |
Yeah, that's not good, is it? | 0:09:45 | 0:09:47 | |
But let's all imagine we're driving in the UK. | 0:09:47 | 0:09:50 | |
So let's all do driving. | 0:09:50 | 0:09:52 | |
Can I do MY driving, please? | 0:09:52 | 0:09:53 | |
-Driving, we arrive... -I drive like this. | 0:10:01 | 0:10:04 | |
-I'm going to park, brake... -Yeah. -OK, brake now. | 0:10:04 | 0:10:07 | |
So you're in a right-hand drive. | 0:10:07 | 0:10:09 | |
Brake, yeah. So now I want you to open the door. | 0:10:09 | 0:10:11 | |
-Open the door. -Yeah. -You've done it like that. What have you done? | 0:10:11 | 0:10:14 | |
Like that. So, none of that... | 0:10:14 | 0:10:15 | |
HOOTER | 0:10:15 | 0:10:17 | |
And if you never learn anything else from this show, | 0:10:18 | 0:10:21 | |
learn this thing, which I think is wonderful. | 0:10:21 | 0:10:24 | |
You should always do what is called the Dutch Reach. | 0:10:24 | 0:10:28 | |
You have to open with the hand... Exactly that. | 0:10:28 | 0:10:30 | |
Furthest from the door. | 0:10:30 | 0:10:31 | |
And it makes you automatically look over your shoulder. | 0:10:31 | 0:10:35 | |
It's to spot, particularly, oncoming cyclists. | 0:10:35 | 0:10:38 | |
So, in the Netherlands it is required | 0:10:38 | 0:10:40 | |
as part of the driving test, | 0:10:40 | 0:10:41 | |
and it prevents what's called "dooring", which is basically | 0:10:41 | 0:10:44 | |
just hitting a cyclist with your car door. | 0:10:44 | 0:10:46 | |
Do you not think it's the simplest... | 0:10:46 | 0:10:49 | |
It's brilliant, it's brilliant. | 0:10:49 | 0:10:51 | |
But it suggests that when people get out of their car this way, | 0:10:51 | 0:10:54 | |
-that they just go... -And they do. They do. | 0:10:54 | 0:10:56 | |
So, out of the car and into the closet. | 0:10:56 | 0:10:58 | |
What's the most exciting thing you can do in a cupboard that | 0:10:58 | 0:11:01 | |
begins with O? | 0:11:01 | 0:11:04 | |
Orlando Bloom. | 0:11:04 | 0:11:06 | |
APPLAUSE | 0:11:07 | 0:11:10 | |
I organise my pants. | 0:11:12 | 0:11:14 | |
-Organising is a good one, yes. -Organising, yeah, I enjoy that. | 0:11:14 | 0:11:17 | |
-Yeah. -Do you organise your pants, Josh? -Not my pants, but you know. | 0:11:17 | 0:11:20 | |
-What? -What would you organise? | 0:11:20 | 0:11:22 | |
Well, just like a soiree. | 0:11:22 | 0:11:23 | |
Are you saying you put your pants in a cupboard? | 0:11:26 | 0:11:29 | |
Well, you can do, darling, it's not that weird. | 0:11:29 | 0:11:32 | |
No, I thought a cupboard was like, you know, in the kitchen. | 0:11:32 | 0:11:35 | |
-So, it's a new thing, you sometimes have cupboards in bedrooms. -Yeah. | 0:11:35 | 0:11:39 | |
It's never going to take off, you're absolutely right. | 0:11:40 | 0:11:43 | |
Because my girlfriend, who I live with, has got too many... | 0:11:43 | 0:11:46 | |
She's in a cupboard? | 0:11:46 | 0:11:47 | |
Oh, I understand that, I spent years in the closet. | 0:11:48 | 0:11:51 | |
I totally understand that. | 0:11:51 | 0:11:53 | |
APPLAUSE | 0:11:53 | 0:11:55 | |
When you say...exciting, do you mean...? | 0:11:56 | 0:12:00 | |
-Yes, something exciting, yes. -Like physically... | 0:12:00 | 0:12:03 | |
-Unbelievably physically exciting. -So orgasming in a cupboard. | 0:12:03 | 0:12:06 | |
It is an orgasm in a cupboard, but it's a very specific one. | 0:12:06 | 0:12:08 | |
-So... -Oh, not that Woody Allen film, the Orgasmatron. | 0:12:08 | 0:12:10 | |
It is exactly this sort of thing. | 0:12:10 | 0:12:13 | |
So, in 1940 there was an Austrian psychologist called | 0:12:13 | 0:12:15 | |
Wilhelm Reich, and he started building... There he is. | 0:12:15 | 0:12:18 | |
-Doesn't look bonkers at all. -Ooh, look at him. | 0:12:18 | 0:12:21 | |
He's got Chris Packham's haircut. | 0:12:21 | 0:12:24 | |
He wanted to harness the power of a force that he called "orgone" - | 0:12:24 | 0:12:27 | |
an amalgam of orgasm and ozone. And he said other people call it God. | 0:12:27 | 0:12:31 | |
He believed it was all around us, that it was what made the sky blue, | 0:12:31 | 0:12:34 | |
for instance. So, the idea was that you had one of these compartments, | 0:12:34 | 0:12:38 | |
you climbed naked into his special cupboard - this | 0:12:38 | 0:12:40 | |
is for illustration purposes only, but ideally she should be naked. | 0:12:40 | 0:12:43 | |
-No way. -And you absorbed the concentrated orgone within it, | 0:12:43 | 0:12:47 | |
to reach a state of sexual satisfaction. | 0:12:47 | 0:12:49 | |
And that could cure anything from, I don't know, cancer to blisters. | 0:12:49 | 0:12:53 | |
-It was really, it was a full-range thing. -So... | 0:12:53 | 0:12:55 | |
But are the people in that box, are they volunteers or hostages? | 0:12:55 | 0:12:59 | |
-No, people wanted to do this. It was hugely popular. -Oh, OK. | 0:12:59 | 0:13:02 | |
-What year was, when was this? -So, 1940. | 0:13:02 | 0:13:04 | |
He believed that sexual repression was responsible for almost | 0:13:04 | 0:13:07 | |
all physical and psychological and emotional problems, and so on. | 0:13:07 | 0:13:10 | |
-I think that's fair. -He was a slightly strange fellow. So... | 0:13:10 | 0:13:13 | |
-No shit! -Yeah. | 0:13:13 | 0:13:15 | |
Does it clean itself, like one of those toilets? | 0:13:15 | 0:13:18 | |
-GROANING Well, none of it's... -"I've finished!" | 0:13:18 | 0:13:22 | |
It was very, very popular, lots of celebrities owned these cupboards. | 0:13:22 | 0:13:25 | |
JD Salinger, Norman Mailer, Sean Connery had one. | 0:13:25 | 0:13:28 | |
-AS SEAN CONNERY: -"Sure, let's go into the cupboard." | 0:13:28 | 0:13:31 | |
The vibrator was developed by Victorian doctors, you'll know this. | 0:13:33 | 0:13:36 | |
-Yeah, I do. -It was, wasn't it to stop women being hysterical? | 0:13:36 | 0:13:39 | |
You're absolutely right. | 0:13:39 | 0:13:40 | |
So it's widely believed that it was very damaging to women | 0:13:40 | 0:13:43 | |
-if they didn't orgasm enough. -Yeah. -And I think that's entirely true. | 0:13:43 | 0:13:46 | |
They had steam-operated vibrators, the first ones. | 0:13:47 | 0:13:50 | |
-Yes. -So I'm just wondering why, | 0:13:50 | 0:13:52 | |
he's a bit late to the party with this cumbersome vibrator. | 0:13:52 | 0:13:55 | |
Well, this doesn't actually touch your pudenda in any way. | 0:13:55 | 0:13:58 | |
-But how's it...? -It's this thing called orgone, | 0:13:58 | 0:14:01 | |
which he believed was in the ether | 0:14:01 | 0:14:02 | |
and that it would accumulate within the cupboard, | 0:14:02 | 0:14:04 | |
-and this would make you feel... -Oh, so that's a mask? | 0:14:04 | 0:14:07 | |
No, it's just to go into the cupboard, it's an orgone shooter. | 0:14:07 | 0:14:09 | |
I can't... I'm trying to make it more sensible than it really is. | 0:14:09 | 0:14:12 | |
-Right. -Does it work? | 0:14:12 | 0:14:14 | |
No. The US courts formally declared that orgone doesn't exist | 0:14:14 | 0:14:17 | |
and all of the cupboards were ordered to be destroyed, | 0:14:17 | 0:14:20 | |
all of the literature, and in fact... | 0:14:20 | 0:14:22 | |
Destroyed? You could just convert it into a pant cupboard, couldn't you? | 0:14:22 | 0:14:25 | |
Yeah, you could have done. | 0:14:25 | 0:14:26 | |
Reich was imprisoned for not complying with the ban, | 0:14:26 | 0:14:30 | |
and so he actually ended up dying in prison. | 0:14:30 | 0:14:32 | |
But you're absolutely right, this whole thing about orgasm, | 0:14:32 | 0:14:35 | |
Victorian doctors, it was not uncommon, women with hysteria, | 0:14:35 | 0:14:38 | |
that they needed to get rid, they thought it was anxiety, | 0:14:38 | 0:14:40 | |
irritability, bloated stomach, any of these things could be got rid of. | 0:14:40 | 0:14:43 | |
And the prescription was to have a pelvic massage. | 0:14:43 | 0:14:48 | |
And it was a routine part of doctors' work. | 0:14:48 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:53 | |
That's a water jet, is it? | 0:14:53 | 0:14:55 | |
It looks like one of those Olympic sports. | 0:14:55 | 0:14:57 | |
And now... | 0:14:59 | 0:15:01 | |
35 feet. Personal best. | 0:15:01 | 0:15:04 | |
Only 35 feet, Alan? | 0:15:05 | 0:15:08 | |
I think I can do better than that. | 0:15:08 | 0:15:10 | |
OK, moving on. | 0:15:11 | 0:15:13 | |
Now, what definitely won't happen to you when you sneeze? | 0:15:14 | 0:15:19 | |
You won't have a 16th of an orgasm. | 0:15:19 | 0:15:22 | |
-Isn't it a tenth? -Is it a tenth? | 0:15:22 | 0:15:24 | |
But that might be inflation, I don't know. | 0:15:24 | 0:15:26 | |
Is there a, is there a little thrill to be had from sneezing? | 0:15:27 | 0:15:29 | |
Apparently, well, that was the myth, | 0:15:29 | 0:15:31 | |
-that if you sneezed, you'd go... -HE SIGHS | 0:15:31 | 0:15:33 | |
But you can't physically sneeze with your eyes open, isn't that right? | 0:15:35 | 0:15:39 | |
Yeah, well, we did say that sneezing with your eyes open can't | 0:15:39 | 0:15:42 | |
make them pop out, but in fact, that is not entirely correct. | 0:15:42 | 0:15:45 | |
If you have something called floppy eyelid syndrome, | 0:15:45 | 0:15:48 | |
a sneeze can in fact force your eyeball out of your socket. | 0:15:48 | 0:15:52 | |
And we're all going to have a go! | 0:15:52 | 0:15:54 | |
So, like this. | 0:15:55 | 0:15:57 | |
So, it would be like that, and then you... Atchoo! | 0:15:57 | 0:16:00 | |
And out they pop. So that's so you can see. | 0:16:00 | 0:16:02 | |
Atchoo! | 0:16:03 | 0:16:04 | |
So there's a technical name for it. | 0:16:08 | 0:16:10 | |
So if your eyeball actually pops out, spontaneous... | 0:16:10 | 0:16:13 | |
ATCHOO! | 0:16:13 | 0:16:14 | |
GROANING | 0:16:17 | 0:16:20 | |
Spontaneous globe luxation is what it's called. | 0:16:20 | 0:16:23 | |
So, mostly obese men get this syndrome where your eyelid | 0:16:23 | 0:16:26 | |
can pop out. So the upper eyelid becomes very floppy | 0:16:26 | 0:16:29 | |
and it's easily turned inside-out. | 0:16:29 | 0:16:31 | |
What would the medical advice be if your eyeball popped out? | 0:16:31 | 0:16:34 | |
-Oh... -Pop it back. -Put it on ice. | 0:16:34 | 0:16:36 | |
Get it back in as quickly as possible, yeah. | 0:16:36 | 0:16:37 | |
No, don't put it on ice, darling, it's still attached, most likely. | 0:16:37 | 0:16:41 | |
If it's still attached, | 0:16:41 | 0:16:42 | |
look round corners that you couldn't previously look round. | 0:16:42 | 0:16:45 | |
That's a good idea. Yeah. | 0:16:46 | 0:16:48 | |
Keeping an eye on you. | 0:16:48 | 0:16:49 | |
I think the main advice is to get a medical person to do it, don't you? | 0:16:49 | 0:16:52 | |
And apparently they use a tool that looks a bit like a bent paperclip, | 0:16:52 | 0:16:55 | |
which I think would be... | 0:16:55 | 0:16:57 | |
GROANING Yes. | 0:16:57 | 0:16:58 | |
There was an American basketball player | 0:16:58 | 0:17:00 | |
called Akil Mitchell, in early 2017. | 0:17:00 | 0:17:02 | |
-No! -He got poked in the eye during a game, he fell to the ground, | 0:17:02 | 0:17:06 | |
he was clutching his face. | 0:17:06 | 0:17:08 | |
And he described afterwards that he knew something was wrong because he | 0:17:08 | 0:17:11 | |
could feel his eyeball on his cheek, and could still see out of it. | 0:17:11 | 0:17:15 | |
GROANING | 0:17:15 | 0:17:17 | |
Oh, my God! | 0:17:17 | 0:17:19 | |
And they popped it back in all right? | 0:17:19 | 0:17:20 | |
They popped it back, he's absolutely fine now. | 0:17:20 | 0:17:22 | |
Can you just do it with your finger? Do you need the paperclip thing? | 0:17:22 | 0:17:25 | |
-No, my advice is to... -If it happens. | 0:17:25 | 0:17:27 | |
Honestly, this is a moment for a doctor. | 0:17:27 | 0:17:29 | |
If you have a child and one of their eyeballs fall out, don't go, | 0:17:31 | 0:17:34 | |
"Darling, stop fussing," and... | 0:17:34 | 0:17:36 | |
There. I don't think that's... | 0:17:36 | 0:17:38 | |
Now, who would like to see a seriously eye-popping demonstration? | 0:17:38 | 0:17:43 | |
As long as no-one's eye is coming out. | 0:17:43 | 0:17:45 | |
I don't like this whole area. | 0:17:45 | 0:17:47 | |
No, it's not that. So, what we're going to do... | 0:17:47 | 0:17:49 | |
-If you get out a hoover now... -Have a look at this. | 0:17:49 | 0:17:51 | |
So, let me just put this here. | 0:17:51 | 0:17:53 | |
And hopefully I'm going to get this the right way round. | 0:17:53 | 0:17:56 | |
-Then I have... -Is that a steam-powered vibrator, Sandi? No? | 0:17:56 | 0:17:59 | |
No, it's adapted. OK. | 0:17:59 | 0:18:01 | |
So we can see that we have got a mirror here, | 0:18:01 | 0:18:04 | |
and if you look at this one, you can see squares, | 0:18:04 | 0:18:06 | |
and if you look in the mirror, you can see circles. | 0:18:06 | 0:18:08 | |
And if I take this one and I turn it, you can | 0:18:08 | 0:18:11 | |
see a square up here and a circle down here. | 0:18:11 | 0:18:15 | |
And if I then carry on turning it, | 0:18:15 | 0:18:17 | |
and we keep going round like this, you will see that this one at the | 0:18:17 | 0:18:23 | |
bottom will turn into a square | 0:18:23 | 0:18:25 | |
-and that one will turn into a circle. -Witchcraft! | 0:18:25 | 0:18:28 | |
It is. I'm going to move that out the way, so I can get my hand in. | 0:18:28 | 0:18:32 | |
You can see the square, and you can see the circles in there. | 0:18:32 | 0:18:34 | |
And as I turn, and I keep turning it like this, | 0:18:34 | 0:18:37 | |
you'll see it change and the one in the mirror becomes the square, | 0:18:37 | 0:18:43 | |
-and this one here becomes the circles. -Oh, I don't like this. | 0:18:43 | 0:18:46 | |
-Ooh! -And the same with this one here, as I turn it... It is | 0:18:46 | 0:18:51 | |
faintly astonishing, isn't it, you can see it becoming the circles. | 0:18:51 | 0:18:55 | |
-Oh, wow! -And then the squares. -That's amazing. | 0:18:55 | 0:18:57 | |
-What's happening?! -I know! It is called | 0:18:57 | 0:19:00 | |
the Ambiguous Cylinder Illusion. It is designed by a man... | 0:19:00 | 0:19:03 | |
-Catchy name. -Yeah. -It is a catchy name. | 0:19:03 | 0:19:06 | |
Designed by a man called Dr Sugihara Kokichi. | 0:19:06 | 0:19:09 | |
And from one angle, the shapes look circular, | 0:19:09 | 0:19:13 | |
while in the other angle they look like cuboids. And in fact, | 0:19:13 | 0:19:16 | |
they are a cross between the two. | 0:19:16 | 0:19:17 | |
Squircles, or rather, squircle prisms. | 0:19:17 | 0:19:20 | |
And if you want to make this at home, you absolutely can. | 0:19:20 | 0:19:23 | |
Just look up "Ambiguous Cylinder Illusion cut-out" | 0:19:23 | 0:19:25 | |
and there's a template for a paper version. | 0:19:25 | 0:19:27 | |
So you can work out how to do it. So I'm just going to put that one | 0:19:27 | 0:19:30 | |
-away. -That's amazing. -It IS amazing. | 0:19:30 | 0:19:32 | |
Do give it a go, because I think it's really extraordinary. | 0:19:32 | 0:19:34 | |
And the fact that our brains are flawed in this way is what | 0:19:34 | 0:19:37 | |
distinguishes us from robots. | 0:19:37 | 0:19:38 | |
Robots won't be fooled by optical illusions, | 0:19:38 | 0:19:40 | |
only human beings are fooled by optical illusions. | 0:19:40 | 0:19:42 | |
There's a very famous thing called the Adelson chequerboard illusion. | 0:19:42 | 0:19:46 | |
And if you look at it, you would imagine that there are light | 0:19:46 | 0:19:49 | |
squares and there are dark squares. | 0:19:49 | 0:19:51 | |
But in fact, what's happened is, | 0:19:51 | 0:19:52 | |
the green cylinder there has cast a shadow. | 0:19:52 | 0:19:55 | |
And what happens is, our eyes correct. | 0:19:55 | 0:19:58 | |
What is the truth of that is A and B are exactly the same colour. | 0:19:58 | 0:20:02 | |
-So if you see... -No! | 0:20:02 | 0:20:03 | |
If we join them together, so just those squares, | 0:20:03 | 0:20:06 | |
but because we have understood | 0:20:06 | 0:20:07 | |
there's a shadow from the green cylinder, | 0:20:07 | 0:20:10 | |
we have, in our minds, made B a lighter colour. | 0:20:10 | 0:20:14 | |
But actually, A and B are exactly the same colour. | 0:20:14 | 0:20:16 | |
-And... -Oh, is this how the robots are going to finally defeat us? | 0:20:16 | 0:20:19 | |
-Well, this is certainly... -They'll chase us into a Escher painting. | 0:20:19 | 0:20:22 | |
Yes! But it's how computers may eventually be able to distinguish | 0:20:22 | 0:20:26 | |
a bot from a person, because you could give a test like this. | 0:20:26 | 0:20:29 | |
If you get the answer wrong, then you're human. | 0:20:29 | 0:20:32 | |
Because, even though I've told you A and B are the same colour, | 0:20:32 | 0:20:34 | |
when you look back to the one on the left, | 0:20:34 | 0:20:36 | |
you believe that they are different colours. | 0:20:36 | 0:20:39 | |
-Yeah. -I still don't believe you. | 0:20:39 | 0:20:40 | |
Now, what's a little bit orange and very over-sensitive? | 0:20:40 | 0:20:45 | |
Donald Trump. | 0:20:47 | 0:20:48 | |
HOOTER, APPLAUSE | 0:20:48 | 0:20:51 | |
-Someone had to say it, didn't they?! -Cally, I might be looking at you. | 0:20:57 | 0:21:02 | |
-Something to do with being ginger. -It is to do with being red-headed. | 0:21:02 | 0:21:05 | |
So are there any particular characteristics that are | 0:21:05 | 0:21:08 | |
-more associated with redheads than...? -Fiery. -Fiery. | 0:21:08 | 0:21:10 | |
-They're fiery, aren't they? -We're very attractive. | 0:21:10 | 0:21:13 | |
Very, very attractive. The fact is, multiple studies have shown | 0:21:13 | 0:21:16 | |
that redheads are more sensitive to pain than the rest of us. | 0:21:16 | 0:21:19 | |
-So, unfortunately, you are more susceptible to pain. -Do you know, | 0:21:19 | 0:21:22 | |
I think there are studies that say the opposite. I'm just saying, | 0:21:22 | 0:21:24 | |
I've also seen studies that say we've got a higher pain threshold. | 0:21:24 | 0:21:27 | |
Well, they worked out that, typically, | 0:21:27 | 0:21:29 | |
20% more anaesthetic is needed by a redhead. | 0:21:29 | 0:21:31 | |
And the way they work this out, researchers administered | 0:21:31 | 0:21:34 | |
electric shocks to redheads, while giving them | 0:21:34 | 0:21:37 | |
increasing amounts of painkiller until they stopped feeling pain. | 0:21:37 | 0:21:40 | |
And the reason is that having red hair is usually | 0:21:40 | 0:21:44 | |
caused by a mutation on a gene called MC1R. | 0:21:44 | 0:21:47 | |
And that is also involved in pain modulation. | 0:21:47 | 0:21:49 | |
And it explains why redheads are twice as likely to avoid | 0:21:49 | 0:21:52 | |
going to the dentist as the rest of us. Because you feel more pain. | 0:21:52 | 0:21:55 | |
I don't believe any of this. I don't want to cry in the face of QI, | 0:21:55 | 0:21:59 | |
but, no, I don't believe it. | 0:21:59 | 0:22:01 | |
Fair enough. Where do you think the most common red-hair gene | 0:22:01 | 0:22:04 | |
first appeared in the world? Where does it come from? | 0:22:04 | 0:22:07 | |
-Scotland. -Ireland. | 0:22:07 | 0:22:08 | |
HOOTER | 0:22:08 | 0:22:11 | |
I think... | 0:22:11 | 0:22:13 | |
It's got to be Scotland. | 0:22:14 | 0:22:15 | |
-Scandinavia. -No, it isn't - it's Asia, in fact. It's Central Asia. | 0:22:15 | 0:22:19 | |
But it's very common in various parts of the UK. Why do you think that might be? | 0:22:19 | 0:22:22 | |
-Surely it's the lack of sun. -Yeah, it's got to be the climate. | 0:22:22 | 0:22:25 | |
In places like Scotland. | 0:22:25 | 0:22:26 | |
I mean, look at our Scottish cousins, but their skin isn't just | 0:22:26 | 0:22:29 | |
sheet-white from the lack of sun, but their hair has turned red, | 0:22:29 | 0:22:32 | |
as it attempts to start its own fire for warmth. | 0:22:32 | 0:22:34 | |
LAUGHTER, APPLAUSE | 0:22:37 | 0:22:40 | |
Is it about people desperately wanting to procreate | 0:22:42 | 0:22:45 | |
with other ginger people, because we're so deeply attractive? | 0:22:45 | 0:22:48 | |
STEPHEN ROARS WITH LAUGHTER It's, the fact is... | 0:22:48 | 0:22:52 | |
-Sorry. -The fact is, it's a recessive gene, | 0:22:53 | 0:22:55 | |
so it excels in relatively closed communities, I'm afraid. | 0:22:55 | 0:22:59 | |
-Ooh. -It requires a level of inbreeding. That's the truth. | 0:22:59 | 0:23:03 | |
My friend, she's got red hair | 0:23:03 | 0:23:05 | |
and she went on holiday to the Philippines, and people were | 0:23:05 | 0:23:09 | |
getting, stopping her in the street to have their photo taken with her. | 0:23:09 | 0:23:12 | |
-Because they just love... -They just couldn't believe that she existed. | 0:23:12 | 0:23:15 | |
Like she was a celebrity. | 0:23:16 | 0:23:18 | |
I was in mainland China for the first time ever, doing gigs, | 0:23:18 | 0:23:21 | |
and I could not tell you how many people stopped me | 0:23:21 | 0:23:24 | |
in the street, asking to take a selfie with me, right. | 0:23:24 | 0:23:27 | |
I mean, it was as though they'd never ever seen a tall person before. | 0:23:27 | 0:23:30 | |
So, can you imagine if I was ginger as well? | 0:23:33 | 0:23:35 | |
They'd be carrying me out of the building! | 0:23:35 | 0:23:38 | |
Obviously I don't speak Mandarin or Cantonese, I'm in a packed lift | 0:23:39 | 0:23:42 | |
in China, all these people - I'm not even joking - | 0:23:42 | 0:23:45 | |
the only phrase I could decipher was this... | 0:23:45 | 0:23:48 | |
"..pube-head." | 0:23:48 | 0:23:49 | |
You absolutely need to put that on your posters. | 0:23:53 | 0:23:56 | |
I think that should be... | 0:23:56 | 0:23:57 | |
Now for the oddly shambolic omnishambles that we call | 0:23:58 | 0:24:01 | |
General Ignorance. | 0:24:01 | 0:24:03 | |
Fingers on buzzers, please. What did the Nazis call this? | 0:24:03 | 0:24:06 | |
-Um... -Aaah... | 0:24:06 | 0:24:09 | |
Aah. Who's going to go for it? | 0:24:10 | 0:24:12 | |
Stephen? | 0:24:12 | 0:24:13 | |
The future. | 0:24:13 | 0:24:15 | |
LAUGHTER, APPLAUSE | 0:24:15 | 0:24:17 | |
Not... I'm told they didn't call it a swastika. | 0:24:24 | 0:24:26 | |
They did not call it the swastika. | 0:24:26 | 0:24:27 | |
They called it the Hakenkreuz. It's the German for "hooked cross", | 0:24:27 | 0:24:30 | |
and in Germany, in fact, it's still referred to, except when discussing | 0:24:30 | 0:24:33 | |
it in a neo-Nazi context, in which case, it's called the swastika. | 0:24:33 | 0:24:36 | |
But Hitler was mad for it. | 0:24:36 | 0:24:38 | |
And after his party adopted the swastika, he actually | 0:24:38 | 0:24:40 | |
changed his signature to S Hitler, | 0:24:40 | 0:24:42 | |
because the shape of the S mimicked... | 0:24:42 | 0:24:44 | |
There, you can see there, it mimicked the shape of the swastika. | 0:24:44 | 0:24:47 | |
-Sadolf. -Yes, Sadolf. | 0:24:47 | 0:24:49 | |
Sadolf Shitler. | 0:24:50 | 0:24:53 | |
LAUGHTER, APPLAUSE | 0:24:53 | 0:24:55 | |
Anyway, who was the last monarch to be crowned | 0:25:00 | 0:25:05 | |
at the abbey in Westminster? | 0:25:05 | 0:25:06 | |
Has there been one since the Queen? | 0:25:08 | 0:25:10 | |
HOOTER | 0:25:10 | 0:25:13 | |
-That's wrong, then, is it? -So it's not her. -Not her. | 0:25:13 | 0:25:15 | |
-So it's not her. -Oh, was it Queen Latifah? | 0:25:15 | 0:25:18 | |
Here is the thing, it's not actually an abbey. | 0:25:22 | 0:25:25 | |
And that is what makes it a trick question. | 0:25:25 | 0:25:27 | |
So Henry VIII is the answer, | 0:25:27 | 0:25:28 | |
because since his dissolution of the monasteries, it is | 0:25:28 | 0:25:31 | |
no longer technically an abbey, so if it's not an abbey, it's a...? | 0:25:31 | 0:25:35 | |
-Church. -It's called a Royal Peculiar. | 0:25:35 | 0:25:37 | |
-A Royal Peculiar. -It's called a Royal Peculiar. | 0:25:37 | 0:25:39 | |
So it's a church subject to the direct jurisdiction of the monarch. | 0:25:39 | 0:25:42 | |
And that is what it is today. | 0:25:42 | 0:25:44 | |
It's the Collegiate Church of St Peter at Westminster. | 0:25:44 | 0:25:47 | |
How many species of camel are there? | 0:25:47 | 0:25:49 | |
Two. | 0:25:51 | 0:25:52 | |
HOOTER | 0:25:52 | 0:25:54 | |
-More than that...? -More than that. Yes. | 0:25:57 | 0:26:01 | |
We used to think it was two, so Carl Linnaeus, | 0:26:01 | 0:26:03 | |
he named the dromedaries and the domestic Bactrians, back in 1758. | 0:26:03 | 0:26:06 | |
120 years later, the Russian geographer | 0:26:06 | 0:26:09 | |
Nikolay Przhevalsky, discovered wild Bactrians. | 0:26:09 | 0:26:13 | |
So the truth is that there are actually three of them. | 0:26:13 | 0:26:15 | |
They used to think wild Bactrians were | 0:26:15 | 0:26:17 | |
a subspecies of the Bactrians, but we now know from recent DNA analysis | 0:26:17 | 0:26:21 | |
they're a totally different species. | 0:26:21 | 0:26:23 | |
-Beautiful, aren't they? -Aren't they stunning? I think they ARE stunning! | 0:26:23 | 0:26:27 | |
Who was it said a camel is a horse designed by committee? | 0:26:27 | 0:26:30 | |
Have you been on a camel ride? | 0:26:32 | 0:26:33 | |
-I have. -It's glorious. | 0:26:33 | 0:26:35 | |
I have been on a camel ride. It doesn't go well. | 0:26:35 | 0:26:38 | |
Oh. | 0:26:38 | 0:26:39 | |
I did a... I did a magic show once, where I was asked | 0:26:39 | 0:26:43 | |
to "magically" appear on a camel. | 0:26:43 | 0:26:45 | |
And you know my feelings of beasts like this. | 0:26:45 | 0:26:48 | |
-Hmm. -Why did you point at me when you said that? | 0:26:48 | 0:26:51 | |
Don't, she's very sensitive to pain! | 0:26:52 | 0:26:54 | |
And it was one of those one-hump ones. | 0:26:54 | 0:26:56 | |
I'm not sure - what's the big difference | 0:26:56 | 0:26:58 | |
between the two humps and the one hump? | 0:26:58 | 0:27:00 | |
-It's the number of humps. -Is that it? | 0:27:00 | 0:27:03 | |
LAUGHTER, APPLAUSE | 0:27:03 | 0:27:06 | |
-OK, so I was on the one with the one hump. -Right. | 0:27:09 | 0:27:12 | |
-And they put this sort of square seat on the hump. -Yeah. | 0:27:12 | 0:27:15 | |
-I'm like, "How am I going to get on the hump?" -Yeah. | 0:27:15 | 0:27:17 | |
And I had to have a man... and give me one of those, like... | 0:27:17 | 0:27:20 | |
-But you get a ladder. -They don't like it. -No. | 0:27:20 | 0:27:22 | |
-They don't want you on their backs! -And they turn around and look at you | 0:27:22 | 0:27:24 | |
with their faces, like... | 0:27:24 | 0:27:26 | |
It's too much. | 0:27:28 | 0:27:30 | |
There's a couple of them in London Zoo | 0:27:30 | 0:27:32 | |
and they're great big things, and they look at you with contempt. | 0:27:32 | 0:27:35 | |
You know, "What, are you back again?" "I'm a member, all right?! | 0:27:35 | 0:27:38 | |
"I've got a family membership. | 0:27:40 | 0:27:41 | |
"So why don't you just, for once, just change your whole attitude?" | 0:27:41 | 0:27:44 | |
"I don't like you. I don't like you." | 0:27:44 | 0:27:46 | |
There are three species of camel, | 0:27:46 | 0:27:48 | |
but sadly, the third doesn't have three humps. | 0:27:48 | 0:27:50 | |
Which brings us to the scores. | 0:27:50 | 0:27:52 | |
This week's winner, | 0:27:52 | 0:27:53 | |
with minus 12, it's Josh. | 0:27:53 | 0:27:55 | |
APPLAUSE AND CHEERING | 0:27:55 | 0:27:58 | |
In second place, with a magnificent debut, | 0:28:00 | 0:28:03 | |
minus 14, Cally. | 0:28:03 | 0:28:05 | |
APPLAUSE AND CHEERING | 0:28:05 | 0:28:06 | |
Third place, minus 18, | 0:28:09 | 0:28:11 | |
Stephen. APPLAUSE AND CHEERING | 0:28:11 | 0:28:14 | |
And, with a truly marvellous minus 69, Alan. | 0:28:15 | 0:28:20 | |
APPLAUSE AND CHEERING | 0:28:20 | 0:28:23 | |
So Josh takes home this week's objectionable object prize, | 0:28:29 | 0:28:32 | |
which is this hilarious comedy eyeball. | 0:28:32 | 0:28:34 | |
There you go, there you go, fantastic. | 0:28:34 | 0:28:37 | |
APPLAUSE AND CHEERING | 0:28:37 | 0:28:38 | |
So, it's thanks to Cally, Josh, Stephen and Alan, | 0:28:38 | 0:28:41 | |
and I leave you with this advice from La Code Gourmand, | 0:28:41 | 0:28:44 | |
a book of etiquette written in 1828. | 0:28:44 | 0:28:46 | |
"When you are seated next to a lady, | 0:28:46 | 0:28:48 | |
"you should be only polite during the first course. | 0:28:48 | 0:28:50 | |
"You may be gallant in the second, | 0:28:50 | 0:28:52 | |
"but you must not be tender till the dessert. | 0:28:52 | 0:28:54 | |
"When you have the misfortune to sit next to a child, | 0:28:54 | 0:28:57 | |
"your only plan is to make him drunk as soon as possible." | 0:28:57 | 0:29:00 | |
Goodnight. | 0:29:00 | 0:29:01 | |
APPLAUSE AND CHEERING | 0:29:01 | 0:29:05 |