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CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Hello, and welcome to QI, | 0:00:32 | 0:00:35 | |
which tonight is an omnibus of Oddballs. | 0:00:35 | 0:00:40 | |
Let's meet our obliging odd-fellows. An odd bod, Jason Manford. | 0:00:40 | 0:00:44 | |
-APPLAUSE -Odd? Odd bod? | 0:00:44 | 0:00:48 | |
An odd fish, Jimmy Carr. | 0:00:48 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:52 | |
Really? Odd fish? OK, fine. | 0:00:53 | 0:00:56 | |
An odd lot, Victoria Coren Mitchell. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:00 | |
What is an odd lot?! | 0:01:00 | 0:01:02 | |
And Odds Bodkins, Alan Davies. | 0:01:03 | 0:01:06 | |
-APPLAUSE -Hello. | 0:01:06 | 0:01:07 | |
Right, let's hear their Odd Ball buzzers. | 0:01:13 | 0:01:16 | |
Jason Manford goes... | 0:01:16 | 0:01:17 | |
TABLE TENNIS BALL BOUNCES | 0:01:18 | 0:01:20 | |
Very good. | 0:01:20 | 0:01:22 | |
Jimmy goes... | 0:01:22 | 0:01:23 | |
BALL BOUNCES HEAVILY | 0:01:23 | 0:01:24 | |
Oh. | 0:01:25 | 0:01:27 | |
Well, my apologies. | 0:01:27 | 0:01:28 | |
A Mexican lunch. | 0:01:28 | 0:01:30 | |
Victoria goes... | 0:01:30 | 0:01:31 | |
PINBALL MACHINE PINGS | 0:01:31 | 0:01:33 | |
Oh, you... And Alan goes... | 0:01:34 | 0:01:37 | |
# Bouncy bouncy | 0:01:37 | 0:01:38 | |
# Bouncy bouncy | 0:01:38 | 0:01:40 | |
# Bouncy bouncy | 0:01:40 | 0:01:41 | |
# Bouncy bouncy. # | 0:01:41 | 0:01:44 | |
Oddly enough, we start with Oddball games. | 0:01:44 | 0:01:48 | |
So you've each got a selection of odd balls under your desks. | 0:01:48 | 0:01:51 | |
Odd balls coming up. | 0:01:51 | 0:01:52 | |
Kindly invent a new ball game, and I would like you to use your heads. | 0:01:52 | 0:01:56 | |
LAUGHTER | 0:01:57 | 0:01:59 | |
-That was funny. -What did you do, just...? | 0:01:59 | 0:02:01 | |
I threw it at his head, look. | 0:02:01 | 0:02:02 | |
Not the baseball! | 0:02:08 | 0:02:10 | |
OK, can we get the orange one back again? | 0:02:10 | 0:02:12 | |
Can we have it thrown back by somebody? | 0:02:12 | 0:02:14 | |
-Somebody will throw it to us, I'm sure. Come on. -Oh, whoa! | 0:02:14 | 0:02:17 | |
-That was terrifying! -Do you know what? | 0:02:17 | 0:02:18 | |
If you can't throw, don't volunteer. | 0:02:18 | 0:02:20 | |
-Unbelievable! Unbelievable. -Underarm, as well. | 0:02:20 | 0:02:23 | |
If it comes over here again, I'll put a bloody knife through it! | 0:02:23 | 0:02:25 | |
-Curmudgeonly old man. -OK. | 0:02:29 | 0:02:30 | |
There is a German game called Headis, | 0:02:30 | 0:02:33 | |
and it is ping-pong played without a bat, | 0:02:33 | 0:02:35 | |
where you just hit it with your head. | 0:02:35 | 0:02:38 | |
So, it was invented by a sports science student. | 0:02:38 | 0:02:41 | |
-Push. -But don't forget the net. | 0:02:41 | 0:02:43 | |
-The net?! -Yes - so, there's a net in the way, right? | 0:02:43 | 0:02:46 | |
OK, are you ready? Try now. | 0:02:46 | 0:02:49 | |
Yes! | 0:02:49 | 0:02:50 | |
APPLAUSE | 0:02:50 | 0:02:51 | |
Can you get that? | 0:02:55 | 0:02:57 | |
-Result. -APPLAUSE | 0:03:00 | 0:03:02 | |
He caught the ball. | 0:03:02 | 0:03:04 | |
It was in 2006, his name is Rene Wegner, | 0:03:06 | 0:03:08 | |
and he invented this game Headis. | 0:03:08 | 0:03:10 | |
It is now played internationally. | 0:03:10 | 0:03:11 | |
It is on the official sports programme of 15 German universities, | 0:03:11 | 0:03:15 | |
and have a look a this, because the top players are extraordinary, | 0:03:15 | 0:03:18 | |
and they use sort of noms-de-guerre - | 0:03:18 | 0:03:20 | |
like, well there's things like "the Sausage Seller", "Leek Face", | 0:03:20 | 0:03:24 | |
-and "Bob Der Headmaster", which I'm... -Wow. -..very pleased with. | 0:03:24 | 0:03:28 | |
And they have astonishing rallies. | 0:03:28 | 0:03:29 | |
So they're replaced the bat with their heads. | 0:03:29 | 0:03:31 | |
I suppose it's better than the ball. | 0:03:31 | 0:03:34 | |
Oh! | 0:03:34 | 0:03:35 | |
ALL: Ooh! | 0:03:35 | 0:03:36 | |
APPLAUSE | 0:03:36 | 0:03:37 | |
I can't help thinking of the corners of the table. | 0:03:40 | 0:03:43 | |
I know, yes. | 0:03:43 | 0:03:45 | |
Another ball game we've discovered is a Swiss game | 0:03:45 | 0:03:47 | |
called Hornussen, and this is one of Switzerland's national sports. | 0:03:47 | 0:03:51 | |
You have two teams, but there seems to be no limit | 0:03:51 | 0:03:53 | |
to the size of the team, or the size of the pitch, | 0:03:53 | 0:03:55 | |
and there is a ball, which stands on this little thing like this, | 0:03:55 | 0:03:58 | |
and then what looks like a bendy golf club, right? | 0:03:58 | 0:04:01 | |
And you hit the ball and it goes out into a field, | 0:04:01 | 0:04:04 | |
and then the opposition have these enormous sort of placards. | 0:04:04 | 0:04:07 | |
So here's the guy who hits the ball. | 0:04:07 | 0:04:09 | |
It's a bendy golf club, yeah - | 0:04:11 | 0:04:13 | |
and then a guy with a placard... LAUGHTER | 0:04:13 | 0:04:18 | |
..tries to stop the ball, OK? | 0:04:18 | 0:04:21 | |
And yes, a lot of shouting... | 0:04:21 | 0:04:23 | |
..and then - oh, there they are - and there seems to be no limit. | 0:04:23 | 0:04:27 | |
-That is good. -It's good! -That is brilliant. | 0:04:27 | 0:04:29 | |
It's been around since the 17th century, | 0:04:29 | 0:04:31 | |
and it evolved from the ancient tradition | 0:04:31 | 0:04:33 | |
of hitting burning logs down the mountainside to expel evil spirits. | 0:04:33 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:39 | |
But the ball can go up to 306km per hour - | 0:04:39 | 0:04:42 | |
I mean, it's a fantastically fast thing. | 0:04:42 | 0:04:43 | |
Ah, well, that explains why that fellow in the video | 0:04:43 | 0:04:46 | |
-didn't have many teeth left. -Yeah, I think that's the thing. | 0:04:46 | 0:04:48 | |
-300km an hour? -Yeah, yeah. | 0:04:48 | 0:04:51 | |
-That's really fast, isn't it? -It's really fast. | 0:04:51 | 0:04:53 | |
It would tell us a lot about the human mind | 0:04:53 | 0:04:56 | |
to know exactly when in history | 0:04:56 | 0:04:58 | |
people went from, "Well, it's very important | 0:04:58 | 0:05:01 | |
"that we hit this burning thing down the mountain | 0:05:01 | 0:05:03 | |
"to ward off evil spirits," | 0:05:03 | 0:05:04 | |
to, "Let's just make a massive game of it." | 0:05:04 | 0:05:06 | |
It's a huge, hilarious game. | 0:05:06 | 0:05:08 | |
This game I like the look of, | 0:05:08 | 0:05:10 | |
although I would not be able to play it. | 0:05:10 | 0:05:11 | |
It's called Cycle Ball, it was invented in 1893, | 0:05:11 | 0:05:14 | |
it is enormously popular in Germany. | 0:05:14 | 0:05:16 | |
Anybody work out how you play it? | 0:05:16 | 0:05:18 | |
Is it not like polo, but they're on bicycles? | 0:05:18 | 0:05:20 | |
Yes, and you have to use the front wheel of the bicycle - | 0:05:20 | 0:05:22 | |
and, again, just extraordinary skill that the players have with this. | 0:05:22 | 0:05:26 | |
Obviously it's tremendously exciting. | 0:05:26 | 0:05:29 | |
-Wow! -Ooh, what a goal. Oh, nice. | 0:05:29 | 0:05:30 | |
-Yeah, yeah. Look. -Ooh, he's lobbed him. -He's lobbed him... | 0:05:30 | 0:05:33 | |
-Ooh, ooh! -Crikey O'Reilly. -Oh, this is a good show reel. | 0:05:33 | 0:05:36 | |
-Yeah, that's, I mean... -I would actually watch that. | 0:05:36 | 0:05:38 | |
-It's quite exciting, don't you think? -Yeah. | 0:05:38 | 0:05:40 | |
-I would totally watch that. -Yeah. | 0:05:40 | 0:05:42 | |
This is, I think, I seem to... | 0:05:42 | 0:05:43 | |
-For - I mean, for a bit. -Yeah. | 0:05:43 | 0:05:45 | |
LAUGHTER | 0:05:45 | 0:05:46 | |
One I like is a game called Pushball. | 0:05:48 | 0:05:49 | |
So, there's a guy called Moses Crane, in the 1890s, | 0:05:49 | 0:05:51 | |
who watched a lot of American football, and he got confused. | 0:05:51 | 0:05:54 | |
You know in American football they always have sort of like a scrum? | 0:05:54 | 0:05:57 | |
They couldn't find the ball, so he invented this game. | 0:05:57 | 0:05:59 | |
-"It's so big!" -It is. | 0:05:59 | 0:06:01 | |
It's a six foot ball that weighs 50 pounds. | 0:06:01 | 0:06:04 | |
Wow. | 0:06:04 | 0:06:05 | |
-So those guys are about to die. -Yeah! | 0:06:05 | 0:06:08 | |
No, the idea is you have to either get it across the line, | 0:06:08 | 0:06:11 | |
or you have to get it across a crossbar. | 0:06:11 | 0:06:13 | |
People played it on horseback. | 0:06:13 | 0:06:16 | |
Is that the... Is that the American remake of The Prisoner? | 0:06:17 | 0:06:20 | |
OK, balls away, please. | 0:06:22 | 0:06:25 | |
Balls away. | 0:06:25 | 0:06:26 | |
Now here's an odd question. | 0:06:26 | 0:06:27 | |
How can I persuade you to do what I want using only my thumb? | 0:06:27 | 0:06:31 | |
-Er... -Ah, well, now, well... | 0:06:31 | 0:06:33 | |
-I can think of a couple of possibilities. -Yeah. | 0:06:35 | 0:06:38 | |
-Just... -Yes? | 0:06:39 | 0:06:40 | |
-No, I've got nothing that isn't filth. -Nothing. | 0:06:40 | 0:06:42 | |
-Nothing, no? -Nothing that isn't filth. | 0:06:42 | 0:06:44 | |
It is known as the "thumb of power" and it's a hand gesture | 0:06:44 | 0:06:47 | |
used very widely by modern politicians when they make speeches. | 0:06:47 | 0:06:50 | |
Oh, it's to stop you doing this, isn't it? To stop you going... | 0:06:50 | 0:06:52 | |
-Yeah. -"You!" -Apparently it's more powerful - | 0:06:52 | 0:06:54 | |
don't do that, because people don't like it, | 0:06:54 | 0:06:56 | |
-but if you do that you look like you're a powerful person. -Yeah. | 0:06:56 | 0:06:58 | |
-Never do that as a politician. -No. | 0:06:58 | 0:07:00 | |
There's a science of oratorical hand gestures, | 0:07:01 | 0:07:05 | |
and it's called chironomia, | 0:07:05 | 0:07:06 | |
and it was set out in precise detail in 95AD, so a really long time ago. | 0:07:06 | 0:07:10 | |
Quintilian's Institutio Oratoria. | 0:07:10 | 0:07:12 | |
It says here, "One of the commonest of all the gestures | 0:07:12 | 0:07:15 | |
"consists in placing the middle finger against the thumb | 0:07:15 | 0:07:19 | |
"and extending the remaining three. | 0:07:19 | 0:07:21 | |
"It is suitable in the statement of facts, | 0:07:21 | 0:07:23 | |
"but in that case the hand must be moved with firmness | 0:07:23 | 0:07:25 | |
"and a little further forward | 0:07:25 | 0:07:26 | |
"while, if we are reproaching or refuting our adversary, | 0:07:26 | 0:07:29 | |
"the same movement may be employed with some vehemence and energy, | 0:07:29 | 0:07:32 | |
"since such passages permit of greater freedom of extension." | 0:07:32 | 0:07:35 | |
-You know, I'll tell you who does it... -Yes? | 0:07:35 | 0:07:38 | |
I think, Paulie Walnuts in the Sopranos. | 0:07:38 | 0:07:40 | |
-Does he? -And Spider-Man. | 0:07:40 | 0:07:42 | |
LAUGHTER | 0:07:42 | 0:07:43 | |
But the study of oratory and rhetoric | 0:07:45 | 0:07:47 | |
dates back a really long time - | 0:07:47 | 0:07:48 | |
and there's all sorts of rules about classic rhetoric | 0:07:48 | 0:07:51 | |
based around the rule of three, which is the same as in comedy. | 0:07:51 | 0:07:54 | |
So, tricolon, "I came, I saw, I conquered." | 0:07:54 | 0:07:57 | |
Or veni, vidi, Visa - "I came, I saw, I shopped." | 0:07:57 | 0:08:00 | |
Molossus, so that's three stressed syllables. | 0:08:00 | 0:08:04 | |
"Yes, we can." | 0:08:04 | 0:08:06 | |
And epizeuxis, so, "Location, location, location," | 0:08:06 | 0:08:08 | |
when you repeat the same word over and over again - | 0:08:08 | 0:08:10 | |
but it hasn't changed, it hasn't changed. | 0:08:10 | 0:08:12 | |
So you get ethos, logos and pathos, | 0:08:12 | 0:08:14 | |
those are the three modes of persuasion. | 0:08:14 | 0:08:17 | |
So, ethos is how you establish the credibility of the speaker. | 0:08:17 | 0:08:20 | |
So, "Watch QI, I'm on it." | 0:08:20 | 0:08:23 | |
Logos, you present the logical argument. | 0:08:23 | 0:08:25 | |
"Watch QI, it's really good." | 0:08:25 | 0:08:27 | |
And pathos, appeal to the emotions. | 0:08:27 | 0:08:29 | |
"Watch QI or we shoot this kitten." | 0:08:29 | 0:08:31 | |
LAUGHTER | 0:08:31 | 0:08:32 | |
I was just using it as a rough example. | 0:08:34 | 0:08:37 | |
There have been manuals about how you gesture | 0:08:37 | 0:08:40 | |
since there have been speeches. | 0:08:40 | 0:08:41 | |
-This is a wonderful one. -Oh, I've done this on a stag do. | 0:08:41 | 0:08:44 | |
-LAUGHTER -It's brilliant. | 0:08:44 | 0:08:47 | |
-Zorb - zorb football, it's called. -You run downhill. | 0:08:48 | 0:08:51 | |
It's a right laugh, 12 of you, "Boing, boing..." | 0:08:51 | 0:08:55 | |
We didn't dress like that. | 0:08:55 | 0:08:58 | |
Hob, dob, do. | 0:08:58 | 0:08:59 | |
Hob, dob, do. | 0:09:00 | 0:09:02 | |
Hob, dob, do. | 0:09:04 | 0:09:05 | |
Ao. | 0:09:05 | 0:09:06 | |
LAUGHTER | 0:09:06 | 0:09:08 | |
I think he might - I think he might be learning the Macarena. | 0:09:09 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
I'm totally sure. | 0:09:13 | 0:09:14 | |
And politicians can't help but use them. | 0:09:15 | 0:09:18 | |
My favourite example is Richard Nixon | 0:09:18 | 0:09:20 | |
on the day that he was made to resign as President, | 0:09:20 | 0:09:24 | |
that's what he chose to do as he left. | 0:09:24 | 0:09:26 | |
Clearly hadn't got the message it hadn't gone all that well. | 0:09:26 | 0:09:29 | |
I think I could play a young Nixon. | 0:09:29 | 0:09:31 | |
-Yes, actually, that's slightly terrifying, isn't it? -Yeah. | 0:09:31 | 0:09:34 | |
And Angela Merkel always holds her hands like that. | 0:09:36 | 0:09:38 | |
In fact, in Germany, it's known as the Merkel-Raute, | 0:09:38 | 0:09:40 | |
the Merkel diamond, that's just how she always holds her hands. | 0:09:40 | 0:09:43 | |
Trump, also, lots of signature hand signals. | 0:09:43 | 0:09:45 | |
When Donald Trump took to office, little did he know. | 0:09:45 | 0:09:48 | |
LAUGHTER | 0:09:49 | 0:09:50 | |
APPLAUSE | 0:09:50 | 0:09:51 | |
-JASON: -Very good. | 0:09:53 | 0:09:54 | |
-VICTORIA: -I like Angela Merkel's one - | 0:09:56 | 0:09:57 | |
it's like she's going to go, "Open the door, see all the people." | 0:09:57 | 0:10:00 | |
It does look like that! | 0:10:00 | 0:10:01 | |
GERMAN ACCENT: "I have ze steeple and zen - oh, look. | 0:10:01 | 0:10:04 | |
"Ah, zere's no British people." | 0:10:05 | 0:10:07 | |
LAUGHTER | 0:10:07 | 0:10:08 | |
Don't you think, Victoria, when you have your photograph taken, | 0:10:11 | 0:10:14 | |
it's awkward to know what to do with your hands? | 0:10:14 | 0:10:15 | |
If you're a woman, especially. | 0:10:15 | 0:10:17 | |
-You can't put your hands in your pockets, can you? -No, yes, terrible. | 0:10:17 | 0:10:20 | |
I've read things that say, you know, | 0:10:20 | 0:10:21 | |
if you put one foot forward, you look thinner. | 0:10:21 | 0:10:23 | |
I like the idea of the one foot forward. | 0:10:23 | 0:10:25 | |
-Just do that. Always just do that. -Why is that? | 0:10:25 | 0:10:27 | |
Because people will always remember you. | 0:10:27 | 0:10:30 | |
LAUGHTER | 0:10:30 | 0:10:31 | |
"Remember that man | 0:10:35 | 0:10:36 | |
"that thought there was a robbery going on all the time?" | 0:10:36 | 0:10:38 | |
"Yeah, I remember him, yeah." | 0:10:38 | 0:10:40 | |
-VICTORIA: -Am I alone in this? | 0:10:40 | 0:10:41 | |
When you see great-looking women at premieres, | 0:10:41 | 0:10:43 | |
and they have a picture and they're looking over... | 0:10:43 | 0:10:45 | |
Whenever I see a picture like that, I don't understand how they do it. | 0:10:45 | 0:10:48 | |
-No. -They used to have a pose they did on Page 3 | 0:10:48 | 0:10:51 | |
where it got the tits and the bum in the same shot. | 0:10:51 | 0:10:53 | |
Really? | 0:10:53 | 0:10:54 | |
Tits and the bum in the same shot? | 0:10:57 | 0:10:59 | |
AUDIENCE CHEERS | 0:10:59 | 0:11:00 | |
I think I've got it. | 0:11:02 | 0:11:04 | |
-Yeah? -You be the bum, you be the bum, and I'll... | 0:11:06 | 0:11:09 | |
Bend over, be the bum, like that. | 0:11:09 | 0:11:11 | |
There we go. | 0:11:12 | 0:11:13 | |
APPLAUSE | 0:11:13 | 0:11:15 | |
Enough Oratory. | 0:11:18 | 0:11:20 | |
How did this man's bare bottom help Britain win World War I? | 0:11:20 | 0:11:24 | |
He looks really different with his suit off, doesn't he? | 0:11:24 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
Like, you wouldn't even know that was him. | 0:11:28 | 0:11:30 | |
Give us a clue about the man - | 0:11:30 | 0:11:31 | |
-did something go into his bottom or come out of it? -Well... | 0:11:31 | 0:11:34 | |
-The man is called William Lawrence Bragg... -Oh! | 0:11:36 | 0:11:39 | |
..he was a physicist. He was a Nobel laureate. | 0:11:39 | 0:11:42 | |
In fact, he remains the youngest recipient of the Nobel Prize - | 0:11:42 | 0:11:45 | |
he received it in 1915, along with his father, a famous physicist. | 0:11:45 | 0:11:49 | |
In 1915, he was serving as a subaltern in Flanders, | 0:11:49 | 0:11:52 | |
trying to find out ways to use sound to locate enemy artillery. | 0:11:52 | 0:11:56 | |
So, one day he was sitting on the latrine | 0:11:56 | 0:11:59 | |
at the house where he was billeted - | 0:11:59 | 0:12:00 | |
it was a tight little closet, with no window at all, | 0:12:00 | 0:12:03 | |
and he'd shut the door, | 0:12:03 | 0:12:04 | |
and so there was no other opening to the outside world | 0:12:04 | 0:12:06 | |
apart from the one that he was sitting on - | 0:12:06 | 0:12:07 | |
and he noticed that when there was gunfire nearby, | 0:12:07 | 0:12:10 | |
his backside momentarily lifted off the seat. | 0:12:10 | 0:12:13 | |
Even when he didn't really hear the explosion, | 0:12:13 | 0:12:15 | |
there was a sort of a thing, like this - | 0:12:15 | 0:12:17 | |
and meanwhile, another physicist he was working with, | 0:12:17 | 0:12:19 | |
a man called William Tucker, | 0:12:19 | 0:12:21 | |
was billeted in a tar paper hut, | 0:12:21 | 0:12:22 | |
and he noticed that by his cot there were just a couple of little holes, | 0:12:22 | 0:12:26 | |
and even on a day when there was no wind, | 0:12:26 | 0:12:28 | |
little puffs of air were blowing through, | 0:12:28 | 0:12:30 | |
and they compared notes, the two of them, | 0:12:30 | 0:12:32 | |
one from the loo and one from these two little holes, | 0:12:32 | 0:12:34 | |
and they deduced that this was the result | 0:12:34 | 0:12:37 | |
of inaudible low frequency sounds of artillery, | 0:12:37 | 0:12:40 | |
and they set about devising detectors, | 0:12:40 | 0:12:43 | |
and by 1917 it was so advanced | 0:12:43 | 0:12:44 | |
that the allies had a really devastating advantage | 0:12:44 | 0:12:47 | |
in locating and targeting enemy guns... | 0:12:47 | 0:12:48 | |
-Wow. -..and it all came about | 0:12:48 | 0:12:49 | |
-because his backside lifted off the lavatory. -Ooh! | 0:12:49 | 0:12:52 | |
Is this maybe the most inspiring story I have ever heard... | 0:12:52 | 0:12:54 | |
-About a lavatory. -..about a men's toilet and holes in a wall. | 0:12:54 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:12:59 | |
-Normally these end super differently. -Yeah, yeah. | 0:13:00 | 0:13:03 | |
Normally it's, "Then they had to shut down that garage." | 0:13:03 | 0:13:05 | |
LAUGHTER | 0:13:05 | 0:13:07 | |
And did they have to use his specific arse on all of this? | 0:13:07 | 0:13:10 | |
No, I don't... | 0:13:10 | 0:13:11 | |
Did he have to go round the whole - "Oh, it's over there." | 0:13:11 | 0:13:13 | |
Yeah, but that's how he discovered it. | 0:13:13 | 0:13:15 | |
-Wow. -There are still 40,000 outside lavatories in the UK. | 0:13:15 | 0:13:17 | |
I'm surprised they've not all been turned into cereal cafes or summat. | 0:13:17 | 0:13:21 | |
That's the sort of thing people keep doing now, | 0:13:21 | 0:13:24 | |
turning toilets into bars. | 0:13:24 | 0:13:25 | |
-Yeah, there's one not far from here. -Yeah? | 0:13:25 | 0:13:27 | |
-It's a toilet. -That turned into a bar? | 0:13:27 | 0:13:29 | |
It's called The Toilet, I think. | 0:13:29 | 0:13:31 | |
I think it is, actually, that's right! | 0:13:31 | 0:13:33 | |
Where you go to the loo, God knows. | 0:13:35 | 0:13:36 | |
You can go out on the street and do it up the side of a pub, like... | 0:13:36 | 0:13:39 | |
Well, there used to be a thing, | 0:13:39 | 0:13:41 | |
when people were peeing up the sides of buildings, boys, let's be honest. | 0:13:41 | 0:13:45 | |
-Let's be honest, yeah. -Boys peeing outside buildings. | 0:13:45 | 0:13:47 | |
And talented girls. | 0:13:47 | 0:13:48 | |
Yeah, and talented - very talented girls | 0:13:48 | 0:13:51 | |
who were straight from Page 3, | 0:13:51 | 0:13:52 | |
showing their arse and their tits at the same time. | 0:13:52 | 0:13:54 | |
Lots of London buildings had special tilted metal bars, | 0:13:54 | 0:13:57 | |
so that if somebody did pee against it, | 0:13:57 | 0:13:59 | |
the pee would splash back on the person's shoes. | 0:13:59 | 0:14:02 | |
The most southerly public loo in Britain | 0:14:02 | 0:14:06 | |
is on the island of the Minquiers. | 0:14:06 | 0:14:08 | |
Here is a picture of it. It says, "This toilet has the distinction | 0:14:08 | 0:14:10 | |
"of being the most southern building in the British Isles. | 0:14:10 | 0:14:13 | |
"Please use with care as the nearest alternative is in Jersey, | 0:14:13 | 0:14:15 | |
"which is 11 miles away." | 0:14:15 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:18 | |
It looks like those rocks are leaning against the toilet. | 0:14:18 | 0:14:21 | |
It looks like they're queuing up, doesn't it? | 0:14:21 | 0:14:24 | |
It does look like a queue, doesn't it, and they've solidified waiting. | 0:14:24 | 0:14:27 | |
LAUGHTER | 0:14:27 | 0:14:28 | |
"Oh, hello, we're the Minquiers. | 0:14:30 | 0:14:32 | |
"Is there anyone in there?" | 0:14:32 | 0:14:35 | |
That's a great title for a band. | 0:14:35 | 0:14:37 | |
"Hey, hey, we're The Minquiers." | 0:14:37 | 0:14:39 | |
"Hey, hey, we're The Minquiers." | 0:14:39 | 0:14:40 | |
On a lighter note, who takes their mother-in-law to a lunatic asylum? | 0:14:40 | 0:14:44 | |
-LAUGHTER -Ooh... | 0:14:44 | 0:14:46 | |
-Terrible picture. -Look at us there. -VICTORIA: -What's...? | 0:14:46 | 0:14:49 | |
Is that meant to be us as mothers-in-law in a lunatic asylum? | 0:14:49 | 0:14:51 | |
-JASON: -Yes, that's exactly what it is. -I think that is the general... | 0:14:51 | 0:14:54 | |
-That's the look we're going for. -That's definitely the weirdest idea | 0:14:54 | 0:14:57 | |
-for a picture of us. -Yeah. | 0:14:57 | 0:14:58 | |
-I'm just thinking of mother-in-law jokes now. -Go on, then. | 0:14:58 | 0:15:00 | |
Well, the Les Dawson one is the best mother... | 0:15:00 | 0:15:02 | |
AWOOGA Ah! | 0:15:02 | 0:15:05 | |
-I haven't even told a joke! -APPLAUSE | 0:15:05 | 0:15:08 | |
Damn you! That's not fair! | 0:15:08 | 0:15:11 | |
He had the classic, | 0:15:13 | 0:15:14 | |
I was walking down the street with my wife | 0:15:14 | 0:15:18 | |
and I saw my mother-in-law, | 0:15:18 | 0:15:20 | |
and she was being beaten and robbed by six men. | 0:15:20 | 0:15:22 | |
And my wife said, "Aren't you going to help?" | 0:15:22 | 0:15:24 | |
-I said, "No, six should be enough." -LAUGHTER | 0:15:24 | 0:15:27 | |
-AS LES DAWSON: -I knew the mother-in-law was around, | 0:15:28 | 0:15:30 | |
-because all the mice were throwing themselves on the trap. -Yeah! | 0:15:30 | 0:15:34 | |
-He's amazing, amazing. -Fantastic comic. | 0:15:35 | 0:15:38 | |
-Is this the old school... Like, the day out? -Yeah. | 0:15:38 | 0:15:40 | |
-Like you would take... -Yeah. -..to watch. -Absolutely right. | 0:15:40 | 0:15:42 | |
-It was just down the road from here, wasn't it? Bethlem Hospital. -Yeah. | 0:15:42 | 0:15:45 | |
You could go and they had a viewing gallery, | 0:15:45 | 0:15:47 | |
-when you used to go and watch the crazy people. -Yeah. | 0:15:47 | 0:15:49 | |
In 19th-century America, if you could afford a honeymoon, | 0:15:49 | 0:15:52 | |
you would go on a grand tour, like you'd go to Niagara Falls, | 0:15:52 | 0:15:54 | |
but you would also take an excursion to an insane asylum, prisons, | 0:15:54 | 0:15:57 | |
battlefields, homes for the deaf and dumb, orphanages - | 0:15:57 | 0:16:00 | |
and it was normal practice to take your new in-laws along with you. | 0:16:00 | 0:16:04 | |
Can you imagine? | 0:16:04 | 0:16:05 | |
It's funny how, like, there's a part of you that hears about that, | 0:16:05 | 0:16:08 | |
and you suddenly think, "Oh, well, I'm glad we've moved on," | 0:16:08 | 0:16:11 | |
and then you think, "Isn't Big Brother still on the telly?" | 0:16:11 | 0:16:14 | |
-Yeah, yeah. -And Britain's Got Talent auditions. | 0:16:14 | 0:16:17 | |
-Yeah, I know! -It's pretty much the same thing. | 0:16:17 | 0:16:20 | |
I only actually watch those at the beginning, | 0:16:20 | 0:16:22 | |
when you've got the nutters. "Where are you from?" "Hull." | 0:16:22 | 0:16:25 | |
"Where are you from?" "Carlisle." | 0:16:25 | 0:16:26 | |
"Where are you from?" "Narnia!" | 0:16:26 | 0:16:27 | |
"Right, you're in, right to the front." | 0:16:27 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:31 | |
So, odd outings, and odd days out, if you were interested - | 0:16:31 | 0:16:34 | |
-sewage treatment works, for example. -Oh, yeah. | 0:16:34 | 0:16:37 | |
The Sha Tin sewage works in Hong Kong | 0:16:37 | 0:16:39 | |
offers, "Thematic tours, display panels, | 0:16:39 | 0:16:42 | |
"model exhibitions and game booths," | 0:16:42 | 0:16:44 | |
as well as "stage performances, | 0:16:44 | 0:16:45 | |
"a fun area for kids and photo-taking corners." | 0:16:45 | 0:16:48 | |
Can you see the guy in the bottom right? | 0:16:48 | 0:16:50 | |
LAUGHTER | 0:16:51 | 0:16:52 | |
That really, that's very much like, "Oh, this is a terrible..." | 0:16:54 | 0:16:56 | |
-Yeah! -"I thought it was a funny idea, | 0:16:56 | 0:16:58 | |
"and now I'm here and it's bad." | 0:16:58 | 0:17:00 | |
There's a treatment plant in New Zealand. | 0:17:00 | 0:17:02 | |
"Sturdy, flat-soled and closed-in shoes are required, | 0:17:02 | 0:17:06 | |
"and rain coats are recommended." | 0:17:06 | 0:17:07 | |
AUDIENCE GROANS | 0:17:07 | 0:17:09 | |
That sounds like they need a redesign, | 0:17:09 | 0:17:10 | |
-if you've got to wear a raincoat. -Yeah. | 0:17:10 | 0:17:12 | |
Going on a log flume. | 0:17:12 | 0:17:13 | |
LAUGHTER | 0:17:13 | 0:17:15 | |
Yeah. "Close your mouth!" | 0:17:21 | 0:17:24 | |
The Dubbo Sewage Treatment Plant in New South Wales, | 0:17:27 | 0:17:30 | |
their open day includes "spectacular drone footage plus a free barbecue." | 0:17:30 | 0:17:34 | |
As the man in charge said, "I would be surprised | 0:17:34 | 0:17:36 | |
"if we didn't have at least dozens of people through." | 0:17:36 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:40 | |
Now, what do vegetarian goatsuckers eat? | 0:17:42 | 0:17:46 | |
LAUGHTER | 0:17:47 | 0:17:49 | |
-Right, wow... -Can you show that on television? | 0:17:49 | 0:17:51 | |
I think that's taking vaping too far. | 0:17:51 | 0:17:54 | |
Is that a goat bagpipe? | 0:17:55 | 0:17:57 | |
It is a goat bagpipe. | 0:17:57 | 0:17:59 | |
He's done something odd to his hair. | 0:17:59 | 0:18:01 | |
Yeah, his hair, that's the problem with that picture. | 0:18:01 | 0:18:03 | |
LAUGHTER | 0:18:03 | 0:18:04 | |
So vegetarian goatsuckers, what do they eat? | 0:18:06 | 0:18:09 | |
He must eat the rest of the goat, surely, | 0:18:09 | 0:18:11 | |
before it becomes his instrument? | 0:18:11 | 0:18:12 | |
It's a vegetarian goatsucker. | 0:18:12 | 0:18:14 | |
-VICTORIA: -So... | 0:18:14 | 0:18:16 | |
-Not goats. -It's no use saying that. | 0:18:16 | 0:18:17 | |
What's a goatsucker? | 0:18:17 | 0:18:19 | |
-It's a kind of bird, it's an order of birds called goatsuckers... -Oh. | 0:18:19 | 0:18:22 | |
..and they were named | 0:18:22 | 0:18:23 | |
because there was an ancient belief that they lived nocturnally | 0:18:23 | 0:18:26 | |
sucking the milk from the teats of goats, | 0:18:26 | 0:18:28 | |
-which sent them blind. -Ooh, God! -Ooh, hello. | 0:18:28 | 0:18:29 | |
-Feels like a fun-size owl. -Well... | 0:18:29 | 0:18:32 | |
Like, if you're like, "Oh, I want to get an owl, | 0:18:32 | 0:18:34 | |
-"but I haven't got the space." -Yeah. | 0:18:34 | 0:18:35 | |
LAUGHTER | 0:18:35 | 0:18:37 | |
"I'll get one of these." | 0:18:37 | 0:18:39 | |
They're called oilbirds, also known as guacharo, | 0:18:39 | 0:18:42 | |
and they are the only vegetarian species of goatsuckers. | 0:18:42 | 0:18:45 | |
Most goatsuckers eat insects. | 0:18:45 | 0:18:46 | |
These oilbirds eat fruit. | 0:18:46 | 0:18:48 | |
Sorry, you said that like it's like a huge surprise to us. | 0:18:48 | 0:18:51 | |
-What? -We only just heard they existed, | 0:18:51 | 0:18:52 | |
and you went, "These are the only ones that are vegetarians." | 0:18:52 | 0:18:55 | |
Well, I've just found out. I mean, I literally couldn't care less. | 0:18:55 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
And I'm speaking on behalf of everyone in the room | 0:18:59 | 0:19:01 | |
when I say, "No, really, these are the only vegetarian ones?! | 0:19:01 | 0:19:04 | |
"Wow, let's get this down." | 0:19:04 | 0:19:06 | |
What are you talking about? You've lost your mind! | 0:19:07 | 0:19:10 | |
They live in caves in the northern part of South America. | 0:19:13 | 0:19:15 | |
Well, no wonder they're vegetarian - what is there to eat in there? | 0:19:15 | 0:19:18 | |
Well, the thing about them is they get so fat | 0:19:18 | 0:19:21 | |
from the fruit that they eat, that they become incredibly plump | 0:19:21 | 0:19:25 | |
and there's an annual oil harvest, | 0:19:25 | 0:19:27 | |
where people take the plump babies in their thousands, | 0:19:27 | 0:19:29 | |
the local people, and they render them for the oil. | 0:19:29 | 0:19:32 | |
Because apparently it's excellent for fuel, and also for cooking. | 0:19:32 | 0:19:35 | |
Do they still suck the goats? | 0:19:35 | 0:19:36 | |
Nobody sucks goats, it's... There is no goat-sucking. | 0:19:36 | 0:19:40 | |
-How do you get the oil out of the bird? -This is like a...! | 0:19:40 | 0:19:43 | |
Well, you can render any bird for its fat. | 0:19:43 | 0:19:45 | |
If you've ever cooked a duck, | 0:19:45 | 0:19:46 | |
you can get an enormous amount of duck fat out of it. | 0:19:46 | 0:19:48 | |
-Imagine a world where I've never cooked a duck. -OK. | 0:19:48 | 0:19:51 | |
-LAUGHTER -Imagine - I mean, it's... | 0:19:51 | 0:19:53 | |
I mean, it's like... | 0:19:55 | 0:19:56 | |
We're not really on the same wavelength here at all. | 0:19:56 | 0:19:59 | |
But fat runs off a chicken. | 0:20:00 | 0:20:02 | |
Have you cooked a bird of any kind? | 0:20:02 | 0:20:03 | |
-You'll have a drip tray. -Yes. Yes, you have a drip tray. | 0:20:03 | 0:20:06 | |
-You've got one under your bed. -Yeah. | 0:20:06 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:09 | |
APPLAUSE | 0:20:11 | 0:20:13 | |
Do you remember when Sandi had a breakdown on television | 0:20:16 | 0:20:19 | |
and she was talking about goatsuckers? | 0:20:19 | 0:20:21 | |
And then we just gave up, we asked about three times, | 0:20:21 | 0:20:23 | |
"What has this goat got to do with anything?" | 0:20:23 | 0:20:25 | |
and she just went, "Oh, it's a bird," | 0:20:25 | 0:20:27 | |
and then she kept on talking about goats for ages, before, | 0:20:27 | 0:20:30 | |
but then we just let it go. | 0:20:30 | 0:20:31 | |
You could look back on it as the tipping point, | 0:20:31 | 0:20:33 | |
they say that was it, it was one show too many - | 0:20:33 | 0:20:35 | |
and she explained to everyone, | 0:20:35 | 0:20:36 | |
"It's the only vegetarian goatsucker, | 0:20:36 | 0:20:38 | |
"but it doesn't suck goats, doesn't do it," | 0:20:38 | 0:20:39 | |
-and she thought it made sense. -Yeah, and then...and then she was... | 0:20:39 | 0:20:42 | |
..she was someone's mother-in-law, and then she ended up in an asylum. | 0:20:42 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:46 | |
And we went to visit her. Yeah. | 0:20:46 | 0:20:48 | |
It was an ancient belief that they sucked | 0:20:48 | 0:20:51 | |
the teats of goats for the milk, but they don't. | 0:20:51 | 0:20:54 | |
Sometimes, in the old days, they got things wrong. | 0:20:54 | 0:20:58 | |
I'd quite like to live in a cave. | 0:20:59 | 0:21:01 | |
Would you? Why? | 0:21:01 | 0:21:02 | |
I don't know, I always like being in a cave. | 0:21:02 | 0:21:05 | |
Whenever I'm in a cave, I feel quite relaxed. | 0:21:07 | 0:21:10 | |
This is the weirdest therapy session of all time. | 0:21:10 | 0:21:13 | |
I went into some really big caves once, and it was great in there. | 0:21:13 | 0:21:17 | |
LAUGHTER | 0:21:18 | 0:21:19 | |
I'd say whatever Sandi's got is catching. | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:26 | |
And do you know what? | 0:21:26 | 0:21:27 | |
If my calculations are correct, I think the wind's blowing that way. | 0:21:27 | 0:21:30 | |
I don't think Jason's got much hope. | 0:21:30 | 0:21:33 | |
But you talk about the things that - | 0:21:33 | 0:21:34 | |
you say they're called goatsuckers and you don't believe me, | 0:21:34 | 0:21:37 | |
-there are... -Oh, we're back to this, are we? | 0:21:37 | 0:21:39 | |
I mean, God bless Alan for taking one for the team, | 0:21:39 | 0:21:42 | |
but you really... Oh, yeah, no, back to the goatsuckers, yeah, | 0:21:42 | 0:21:46 | |
let's pull this round, because this lot can't believe it. | 0:21:46 | 0:21:49 | |
That is a thing, but it's also known as an oilbird, | 0:21:50 | 0:21:52 | |
but the type of bird it is is a goatsucker. | 0:21:52 | 0:21:55 | |
That's just the - what they became called | 0:21:55 | 0:21:57 | |
even though it isn't actually the... | 0:21:57 | 0:21:59 | |
Hundreds, thousands of years ago somebody went, | 0:21:59 | 0:22:01 | |
-"I bet they suck the teats of goats." -Yes, exactly. | 0:22:01 | 0:22:05 | |
-"Let's call them goatsuckers." -Yes, and it stuck. | 0:22:05 | 0:22:07 | |
Everyone else went, "But they don't do that." | 0:22:07 | 0:22:09 | |
-"I've named them now!" -Yes. | 0:22:09 | 0:22:11 | |
"OK? I've written it down in the bird book!" | 0:22:11 | 0:22:15 | |
LAUGHTER | 0:22:15 | 0:22:16 | |
It's like that joke, "You shag one sheep..." | 0:22:18 | 0:22:20 | |
Yeah, exactly. | 0:22:20 | 0:22:22 | |
One of them mistook a goat's nipple for a berry... | 0:22:22 | 0:22:25 | |
..and the whole species was named. | 0:22:25 | 0:22:29 | |
Right, moving on. | 0:22:29 | 0:22:31 | |
The oilbird is the only vegetarian goatsucker. | 0:22:31 | 0:22:34 | |
It eats nothing but fruit. Right. | 0:22:34 | 0:22:37 | |
Let us move on to the outer limits of knowledge, | 0:22:37 | 0:22:39 | |
the odd world of General Ignorance. | 0:22:39 | 0:22:41 | |
Fingers on buzzers, please. | 0:22:41 | 0:22:43 | |
How many time zones are there in China? | 0:22:43 | 0:22:46 | |
Ooh. | 0:22:46 | 0:22:47 | |
Yes, Jimmy? | 0:22:47 | 0:22:49 | |
One. | 0:22:49 | 0:22:50 | |
-Yes. -Come on! -You're absolutely right, one. | 0:22:50 | 0:22:53 | |
APPLAUSE | 0:22:53 | 0:22:54 | |
-So... -No, no, no, don't even explain, let's just... | 0:22:57 | 0:23:00 | |
Let's just enjoy that moment for a second. | 0:23:00 | 0:23:01 | |
I mean, I've never got anything on this bloody show. | 0:23:01 | 0:23:03 | |
-You're absolutely right. -It's one, actually. -Why do you think that? | 0:23:03 | 0:23:06 | |
Well, do you know what? That's not important. What matters is... | 0:23:06 | 0:23:09 | |
LAUGHTER | 0:23:09 | 0:23:10 | |
-..there's one time zone in China. -Yeah. | 0:23:10 | 0:23:12 | |
-You can take that to the bank. -Yeah. | 0:23:12 | 0:23:14 | |
I imagine the Communist Party decided what the time was | 0:23:14 | 0:23:17 | |
-and that was it. -Yeah. You're absolutely right. | 0:23:17 | 0:23:19 | |
So, given the size of the nation, | 0:23:19 | 0:23:20 | |
-you would think that it would be many different... -At least four. | 0:23:20 | 0:23:23 | |
At least four - but it's always Beijing time, | 0:23:23 | 0:23:25 | |
no matter where you are. So, if it is noon in Beijing, | 0:23:25 | 0:23:27 | |
then 3,000 miles away, it is also noon. | 0:23:27 | 0:23:29 | |
It was standardised, time, in 1949, | 0:23:29 | 0:23:30 | |
following the revolution and the civil war. | 0:23:30 | 0:23:33 | |
Is there people in the middle of the night like forcing lunch down them? | 0:23:33 | 0:23:35 | |
-Yes. -"Ooh, lunch time again." | 0:23:35 | 0:23:38 | |
HE YAWNS Yes. | 0:23:38 | 0:23:40 | |
In the summer, there are places where the sun sets | 0:23:40 | 0:23:42 | |
in the middle of the night, and then in the winter | 0:23:42 | 0:23:44 | |
the sunrise might not come until ten o'clock in the morning. | 0:23:44 | 0:23:47 | |
First adoption of standard time in Britain? | 0:23:47 | 0:23:49 | |
-Why did we adopt it? -Was that wartime? | 0:23:49 | 0:23:51 | |
No. 1847, so we're talking about the railways. | 0:23:51 | 0:23:54 | |
It's because there's no point in having the railways | 0:23:54 | 0:23:57 | |
-if you're all on different times. -Oh. | 0:23:57 | 0:23:58 | |
You say that, but I don't know if you've used Southern Rail... | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:02 | |
GMT. You start to get it - | 0:24:04 | 0:24:06 | |
1855, about 98% of the country is using it, | 0:24:06 | 0:24:08 | |
and then it became Britain's legal time in 1880 - | 0:24:08 | 0:24:11 | |
but there were still places, | 0:24:11 | 0:24:13 | |
some British clocks have got two minute hands, | 0:24:13 | 0:24:16 | |
so there is a still working public clock | 0:24:16 | 0:24:18 | |
over the old Corn Exchange in Bristol, | 0:24:18 | 0:24:20 | |
and it has a black minute hand for GMT | 0:24:20 | 0:24:22 | |
and it has a red minute hand for what was known as Bristol Time, | 0:24:22 | 0:24:26 | |
and it's ten minutes behind, | 0:24:26 | 0:24:28 | |
and that clock is still working. | 0:24:28 | 0:24:29 | |
Ten minutes behind! | 0:24:29 | 0:24:31 | |
-I've done some gigs in Bristol, that makes sense. -Yeah. | 0:24:31 | 0:24:33 | |
LAUGHTER | 0:24:33 | 0:24:34 | |
Sometimes they don't get it straight away. | 0:24:34 | 0:24:36 | |
RENEWED LAUGHTER | 0:24:36 | 0:24:37 | |
I think they might be in. | 0:24:39 | 0:24:40 | |
-That reaction. -What should I do if my child has got flat feet? | 0:24:42 | 0:24:46 | |
Oh, store them on a flat surface. | 0:24:46 | 0:24:48 | |
LAUGHTER | 0:24:48 | 0:24:50 | |
Why would I mind? | 0:24:50 | 0:24:52 | |
Ah, well, you're absolutely right, it doesn't matter. | 0:24:52 | 0:24:54 | |
-Nothing, nothing. -It doesn't matter in the slightest. | 0:24:54 | 0:24:56 | |
-I've got very flat feet. -Yes, it doesn't matter. | 0:24:56 | 0:24:59 | |
I mean it doesn't matter to me. | 0:24:59 | 0:25:00 | |
I don't give a damn about your feet. LAUGHTER | 0:25:00 | 0:25:02 | |
You've... You've really changed. | 0:25:02 | 0:25:04 | |
You were super friendly earlier. | 0:25:04 | 0:25:06 | |
Why has it ever mattered? | 0:25:06 | 0:25:07 | |
You used to be able to get out of military service. | 0:25:07 | 0:25:09 | |
-Yeah. -Pike in Dad's Army - it was his feet, wasn't it? | 0:25:09 | 0:25:12 | |
-Yeah. -That and his stupidity. | 0:25:12 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:16 | |
It's an old wives' tale, and we have no idea | 0:25:16 | 0:25:18 | |
why both the medical and the military establishment | 0:25:18 | 0:25:20 | |
decided to adopt it as something that was important - | 0:25:20 | 0:25:22 | |
and you could indeed be given exclusion from service | 0:25:22 | 0:25:25 | |
in the Armed Forces because you had flat feet. | 0:25:25 | 0:25:27 | |
-Not any more. -Those are nice little feet. | 0:25:27 | 0:25:28 | |
-They're so... I love babies' feet. -Mm. -They're just so... | 0:25:28 | 0:25:31 | |
Like little slices of rare roast beef. | 0:25:31 | 0:25:33 | |
LAUGHTER | 0:25:33 | 0:25:34 | |
OK, that wasn't where I was going, but, yes. | 0:25:34 | 0:25:36 | |
LAUGHTER | 0:25:36 | 0:25:38 | |
-JASON: -I've got a feeling the wind's blowing the other way now. | 0:25:38 | 0:25:41 | |
LAUGHTER | 0:25:41 | 0:25:42 | |
It's really, it used to be seen as a disability. | 0:25:43 | 0:25:45 | |
Some people thought it needed treatment, even surgery, | 0:25:45 | 0:25:48 | |
-but nowadays it's... -That would feel like taking the piss, | 0:25:48 | 0:25:50 | |
if you parked in a disabled bay | 0:25:50 | 0:25:51 | |
and went, "Yeah, I've got..." | 0:25:51 | 0:25:53 | |
-Flat feet, mate. -Flat feet. -"I've got very flat feet." | 0:25:53 | 0:25:55 | |
What we think now is that feet just come in different shapes and sizes. | 0:25:55 | 0:25:58 | |
-That'll be it. -Like ears and noses, | 0:25:58 | 0:25:59 | |
they come - you know, there's no right or wrong. | 0:25:59 | 0:26:02 | |
It's possible that the whole concept of arched feet | 0:26:02 | 0:26:04 | |
is just a cosmetic ideal. | 0:26:04 | 0:26:05 | |
People thought it was rather beautiful. | 0:26:05 | 0:26:07 | |
I don't really get the foot fetish thing. | 0:26:07 | 0:26:09 | |
-Do you not? -Like, how did that start? | 0:26:09 | 0:26:11 | |
Well, there was a goatsucker and... | 0:26:11 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:14 | |
APPLAUSE | 0:26:14 | 0:26:16 | |
The best treatment for flat feet is no treatment at all. | 0:26:19 | 0:26:22 | |
When a boa constrictor squeezes its prey, | 0:26:22 | 0:26:25 | |
what is the cause of death? | 0:26:25 | 0:26:26 | |
Oh, that's so horrible. | 0:26:26 | 0:26:28 | |
No, snakes are brilliant. | 0:26:28 | 0:26:29 | |
It'll be something creepy. | 0:26:29 | 0:26:30 | |
-Yeah. -Snakes are real murderers. | 0:26:30 | 0:26:33 | |
Is the answer, you're beaten to death with a candlestick? | 0:26:33 | 0:26:36 | |
Oh! In the library by the boa constrictor. | 0:26:36 | 0:26:39 | |
They are the absolute Agatha Christie of killers. | 0:26:39 | 0:26:42 | |
Do you know, I normally quite like snakes, | 0:26:42 | 0:26:44 | |
-but that one is just rude. -Yeah. | 0:26:44 | 0:26:47 | |
Don't they, don't they sort of trigger a heart attack? | 0:26:47 | 0:26:49 | |
-Yes, that is exactly right. -Is that their thing? -Yeah. -Yeah. | 0:26:49 | 0:26:52 | |
It used to be thought that they squeezed so hard | 0:26:52 | 0:26:54 | |
that the victim couldn't breathe, | 0:26:54 | 0:26:55 | |
and that each time the prey exhaled, | 0:26:55 | 0:26:57 | |
the snake would tighten its grip | 0:26:57 | 0:26:58 | |
until they couldn't breathe any more - | 0:26:58 | 0:27:00 | |
but what they've now discovered | 0:27:00 | 0:27:01 | |
is it's stopping the blood flow to the vital organs. | 0:27:01 | 0:27:04 | |
They've done these studies | 0:27:04 | 0:27:05 | |
to know how the snake knows when to stop squeezing. | 0:27:05 | 0:27:07 | |
Dickinson College in Pennsylvania, they gave their boa constrictor | 0:27:07 | 0:27:10 | |
dead rats into which little robot hearts had been inserted. | 0:27:10 | 0:27:15 | |
So, although the rat was dead, it still had a heartbeat, | 0:27:15 | 0:27:18 | |
and the snakes didn't relax their grip | 0:27:18 | 0:27:19 | |
until they turned off the heartbeat. | 0:27:19 | 0:27:21 | |
They seemed to have the ability to work out, to monitor the heartbeat. | 0:27:21 | 0:27:24 | |
They're like a, they're like a demon blood pressure cuff. | 0:27:24 | 0:27:27 | |
LAUGHTER | 0:27:27 | 0:27:28 | |
Listen to the things people have done, | 0:27:28 | 0:27:30 | |
you haven't even cooked a duck! | 0:27:30 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:33 | |
APPLAUSE | 0:27:33 | 0:27:35 | |
That's told me! That's told me. | 0:27:41 | 0:27:45 | |
Time to look at some odd numbers. | 0:27:45 | 0:27:46 | |
It is the final scores - | 0:27:46 | 0:27:49 | |
and our winner, with minus four, this is very exciting, | 0:27:49 | 0:27:52 | |
is Victoria. | 0:27:52 | 0:27:54 | |
Oh, fair play. | 0:27:54 | 0:27:55 | |
APPLAUSE | 0:27:55 | 0:27:57 | |
In joint second place, with minus eight, | 0:28:00 | 0:28:03 | |
it's Jason and Alan. | 0:28:03 | 0:28:04 | |
-APPLAUSE -Oh! -That's good. | 0:28:04 | 0:28:07 | |
We came second. | 0:28:07 | 0:28:09 | |
I've never even cooked a duck! | 0:28:10 | 0:28:12 | |
Or sucked a goat. | 0:28:12 | 0:28:14 | |
In... | 0:28:14 | 0:28:15 | |
-LAUGHTER -Well... | 0:28:15 | 0:28:16 | |
-Too much information. -I had a fabulous gap year, | 0:28:18 | 0:28:20 | |
I don't want to discuss it. | 0:28:20 | 0:28:21 | |
With minus 23, last place goes to Jimmy! | 0:28:21 | 0:28:25 | |
CHEERING AND APPLAUSE | 0:28:25 | 0:28:27 | |
So, it's thanks to Victoria, Jimmy, Jason and Alan - | 0:28:33 | 0:28:37 | |
and we leave you with a memory of Winston Churchill, | 0:28:37 | 0:28:40 | |
who was not only a great orator, but a great student of oratory. | 0:28:40 | 0:28:42 | |
He used to rehearse his speeches constantly | 0:28:42 | 0:28:45 | |
to make them sound natural. | 0:28:45 | 0:28:46 | |
He'd practise in the bath, for instance, | 0:28:46 | 0:28:48 | |
and it's said that the first time his valet heard him doing this, | 0:28:48 | 0:28:50 | |
he asked, "Were you speaking to me, sir?" | 0:28:50 | 0:28:52 | |
"No," said Churchill, "I was addressing the House of Commons." | 0:28:52 | 0:28:55 | |
Goodnight. | 0:28:55 | 0:28:56 | |
APPLAUSE | 0:28:56 | 0:28:57 |