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CHEERING AND APPLAUSE | 0:00:23 | 0:00:25 | |
Good evening and welcome to the QI office party. | 0:00:36 | 0:00:38 | |
Joining me around the photocopier for a show all about | 0:00:38 | 0:00:41 | |
offices and occupations are Vice President of Stapler Affairs, | 0:00:41 | 0:00:45 | |
Deirdre O'Kane. | 0:00:45 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
Senior Partner in Charge of Biscuits, Richard Osman. | 0:00:51 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
Regional Branch Biro Lid Replacement Manager, David Mitchell. | 0:00:59 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:05 | |
And, on the 15th year of his two-week internship, Alan Davies. | 0:01:08 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:14 | |
Let's hear their noises office. | 0:01:21 | 0:01:23 | |
Deirdre goes... | 0:01:23 | 0:01:25 | |
TYPING | 0:01:25 | 0:01:28 | |
-What is it? -Typewriter. | 0:01:28 | 0:01:30 | |
-It's a... -Thanks for the help! Thank you. | 0:01:30 | 0:01:33 | |
-Well done! -Wow. -There must be a historian in. | 0:01:33 | 0:01:35 | |
But genuinely, kids at home are going, "Oh, thank you. | 0:01:35 | 0:01:37 | |
"Yeah, couldn't know that." They wouldn't have. | 0:01:37 | 0:01:39 | |
And Richard goes... | 0:01:39 | 0:01:40 | |
BROADBAND DIAL-UP BLEEPING | 0:01:40 | 0:01:43 | |
LAUGHTER | 0:01:43 | 0:01:45 | |
That's a laugh from a certain section | 0:01:47 | 0:01:49 | |
of the audience who got that. | 0:01:49 | 0:01:50 | |
And David goes... | 0:01:50 | 0:01:52 | |
WATER POURING, WATER COOLER BUBBLING | 0:01:52 | 0:01:55 | |
Diarrhoea, we're all aware of that. | 0:01:57 | 0:01:59 | |
And Alan goes... | 0:02:01 | 0:02:02 | |
RINGING | 0:02:02 | 0:02:05 | |
-FEMALE VOICE ON ANSWER MACHINE: -The office is now closed. | 0:02:07 | 0:02:09 | |
Please leave a message for... | 0:02:09 | 0:02:11 | |
-MALE VOICE: -Alan Davies. -..after the tone. | 0:02:11 | 0:02:14 | |
BEEP | 0:02:14 | 0:02:15 | |
Right. What's the worst thing you can catch in the office? | 0:02:15 | 0:02:19 | |
Well, I mean... | 0:02:19 | 0:02:21 | |
the plague? | 0:02:21 | 0:02:23 | |
Can you imagine how many days off people had during the plague? | 0:02:24 | 0:02:26 | |
People who were perfectly all right. | 0:02:26 | 0:02:28 | |
"Yeah. Oh, God, plague, yeah. | 0:02:28 | 0:02:30 | |
"Yeah, pretty bad." | 0:02:30 | 0:02:32 | |
What, were they just talking to their hands, they were just...? | 0:02:32 | 0:02:35 | |
-Yeah, yeah, yeah. -Files disease. | 0:02:35 | 0:02:37 | |
Files disease? | 0:02:37 | 0:02:38 | |
Well, in fact it's bad manners. | 0:02:41 | 0:02:43 | |
Bad manners is the thing you are most likely to catch in an office. | 0:02:43 | 0:02:46 | |
They did a study in 2015, and acts of rudeness | 0:02:46 | 0:02:49 | |
apparently spread around an organisation a bit like a cold. | 0:02:49 | 0:02:53 | |
And when rudeness starts, it tends to get worse over the course | 0:02:53 | 0:02:56 | |
of a working day. It is the thing you're... | 0:02:56 | 0:02:58 | |
Oh, bugger off! | 0:02:58 | 0:02:59 | |
-You can't actually catch bad manners. -Well, apparently what | 0:03:07 | 0:03:09 | |
happens is, if somebody is rude to you, you're more likely | 0:03:09 | 0:03:12 | |
to be rude back. So it's one of the things you're most... | 0:03:12 | 0:03:14 | |
Hence the Nazis, and things like that. | 0:03:14 | 0:03:17 | |
-That started in an office... -Yeah, yeah. | 0:03:17 | 0:03:19 | |
-..with someone being a little bit impolite... -Yeah. | 0:03:19 | 0:03:21 | |
-..over some filing. -And suddenly they're in Poland. | 0:03:21 | 0:03:24 | |
The next thing you know... | 0:03:24 | 0:03:26 | |
There is lots of bacteria as well. | 0:03:26 | 0:03:27 | |
I mean, they did a study of 33 keyboards in an average office | 0:03:27 | 0:03:30 | |
and one of them had five times as many germs | 0:03:30 | 0:03:32 | |
as the office toilet seat. | 0:03:32 | 0:03:34 | |
AUDIENCE GROANS | 0:03:34 | 0:03:35 | |
But I'm always a bit worried about those numbers of germs things. | 0:03:35 | 0:03:38 | |
-OK. -Because they say the average kitchen worktop has more germs on it | 0:03:38 | 0:03:41 | |
than the average loo seat. | 0:03:41 | 0:03:43 | |
To which the obvious response is, | 0:03:43 | 0:03:46 | |
-well, that's obviously broadly fine then... -Yeah. | 0:03:46 | 0:03:48 | |
..because we're not all dying, we don't go to the kitchen | 0:03:48 | 0:03:51 | |
and have one meal and immediately vomit and vomit and vomit. | 0:03:51 | 0:03:55 | |
But toilets are actually quite clean, | 0:03:55 | 0:03:56 | |
because they are actually cleaned with bleach, which is... | 0:03:56 | 0:03:59 | |
Do you not think bleach is the perfect product of all time? | 0:03:59 | 0:04:01 | |
Because people go to the shops, they buy it, they pour | 0:04:01 | 0:04:04 | |
it down the toilet, they flush it away and they go and buy some more. | 0:04:04 | 0:04:08 | |
Whoever invented it thought, "This is going to make us a fortune." | 0:04:08 | 0:04:11 | |
So, Deirdre, what do you reckon, | 0:04:11 | 0:04:13 | |
if you had an all-male office and an all-female office, | 0:04:13 | 0:04:15 | |
which one would have more bacteria? | 0:04:15 | 0:04:17 | |
-Oh, the male office. -Why? | 0:04:17 | 0:04:18 | |
Because they're mankier than us. | 0:04:18 | 0:04:21 | |
So maybe that is the scientific answer. | 0:04:21 | 0:04:23 | |
They're dirtier and bigger, so they give off more bacteria. | 0:04:23 | 0:04:26 | |
But are men dirtier per kilogram? | 0:04:29 | 0:04:32 | |
Oh, that's a good question. | 0:04:32 | 0:04:34 | |
Deirdre, how dirty are you, and then we'll work it out? | 0:04:34 | 0:04:37 | |
I know that men don't wash their hands after they've | 0:04:37 | 0:04:40 | |
been in the toilet. | 0:04:40 | 0:04:41 | |
There you go. | 0:04:41 | 0:04:43 | |
In fact, I was once at Wembley Stadium, | 0:04:43 | 0:04:45 | |
and I went to wash my hands, and when I got to the sink there | 0:04:45 | 0:04:49 | |
were three penises urinating into the sink. | 0:04:49 | 0:04:52 | |
No! | 0:04:52 | 0:04:53 | |
On their own? | 0:04:53 | 0:04:54 | |
I don't really know how it works. | 0:04:57 | 0:04:58 | |
They couldn't be bothered to queue for the urinals, | 0:05:00 | 0:05:03 | |
they just used the sink where I was trying to wash my hands. | 0:05:03 | 0:05:07 | |
And they're here tonight. | 0:05:07 | 0:05:08 | |
Did you ever play the old Comedy Store in Leicester Square? | 0:05:09 | 0:05:12 | |
Yes, I played the old Comedy Store, and the first time | 0:05:12 | 0:05:14 | |
I went in the dressing room, Arthur Smith and Paul Merton were in there. | 0:05:14 | 0:05:17 | |
And they introduced themselves and they said, | 0:05:17 | 0:05:19 | |
-"The toilet's over there," and it was the sink. -Yeah. | 0:05:19 | 0:05:21 | |
So there was just a basin in the corner of the room, | 0:05:21 | 0:05:23 | |
and they weren't really expecting girls. | 0:05:23 | 0:05:25 | |
I was just going to say, not much good for us. | 0:05:25 | 0:05:27 | |
No, well, Josie Lawrence used to lift me up, to be able... | 0:05:27 | 0:05:30 | |
So, I have four occupations for you. | 0:05:35 | 0:05:37 | |
Deirdre, you are a Sewage Diver. | 0:05:37 | 0:05:40 | |
Richard, you are the Queen's Bagpiper. | 0:05:40 | 0:05:42 | |
David, you're an Ornamental Hermit. | 0:05:42 | 0:05:45 | |
And, Alan, you're Bailiff of the Chiltern Hundreds. | 0:05:47 | 0:05:50 | |
Which of you has got a real job? | 0:05:50 | 0:05:53 | |
The Chiltern Hundreds is a real place. | 0:05:53 | 0:05:55 | |
Yes, but is the job a real job? | 0:05:55 | 0:05:57 | |
It's an anti-job. It's what you get when you resign as an MP, | 0:05:57 | 0:06:00 | |
-you join the Chiltern Hundreds. -Yeah. So it's not really a real job. | 0:06:00 | 0:06:03 | |
So 1624, and they passed a law saying that nobody | 0:06:03 | 0:06:06 | |
can leave Parliament, and it stems from the time | 0:06:06 | 0:06:09 | |
when people were elected against their will. | 0:06:09 | 0:06:11 | |
So sometimes local gentry were made to join Parliament, | 0:06:11 | 0:06:13 | |
they didn't really want to. | 0:06:13 | 0:06:14 | |
And the law says, technically, you have to die or you have to be | 0:06:14 | 0:06:17 | |
voted out or you have to go and work for the Queen or something. | 0:06:17 | 0:06:20 | |
So if you want to retire, you apply for a fictional Crown Office | 0:06:20 | 0:06:24 | |
called the Steward and Bailiff of the Chiltern Hundreds. | 0:06:24 | 0:06:26 | |
And here are some people who have, in their time, been Stewards. | 0:06:26 | 0:06:29 | |
Look at Tony Blair pretending to drink wine. | 0:06:29 | 0:06:32 | |
He brought an empty glass to his lips | 0:06:32 | 0:06:34 | |
and now he's filled it with his special liquid. | 0:06:34 | 0:06:37 | |
Then he passes it to the person next to him, | 0:06:42 | 0:06:44 | |
they drink it and then they like him. | 0:06:44 | 0:06:46 | |
So let's go back to the Sewage Diver, what do you reckon, | 0:06:49 | 0:06:52 | |
-Deirdre, real job? -Well, it's a shit job, isn't it? | 0:06:52 | 0:06:54 | |
-It is, look at that, it is a real thing. So they have a... -It's more | 0:06:56 | 0:06:58 | |
-wading they do, than diving, isn't it? -There you go, yeah. | 0:06:58 | 0:07:01 | |
But that's not a way to resign if you're an MP. | 0:07:01 | 0:07:03 | |
You know, I think that would be quite popular as... | 0:07:03 | 0:07:06 | |
That would be a good way. | 0:07:06 | 0:07:07 | |
"I wish to leave politics, so now I will immerse myself in excrement." | 0:07:07 | 0:07:10 | |
-Yes. -Hurray! | 0:07:10 | 0:07:11 | |
-But who would do this job? -I used to be a sewage diver. | 0:07:11 | 0:07:14 | |
It was just going through the motions. | 0:07:14 | 0:07:15 | |
AUDIENCE GROANS | 0:07:15 | 0:07:17 | |
Thanks, anyway. | 0:07:17 | 0:07:19 | |
Well, there are sewage farms and they have sort of moving parts, | 0:07:22 | 0:07:25 | |
and when things get stuck, they're fitted with air pipelines, | 0:07:25 | 0:07:28 | |
they have to dive in and climb down to fix them. | 0:07:28 | 0:07:30 | |
-Oh, God. -"They're fitted with air pipelines." I would hope so! | 0:07:30 | 0:07:32 | |
Yes, I know. | 0:07:32 | 0:07:34 | |
Just take a deep breath and go for it! | 0:07:34 | 0:07:36 | |
I would have thought the worst job is the person who has to | 0:07:39 | 0:07:41 | |
clean the suit when they get out. | 0:07:41 | 0:07:43 | |
I don't know. | 0:07:43 | 0:07:44 | |
I think I'd go... Presented with that terrible career choice, | 0:07:46 | 0:07:51 | |
I think I'd go for cleaning the suit. | 0:07:51 | 0:07:54 | |
What about Queen's Bagpiper, Richard, is that a real job? | 0:07:54 | 0:07:57 | |
Well, she's got everything, hasn't she, the Queen? | 0:07:57 | 0:07:59 | |
So, yeah, gosh, I'd imagine so. | 0:07:59 | 0:08:01 | |
She is really keen on bagpipers, isn't she? | 0:08:01 | 0:08:03 | |
Well, she inherited it. | 0:08:03 | 0:08:05 | |
Queen Victoria was terribly keen. I mean, mad keen, on them. | 0:08:05 | 0:08:07 | |
-Mad for the bagpipes. -Mad for the bagpipes. -Yeah. | 0:08:07 | 0:08:10 | |
There was no telly then, so, you know, fair enough. | 0:08:10 | 0:08:12 | |
I have to say, it was much easier in the days | 0:08:12 | 0:08:15 | |
-when all you had to be better than was a bagpiper. -Yeah. | 0:08:15 | 0:08:18 | |
Nine o'clock every morning, he plays for 15 minutes | 0:08:18 | 0:08:20 | |
underneath her window. | 0:08:20 | 0:08:22 | |
-Oh, no, he doesn't? -Well, he's been told it's her window. | 0:08:22 | 0:08:25 | |
I have no... Who knows whether it is or not? | 0:08:25 | 0:08:27 | |
They play 15 minutes every day at Buckingham Palace, | 0:08:29 | 0:08:31 | |
Windsor Castle, Balmoral or Holyroodhouse. | 0:08:31 | 0:08:33 | |
They don't play at Sandringham. Anybody know why? | 0:08:33 | 0:08:36 | |
Because she needs a break. | 0:08:36 | 0:08:37 | |
-That's the Christmas one, isn't it, Sandringham? -Yeah. | 0:08:39 | 0:08:42 | |
Well, apparently it's because there isn't enough accommodation. | 0:08:42 | 0:08:45 | |
So... | 0:08:45 | 0:08:46 | |
-I'm so sorry, we just don't have the room for the bagpiper. -No. | 0:08:46 | 0:08:50 | |
One of the things they say... | 0:08:50 | 0:08:51 | |
It's kind of anti the Christmas story, isn't it? | 0:08:51 | 0:08:53 | |
Go in the stable! | 0:08:53 | 0:08:55 | |
APPLAUSE | 0:08:56 | 0:08:58 | |
No room for the bagpipers. | 0:08:59 | 0:09:01 | |
And when he's not bagpiping, he's a Page of Presence. | 0:09:02 | 0:09:05 | |
But I have no idea what that is. | 0:09:05 | 0:09:06 | |
-A page of presents is Santa's list, isn't it? -Oh. | 0:09:06 | 0:09:09 | |
I'm going to give you an extra point, | 0:09:12 | 0:09:13 | |
because that's the cutest answer anybody's ever given. | 0:09:13 | 0:09:17 | |
What about the Ornamental Hermit, David? What do you reckon? | 0:09:17 | 0:09:20 | |
I think... Didn't the sort of very rich man, aristocrat that built | 0:09:20 | 0:09:24 | |
follies might think a folly would be even more fun if it was permanently | 0:09:24 | 0:09:28 | |
inhabited by someone employed to sort of be there and be a hermit? | 0:09:28 | 0:09:31 | |
Yeah, you're absolutely right. It was very fashionable | 0:09:31 | 0:09:33 | |
in the 18th century. They liked people to sort of dress-up | 0:09:33 | 0:09:36 | |
as Druids, and they lived in caves. | 0:09:36 | 0:09:37 | |
If the land owner couldn't afford a hermit, | 0:09:37 | 0:09:39 | |
because, you know, they're pricey, they saved money by having | 0:09:39 | 0:09:42 | |
just the hermitage and telling everybody the hermit was out. | 0:09:42 | 0:09:47 | |
Which famously, hermits never are. | 0:09:47 | 0:09:49 | |
No. | 0:09:49 | 0:09:50 | |
Yeah, I'd have gone with, | 0:09:51 | 0:09:53 | |
"Don't bother the hermit, he's a bit of a loner." You know? | 0:09:53 | 0:09:56 | |
That's more plausible, isn't it? | 0:09:58 | 0:09:59 | |
Well, there are still several towns in Europe that have | 0:09:59 | 0:10:01 | |
professional hermits. So, early 2017, the Austrian town | 0:10:01 | 0:10:04 | |
of Saalfelden advertised for one. | 0:10:04 | 0:10:07 | |
There's no salary, but you get your own house and chapel, which is | 0:10:07 | 0:10:10 | |
very nice. There's no TV, no running water, no internet, | 0:10:10 | 0:10:13 | |
and you need to be sociable. | 0:10:13 | 0:10:14 | |
You need to be sociable? | 0:10:14 | 0:10:16 | |
-Yeah, because people turn up. -You wouldn't expect that. -No. | 0:10:16 | 0:10:19 | |
If you'd finally made it as a professional hermit and then | 0:10:19 | 0:10:22 | |
they say, "Of course the main thing is you've got to be sociable." | 0:10:22 | 0:10:25 | |
Now, why shouldn't you give a teenage boy your phone? | 0:10:27 | 0:10:31 | |
Just plain hygiene. | 0:10:34 | 0:10:36 | |
Don't want to give a teenage boy anything, do you? | 0:10:38 | 0:10:41 | |
Actually, we are going back to the 19th century. | 0:10:42 | 0:10:45 | |
It's the very first telephone systems. | 0:10:45 | 0:10:48 | |
Bell telephone, 1878. | 0:10:48 | 0:10:50 | |
If a call came in, | 0:10:50 | 0:10:51 | |
they actually had to put a plug into the hole that the call was | 0:10:51 | 0:10:54 | |
being received, and then run a wire to where the call wanted to go. | 0:10:54 | 0:10:57 | |
And when they first set-up this system, they hired messenger boys, | 0:10:57 | 0:11:00 | |
because it was assumed that it was a physically demanding job, | 0:11:00 | 0:11:03 | |
and the boys would be fantastic at it, they'd be really fit. | 0:11:03 | 0:11:06 | |
Instead, they drank beer and wrestled each other, | 0:11:06 | 0:11:10 | |
swore at the customers and connected strangers together as a prank. | 0:11:10 | 0:11:14 | |
-What if... -Well, that's like the first social network. | 0:11:17 | 0:11:19 | |
Yes, it is, exactly. | 0:11:19 | 0:11:21 | |
I was going to say, what if this is what the internet is? | 0:11:21 | 0:11:23 | |
We think it's this whizzy thing, but it's actually just | 0:11:23 | 0:11:26 | |
a series of teenage boys in a little bunker, kind of connecting people. | 0:11:26 | 0:11:29 | |
-I know, dressed like that. -It would explain a lot about the internet | 0:11:29 | 0:11:31 | |
-if it was. -Yeah. And so the boys were very quickly replaced by women. | 0:11:31 | 0:11:35 | |
By the end of the 1880s, almost all phone operators were women, | 0:11:35 | 0:11:39 | |
and they could always remember who they were speaking to. | 0:11:39 | 0:11:41 | |
They had to say "number please" about a thousand times a day. | 0:11:41 | 0:11:44 | |
They were polite and they managed to knit at the same time. | 0:11:44 | 0:11:47 | |
This is the original multi-tasking. | 0:11:48 | 0:11:50 | |
And yet the toilet was still a sink. | 0:11:50 | 0:11:52 | |
Anyway, another O occupation now. | 0:11:54 | 0:11:57 | |
How would an Onion Johnny bring tears to your eyes? | 0:11:57 | 0:12:00 | |
Is he wearing one there? | 0:12:03 | 0:12:04 | |
No, it's not a thing. | 0:12:06 | 0:12:08 | |
-It's not a thing? -No. | 0:12:08 | 0:12:09 | |
-So it's an emotion? -Oh, what is the emotion of Onion Johnny? | 0:12:09 | 0:12:12 | |
It's a sad emotion, obviously, it brings tears to your eyes. | 0:12:15 | 0:12:17 | |
Yeah, because it's making you cry. An ennui, maybe. | 0:12:17 | 0:12:21 | |
-You are heading in the right direction. -OK, really? | 0:12:21 | 0:12:23 | |
Blimey! | 0:12:23 | 0:12:24 | |
-In that we've managed to get a cod French accent in. -Oh, all right. | 0:12:24 | 0:12:28 | |
-So it's French. -French, heading towards France. | 0:12:28 | 0:12:30 | |
-French, but it's not a thing. -It's a person. | 0:12:30 | 0:12:33 | |
Is it a person selling onions? | 0:12:33 | 0:12:34 | |
It's a person selling onions. | 0:12:34 | 0:12:36 | |
Absolutely right, Deirdre, very well done. | 0:12:36 | 0:12:38 | |
So they were French onion sellers, who travelled door to door. | 0:12:41 | 0:12:43 | |
The 1920s and '30s, there were up to 1,500 of them | 0:12:43 | 0:12:46 | |
who travelled to the UK for several months of the year, | 0:12:46 | 0:12:48 | |
mostly on bicycles. | 0:12:48 | 0:12:50 | |
And they were called Johnnies because were Jean, | 0:12:50 | 0:12:52 | |
many of them were called Jean, so they were Onion Johnnies. | 0:12:52 | 0:12:54 | |
And it's where we get the origin of the French stereotype, | 0:12:54 | 0:12:57 | |
the beret and the stripy jumper. | 0:12:57 | 0:12:59 | |
But in fact they were Breton, they were from Brittany. | 0:12:59 | 0:13:02 | |
So most French people are baffled by the fact that we think this is | 0:13:02 | 0:13:05 | |
what a Frenchman looks like, because most of the Johnnies didn't speak | 0:13:05 | 0:13:09 | |
French at all, they spoke Bretonese, which is a bit like Welsh. | 0:13:09 | 0:13:13 | |
2008 reported only 15 Onion Johnnies remaining. | 0:13:13 | 0:13:16 | |
Does anybody know the myth that | 0:13:16 | 0:13:18 | |
if you put half an onion in your sock, within half an hour | 0:13:18 | 0:13:20 | |
you'll be able to taste it, as the chemicals run through your body? | 0:13:20 | 0:13:23 | |
But why would you eat your sock? | 0:13:23 | 0:13:25 | |
No, you don't need to eat the sock. | 0:13:27 | 0:13:28 | |
You put the onion inside the sock, to keep it in place, | 0:13:28 | 0:13:32 | |
and then the chemicals seep up through your body. | 0:13:32 | 0:13:35 | |
-Nonsense, I don't believe it. -It is nonsense. | 0:13:35 | 0:13:38 | |
One of the elves tried this and it doesn't work, | 0:13:38 | 0:13:40 | |
and what worries me is that they tried it. | 0:13:40 | 0:13:42 | |
They are very thorough researchers. | 0:13:45 | 0:13:47 | |
They do very thorough research. | 0:13:47 | 0:13:48 | |
Sometimes they make you cry and sometimes they don't, don't they? | 0:13:48 | 0:13:51 | |
-Yes. And there are all sorts of... -And there's a reason for that. | 0:13:51 | 0:13:54 | |
I think it's the way in which you cut them. | 0:13:54 | 0:13:56 | |
Something to do with that, | 0:13:56 | 0:13:57 | |
and also whether your partner's just left you. | 0:13:57 | 0:13:59 | |
There's no point in putting a spoon in your mouth then, is there? | 0:14:09 | 0:14:12 | |
-I do that. Put a silver... -Yeah. -Do you put a teaspoon in your mouth? | 0:14:12 | 0:14:15 | |
You're meant to put a spoon in your mouth. | 0:14:15 | 0:14:16 | |
When you're chopping the onion, you put a spoon in your mouth | 0:14:16 | 0:14:19 | |
and then you won't cry. But it doesn't work. | 0:14:19 | 0:14:21 | |
-A teaspoon or a great big spoon, like a ladle? -No, like a... | 0:14:21 | 0:14:24 | |
Let's say a dessert spoon. | 0:14:24 | 0:14:26 | |
-Soup spoon sized. -So you can't cry. | 0:14:26 | 0:14:28 | |
And do you have it curvy bit up or down? | 0:14:28 | 0:14:30 | |
I'd have the curly bit up in the shape of the palate. | 0:14:30 | 0:14:32 | |
-Don't ask Deirdre, it doesn't work for her. -Yeah. | 0:14:32 | 0:14:36 | |
Have you ever played the spoon game? | 0:14:36 | 0:14:38 | |
What's the spoon game? | 0:14:38 | 0:14:40 | |
The spoon game is, you put a spoon in your mouth, a bit like that... | 0:14:40 | 0:14:44 | |
-Yeah. -Put your head down, put your head down, it won't hurt. | 0:14:44 | 0:14:47 | |
-Put my what? -Your head. -Head down, right. | 0:14:47 | 0:14:50 | |
And you go like that. | 0:14:50 | 0:14:51 | |
Right? Then, David, you can get up now. | 0:14:54 | 0:14:56 | |
Thank you. | 0:14:56 | 0:14:57 | |
Then David will put the spoon in his mouth and I'll put my head down. | 0:14:58 | 0:15:02 | |
-Yeah. -And then a third person behind me will hit me | 0:15:02 | 0:15:05 | |
with incredible force with another spoon. | 0:15:05 | 0:15:09 | |
-And it really, really hurts. -Yes. | 0:15:09 | 0:15:11 | |
So when you come up, you're enraged! | 0:15:11 | 0:15:12 | |
And then you put the spoon back in your mouth | 0:15:12 | 0:15:14 | |
and you really, really try as hard as you can. | 0:15:14 | 0:15:17 | |
And then they say, "Right," and then the third person, | 0:15:17 | 0:15:20 | |
and it took me three goes... | 0:15:20 | 0:15:21 | |
..before I thought, "Hang on a minute, | 0:15:23 | 0:15:24 | |
"you're not doing that with a spoon in your mouth!" | 0:15:24 | 0:15:27 | |
What worried me is how compliant David was. | 0:15:27 | 0:15:29 | |
You had no idea. | 0:15:29 | 0:15:30 | |
I was just trying to look fun. | 0:15:32 | 0:15:34 | |
-I've known you a long time, David, it's a new look. -Yeah. | 0:15:38 | 0:15:41 | |
Right, moving on. | 0:15:43 | 0:15:45 | |
A double-O occupation - can you name the longest-lasting Soviet spy | 0:15:45 | 0:15:49 | |
to work in the UK? | 0:15:49 | 0:15:50 | |
-Oh, yes. -Yes? | 0:15:51 | 0:15:53 | |
My friend, Steve. | 0:15:53 | 0:15:54 | |
-I shouldn't say that, actually. -Shh! | 0:15:54 | 0:15:56 | |
But it is him. | 0:15:57 | 0:15:59 | |
It was a secretary called Melita Norwood, and she had | 0:15:59 | 0:16:01 | |
a job in a metals firm in London that was heavily involved... | 0:16:01 | 0:16:05 | |
You just have to look at her! | 0:16:05 | 0:16:07 | |
I know, you can tell straight away. | 0:16:07 | 0:16:09 | |
To be fair to her, she spent a while in Slade, as well. | 0:16:09 | 0:16:12 | |
Doesn't she look a bit like Richard, though? | 0:16:18 | 0:16:20 | |
Shh! | 0:16:20 | 0:16:22 | |
Like a little Richard. | 0:16:22 | 0:16:23 | |
She worked in a metals firm that was heavily involved in | 0:16:23 | 0:16:26 | |
Britain's atomic project, and every night she used to open her | 0:16:26 | 0:16:29 | |
boss' safe and she used to photograph the contents, | 0:16:29 | 0:16:31 | |
and thanks to her the Soviet Union were able to test their | 0:16:31 | 0:16:33 | |
nuclear weapons much sooner. | 0:16:33 | 0:16:35 | |
And she was discovered as a spy in 1999, when she was 87 years old. | 0:16:35 | 0:16:40 | |
And the authorities decided there was no point in prosecuting her. | 0:16:40 | 0:16:43 | |
One of the least effective spies, Britain's Michael Bettaney, | 0:16:43 | 0:16:47 | |
hired by MI5 in 1982. | 0:16:47 | 0:16:49 | |
He once tried to dodge a ticket on a train while drunk, and when a guard | 0:16:49 | 0:16:52 | |
chased him, he shouted, "You can't arrest me, I'm a spy." | 0:16:52 | 0:16:55 | |
-It's so easy to over-estimate the efficacy... -I know. | 0:16:58 | 0:17:00 | |
-..of the double bluff, isn't it? -Yeah. | 0:17:00 | 0:17:02 | |
Well, he later tried to get in touch with the KGB to sell them | 0:17:02 | 0:17:05 | |
some documents, and the KGB thought they were being set-up, | 0:17:05 | 0:17:08 | |
and they informed MI5 of his treachery. | 0:17:08 | 0:17:10 | |
So he was just rubbish. | 0:17:10 | 0:17:11 | |
Look, that is the worst bunny rabbit you've ever seen. | 0:17:11 | 0:17:14 | |
Probably the worst spying operation happened in 1940, | 0:17:24 | 0:17:26 | |
and this is one of my favourites - a dozen German spies | 0:17:26 | 0:17:28 | |
landed in Britain and they were all caught almost immediately. | 0:17:28 | 0:17:32 | |
One walked into a pub and asked for a pint of cider soon | 0:17:32 | 0:17:35 | |
after nine o'clock in the morning, | 0:17:35 | 0:17:37 | |
and they weren't allowed to serve alcohol before lunch. | 0:17:37 | 0:17:40 | |
"Half a litre of cider." | 0:17:40 | 0:17:41 | |
"straight away, please." | 0:17:41 | 0:17:43 | |
Another couple were stopped while cycling through Scotland | 0:17:43 | 0:17:45 | |
on the wrong side of the road, and when they looked in their bags, | 0:17:45 | 0:17:48 | |
they were found to contain German sausages and Nivea hand cream. | 0:17:48 | 0:17:51 | |
-And I... -What a combination that is! -I know! | 0:17:51 | 0:17:54 | |
"Ooh! | 0:17:55 | 0:17:56 | |
"Ooh! | 0:17:58 | 0:17:59 | |
"It's nine o'clock in the morning, Rolf!" | 0:18:01 | 0:18:03 | |
"I've had a cider, Hans." | 0:18:05 | 0:18:06 | |
I think it was because no British soldier would have hand cream, | 0:18:10 | 0:18:13 | |
but it turns out Nivea's German, I didn't know that. | 0:18:13 | 0:18:15 | |
-Is it? -Did you know that? It is German. -Oh. | 0:18:15 | 0:18:17 | |
And one of them spoke no English at all, but the one who spoke | 0:18:17 | 0:18:20 | |
English the best said his mission was to find out | 0:18:20 | 0:18:22 | |
"how the people is living, how many soldiers there are | 0:18:22 | 0:18:24 | |
"and all the things." | 0:18:24 | 0:18:26 | |
It really is... 'Allo 'Allo! was a documentary, basically, wasn't it? | 0:18:28 | 0:18:32 | |
There are some people who think they were deliberately sent | 0:18:32 | 0:18:35 | |
by senior German officers to sabotage the plot, | 0:18:35 | 0:18:37 | |
because they didn't want to invade Britain, but... | 0:18:37 | 0:18:39 | |
That's the Germans for you. | 0:18:39 | 0:18:41 | |
-At the time. -Come the time. | 0:18:41 | 0:18:43 | |
A lot of them have mended their ways since. | 0:18:44 | 0:18:47 | |
Oh! | 0:18:47 | 0:18:48 | |
No, a lot of them have. | 0:18:48 | 0:18:50 | |
It's a wonderful country. | 0:18:50 | 0:18:51 | |
For our friends in Berlin, Richard's address is... | 0:18:51 | 0:18:54 | |
Now, what is this man about to post? | 0:18:54 | 0:18:57 | |
A letter. | 0:18:58 | 0:19:00 | |
SIREN BLARES | 0:19:00 | 0:19:02 | |
-Took a bullet there, everyone. -Yeah. | 0:19:03 | 0:19:05 | |
Is he about to post a Movember selfie on Facebook? | 0:19:05 | 0:19:08 | |
No, it is a most extraordinary thing, he is about to post himself. | 0:19:10 | 0:19:14 | |
-Is he? -Yeah. His name is Willie Reginald Bray. | 0:19:14 | 0:19:16 | |
He was also known as the human letter, | 0:19:16 | 0:19:18 | |
he was an eccentric gentleman, who spent his entire life pushing | 0:19:18 | 0:19:21 | |
the British Post Office to their absolute limits. | 0:19:21 | 0:19:24 | |
And he started by sending unwrapped stamped objects to himself, | 0:19:24 | 0:19:27 | |
to see how that would go. | 0:19:27 | 0:19:28 | |
So he sent a shirt collar and a half smoked cigar. | 0:19:28 | 0:19:31 | |
That's him actually posting onions on the right there. | 0:19:31 | 0:19:34 | |
And almost all of it got through without any trouble at all. | 0:19:34 | 0:19:37 | |
So he began to experiment. | 0:19:37 | 0:19:39 | |
He wrote to "Any Resident of London", there it is. | 0:19:39 | 0:19:42 | |
"Any Resident of London." | 0:19:42 | 0:19:43 | |
Sadly, that was rejected "insufficiently addressed." | 0:19:43 | 0:19:46 | |
But he did get his mother to crochet the address and that was accepted. | 0:19:46 | 0:19:50 | |
And he also wrote the address in mirror writing | 0:19:50 | 0:19:53 | |
and that was also accepted. | 0:19:53 | 0:19:55 | |
And then, finally he sent himself through the post. | 0:19:55 | 0:19:58 | |
He shipped himself to his father, | 0:19:58 | 0:20:01 | |
and there's his rather irritated father receiving him. | 0:20:01 | 0:20:03 | |
LAUGHTER | 0:20:03 | 0:20:07 | |
Then he decided to build the world's largest collection of autographs. | 0:20:07 | 0:20:10 | |
He wrote to the Reichstag in Germany so many times. | 0:20:10 | 0:20:14 | |
There's a letter back from Adolf Hitler's office - | 0:20:14 | 0:20:17 | |
"Please can you stop sending letters, the Fuhrer's quite busy." | 0:20:17 | 0:20:21 | |
LAUGHTER | 0:20:21 | 0:20:22 | |
-What if that finally pushed Hitler over the edge? -Yeah. | 0:20:22 | 0:20:25 | |
As I say, a lot of them these days, very different, | 0:20:25 | 0:20:27 | |
-a very different country. -Yeah. | 0:20:27 | 0:20:29 | |
Just keep digging that hole there, Richard, it's... | 0:20:31 | 0:20:34 | |
It's not a hole, it's a trench. | 0:20:34 | 0:20:35 | |
GROANING | 0:20:37 | 0:20:39 | |
I'm just saying keep an eye on them, that's all I'm saying. | 0:20:39 | 0:20:43 | |
Right, moving on. | 0:20:43 | 0:20:45 | |
Now it's time for Alan's occupational hazard, | 0:20:45 | 0:20:47 | |
the round that we all call General Ignorance. | 0:20:47 | 0:20:49 | |
Fingers on buzzers, please. | 0:20:49 | 0:20:51 | |
Who do you go and see to get your eyes tested? | 0:20:51 | 0:20:54 | |
-David? -Optician. | 0:20:54 | 0:20:55 | |
Ah. | 0:20:55 | 0:20:57 | |
KLAXON | 0:20:57 | 0:20:58 | |
No. Why not? | 0:21:00 | 0:21:01 | |
Optometrist. | 0:21:08 | 0:21:10 | |
Yes. So the optician dispenses the glasses | 0:21:10 | 0:21:13 | |
and the optometrist is the person who actually tests your eyes. | 0:21:13 | 0:21:17 | |
You can be trained as both, so you might have an optician who is | 0:21:17 | 0:21:20 | |
also an optometrist, that is possible. | 0:21:20 | 0:21:22 | |
An optician who is also an optometrist, | 0:21:22 | 0:21:23 | |
that's a TV show I'd like to watch. | 0:21:23 | 0:21:25 | |
Crazy maverick optician who does optometry as a sideline. | 0:21:25 | 0:21:29 | |
Why might poor eyesight make a good impression? | 0:21:31 | 0:21:35 | |
Do you seem aloof and therefore people respect you? | 0:21:35 | 0:21:39 | |
LAUGHTER | 0:21:40 | 0:21:41 | |
When you can't see them, you don't rear back at their hideousness. | 0:21:41 | 0:21:44 | |
-Or try and jump them because of their beauty. -Yeah. | 0:21:47 | 0:21:50 | |
So either way your response is muted. | 0:21:50 | 0:21:52 | |
-Muted. -It's not that. | 0:21:52 | 0:21:53 | |
I have very bad eyesight, even with glasses, | 0:21:53 | 0:21:55 | |
so I can see virtually nothing. | 0:21:55 | 0:21:56 | |
But it does mean, you know in all the Hollywood movies | 0:21:56 | 0:21:59 | |
when they used to sort of... | 0:21:59 | 0:22:00 | |
LAUGHTER | 0:22:00 | 0:22:01 | |
Yeah, I see that. Can I say, thank you very much. | 0:22:01 | 0:22:04 | |
So everyone looks like they're shot through a filter. | 0:22:04 | 0:22:07 | |
OK, so it isn't about that, it's to do with impressions. | 0:22:07 | 0:22:09 | |
-Oh... -Oh, oh, is it because Monet and Manet had bad eyesight | 0:22:09 | 0:22:12 | |
and that's why they painted in the way they did? | 0:22:12 | 0:22:14 | |
It's absolutely to do with... | 0:22:14 | 0:22:15 | |
Many of the Impressionists suffered from very poor eyesight. | 0:22:15 | 0:22:17 | |
That explains a lot. | 0:22:17 | 0:22:19 | |
I've, yeah, I'm very short-sighted. | 0:22:19 | 0:22:20 | |
Without glasses or contact lenses, | 0:22:20 | 0:22:21 | |
things look a bit like an impressionist painting. | 0:22:21 | 0:22:24 | |
-Right. -I was walking, I was in a hotel in New York recently, | 0:22:24 | 0:22:26 | |
and I was walking down a long corridor. | 0:22:26 | 0:22:28 | |
At the end of the corridor I saw this painting which I thought, | 0:22:28 | 0:22:30 | |
this, that is beautiful. | 0:22:30 | 0:22:31 | |
Like a big... It was abstract, it was red and white | 0:22:31 | 0:22:33 | |
and all kinds of stuff. | 0:22:33 | 0:22:34 | |
And I thought when I get to the end of the corridor, I'm going | 0:22:34 | 0:22:37 | |
to see what that is. And it was a fire hose. | 0:22:37 | 0:22:39 | |
It was very nice. It was beautiful. | 0:22:40 | 0:22:43 | |
APPLAUSE | 0:22:45 | 0:22:46 | |
That would be a thoroughly irresponsible painting to | 0:22:48 | 0:22:51 | |
-hang in a hotel corridor. -It would be. | 0:22:51 | 0:22:53 | |
Well, Monet's unusual colours may be down to his cataracts. | 0:22:53 | 0:22:56 | |
And he's not the only one. | 0:22:56 | 0:22:57 | |
Degas probably had maculopathy, so it's a retinal disease, | 0:22:57 | 0:23:00 | |
it affects your central vision. | 0:23:00 | 0:23:01 | |
And that explains the increasing blurriness in his paintings. | 0:23:01 | 0:23:05 | |
And it is thought that Van Gogh suffered from lead poisoning, | 0:23:05 | 0:23:07 | |
and that can make your retinas swell, and you start to see | 0:23:07 | 0:23:10 | |
light in circles, so very like the Starry Night. | 0:23:10 | 0:23:13 | |
And Van Gogh also treated, of course, | 0:23:13 | 0:23:15 | |
with digitalis for his epilepsy, | 0:23:15 | 0:23:16 | |
and that drug can cause you to see in yellow or yellow-green, and | 0:23:16 | 0:23:19 | |
that could explain his increasing use of yellow in later works. | 0:23:19 | 0:23:23 | |
Now, if your surname is Farmer, what did your ancestors do for a living? | 0:23:23 | 0:23:27 | |
Pharmacists. | 0:23:30 | 0:23:31 | |
Good thing, good! Excellent. | 0:23:31 | 0:23:32 | |
Pharmacists is very good. Very good. Pharmacists, no? | 0:23:32 | 0:23:35 | |
In the Middle Ages, a fermier was a tax collector. | 0:23:35 | 0:23:39 | |
So early fermiers collected taxes for the Crown, | 0:23:39 | 0:23:43 | |
and they would pick applicants to work on tenanted lands. In time, | 0:23:43 | 0:23:46 | |
they made money out of this, they began to buy land, they began | 0:23:46 | 0:23:49 | |
to grow crops on it, and eventually they became what we know as farmers. | 0:23:49 | 0:23:54 | |
The very first-ever farmers, in our sense of the word, | 0:23:54 | 0:23:56 | |
was a man called William Le Fermer, recorded in 1238. | 0:23:56 | 0:24:00 | |
So farmers are actually tax collectors. | 0:24:00 | 0:24:02 | |
Well, let's have a look at some other occupational surnames. | 0:24:02 | 0:24:05 | |
Anybody know any of these? Osman? | 0:24:05 | 0:24:08 | |
-Oh, that's a good one. -Yes? | 0:24:08 | 0:24:09 | |
If you go back a couple of generations, | 0:24:09 | 0:24:11 | |
we were all charcoal burners in the New Forest. | 0:24:11 | 0:24:13 | |
OK, but it's anybody who worked with bones, | 0:24:13 | 0:24:15 | |
so it could be a rag and bone man. | 0:24:15 | 0:24:17 | |
Oh, that's fun. | 0:24:17 | 0:24:18 | |
Yeah, so it was an Osman. | 0:24:18 | 0:24:19 | |
Knatchbull? | 0:24:19 | 0:24:21 | |
It's somebody who hits bulls on the head to stun them | 0:24:21 | 0:24:23 | |
before they get slaughtered. | 0:24:23 | 0:24:25 | |
-With a spoon. -And they do it with a huge spoon, yeah. | 0:24:25 | 0:24:27 | |
Yeah, a massive spoon. | 0:24:27 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:30 | |
What about a Warner? | 0:24:31 | 0:24:33 | |
Is that a sort of health and safety inspector? | 0:24:33 | 0:24:35 | |
-Is it someone who makes yellow cards? -No. | 0:24:39 | 0:24:42 | |
-That's a football joke. -A football joke, OK. | 0:24:42 | 0:24:44 | |
Hang on two seconds. | 0:24:46 | 0:24:47 | |
Ha-ha-ha! | 0:24:47 | 0:24:48 | |
It's somebody who looks after royal rabbit warrens. | 0:24:55 | 0:24:58 | |
What about a Dickman, what do you reckon? | 0:24:58 | 0:25:00 | |
It's somebody who digs ditches, a Dickman. | 0:25:00 | 0:25:02 | |
And a Kellogg? | 0:25:02 | 0:25:03 | |
Cereal killer? | 0:25:04 | 0:25:05 | |
Yes. | 0:25:05 | 0:25:06 | |
Yes. | 0:25:09 | 0:25:10 | |
-It is, it's a killer of hogs, it's a butcher. -Oh, OK. | 0:25:10 | 0:25:12 | |
If your surname is Farmer, your ancestors were tax collectors. | 0:25:12 | 0:25:17 | |
Name the greatest Wimbledon champion of all time? | 0:25:17 | 0:25:20 | |
Andy Murray. | 0:25:21 | 0:25:22 | |
KLAXON | 0:25:22 | 0:25:25 | |
I think I would have said Sampras. Sorry. | 0:25:27 | 0:25:29 | |
KLAXON Sampras? | 0:25:29 | 0:25:32 | |
Great Uncle Bulgaria. | 0:25:32 | 0:25:33 | |
Is it... Is it a croquet player? | 0:25:35 | 0:25:38 | |
Yes! It is a croquet player. | 0:25:38 | 0:25:40 | |
Absolutely right. | 0:25:40 | 0:25:43 | |
APPLAUSE | 0:25:43 | 0:25:46 | |
Yeah. Aah. | 0:25:46 | 0:25:47 | |
Professor Bernard Neal is the greatest Wimbledon | 0:25:47 | 0:25:49 | |
champion of all time, he won the croquet championships 38 times. | 0:25:49 | 0:25:53 | |
So if you think about it, | 0:25:53 | 0:25:54 | |
Navratilova won Wimbledon singles nine times, he won 38 times. | 0:25:54 | 0:25:58 | |
He only took the sport up at the age of 40. | 0:25:58 | 0:26:01 | |
Between 1963 and 2002, he won 37 titles out of a possible 40. | 0:26:01 | 0:26:06 | |
Smacks of a drug cheat, that. | 0:26:06 | 0:26:07 | |
What do you have to press on the red button to get coverage of the croquet? | 0:26:10 | 0:26:14 | |
-I've got a bit of croquet here. So. -Oh. | 0:26:15 | 0:26:17 | |
Alan, what colour do you want to be? | 0:26:19 | 0:26:20 | |
Do you want to be red, or blue, or...? | 0:26:20 | 0:26:22 | |
Black. | 0:26:22 | 0:26:23 | |
-Black, here we go. -Can I be the iron? | 0:26:23 | 0:26:25 | |
Which way are you going to go? Are you going to go right? | 0:26:28 | 0:26:31 | |
I don't know why that's pleased me so much. | 0:26:38 | 0:26:41 | |
It went miles, it went miles, viewer. | 0:26:42 | 0:26:44 | |
That'll be under someone's feet. | 0:26:44 | 0:26:46 | |
Croquet, it was an Olympic sport. | 0:26:46 | 0:26:48 | |
And it should be still. | 0:26:48 | 0:26:50 | |
It was dropped after 1900, | 0:26:50 | 0:26:51 | |
because only one person turned up to watch, so... | 0:26:51 | 0:26:54 | |
But the reason it's interesting is because the very first women to | 0:26:55 | 0:26:58 | |
take part in the Olympics took part as part of the French croquet team. | 0:26:58 | 0:27:02 | |
So there were seven men and three women. | 0:27:02 | 0:27:03 | |
And it was thought to be rather racy, | 0:27:03 | 0:27:05 | |
because it was a game where men and women played on equal footing. | 0:27:05 | 0:27:08 | |
There's a wonderful quote from the American Christian Review, | 0:27:08 | 0:27:11 | |
in 1878, said, "Croquet would lead to moral decline in American women, | 0:27:11 | 0:27:15 | |
"and consequences would include absence from church, | 0:27:15 | 0:27:19 | |
"immoral conduct and eventually ruin." | 0:27:19 | 0:27:22 | |
LAUGHTER | 0:27:22 | 0:27:25 | |
-True though. -That's a very pessimistic view, isn't it, really? | 0:27:25 | 0:27:29 | |
I love that. But I love that. | 0:27:29 | 0:27:30 | |
Anybody know the connection between croquet and Pall Mall, | 0:27:30 | 0:27:33 | |
the great street in London? | 0:27:33 | 0:27:35 | |
They played croquet upon it? | 0:27:35 | 0:27:37 | |
Yes, they did. It is, in fact, where croquet comes from. | 0:27:37 | 0:27:39 | |
An Italian game, 17th century game called Palle-Malle. | 0:27:39 | 0:27:42 | |
And both Pall Mall | 0:27:42 | 0:27:43 | |
and the Mall were designed specifically to play this game. | 0:27:43 | 0:27:47 | |
They whacked the ball up the course, | 0:27:47 | 0:27:48 | |
and then they had to shoot a ball through a suspended hoop | 0:27:48 | 0:27:51 | |
at the end, and that's where we begin to get croquet from. | 0:27:51 | 0:27:54 | |
Can I have my things back, please? | 0:27:54 | 0:27:56 | |
I've lost the black, I'm sorry, it's gone. | 0:27:56 | 0:27:58 | |
And at the end of all that, it is time for the scores. | 0:28:00 | 0:28:03 | |
In first place, our employee of the week, with minus two, is David. | 0:28:03 | 0:28:10 | |
CHEERING | 0:28:10 | 0:28:15 | |
Performing adequately, with minus five, it's Richard. | 0:28:15 | 0:28:17 | |
-CHEERING -Thank you. | 0:28:19 | 0:28:20 | |
On a final warning, with minus seven, Deirdre. | 0:28:21 | 0:28:24 | |
CHEERING | 0:28:24 | 0:28:26 | |
And clearing their desk, with minus 49 points... | 0:28:28 | 0:28:30 | |
-What? -Alan! | 0:28:30 | 0:28:32 | |
CHEERING | 0:28:34 | 0:28:38 | |
And of course we have a prize for our winner. | 0:28:42 | 0:28:44 | |
This week's objectionable object is this lovely Queen Victoria milk jug. | 0:28:44 | 0:28:51 | |
That's for you, David, because you can't have a show without prizes. | 0:28:51 | 0:28:54 | |
Lovely. | 0:28:54 | 0:28:55 | |
It only remains for me to thank Deirdre, Richard, David and Alan. | 0:28:55 | 0:28:58 | |
Thank you and goodnight. | 0:28:58 | 0:29:00 | |
APPLAUSE | 0:29:00 | 0:29:01 |