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APPLAUSE | 0:00:28 | 0:00:30 | |
Hello, and welcome, welcome to QI, | 0:00:38 | 0:00:40 | |
where the weather outside is frightful, | 0:00:40 | 0:00:41 | |
but the fire is so delightful. | 0:00:41 | 0:00:44 | |
I am of course your angelic host, | 0:00:44 | 0:00:46 | |
and gathered around my blazing saddles this Christmas night, | 0:00:46 | 0:00:49 | |
we have a sprig of Holly Walsh... | 0:00:49 | 0:00:51 | |
..Jason three wise Manford... | 0:00:56 | 0:00:58 | |
..Romesh the red-nosed Ranganathan... | 0:01:02 | 0:01:04 | |
..and yonder peasant, who is he? | 0:01:10 | 0:01:12 | |
Alan Davies. | 0:01:13 | 0:01:14 | |
Holly goes... | 0:01:19 | 0:01:21 | |
-CHOIR: -# O little town of Bethlehem... # | 0:01:21 | 0:01:26 | |
Aww, that's nice. Jason goes... | 0:01:26 | 0:01:28 | |
-CHOIR: -# O come all ye faithful... # | 0:01:28 | 0:01:33 | |
It's the O series, do you see? "O." | 0:01:33 | 0:01:35 | |
Romesh goes... | 0:01:35 | 0:01:37 | |
-CHOIR: -# O Christmas tree O Christmas tree... # | 0:01:37 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Some people are never happy. And Alan goes... | 0:01:48 | 0:01:50 | |
# Grandma got run over by a reindeer... # | 0:01:50 | 0:01:54 | |
Right, let's get off and running. | 0:01:56 | 0:01:58 | |
Where do the Christmas celebrations always end up in a fist fight? | 0:01:58 | 0:02:02 | |
My house. | 0:02:02 | 0:02:03 | |
KLAXON BLARES | 0:02:03 | 0:02:05 | |
Is it a fighting household, darling? | 0:02:08 | 0:02:09 | |
Erm... It's the only day of the year | 0:02:09 | 0:02:11 | |
where you can start drinking at breakfast, isn't it? | 0:02:11 | 0:02:15 | |
-Like... -Unless you're from Denmark, in which case, hey, whenever. | 0:02:15 | 0:02:18 | |
Any other time of the year there's an intervention, | 0:02:18 | 0:02:20 | |
-but Christmas Day you're like, "Ah, come on!" -Yeah. | 0:02:20 | 0:02:22 | |
"Let's have a bit of Bailey's on your cornflakes." | 0:02:22 | 0:02:24 | |
See, it's funny, cos the Danes don't really have a tradition | 0:02:24 | 0:02:27 | |
of that kind of fighting at Christmas. | 0:02:27 | 0:02:28 | |
What we do is, we do silent resentment. | 0:02:28 | 0:02:30 | |
-Oh, that's good. -It's much more Nordic. | 0:02:31 | 0:02:33 | |
My brother and I are both married to white women, | 0:02:33 | 0:02:36 | |
and at Christmas my mum will invite us all round, | 0:02:36 | 0:02:38 | |
and then she'll do two dinners, like a roast and a curry. | 0:02:38 | 0:02:42 | |
And then it just looks like | 0:02:42 | 0:02:43 | |
we're encouraging racial segregation at Christmas. | 0:02:43 | 0:02:45 | |
Well, I'm going to find out if that's true, | 0:02:47 | 0:02:49 | |
cos your mum's here in the audience. Shanthi. | 0:02:49 | 0:02:51 | |
Hello, welcome to the show. | 0:02:51 | 0:02:53 | |
CHEERING AND APPLAUSE | 0:02:53 | 0:02:54 | |
Is there fighting at the holiday season? Is there fighting? | 0:02:58 | 0:03:01 | |
-Er...they do. They do fight. -Yeah. | 0:03:01 | 0:03:03 | |
They do fight, yeah, both of them. | 0:03:03 | 0:03:05 | |
Well, my mum... It's lovely to have you here, Mum. | 0:03:05 | 0:03:07 | |
Thank you. Thank you. | 0:03:07 | 0:03:08 | |
..but she has encouraged my brother and I | 0:03:08 | 0:03:10 | |
to both have very low self-esteem. | 0:03:10 | 0:03:13 | |
LAUGHTER | 0:03:13 | 0:03:14 | |
That's contributed to it. | 0:03:14 | 0:03:16 | |
Well, there is a place in the world where people fight on Christmas Day, | 0:03:16 | 0:03:19 | |
and they do it on purpose, in Peru. | 0:03:19 | 0:03:21 | |
A town called Santo Tomas - it's high up in the Peruvian Andes, | 0:03:21 | 0:03:24 | |
12,000 feet above sea level - | 0:03:24 | 0:03:26 | |
and they have a tradition which is called Takanakuy, | 0:03:26 | 0:03:29 | |
and it happens on the 25th of December every year. | 0:03:29 | 0:03:31 | |
People dress up in costumes, and then they have fist fights, | 0:03:31 | 0:03:34 | |
and they take place between every kind of participant, | 0:03:34 | 0:03:36 | |
between the young and the old, men and women, rich, poor, sober... | 0:03:36 | 0:03:39 | |
-Wow. -..quite a lot of drunk people. | 0:03:39 | 0:03:40 | |
And the idea is they're settling all their differences | 0:03:40 | 0:03:43 | |
that have occurred during the course of the year. | 0:03:43 | 0:03:45 | |
And it can be anything - it can be a property dispute, | 0:03:45 | 0:03:47 | |
it could be a spilled beer, it could be a stolen partner, | 0:03:47 | 0:03:50 | |
or sheep or...whatever. | 0:03:50 | 0:03:52 | |
There's a cultural sort of outreach thing in Crawley | 0:03:53 | 0:03:55 | |
where we sort of celebrate that, as well - it's called Wetherspoons. | 0:03:55 | 0:03:58 | |
LAUGHTER | 0:03:58 | 0:04:00 | |
But is it legally binding? | 0:04:02 | 0:04:05 | |
-Yes, it is legally binding. -Right. | 0:04:05 | 0:04:06 | |
Whoever wins, whatever the dispute was, | 0:04:06 | 0:04:08 | |
that's it, they have to settle it. | 0:04:08 | 0:04:10 | |
So they do this on Christmas Day, but... | 0:04:10 | 0:04:12 | |
..what do they do on Boxing Day, eh? | 0:04:12 | 0:04:14 | |
APPLAUSE | 0:04:16 | 0:04:19 | |
I got there! | 0:04:19 | 0:04:21 | |
It's good to have an element of panto in the show, which I like. | 0:04:21 | 0:04:24 | |
It's behind you! Your career. | 0:04:24 | 0:04:26 | |
But the reason why we have family fights at Christmas, | 0:04:28 | 0:04:31 | |
it's what known as hypercopresence. | 0:04:31 | 0:04:33 | |
The idea is that we are forced to spend long periods of time | 0:04:33 | 0:04:36 | |
with people that we don't want to, and it's what Sigmund Freud called | 0:04:36 | 0:04:39 | |
"the narcissism of small differences." | 0:04:39 | 0:04:41 | |
We just have our own family Christmas now, | 0:04:41 | 0:04:43 | |
with just me and Katie and the three kids, and that is brilliant. | 0:04:43 | 0:04:46 | |
I thought my children, when they grew up, would go away, | 0:04:46 | 0:04:48 | |
and what they've done is gone away and brought back other people | 0:04:48 | 0:04:51 | |
I don't know. LAUGHTER | 0:04:51 | 0:04:53 | |
When I took my husband home for our first Christmas together, | 0:04:56 | 0:04:59 | |
I got so self-conscious about all the things | 0:04:59 | 0:05:01 | |
-that my family do at Christmas. -What do you do that's odd? | 0:05:01 | 0:05:03 | |
Well, we have a set of bells that we all... We sit round, | 0:05:03 | 0:05:06 | |
we each have a different... | 0:05:06 | 0:05:08 | |
Anybody? | 0:05:08 | 0:05:09 | |
LAUGHTER | 0:05:09 | 0:05:11 | |
-OK, we've got a set of bells. -Yeah. | 0:05:13 | 0:05:15 | |
-There's eight bells. -Eight bells. -How many of you? -Full octave. | 0:05:15 | 0:05:17 | |
-There's only four in my family. -Oh, two bells each. -Yeah. -That's lucky. | 0:05:17 | 0:05:20 | |
-But now my husband's joined, it's... -Oh, no! -Yeah. -He's spoilt it. | 0:05:20 | 0:05:23 | |
-No, that's good, that's another person. -Oh, it's good. | 0:05:23 | 0:05:25 | |
-ROMESH: -"But that's another person" - | 0:05:25 | 0:05:27 | |
I'm glad you recognise him as such, Holly, that's lovely. | 0:05:27 | 0:05:29 | |
-HOLLY: -And in about 1987, my mum wrote out loads of Christmas songs | 0:05:29 | 0:05:33 | |
on sort of boards with all the bell numbers... | 0:05:33 | 0:05:37 | |
-Right. -..and we just do that for about two or three days. | 0:05:37 | 0:05:40 | |
LAUGHTER | 0:05:40 | 0:05:42 | |
-ROMESH: -We have a similar thing where Mum and Dad's friends | 0:05:42 | 0:05:45 | |
would come over, Sri Lankan friends, and they would get drunk, | 0:05:45 | 0:05:47 | |
then they would turn over bins and stuff like that, | 0:05:47 | 0:05:49 | |
and then start banging on them, | 0:05:49 | 0:05:51 | |
and singing, like, old traditional Sri Lankan songs. | 0:05:51 | 0:05:53 | |
Is that true, Shanthi, is that true? | 0:05:53 | 0:05:54 | |
Yes, it's very true. It's very true. | 0:05:54 | 0:05:57 | |
We're checking everything you say, Romesh. | 0:05:57 | 0:05:59 | |
-ALAN: -Confirmation, please! | 0:05:59 | 0:06:01 | |
You'll have the gig from hell - | 0:06:02 | 0:06:04 | |
"Can we have confirmation that he's telling the truth?" | 0:06:04 | 0:06:06 | |
I've got this horrible judgmental Wikipedia sitting over here. | 0:06:06 | 0:06:10 | |
-Checking on your gags. -Yeah, yeah, yeah. | 0:06:12 | 0:06:14 | |
Yeah, "That's true, Sandi, don't worry, | 0:06:14 | 0:06:16 | |
"you can carry on with the anecdote, off you go." | 0:06:16 | 0:06:18 | |
Someone from Holly's family going, | 0:06:21 | 0:06:23 | |
"That's a load of shit about the bells! | 0:06:23 | 0:06:25 | |
"There are 16 bells, you lying cow!" | 0:06:27 | 0:06:29 | |
So, like, they would get buckets and turn them over, | 0:06:33 | 0:06:36 | |
and then just, like, my dad would just be... | 0:06:36 | 0:06:39 | |
DRUMS ON DESK AND HUMS TUNE | 0:06:39 | 0:06:41 | |
Like that, for, like, hours. | 0:06:41 | 0:06:44 | |
-And then once... -Do you two live anywhere near each other? | 0:06:44 | 0:06:47 | |
Calling us up, go a little tour, coffee and cream, on the road. | 0:06:48 | 0:06:51 | |
But then, one Christmas we did that, and then the next morning, | 0:06:53 | 0:06:56 | |
we took the blanket off the budgie cage, and they were dead. | 0:06:56 | 0:06:59 | |
Wait a minute, had you beaten the birds to death? | 0:07:01 | 0:07:04 | |
No, they just didn't like Sri Lankan music. | 0:07:04 | 0:07:07 | |
I think your mum thinks that's not true. | 0:07:09 | 0:07:11 | |
"We never had a budgie!" | 0:07:13 | 0:07:15 | |
Just really racist budgies, you know? | 0:07:15 | 0:07:17 | |
Right, moving on, | 0:07:19 | 0:07:21 | |
which of these items belong on a very traditional Christmas tree? | 0:07:21 | 0:07:25 | |
So you have a tree, and you have some items. | 0:07:25 | 0:07:28 | |
So we're going to decorate our trees now. | 0:07:28 | 0:07:30 | |
-Does anybody know where do we get the Christmas tree from? -Germany? | 0:07:30 | 0:07:33 | |
Germany, indeed, evolved from the Paradeisbaum. | 0:07:33 | 0:07:37 | |
Paradise tree, so it's part of a medieval morality play | 0:07:37 | 0:07:39 | |
which was based on Adam and Eve, and it was staged on Christmas Eve. | 0:07:39 | 0:07:43 | |
It's supposedly the name day of Adam and Eve in the Christian calendar. | 0:07:43 | 0:07:46 | |
So, let's start with apples and snakes. Would you put these...? | 0:07:46 | 0:07:51 | |
LAUGHTER | 0:07:51 | 0:07:53 | |
Would you put these on your tree, apples and snakes? | 0:07:54 | 0:07:56 | |
We're doing traditional and non-traditional things. | 0:07:56 | 0:07:59 | |
-Er...possibly the apple? -Well, if it was... | 0:07:59 | 0:08:01 | |
-Yes? -If it was Adam and Eve's birthday... | 0:08:01 | 0:08:03 | |
-Yes? -Then, yeah. | 0:08:03 | 0:08:04 | |
Absolutely right, | 0:08:04 | 0:08:05 | |
so these are the traditional things that go on the tree. | 0:08:05 | 0:08:09 | |
The snake? | 0:08:09 | 0:08:10 | |
What about the baubles? | 0:08:10 | 0:08:11 | |
-No. -Can't be. -Why not? | 0:08:11 | 0:08:13 | |
Because it's too... There's no way you'd let us get away with that. | 0:08:13 | 0:08:16 | |
-No. -Yeah, absolutely right - they're fake apples. | 0:08:16 | 0:08:19 | |
-Fake apples! -So they represent... Yeah, they represent the apples. | 0:08:19 | 0:08:23 | |
Yeah, I remember the last time I tucked into one of these bad boys. | 0:08:23 | 0:08:26 | |
Delicious, the old silver glitter. | 0:08:27 | 0:08:29 | |
Let's do... Which? Which on the tree? | 0:08:31 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:35 | |
The angel or the union flag? | 0:08:35 | 0:08:37 | |
Which one are we going to go for? | 0:08:37 | 0:08:39 | |
-I'm going to go with the union flag, I think. -Yeah. | 0:08:39 | 0:08:41 | |
-ROMESH: -I much prefer the union flag. -Yeah. | 0:08:41 | 0:08:44 | |
So that is... | 0:08:44 | 0:08:45 | |
LAUGHTER | 0:08:45 | 0:08:47 | |
You're absolutely right - that is the traditional thing. | 0:08:47 | 0:08:49 | |
So, 18th century Christmas, British Empire, | 0:08:49 | 0:08:51 | |
it is the only proper thing to top the tree. | 0:08:51 | 0:08:53 | |
-I've always felt odd about that moment of... -Putting the angel on. | 0:08:53 | 0:08:56 | |
You know, when you've got the angel, | 0:08:56 | 0:08:58 | |
and you're like putting the tree up its arse, like, something feels... | 0:08:58 | 0:09:01 | |
But do you know why we don't have the flag, | 0:09:01 | 0:09:02 | |
-we have the angel instead now? -No. | 0:09:02 | 0:09:04 | |
So, the angel represents Gabriel in the nativity story, | 0:09:04 | 0:09:07 | |
but it's a 19th-century invention made popular by Victoria and Albert, | 0:09:07 | 0:09:10 | |
who should have had the union flag on the tree, but they were German. | 0:09:10 | 0:09:13 | |
-So they had the angel instead. -Oh. | 0:09:13 | 0:09:16 | |
OK, so lights or candles on the tree? Which is traditional? | 0:09:16 | 0:09:19 | |
-Oh, it's got to be candles. -It is candles, absolutely. | 0:09:19 | 0:09:22 | |
The legend is that Martin Luther | 0:09:22 | 0:09:23 | |
was inspired to put candles on the tree - | 0:09:23 | 0:09:25 | |
so we're talking 1536 - after he saw thousands of stars | 0:09:25 | 0:09:29 | |
glinting through the branches of the trees in the forest. | 0:09:29 | 0:09:31 | |
But to be fair, electronic lights weren't an option then. | 0:09:31 | 0:09:34 | |
LAUGHTER | 0:09:35 | 0:09:36 | |
No, that's... | 0:09:36 | 0:09:38 | |
Well, you do get candles even earlier than that - | 0:09:38 | 0:09:40 | |
you do get candles about the 1440's. | 0:09:40 | 0:09:41 | |
There was an amazing group called the Brotherhood of the Blackheads. | 0:09:41 | 0:09:45 | |
Who doesn't want to join? Brotherhood of the Blackheads. | 0:09:45 | 0:09:47 | |
-That's my entire teenage years summed up at once. -Yeah. | 0:09:47 | 0:09:50 | |
They were unmarried merchants in Estonia, and they put up | 0:09:52 | 0:09:55 | |
one of the first Christmas trees that had candles on it. | 0:09:55 | 0:09:57 | |
Let's do paper, flowers, wafers and tinsel. Which ones are traditional? | 0:09:57 | 0:10:03 | |
Oh, and how about some chocolate? | 0:10:03 | 0:10:05 | |
-Which of those are we going to go for? -Chocolate on the tree? | 0:10:05 | 0:10:07 | |
-On the tree, traditional? -Chocolate. | 0:10:07 | 0:10:09 | |
..is the one that is in fact not traditional at all. | 0:10:09 | 0:10:11 | |
Of course. | 0:10:11 | 0:10:12 | |
The others... | 0:10:12 | 0:10:14 | |
Good day to you. | 0:10:14 | 0:10:15 | |
-So the wafer? -All I can hear is Romesh's mum | 0:10:17 | 0:10:19 | |
laughing in the speaker behind me. | 0:10:19 | 0:10:21 | |
Mum, Alan wants you to shut up. | 0:10:22 | 0:10:24 | |
LAUGHTER | 0:10:24 | 0:10:26 | |
-YOU shut up! -Yes, Shanthi, yes! | 0:10:26 | 0:10:29 | |
APPLAUSE AND CHEERING | 0:10:29 | 0:10:31 | |
Guys, guys, it's Christmas, OK. All right? Just... | 0:10:33 | 0:10:36 | |
Romesh, go and give your mother a nice chocolate and be nice. | 0:10:36 | 0:10:39 | |
-Be nice. -Sorry. | 0:10:41 | 0:10:43 | |
LAUGHTER | 0:10:44 | 0:10:47 | |
Shanthi, what do you think about the beard? | 0:10:50 | 0:10:51 | |
The beard looks good, doesn't it? | 0:10:51 | 0:10:53 | |
He looks like his dad, actually. | 0:10:53 | 0:10:55 | |
LAUGHTER I think it looks very nice. | 0:10:55 | 0:10:58 | |
He didn't have a beard like this, did he? | 0:10:58 | 0:10:59 | |
-He did. He did. -Oh, right. -I hated it. | 0:10:59 | 0:11:01 | |
LAUGHTER | 0:11:01 | 0:11:03 | |
APPLAUSE | 0:11:04 | 0:11:06 | |
OK. Trees away, please. | 0:11:11 | 0:11:13 | |
THUD | 0:11:15 | 0:11:16 | |
LAUGHTER | 0:11:16 | 0:11:17 | |
Now, which king appeared on the first British Christmas stamp? | 0:11:19 | 0:11:23 | |
Er...George V. | 0:11:23 | 0:11:24 | |
KLAXON BLARES | 0:11:24 | 0:11:27 | |
-Wenceslas. -Yes. -Yeah! -Yes! | 0:11:28 | 0:11:31 | |
CHEERING AND APPLAUSE | 0:11:31 | 0:11:33 | |
You're absolutely right. | 0:11:37 | 0:11:39 | |
So, 1963, the then Postmaster General was Tony Benn, | 0:11:39 | 0:11:43 | |
and he launched a competition | 0:11:43 | 0:11:45 | |
in conjunction with Blue Peter and the Post Office | 0:11:45 | 0:11:47 | |
to design Britain's very first Christmas stamp, | 0:11:47 | 0:11:50 | |
and six-year-old Tasveer Shemza - that's her there on the right - | 0:11:50 | 0:11:55 | |
she won with a Good King Wenceslas design, and James Berry, | 0:11:55 | 0:11:59 | |
next to her, he got a 1/6d stamp, but here is her stamp. | 0:11:59 | 0:12:02 | |
So he was the only king on the stamp, | 0:12:02 | 0:12:03 | |
because of course the monarch is Queen Elizabeth II. | 0:12:03 | 0:12:07 | |
And Tasveer is in the audience... | 0:12:07 | 0:12:08 | |
-Shut the front door! -There she is, all grown up. -Ah! | 0:12:08 | 0:12:11 | |
Congratulations! | 0:12:11 | 0:12:12 | |
APPLAUSE | 0:12:12 | 0:12:15 | |
Tasveer, did you... | 0:12:22 | 0:12:24 | |
That's the longest round of applause we've ever had for anything. | 0:12:24 | 0:12:27 | |
They LOVE your stamp! | 0:12:27 | 0:12:29 | |
Tasveer, was the picture based on anybody? | 0:12:29 | 0:12:32 | |
Well, it was indeed, yes. It's not King Wenceslas... | 0:12:32 | 0:12:35 | |
-Right. -..as people say - it was actually a picture of my dad. | 0:12:35 | 0:12:38 | |
Oh, a picture of your dad! | 0:12:38 | 0:12:40 | |
And we've got... There he is. | 0:12:40 | 0:12:42 | |
I think you did very well with that. | 0:12:43 | 0:12:44 | |
Sorry, if your dad is wearing that hat, | 0:12:44 | 0:12:46 | |
I think he's a bit above his station. | 0:12:46 | 0:12:48 | |
What I love about this is the stamp was issued in 1966, | 0:12:50 | 0:12:52 | |
so in fact Daleks, which were introduced in 1963, | 0:12:52 | 0:12:56 | |
are an older Christmas tradition than Christmas stamps | 0:12:56 | 0:12:59 | |
here in the UK. | 0:12:59 | 0:13:00 | |
Do you know who that is in the picture? | 0:13:00 | 0:13:02 | |
Is it one of the Doctors, William Hartnell? | 0:13:02 | 0:13:03 | |
It was William Hartnell, the very first Doctor Who. | 0:13:03 | 0:13:06 | |
-Was the first Doctor Who really old, then? -Yes. | 0:13:06 | 0:13:08 | |
He was THAT old, in fact. | 0:13:10 | 0:13:11 | |
It was something about wisdom and gravitas with the role. | 0:13:11 | 0:13:14 | |
Yeah. Well, I mean, with your new white beard, you could be up for it. | 0:13:14 | 0:13:17 | |
-ROMESH: -Yeah. -Yeah. HOLLY: -I think now that beards are so... | 0:13:17 | 0:13:20 | |
I don't think the beard cancels out the skin. | 0:13:20 | 0:13:23 | |
-I think you'd be a really good Doctor Who. -Do you think so? | 0:13:24 | 0:13:27 | |
-Yeah. -JASON: -And your mum could be like Doctor Who's sidekick. -Oh! | 0:13:27 | 0:13:30 | |
Oh, my God! | 0:13:30 | 0:13:32 | |
The first Doctor to top himself. | 0:13:32 | 0:13:33 | |
Which is best for Christmas cards - first class or second class? | 0:13:38 | 0:13:41 | |
-Makes no odds. -It doesn't really make a difference. | 0:13:41 | 0:13:44 | |
I don't think we have a second-class stamp any more, do we? | 0:13:44 | 0:13:46 | |
-Yeah, yeah, no, you do. -Oh, how posh are you?! | 0:13:46 | 0:13:48 | |
LAUGHTER | 0:13:48 | 0:13:50 | |
-ROMESH: -Things are going all right for Jason Manford, aren't they?! | 0:13:50 | 0:13:53 | |
So, the Post Office guarantees with first-class delivery | 0:13:54 | 0:13:57 | |
that 93% of it will be delivered within one working day. | 0:13:57 | 0:13:59 | |
-Oh, I see. -93, not 100%? -No. | 0:13:59 | 0:14:01 | |
93% guaranteed, but at Christmas, that is formally suspended, | 0:14:01 | 0:14:04 | |
and they only manage 50% next-day delivery, | 0:14:04 | 0:14:06 | |
so frankly, you might as well... | 0:14:06 | 0:14:07 | |
So how can they live with themselves and sell some people...? | 0:14:07 | 0:14:10 | |
If you were to go in and say, "Can I have a first class stamp," | 0:14:10 | 0:14:13 | |
-they should say, "No." -Don't bother. | 0:14:13 | 0:14:14 | |
We don't sell them, because that's morally wrong. | 0:14:14 | 0:14:17 | |
I had a girlfriend once who thought that if you put more stamps on, | 0:14:19 | 0:14:22 | |
it would get there quicker. | 0:14:22 | 0:14:24 | |
Five first-class stamps on a letter. | 0:14:27 | 0:14:29 | |
Actually, Sandi, my mum can step in here, | 0:14:29 | 0:14:31 | |
-because she works for Royal Mail, don't you, Mum? -Yes, I do. | 0:14:31 | 0:14:34 | |
-And there are second-class stamps, are there not? -Yes, there are. | 0:14:34 | 0:14:36 | |
Yeah, there's second-class stamps. | 0:14:36 | 0:14:38 | |
What have you got to say about this 50% success rate scandal? | 0:14:38 | 0:14:41 | |
-My lips are sealed! -No, speak up, you're here! | 0:14:43 | 0:14:45 | |
Now answer the question! | 0:14:45 | 0:14:46 | |
-You said it on the way here. -What? | 0:14:48 | 0:14:50 | |
You said you thought Royal Mail was crap, | 0:14:50 | 0:14:52 | |
-and you wished you didn't have to work there. -I never said that! | 0:14:52 | 0:14:55 | |
I never said that. | 0:14:56 | 0:14:57 | |
LAUGHTER | 0:14:57 | 0:14:59 | |
Anyway, please can you thank Tasveer Shemza? | 0:15:01 | 0:15:03 | |
APPLAUSE | 0:15:03 | 0:15:06 | |
Now, it's time to wrap our presents in the great QI wrapping race. | 0:15:09 | 0:15:13 | |
OK, so under your respective desks, | 0:15:14 | 0:15:16 | |
you're going to find paper and scissors and tape, | 0:15:16 | 0:15:19 | |
and I would like you to beautifully wrap the things you've got. | 0:15:19 | 0:15:22 | |
So Romesh, you need to wrap the game that we've got there for you, | 0:15:22 | 0:15:25 | |
and if you could find the best way of... | 0:15:25 | 0:15:28 | |
LAUGHTER | 0:15:28 | 0:15:29 | |
Wrap that for me. | 0:15:30 | 0:15:31 | |
And Alan, if you could wrap yours, there we are, that's lovely. | 0:15:31 | 0:15:36 | |
And what have you guys got to wrap up? | 0:15:36 | 0:15:38 | |
Lovely. So, what do we reckon? Best way to wrap these things up? | 0:15:40 | 0:15:45 | |
Are you going to say, "Ready, steady, go"? | 0:15:45 | 0:15:47 | |
Ready, steady, go. Whoever does it best... | 0:15:47 | 0:15:49 | |
Wow! Jason, that's... Yeah. | 0:16:01 | 0:16:03 | |
-Looks good. -I think I've finished, Sandi. | 0:16:05 | 0:16:07 | |
OK, let me see, let me see. | 0:16:07 | 0:16:08 | |
Alan is the winner, I think, got there first. | 0:16:08 | 0:16:10 | |
APPLAUSE | 0:16:10 | 0:16:11 | |
OK. | 0:16:13 | 0:16:14 | |
So, awkward items, what you need is a life-hack, OK, | 0:16:16 | 0:16:18 | |
to wrap something awkward. | 0:16:18 | 0:16:20 | |
So I've got here a small American football | 0:16:20 | 0:16:23 | |
and a single piece of paper, and what you actually do, | 0:16:23 | 0:16:25 | |
and you could have done it with any of your items, | 0:16:25 | 0:16:27 | |
is you take your paper, and you fold it like this, | 0:16:27 | 0:16:31 | |
and then put some tape down the middle like this. | 0:16:31 | 0:16:36 | |
and then you need to fold the piece of paper like this... | 0:16:36 | 0:16:40 | |
and fold it in... | 0:16:40 | 0:16:41 | |
..and then put some Sellotape on that, like this... | 0:16:42 | 0:16:47 | |
This is like Blue Peter, isn't it? | 0:16:47 | 0:16:49 | |
It's a really brilliant way to wrap an awkward thing. | 0:16:51 | 0:16:54 | |
It is basically a bag with a gusset | 0:16:54 | 0:16:57 | |
that you can make out of a single piece of paper, | 0:16:57 | 0:16:59 | |
and you make it like that, and you stick your awkward thing inside, | 0:16:59 | 0:17:02 | |
-and you have a very neatly wrapped gift. -Oh, my God! | 0:17:02 | 0:17:06 | |
APPLAUSE | 0:17:06 | 0:17:08 | |
Right, let's put the presents away, please. | 0:17:12 | 0:17:14 | |
Now, because it's Christmas, we're going to play a quick game. | 0:17:16 | 0:17:18 | |
The envelopes have got your name on them. | 0:17:18 | 0:17:20 | |
Oh, here we go. Ooh! | 0:17:20 | 0:17:22 | |
Inside the envelope you'll find a two-syllable word. | 0:17:22 | 0:17:24 | |
Here's what you have to do - you have to act out the first syllable, | 0:17:24 | 0:17:27 | |
then the second, then the whole thing, | 0:17:27 | 0:17:29 | |
and only then can we guess what the word is. | 0:17:29 | 0:17:31 | |
OK? Right, Alan, off you go. | 0:17:31 | 0:17:34 | |
LAUGHTER | 0:17:35 | 0:17:37 | |
-OK. I'm not allowed to speak, am I? -No. -No, OK. | 0:17:37 | 0:17:41 | |
So this is the first syllable. | 0:17:44 | 0:17:45 | |
OK. | 0:17:47 | 0:17:49 | |
-Right, that's the first syllable. -OK, yeah. -Second syllable. | 0:17:49 | 0:17:52 | |
Very good. And now the whole thing. | 0:17:52 | 0:17:54 | |
Bagpipe. | 0:17:55 | 0:17:57 | |
Yes. Very, very good, well done. | 0:17:57 | 0:18:00 | |
-Romesh? -I don't think I can do mine. -Why? | 0:18:03 | 0:18:07 | |
I just can't. | 0:18:07 | 0:18:08 | |
Yes, you can. | 0:18:10 | 0:18:12 | |
-OK. -Yes, and your mum believes in you, she just said yes behind me. | 0:18:12 | 0:18:15 | |
-SHANTHI: -Yeah, try. Try. -Yes, see, "Try," says your mum. | 0:18:15 | 0:18:18 | |
-Yeah, why don't you try? -"Oh, well, if you believe in me, Mum!" | 0:18:18 | 0:18:21 | |
Doesn't change the word, love, all right? It's still impossible. | 0:18:23 | 0:18:26 | |
OK. | 0:18:26 | 0:18:28 | |
-So, first syllable. -Yeah. | 0:18:28 | 0:18:30 | |
-Oh good, yeah, good. -Yeah. | 0:18:33 | 0:18:35 | |
-OK. -That's that bit. -Yeah. Second syllable? | 0:18:35 | 0:18:37 | |
No idea what that was. | 0:18:37 | 0:18:39 | |
-Shark. -OK, the whole thing? | 0:18:39 | 0:18:40 | |
-HOLLY: -Pie shark? -A pie shark? -A pie shark? | 0:18:43 | 0:18:46 | |
Is it a pie shark? | 0:18:47 | 0:18:48 | |
It is, I can't believe you got it, it IS a pie shark! | 0:18:48 | 0:18:51 | |
What is the first bit, so... | 0:18:51 | 0:18:52 | |
-First thing? -I thought it was going to be difficult, | 0:18:55 | 0:18:58 | |
but she's absolutely nailed that. Astonishing! | 0:18:58 | 0:19:00 | |
You're the only other person I know that's heard of pie shark, | 0:19:02 | 0:19:04 | |
it's amazing! | 0:19:04 | 0:19:05 | |
You were right, Mum - I CAN do it! | 0:19:06 | 0:19:08 | |
APPLAUSE | 0:19:09 | 0:19:10 | |
Show everybody the card. | 0:19:14 | 0:19:16 | |
-It's a muff! -Muffin! | 0:19:16 | 0:19:18 | |
-Muffin. -Muffin. | 0:19:18 | 0:19:20 | |
-Have a go. -Me? -Yeah. | 0:19:22 | 0:19:25 | |
Right. Erm... | 0:19:25 | 0:19:26 | |
-Bum. -Don't guess yet! | 0:19:28 | 0:19:31 | |
-ROMESH: -There's only three rules in this game, Holly! | 0:19:31 | 0:19:34 | |
-And then the whole thing. -OK, and the whole thing. Er... | 0:19:41 | 0:19:44 | |
OK. Anybody? | 0:19:48 | 0:19:49 | |
Pie shark? | 0:19:49 | 0:19:50 | |
LAUGHTER | 0:19:50 | 0:19:52 | |
-Bum hands. -Bum ring? | 0:19:56 | 0:20:00 | |
-What's that? -What did you say? | 0:20:00 | 0:20:02 | |
I said bum ring. | 0:20:02 | 0:20:04 | |
Bum...ring? | 0:20:04 | 0:20:06 | |
-Bum ring, really, on QI?! -How did we get to bum ring? | 0:20:06 | 0:20:09 | |
It's a bum ring, cos he went like that, he went like that... | 0:20:09 | 0:20:12 | |
But what was the thing when he was walking around? | 0:20:12 | 0:20:14 | |
It's the sort of thing that a bum ring would do. | 0:20:14 | 0:20:16 | |
What he did there, I thought, "He looks like such a bum ring." | 0:20:18 | 0:20:22 | |
What does it say on your card? | 0:20:22 | 0:20:23 | |
-Bumbling. -Bumbling. -Oh, bumbling! | 0:20:23 | 0:20:26 | |
-Bum-bling. -Bling! -Bling! | 0:20:26 | 0:20:28 | |
Right, Holly. | 0:20:29 | 0:20:30 | |
-Hang on a minute, why is your clue in your sock? -Oh, the foot's out. | 0:20:30 | 0:20:33 | |
-OK, first one. -Foot! | 0:20:33 | 0:20:35 | |
Don't guess yet! | 0:20:35 | 0:20:38 | |
Yeah, second one. | 0:20:38 | 0:20:40 | |
Oh, God. | 0:20:40 | 0:20:41 | |
This is very awkward. | 0:20:45 | 0:20:46 | |
Is it football? | 0:20:50 | 0:20:51 | |
It WAS football - very well done. | 0:20:53 | 0:20:54 | |
That is how they used to play charades. | 0:20:57 | 0:20:59 | |
It came from France, actually, the game, | 0:20:59 | 0:21:01 | |
but it was codified by the brothers Mayhew, Henry and Horace, | 0:21:01 | 0:21:04 | |
and they decided those were the rules. | 0:21:04 | 0:21:07 | |
But I think the jokes were supposed to be out of muff-fin - | 0:21:07 | 0:21:10 | |
that was the idea, so breast-plate, or cock-ade, | 0:21:10 | 0:21:12 | |
or any of those things was meant to be hilarious. | 0:21:12 | 0:21:15 | |
Now we invite QI's Lord of Misrule to the fireside | 0:21:15 | 0:21:17 | |
for the round we call General Ignorance. | 0:21:17 | 0:21:19 | |
Fingers on buzzers, please. | 0:21:19 | 0:21:22 | |
What did robins originally represent on Christmas cards? | 0:21:22 | 0:21:25 | |
Evil? | 0:21:26 | 0:21:28 | |
Can you imagine anything less evil? | 0:21:32 | 0:21:35 | |
-Was it something to do with being stabbed, or blood? -What?! | 0:21:35 | 0:21:38 | |
-You know... -I love how your mind works, but it puzzles me. | 0:21:40 | 0:21:42 | |
-The red breast. -Yes. So, Christmas, traditional stabbing time. | 0:21:44 | 0:21:47 | |
-OK, anybody in the audience know? AUDIENCE MEMBER: -The postman. | 0:21:50 | 0:21:52 | |
Postmen. KLAXON BLARES | 0:21:52 | 0:21:54 | |
Oh, it looks so easy, doesn't it? | 0:21:58 | 0:22:01 | |
LAUGHTER | 0:22:01 | 0:22:03 | |
The fact is, robins have been associated with Christmas | 0:22:03 | 0:22:05 | |
-long before Victorian... -Long before Jesus. | 0:22:05 | 0:22:07 | |
LAUGHTER | 0:22:07 | 0:22:09 | |
Long before Victorian postmen and their red outfits. | 0:22:12 | 0:22:14 | |
So the idea that robins on cards originally represented the postman, | 0:22:14 | 0:22:18 | |
as, I have to say, stated in a previous QI, | 0:22:18 | 0:22:20 | |
is wrong, and so thank goodness I am here to clear up this terrible mess. | 0:22:20 | 0:22:24 | |
-Thank God you're here. -I know. | 0:22:24 | 0:22:26 | |
There's a traditional Christmas song called The Robin's Appeal, | 0:22:26 | 0:22:28 | |
so pictures of robins on cards appear to have been there | 0:22:28 | 0:22:31 | |
to represent robins. | 0:22:31 | 0:22:32 | |
But it's changed over the years, so in the 1860s, | 0:22:32 | 0:22:34 | |
they had robins on Christmas cards, | 0:22:34 | 0:22:36 | |
and they were depicted as being comic, | 0:22:36 | 0:22:38 | |
then in the 1870s, they get rather sentimental. | 0:22:38 | 0:22:41 | |
1880s, it's... I don't know what happened - they just show them dead. | 0:22:41 | 0:22:45 | |
I don't know what's... | 0:22:45 | 0:22:46 | |
-This is stabbing. -There must have been a terrible epidemic. | 0:22:49 | 0:22:52 | |
-ROMESH: -Look at... I mean, it says, "May yours be a joyful Christmas." | 0:22:52 | 0:22:56 | |
Despite what we said on an earlier season of QI, | 0:23:00 | 0:23:02 | |
robins on Christmas cards probably represent not postmen but robins. | 0:23:02 | 0:23:06 | |
And finally, what should I do if I spill red wine on the tablecloth? | 0:23:08 | 0:23:11 | |
So, gentlemen, I'm going to give you a tablecloth, | 0:23:11 | 0:23:16 | |
and you've got some wine between you. | 0:23:16 | 0:23:18 | |
Wine, yes. Wine, lovely wine. | 0:23:18 | 0:23:21 | |
All right, there we go. | 0:23:21 | 0:23:22 | |
If you think any of it's going on the tablecloth, | 0:23:22 | 0:23:24 | |
you are sadly mistaken. | 0:23:24 | 0:23:25 | |
A merry, merry, merry Christmas to you all. | 0:23:28 | 0:23:31 | |
I've had drinks with you before, and I suspect I am not mistaken. | 0:23:31 | 0:23:34 | |
-OK, so... -Pouring the red on? -Do a bit of red on. | 0:23:39 | 0:23:41 | |
-Little bit of red on there. -OK. Now, what would you do about that? | 0:23:41 | 0:23:44 | |
I've gone, "Ooh, my tablecloth!" | 0:23:44 | 0:23:45 | |
Oh! Get some white wine, get some white wine! | 0:23:45 | 0:23:48 | |
KLAXON BLARES | 0:23:48 | 0:23:50 | |
-Can we try it at least? -You can give it a go, yeah. | 0:23:52 | 0:23:54 | |
I mean, it's a bit unfair to give us white wine | 0:23:54 | 0:23:56 | |
-and then have a go at us for mentioning it, but... -OK, have a go. | 0:23:56 | 0:23:59 | |
-So... -It's gone, it's gone! | 0:24:02 | 0:24:03 | |
So, it will dilute the stain, but it contains complex sugars. | 0:24:05 | 0:24:10 | |
It's perfectly possible that the white wine will discolour the cloth. | 0:24:10 | 0:24:13 | |
So, you two, you've got a bit of carpet that you've spilled yours on. | 0:24:13 | 0:24:16 | |
-OK. -I have seen that work, though. | 0:24:16 | 0:24:18 | |
-Spill a bit of red. -Shall I spill it? -Yeah, go on. | 0:24:18 | 0:24:20 | |
It's liberty hall. There we go. | 0:24:20 | 0:24:23 | |
-Oh, God! -Red on the carpet... Wow, you just went crazy! | 0:24:23 | 0:24:25 | |
You assumed that you were doing just the one experiment, did you, Holly? | 0:24:27 | 0:24:31 | |
And you were going to get it right first time out of the gate? | 0:24:31 | 0:24:33 | |
-Right, Jason, what are you going to do? -I've got all sorts here. | 0:24:33 | 0:24:36 | |
-OK. -I think there's some... Is that soda water? | 0:24:36 | 0:24:38 | |
Er...yes, that's... | 0:24:38 | 0:24:40 | |
-Water, maybe a bit of salt. -Yes? OK, you were doing... | 0:24:40 | 0:24:42 | |
KLAXON BLARES | 0:24:42 | 0:24:45 | |
-But not salt? -Not salt. | 0:24:45 | 0:24:47 | |
Salt will absorb the wine initially, but it's also a fixative, | 0:24:47 | 0:24:50 | |
so unless you manage to get all the salt out, | 0:24:50 | 0:24:52 | |
it is possible that what you're actually doing | 0:24:52 | 0:24:54 | |
is making the stain permanent. | 0:24:54 | 0:24:55 | |
Well, this is... This is doing a good job. | 0:24:55 | 0:24:57 | |
-So, the tip is, blot it... -I can't open the vinegar. | 0:24:57 | 0:25:00 | |
So, again, the vinegar, frankly no better than water, | 0:25:00 | 0:25:02 | |
and extremely expensive. | 0:25:02 | 0:25:03 | |
-What's this, then? -No better than water! | 0:25:03 | 0:25:06 | |
It's also acidic, so it's going to possibly discolour the cloth. | 0:25:06 | 0:25:09 | |
It's going through the desk! It's going through the desk! | 0:25:09 | 0:25:12 | |
Argh, it's like Alien! | 0:25:13 | 0:25:16 | |
-So the tip is... -Get Ripley! | 0:25:16 | 0:25:17 | |
The tip is to... Oh, no. | 0:25:17 | 0:25:19 | |
LAUGHTER | 0:25:19 | 0:25:22 | |
Well, that's put that fire out. | 0:25:30 | 0:25:32 | |
-That didn't work, Sandi. -That didn't work, no. | 0:25:33 | 0:25:35 | |
What you need to do is blot it with kitchen paper. | 0:25:35 | 0:25:38 | |
I was going to take this notebook home. | 0:25:38 | 0:25:40 | |
Well, that's sorted that out, that's... | 0:25:46 | 0:25:48 | |
Don't spill your wine, that's the moral of the story. | 0:25:49 | 0:25:51 | |
That's the trick. | 0:25:51 | 0:25:52 | |
But actually, the answer is, you blot it with kitchen paper, | 0:25:52 | 0:25:54 | |
and all you need is tap water, not sparkling water. | 0:25:54 | 0:25:56 | |
-Why not sparkling water? -Cos it's fizzy? | 0:25:56 | 0:25:59 | |
Cos it's really expensive! | 0:25:59 | 0:26:01 | |
Oh, it's stupidly expensive. | 0:26:01 | 0:26:02 | |
It's really stupidly expensive. | 0:26:02 | 0:26:04 | |
What have you done? You've made a mess. | 0:26:04 | 0:26:06 | |
-We haven't done nothing. -Underneath. Let me see. | 0:26:06 | 0:26:08 | |
How do you get, erm... | 0:26:08 | 0:26:09 | |
wine off expensive electrical equipment? | 0:26:09 | 0:26:11 | |
LAUGHTER | 0:26:11 | 0:26:13 | |
Well, I have to say, Sandi, that's bollocks, | 0:26:15 | 0:26:18 | |
cos that hasn't worked, either. | 0:26:18 | 0:26:20 | |
Shanthi, what would you do, darling? | 0:26:23 | 0:26:25 | |
Washing-up liquid. | 0:26:25 | 0:26:26 | |
-Washing-up liquid? -Oh, controversial! | 0:26:26 | 0:26:28 | |
OK. | 0:26:28 | 0:26:30 | |
-Yeah, but it's not... -Any particular brand? | 0:26:30 | 0:26:33 | |
-But not wasting white wine, am I right? -No. | 0:26:33 | 0:26:36 | |
-No, I won't. -I'll tell you what we did one year, actually... -Yeah? | 0:26:36 | 0:26:39 | |
..is spilt a bit of red wine, then took one of the dead budgies, | 0:26:39 | 0:26:41 | |
made it look like a murder scene. | 0:26:41 | 0:26:43 | |
The bird died because somebody fell on the cage. I remember. | 0:26:46 | 0:26:49 | |
Did somebody fall on the cage? | 0:26:49 | 0:26:51 | |
Yeah, they were drunk, isn't it? | 0:26:51 | 0:26:53 | |
That's why it died. | 0:26:53 | 0:26:54 | |
It's not me! | 0:26:55 | 0:26:57 | |
-JASON: -Can I just say, the bird didn't die, the bird was murdered. | 0:26:58 | 0:27:02 | |
Yeah. | 0:27:02 | 0:27:03 | |
And a very merry Christmas to you all. | 0:27:03 | 0:27:05 | |
Yes, the only thing worse than spilling red wine | 0:27:07 | 0:27:09 | |
is wasting good white wine trying to clean it up. | 0:27:09 | 0:27:12 | |
And with that, we come to the end of the show, | 0:27:12 | 0:27:14 | |
so let's have a look at the scores. | 0:27:14 | 0:27:15 | |
Oh, my goodness, it's a Christmas miracle - | 0:27:17 | 0:27:19 | |
everybody came first equal! | 0:27:19 | 0:27:21 | |
CHEERING AND APPLAUSE | 0:27:21 | 0:27:24 | |
Thanks to Holly, Jason, Romesh and Alan. | 0:27:32 | 0:27:35 | |
But before we go, I've got one last Christmas present. | 0:27:35 | 0:27:39 | |
I absolutely love Christmas singing, | 0:27:39 | 0:27:41 | |
so I wonder if there is anyone in the audience | 0:27:41 | 0:27:43 | |
who's a member of a choir? | 0:27:43 | 0:27:45 | |
-What?! -Wow! | 0:27:47 | 0:27:48 | |
OK. Put your hands up, | 0:27:49 | 0:27:51 | |
how many of you know We Wish You A Merry Christmas? | 0:27:51 | 0:27:53 | |
OK. So here is my gift to you - the QI audience choir, | 0:27:54 | 0:27:58 | |
conducted by Neville Creed. | 0:27:58 | 0:28:00 | |
# We wish you a merry Christmas We wish you a merry Christmas | 0:28:02 | 0:28:06 | |
# We wish you a merry Christmas And a happy New Year | 0:28:06 | 0:28:10 | |
# Good tidings we bring To you and your kin | 0:28:10 | 0:28:14 | |
# We wish you a merry Christmas And a happy New Year | 0:28:14 | 0:28:18 | |
# Now bring us some figgy pudding Now bring us some figgy pudding | 0:28:18 | 0:28:22 | |
# Now bring us some figgy pudding And bring some out here | 0:28:22 | 0:28:26 | |
# Good tidings we bring To you and your kin | 0:28:26 | 0:28:30 | |
# We wish you a merry Christmas And a happy New Year | 0:28:30 | 0:28:34 | |
# We all like figgy pudding We all like figgy pudding | 0:28:34 | 0:28:38 | |
# We all like figgy pudding So bring some out here | 0:28:38 | 0:28:43 | |
# Good tidings we bring To you and your kin | 0:28:43 | 0:28:47 | |
# We wish you a merry Christmas And a happy New Year | 0:28:47 | 0:28:51 | |
# And we won't go until we've had some | 0:28:51 | 0:28:53 | |
# We won't go until we've had some | 0:28:53 | 0:28:55 | |
# We won't go until we've had some So bring some out here | 0:28:55 | 0:28:59 | |
# Good tidings we bring To you and your kin | 0:28:59 | 0:29:03 | |
# We wish you a merry Christmas And a happy New Year | 0:29:03 | 0:29:07 | |
# A happy new year | 0:29:07 | 0:29:09 | |
# We wish you a merry Christmas And a happy New Year. # | 0:29:09 | 0:29:17 | |
APPLAUSE | 0:29:17 | 0:29:20 | |
ALL: Merry Christmas! | 0:29:23 | 0:29:25 |