Browse content similar to VG Part One. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:05 | |
APPLAUSE AND CHEERING | 0:00:23 | 0:00:25 | |
Good evening and welcome to QI. | 0:00:32 | 0:00:38 | |
So my first question is about ova, spelt O-V-A. | 0:00:38 | 0:00:42 | |
You can't learn to ski-jump without breaking legs | 0:00:42 | 0:00:46 | |
and you can't make an omelette without? | 0:00:46 | 0:00:50 | |
-BOTH: -Breaking eggs. | 0:00:50 | 0:00:52 | |
Yeah! | 0:00:52 | 0:00:54 | |
-And we're off and running. -What? | 0:00:54 | 0:00:56 | |
-Yes. -But you're going to show us how you can. | 0:00:56 | 0:00:58 | |
You can make an omelette without breaking eggs into a pan, | 0:00:58 | 0:01:01 | |
it's called a golden egg, as we shall demonstrate. | 0:01:01 | 0:01:03 | |
What you need to do is... | 0:01:03 | 0:01:06 | |
-Get a chicken. -LAUGHTER | 0:01:06 | 0:01:07 | |
-An egg. -It's in a pair of tights. -Well, it's in a stocking. | 0:01:07 | 0:01:09 | |
-A stocking, oh, right. -So I'm going to pass this to you | 0:01:09 | 0:01:12 | |
and what you need to do is you need basically to break the membrane that | 0:01:12 | 0:01:15 | |
is round the egg yolk, that is called the vitelline membrane, | 0:01:15 | 0:01:19 | |
that's the protein fibres. | 0:01:19 | 0:01:20 | |
And what you do is you spin it, like this, and you're trying | 0:01:20 | 0:01:23 | |
to shake the egg... LAUGHTER | 0:01:23 | 0:01:25 | |
Actually one of the good things, when you let go | 0:01:25 | 0:01:27 | |
-it does that. -I've got a very expensive suit on at this point. | 0:01:27 | 0:01:29 | |
LAUGHTER Ah, OK. Just spin it gently, | 0:01:29 | 0:01:31 | |
would be the thing, yes. LAUGHTER | 0:01:31 | 0:01:33 | |
I don't think we've ever had anybody who's worn expensive clothing | 0:01:35 | 0:01:38 | |
on this show before. LAUGHTER | 0:01:38 | 0:01:40 | |
Woohoo! | 0:01:40 | 0:01:41 | |
Woo-hoo-hoo-hoo! | 0:01:43 | 0:01:44 | |
It is a really cheap children's toy, isn't it? | 0:01:44 | 0:01:46 | |
Have you broken yours? LAUGHTER | 0:01:46 | 0:01:49 | |
You spin it and you mix up the egg inside the shell. | 0:01:51 | 0:01:55 | |
-Right. -It's actually quite tough to do. | 0:01:55 | 0:01:57 | |
"I canna make it go any further, Jim!" | 0:01:57 | 0:01:59 | |
LAUGHTER And then you boil it and it will... | 0:01:59 | 0:02:03 | |
When you remove the shell, it will reveal that it is an omelette. | 0:02:03 | 0:02:06 | |
That's what a man looks like... | 0:02:06 | 0:02:08 | |
-That's a bloke, innit? -..in tights. | 0:02:08 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:11 | |
I'm sure we could ask Grayson. | 0:02:11 | 0:02:12 | |
Is this what a man looks like in tights? | 0:02:12 | 0:02:14 | |
LAUGHTER | 0:02:14 | 0:02:15 | |
-Grayson, I'm so sorry. -I tell you, if my skirt | 0:02:15 | 0:02:18 | |
-was any shorter. -Yes. | 0:02:18 | 0:02:20 | |
Let's have a look at the below-the-desk cam. | 0:02:22 | 0:02:23 | |
Oh, there we go! | 0:02:23 | 0:02:25 | |
Which is the odd one out out of these four? | 0:02:30 | 0:02:34 | |
-Mmm...well... -Three. | 0:02:38 | 0:02:39 | |
Number three? SIREN BLARES | 0:02:39 | 0:02:42 | |
-Not number three. -I mean, this feels like this is... | 0:02:42 | 0:02:44 | |
-I can't... Yeah. -I think the last one that we pick is going to be | 0:02:44 | 0:02:46 | |
-the good one, right? -Do you think? | 0:02:46 | 0:02:48 | |
-One. -SIREN BLARES | 0:02:48 | 0:02:50 | |
Aw! LAUGHTER | 0:02:50 | 0:02:52 | |
Does someone get paid when that sound effect goes off? | 0:02:52 | 0:02:55 | |
-LAUGHTER -It feels like somebody... | 0:02:55 | 0:02:56 | |
SIREN BLARES | 0:02:56 | 0:02:58 | |
APPLAUSE | 0:02:58 | 0:03:00 | |
They've been waiting 15 years for that gag. | 0:03:05 | 0:03:07 | |
There are lots of what we call augmented animals, | 0:03:10 | 0:03:13 | |
so animals who make themselves look a bit different. | 0:03:13 | 0:03:15 | |
One of my favourites, Uraba lugens caterpillar. | 0:03:15 | 0:03:18 | |
It keeps its old heads and wears them as hats. | 0:03:18 | 0:03:21 | |
What?! | 0:03:21 | 0:03:24 | |
Oh, my God! | 0:03:24 | 0:03:25 | |
That is hoarding gone mad. | 0:03:25 | 0:03:27 | |
As it grows, it sheds its exoskeleton | 0:03:29 | 0:03:32 | |
and the protrusion on the top of the head remains, | 0:03:32 | 0:03:34 | |
and eventually it has a stack, which it uses both as a weapon | 0:03:34 | 0:03:37 | |
and as a false target for any would-be predators. | 0:03:37 | 0:03:40 | |
It's known as the Mad Hatterpillar. | 0:03:40 | 0:03:42 | |
-Yeah. Yeah, I mean it would be, wouldn't it? -Yeah. | 0:03:42 | 0:03:45 | |
Found in Australia and New Zealand. | 0:03:45 | 0:03:46 | |
-Isn't it wonderful? -That's incredible. | 0:03:46 | 0:03:48 | |
He doesn't even need that. | 0:03:48 | 0:03:49 | |
-Look...look how much you'd remember him anyway. -Yeah. | 0:03:49 | 0:03:52 | |
You know the one, do you remember the guy? You met him last week. | 0:03:52 | 0:03:55 | |
He had five heads on his... Five heads as a hat. | 0:03:55 | 0:03:57 | |
-Five Head Gary, yeah. -Oh, yeah, yeah, yeah. | 0:03:57 | 0:03:59 | |
Is this a sardine or a pilchard? | 0:04:01 | 0:04:03 | |
MUSIC PLAYS | 0:04:04 | 0:04:06 | |
-Bill? -Pilchard. | 0:04:06 | 0:04:08 | |
SIREN | 0:04:08 | 0:04:10 | |
-OK. -Is that the name, the pilchard? -Try again. | 0:04:10 | 0:04:13 | |
MUSIC PLAYS Yes? | 0:04:13 | 0:04:14 | |
-Sardine. -Sardine, yeah! | 0:04:14 | 0:04:15 | |
SIREN | 0:04:15 | 0:04:17 | |
So... MUSIC PLAYS | 0:04:18 | 0:04:20 | |
-Yes? -Dolphin! | 0:04:20 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:23 | |
If it were an optical illusion, it would be red. | 0:04:25 | 0:04:27 | |
It would therefore be a red...? | 0:04:27 | 0:04:28 | |
Snapper! | 0:04:28 | 0:04:30 | |
-Easy, easy. -Wow! -Easy. | 0:04:31 | 0:04:33 | |
I want that as a ring tone. | 0:04:33 | 0:04:35 | |
-Wow. -"Snapper!" | 0:04:35 | 0:04:37 | |
I've got a text. | 0:04:37 | 0:04:39 | |
I am aroused. | 0:04:40 | 0:04:42 | |
-That is fantastic. -Wow! -Be brilliant that, as a gif. | 0:04:42 | 0:04:44 | |
-Make that into a gif. -Oh, Nellie. | 0:04:44 | 0:04:46 | |
-"Snapper!" -Again, again. Again... | 0:04:46 | 0:04:48 | |
-Can you do it one more time, Claudia? -..but right in my face. | 0:04:48 | 0:04:52 | |
Very loud, quick snapper, come on. | 0:04:53 | 0:04:56 | |
-Come on. Ready? -I am ready. | 0:04:56 | 0:04:59 | |
-Yeah. Go on. -So, if it was an optical illusion and it was red, it would be a red...? | 0:04:59 | 0:05:03 | |
-SNAP...! -SHE LAUGHS | 0:05:03 | 0:05:04 | |
APPLAUSE | 0:05:04 | 0:05:06 | |
So the etymology of "ocean", | 0:05:12 | 0:05:14 | |
anybody know where it comes from? | 0:05:14 | 0:05:16 | |
Billy, it's named after Billy. | 0:05:16 | 0:05:17 | |
Billy. | 0:05:17 | 0:05:19 | |
It's Greek, Oceanus. | 0:05:19 | 0:05:21 | |
The great river or sea surrounding, well, | 0:05:21 | 0:05:24 | |
the only known land masses at the time, which is Eurasia and Africa, | 0:05:24 | 0:05:27 | |
and the river was personified by Oceanus, | 0:05:27 | 0:05:29 | |
son of Uranus for the earth, and Gaia from the sky. | 0:05:29 | 0:05:32 | |
A muscular fellow, wasn't he? | 0:05:32 | 0:05:34 | |
He looks like he owns, like, a Shoreditch coffee bar. | 0:05:34 | 0:05:37 | |
"Oh, my God, we've got every sort of coffee you could imagine, | 0:05:43 | 0:05:46 | |
"we've got the stuff made by weasels. | 0:05:46 | 0:05:48 | |
"We've got..." | 0:05:48 | 0:05:49 | |
He was married to his sister. | 0:05:50 | 0:05:52 | |
Listen, don't knock it till you've tried it. | 0:05:52 | 0:05:54 | |
How many kids do you think they had, he and his sister Tethys? | 0:05:57 | 0:05:59 | |
Three kids, six heads. | 0:05:59 | 0:06:01 | |
APPLAUSE | 0:06:04 | 0:06:06 | |
There's another one, which is a beetle that lives in the Costa Rican rain forest. | 0:06:09 | 0:06:13 | |
It's called Nymphister kronaueri, | 0:06:13 | 0:06:15 | |
and it disguises itself as an army ant's bottom. | 0:06:15 | 0:06:18 | |
So, that looks like it's just an ant, | 0:06:18 | 0:06:20 | |
but the bit that is a protrusion, | 0:06:20 | 0:06:22 | |
as if the ant has got terrible haemorrhoids, is actually a beetle. | 0:06:22 | 0:06:26 | |
And what it does is, it bites onto the ant and then it rides around | 0:06:26 | 0:06:30 | |
-disguised as an army ant's bottom. -Wow. | 0:06:30 | 0:06:32 | |
-What a life. -We've all done it! -What a life, I know! | 0:06:32 | 0:06:35 | |
Do you think the ant knows what's happening... | 0:06:37 | 0:06:41 | |
..why it's got an extra bum? | 0:06:41 | 0:06:43 | |
Or do you think the ant is like, "Oh, my God, | 0:06:43 | 0:06:46 | |
-"the piles are back?" -Yeah. | 0:06:46 | 0:06:48 | |
Well, it would keep going like that, wouldn't it? | 0:06:48 | 0:06:50 | |
Yeah. "What the hell is that?" | 0:06:50 | 0:06:51 | |
"There's something, I'm sure there's something..." | 0:06:51 | 0:06:54 | |
And the beetle's like that... | 0:06:55 | 0:06:56 | |
-Oooh... -Suddenly, you're the Kardashian of ants. | 0:06:56 | 0:06:58 | |
Oh, no, no. | 0:06:58 | 0:07:00 | |
"You never see me." | 0:07:00 | 0:07:03 | |
-And every now and then it goes... -HE HUMS | 0:07:04 | 0:07:07 | |
Can you hear something? I can hear something! | 0:07:07 | 0:07:10 | |
But then the ant will shit in its face. | 0:07:10 | 0:07:12 | |
"Oh, you ruined it!" | 0:07:13 | 0:07:15 | |
"You were behind me, you stupid beetle!" | 0:07:15 | 0:07:17 | |
All the other ants are going, "You don't, | 0:07:18 | 0:07:20 | |
"you haven't put on any weight, you look fine!" | 0:07:20 | 0:07:22 | |
"Oh, really, are you sure?" "You look fine." | 0:07:22 | 0:07:24 | |
And then the five head caterpillar going, | 0:07:24 | 0:07:26 | |
"Have you seen him? He's hanging onto his arse!" | 0:07:26 | 0:07:28 | |
"Well he can't possibly be living down there." | 0:07:28 | 0:07:31 | |
"He is, he's on his arse." | 0:07:31 | 0:07:32 | |
"There's a beetle on the ant's arse." | 0:07:34 | 0:07:36 | |
"There's a beetle on the ant's arse?!" | 0:07:36 | 0:07:37 | |
"Yes, there's a beetle, I can see it from here." | 0:07:37 | 0:07:39 | |
"Swap places, swap places." | 0:07:39 | 0:07:41 | |
"Oh, hold on..." | 0:07:41 | 0:07:42 | |
"Oh, there is, oh, there is, there's a beetle on the ant's arse. | 0:07:44 | 0:07:47 | |
"Go and have a look." | 0:07:47 | 0:07:48 | |
"I can't get up there, why am I always at the bottom?" | 0:07:48 | 0:07:52 | |
APPLAUSE | 0:07:54 | 0:07:58 | |
Now, doctors, what's your diagnosis here? | 0:08:01 | 0:08:04 | |
He'd fallen asleep on a stag do. | 0:08:07 | 0:08:09 | |
-He was running a circus school... -The world's worst. | 0:08:11 | 0:08:14 | |
..and his students hated him. | 0:08:14 | 0:08:15 | |
It's a party game, is it? | 0:08:15 | 0:08:17 | |
Pin the sword on the nutter. | 0:08:17 | 0:08:19 | |
So, this is possibly one of the earliest anatomical drawings for medics. | 0:08:21 | 0:08:26 | |
He was known as the Wound Man. | 0:08:26 | 0:08:28 | |
It's a medieval image, first printed in a book, 1491, in Venice. | 0:08:28 | 0:08:32 | |
It's all the various things, so he's been injured, if you look there, | 0:08:32 | 0:08:36 | |
with daggers, he's been shot with arrows, he's been lacerated, | 0:08:36 | 0:08:38 | |
he's been stung by bees, scorpions, been clubbed in the head, | 0:08:38 | 0:08:41 | |
bitten by a dog, scratched by thorns, | 0:08:41 | 0:08:43 | |
blasted by cannonballs, he's definitely got plague and bad spots, | 0:08:43 | 0:08:46 | |
and he appears to have a toad in his stomach. | 0:08:46 | 0:08:48 | |
So it's, as it were, the contents page to the book. | 0:08:48 | 0:08:51 | |
What a shame, though, for a guy | 0:08:51 | 0:08:52 | |
who obviously looks after himself and goes to the gym... | 0:08:52 | 0:08:55 | |
..to go down like that. | 0:08:57 | 0:08:59 | |
-He eats paleo. -Yeah. | 0:08:59 | 0:09:00 | |
You know, he's really healthy, thought he'd have a long life, | 0:09:00 | 0:09:03 | |
-and then... -All of those things happen to him. | 0:09:03 | 0:09:05 | |
He's a curious contradiction, though, cos he doesn't | 0:09:05 | 0:09:08 | |
look after his appearance enough to remove a sword from his head. | 0:09:08 | 0:09:11 | |
No. | 0:09:11 | 0:09:13 | |
But he does buy his underwear in Agent Provocateur. | 0:09:13 | 0:09:15 | |
Yeah. | 0:09:15 | 0:09:16 | |
They're quite snug. | 0:09:17 | 0:09:19 | |
They are on the tight side, aren't they? | 0:09:19 | 0:09:21 | |
Yeah. Ironically, that's the most pain he's in. | 0:09:21 | 0:09:23 | |
It's time for a round of that evergreen parlour game favourite... | 0:09:27 | 0:09:31 | |
OK, let's have a look at our skeletons. | 0:09:35 | 0:09:39 | |
And who's going to start with number one, | 0:09:39 | 0:09:42 | |
and be specific, please? | 0:09:42 | 0:09:44 | |
Its teeth haven't come through. | 0:09:44 | 0:09:46 | |
You're absolutely right, it's a child, | 0:09:46 | 0:09:47 | |
because you can actually see the adult teeth waiting to... | 0:09:47 | 0:09:51 | |
Oh, no, it's not that cute kid! | 0:09:51 | 0:09:53 | |
It's not that child, is it? | 0:09:53 | 0:09:54 | |
No, it's not that child, OK? | 0:09:54 | 0:09:56 | |
It's another child that we don't care about! | 0:09:56 | 0:09:59 | |
But that, that poor kid is a model, | 0:10:00 | 0:10:02 | |
and then his parents might be just flicking through the TV | 0:10:02 | 0:10:05 | |
and they're like, "Argh!" | 0:10:05 | 0:10:07 | |
This looks like you've spun the world's worst fruit machine. | 0:10:07 | 0:10:10 | |
APPLAUSE | 0:10:13 | 0:10:15 | |
You can see the teeth waiting to come through there. | 0:10:18 | 0:10:21 | |
So the process of the old teeth being pushed out | 0:10:21 | 0:10:23 | |
is called exfoliation. | 0:10:23 | 0:10:24 | |
We moved house recently, and behind the U-bend under the sink, | 0:10:24 | 0:10:27 | |
we found this tobacco tin full of children's teeth. | 0:10:27 | 0:10:31 | |
-Oh, my God. -Yeah, yeah. | 0:10:31 | 0:10:32 | |
-Is that where the Tooth Fairy puts them? -Yes! | 0:10:32 | 0:10:35 | |
And I didn't know what we should do with them, and I felt really bad, | 0:10:35 | 0:10:38 | |
cos they were obviously the people who lived in the house before us, | 0:10:38 | 0:10:41 | |
and it's like a family heirloom. | 0:10:41 | 0:10:42 | |
So I asked our neighbour if they had a forwarding address for them, | 0:10:42 | 0:10:45 | |
and they were like, "Yeah, sure." And I... | 0:10:45 | 0:10:47 | |
I sent it to them, and I felt really good about myself, | 0:10:48 | 0:10:51 | |
and then I was talking to my other neighbour, | 0:10:51 | 0:10:53 | |
and she said, "That's so weird, cos they didn't have children." | 0:10:53 | 0:10:56 | |
LAUGHTER AND APPLAUSE | 0:10:58 | 0:11:00 | |
Oh, my God. | 0:11:00 | 0:11:01 | |
So I just sent a complete stranger a tin of children's teeth. | 0:11:01 | 0:11:05 | |
Right, moving on... | 0:11:07 | 0:11:09 | |
This is absolutely true. | 0:11:11 | 0:11:13 | |
I'm the only person I know who has a mark on their hand | 0:11:13 | 0:11:16 | |
from setting fire to a condom. | 0:11:16 | 0:11:18 | |
Yeah, don't do this, OK. | 0:11:18 | 0:11:20 | |
I was making a retractable knife for a play at university, | 0:11:20 | 0:11:22 | |
and I had conceived the idea that a condom inside the mechanism | 0:11:22 | 0:11:26 | |
would stop it making a sort of clunking noise. | 0:11:26 | 0:11:28 | |
Anyway, it didn't. And I didn't know then that condoms | 0:11:28 | 0:11:31 | |
come in packs of five, but I'd used one, so I thought, | 0:11:31 | 0:11:33 | |
"Well, I can't even make a glove for washing-up, | 0:11:33 | 0:11:35 | |
"so what shall I do with the other four?" | 0:11:35 | 0:11:38 | |
And I didn't want people to find them in my room. | 0:11:38 | 0:11:40 | |
So I thought, "Well, I'll set fire to it." | 0:11:40 | 0:11:42 | |
So I got a match and I held the condom like this, | 0:11:42 | 0:11:44 | |
and if you set fire to the end of a condom, the tight bit at the end, | 0:11:44 | 0:11:47 | |
it separates itself from the rest of the condom, | 0:11:47 | 0:11:49 | |
flies in a little arc and embeds itself in your hand. | 0:11:49 | 0:11:51 | |
I'm just warning you now. | 0:11:51 | 0:11:53 | |
Why didn't you just put them in the bin, Sandi? | 0:11:53 | 0:11:56 | |
Stuff them in a chicken, that's what I'd do. | 0:11:57 | 0:11:59 | |
Stuff them in a chicken?! | 0:11:59 | 0:12:00 | |
What, one that's just walking past? | 0:12:02 | 0:12:04 | |
-Good hiding place for stuff, isn't it, chickens? -Chickens? | 0:12:06 | 0:12:09 | |
I'd stuff the chicken in it and use it as a nice roasting bag. | 0:12:09 | 0:12:12 | |
Keep the juices in, | 0:12:13 | 0:12:14 | |
they're definitely not going to escape at the end. | 0:12:14 | 0:12:17 | |
But at some point, the end of the condom's going to separate | 0:12:17 | 0:12:19 | |
and burst itself through the oven door. | 0:12:19 | 0:12:21 | |
And that's how you know the chicken's ready! | 0:12:21 | 0:12:23 | |
APPLAUSE | 0:12:23 | 0:12:25 | |
What we're going to do now is we're going to test out | 0:12:28 | 0:12:31 | |
how a dog does on sniffing things out. | 0:12:31 | 0:12:33 | |
I have here some contraband, | 0:12:33 | 0:12:34 | |
which I am going to give to you, Alan. | 0:12:34 | 0:12:37 | |
-OK. -And what I would like you to do is put it in your pocket. | 0:12:37 | 0:12:40 | |
-Put it in my... -And go and hide in the audience. | 0:12:40 | 0:12:43 | |
Go and hide in Croydon. | 0:12:43 | 0:12:44 | |
So the audience have got special masks to put on, | 0:12:46 | 0:12:49 | |
so if they could put, those who've got masks could put them on. | 0:12:49 | 0:12:52 | |
-Oh, my God! -It's terrifying. | 0:12:52 | 0:12:54 | |
-Argh, it's like a sea of... It's awful. -It's completely terrifying! | 0:12:54 | 0:12:57 | |
-Oh, God! -Now this is a very special episode of Jonathan Creek. | 0:12:59 | 0:13:02 | |
-There you go. -I never thought I'd be involved | 0:13:04 | 0:13:06 | |
in a live game of Where's Wally. | 0:13:06 | 0:13:07 | |
OK. We now welcome, please, to the studio, from the RAF Police, | 0:13:11 | 0:13:13 | |
Corporal Sam Robson Rodriguez and Rex. | 0:13:13 | 0:13:16 | |
Sam, thank you so much for coming in | 0:13:26 | 0:13:28 | |
and supplying us with the dummy contraband. | 0:13:28 | 0:13:30 | |
Tell me about Rex, and what his job is? | 0:13:30 | 0:13:33 | |
Well, Rex is a five-year-old black lab. | 0:13:33 | 0:13:35 | |
His main job is to search for drugs, | 0:13:35 | 0:13:37 | |
anywhere we want to put him, basically. | 0:13:37 | 0:13:39 | |
And how's he trained? How do you make him be able to do that? | 0:13:39 | 0:13:42 | |
Well, we start searching for, like, their toys, | 0:13:42 | 0:13:44 | |
and then we just associate the toys with the drugs. | 0:13:44 | 0:13:46 | |
Then, in their head, they'll think they're searching for their toy, | 0:13:46 | 0:13:49 | |
whereas in fact we want them to search for drugs. | 0:13:49 | 0:13:51 | |
And how many scents can Rex recognise, do you think? | 0:13:51 | 0:13:53 | |
He's trained in all the main scents, | 0:13:53 | 0:13:55 | |
and basically anything that you can make out of that. | 0:13:55 | 0:13:57 | |
-So he looks keen to get going. -He does. | 0:13:57 | 0:13:59 | |
Right, Sam, please, over to you, my lovely. | 0:13:59 | 0:14:00 | |
Yeah, thank you very much. | 0:14:00 | 0:14:02 | |
-Rex. Come here. -I do hope nobody in the audience has got anything. | 0:14:04 | 0:14:08 | |
LAUGHTER | 0:14:08 | 0:14:09 | |
Do you know what? I really hope somebody does. | 0:14:10 | 0:14:13 | |
That would be...wouldn't that just be the best bit of telly ever, | 0:14:13 | 0:14:16 | |
if you just...if he dragged someone to the floor and just, | 0:14:16 | 0:14:19 | |
just dragged them out? | 0:14:19 | 0:14:21 | |
A live drug bust on QI. | 0:14:21 | 0:14:23 | |
He's so far ignoring everybody. | 0:14:24 | 0:14:26 | |
So that's good for that side. | 0:14:26 | 0:14:28 | |
How will he...how will he show, if he knows? | 0:14:30 | 0:14:33 | |
They have either a stand indication or a sit indication. | 0:14:34 | 0:14:36 | |
Oh. Is he sniffing your crotch, Alan? | 0:14:36 | 0:14:39 | |
-Is it in your left pocket? -Oh, my God! | 0:14:41 | 0:14:43 | |
Let's have a round of applause, please, for Rex and Sam. | 0:14:43 | 0:14:46 | |
Sam and Rex, very good, thank you very much. | 0:14:52 | 0:14:54 | |
When is it cool to wet your pants? | 0:14:58 | 0:15:00 | |
Is it when it's, like, in a hot situation? | 0:15:02 | 0:15:04 | |
Obviously, we're going to be, yes, somewhere hot. | 0:15:04 | 0:15:06 | |
Is it to do with jellyfish, you know, when you have to pee on a...? | 0:15:06 | 0:15:09 | |
-Cos my daughter got stung by a jellyfish in South Africa. -Right. | 0:15:09 | 0:15:12 | |
And she was crying, really upset, and so I pulled my tankini, | 0:15:12 | 0:15:15 | |
which is what older women wear instead of a bikini, | 0:15:15 | 0:15:18 | |
I pulled it to the side to pee, | 0:15:18 | 0:15:20 | |
and the sight of my pulled-to-the-side gusset | 0:15:20 | 0:15:22 | |
-fully stopped her crying. -Yes, I would imagine. | 0:15:22 | 0:15:25 | |
It worked really well. | 0:15:25 | 0:15:27 | |
-And she begged me not to pee on the sting. -No. -Is it to do...? No? | 0:15:27 | 0:15:29 | |
Does she still have dreams about this? | 0:15:29 | 0:15:31 | |
She does, yeah, and, you know, we're working on it. | 0:15:31 | 0:15:33 | |
-It's best. OK. -We're working it through. | 0:15:33 | 0:15:35 | |
I think we're all going to have dreams about it, aren't we? | 0:15:35 | 0:15:37 | |
Now, name an endangered mammal that eats bamboo. | 0:15:39 | 0:15:43 | |
-BOTH: -Panda! | 0:15:44 | 0:15:45 | |
SIREN | 0:15:45 | 0:15:47 | |
Hey! | 0:15:47 | 0:15:49 | |
Not so, why? | 0:15:50 | 0:15:51 | |
-Bill, any idea? -Well, they're not that endangered. | 0:15:51 | 0:15:55 | |
They're no longer endangered. | 0:15:55 | 0:15:56 | |
Oh, they're all over the place. | 0:15:56 | 0:15:58 | |
-They're vulnerable. -You can't go in any shopping centre in London | 0:15:58 | 0:16:01 | |
without them taking up all the seats. | 0:16:01 | 0:16:03 | |
-Yeah. -Elephants eat bamboo, is there a right answer? | 0:16:03 | 0:16:05 | |
There is a right answer, but it isn't panda, | 0:16:05 | 0:16:07 | |
because they are no longer designated as endangered. | 0:16:07 | 0:16:10 | |
-Tree sloths. -It's a golden bamboo...? | 0:16:10 | 0:16:13 | |
-..eater. -..lemur. | 0:16:13 | 0:16:14 | |
-There, look, how cute is that? -Aww. | 0:16:14 | 0:16:16 | |
Look at his little face! | 0:16:16 | 0:16:18 | |
-Aah, look, cute. -And then a bird of prey! | 0:16:18 | 0:16:20 | |
HE SCREECHES | 0:16:22 | 0:16:23 | |
There's only the two of us left now! | 0:16:25 | 0:16:27 | |
Phone the World Wildlife Fund. Stop eating the bamboo! | 0:16:27 | 0:16:30 | |
That's why they see us! | 0:16:30 | 0:16:32 | |
We're making the same mistakes again and again and again! | 0:16:39 | 0:16:42 | |
We need to adapt to new habitats! | 0:16:42 | 0:16:44 | |
Shut up, I'm eating all the bamboo before the bird comes back! | 0:16:45 | 0:16:48 | |
I love bamboo, I bloody love it! | 0:16:49 | 0:16:51 | |
You can do so much with it. You can grill it, you can fry it. | 0:16:51 | 0:16:54 | |
You can chop it up and... | 0:16:54 | 0:16:57 | |
You can make scaffolding out of it, for building a lemur house. | 0:16:57 | 0:17:00 | |
It's a very flexible plant, everyone knows that! | 0:17:00 | 0:17:03 | |
You can make a xylophone out of it, for God's sake! | 0:17:03 | 0:17:05 | |
There's loads of it, why are we dying out?! | 0:17:05 | 0:17:07 | |
-We should be thriving. -We're not having enough sex. | 0:17:08 | 0:17:11 | |
No. | 0:17:11 | 0:17:13 | |
It doesn't really look like bamboo, though, | 0:17:13 | 0:17:14 | |
I mean, it looks like he's crimping the end of a joint. | 0:17:14 | 0:17:17 | |
"Yeah, let's crimp it, here we are, that's that. | 0:17:21 | 0:17:23 | |
"Right, OK, come on everyone." | 0:17:23 | 0:17:25 | |
-The Camberwell Carrot. -Yeah. | 0:17:26 | 0:17:28 | |
Now, you'll need to sort the sheep from the goats. | 0:17:31 | 0:17:34 | |
So let's play... | 0:17:34 | 0:17:36 | |
This has really dumbed down, hasn't it? | 0:17:43 | 0:17:45 | |
-I like it, I like it. -This show used to be something. I mean... | 0:17:48 | 0:17:50 | |
What is the difference between a sheep and a goat? | 0:17:50 | 0:17:53 | |
I think it's something that they do, rather than what they look like. | 0:17:53 | 0:17:57 | |
The simplest way to tell them apart is that goats' tails point upwards. | 0:17:57 | 0:18:01 | |
That is the easiest way. | 0:18:01 | 0:18:02 | |
It's almost like they're asking for it. | 0:18:02 | 0:18:04 | |
Don't listen to him, he's a bad man! | 0:18:07 | 0:18:09 | |
-That is a kind of... -That's why they have the horns, right? | 0:18:09 | 0:18:12 | |
-That's the whole point of the horns. -Yeah. | 0:18:12 | 0:18:14 | |
Don't listen to him, either! | 0:18:14 | 0:18:15 | |
They're both terrible men. | 0:18:15 | 0:18:17 | |
So sorry. | 0:18:18 | 0:18:20 | |
So another clear distinction is kind of a martial arts style. | 0:18:20 | 0:18:23 | |
So rams back up and charge in order to butt heads, | 0:18:23 | 0:18:27 | |
whereas billies will rear up. Look at that, that's fantastic. | 0:18:27 | 0:18:29 | |
They'll rear up on their hind legs and try and nut their opponent there. | 0:18:29 | 0:18:32 | |
-Oh, OK. -And when the two species fight each other, | 0:18:32 | 0:18:35 | |
the ram style gives an advantage, cos he hits the billy in the middle, | 0:18:35 | 0:18:38 | |
-amidships, there. -But also, another difference between them is, | 0:18:38 | 0:18:41 | |
they look different. | 0:18:41 | 0:18:43 | |
They look different. Spelt differently. | 0:18:45 | 0:18:49 | |
Tails. | 0:18:49 | 0:18:50 | |
-They have different names. -Different names. | 0:18:50 | 0:18:52 | |
OK. Let's find out whether you're right, | 0:18:52 | 0:18:55 | |
whether it is in fact cos they look different, as we play, | 0:18:55 | 0:18:58 | |
Sorting The Sheep From The Goats! | 0:18:58 | 0:19:00 | |
I'm telling you, Jimmy, you're going to be hosting this | 0:19:07 | 0:19:10 | |
before long. This quiz show. | 0:19:10 | 0:19:11 | |
OK, here we go, first picture. | 0:19:11 | 0:19:14 | |
-Goat. -Sheep, sheep. | 0:19:14 | 0:19:15 | |
SIREN | 0:19:15 | 0:19:17 | |
In your face! | 0:19:18 | 0:19:19 | |
You had it, it's a sheep. | 0:19:19 | 0:19:21 | |
The giveaway is the long, floppy ears there. | 0:19:21 | 0:19:23 | |
That's definitely a sheep. OK. | 0:19:23 | 0:19:24 | |
-And the fact that it's a sheep. -All right. | 0:19:24 | 0:19:26 | |
Next one. | 0:19:26 | 0:19:28 | |
-Ah... -Oh. -Sheep. | 0:19:28 | 0:19:30 | |
SIREN | 0:19:30 | 0:19:31 | |
It looks it. | 0:19:31 | 0:19:32 | |
Ha-ha, ha-ha! | 0:19:32 | 0:19:34 | |
Colin, say the opposite of what it looks like, I think that's the game. | 0:19:34 | 0:19:39 | |
-Say the opposite. -A dog. | 0:19:39 | 0:19:40 | |
It's an angora goat. | 0:19:40 | 0:19:42 | |
Next one. What are going for? | 0:19:42 | 0:19:44 | |
I'm saying sheep, cos it looks like a goat. | 0:19:44 | 0:19:46 | |
OK, the main reason we know it's a sheep is cos the tail is down. | 0:19:46 | 0:19:48 | |
-Tail's down! -Oh! | 0:19:48 | 0:19:50 | |
OK. Next one. What do we reckon about this one? | 0:19:50 | 0:19:54 | |
-Pig sheep. -It is a pig. | 0:19:57 | 0:19:59 | |
It's a curly-coated Mangalitza from Austria or the borders of Hungary. | 0:19:59 | 0:20:03 | |
Actually, the really extraordinary thing was, | 0:20:03 | 0:20:05 | |
I talked about sheep's tails hanging down, | 0:20:05 | 0:20:07 | |
so about a quarter of the world's sheep | 0:20:07 | 0:20:09 | |
are what they call fat-tailed varieties. | 0:20:09 | 0:20:11 | |
They store fat in their tails. | 0:20:11 | 0:20:13 | |
-Whoa! -They've got booties. -Yeah, just like a camel stores fat. | 0:20:13 | 0:20:16 | |
Can we show that? | 0:20:16 | 0:20:18 | |
What should I do if I spill red wine on the tablecloth? | 0:20:22 | 0:20:25 | |
So, gentlemen, | 0:20:25 | 0:20:26 | |
I'm going to give you a tablecloth | 0:20:26 | 0:20:28 | |
and you've got some wine between you. | 0:20:28 | 0:20:31 | |
Wine, yes. Wine, lovely wine. | 0:20:31 | 0:20:33 | |
All right, there we go. | 0:20:33 | 0:20:35 | |
If you think any of it's going on the tablecloth, | 0:20:35 | 0:20:37 | |
you are sadly mistaken. | 0:20:37 | 0:20:39 | |
A merry, merry, merry Christmas to you all. | 0:20:41 | 0:20:44 | |
I've had drinks with you before, and I suspect I am not mistaken. | 0:20:44 | 0:20:47 | |
LAUGHTER AND APPLAUSE | 0:20:47 | 0:20:49 | |
-OK, so... -Pouring the red on. | 0:20:51 | 0:20:53 | |
-Do a bit of red on. -A little bit of red on there. | 0:20:53 | 0:20:55 | |
OK. Now, what would you do about that? | 0:20:55 | 0:20:56 | |
-I've gone, "Ooh, my tablecloth!" What are you going to do? -Oh! | 0:20:56 | 0:20:59 | |
-Get me some white wine, get some white wine. -White. | 0:20:59 | 0:21:01 | |
SIREN | 0:21:01 | 0:21:03 | |
-Can we try it, at least? -You can give it a go, yeah. | 0:21:04 | 0:21:07 | |
I mean, it's a bit unfair to give us white wine and then have a go at us | 0:21:07 | 0:21:10 | |
-for mentioning it, but... -Yeah. OK, have a go. | 0:21:10 | 0:21:12 | |
-So... -It's gone, it's gone! -Yes. | 0:21:15 | 0:21:17 | |
So, it will dilute the stain, | 0:21:18 | 0:21:21 | |
but it contains complex sugars. | 0:21:21 | 0:21:22 | |
It's perfectly possible that the white wine will discolour the cloth. | 0:21:22 | 0:21:25 | |
So you two, you've got a bit of carpet that you've spilled yours on. | 0:21:25 | 0:21:29 | |
I have seen that work, though. | 0:21:29 | 0:21:31 | |
-Spill a bit of red. -Shall I spill it? | 0:21:31 | 0:21:32 | |
Yeah, go on. It's Liberty Hall. | 0:21:32 | 0:21:35 | |
-There we go. -Oh, God. | 0:21:35 | 0:21:36 | |
Red on the carpet... Wow, you just went crazy! | 0:21:36 | 0:21:38 | |
You assumed that you were doing just the one experiment did you, Holly? | 0:21:40 | 0:21:43 | |
And you were going to get it right first time out of the gate? | 0:21:43 | 0:21:46 | |
-Right, Jason, what are you going to do? -I've got all sorts here, so... | 0:21:46 | 0:21:49 | |
-OK, go, yes. -I think there's some, is that soda water? | 0:21:49 | 0:21:51 | |
-Yes. That's... -Is it water? -Yes. -Maybe a bit of salt? | 0:21:51 | 0:21:55 | |
OK, you were doing... | 0:21:55 | 0:21:56 | |
SIREN | 0:21:56 | 0:21:58 | |
-Not salt? -Not salt. | 0:21:58 | 0:22:00 | |
Salt will absorb the wine initially, but it's also a fixative. | 0:22:00 | 0:22:03 | |
So unless you manage to get all the salt out, it's possible | 0:22:03 | 0:22:05 | |
that what you're actually doing is making the stain permanent. | 0:22:05 | 0:22:08 | |
Well, this is...this is doing a good job. | 0:22:08 | 0:22:09 | |
-I mean, I'm getting... -So the tip is, blot it... | 0:22:09 | 0:22:12 | |
-I'd open the vinegar. -So, again, the vinegar, | 0:22:12 | 0:22:14 | |
frankly no better than water, and extremely expensive. | 0:22:14 | 0:22:16 | |
-What's this, then? -No better than water. | 0:22:16 | 0:22:18 | |
It's also acidic, so it's going to possibly discolour the cloth. | 0:22:18 | 0:22:22 | |
It's going through the desk! It's going through the desk! | 0:22:22 | 0:22:25 | |
Argh, it's like Alien! | 0:22:25 | 0:22:27 | |
So the tip is... | 0:22:27 | 0:22:29 | |
Get Ripley! | 0:22:29 | 0:22:30 | |
-The tip is to... Oh, no. -Sorry, I splashed you. | 0:22:30 | 0:22:33 | |
Well, that's put that fire out. | 0:22:43 | 0:22:46 | |
-That didn't work, Sandi. -That didn't work, no. | 0:22:46 | 0:22:48 | |
What you need to do is blot it with kitchen paper. | 0:22:48 | 0:22:51 | |
I was going to take this notebook home. | 0:22:51 | 0:22:53 | |
Well, that's sorted that out, that's... | 0:22:59 | 0:23:00 | |
What did the Nazis call this? | 0:23:03 | 0:23:05 | |
Um... | 0:23:07 | 0:23:08 | |
Aaah... | 0:23:09 | 0:23:11 | |
Aah. Who's going to go for it? | 0:23:11 | 0:23:13 | |
-Stephen? -The future! | 0:23:13 | 0:23:14 | |
LAUGHTER AND APPLAUSE | 0:23:14 | 0:23:16 | |
Not, I'm told they didn't call it a swastika? | 0:23:23 | 0:23:25 | |
They did not call it the swastika. They called it the Hakenkreuz. | 0:23:25 | 0:23:28 | |
It's the German for "hooked cross", | 0:23:28 | 0:23:30 | |
and in Germany, in fact, it's still referred to, | 0:23:30 | 0:23:32 | |
except when discussing it in a neo-Nazi context, | 0:23:32 | 0:23:35 | |
in which case it's called the swastika. | 0:23:35 | 0:23:36 | |
But Hitler was mad for it. | 0:23:36 | 0:23:37 | |
And after his party adopted the swastika, | 0:23:37 | 0:23:39 | |
he actually changed his signature to S Hitler, | 0:23:39 | 0:23:42 | |
because the shape of the S mimicked, there, you can see there, | 0:23:42 | 0:23:45 | |
-it mimicked the shape of the swastika. -"Sadolf." | 0:23:45 | 0:23:47 | |
Yes, Sadolf. | 0:23:47 | 0:23:49 | |
Sadolf Shitler. | 0:23:50 | 0:23:52 | |
LAUGHTER AND APPLAUSE | 0:23:53 | 0:23:57 | |
Do you know what? I've never seen it. | 0:23:59 | 0:24:01 | |
Oh, Josh! | 0:24:01 | 0:24:03 | |
Oh, really, never? | 0:24:03 | 0:24:05 | |
You've never seen the...? | 0:24:05 | 0:24:06 | |
# You are 16, going on 17. # | 0:24:06 | 0:24:09 | |
Yeah, it's like that, but with a tune. And... | 0:24:09 | 0:24:11 | |
LAUGHTER AND APPLAUSE | 0:24:11 | 0:24:14 | |
-Do you know, I was once lucky enough to meet Julie Andrews. -Oh, wow. | 0:24:18 | 0:24:21 | |
It's the only time in my entire life I've been completely speechless. | 0:24:21 | 0:24:24 | |
Cos she wouldn't shut up? | 0:24:24 | 0:24:25 | |
She just kept asking me what my favourite things were, it was very annoying. | 0:24:25 | 0:24:29 | |
-I'm not laughing, cos I don't know... -Do you like string? | 0:24:33 | 0:24:35 | |
Do you like 'em tied up with string? | 0:24:35 | 0:24:37 | |
I bet you do, girl, I bet you do! | 0:24:37 | 0:24:40 | |
What's a deer, what's a female deer? Come on! | 0:24:40 | 0:24:42 | |
Oh, Julie, leave me alone! | 0:24:42 | 0:24:45 | |
I'll get the puppets out, I'll get the puppets out. | 0:24:47 | 0:24:49 | |
Do you want to see the goatherd? | 0:24:49 | 0:24:51 | |
-FALSETTO: -# High on the hill. # It wasn't me singing! | 0:24:52 | 0:24:55 | |
# High on the hill. # | 0:24:55 | 0:24:57 | |
I'm Maria, I'll be back with you, I'm Maria. | 0:24:58 | 0:25:00 | |
What's up, Julie? God! | 0:25:02 | 0:25:04 | |
APPLAUSE | 0:25:04 | 0:25:06 | |
I'll be honest, I understood none of that. | 0:25:12 | 0:25:15 | |
If you were on the moon and you jumped off... | 0:25:18 | 0:25:20 | |
-Yes? -Would you land on the Earth? | 0:25:20 | 0:25:22 | |
Hold on, hold on, what are you doing on the moon, anyway? | 0:25:23 | 0:25:26 | |
-Well, I don't know, maybe... -Have you been left behind by a spacecraft? | 0:25:26 | 0:25:29 | |
Yeah. You got an Uber and it went horribly wrong. | 0:25:29 | 0:25:31 | |
It depends which side you're on. | 0:25:31 | 0:25:32 | |
I just think, if you jumped off the moon, you would just fall, | 0:25:34 | 0:25:36 | |
-and you'd land on Earth. -Yeah. I don't think you'd be in a great state. | 0:25:36 | 0:25:39 | |
I mean, I think you'd be like Wound Man, | 0:25:39 | 0:25:41 | |
-by the time you got down. -Yeah, you would. | 0:25:41 | 0:25:43 | |
They know about space. This is my problem with the sea. | 0:25:43 | 0:25:45 | |
-Right. -They can tell us all kinds of things about planets and space | 0:25:45 | 0:25:48 | |
and other galaxies, they've been to the moon, allegedly, but they've... | 0:25:48 | 0:25:51 | |
LAUGHTER | 0:25:51 | 0:25:53 | |
..not been to the bottom of the sea. | 0:25:53 | 0:25:55 | |
-I've been to the bottom of the sea, in part of it. -Have you? -Yes. | 0:25:55 | 0:25:58 | |
-What's down there? -My feet. | 0:25:58 | 0:26:00 | |
The fact is, nobody knows for sure | 0:26:05 | 0:26:07 | |
how to separate the sardines from the pilchards. | 0:26:07 | 0:26:11 | |
OK, in theory, how fast can this boat sail? | 0:26:11 | 0:26:15 | |
OK. Oh, the jib's broken. | 0:26:15 | 0:26:17 | |
Oh hang on a minute. Wait, wait, wait. | 0:26:17 | 0:26:19 | |
-Oh, there we are. OK. Do it again. -Is it depending on the wind? | 0:26:19 | 0:26:22 | |
Yes, one moment, hold that thought and I'll do it again. | 0:26:22 | 0:26:24 | |
OK, nobody knows for sure | 0:26:24 | 0:26:26 | |
how to separate the sardines from the pilchards. | 0:26:26 | 0:26:28 | |
In theory, how fast...? | 0:26:28 | 0:26:30 | |
Something about wind! | 0:26:30 | 0:26:31 | |
LAUGHTER AND APPLAUSE | 0:26:31 | 0:26:34 | |
Oh, how unusual, a boy who came before I was ready. | 0:26:39 | 0:26:42 | |
LAUGHTER AND APPLAUSE | 0:26:42 | 0:26:45 | |
-Sorry. -Sorry, sorry. -Sorry. | 0:26:52 | 0:26:54 | |
-Put your glasses on. -Sorry, it's happened again, sorry. -Back to square one. | 0:26:56 | 0:26:59 | |
-I'll see you tomorrow, same time. -See you tomorrow, bloody... | 0:26:59 | 0:27:01 | |
I'm going to do it again. | 0:27:06 | 0:27:08 | |
OK, baby! | 0:27:09 | 0:27:11 | |
LAUGHTER AND APPLAUSE | 0:27:11 | 0:27:14 | |
Well, you know what to do, don't you? | 0:27:16 | 0:27:18 | |
I'm ready, ready. Come on. | 0:27:20 | 0:27:22 | |
On and on and... | 0:27:22 | 0:27:24 | |
-Just in an hour. -Right. OK, here we go. | 0:27:24 | 0:27:26 | |
All right, then, I'm ready, I'm ready, baby. | 0:27:26 | 0:27:30 | |
Say the words, lady. | 0:27:30 | 0:27:33 | |
Bill, shut the fuck up! | 0:27:33 | 0:27:35 | |
LAUGHTER | 0:27:35 | 0:27:36 | |
CHEERING AND APPLAUSE | 0:27:36 | 0:27:38 | |
Claudia, I'm going to bring out a yacht. | 0:27:43 | 0:27:45 | |
I'm excited about it. | 0:27:45 | 0:27:46 | |
And you're going to say, "Is it something to do with the wind?" | 0:27:46 | 0:27:49 | |
I want to do it! | 0:27:49 | 0:27:51 | |
-I'm doing it! -OK. -Go ahead. -Shush! Put your wine away, | 0:27:53 | 0:27:55 | |
put your wine away. | 0:27:55 | 0:27:57 | |
God, it's bloody, it's just like being at school. | 0:27:57 | 0:28:00 | |
"Put your wine away." | 0:28:00 | 0:28:02 | |
LAUGHTER AND APPLAUSE | 0:28:02 | 0:28:04 | |
-Take your blindfold off. -Yeah. Shut up, put your wine away. | 0:28:05 | 0:28:08 | |
Shut up, put your wine away! God! I'll tell you what... | 0:28:08 | 0:28:11 | |
-Happiest days of our lives. -Bloody hell! | 0:28:11 | 0:28:13 | |
Bovington Gurney Primary was a rough school of hard knocks, | 0:28:13 | 0:28:16 | |
I'm telling you. | 0:28:16 | 0:28:18 | |
"Here, Bailey, put your wine away and shut the fuck up!" | 0:28:18 | 0:28:21 | |
Right. Quiet! | 0:28:24 | 0:28:26 | |
Here we go. Nobody knows for sure | 0:28:30 | 0:28:32 | |
how to separate the sardines from the pilchards. | 0:28:32 | 0:28:35 | |
In theory... | 0:28:35 | 0:28:36 | |
LAUGHTER | 0:28:36 | 0:28:38 | |
..how fast can this boat sail? | 0:28:38 | 0:28:40 | |
Claudia, what do you think? | 0:28:40 | 0:28:41 | |
Is it...? | 0:28:41 | 0:28:43 | |
-Has it got something to do with wind? -Yes! | 0:28:43 | 0:28:45 | |
LAUGHTER | 0:28:45 | 0:28:48 | |
CHEERING AND APPLAUSE | 0:28:48 | 0:28:52 | |
LAUGHTER | 0:28:52 | 0:28:56 |