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CHEERING AND APPLAUSE | 0:00:23 | 0:00:27 | |
Good evening and welcome to QI, | 0:00:34 | 0:00:37 | |
where tonight we'll be suffering all things odorous and odious. | 0:00:37 | 0:00:41 | |
And joining me on our olfactory odyssey are | 0:00:41 | 0:00:45 | |
the fragrant Nish Kumar... | 0:00:45 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
..the aromatic Sally Phillips... | 0:00:51 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:56 | |
..the musky Ross Noble... | 0:00:59 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:05 | |
..and... SHE SNIFFS | 0:01:05 | 0:01:09 | |
..the unmistakable essence of Alan Davies. | 0:01:09 | 0:01:12 | |
CHEERING AND APPLAUSE | 0:01:12 | 0:01:15 | |
And their buzzers are particularly odorous. Sally goes... | 0:01:19 | 0:01:22 | |
# You've got to stop | 0:01:22 | 0:01:25 | |
# And smell the roses. # | 0:01:25 | 0:01:27 | |
Oh, I love that. Nish goes... | 0:01:27 | 0:01:31 | |
# Oh, I think I smell a rat | 0:01:33 | 0:01:36 | |
# Oh, I think I smell a rat. # | 0:01:36 | 0:01:38 | |
Oh, I wanted more of that. Ross goes... | 0:01:40 | 0:01:42 | |
# I can smell it, baby | 0:01:42 | 0:01:46 | |
# Can you smell it too? # | 0:01:46 | 0:01:49 | |
Drinks half price. And Alan goes... | 0:01:51 | 0:01:54 | |
FART | 0:01:54 | 0:01:56 | |
LAUGHTER AND APPLAUSE | 0:01:56 | 0:01:59 | |
-Now... -Even on a show as high-brow as this... -I know. | 0:02:03 | 0:02:07 | |
..that is still funny. | 0:02:07 | 0:02:08 | |
The whole show is about smell, OK, so I've got these - | 0:02:10 | 0:02:12 | |
scratch-and-sniff stickers that they often give out in schools | 0:02:12 | 0:02:16 | |
for good work. | 0:02:16 | 0:02:17 | |
So I've got strawberry, lemon meringue and grape, | 0:02:17 | 0:02:20 | |
and if you do good work and are particularly clever, | 0:02:20 | 0:02:23 | |
-you could have a scratch-and-sniff sticker, OK? -Ooh! | 0:02:23 | 0:02:25 | |
So which would you want to go for - strawberry, lemon or grape? | 0:02:25 | 0:02:28 | |
I've got a cold, I can't smell anything at the moment, | 0:02:28 | 0:02:30 | |
so, really, I'm easy. | 0:02:30 | 0:02:31 | |
You're lucky cos you're next to Ross - it's the best thing. | 0:02:31 | 0:02:34 | |
How dare you! These pants were fresh on last week. | 0:02:35 | 0:02:38 | |
I don't think, Sally... Can I just say, no woman should ever say, | 0:02:39 | 0:02:41 | |
"I can't smell anything, I'm easy." I don't think that's... | 0:02:41 | 0:02:45 | |
Every man's dream is a woman with no sense of smell! | 0:02:45 | 0:02:48 | |
OK, let's start with some smells. | 0:02:49 | 0:02:50 | |
What scent should you wear to attract a cougar? | 0:02:50 | 0:02:54 | |
Oooh! | 0:02:54 | 0:02:56 | |
There's a double meaning at work here. | 0:02:56 | 0:02:58 | |
-Ah, you know me well... -You see... -Yes. | 0:02:58 | 0:03:01 | |
-the...the vampy older lady... -Yes. -Bonjour. -..the cougar. | 0:03:01 | 0:03:05 | |
Hi. An excellent example. | 0:03:05 | 0:03:08 | |
You're calling Sally old? | 0:03:08 | 0:03:10 | |
I'm fine with that. Easy, no sense of smell... | 0:03:11 | 0:03:14 | |
It's a hell of a Tinder profile. | 0:03:15 | 0:03:17 | |
Are you swiping left or right at the moment, Nish? | 0:03:19 | 0:03:21 | |
100% left. | 0:03:21 | 0:03:23 | |
I don't even know what I just asked you. Um... | 0:03:23 | 0:03:25 | |
Well, in 2003, the Wildlife Conservation Society tested | 0:03:28 | 0:03:30 | |
a variety of scents to see which ones big cats find attractive. | 0:03:30 | 0:03:35 | |
-Wow! -Now, why would they do this? | 0:03:35 | 0:03:38 | |
-Was it too busy in the perfume department of Boots? -Yeah. | 0:03:38 | 0:03:41 | |
Cos the thing about those women, you know in the make-up... | 0:03:41 | 0:03:44 | |
-They're terrifying. -..they've got those faces... -I know. | 0:03:44 | 0:03:46 | |
..and a wild cat can rip at their face and have no effect. | 0:03:46 | 0:03:49 | |
That's how deep the make-up is. | 0:03:51 | 0:03:54 | |
No, what it is, you want to lure the big cats in | 0:03:54 | 0:03:57 | |
towards camera traps for filming. | 0:03:57 | 0:03:59 | |
So they discovered that there's a clear winner - | 0:03:59 | 0:04:01 | |
Calvin Klein's Obsession kept big cats interested for 11 minutes. | 0:04:01 | 0:04:05 | |
Wow! Yeah. | 0:04:05 | 0:04:07 | |
By comparison, Nina Ricci's L'air du Temps, 10 minutes. | 0:04:07 | 0:04:11 | |
The effects of Revlon's Charlie, 15 and a half seconds. | 0:04:11 | 0:04:14 | |
-And some mild blistering. -Yeah! | 0:04:16 | 0:04:18 | |
I thought they attracted wild cats with... | 0:04:19 | 0:04:24 | |
piss...of other wild cats. | 0:04:24 | 0:04:27 | |
Well, that's a hell of a night out. | 0:04:27 | 0:04:30 | |
Grrr! | 0:04:31 | 0:04:32 | |
How did you come to think this? | 0:04:32 | 0:04:34 | |
I thought that they made ointments | 0:04:34 | 0:04:38 | |
of the urine of other... | 0:04:38 | 0:04:41 | |
of male... | 0:04:41 | 0:04:43 | |
Yeah, they do, but it's called Lynx. | 0:04:43 | 0:04:46 | |
LAUGHTER AND APPLAUSE | 0:04:46 | 0:04:50 | |
Right, we're going to play a game now. | 0:04:52 | 0:04:54 | |
-Time to play On The Scent. -Ooh. | 0:04:54 | 0:04:55 | |
SAMBA MUSIC | 0:04:55 | 0:04:58 | |
OK, I've got some descriptions of perfumes, | 0:04:58 | 0:05:00 | |
and I want you to guess which celebrity they come from, OK? | 0:05:00 | 0:05:04 | |
So, "Focused on the topic of decisiveness and persistence. | 0:05:04 | 0:05:08 | |
"Its composition is based on sophisticated shades of spices | 0:05:08 | 0:05:11 | |
"which are blended with citruses over a masculine, elegant heart | 0:05:11 | 0:05:15 | |
"and a woody, leathery base." | 0:05:15 | 0:05:16 | |
# Smell the roses... # | 0:05:16 | 0:05:19 | |
Is it David Beckham? | 0:05:19 | 0:05:20 | |
-It is! -What?! -Wow! | 0:05:20 | 0:05:22 | |
Unbelievable. | 0:05:22 | 0:05:24 | |
-Wait a minute... -It was the word "leathery". -Yeah! | 0:05:29 | 0:05:32 | |
-Grape, lemon or strawberry? -I'll have grape, please. -There you go. | 0:05:32 | 0:05:35 | |
-That was amazing. -Thank you. -That's amazing, the way you did it. | 0:05:35 | 0:05:37 | |
Do you smell that and you go... | 0:05:37 | 0:05:39 | |
-HE SNIFFS -.."Beckham's coming"? | 0:05:39 | 0:05:41 | |
You have to smell it. There's no point just putting it on you. | 0:05:41 | 0:05:44 | |
I can't smell anything - I've told you, I've got a cold. | 0:05:44 | 0:05:46 | |
I never thought I'd say this to a woman, just scratch it and sniff... | 0:05:46 | 0:05:49 | |
Ross can sniff it. | 0:05:49 | 0:05:50 | |
So, it's called Beyond Forever. | 0:05:51 | 0:05:53 | |
-I love it. -By David Beckham. | 0:05:53 | 0:05:56 | |
OK, here's the next one. Ready? | 0:05:56 | 0:05:58 | |
"The perfect accessory for the confident man determined to | 0:05:58 | 0:06:00 | |
"make his mark with passion, perseverance and drive. | 0:06:00 | 0:06:03 | |
"For those who aspire to create their own empire through personal | 0:06:03 | 0:06:07 | |
"achievement, this dynamic scent is both compelling | 0:06:07 | 0:06:09 | |
"and leaves a lasting impression. | 0:06:09 | 0:06:11 | |
"Bold notes..." | 0:06:11 | 0:06:12 | |
# ..smell it too... # Ross? | 0:06:12 | 0:06:14 | |
Is it Rory Bremner? | 0:06:14 | 0:06:16 | |
Rory could probably do this person, I would imagine. | 0:06:18 | 0:06:21 | |
-Donald Trump. -FART | 0:06:21 | 0:06:22 | |
Yes! Yes! | 0:06:22 | 0:06:24 | |
LAUGHTER AND APPLAUSE | 0:06:24 | 0:06:26 | |
I'm actually... | 0:06:29 | 0:06:31 | |
I'm very, very pleased to actually have a... | 0:06:31 | 0:06:33 | |
-FART -..a trump sound. | 0:06:33 | 0:06:35 | |
And it's called Empire, by Donald Trump. | 0:06:37 | 0:06:40 | |
-You wanted lemon meringue, didn't you? -Lemon meringue, yeah. | 0:06:40 | 0:06:42 | |
You want them with sunglasses, or without? | 0:06:42 | 0:06:44 | |
-There you go. I gave you sunglasses... -Thank you so much. | 0:06:44 | 0:06:47 | |
-..if that's OK. -I'm going to scratch quite hard. -Right. | 0:06:47 | 0:06:50 | |
Are you getting lemon meringue? | 0:06:51 | 0:06:53 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
Quite a lot on my finger. | 0:06:58 | 0:07:00 | |
No, hang on, that's not lemon... | 0:07:00 | 0:07:02 | |
Oh, you're doing your own jokes there. "Ugh!" | 0:07:05 | 0:07:09 | |
Right, last one. Uh... Ready? | 0:07:09 | 0:07:12 | |
"Bass notes on a leather, peat fire, highland mud, burned rubber | 0:07:12 | 0:07:16 | |
"and white truffle." | 0:07:16 | 0:07:17 | |
# ..smell a rat... # Yes, Nish? | 0:07:17 | 0:07:18 | |
Is it Ross?! | 0:07:18 | 0:07:20 | |
Have you not got your own perfume in the...? | 0:07:23 | 0:07:25 | |
I've released many scents... | 0:07:25 | 0:07:27 | |
..but...but not one that people would pay for. | 0:07:28 | 0:07:32 | |
I quite like the idea of a perfume called Noble Gas. | 0:07:32 | 0:07:35 | |
I think that's... | 0:07:35 | 0:07:36 | |
Oh, yeah. Yeah. | 0:07:36 | 0:07:38 | |
LAUGHTER AND APPLAUSE | 0:07:38 | 0:07:40 | |
OK... | 0:07:41 | 0:07:43 | |
I'm going to carry on with this one. | 0:07:44 | 0:07:46 | |
"Heart notes are sharp and tempting with cigar, heather, fir and rubber. | 0:07:46 | 0:07:50 | |
"Top notes complete the fragrance with fresh, spiced notes | 0:07:50 | 0:07:53 | |
"of bergamot, black pepper, pine and whisky." | 0:07:53 | 0:07:56 | |
# ..smell it too... # | 0:07:56 | 0:07:58 | |
David Dickinson? | 0:07:58 | 0:07:59 | |
It would have to say "creosote" if it was David Dickinson. | 0:08:01 | 0:08:05 | |
-It's a boy... -Is it George Clooney? | 0:08:05 | 0:08:07 | |
No, it's the best name for a perfume ever, I think. | 0:08:07 | 0:08:10 | |
It is Cumming, by Alan Cumming. | 0:08:10 | 0:08:12 | |
LAUGHTER | 0:08:12 | 0:08:16 | |
Now, what will the Apocalypse smell like? | 0:08:20 | 0:08:25 | |
Ooh... | 0:08:25 | 0:08:26 | |
-Well, there's four horses, so there's a start. -Yeah. | 0:08:26 | 0:08:29 | |
-A massive barbecue? -A barbecued horse. | 0:08:31 | 0:08:34 | |
Kind of. What other sort of smells might you find? | 0:08:34 | 0:08:37 | |
Well, there's pestilence. That's going to be a bit... | 0:08:37 | 0:08:39 | |
-Pestilence is very bad. -A touch of... -That's going to be odorous. | 0:08:39 | 0:08:42 | |
I can't imagine plague's going to be a barrel of laughs as well. | 0:08:42 | 0:08:45 | |
No, that's whiffy. | 0:08:45 | 0:08:46 | |
Well, here's the thing - there is a perfume specifically designed | 0:08:47 | 0:08:51 | |
to smell like the Apocalypse. | 0:08:51 | 0:08:53 | |
-What?! -And I have it here. | 0:08:53 | 0:08:55 | |
Two artists, Jon Thomson and Alison Craighead, they went through | 0:08:55 | 0:08:58 | |
the Book of Revelation in the 1611 King James Bible | 0:08:58 | 0:09:02 | |
and they put together everything that has a recognisable smell. | 0:09:02 | 0:09:07 | |
So it's blood, rocks of the mountains, incense, wormwood, | 0:09:07 | 0:09:12 | |
rod of iron, creatures of the sea, hail and fire, animal horns... | 0:09:12 | 0:09:16 | |
HE COUGHS VIOLENTLY | 0:09:16 | 0:09:17 | |
LAUGHTER | 0:09:17 | 0:09:20 | |
..flesh...brimstone. | 0:09:21 | 0:09:23 | |
Eurgh, it smells like racism! | 0:09:23 | 0:09:26 | |
That's a good name for a perfume - "Racism". | 0:09:31 | 0:09:33 | |
So they passed this list to an Edinburgh-based perfume maker, | 0:09:36 | 0:09:39 | |
Euan McCall, and he turned it into a scent. | 0:09:39 | 0:09:42 | |
A reporter for The Guardian newspaper had a sniff | 0:09:42 | 0:09:45 | |
and described it as "digestive". | 0:09:45 | 0:09:47 | |
What do you think it smells like? | 0:09:47 | 0:09:49 | |
Well, it smells, it smells of the Apocalypse. | 0:09:49 | 0:09:52 | |
It tastes of... | 0:09:52 | 0:09:53 | |
GROANS | 0:09:53 | 0:09:55 | |
Weirdly, it tastes of Romford. | 0:09:55 | 0:09:57 | |
Is it unpleasant? I haven't actually smelled it. | 0:10:00 | 0:10:02 | |
I can't smell anything. | 0:10:02 | 0:10:04 | |
-VOICE STRAINED: -It gets right to the back of your brain. | 0:10:04 | 0:10:06 | |
Now, why is the second smelliest man in the world so frustrated? | 0:10:08 | 0:10:13 | |
Is he frustrated because everyone's like, | 0:10:14 | 0:10:16 | |
"You must be the smelliest person in the world. | 0:10:16 | 0:10:18 | |
-And he's like, "Yeah, you'd think..." -You'd think... | 0:10:18 | 0:10:21 | |
"Do I have a certificate? No." | 0:10:21 | 0:10:23 | |
Is it Boris Johnson? | 0:10:25 | 0:10:28 | |
-It's a cattle herder from India called Kailash Singh. -Oh. | 0:10:28 | 0:10:31 | |
Now, he stopped washing in 1974 because a priest told him that | 0:10:31 | 0:10:36 | |
he would have a son if he didn't bathe or cut his hair. | 0:10:36 | 0:10:39 | |
So, it's 40 years later, he hasn't had a single bath or a shower. | 0:10:39 | 0:10:42 | |
He's got six-foot-long dreadlocks. | 0:10:42 | 0:10:45 | |
He's father to seven daughters, and, no... | 0:10:45 | 0:10:47 | |
GROANS | 0:10:47 | 0:10:48 | |
What, can you believe he's had sex at all? It's...breath-taking. | 0:10:48 | 0:10:53 | |
There's the lovely place of Varanasi, | 0:10:53 | 0:10:55 | |
on the banks of the Ganges there, where he lives. | 0:10:55 | 0:10:57 | |
His family did once try and force him to bathe in the river, | 0:10:57 | 0:11:00 | |
but he fought them off and said he would rather die. | 0:11:00 | 0:11:03 | |
-So they killed him. -Yeah. | 0:11:04 | 0:11:06 | |
But he now says he's going to wash in the next life. | 0:11:07 | 0:11:10 | |
-Oh... -That's his plan. | 0:11:10 | 0:11:11 | |
But he's only the second smelliest man in the world. | 0:11:11 | 0:11:13 | |
The person currently believed to be the most unwashed man | 0:11:13 | 0:11:16 | |
in the world is Amou Haji. | 0:11:16 | 0:11:18 | |
We don't have a picture of him. | 0:11:18 | 0:11:19 | |
I think it would be too much for the cameraman to get... | 0:11:19 | 0:11:22 | |
No photographer can get near enough. | 0:11:22 | 0:11:24 | |
"Use the zoom!" | 0:11:26 | 0:11:27 | |
"It's too much!" | 0:11:27 | 0:11:29 | |
"The lens is fogging!" | 0:11:29 | 0:11:32 | |
"Run, run!" | 0:11:32 | 0:11:34 | |
He hasn't washed for over 60 years. | 0:11:34 | 0:11:36 | |
He lives, not surprisingly, in a remote village. | 0:11:36 | 0:11:39 | |
You'd have to do it like the cheetahs - you'd have to set up | 0:11:39 | 0:11:42 | |
-a camera and then try and attract him towards it. -Yeah, lure him. | 0:11:42 | 0:11:44 | |
Where's his village? | 0:11:46 | 0:11:47 | |
He lives in southern Iran, and he lives on roadkill. | 0:11:47 | 0:11:49 | |
He gets more and more attractive as you go through. | 0:11:49 | 0:11:52 | |
He particularly likes porcupine, and he smokes animal dung in his pipe. | 0:11:52 | 0:11:57 | |
And if he needs a haircut, he burns his hair off with fire. | 0:11:57 | 0:12:00 | |
Hey, stop looking at me. | 0:12:02 | 0:12:03 | |
We've been talking a lot about smell. | 0:12:05 | 0:12:07 | |
How do you measure the unpleasantness of a smell? | 0:12:07 | 0:12:09 | |
How might you decide? | 0:12:09 | 0:12:11 | |
I mean, I don't know, but I once did a fart that was so bad, my dad... | 0:12:11 | 0:12:15 | |
I didn't own up to it, and my dad went and got the Yellow Pages out, | 0:12:15 | 0:12:19 | |
and he was looking for the number of a plumber | 0:12:19 | 0:12:22 | |
because he thought a sewage pipe had leaked. | 0:12:22 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
Did you not have a Labrador you could blame? | 0:12:29 | 0:12:32 | |
-Yeah, dogs' farts are bad. -Dogs, they're very bad. | 0:12:32 | 0:12:34 | |
My dog used to get up... | 0:12:34 | 0:12:35 | |
The only time she ever left the room was if she'd farted. | 0:12:35 | 0:12:39 | |
She'd be lying there by the sofa asleep, | 0:12:40 | 0:12:42 | |
and I'd be watching Morse or something... | 0:12:42 | 0:12:44 | |
..and then she'd just get up and go in the hall. | 0:12:45 | 0:12:47 | |
And then immediately, I'd have to pause Morse and get up and go. | 0:12:47 | 0:12:51 | |
We both would have to stand in the hall... | 0:12:52 | 0:12:54 | |
..for a period of time until it would clear. | 0:12:56 | 0:12:59 | |
There was only the two of us in the flat. | 0:13:01 | 0:13:02 | |
Anyway, here's a thing - | 0:13:04 | 0:13:05 | |
there's a Danish engineer called Professor Povl Ole Fanger, | 0:13:05 | 0:13:08 | |
and he wants to create a new unit of measurement called an olf, OK? | 0:13:08 | 0:13:11 | |
So one olf would be the emission of air pollutants | 0:13:11 | 0:13:15 | |
given off by a standard person. | 0:13:15 | 0:13:16 | |
And the idea is that any unpleasant smell could then be expressed by | 0:13:16 | 0:13:20 | |
the number of people it would take | 0:13:20 | 0:13:21 | |
to cause that level of unpleasantness. | 0:13:21 | 0:13:23 | |
So you have an average person is an olf. | 0:13:23 | 0:13:25 | |
And then, say that your fart, | 0:13:25 | 0:13:27 | |
you know, well, "Wow, that's like 150 olfs", that it would be. | 0:13:27 | 0:13:31 | |
-Yeah. -That was a lot of olfs. -That's a lot of olfs. | 0:13:31 | 0:13:33 | |
My wife, her horses... Our bedroom has got a window, | 0:13:33 | 0:13:38 | |
and the horses are out there, and they fart so loudly | 0:13:38 | 0:13:41 | |
that sometimes I have to turn the telly up. | 0:13:41 | 0:13:43 | |
So, on a summer's evening, just lying in bed there, | 0:13:46 | 0:13:49 | |
put the telly on, and just hear... | 0:13:49 | 0:13:50 | |
-HE MAKES FART NOISE -..like that. | 0:13:50 | 0:13:52 | |
What they're eating, or was it a particularly...? | 0:13:52 | 0:13:55 | |
They have to or they die. | 0:13:55 | 0:13:56 | |
But are they particularly gassy, horses? | 0:13:58 | 0:14:00 | |
Oh, God, yeah, horses, they're shocking. | 0:14:00 | 0:14:02 | |
I don't know how the Queen stands it in that carriage. | 0:14:02 | 0:14:04 | |
Unbelievable. | 0:14:06 | 0:14:08 | |
Honestly. | 0:14:09 | 0:14:11 | |
-Just buy a car. -Yeah. | 0:14:11 | 0:14:12 | |
That's why the hat's always at a jaunty angle. | 0:14:12 | 0:14:15 | |
Anyway, moving on... | 0:14:17 | 0:14:19 | |
What do the UK's stink pipes do? | 0:14:19 | 0:14:22 | |
It sounds like a barber shop quartet, doesn't it - | 0:14:24 | 0:14:26 | |
The Stink Pipes. | 0:14:26 | 0:14:27 | |
Oh, that's a great title for a band, yeah. | 0:14:27 | 0:14:29 | |
-"And now The Stink Pipes." -It's an actual thing. | 0:14:29 | 0:14:32 | |
Indeed, you may have passed one on the way to the studio. | 0:14:32 | 0:14:34 | |
I think the nearest one to this studio is at Southwark Bridge. | 0:14:34 | 0:14:37 | |
Are they letting out odours from...the sewers? | 0:14:37 | 0:14:41 | |
Absolutely right, yes. | 0:14:41 | 0:14:43 | |
-You can have another sticker. -Ooh! -You can have another sticker. | 0:14:43 | 0:14:46 | |
Very well done. | 0:14:46 | 0:14:48 | |
There you are. Purple one. | 0:14:48 | 0:14:50 | |
Yes, you're absolutely right. | 0:14:50 | 0:14:52 | |
They're sort of tall, hollow, cast iron pipes. | 0:14:52 | 0:14:54 | |
They stand at quite often six to eight metres tall, | 0:14:54 | 0:14:56 | |
and their purpose is to ventilate the potentially explosive... | 0:14:56 | 0:14:59 | |
-But do they still work? -Yes, they still absolutely work, | 0:14:59 | 0:15:01 | |
and they follow the routes of the main sewers. | 0:15:01 | 0:15:04 | |
Lots of them are still in operation. | 0:15:04 | 0:15:05 | |
How cheap is that flat? | 0:15:05 | 0:15:07 | |
Yeah, that's not nice, is it? | 0:15:09 | 0:15:11 | |
You do have to update sewers | 0:15:11 | 0:15:13 | |
because sewer explosions are not uncommon if they are not | 0:15:13 | 0:15:16 | |
properly looked after and the gas isn't released and so on. | 0:15:16 | 0:15:18 | |
So the River Fleet at King's Cross exploded in 1846. | 0:15:18 | 0:15:21 | |
It destroyed a Clerkenwell poorhouse, | 0:15:21 | 0:15:23 | |
and it smashed a Thames steam boat against Blackfriars Bridge. | 0:15:23 | 0:15:25 | |
Can we do anything with it yet? | 0:15:25 | 0:15:27 | |
Has some scientist managed to, you know, like create... | 0:15:27 | 0:15:29 | |
-With the sewage? -..create power or something? | 0:15:29 | 0:15:32 | |
Well, the gas, they used to burn | 0:15:32 | 0:15:33 | |
the gas off sometimes at the top of the stink pipes. | 0:15:33 | 0:15:36 | |
In fact, in Sheffield, you can still see that, | 0:15:36 | 0:15:38 | |
some of the gas being burnt off. | 0:15:38 | 0:15:39 | |
But whether they could actually power things with sewage, | 0:15:39 | 0:15:41 | |
that would be fantastic. | 0:15:41 | 0:15:43 | |
Right, time for a little food. | 0:15:43 | 0:15:45 | |
I want you to smell this oil and tell me what has been added to it. | 0:15:45 | 0:15:50 | |
There you go. | 0:15:50 | 0:15:51 | |
Is it truffle? | 0:15:51 | 0:15:53 | |
Well... SIREN RINGS | 0:15:53 | 0:15:55 | |
Idiot. I'm an idiot. | 0:15:56 | 0:15:58 | |
That's the thing with being | 0:15:58 | 0:15:59 | |
a worldwide international restaurant critic... | 0:15:59 | 0:16:02 | |
..when I get a taste of the truffle, I can't... Yeah. | 0:16:04 | 0:16:06 | |
Here is the thing - | 0:16:06 | 0:16:07 | |
almost all truffle oil on the market has never seen a truffle. | 0:16:07 | 0:16:11 | |
It's a mixture of olive oil and chemicals | 0:16:11 | 0:16:14 | |
which gives it its truffle aroma. | 0:16:14 | 0:16:15 | |
So what you do is you take methyl mercaptan, which is | 0:16:15 | 0:16:18 | |
the main compound in bad breath and smelly feet, | 0:16:18 | 0:16:21 | |
and you add it to some formaldehyde. | 0:16:21 | 0:16:24 | |
I love the smell of truffle. | 0:16:25 | 0:16:26 | |
The Epicureans said the scent smelled like | 0:16:26 | 0:16:28 | |
the tussled sheets on a brothel bed. | 0:16:28 | 0:16:31 | |
And medieval monks were not allowed to have truffles, because it | 0:16:31 | 0:16:35 | |
was believed that it would make them forget their calling. | 0:16:35 | 0:16:38 | |
I don't know... These are unbelievably expensive. | 0:16:38 | 0:16:40 | |
We have some actual truffles there. | 0:16:40 | 0:16:43 | |
There's some surprising stuff | 0:16:50 | 0:16:51 | |
in the world of food that you wouldn't know. | 0:16:51 | 0:16:53 | |
So you wouldn't know mostly when you buy truffle oil | 0:16:53 | 0:16:55 | |
that it's never been anywhere near a truffle. | 0:16:55 | 0:16:57 | |
And also, can I recommend a book to you called | 0:16:57 | 0:17:00 | |
Extra Virginity: The Sublime And Scandalous World Of Olive Oil, OK? | 0:17:00 | 0:17:04 | |
And it turns out that there's a huge amount of | 0:17:04 | 0:17:07 | |
fraudulent mislabelling in the olive oil world. | 0:17:07 | 0:17:10 | |
Apparently, over 50% of olive oil sold in Italy is adulterated, | 0:17:10 | 0:17:15 | |
and 75-80% in the United States is completely adulterated. | 0:17:15 | 0:17:17 | |
You'd think you're getting that... Well, this is... | 0:17:17 | 0:17:20 | |
They should have, on the extra virgin olive oil, | 0:17:20 | 0:17:22 | |
just have, like, in brackets, "may contain slag". | 0:17:22 | 0:17:26 | |
LAUGHTER | 0:17:26 | 0:17:28 | |
APPLAUSE | 0:17:31 | 0:17:33 | |
Definitely, possibly a double sticker on that one, I think. | 0:17:36 | 0:17:39 | |
There's a double, so I think that was definitely... | 0:17:39 | 0:17:42 | |
-Extra "phor"! -Excellent. | 0:17:42 | 0:17:43 | |
Now, do you have the ability to sniff out crime? | 0:17:43 | 0:17:48 | |
Depends what kind of crime. | 0:17:49 | 0:17:51 | |
He who smelt it dealt it - that is legally binding. | 0:17:51 | 0:17:54 | |
Today I probably couldn't sniff out a crime, | 0:17:55 | 0:17:58 | |
because of the cold, aforementioned. | 0:17:58 | 0:17:59 | |
But, I mean, I guess you could smell certain types of crime? | 0:17:59 | 0:18:03 | |
Well, they did some research in the Karolinska Institute in Sweden, | 0:18:03 | 0:18:07 | |
a Professor Mats Olsson, | 0:18:07 | 0:18:09 | |
and people can tell a criminal by smell as well as by sight. | 0:18:09 | 0:18:13 | |
So they showed some video clips to people of crimes being committed, | 0:18:13 | 0:18:17 | |
and asked them to smell, at the same time, | 0:18:17 | 0:18:19 | |
the body odour of the person who was committing it. | 0:18:19 | 0:18:21 | |
And when there was a line-up, just by the smell of the person, | 0:18:21 | 0:18:25 | |
they were able to work out, 70% of the time, which is exactly the same | 0:18:25 | 0:18:28 | |
as a visual line-up, they were able to work out which person it was. | 0:18:28 | 0:18:33 | |
If the shirt don't whiff, you must...acquit. | 0:18:33 | 0:18:36 | |
That is the law. | 0:18:38 | 0:18:39 | |
I cannot wait to see the Swedish version of Sherlock, | 0:18:39 | 0:18:42 | |
-cos it's just him going... -HE SNIFFS | 0:18:42 | 0:18:44 | |
"Smell-a-mentory, my dear Watson." | 0:18:44 | 0:18:46 | |
-LAUGHTER AND GROANS -Hey, come on! | 0:18:46 | 0:18:48 | |
-APPLAUSE -Yes! | 0:18:48 | 0:18:50 | |
Oh, no. You've blown it. | 0:18:53 | 0:18:57 | |
-Has he got any stickers? -Uh... | 0:18:57 | 0:18:58 | |
-Have you got any stickers, Nish? -No. -He hasn't got any. | 0:18:58 | 0:19:00 | |
-No, cos I was going to ask for them back. -Take one back. | 0:19:00 | 0:19:03 | |
But there are places... So in Alaska, Florida, New York, | 0:19:05 | 0:19:08 | |
they use scent line-ups. | 0:19:08 | 0:19:10 | |
But to fair, they use dogs, rather than human beings, | 0:19:10 | 0:19:13 | |
because the human can smell with, | 0:19:13 | 0:19:15 | |
we have about five or six million odour-detecting cells. | 0:19:15 | 0:19:18 | |
-A dog, how many do you reckon? -10 million. | 0:19:18 | 0:19:21 | |
220 million. | 0:19:21 | 0:19:23 | |
And actually, even rabbits have more than us - | 0:19:23 | 0:19:25 | |
they have 100 million. | 0:19:25 | 0:19:26 | |
So, what we're going to do now is we're going to test out | 0:19:26 | 0:19:29 | |
how a dog does on sniffing things out. | 0:19:29 | 0:19:31 | |
I have here some contraband, which I am going to give to you, Alan. | 0:19:31 | 0:19:36 | |
OK. | 0:19:36 | 0:19:37 | |
And what I would like you to do is put it in your pocket... | 0:19:37 | 0:19:39 | |
-Put it in my... -..and go and hide in the audience. | 0:19:39 | 0:19:42 | |
Go and hide in Croydon! | 0:19:42 | 0:19:43 | |
So the audience have got special masks to put on. | 0:19:45 | 0:19:48 | |
So if they could put, those who've got masks could put them on. | 0:19:48 | 0:19:51 | |
-Oh, my God! -It's terrifying. | 0:19:51 | 0:19:53 | |
-Urgh, it's like a sea of... It's awful. -Completely terrifying. | 0:19:53 | 0:19:56 | |
Now this is a very special episode of Jonathan Creek. | 0:19:58 | 0:20:01 | |
I never thought I'd be involved in a live game of Where's Wally? | 0:20:03 | 0:20:06 | |
OK. We now welcome please to the studio, from the RAF Police, | 0:20:09 | 0:20:13 | |
Corporal Sam Robson-Rodriguez and Rex. | 0:20:13 | 0:20:15 | |
APPLAUSE | 0:20:15 | 0:20:17 | |
Sam, thank you so much for coming in and supplying us | 0:20:26 | 0:20:28 | |
with the dummy contraband. | 0:20:28 | 0:20:30 | |
Tell me about Rex and what his job is. | 0:20:30 | 0:20:32 | |
Well, Rex is a five-year-old black Lab. | 0:20:32 | 0:20:35 | |
His main job is to search for drugs | 0:20:35 | 0:20:36 | |
anywhere we want to put him, basically. | 0:20:36 | 0:20:38 | |
And how's he trained? | 0:20:38 | 0:20:39 | |
How do you make him be able to do that? | 0:20:39 | 0:20:41 | |
Well, we start searching for, like, their toys, and then we just | 0:20:41 | 0:20:44 | |
associate the toys with the drugs, so then they think they're searching | 0:20:44 | 0:20:47 | |
for their toy, whereas in fact, we want them to search for the drugs. | 0:20:47 | 0:20:50 | |
And how many scents can Rex recognise, do you think? | 0:20:50 | 0:20:52 | |
He's trained on all the main scents, | 0:20:52 | 0:20:53 | |
and basically anything you can make out of that. | 0:20:53 | 0:20:55 | |
-So, he looks keen to get going. -He does. | 0:20:55 | 0:20:57 | |
-Right, Sam, please, over to you, my lovely. -Thank you very much. | 0:20:57 | 0:21:00 | |
Rex. Come here. | 0:21:03 | 0:21:04 | |
I do hope nobody in the audience has got anything... | 0:21:04 | 0:21:07 | |
-Do you know what? I really hope somebody does. -NISH: -Yeah. | 0:21:09 | 0:21:12 | |
That would be... Wouldn't that just be the best bit of telly ever? | 0:21:12 | 0:21:15 | |
If you just... If he dragged someone to the floor and just, | 0:21:15 | 0:21:18 | |
just dragged them out. | 0:21:18 | 0:21:19 | |
-A live drug-bust on QI. -Brilliant. | 0:21:19 | 0:21:23 | |
He's so far...ignoring everybody. So that's good for that side. | 0:21:23 | 0:21:27 | |
How will he...? How will he show if he knows? | 0:21:29 | 0:21:32 | |
-They have either a stand indication or a sit indication. -Oh. | 0:21:32 | 0:21:36 | |
Is he sniffing your crotch, Alan? | 0:21:36 | 0:21:38 | |
-Is it in your left pocket? -Oh, my God! | 0:21:40 | 0:21:42 | |
Let's have a round of applause, please, for Rex and Sam. | 0:21:42 | 0:21:46 | |
APPLAUSE | 0:21:46 | 0:21:47 | |
Sam and Rex, very good. Thank you very much. | 0:21:51 | 0:21:53 | |
And thank you to all my Alans. What a very, very spooky sight that was. | 0:21:59 | 0:22:02 | |
-That was very, very spooky. -It was extremely unpleasant. | 0:22:02 | 0:22:05 | |
Right, it's time for the stinking miasma that is General Ignorance. | 0:22:05 | 0:22:09 | |
Fingers on buzzers, please. | 0:22:09 | 0:22:10 | |
In which country was the full bikini wax invented? | 0:22:10 | 0:22:13 | |
# Smell the roses... # Sally? | 0:22:13 | 0:22:15 | |
I think I'm going to fall into a hole. I'm going to say Brazil. | 0:22:15 | 0:22:18 | |
It's not right, is it? | 0:22:18 | 0:22:20 | |
-SIREN RINGS No. -Argh! | 0:22:20 | 0:22:22 | |
-It's not Brazil. -Croydon. | 0:22:22 | 0:22:24 | |
It's not Croydon. Any more? Any more? | 0:22:24 | 0:22:26 | |
Australia? America? | 0:22:26 | 0:22:27 | |
It is America. It is in the United States. | 0:22:27 | 0:22:29 | |
So, there's a woman called Jonice Padilha | 0:22:29 | 0:22:32 | |
of J Sisters salon in Manhattan. | 0:22:32 | 0:22:34 | |
They pioneered the Brazilian bikini wax in the early 1990s, | 0:22:34 | 0:22:38 | |
and Playboy tried to patent it as an idea. | 0:22:38 | 0:22:41 | |
And in order to stop them doing that, she said, "Oh, no, no, | 0:22:41 | 0:22:44 | |
"you can't do that, it's tremendously popular throughout | 0:22:44 | 0:22:46 | |
"my entire home country, and therefore it is unpatentable." | 0:22:46 | 0:22:49 | |
And that is... You have to use proper wax there. | 0:22:49 | 0:22:52 | |
Never just think you can use honey. | 0:22:52 | 0:22:54 | |
You speak from experience, then? | 0:22:55 | 0:22:57 | |
Oh, it stings in so many different ways. | 0:22:57 | 0:22:59 | |
The salon still exists and it's opposite Trump Tower. | 0:23:01 | 0:23:04 | |
So you can actually have a Brazilian | 0:23:04 | 0:23:06 | |
and avoid being grabbed by the pussy at the same time. | 0:23:06 | 0:23:08 | |
They came up with the process after other salons refused to wax | 0:23:09 | 0:23:13 | |
-that area, apparently. -Oh, wow. | 0:23:13 | 0:23:15 | |
Apparently one of the world's most expensive car waxes | 0:23:15 | 0:23:17 | |
is also Brazilian. | 0:23:17 | 0:23:18 | |
It is called Carnauba wax, made from a palm tree | 0:23:18 | 0:23:21 | |
that only grows in north-east Brazil. | 0:23:21 | 0:23:23 | |
-Handy if you've got a hairy car. -Yeah. | 0:23:23 | 0:23:25 | |
You can get a French wax as well, | 0:23:27 | 0:23:28 | |
but it only waxes a strip down the middle of the bonnet. | 0:23:28 | 0:23:31 | |
Why should you be worried about how you store your toothbrush? | 0:23:32 | 0:23:36 | |
Is it to do with things that crawl around at night | 0:23:36 | 0:23:38 | |
and crawl about your brushes? | 0:23:38 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:43 | |
-Do you think there are things crawling about your bathroom? -Yeah. | 0:23:43 | 0:23:46 | |
If you put your toothbrush in the wrong place, | 0:23:46 | 0:23:48 | |
it's more susceptible to interference from...from... | 0:23:48 | 0:23:51 | |
..some creatures. | 0:23:52 | 0:23:54 | |
Are you worried about the Wombles? | 0:23:54 | 0:23:56 | |
There is a common belief that if you keep your toothbrush | 0:23:58 | 0:24:01 | |
in the same room as the toilet, | 0:24:01 | 0:24:02 | |
it will get covered in faecal matter. | 0:24:02 | 0:24:04 | |
So, here is the good news... | 0:24:04 | 0:24:06 | |
Well, to be fair, that is true, but that's only after my wife | 0:24:06 | 0:24:08 | |
and I had a bit of an argument. | 0:24:08 | 0:24:10 | |
She told me two or three days later, so, you know... | 0:24:11 | 0:24:14 | |
It's true. Your whole house has got faecal matter, | 0:24:15 | 0:24:17 | |
but it has no effect on you whatsoever. It's fine. | 0:24:17 | 0:24:20 | |
According to the American Dental Association, there's "insufficient | 0:24:20 | 0:24:23 | |
"clinical evidence to support that bacterial growth on toothbrushes | 0:24:23 | 0:24:26 | |
"will lead to specific adverse oral or systemic health effects." | 0:24:26 | 0:24:31 | |
It's good, it's good to know, now I can use my toothbrush to just | 0:24:31 | 0:24:35 | |
buff me downstairs. Free from worry. | 0:24:35 | 0:24:38 | |
It's good to know you don't have to worry about creatures | 0:24:38 | 0:24:40 | |
crawling around your toothbrush. | 0:24:40 | 0:24:42 | |
Really, really small cougars at night. | 0:24:44 | 0:24:46 | |
Can you name an animal well known for playing possum? | 0:24:48 | 0:24:52 | |
-Is this a trick question? -Yes. | 0:24:53 | 0:24:56 | |
I've been playing this game for 15 years now... | 0:24:56 | 0:24:58 | |
-and I smell a rat! -FART | 0:24:58 | 0:25:00 | |
-Ah. -A possum. -Possum. | 0:25:00 | 0:25:02 | |
SIREN RINGS A possum, yay! | 0:25:02 | 0:25:05 | |
-It isn't. -Feigning death, right, is that what that is? | 0:25:08 | 0:25:10 | |
It is, it's called thanatosis. | 0:25:10 | 0:25:11 | |
But it isn't the possum that does it, | 0:25:11 | 0:25:13 | |
it is the expression that we use - it is the opossum. | 0:25:13 | 0:25:17 | |
-So it's one of those great confusions. -Irish possum. | 0:25:17 | 0:25:20 | |
IN IRISH ACCENT: Which is an O'possum. An O'possum. | 0:25:20 | 0:25:23 | |
The opossum is on the right there, the little white-faced one. | 0:25:23 | 0:25:26 | |
And the possum is on the left. They're both marsupials. | 0:25:26 | 0:25:29 | |
The possum actually lives in Australia, | 0:25:29 | 0:25:31 | |
the opossum lives in the United States. | 0:25:31 | 0:25:33 | |
And apart from them both being marsupials, | 0:25:33 | 0:25:35 | |
there's not really much that they have in common. | 0:25:35 | 0:25:37 | |
The similarity between the name | 0:25:37 | 0:25:38 | |
stems from Captain's Cook's voyage to Australia. | 0:25:38 | 0:25:41 | |
The naturalist Joseph Banks, he mistook the animals | 0:25:41 | 0:25:44 | |
that he saw for American opossums. | 0:25:44 | 0:25:46 | |
We were in Australia when my daughter was very little, and | 0:25:46 | 0:25:49 | |
we used to go... The only way she'd go to sleep at night is if we | 0:25:49 | 0:25:52 | |
could go out in the street and find a possum, and then she could rest. | 0:25:52 | 0:25:55 | |
-Aw. -And they used to walk along the telephone wires - | 0:25:55 | 0:25:57 | |
that was the best place to find them. | 0:25:57 | 0:25:59 | |
We had possums that lived in our roof, and they used to sigh. | 0:25:59 | 0:26:03 | |
So you'd be watching the telly, and you would, you'd hear in the roof, | 0:26:03 | 0:26:06 | |
you'd hear, "Oh..." | 0:26:06 | 0:26:08 | |
They do it quite a lot, and you'd be sort of like, "They're off again." | 0:26:10 | 0:26:13 | |
And then, "Oh..." There was one day, I was in the house by myself... | 0:26:13 | 0:26:16 | |
What were you watching? | 0:26:16 | 0:26:17 | |
Well, this was the thing - I was watching documentaries, | 0:26:17 | 0:26:20 | |
and there was a "Oh... Oh..." | 0:26:20 | 0:26:22 | |
-Did they want you to change channels? -Yeah. | 0:26:22 | 0:26:24 | |
I put it onto the music channel - not a peep out of them. | 0:26:24 | 0:26:27 | |
According to the Guinness Book of Animal Records, | 0:26:29 | 0:26:31 | |
the smelliest animal on Earth is the zorilla, or striped polecat. | 0:26:31 | 0:26:35 | |
You're going to love this. | 0:26:35 | 0:26:37 | |
The emissions from their anal glands not only stink, but can temporarily | 0:26:37 | 0:26:40 | |
blind predators and cause painful burning sensations on the skin. | 0:26:40 | 0:26:46 | |
So that is a seriously stinky creature. | 0:26:46 | 0:26:48 | |
Yeah, and you can't get it out of your jeans. | 0:26:48 | 0:26:51 | |
The smell, or the animal? | 0:26:51 | 0:26:54 | |
"So, sorry, officer, er..." | 0:26:54 | 0:26:56 | |
Just have a look at this VT, which I really love. | 0:26:58 | 0:27:00 | |
The karaftohelix snail, it does the complete opposite of playing possum. | 0:27:00 | 0:27:04 | |
Have a look. Rather than retreat into its shell, | 0:27:04 | 0:27:06 | |
it goes on the offensive. | 0:27:06 | 0:27:08 | |
It uses its shell - look at that - as a battering ram to hit. | 0:27:08 | 0:27:11 | |
-Oh, that's very cool. -Isn't that wonderful? | 0:27:11 | 0:27:14 | |
That is very cool, to be able to do that. | 0:27:14 | 0:27:16 | |
If I could swing my arse like that... | 0:27:16 | 0:27:18 | |
-You wouldn't be wasting your time sat here, would you? -No. | 0:27:20 | 0:27:23 | |
If you think you see a possum playing possum, | 0:27:25 | 0:27:27 | |
then they're probably dead. | 0:27:27 | 0:27:29 | |
So, let's check it out. | 0:27:29 | 0:27:31 | |
In first place, coming up smelling of roses with three points, | 0:27:31 | 0:27:35 | |
it's Nish. | 0:27:35 | 0:27:37 | |
APPLAUSE | 0:27:37 | 0:27:39 | |
I still haven't got a sticker. | 0:27:39 | 0:27:41 | |
In second place, with minus two, Alan! | 0:27:42 | 0:27:45 | |
CHEERING AND APPLAUSE | 0:27:45 | 0:27:47 | |
In third place, with minus three, Ross. | 0:27:47 | 0:27:50 | |
APPLAUSE | 0:27:50 | 0:27:52 | |
In last place, stinking the place out, with minus five, it's Sally! | 0:27:53 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:28:01 | |
So, we like to give a prize. | 0:28:04 | 0:28:06 | |
Taking home tonight's prize, a truly odious odour - | 0:28:08 | 0:28:12 | |
the actual scent of the Apocalypse goes to Sally. There you go. | 0:28:12 | 0:28:16 | |
It only remains for me to thank Sally, Ross, Nish and Alan. | 0:28:19 | 0:28:23 | |
And I leave you with this tall tale from a toilet. | 0:28:23 | 0:28:25 | |
Tallulah Bankhead was in a cubicle in the ladies'. | 0:28:25 | 0:28:27 | |
"Do you have any toilet paper?" | 0:28:27 | 0:28:29 | |
she asked the occupant of the next stall. | 0:28:29 | 0:28:31 | |
"No," came the reply. | 0:28:31 | 0:28:32 | |
"Then, do you have any Kleenex?" she asked. | 0:28:32 | 0:28:34 | |
"Sorry, no," the lady said again. | 0:28:34 | 0:28:36 | |
"Then, can you change a ten for two fives?" | 0:28:36 | 0:28:39 | |
Thank you, goodnight! | 0:28:39 | 0:28:41 |