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APPLAUSE | 0:00:22 | 0:00:27 | |
Good evening, and welcome to QI, | 0:00:32 | 0:00:34 | |
where tonight we're up in the attic rootling through the tea chests | 0:00:34 | 0:00:40 | |
and old suitcases in search of Quite Interesting Odds And Ends. | 0:00:40 | 0:00:44 | |
And joining me on my rummage are an absolute treasure, | 0:00:44 | 0:00:48 | |
Romesh Ranganathan... | 0:00:48 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:51 | |
..a collector's item, Liza Tarbuck... | 0:00:53 | 0:00:56 | |
APPLAUSE | 0:00:56 | 0:00:58 | |
-..a guest of rare antiquity, Matt Lucas. -Hello. | 0:00:59 | 0:01:04 | |
APPLAUSE | 0:01:04 | 0:01:06 | |
And look who else we've managed to dig up - Alan Davies. | 0:01:06 | 0:01:09 | |
APPLAUSE | 0:01:09 | 0:01:11 | |
Right, their buzzers are an O-ssortment of odds and sods. | 0:01:16 | 0:01:20 | |
Romesh goes... | 0:01:20 | 0:01:21 | |
# Bits and pieces, bits and pieces. # | 0:01:21 | 0:01:25 | |
Liza goes... | 0:01:25 | 0:01:26 | |
# I said I've had too much of this and that. # | 0:01:26 | 0:01:31 | |
Oh, I like that. Matt goes... | 0:01:31 | 0:01:33 | |
# Needles and pins. # | 0:01:33 | 0:01:36 | |
-These are jolly, aren't they? LIZA: -They are. -Ha. And Alan goes. | 0:01:38 | 0:01:41 | |
# Sex and drugs and rock and roll is very cool indeed. # | 0:01:41 | 0:01:45 | |
LAUGHTER | 0:01:45 | 0:01:46 | |
OK, how's this for openers - what would you open with these? | 0:01:48 | 0:01:52 | |
So, let's have a quick look. | 0:01:52 | 0:01:54 | |
I've got number one here. Do you want to have a look? | 0:01:54 | 0:01:57 | |
A door? A lock or something like that? | 0:01:57 | 0:01:59 | |
Well, it's going to certainly open something that's difficult to open. | 0:01:59 | 0:02:03 | |
A safe, a suitcase. | 0:02:03 | 0:02:06 | |
Your heart. | 0:02:06 | 0:02:07 | |
That would be a story, I tell you. | 0:02:12 | 0:02:14 | |
-Is it a device for... -Yes? | 0:02:14 | 0:02:17 | |
..opening two unexploded party poppers? | 0:02:17 | 0:02:20 | |
-Oh, I want it to be that. -Yeah. | 0:02:22 | 0:02:24 | |
I see that you're wearing a very fine watch there, Romesh. | 0:02:24 | 0:02:27 | |
-What do you think that it might be? -It's for a watch. | 0:02:32 | 0:02:34 | |
That's why we have you on this show, | 0:02:36 | 0:02:37 | |
it's the sharpness of the mind that is so fantastic. | 0:02:37 | 0:02:40 | |
Is it...? No. | 0:02:40 | 0:02:43 | |
No. | 0:02:43 | 0:02:45 | |
It's the back case cover opener. | 0:02:45 | 0:02:48 | |
Yeah, so for a lady's... | 0:02:48 | 0:02:50 | |
With a simple action, you can get the things closer together, | 0:02:50 | 0:02:53 | |
or indeed further apart. | 0:02:53 | 0:02:55 | |
Yeah. So it could do a lady's watch or a gentleman's watch. | 0:02:55 | 0:02:58 | |
And, also, you can measure the girth of your penis with it. | 0:02:58 | 0:03:01 | |
Maybe YOU can, mate. | 0:03:03 | 0:03:04 | |
You could measure the length of yours with that. | 0:03:06 | 0:03:09 | |
LAUGHTER AND APPLAUSE | 0:03:09 | 0:03:12 | |
How did we get there so quickly! | 0:03:15 | 0:03:18 | |
I just don't understand the applause of recognition | 0:03:18 | 0:03:22 | |
from members of the audience. | 0:03:22 | 0:03:24 | |
-Yes? -What...? Do you actually know? What do you do? | 0:03:24 | 0:03:27 | |
I'm not sure your watch is worth opening. | 0:03:27 | 0:03:29 | |
Thank you, Sandi. I was thinking to myself, I feel a bit victimised, | 0:03:31 | 0:03:34 | |
-it's been... -Sorry, I'm sorry. -But I don't mind, I don't mind | 0:03:34 | 0:03:36 | |
people talking about my penis, but my watch. | 0:03:36 | 0:03:38 | |
-That's a step too far. -OK. Let's have a look at this one. | 0:03:40 | 0:03:43 | |
You guys can have a look at that one | 0:03:43 | 0:03:44 | |
and see what you think of that. That's number two. | 0:03:44 | 0:03:46 | |
Well, it's gynaecological, isn't it? If we're opening something. | 0:03:46 | 0:03:49 | |
It is opening something, but you may be at the wrong end. | 0:03:49 | 0:03:52 | |
Is that for, when you do a heart transplant, keeping the chest open? | 0:03:52 | 0:03:56 | |
-LIZA: -Oh! -So this thing here is also used in the same area. | 0:03:56 | 0:03:59 | |
-So this is another... -Oh, now you're talking. -Yeah. LIZA: -Is it mouthy? | 0:03:59 | 0:04:02 | |
-It is mouthy, darling, yes. -OK. -It's on the mouth side, | 0:04:02 | 0:04:04 | |
do you want to try that? So it's something to do with the mouth. | 0:04:04 | 0:04:07 | |
-So it's keeping the mouth... -Yeah. | 0:04:07 | 0:04:08 | |
So, if you see, Matt, the thing that it's got, it ratchets open, | 0:04:08 | 0:04:11 | |
-but you would... -Is that right? -It is. | 0:04:11 | 0:04:14 | |
So what is that for? | 0:04:18 | 0:04:19 | |
Turning the mouth into a...into a letterbox or something? | 0:04:19 | 0:04:22 | |
They can edit that out. | 0:04:24 | 0:04:26 | |
But the thing is, you can't get it out, Sandi, so... | 0:04:33 | 0:04:36 | |
It's a cheap retractor. That's exactly how it works. | 0:04:36 | 0:04:38 | |
-Is it? -And so is that. | 0:04:38 | 0:04:40 | |
-No, so don't put that bit in your mouth, darling. -Oh. | 0:04:40 | 0:04:43 | |
I sound like a school teacher. Don't put that bit in your mouth, darling. | 0:04:43 | 0:04:46 | |
Put the black bit into your mouth, so... | 0:04:46 | 0:04:48 | |
Yes, so the middle bit, you put that in. | 0:04:48 | 0:04:50 | |
Well, how? My mouth isn't that big. | 0:04:50 | 0:04:53 | |
Well, you've got to close it first. The thing. | 0:04:53 | 0:04:55 | |
Oh. What, so put that in? | 0:04:55 | 0:04:57 | |
No, put it around the other way, I think. | 0:04:57 | 0:04:59 | |
-LIZA: -I've been handling that. -The other way? -No, no. | 0:04:59 | 0:05:02 | |
I usually have someone who looks after me. | 0:05:02 | 0:05:05 | |
And they help me out with things like this, | 0:05:08 | 0:05:10 | |
-I'm a little overwhelmed at this time. -You were heading | 0:05:10 | 0:05:13 | |
-in the right direction. -What, in there? -Yes, put that in like that. | 0:05:13 | 0:05:15 | |
-And then open it up. -This? -Yes. And it... Yeah. | 0:05:15 | 0:05:19 | |
That's exactly, it holds the patient's mouth open | 0:05:19 | 0:05:22 | |
while they're heaving dental treatment. | 0:05:22 | 0:05:24 | |
-It's the stuff of dreams, isn't it? -Oh, yeah. | 0:05:24 | 0:05:26 | |
-What about this one? Anybody got any thoughts what that is? -Oh. Wow. | 0:05:26 | 0:05:29 | |
So it's all about openings. | 0:05:29 | 0:05:30 | |
-LIZA: -If I was drunk, I'd say something that I won't say it now. | 0:05:30 | 0:05:33 | |
-No, go on, treat yourself. -Er, no, I can't possibly. | 0:05:33 | 0:05:36 | |
-Are you thinking about a butt plug? -LIZA: -Yes. | 0:05:36 | 0:05:39 | |
Hold on, what are you, you're trying to get into the butt? | 0:05:39 | 0:05:44 | |
Well, it's a drill, isn't it? | 0:05:44 | 0:05:46 | |
Why do you want to plug your butt? | 0:05:46 | 0:05:47 | |
-Oh, well... -Well... -Well, basically... -Yes? | 0:05:47 | 0:05:50 | |
Isn't it to do with re-educating the muscle to tighten again? | 0:05:52 | 0:05:55 | |
-LIZA: -Oh. -"Re-educating" your arse! | 0:05:55 | 0:05:59 | |
"Mum, Mum, I've got a lovely new job, I'm in education." | 0:06:00 | 0:06:04 | |
Do you want to have a look? You can have a look. No? | 0:06:04 | 0:06:06 | |
-Is it anything to do with wine? -No, no, it isn't anything | 0:06:06 | 0:06:09 | |
to do with wine. We're still in the human body. In fact, weirdly, | 0:06:09 | 0:06:12 | |
we're in exactly the same place as we were before with the mouth thing. | 0:06:12 | 0:06:15 | |
-In the mouth? -And, so, what it is, it's an emergency mouth-opener. | 0:06:15 | 0:06:18 | |
So, say somebody had got lockjaw or there was some reason why they | 0:06:18 | 0:06:21 | |
couldn't open their mouth, it is an emergency way of opening the mouth. | 0:06:21 | 0:06:25 | |
Can I advise that you use it as that before you use it as a butt plug? | 0:06:25 | 0:06:28 | |
-Have you got number four there? -Yes. | 0:06:32 | 0:06:33 | |
OK. What do you think that might be? | 0:06:33 | 0:06:35 | |
Be very careful. I do not want you to hurt yourself. | 0:06:35 | 0:06:38 | |
I believe that is used for injuring panel show contestants. | 0:06:38 | 0:06:41 | |
It's all the straps, it feels like it's something to do with a horse. | 0:06:43 | 0:06:46 | |
-It is exactly something to do with a horse. LIZA: -Thank God! | 0:06:46 | 0:06:48 | |
-Yeah. It is an equine mouth-opener. ALAN: -Oh. | 0:06:48 | 0:06:51 | |
It is used by vets to hold the horse's mouth open. | 0:06:51 | 0:06:54 | |
Sometimes their teeth need rasping, because they get a sort of | 0:06:54 | 0:06:56 | |
sharp point with their teeth and it hurts them with the bit. | 0:06:56 | 0:06:59 | |
And so you need to open their mouth and just file it down. | 0:06:59 | 0:07:01 | |
So, dental work for horses. | 0:07:01 | 0:07:03 | |
Yeah, so it's quite a... It is quite a sharp... | 0:07:03 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:08 | |
Let's try the next one. Any thoughts about that? | 0:07:08 | 0:07:11 | |
-LIZA: -It's a piercing for something. What shape is it going into? | 0:07:11 | 0:07:16 | |
Ah, well that's to put a hole into your bottom | 0:07:16 | 0:07:18 | |
if you don't already have one. | 0:07:18 | 0:07:20 | |
Do you know, it looks like a chipolata torturing device, | 0:07:20 | 0:07:23 | |
-is what it looks like. -Why would you want to torture a chipolata? | 0:07:23 | 0:07:27 | |
If you're, like, a militant vegan, or something, I don't know. | 0:07:27 | 0:07:30 | |
-Yeah, yeah. It isn't that. -This looks quite kitcheny. | 0:07:30 | 0:07:33 | |
-It is kitcheny. -Is it for an egg? | 0:07:33 | 0:07:35 | |
No, it isn't. It is an oyster opener, an oyster shucker. | 0:07:35 | 0:07:37 | |
So, rather than inserting a knife, where you can actually hurt | 0:07:37 | 0:07:40 | |
yourself, you do it with one of those. The other thing to do | 0:07:40 | 0:07:42 | |
is go to a nice restaurant, and somebody will do it for you, | 0:07:42 | 0:07:44 | |
which I think is even easier. | 0:07:44 | 0:07:46 | |
On the food front, I have one of these which I... | 0:07:46 | 0:07:49 | |
-LIZA: -Oh, hello. -..it seems slightly pointless. -Is it an egg? | 0:07:49 | 0:07:52 | |
It's an egg opener. Want to try it, anybody? | 0:07:53 | 0:07:55 | |
-No, I'm fine thank you. -Come on, I'll have a go. | 0:07:55 | 0:07:57 | |
OK, the boys will do this, there we go. | 0:07:57 | 0:07:59 | |
-So you put it round the egg and squeeze it? -Yeah. | 0:07:59 | 0:08:01 | |
Well, I think you have to squeeze and then twist it off, | 0:08:01 | 0:08:04 | |
like a sort of beheading. OK. | 0:08:04 | 0:08:06 | |
Is this going to be a trick egg? | 0:08:06 | 0:08:07 | |
No, darling, honestly, it's just boiled. | 0:08:07 | 0:08:09 | |
Give it a turn at the same time. EGGSHELL CRACKS | 0:08:09 | 0:08:11 | |
There. | 0:08:11 | 0:08:12 | |
-Ah, that is good, it makes the egg look hideous. -Yeah. | 0:08:13 | 0:08:16 | |
So, that closes openers. And now an odourless question. | 0:08:19 | 0:08:24 | |
Where can you find the largest collection | 0:08:24 | 0:08:26 | |
of things that don't smell? | 0:08:26 | 0:08:28 | |
# ..pins. # | 0:08:28 | 0:08:30 | |
-Matt? -Is it in the sea? | 0:08:30 | 0:08:32 | |
Oh, right. Why do you think that? | 0:08:32 | 0:08:33 | |
Because, I mean there's salt, | 0:08:33 | 0:08:35 | |
but salt doesn't have a very strong smell. | 0:08:35 | 0:08:39 | |
No. And neither do fish, famously. | 0:08:39 | 0:08:41 | |
No. But I, what I am proposing... | 0:08:44 | 0:08:45 | |
-Yes, yes? -..and I'm clever, is... | 0:08:45 | 0:08:48 | |
..is that once you are under the water... | 0:08:48 | 0:08:50 | |
-Right? -..you can't smell. | 0:08:50 | 0:08:52 | |
Have you tried to smell under the water, anybody? | 0:08:52 | 0:08:55 | |
That doesn't mean it doesn't smell. | 0:08:55 | 0:08:57 | |
Well, if a tree falls in the forest... | 0:08:57 | 0:09:00 | |
-..and it doesn't smell... -No. -..then...it... Yeah. | 0:09:02 | 0:09:07 | |
-We are in the town where I was born. -Copenhagen? | 0:09:08 | 0:09:12 | |
Copenhagen, we're in wonderful, wonderful Copenhagen. | 0:09:12 | 0:09:14 | |
What are the things that old statues might lose as they get | 0:09:14 | 0:09:17 | |
transported about, or over the years? What might they lose? | 0:09:17 | 0:09:19 | |
-Fingers. -Private parts. | 0:09:19 | 0:09:21 | |
OK, yes, I was going to, again, go higher, | 0:09:21 | 0:09:23 | |
but you've just gone with that side of the thing. | 0:09:23 | 0:09:26 | |
Noses, they lose their noses, | 0:09:26 | 0:09:28 | |
and, so, there is THE most glorious art museum in Copenhagen, | 0:09:28 | 0:09:31 | |
it's called the Ny Carlsberg Glyptotek | 0:09:31 | 0:09:34 | |
and it contains a Nasothek. It is a collection of noses. | 0:09:34 | 0:09:37 | |
In the 19th century, museums used to repair them, | 0:09:37 | 0:09:39 | |
so there used to be a collection of noses used to repair statues. | 0:09:39 | 0:09:42 | |
This was a thing that we don't do any more | 0:09:42 | 0:09:44 | |
because now we think we should leave the statue exactly as it is. | 0:09:44 | 0:09:46 | |
Have we got any photos from the penis museum? | 0:09:46 | 0:09:49 | |
Yes, is the truth of it. | 0:09:50 | 0:09:52 | |
Lots of statues lost their penises - that is entirely true. | 0:09:52 | 0:09:54 | |
-Right. -But that was on purpose, wasn't it? -Due to prudery, yeah. | 0:09:54 | 0:09:57 | |
-Yeah, absolutely. -So about 80% of the male nude statues | 0:09:57 | 0:10:00 | |
-in the Vatican Gardens are missing their members. -Oh, no, | 0:10:00 | 0:10:02 | |
cos I just thought I was average. | 0:10:02 | 0:10:04 | |
-Are you saying they've been taken off? -They've been taken off | 0:10:07 | 0:10:09 | |
and they say there's a secret room | 0:10:09 | 0:10:11 | |
in the Vatican that has all of them in it. | 0:10:11 | 0:10:13 | |
If your statue has no nose, it might be found in a museum in Copenhagen. | 0:10:15 | 0:10:18 | |
So, here's a collection of odd-sounding O words | 0:10:18 | 0:10:21 | |
and I'd like you to pick one and use it in a sentence, please. | 0:10:21 | 0:10:24 | |
A cum-spliff, what the f...? | 0:10:24 | 0:10:26 | |
LAUGHTER | 0:10:26 | 0:10:29 | |
-IN VAGUELY DUTCH ACCENT: -"Oh, ja, a cum-spliff. | 0:10:30 | 0:10:33 | |
LAUGHTER | 0:10:33 | 0:10:34 | |
-"Ja, cum-spliff, ja." -It doesn't take long, | 0:10:37 | 0:10:39 | |
-it doesn't take long at all. -"Oppenchops, cum-spliff." | 0:10:39 | 0:10:42 | |
Are you doing, are you doing "oojah-cum-spliff?" | 0:10:42 | 0:10:44 | |
-Yeah... -Is that your one? -Doing a cum-spliff. | 0:10:44 | 0:10:46 | |
-What is your sentence, please, Alan? -"Oh ja, a cum-spliff." | 0:10:46 | 0:10:50 | |
It's a... | 0:10:50 | 0:10:51 | |
It's a Dutchman having a joint in a brothel. | 0:10:52 | 0:10:55 | |
-Cum-spliff? -I don't want it, I don't want it. | 0:10:59 | 0:11:02 | |
Get it away from me, man. | 0:11:04 | 0:11:05 | |
You'd be no fun in a brothel, would you? | 0:11:07 | 0:11:10 | |
"Oh, look at Rom, he doesn't want the cum-spliff, what a prude!" | 0:11:10 | 0:11:13 | |
-Oojah-cum-spliff means all fine and dandy. -Yeah, I bet it does. | 0:11:15 | 0:11:18 | |
-Earliest use found in PG Wodehouse. -I've got one. | 0:11:20 | 0:11:23 | |
-Yeah, go on, then, Matt. -Tottenham had their best season for years, | 0:11:23 | 0:11:27 | |
they came first in the league... Ohnosecond. | 0:11:27 | 0:11:29 | |
Oh, very good. OK. Ohnosecond. So it's sort of right, actually, | 0:11:29 | 0:11:33 | |
-because in computing... -Well, it is right, they didn't win | 0:11:33 | 0:11:36 | |
-anything at all. -No, in... -They've won nothing for years. | 0:11:36 | 0:11:39 | |
-They're rubbish. -But actually, your definition for it | 0:11:39 | 0:11:42 | |
is not too far off, because in computing what it is, | 0:11:42 | 0:11:44 | |
it's the moment you realise you've made a mistake. | 0:11:44 | 0:11:47 | |
So it is a computing, you go, "Ohnosecond." | 0:11:47 | 0:11:49 | |
-Oh, right. OK. -I don't think yours was too far off. | 0:11:49 | 0:11:52 | |
-Come on Liza, let's have one from you. -I'm drawn to "obsolagnium." | 0:11:52 | 0:11:55 | |
OK. It's not a good word, it's waning sexual desire due to age. | 0:11:55 | 0:12:00 | |
And I was drawn to it. | 0:12:03 | 0:12:04 | |
-ALAN: -You're surrounded by it at the moment. | 0:12:06 | 0:12:09 | |
Oppenchops, Lancastrian slang for a gossip. | 0:12:10 | 0:12:13 | |
-Octodesexcentenary. -OK, that is probably the strangest, I think. | 0:12:13 | 0:12:16 | |
It's the 100th anniversary of when your octopus's penis fell off. | 0:12:16 | 0:12:20 | |
It is...it is a really specific thing. | 0:12:22 | 0:12:24 | |
It's something that lasts 592 years. | 0:12:24 | 0:12:26 | |
It arose in connection with a particular calendar, the lunar solar | 0:12:26 | 0:12:30 | |
calendar, devised by a 17th-century mathematician called Thomas Lydiat. | 0:12:30 | 0:12:33 | |
-And he thought of the word? -And he thought of the word. | 0:12:33 | 0:12:35 | |
-It is a very specific word for 592. -I'd have loved him. | 0:12:35 | 0:12:40 | |
Not with your waning sexual desire. | 0:12:40 | 0:12:42 | |
Now, brace, brace, brace! | 0:12:44 | 0:12:46 | |
I don't, I don't think that's funny. | 0:12:55 | 0:12:57 | |
-I don't think that's funny. -That hit me on the nose. | 0:12:59 | 0:13:01 | |
-That is awful. -Well, we know where we can get another one. | 0:13:01 | 0:13:03 | |
Fortunately, we can get oxygen for you and a new nose, you're absolutely right, Liza. | 0:13:03 | 0:13:06 | |
I'll take you to Copenhagen, we'll sort your nose out. | 0:13:06 | 0:13:09 | |
So, my question is, what's in the canister | 0:13:09 | 0:13:11 | |
on the other end of the pipe that you've got? | 0:13:11 | 0:13:14 | |
Oxygen? | 0:13:14 | 0:13:16 | |
-Oh, no. -He said it. -No, he said it. -You said it. | 0:13:16 | 0:13:19 | |
-He said it. -Don't put the blame on me. -He said it, 100% he said it. | 0:13:19 | 0:13:23 | |
No, it's a mix of chemicals that make oxygen. | 0:13:23 | 0:13:26 | |
It's something called an oxygen candle. | 0:13:26 | 0:13:28 | |
So, there's a very fine white powder, and a spark is generated | 0:13:28 | 0:13:32 | |
and it sets off a chemical reaction which releases oxygen. | 0:13:32 | 0:13:36 | |
But these canisters, there are oxides and they basically | 0:13:36 | 0:13:39 | |
take up a whole lot less room than a whole tank of oxygen. | 0:13:39 | 0:13:41 | |
I think you both look absolutely fantastic! | 0:13:41 | 0:13:45 | |
Typically, an oxygen candle will last 20 minutes. | 0:13:45 | 0:13:48 | |
But it's enough time for the plane to get down to where you can | 0:13:48 | 0:13:50 | |
breathe the air. | 0:13:50 | 0:13:52 | |
Right, let's give a really hard pull on the pipe and it will... | 0:13:52 | 0:13:55 | |
We can get rid of it, there we go. | 0:13:55 | 0:13:56 | |
Wonderful. Now, from planes to trains. | 0:13:56 | 0:13:59 | |
On which train did the Murder On The Orient Express take place? | 0:13:59 | 0:14:03 | |
The Orient Express. | 0:14:03 | 0:14:04 | |
-You're a good sport, Alan. -You're a very good sport. -Thank you so much. | 0:14:07 | 0:14:10 | |
Well, sometimes, you know, they go, yes, that's correct. | 0:14:10 | 0:14:12 | |
-"Yes, that is correct." -But never when I say it. -No. | 0:14:12 | 0:14:15 | |
The murder took place on AN Orient Express, | 0:14:15 | 0:14:17 | |
but not the one that you are thinking of. So... | 0:14:17 | 0:14:20 | |
Well, no, we're thinking of the one that the murder took place on. | 0:14:20 | 0:14:23 | |
Yeah, exactly, that's right. | 0:14:23 | 0:14:24 | |
I'm sorry, I didn't know you lived inside my brain. | 0:14:25 | 0:14:28 | |
Well, there were several train services in the 1930s which | 0:14:28 | 0:14:31 | |
included the words "Orient Express" in the name. And... | 0:14:31 | 0:14:34 | |
Yeah, and those are the ones we were thinking of. | 0:14:34 | 0:14:37 | |
Well, what is the full name | 0:14:37 | 0:14:38 | |
of the one where the murder took place, then? | 0:14:38 | 0:14:40 | |
We were thinking of the one where it took place. | 0:14:40 | 0:14:43 | |
We don't have to say the name of it. | 0:14:43 | 0:14:45 | |
We just... All of us demand the points. | 0:14:46 | 0:14:49 | |
Sorry. There were lots of different Orient Expresses. | 0:14:51 | 0:14:54 | |
Agatha Christie's took place on the Simplon... | 0:14:54 | 0:14:56 | |
Simplon Orient Express, yes. Yes. | 0:14:56 | 0:15:00 | |
-Yes. Named after? -It's Peter Express. -Mr Simplon. -I don't know. | 0:15:00 | 0:15:04 | |
The Simplon Orient Express, named after the Alpine tunnel, | 0:15:06 | 0:15:09 | |
and that linked Calais and Paris and Istanbul every day. | 0:15:09 | 0:15:11 | |
There is a different train service, | 0:15:11 | 0:15:13 | |
commonly known as THE Orient Express, | 0:15:13 | 0:15:15 | |
and that only carried Paris/Istanbul cars three times a week. | 0:15:15 | 0:15:19 | |
-I didn't even know that one existed. -Have you been on it? | 0:15:19 | 0:15:21 | |
-No. -Oh, it's the most marvellous experience. | 0:15:21 | 0:15:23 | |
-It's absolutely fantastic. -Is it? | 0:15:23 | 0:15:25 | |
Yeah, it really is worth it. It's eye-wateringly expensive, | 0:15:25 | 0:15:28 | |
but you get a butler of your own. And I took my mother, it was | 0:15:28 | 0:15:30 | |
for her birthday, and the butler came along and he said, | 0:15:30 | 0:15:33 | |
"Good evening, madam, my name is Tybalt," and you just think, wow, | 0:15:33 | 0:15:36 | |
it's... The guy from Romeo and Juliet is going to service me. | 0:15:36 | 0:15:39 | |
Was there Wi-Fi or 3G on the Orient Express? | 0:15:41 | 0:15:44 | |
-Because that for me is generally the... -No. | 0:15:44 | 0:15:47 | |
That's what they meant, | 0:15:47 | 0:15:49 | |
there's no Wi-Fi, it is murder on the Orient Express. | 0:15:49 | 0:15:52 | |
Here's a list of organs. | 0:15:54 | 0:15:56 | |
You all own one of them, but which is it? | 0:15:56 | 0:15:59 | |
-Well, I would have thought a sperm stomach... -Yes? | 0:15:59 | 0:16:02 | |
..would have been for a whale. | 0:16:02 | 0:16:05 | |
Oh, OK. It is for an animal. | 0:16:05 | 0:16:07 | |
It is, strictly speaking, called a bursa copulatrix. | 0:16:07 | 0:16:10 | |
It's not for a whale. Where might you find such a thing? | 0:16:10 | 0:16:12 | |
It's tiny, a tiny little, tiny. | 0:16:12 | 0:16:15 | |
-So it's a bird? -No. -Then why were you doing that? | 0:16:15 | 0:16:19 | |
-No, but it is... -Oh. | 0:16:19 | 0:16:20 | |
But, no, in fairness, it is clearly an animal that flies... | 0:16:20 | 0:16:23 | |
-A butterfly. -Yes. No, he got it. Butterfly. -Butterfly. | 0:16:23 | 0:16:26 | |
-It is a butterfly. -Oh. Sandi did a mime that, what else could it be? | 0:16:26 | 0:16:29 | |
It's the reproductive system for the butterfly, | 0:16:29 | 0:16:31 | |
and it digests nutrients from the male's sperm package. | 0:16:31 | 0:16:35 | |
All female butterflies will have a sperm stomach. | 0:16:35 | 0:16:38 | |
Right, let's try some more. Let's see. | 0:16:38 | 0:16:40 | |
So we're looking for the organ that we have. | 0:16:40 | 0:16:42 | |
We do not have a sperm stomach. | 0:16:42 | 0:16:44 | |
Have you got a smart vagina? | 0:16:44 | 0:16:46 | |
I... It's terribly tidy. Um... | 0:16:46 | 0:16:48 | |
I have a woman in twice a week. | 0:16:50 | 0:16:52 | |
No, I do not, but some animals do. Grevy's zebra, for example. | 0:17:03 | 0:17:07 | |
And they can co-ordinate the muscular contractions in order | 0:17:07 | 0:17:10 | |
to flush out semen if a male fails to live up to expectations. | 0:17:10 | 0:17:15 | |
And here's the depressing thing for the boy - the sperm dumping | 0:17:17 | 0:17:19 | |
can happen even before the underperforming male has dismounted. | 0:17:19 | 0:17:25 | |
She just goes, "Boof, not having it. No." | 0:17:25 | 0:17:28 | |
So, genetically, she knows that this guy isn't the best she could do? | 0:17:29 | 0:17:32 | |
-That's exactly right, she has decided. -So, regarding | 0:17:32 | 0:17:35 | |
-babies and stuff. -Yeah, he's not the best gene pool. -Yeah. | 0:17:35 | 0:17:37 | |
Better to do that than shake him off. | 0:17:37 | 0:17:40 | |
-You don't want to cause trouble, do you? -Don't want to make a scene. | 0:17:40 | 0:17:42 | |
-No. -You might then put off the other zebras. They'll think, | 0:17:42 | 0:17:45 | |
-"Well, she looks tricky. She's just thrown him over a fence." -Yes. | 0:17:45 | 0:17:48 | |
"I'll tell you what, mate, I wouldn't bother with her, | 0:17:48 | 0:17:50 | |
"she's got one of them new-fangled smart vaginas." | 0:17:50 | 0:17:52 | |
-So, that's probably got Wi-Fi too, hasn't it? -Yeah, I would say. | 0:17:55 | 0:17:58 | |
So, we're still looking for the thing that we have. | 0:18:00 | 0:18:02 | |
We don't have a sperm stomach, we don't have a smart vagina. | 0:18:02 | 0:18:05 | |
-What might we have? One of those. -Have we got a mesentery? | 0:18:05 | 0:18:08 | |
-A mesentery? -We absolutely do, | 0:18:08 | 0:18:09 | |
that is the very thing that we were looking for. We do have a mesentery. | 0:18:09 | 0:18:14 | |
And it, basically, it's a fairly recent thing, | 0:18:14 | 0:18:17 | |
it connects the intestine to the stomach, | 0:18:17 | 0:18:19 | |
and we did not know that it was actually an organ in its own right. | 0:18:19 | 0:18:21 | |
So there's a chap called Professor J Calvin Coffey, | 0:18:21 | 0:18:24 | |
from the University of Limerick. | 0:18:24 | 0:18:26 | |
And he says, "Without it, you can't live. There are no reported | 0:18:26 | 0:18:29 | |
"incidents of a Homo sapiens living without a mesentery." | 0:18:29 | 0:18:33 | |
And nobody entirely knows what it does. | 0:18:33 | 0:18:37 | |
"We've established anatomy and structure | 0:18:37 | 0:18:39 | |
"and the next step is function." | 0:18:39 | 0:18:40 | |
Let's have a quick look at the other ones. Paddywhack, anybody? | 0:18:40 | 0:18:43 | |
Well, it makes me think of a dog chew. | 0:18:43 | 0:18:45 | |
-That is exactly right. Give the dog a bone, right. -Yeah. | 0:18:45 | 0:18:49 | |
Yeah. So dried paddywhack is sometimes sold as a dog treat, | 0:18:49 | 0:18:51 | |
which is where we get the saying from. | 0:18:51 | 0:18:53 | |
Is it something from a pig, then? | 0:18:53 | 0:18:55 | |
It's the load-bearing ligament in the neck of sheep or cattle. | 0:18:55 | 0:18:59 | |
It connects the head to the spine. | 0:18:59 | 0:19:01 | |
And the other one, mental glands, it's a pheromone delivery system | 0:19:01 | 0:19:04 | |
found in the male salamander's chin. | 0:19:04 | 0:19:07 | |
As part of the courtship, the male sprays his scent | 0:19:07 | 0:19:10 | |
right into the female's nostrils | 0:19:10 | 0:19:12 | |
and then he deposits a pack of sperm on the ground. | 0:19:12 | 0:19:15 | |
And if the female detects his scent with her mental glands, | 0:19:15 | 0:19:18 | |
and she wants to mate, then she'll pick it up. So she picks it up. | 0:19:18 | 0:19:21 | |
-Oh, that's nice. -Yes, it's rather sweet. -That's like a sort of | 0:19:21 | 0:19:24 | |
-Edwardian courtship, isn't it? -Yes. Yes. "Madam, my sperm." -Yes. | 0:19:24 | 0:19:28 | |
Now, what animals begin with O | 0:19:30 | 0:19:33 | |
and are rescued more often by the Fire Brigade than cats? | 0:19:33 | 0:19:36 | |
-# ..pins. # -Yes, Matt? | 0:19:36 | 0:19:38 | |
Is it ostriches, because they keep burying their... | 0:19:38 | 0:19:41 | |
..burying their heads... Burying their heads in the sand. | 0:19:42 | 0:19:46 | |
-And they... -So, two things are wrong with that. | 0:19:46 | 0:19:48 | |
-Right. -One is they don't bury their heads in the sand, that is a... | 0:19:48 | 0:19:50 | |
-Well, I...I...I am not wrong. -No. | 0:19:50 | 0:19:53 | |
-Yes? -I think it is an opossum. | 0:19:55 | 0:19:58 | |
Oh! | 0:19:58 | 0:20:00 | |
-The audience said owls, did we hear them? -Owls, did we have owls? | 0:20:02 | 0:20:05 | |
You lose points! | 0:20:06 | 0:20:08 | |
Is it, is it ocelot? | 0:20:09 | 0:20:11 | |
No. | 0:20:11 | 0:20:12 | |
-Is it the... Is it... let's try this one on them. -Yeah. | 0:20:12 | 0:20:16 | |
Is it the four-legged onion? Ah-ha! You didn't get in there, did you? | 0:20:16 | 0:20:20 | |
Ah-ha! | 0:20:20 | 0:20:22 | |
-No, it is not the four-legged onion. -Right, OK. | 0:20:22 | 0:20:24 | |
-It's a human animal, it's an obese person. -Oh! | 0:20:24 | 0:20:26 | |
-They now rescue... -Oh, an obese person. | 0:20:26 | 0:20:29 | |
-Yeah. -But they're still, hold on, they are still people. | 0:20:29 | 0:20:31 | |
Once they get to a certain weight, they're no longer human, | 0:20:31 | 0:20:35 | |
as far as we're concerned. | 0:20:35 | 0:20:37 | |
But we're all part of the animal kingdom. | 0:20:37 | 0:20:39 | |
There were more than 900 such cases from January to September in 2016. | 0:20:39 | 0:20:43 | |
Up from around 30 cases ten years ago. | 0:20:43 | 0:20:45 | |
Well done for getting up the trees, though. | 0:20:45 | 0:20:48 | |
-No, it's people not being able to leave their home. -Suddenly you go, | 0:20:51 | 0:20:55 | |
-"There's one." -I just saw there were loads of apples. | 0:20:55 | 0:20:58 | |
"There's one." | 0:20:58 | 0:20:59 | |
"How did you get up there?" | 0:20:59 | 0:21:01 | |
"Trampoline, it was a trampoline. | 0:21:03 | 0:21:05 | |
"But they've moved it now. | 0:21:07 | 0:21:09 | |
"Now it looks like a miracle, but it was a trampolining incident." | 0:21:09 | 0:21:12 | |
I think the most famous, possibly, an American man called | 0:21:14 | 0:21:16 | |
Walter Hudson, he was rescued by the American Fire Department, | 0:21:16 | 0:21:19 | |
1987, after he got wedged in his bathroom door. | 0:21:19 | 0:21:22 | |
It is estimated that he weighed 1,400lbs, but it's only | 0:21:22 | 0:21:27 | |
an estimate because the industrial scale that he was being weighed on | 0:21:27 | 0:21:30 | |
broke after a 1,000lbs so we don't know exactly. | 0:21:30 | 0:21:33 | |
-Wait a minute, that's 100st. -Yes. Yes. 1,400lbs. | 0:21:33 | 0:21:37 | |
-Oh, that, yeah, that's 100st, yeah. -It's 100st, yeah. | 0:21:37 | 0:21:40 | |
He held the Guinness World Record for the world's largest waist. | 0:21:40 | 0:21:44 | |
If you hold that end and you hold that. | 0:21:44 | 0:21:47 | |
That would have been the size of his belt. | 0:21:47 | 0:21:49 | |
I've got a description of his average daily diet. | 0:21:49 | 0:21:51 | |
Two boxes of sausages, 1lb of bacon, 12 eggs, | 0:21:51 | 0:21:54 | |
a loaf of bread, four hamburgers, four double cheeseburgers, | 0:21:54 | 0:21:57 | |
five large portions of fries, three ham steaks or two chickens. | 0:21:57 | 0:22:00 | |
Four baked potatoes, four sweet potatoes, | 0:22:00 | 0:22:02 | |
most of a large cake and additional snacks. | 0:22:02 | 0:22:05 | |
And an average of 6.5 litres of soda every single day. | 0:22:06 | 0:22:09 | |
Well, at least he didn't finish the cake. | 0:22:09 | 0:22:12 | |
-It's good to look on the bright side of things. -Yeah. | 0:22:13 | 0:22:16 | |
Now we crash through the floorboards and land in the mess of plaster | 0:22:16 | 0:22:19 | |
and insulation that is General Ignorance. | 0:22:19 | 0:22:20 | |
Fingers on buzzers, please. | 0:22:20 | 0:22:22 | |
Where are your fattest fat cells? | 0:22:22 | 0:22:25 | |
Well, I suppose you want us to say on your stomach? | 0:22:25 | 0:22:30 | |
-Yes, and you'd be right. -Yes, of course. | 0:22:30 | 0:22:32 | |
CHEERING AND APPLAUSE | 0:22:32 | 0:22:35 | |
-See? -So you're absolutely right. | 0:22:35 | 0:22:39 | |
As people get obese, what happens is the fat cells in our midriff, | 0:22:39 | 0:22:43 | |
they don't proliferate, they just get fatter. | 0:22:43 | 0:22:46 | |
So, the fat cells in our thighs can multiply, | 0:22:46 | 0:22:49 | |
but the ones that we have round our midriff, they just get fatter. | 0:22:49 | 0:22:51 | |
Now, you don't really want to have belly fat, because what we now | 0:22:51 | 0:22:54 | |
know about it is that it's actually biologically active, belly fat. | 0:22:54 | 0:22:57 | |
It is releasing hormones into your system, | 0:22:57 | 0:23:00 | |
and that could increase your risk of heart disease and so on. | 0:23:00 | 0:23:02 | |
So you don't want to get more of them, | 0:23:02 | 0:23:04 | |
because they're incredibly bad for you. | 0:23:04 | 0:23:06 | |
So, they did a study, the NHS, 91% of mothers | 0:23:06 | 0:23:09 | |
and 80% of fathers of overweight children | 0:23:09 | 0:23:12 | |
mistakenly think that their children are a healthy weight. | 0:23:12 | 0:23:14 | |
Well, I'm the exception, because all my mum does is say, | 0:23:14 | 0:23:17 | |
"Well, you need to shift some of that." She says it to me a lot. | 0:23:17 | 0:23:19 | |
-Does she? -And then she just keeps trying to make me eat more food. | 0:23:19 | 0:23:22 | |
My mum used to give me so much food when I was going to school, | 0:23:24 | 0:23:27 | |
like she'd give me, like, jam sandwiches, not for lunch, | 0:23:27 | 0:23:29 | |
-for break time, right. -Right. | 0:23:29 | 0:23:31 | |
And the school became concerned, and phoned my mum and said, | 0:23:31 | 0:23:36 | |
"Look, we're a bit worried about it." And you know what she did? | 0:23:36 | 0:23:38 | |
She told me to hide when I was eating my jam sandwiches. | 0:23:38 | 0:23:41 | |
-That's good parenting. -Yeah. -That is really good parenting. | 0:23:45 | 0:23:48 | |
From the fattest to the flattest. | 0:23:49 | 0:23:52 | |
What's the most featureless place on earth? | 0:23:52 | 0:23:55 | |
-Well, hmm. -So where were you when you talked about things | 0:23:55 | 0:23:58 | |
that don't smell? Where did you go when you talked about... | 0:23:58 | 0:24:01 | |
-# Under the sea. # -So, that is where we're going to go, | 0:24:01 | 0:24:03 | |
we're going to go under the sea. | 0:24:03 | 0:24:04 | |
It is something called the Abyssal Plains. And it's undersea areas | 0:24:04 | 0:24:09 | |
of sediment, and their slopes can be really shallow, | 0:24:09 | 0:24:11 | |
I mean unbelievably shallow, like one foot per thousand. | 0:24:11 | 0:24:13 | |
And what happens is the sediments wash off the land, | 0:24:13 | 0:24:15 | |
and over time they spread out to form a smooth and level surface. | 0:24:15 | 0:24:20 | |
And it's home to the world's deepest fish that you get | 0:24:20 | 0:24:22 | |
right down at the bottom there. | 0:24:22 | 0:24:24 | |
Are those the really freaky...? Oh, yeah. | 0:24:24 | 0:24:25 | |
-Oh, yeah. Now you're talking. -Yeah. -Oh, mate. | 0:24:25 | 0:24:28 | |
I mean these are angler fish you can see there. | 0:24:28 | 0:24:30 | |
-I think they are astonishing. -God, that one in the middle | 0:24:30 | 0:24:32 | |
-just looking through your window. -And we're there. | 0:24:32 | 0:24:35 | |
And they're really deep, so you can really, | 0:24:35 | 0:24:36 | |
like, talk to them about, like, real issues. | 0:24:36 | 0:24:38 | |
Have a quick look at this, which is my favourite fact about the Pacific. | 0:24:40 | 0:24:43 | |
So I've got my globe here, | 0:24:43 | 0:24:46 | |
so you can see how large the Pacific is, it covers this enormous area. | 0:24:46 | 0:24:50 | |
There is a point in the Pacific where, | 0:24:50 | 0:24:52 | |
if you drilled down through the centre of the earth, | 0:24:52 | 0:24:54 | |
so that is off the coast of Vietnam near Hai Phong, and you came back | 0:24:54 | 0:24:58 | |
out exactly on the other side, you would still arrive in the Pacific, | 0:24:58 | 0:25:02 | |
you'd be off the coast of South America at the Chile/Peru border. | 0:25:02 | 0:25:05 | |
That just gives you some idea, that is exactly halfway, | 0:25:05 | 0:25:07 | |
right through the whole planet, that the Pacific is that big. | 0:25:07 | 0:25:10 | |
Oh, I love it. I love it when a fact is pointed out to you | 0:25:10 | 0:25:12 | |
and you don't have to have this whole mass of stuff. | 0:25:12 | 0:25:14 | |
-But this is rather fine, isn't it? -Yeah. -Rather an astonishing one. | 0:25:14 | 0:25:17 | |
Well, no, I don't think it is, I think you're going to get | 0:25:17 | 0:25:19 | |
very little for that on eBay, because you've completely ruined it. | 0:25:19 | 0:25:22 | |
The most featureless place on earth is underwater. | 0:25:23 | 0:25:26 | |
Who invented this and what does it say? | 0:25:26 | 0:25:29 | |
IRREGULAR BEEPS | 0:25:29 | 0:25:32 | |
I'm going to have to say Morse, aren't I? | 0:25:35 | 0:25:38 | |
Yeah, you are going to have to say Morse, I think. | 0:25:38 | 0:25:40 | |
Get it out of the way. | 0:25:40 | 0:25:41 | |
It's probably the most famous Morse code signal ever sent. | 0:25:41 | 0:25:44 | |
SOS? Is it three dots and three dashes? | 0:25:44 | 0:25:47 | |
No. It's CQD that is being sent, | 0:25:47 | 0:25:50 | |
it's the Marconi distress message that was sent from the Titanic. | 0:25:50 | 0:25:53 | |
People now say it means "Come quick drowning," | 0:25:53 | 0:25:55 | |
but that's what you call a backronym. | 0:25:55 | 0:25:56 | |
In fact, CQ was for the French "securite" | 0:25:56 | 0:25:58 | |
and then Marconi added the D for Distress. | 0:25:58 | 0:26:01 | |
And so, "We have a distressing security issue." | 0:26:01 | 0:26:04 | |
But the issue about Morse code is that it isn't really a code | 0:26:04 | 0:26:09 | |
and that Morse didn't really invent it. It involved transmitting | 0:26:09 | 0:26:12 | |
numbers, Morse code, which you, then looked up in a special dictionary | 0:26:12 | 0:26:15 | |
to see what word they represented. | 0:26:15 | 0:26:17 | |
And it was Morse's colleague, this man here, Alfred Vail, | 0:26:17 | 0:26:20 | |
who came up with the idea of using | 0:26:20 | 0:26:21 | |
letters and assigning dots and dashes to each one. | 0:26:21 | 0:26:23 | |
So, probably Morse code should be called Vail's code. | 0:26:23 | 0:26:26 | |
But, actually, it should be Vail's cipher. | 0:26:26 | 0:26:28 | |
So, we had a letter from a QI viewer, Phil Boyd, | 0:26:28 | 0:26:31 | |
and he pointed out that a code replaces whole words with symbols | 0:26:31 | 0:26:35 | |
and a cipher replaces individual letters. | 0:26:35 | 0:26:38 | |
So, strictly speaking, Morse code ought to be called Vail's cipher. | 0:26:38 | 0:26:42 | |
Anyway, moving on, how many moons did the Earth have? | 0:26:42 | 0:26:47 | |
AUDIENCE GIGGLES NERVOUSLY | 0:26:47 | 0:26:49 | |
So, we've covered how many moons Earth has many times on QI. | 0:26:53 | 0:26:57 | |
We're looking at the past here. | 0:26:57 | 0:26:58 | |
Ten. | 0:26:58 | 0:26:59 | |
-Yes? -None. | 0:27:03 | 0:27:06 | |
There is new research which suggests that our current moon is | 0:27:10 | 0:27:14 | |
the result of about 20 separate moons that have | 0:27:14 | 0:27:16 | |
coalesced into one over millions of years. | 0:27:16 | 0:27:18 | |
So, since the moon and the Earth are made of rather similar materials, | 0:27:18 | 0:27:22 | |
it is thought that the moon formed | 0:27:22 | 0:27:24 | |
when an object hit the Earth and it sent debris up into space. | 0:27:24 | 0:27:27 | |
And they've run thousands of simulations | 0:27:27 | 0:27:29 | |
and they concluded there were lots of moons, at least 20, | 0:27:29 | 0:27:32 | |
each one formed from a different collision. | 0:27:32 | 0:27:35 | |
So it is possible that we originally had 20 moons. | 0:27:35 | 0:27:37 | |
So, where have all the moons gone, then? | 0:27:37 | 0:27:40 | |
-They've coalesced into one, so... -Oh, they're all one big moon. | 0:27:40 | 0:27:42 | |
They've been drawn together, yeah. | 0:27:42 | 0:27:44 | |
The Earth had 20 moons, but now has only approximately one. | 0:27:44 | 0:27:48 | |
All of which shines a silvery light on to the darkness | 0:27:48 | 0:27:51 | |
which is the scores. Oh, this is tragic. | 0:27:51 | 0:27:55 | |
In last place, with -52, Alan. | 0:27:56 | 0:27:59 | |
Thank you so much. | 0:27:59 | 0:28:00 | |
-Also a quite phenomenal -36, Liza. -Hey! Get in! | 0:28:03 | 0:28:09 | |
And -29, Romesh! | 0:28:11 | 0:28:12 | |
You've done it Matt, you've done it, with a magnificent -7, | 0:28:16 | 0:28:20 | |
-you are the winner. -Hurrah! | 0:28:20 | 0:28:21 | |
So, Matt takes home our objectionable object of the week, | 0:28:27 | 0:28:31 | |
and it's this weird device for holding a horse's mouth open | 0:28:31 | 0:28:34 | |
while you fix its teeth. | 0:28:34 | 0:28:35 | |
There you are Matt, that's for you. Wow, it's heavy. | 0:28:35 | 0:28:37 | |
-Wow, thanks very much. -You're most welcome. -Wow, thank you. | 0:28:37 | 0:28:41 | |
It only remains for me to thank Liza, Matt, Romesh and Alan. | 0:28:41 | 0:28:45 | |
And I leave you with this, | 0:28:45 | 0:28:47 | |
from a Randy Scandi Norwegian Nobel Prize winner, Knut Hamsun. | 0:28:47 | 0:28:51 | |
When returning from his first trip to Paris, a friend asked, | 0:28:51 | 0:28:54 | |
"At the beginning, didn't you have trouble with your French? | 0:28:54 | 0:28:57 | |
"No," replied Hamsun, "but the French did." | 0:28:57 | 0:28:59 | |
Merci bien, et bonne nuit. | 0:28:59 | 0:29:01 |