Browse content similar to Opposites. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE AND CHEERING | 0:00:23 | 0:00:30 | |
Goodbye, and thanks. | 0:00:32 | 0:00:37 | |
Thanks for coming to IQ. | 0:00:37 | 0:00:39 | |
Tonight, we're in opposite world, | 0:00:39 | 0:00:41 | |
where everything you thought was right | 0:00:41 | 0:00:43 | |
is either wrong or left, and vice versa. | 0:00:43 | 0:00:46 | |
Or it might be the other way round. | 0:00:46 | 0:00:48 | |
Anyway, up in reverse order, | 0:00:48 | 0:00:50 | |
these are not my guests. | 0:00:50 | 0:00:51 | |
On the contrary, Sara Pascoe. | 0:00:51 | 0:00:53 | |
APPLAUSE AND CHEERING | 0:00:53 | 0:00:58 | |
No way, it's Jimmy Carr. | 0:00:58 | 0:00:59 | |
APPLAUSE AND CHEERING | 0:00:59 | 0:01:03 | |
It definitely can't be Colin Lane. | 0:01:03 | 0:01:06 | |
APPLAUSE AND CHEERING | 0:01:06 | 0:01:10 | |
And I can't believe it's not Davies Alan, but it is. | 0:01:10 | 0:01:13 | |
APPLAUSE AND CHEERING | 0:01:13 | 0:01:16 | |
So, because we're doing opposites tonight, | 0:01:20 | 0:01:22 | |
every time you get something wrong, you get a bonus. | 0:01:22 | 0:01:25 | |
-Ah. -LAUGHTER | 0:01:25 | 0:01:26 | |
That's good, isn't it? | 0:01:26 | 0:01:29 | |
Alan's big night. LAUGHTER | 0:01:29 | 0:01:31 | |
Let's listen to the buzzers. Sara goes... | 0:01:31 | 0:01:34 | |
# Night and day... # | 0:01:34 | 0:01:36 | |
-That's nice. Fits with our theme. -Classy. Beautiful. | 0:01:36 | 0:01:39 | |
That's very nice, isn't it? Colin goes... | 0:01:39 | 0:01:41 | |
# Ebony and Ivory... # | 0:01:41 | 0:01:46 | |
Aah, I want a drink now. | 0:01:46 | 0:01:48 | |
Jimmy goes... | 0:01:48 | 0:01:49 | |
# Love and marriage, love and marriage... # | 0:01:49 | 0:01:51 | |
LAUGHTER | 0:01:51 | 0:01:54 | |
They're not really opposites, are they? | 0:01:54 | 0:01:56 | |
-What, love and marriage? -Yeah. | 0:01:56 | 0:01:58 | |
-If you're doing it right. -Oh. | 0:01:58 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
And Alan goes... | 0:02:01 | 0:02:02 | |
# In, out, in, out | 0:02:02 | 0:02:04 | |
# In, out, in, out | 0:02:04 | 0:02:06 | |
# In, out, in, out Shake it all about... # | 0:02:06 | 0:02:09 | |
LAUGHTER | 0:02:09 | 0:02:11 | |
APPLAUSE | 0:02:11 | 0:02:13 | |
Very base level Kama Sutra there. | 0:02:17 | 0:02:19 | |
LAUGHTER | 0:02:19 | 0:02:20 | |
Oh, dear. | 0:02:20 | 0:02:22 | |
"In, out, in, out, in, out, shake it all about," you'll be fine. | 0:02:22 | 0:02:25 | |
LAUGHTER | 0:02:25 | 0:02:26 | |
Anyway, rather than getting to business, | 0:02:26 | 0:02:28 | |
-we should do the opposite and have some fun... -Woohoo! | 0:02:28 | 0:02:31 | |
..so I've got some alcopops, like this. | 0:02:31 | 0:02:33 | |
I've got some... Look at these. | 0:02:33 | 0:02:35 | |
-There's your balloons. -Thank you. | 0:02:35 | 0:02:37 | |
And I've got fun chocolates. LAUGHTER | 0:02:37 | 0:02:41 | |
There's another balloon for you. | 0:02:41 | 0:02:43 | |
OK. So, here's the thing... | 0:02:43 | 0:02:45 | |
-Sorry, I've dropped mine. -..it's party time... | 0:02:45 | 0:02:47 | |
Oh, you've dropped your balloon. | 0:02:47 | 0:02:48 | |
-Hang on a minute. -Jimmy's going to be a silly billy. -No, don't. | 0:02:48 | 0:02:51 | |
LAUGHTER | 0:02:51 | 0:02:54 | |
APPLAUSE | 0:02:54 | 0:02:57 | |
I'll do it. | 0:02:59 | 0:03:01 | |
OK, thanks, Colin. | 0:03:01 | 0:03:03 | |
-Sorry. -Yes? -If you just... | 0:03:03 | 0:03:05 | |
Could you hold up the red balloon for a second there? | 0:03:05 | 0:03:07 | |
Cos it'll look like a Banksy. | 0:03:07 | 0:03:09 | |
LAUGHTER | 0:03:09 | 0:03:11 | |
There you go. | 0:03:11 | 0:03:13 | |
CHEERING AND APPLAUSE | 0:03:13 | 0:03:15 | |
That took the... Party time, OK? | 0:03:18 | 0:03:20 | |
Oh, yeah, here we go. | 0:03:20 | 0:03:21 | |
You are driving home from the shops, you are so excited. | 0:03:21 | 0:03:24 | |
-That's good, isn't it, Colin? -Oh, that's me! | 0:03:24 | 0:03:26 | |
ALL: Aww! | 0:03:26 | 0:03:28 | |
You're so excited that, unfortunately, | 0:03:28 | 0:03:30 | |
-you crash into a tree. -Oh. | 0:03:30 | 0:03:31 | |
LAUGHTER | 0:03:31 | 0:03:32 | |
Yeah. I want to know what happens to the helium balloons? | 0:03:32 | 0:03:35 | |
-They... -Well, I'm more worried about him! | 0:03:35 | 0:03:36 | |
-LAUGHTER -Yeah. What about me? What about me? | 0:03:36 | 0:03:39 | |
-Yes. -Yeah, that's quite heartless. -Yeah, sorry. | 0:03:39 | 0:03:41 | |
If the helium balloons pop and then you ring the ambulance, | 0:03:41 | 0:03:43 | |
they won't believe you, they'll think you're doing a prank call. | 0:03:43 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:47 | |
-Because you'll sound like a silly boy. -Yes. | 0:03:47 | 0:03:49 | |
Alan, what were you going to say? | 0:03:49 | 0:03:50 | |
-They're going to keep going. -Which way? | 0:03:50 | 0:03:53 | |
Up? | 0:03:53 | 0:03:54 | |
KLAXON BLARES | 0:03:54 | 0:03:57 | |
LAUGHTER AND APPLAUSE | 0:03:57 | 0:04:00 | |
Is it something to do with the airbag? | 0:04:00 | 0:04:02 | |
Cos the airbag's going to get released | 0:04:02 | 0:04:04 | |
and then there's another gas in the car. | 0:04:04 | 0:04:06 | |
-So, do they fall in love... -LAUGHTER | 0:04:06 | 0:04:09 | |
..and run away together? | 0:04:09 | 0:04:10 | |
-No, it's nothing to do with the airbag. -OK. | 0:04:10 | 0:04:12 | |
-So, helium less dense than air. -Yeah. -All right. | 0:04:12 | 0:04:14 | |
So, everything else is going to get thrown forward, | 0:04:14 | 0:04:17 | |
the alcopops and chocolates are going to get thrown forward, | 0:04:17 | 0:04:19 | |
They stay still. | 0:04:19 | 0:04:20 | |
KLAXON BLARES | 0:04:20 | 0:04:23 | |
This is a stupid show! | 0:04:23 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:26 | |
-They go down, they go down. -No. -They go backwards. | 0:04:26 | 0:04:29 | |
-They go down. They go down. -They go backwards! | 0:04:29 | 0:04:31 | |
-Backwards. -They go backwards, they go backwards. | 0:04:31 | 0:04:33 | |
# Ivory... | 0:04:33 | 0:04:34 | |
They go backwards. | 0:04:34 | 0:04:36 | |
Then, when you accelerate, | 0:04:36 | 0:04:38 | |
what's going to happen to the helium balloon? | 0:04:38 | 0:04:40 | |
-Cos the helium balloon's gone backwards. -They'll go sideways. | 0:04:40 | 0:04:42 | |
-They're going to go... -Up. | 0:04:42 | 0:04:44 | |
-..the same, they're going to go forwards. -Forwards. | 0:04:44 | 0:04:46 | |
Yes, they're going to go forwards. | 0:04:46 | 0:04:47 | |
Exactly. | 0:04:47 | 0:04:49 | |
OK, so enough party time, let's put things away. | 0:04:49 | 0:04:51 | |
Cos there's a limit to the amount of fun you're allowed. There you go. | 0:04:51 | 0:04:54 | |
OK, so we're doing opposites, what's the opposite of monopoly? | 0:04:54 | 0:04:57 | |
Fun. | 0:04:57 | 0:04:59 | |
LAUGHTER | 0:04:59 | 0:05:00 | |
The danger of thinking it's fun. | 0:05:00 | 0:05:03 | |
Yeah. Extra point. | 0:05:03 | 0:05:04 | |
So, monopoly, a single supplier holding consumers to ransom. | 0:05:04 | 0:05:07 | |
So, what we're looking for is a single consumer | 0:05:07 | 0:05:09 | |
who can hold suppliers to ransom. It's called a monopsony. | 0:05:09 | 0:05:11 | |
And is the opposite of monopoly, it's possibly... | 0:05:11 | 0:05:13 | |
I love the way you kept going with that question | 0:05:13 | 0:05:16 | |
-and that, never in a million years, were we going to get it. -LAUGHTER | 0:05:16 | 0:05:19 | |
I did economics A-level for a year and that's what it felt like. | 0:05:19 | 0:05:21 | |
LAUGHTER | 0:05:21 | 0:05:23 | |
So, what's an example? | 0:05:23 | 0:05:24 | |
So, the BBC, for example, has a monopsony on radio drama, right? | 0:05:24 | 0:05:28 | |
Lots of people want to write it, lots of people want to be in it, | 0:05:28 | 0:05:30 | |
but, pretty much, the BBC are the only people who produce it. | 0:05:30 | 0:05:33 | |
So, there are lots and lots of suppliers, | 0:05:33 | 0:05:35 | |
-but there's only one consumer. -And one listener. | 0:05:35 | 0:05:38 | |
LAUGHTER | 0:05:38 | 0:05:40 | |
She's very lonely. | 0:05:40 | 0:05:42 | |
-She's very lonely. -She's doing the washing up, she's fine. | 0:05:42 | 0:05:45 | |
She can't afford a telly. She just can't afford one. | 0:05:45 | 0:05:48 | |
-She won't be seeing this. -LAUGHTER | 0:05:48 | 0:05:51 | |
So, a single passenger, say, disembarking from a train, | 0:05:51 | 0:05:54 | |
and there's lots of taxis waiting, | 0:05:54 | 0:05:56 | |
that would be another example. There's only one consumer | 0:05:56 | 0:05:58 | |
and everybody is vying for their custom, so it's a monopsony. | 0:05:58 | 0:06:01 | |
So, monopsony is the opposite of monopoly, but nobody ever uses it. | 0:06:01 | 0:06:05 | |
And there are lots of words called orphaned negatives. | 0:06:05 | 0:06:07 | |
So, these are words that have the opposites, | 0:06:07 | 0:06:09 | |
but nobody uses them, they are now obsolete. | 0:06:09 | 0:06:12 | |
So, what would be the opposite of ineffable? | 0:06:12 | 0:06:16 | |
-Effable. -Effable. -Effable. -Effable, but nobody ever uses it, | 0:06:16 | 0:06:19 | |
-it's a perfectly good word, isn't it? -I've heard people say that. | 0:06:19 | 0:06:21 | |
Effable? It's not effable? | 0:06:21 | 0:06:23 | |
"Oh, he's got nice trousers on today. | 0:06:23 | 0:06:25 | |
-He's totally eff-able. -LAUGHTER | 0:06:25 | 0:06:27 | |
In that sense. | 0:06:27 | 0:06:29 | |
APPLAUSE | 0:06:29 | 0:06:31 | |
In polite company. | 0:06:31 | 0:06:34 | |
Yeah, well, funny and... | 0:06:34 | 0:06:35 | |
-thank you. -LAUGHTER | 0:06:35 | 0:06:36 | |
I really appreciate it. | 0:06:36 | 0:06:38 | |
They're very roomy. | 0:06:38 | 0:06:40 | |
But there are a lot of good ones. | 0:06:40 | 0:06:41 | |
Incessant, so cessant. | 0:06:41 | 0:06:43 | |
Nobody talks about cessant any more. | 0:06:43 | 0:06:44 | |
There's a weird thing about this word, OK? | 0:06:44 | 0:06:47 | |
What it tells you in the dictionary | 0:06:47 | 0:06:48 | |
is that "cessant" hasn't been used since 1701. | 0:06:48 | 0:06:50 | |
What happened that year? | 0:06:50 | 0:06:52 | |
They thought, "Do you know? I'm done with that word." | 0:06:52 | 0:06:54 | |
What about, for you, what about disdain? | 0:06:54 | 0:06:56 | |
Oh, yes, the opposite of being a good Dane, yes, a disdain. | 0:06:56 | 0:06:59 | |
LAUGHTER | 0:06:59 | 0:07:01 | |
ALAN AND COLIN: Dis Dane, dat Dane. | 0:07:01 | 0:07:05 | |
-Dis Dane. -Yeah. LAUGHTER | 0:07:05 | 0:07:11 | |
Nocent, anybody? | 0:07:11 | 0:07:13 | |
Yes-cent. | 0:07:13 | 0:07:14 | |
LAUGHTER | 0:07:14 | 0:07:18 | |
-Innocent. -Innocent. -Innocent, so a nocent... | 0:07:18 | 0:07:20 | |
-Yeah, a nocent was a criminal. -Oh. -In-nocent. | 0:07:20 | 0:07:22 | |
Until about the 17th century, | 0:07:22 | 0:07:23 | |
so nocentem, Latin meaning "to harm". | 0:07:23 | 0:07:25 | |
Is nonchalant... | 0:07:25 | 0:07:26 | |
-chalant? -Chalant. I suppose... | 0:07:26 | 0:07:28 | |
-Chalant. -Yes. | 0:07:28 | 0:07:29 | |
I'm going to refer to you as chalant, I like that. | 0:07:29 | 0:07:31 | |
-I think that sounds rather good. -Chalant. | 0:07:31 | 0:07:33 | |
Yeah, chalant and effable. | 0:07:33 | 0:07:35 | |
LAUGHTER | 0:07:35 | 0:07:37 | |
Stop it, you. | 0:07:37 | 0:07:39 | |
To be fair, Jimmy, I had to have it pointed out to me. | 0:07:39 | 0:07:42 | |
LAUGHTER | 0:07:42 | 0:07:44 | |
APPLAUSE | 0:07:44 | 0:07:47 | |
Inflammable? | 0:07:49 | 0:07:50 | |
-Oh, I hate... inflammable and flammable? -Hmm. -Same thing. | 0:07:50 | 0:07:53 | |
It is exactly the same thing, it's not an orphan negative at all. | 0:07:53 | 0:07:56 | |
In fact, the opposite of flammable is non-flammable. | 0:07:56 | 0:07:58 | |
"Explosif." | 0:07:58 | 0:08:00 | |
-I beg your pardon? -Just... Just reading. | 0:08:00 | 0:08:02 | |
Oh, explosif. LAUGHTER | 0:08:02 | 0:08:05 | |
It used to be inflammable cos it comes from the Latin inflammare. | 0:08:05 | 0:08:07 | |
But they adopted flammable deliberately in the 20th century, | 0:08:07 | 0:08:10 | |
because, honestly, inflammable seemed ambiguous, | 0:08:10 | 0:08:12 | |
so that is one of the reasons why we now say flammable | 0:08:12 | 0:08:15 | |
-and then non-flammable. -Oh. -Right. | 0:08:15 | 0:08:16 | |
Anybody know what a contronym is? | 0:08:16 | 0:08:18 | |
Oh, so it's like synonym? | 0:08:18 | 0:08:20 | |
Yeah? | 0:08:20 | 0:08:21 | |
-Antonym? -Antonyms, yes. | 0:08:21 | 0:08:23 | |
So, it's a word that is also its own opposite. | 0:08:23 | 0:08:26 | |
So, screen, which means to show - like screen a film - | 0:08:26 | 0:08:29 | |
and screen also means to hide. | 0:08:29 | 0:08:31 | |
-Yeah, hide. That's nice. -Another example, bound. | 0:08:31 | 0:08:33 | |
So fastened to the spot and also heading somewhere. | 0:08:33 | 0:08:35 | |
-Oh, that's good, isn't it? -That's really nice. | 0:08:35 | 0:08:38 | |
-They're good, aren't they, contronyms? Do you like this? -Yes. | 0:08:38 | 0:08:41 | |
Fast, so moving quickly, and stuck and unable to move. It's the two... | 0:08:41 | 0:08:43 | |
And also, I always with fast food, to fast is not to eat. | 0:08:43 | 0:08:46 | |
-And then also to eat loads really cheaply. -Yeah, there you go. | 0:08:46 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:49 | |
-Contronyms... I think we may need marijuana for this. -Yeah. | 0:08:49 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:54 | |
It appears to me like this should be a conversation that happens like, | 0:08:54 | 0:08:56 | |
-"Yeah, man, fast." -Yeah. -Yeah. -"Yeah." -"Cos it's like..." | 0:08:56 | 0:08:59 | |
-"But, no, man, fast food." -LAUGHTER | 0:08:59 | 0:09:02 | |
I love that your impression of someone on drugs | 0:09:02 | 0:09:04 | |
-means you've never taken them. -LAUGHTER | 0:09:04 | 0:09:08 | |
Antigrams. | 0:09:08 | 0:09:09 | |
Anybody know what an antigram is? | 0:09:09 | 0:09:10 | |
It is the opposite of a gram. | 0:09:10 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:14 | |
So, these are words where, if you do an anagram, | 0:09:14 | 0:09:17 | |
the anagram itself has the opposite meaning to the original word. | 0:09:17 | 0:09:21 | |
-So... -Impossible! -Whoa! | 0:09:21 | 0:09:23 | |
Yeah. Dormitories, tidier rooms, is one, there's one. | 0:09:23 | 0:09:25 | |
Customers, I like this one, | 0:09:25 | 0:09:27 | |
the anagram is store scum. | 0:09:27 | 0:09:29 | |
LAUGHTER AND APPLAUSE | 0:09:29 | 0:09:34 | |
There's a few people out there work in retail. | 0:09:34 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:40 | |
Here's another one, an antigram. | 0:09:40 | 0:09:41 | |
A volunteer fireman - | 0:09:41 | 0:09:43 | |
I never run to a flame. | 0:09:43 | 0:09:45 | |
LAUGHTER | 0:09:45 | 0:09:47 | |
And forty-five is an anagram | 0:09:47 | 0:09:49 | |
of over fifty. | 0:09:49 | 0:09:50 | |
LAUGHTER | 0:09:50 | 0:09:52 | |
That's just a woman lying, basically. | 0:09:52 | 0:09:54 | |
LAUGHTER | 0:09:54 | 0:09:55 | |
Now, you'll need to sort the sheep from the goats. | 0:09:55 | 0:09:59 | |
So, let's play... | 0:09:59 | 0:10:01 | |
This has really dumbed down, hasn't it? | 0:10:08 | 0:10:10 | |
-LAUGHTER -I like it, I like it. | 0:10:10 | 0:10:12 | |
This show used to be something. I mean... | 0:10:12 | 0:10:15 | |
What is the difference between a sheep and a goat? | 0:10:15 | 0:10:18 | |
I think it's something that they do, rather than what they look like. | 0:10:18 | 0:10:21 | |
-OK. What do you think it is that they do? -Jumping. | 0:10:21 | 0:10:23 | |
I think... I love that clip so much when people are doing yoga... | 0:10:23 | 0:10:26 | |
-Yeah. -..and the goats are jumping on them. | 0:10:26 | 0:10:28 | |
And I've never seen a sheep... | 0:10:28 | 0:10:30 | |
LAUGHTER | 0:10:30 | 0:10:32 | |
-Seriously? -You've not seen this? -No... | 0:10:32 | 0:10:34 | |
Basically, there's all these people and they're doing downward dogs, | 0:10:34 | 0:10:37 | |
-and then tiny goats... -I'm going to stop you right there. | 0:10:37 | 0:10:39 | |
LAUGHTER | 0:10:39 | 0:10:42 | |
-They're doing yoga poses... -Oh, I see. | 0:10:42 | 0:10:44 | |
-..with their bums in the air... -Right. | 0:10:44 | 0:10:45 | |
..and goats are just jumping on them, like they're hillocks, | 0:10:45 | 0:10:48 | |
from person to person. It went crazy. | 0:10:48 | 0:10:50 | |
What kind of a class is that?! | 0:10:50 | 0:10:52 | |
But the problem is... | 0:10:52 | 0:10:53 | |
-So, you're supposed to be so focused on your yoga... -Yes. | 0:10:53 | 0:10:55 | |
-..you ignore the goats... -Don't notice the goats. | 0:10:55 | 0:10:58 | |
-..and the goats are just, like, having a crazy great time. -LAUGHTER | 0:10:58 | 0:11:01 | |
This is everything I hate about yoga. | 0:11:01 | 0:11:02 | |
LAUGHTER | 0:11:02 | 0:11:04 | |
There's goats jumping on your arse | 0:11:04 | 0:11:06 | |
and you don't go, "Ha-ha." | 0:11:06 | 0:11:08 | |
That's craziness. | 0:11:08 | 0:11:10 | |
You can, but then you're bad at yoga. | 0:11:10 | 0:11:11 | |
LAUGHTER | 0:11:11 | 0:11:13 | |
-Can I just say...? -Whereas the sheep... | 0:11:13 | 0:11:16 | |
Yeah, don't go to yoga. LAUGHTER | 0:11:16 | 0:11:18 | |
-Perhaps more pilates be more for sheep. -Yeah. | 0:11:18 | 0:11:20 | |
I've never seen a sheep jump. That's my point. | 0:11:20 | 0:11:22 | |
-I think goats are very agile. -Sheep can jump. -Sheep jump? -Yes. | 0:11:22 | 0:11:25 | |
-They can jump. -Yeah, they jump over... -In your dreams! | 0:11:25 | 0:11:27 | |
-Because sometimes they jump for no reason at all. -LAUGHTER | 0:11:27 | 0:11:30 | |
Can I just say, my game has not gone where I was expecting, all right? LAUGHTER | 0:11:30 | 0:11:34 | |
The simplest way to tell them apart | 0:11:34 | 0:11:36 | |
is that goats' tails point upwards. | 0:11:36 | 0:11:38 | |
That is the easiest way. | 0:11:38 | 0:11:39 | |
It's almost like they're asking for it. | 0:11:39 | 0:11:41 | |
LAUGHTER | 0:11:41 | 0:11:44 | |
Don't listen to him, he's a bad man! | 0:11:44 | 0:11:47 | |
-That is a kind of... -That's why they have the horns, right? | 0:11:47 | 0:11:49 | |
-That's the whole point of the horns. -Yeah. | 0:11:49 | 0:11:51 | |
-AUDIENCE GROANS -Don't listen to him either! | 0:11:51 | 0:11:53 | |
They're both terrible men. | 0:11:53 | 0:11:55 | |
So sorry. | 0:11:55 | 0:11:57 | |
You've ruined the yoga class. | 0:11:57 | 0:11:58 | |
LAUGHTER | 0:11:58 | 0:12:00 | |
Everything's ruined. | 0:12:00 | 0:12:01 | |
So, another clear distinction is kind of a martial arts style. | 0:12:01 | 0:12:04 | |
So, rams back up and charge in order to butt heads, | 0:12:04 | 0:12:07 | |
whereas billies will rear up. | 0:12:07 | 0:12:09 | |
Look at that, that's fantastic. | 0:12:09 | 0:12:10 | |
-They'll rear up on their hind legs and try and nut their opponent. -OK. | 0:12:10 | 0:12:14 | |
And when the two species fight each other, | 0:12:14 | 0:12:16 | |
the ram's style gives an advantage, | 0:12:16 | 0:12:17 | |
cos he hits the billy in the middle, amidships there. | 0:12:17 | 0:12:20 | |
But also, another difference between them is... | 0:12:20 | 0:12:22 | |
they look different. | 0:12:22 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:27 | |
Look different. | 0:12:27 | 0:12:28 | |
Spelt differently. | 0:12:28 | 0:12:31 | |
-Tails. -They have different names. -Different names. | 0:12:31 | 0:12:33 | |
OK. | 0:12:33 | 0:12:34 | |
Let's find out whether you're right, | 0:12:34 | 0:12:36 | |
whether it is in fact cos they look different, | 0:12:36 | 0:12:38 | |
as we play... | 0:12:38 | 0:12:39 | |
Sorting The Sheep From The Goats! | 0:12:39 | 0:12:41 | |
-Yay! -CHEERING | 0:12:41 | 0:12:44 | |
I'm telling you, Jimmy, you're going to be hosting this before long, | 0:12:47 | 0:12:50 | |
this quiz show. LAUGHTER | 0:12:50 | 0:12:52 | |
OK, here we go, first picture. | 0:12:52 | 0:12:55 | |
-Goat. -Sheep, sheep. -KLAXON | 0:12:55 | 0:12:58 | |
In your face! | 0:12:58 | 0:13:00 | |
You had it, it's a sheep. | 0:13:00 | 0:13:02 | |
The giveaway is the long, floppy ears there. | 0:13:02 | 0:13:04 | |
-That's definitely a sheep. OK. -And the fact that it's a sheep. | 0:13:04 | 0:13:07 | |
LAUGHTER All right. Next one. | 0:13:07 | 0:13:09 | |
-Ah. -Oh. -Sheep. | 0:13:09 | 0:13:11 | |
LAUGHTER | 0:13:11 | 0:13:16 | |
Colin, say the opposite of what it looks like, I think that's the game. | 0:13:16 | 0:13:20 | |
-Say the opposite. -A dog. | 0:13:20 | 0:13:21 | |
It's an angora goat. Next one. | 0:13:21 | 0:13:24 | |
What are we going for? | 0:13:24 | 0:13:26 | |
I'm saying sheep cos it looks like a goat. | 0:13:26 | 0:13:28 | |
OK, the main reason we know it's a sheep is because the tail is down. | 0:13:28 | 0:13:31 | |
OK, next one. | 0:13:31 | 0:13:33 | |
What do we reckon about this one? | 0:13:33 | 0:13:35 | |
LAUGHTER | 0:13:35 | 0:13:38 | |
-Pig sheep. -It is a pig. | 0:13:38 | 0:13:40 | |
It's a curly-coated Mangalica from Austria or the borders of Hungary. | 0:13:40 | 0:13:44 | |
Actually, the really extraordinary thing was, | 0:13:44 | 0:13:46 | |
I talked about sheep's tails hanging down, | 0:13:46 | 0:13:48 | |
so about a quarter of the world's sheep | 0:13:48 | 0:13:50 | |
are what they call "fat-tailed" varieties, | 0:13:50 | 0:13:52 | |
so they store fat in their tails. | 0:13:52 | 0:13:54 | |
-Whoa! -They've got booties. | 0:13:54 | 0:13:55 | |
Yeah, just like a camel stores fat. | 0:13:55 | 0:13:57 | |
-Can we show that? -LAUGHTER | 0:13:57 | 0:14:01 | |
So, they store fat in their tails, | 0:14:01 | 0:14:03 | |
-rather like the camel stores it in their hump... -Yeah. | 0:14:03 | 0:14:06 | |
..and there are various sources, so Pliny the Elder, | 0:14:06 | 0:14:08 | |
-right up to Bruce Chatwin. -Oh. | 0:14:08 | 0:14:09 | |
They state that some of these sheep were actually fitted | 0:14:09 | 0:14:12 | |
with a wheeled trolley to carry their tails around behind them... | 0:14:12 | 0:14:15 | |
-Ah, the... -Oh. -..because there was so much fat in them. | 0:14:15 | 0:14:17 | |
The Kardashian sheep, yes. | 0:14:17 | 0:14:19 | |
LAUGHTER | 0:14:19 | 0:14:21 | |
I am familiar. | 0:14:21 | 0:14:23 | |
Now, what's the opposite | 0:14:23 | 0:14:25 | |
of a plant-eating sheep? | 0:14:25 | 0:14:27 | |
-A plant that grows sheep. -It's a sheep. | 0:14:27 | 0:14:31 | |
LAUGHTER | 0:14:31 | 0:14:34 | |
See, just when I think what I said is really clear... | 0:14:34 | 0:14:36 | |
LAUGHTER | 0:14:36 | 0:14:39 | |
You now sound like a vegan who's really hungry. | 0:14:39 | 0:14:41 | |
LAUGHTER | 0:14:41 | 0:14:42 | |
-The opposite of a plant-eating sheep would be a...? -A sheep-eating plant. | 0:14:42 | 0:14:45 | |
Yes. Yes. | 0:14:45 | 0:14:47 | |
Well done, Colin. | 0:14:47 | 0:14:49 | |
APPLAUSE AND CHEERING | 0:14:49 | 0:14:54 | |
Colin, I'm just going to remind you, I said at the beginning... | 0:14:56 | 0:14:59 | |
-Yes? -..the more you get wrong, the more points you get. | 0:14:59 | 0:15:02 | |
I don't know if that's going to affect you in any way. | 0:15:02 | 0:15:04 | |
LAUGHTER | 0:15:04 | 0:15:06 | |
So, there is said to be a sheep-eating plant. | 0:15:06 | 0:15:09 | |
It is called the Puya chilensis. There it is. | 0:15:09 | 0:15:11 | |
Same family as the pineapple. | 0:15:11 | 0:15:13 | |
-And what it does... -It sounds like... | 0:15:13 | 0:15:15 | |
This is someone that's stolen a sheep | 0:15:15 | 0:15:17 | |
and his friend's gone, "Where's my sheep?" | 0:15:17 | 0:15:19 | |
And he's gone, "What, your sheep? | 0:15:19 | 0:15:21 | |
-"It was the bloody plant, mate." -LAUGHTER | 0:15:21 | 0:15:23 | |
"Bloody... Oh, you should have been here." | 0:15:23 | 0:15:25 | |
"Don't take your eyes off that pineapple." | 0:15:25 | 0:15:27 | |
LAUGHTER | 0:15:27 | 0:15:29 | |
So what happens is, the sheep gets entangled in its spiny leaves | 0:15:29 | 0:15:32 | |
and then the sheep starves to death. | 0:15:32 | 0:15:34 | |
THEY ALL GROAN | 0:15:34 | 0:15:36 | |
Then the animal decays and it takes the nutrients, | 0:15:36 | 0:15:39 | |
as it decays, into the soil. | 0:15:39 | 0:15:40 | |
There is one in Surrey, at the Royal Horticultural Society in Wisley. | 0:15:40 | 0:15:44 | |
In 2013, it bloomed for the very first time in 15 years. | 0:15:44 | 0:15:48 | |
The spokesman said, | 0:15:48 | 0:15:49 | |
"We keep it well fed with liquid fertiliser, | 0:15:49 | 0:15:52 | |
"as feeding it on its natural diet might prove a bit problematic." | 0:15:52 | 0:15:56 | |
LAUGHTER | 0:15:56 | 0:15:58 | |
Now, this is a human optogram. | 0:15:58 | 0:16:01 | |
What does it prove? | 0:16:01 | 0:16:04 | |
I always thought optograms | 0:16:04 | 0:16:05 | |
was that thing where they could look in your eye | 0:16:05 | 0:16:07 | |
and see who had murdered you. | 0:16:07 | 0:16:08 | |
-What now? -This was, like, before, like, DNA and stuff. | 0:16:08 | 0:16:12 | |
And they were like, oh, no... | 0:16:12 | 0:16:14 | |
I think we always had DNA, it's really... | 0:16:14 | 0:16:16 | |
-LAUGHTER -Yeah, but it's not... | 0:16:16 | 0:16:17 | |
-More like before we knew about it. -We could test it, yeah. -Yes, OK. | 0:16:17 | 0:16:21 | |
So, it was like, "Oh, I'm a Victorian policeman, | 0:16:21 | 0:16:23 | |
"this woman's died. | 0:16:23 | 0:16:24 | |
"I know, we'll get her eyes out, | 0:16:24 | 0:16:25 | |
"have a look on the retina, | 0:16:25 | 0:16:27 | |
"the last thing she's seen, that'll be the killer." | 0:16:27 | 0:16:29 | |
Was that, like, a commonly held belief? | 0:16:29 | 0:16:31 | |
Well, it began in the 17th century. | 0:16:31 | 0:16:33 | |
So, there was a priest called Christoph Scheiner, | 0:16:33 | 0:16:35 | |
and he'd claimed he had seen the image of a flame | 0:16:35 | 0:16:38 | |
on the retina of a frog that he had been dissecting. | 0:16:38 | 0:16:40 | |
So, then you get the development of photography, so that's about 1840s, | 0:16:40 | 0:16:44 | |
and that seemed to provide a, sort of, | 0:16:44 | 0:16:46 | |
theoretical basis for this notion. | 0:16:46 | 0:16:47 | |
There was a German physiologist called Wilhelm Kuhne. | 0:16:47 | 0:16:50 | |
1878, he immobilised a rabbit | 0:16:50 | 0:16:53 | |
and forced it to look at a window for three minutes. | 0:16:53 | 0:16:56 | |
Then he decapitated it, | 0:16:56 | 0:16:58 | |
cut open the eye and, the next day, | 0:16:58 | 0:17:00 | |
he said that the retina dried and revealed an image of the window. | 0:17:00 | 0:17:03 | |
That was the last thing that the rabbit had been staring at. | 0:17:03 | 0:17:05 | |
-Bullshit. -LAUGHTER | 0:17:05 | 0:17:07 | |
Right, so he was able... | 0:17:07 | 0:17:09 | |
-So, he was... -Rubbish! | 0:17:09 | 0:17:10 | |
He was able to reveal that he killed the rabbit? | 0:17:10 | 0:17:12 | |
-LAUGHTER -Yes. | 0:17:12 | 0:17:14 | |
That's a bit of luck. I could have saved him a bit of time there. | 0:17:14 | 0:17:16 | |
LAUGHTER | 0:17:16 | 0:17:17 | |
1880, he decided to repeat this experiment | 0:17:17 | 0:17:20 | |
with the head of a guillotined murderer, | 0:17:20 | 0:17:21 | |
a man called Erhard Gustav Reif, | 0:17:21 | 0:17:23 | |
and his left eye was dissected | 0:17:23 | 0:17:25 | |
ten minutes after he died, | 0:17:25 | 0:17:26 | |
and the resulting optogram is that picture that we saw | 0:17:26 | 0:17:29 | |
-at the very beginning... -Oh, so it's the guillotine. | 0:17:29 | 0:17:31 | |
Yes, so it's been suggested it's the blade of the guillotine. | 0:17:31 | 0:17:33 | |
It seems very unlikely, he was blindfolded at the time. | 0:17:33 | 0:17:36 | |
LAUGHTER | 0:17:36 | 0:17:38 | |
The last bit of toast he had. | 0:17:38 | 0:17:40 | |
LAUGHTER | 0:17:40 | 0:17:41 | |
Unfortunately, all we have is that sketch. | 0:17:41 | 0:17:43 | |
We don't have the actual image. | 0:17:43 | 0:17:45 | |
So, this idea about optograms was taken up by fictional writers, | 0:17:45 | 0:17:48 | |
so Jules Verne and some of the popular press, | 0:17:48 | 0:17:50 | |
and it appears, because this was widely believed, | 0:17:50 | 0:17:52 | |
that some killers took the precaution | 0:17:52 | 0:17:54 | |
of taking their victims' eyes with them, | 0:17:54 | 0:17:56 | |
-to make sure there was no photo. -They seem really, principally, | 0:17:56 | 0:17:59 | |
-to be concerned with her hat in that picture. -Yes. | 0:17:59 | 0:18:02 | |
LAUGHTER | 0:18:02 | 0:18:05 | |
"Where's her hat?" "I think it's over there." | 0:18:05 | 0:18:07 | |
LAUGHTER | 0:18:07 | 0:18:08 | |
"I can't reach it!" | 0:18:08 | 0:18:11 | |
"Take a step nearer." | 0:18:11 | 0:18:14 | |
Do you know where Albert Einstein's eyeballs are? | 0:18:14 | 0:18:17 | |
-They weren't buried with him? -No. | 0:18:17 | 0:18:19 | |
1955, they were removed during his autopsy | 0:18:19 | 0:18:22 | |
and they were given as a gift | 0:18:22 | 0:18:23 | |
to his personal physician Henry Abrams. | 0:18:23 | 0:18:25 | |
Oh, and they made the first one of those desk toys. | 0:18:25 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:31 | |
APPLAUSE | 0:18:31 | 0:18:34 | |
Oh, my God! | 0:18:35 | 0:18:37 | |
As far as we know, they're in a safe deposit box in New York City | 0:18:37 | 0:18:40 | |
but there's quite a thing of it. | 0:18:40 | 0:18:41 | |
Do you know where Napoleon's penis is? | 0:18:41 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:44 | |
Is it Wellington's house? | 0:18:44 | 0:18:47 | |
Again, we're not entirely sure. | 0:18:47 | 0:18:49 | |
It was taken off at the autopsy | 0:18:49 | 0:18:50 | |
and then it was, sort of, displayed around the world, | 0:18:50 | 0:18:52 | |
and much mocked for its size. ALAN MAKES POPPING SOUND | 0:18:52 | 0:18:55 | |
Yes. LAUGHTER | 0:18:55 | 0:18:58 | |
And in the end, | 0:18:58 | 0:18:59 | |
a urologist in New Jersey, called Dr John Lattimer, | 0:18:59 | 0:19:02 | |
he bought it and he was so upset | 0:19:02 | 0:19:04 | |
at people teasing Napoleon's penis - I mean, weird - | 0:19:04 | 0:19:06 | |
he had a special box made | 0:19:06 | 0:19:08 | |
and it's in the family home in New Jersey, as far as we know. | 0:19:08 | 0:19:10 | |
I was in a very strange store in the East End of London, | 0:19:10 | 0:19:13 | |
and the last man that was hanged in Britain, | 0:19:13 | 0:19:16 | |
they have his penis for sale. | 0:19:16 | 0:19:17 | |
-Do they? How much is it? -How much? Yes. | 0:19:17 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:21 | |
Yeah. And was he hung? | 0:19:21 | 0:19:23 | |
LAUGHTER | 0:19:23 | 0:19:25 | |
APPLAUSE | 0:19:25 | 0:19:29 | |
Perfect. | 0:19:29 | 0:19:31 | |
Anyway. Here is a simple one. | 0:19:31 | 0:19:34 | |
Who's the opposite of Tarzan? | 0:19:34 | 0:19:36 | |
Yes? | 0:19:39 | 0:19:40 | |
Nazrat. | 0:19:40 | 0:19:42 | |
KLAXON BLARES | 0:19:42 | 0:19:43 | |
LAUGHTER, APPLAUSE | 0:19:43 | 0:19:46 | |
-Yes, OK, I'll have a crack. -Yes, OK? | 0:19:48 | 0:19:51 | |
-Yes? -So, it's going to be a wild... | 0:19:51 | 0:19:53 | |
Like, an ape raised in a city. | 0:19:53 | 0:19:55 | |
-So, Wayne Rooney, Liam Gallagher? -LAUGHTER | 0:19:55 | 0:19:59 | |
They shave and they walk upright, but it's not good, is it? | 0:19:59 | 0:20:02 | |
-They should be with their own kind. -Well, in a... | 0:20:02 | 0:20:04 | |
LAUGHTER | 0:20:04 | 0:20:06 | |
In a way, you're right. | 0:20:06 | 0:20:07 | |
The opposite is an ape brought up as an English gentlemen, | 0:20:07 | 0:20:10 | |
and there was such a thing. It was a lowland gorilla, who was... | 0:20:10 | 0:20:13 | |
-Oh, my God, he looks so human! -LAUGHTER | 0:20:13 | 0:20:16 | |
It was a lowland gorilla orphaned by hunters in the Gabon. | 0:20:16 | 0:20:19 | |
He was put up for sale in the Derry & Toms department store. | 0:20:19 | 0:20:22 | |
He was known as John Daniel. He was bought, in 1918, for £300. | 0:20:22 | 0:20:25 | |
So, that's about £20,000 today. | 0:20:25 | 0:20:28 | |
He was bought by Major Rupert Penny | 0:20:28 | 0:20:30 | |
and entrusted to his sister, Alyce Cunningham. | 0:20:30 | 0:20:32 | |
And he lived in a country house in Gloucestershire. Why not? | 0:20:32 | 0:20:35 | |
And he was brought up as a boy, not as a gorilla. | 0:20:35 | 0:20:37 | |
Although, I say a boy fond of drinking whisky and port. | 0:20:37 | 0:20:40 | |
He was fed on children. | 0:20:40 | 0:20:43 | |
-No, went to the village school. -How did he do? | 0:20:43 | 0:20:46 | |
Well, this is the thing, | 0:20:46 | 0:20:47 | |
he was quite good at making his own bed, | 0:20:47 | 0:20:49 | |
he was quite good at doing the washing-up. | 0:20:49 | 0:20:51 | |
He could use light switches and the lavatory. | 0:20:51 | 0:20:53 | |
-Oh, was it one of those Montessori schools? -Yeah. | 0:20:53 | 0:20:56 | |
LAUGHTER | 0:20:56 | 0:20:58 | |
He preferred the company of women. | 0:20:58 | 0:20:59 | |
When there was a group of men, | 0:20:59 | 0:21:01 | |
-he would urinate on them, which is not... -Oh! | 0:21:01 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:03 | |
And he would walk into people's houses and help himself to cider. | 0:21:03 | 0:21:06 | |
LAUGHTER It's actually kind of a sad story | 0:21:06 | 0:21:09 | |
because, eventually, he grew too big and Alyce couldn't manage him, | 0:21:09 | 0:21:12 | |
and she sold him to an American for 1,000 guineas, | 0:21:12 | 0:21:14 | |
and she thought he was going to have a wonderful life in Florida. | 0:21:14 | 0:21:17 | |
But, in fact, he was made to join the Barnum and Bailey circus | 0:21:17 | 0:21:20 | |
-and was displayed in a zoo in Madison... -Aww. -Hey, hey, hey. | 0:21:20 | 0:21:22 | |
-Yeah, yes. -Let's try and focus on the positive - show business. | 0:21:22 | 0:21:26 | |
He got into show business. | 0:21:26 | 0:21:27 | |
And his health deteriorated, | 0:21:27 | 0:21:29 | |
and Alyce was sent a telegram to say that John Daniel was pining for her. | 0:21:29 | 0:21:31 | |
She set sail for America | 0:21:31 | 0:21:33 | |
but, very sadly, he died of pneumonia before she arrived, | 0:21:33 | 0:21:35 | |
-aged just four and... -Oh! -Yes, it's a really sad story. | 0:21:35 | 0:21:38 | |
And he was given to the American Natural History Museum, | 0:21:38 | 0:21:41 | |
where you can still see his body displayed. | 0:21:41 | 0:21:43 | |
But he did... | 0:21:43 | 0:21:44 | |
For that brief period of time, he was a boy in Gloucestershire | 0:21:44 | 0:21:46 | |
-growing up. -Living as a boy. -Living as a boy, yeah. | 0:21:46 | 0:21:49 | |
But a chimpanzee is all right | 0:21:49 | 0:21:50 | |
until they get to about a year old, and then they'll rip your arm off. | 0:21:50 | 0:21:53 | |
-Well, here is the thing... -That's the trouble. | 0:21:53 | 0:21:55 | |
And tigers are like that. We had a tiger on Jonathan Creek, right? | 0:21:55 | 0:21:58 | |
And they brought this tiger in with a chain, and about three handlers. | 0:21:58 | 0:22:01 | |
And they said, "Will Alan do a photo with the tiger?" | 0:22:01 | 0:22:04 | |
So, I was a bit apprehensive, and I said, "Are you sure? | 0:22:04 | 0:22:07 | |
-"I mean, it doesn't know me." -Yeah. -They said, "Oh, no, it's fine. | 0:22:07 | 0:22:10 | |
"They're not really a danger until they're about 12 months old." | 0:22:10 | 0:22:13 | |
I said, "Oh, good, good. How old is this one?" | 0:22:13 | 0:22:15 | |
-And he goes, "It's 11 months." -LAUGHTER | 0:22:15 | 0:22:18 | |
OK. Here for the audience, ready? | 0:22:18 | 0:22:20 | |
By a cheer, | 0:22:20 | 0:22:22 | |
who's fed up with austerity? | 0:22:22 | 0:22:24 | |
CHEERING | 0:22:24 | 0:22:27 | |
Me too. So, time to take the opposite tack, I reckon. | 0:22:27 | 0:22:29 | |
Let's have a bit of ostentatious consumption. | 0:22:29 | 0:22:32 | |
So, I've got some menus here, for you, from a Chinese restaurant. | 0:22:32 | 0:22:35 | |
-Chinese takeaway, Col? -Oh, excellent. -There you go. | 0:22:35 | 0:22:37 | |
-Chinese takeaway. -Now, the Kangxi Emperor, | 0:22:37 | 0:22:40 | |
who ruled China around 1700, | 0:22:40 | 0:22:41 | |
was THE most ostentatious eater of all time. | 0:22:41 | 0:22:44 | |
So, here is my question, | 0:22:44 | 0:22:46 | |
which of his eight mountain delicacies do you fancy? | 0:22:46 | 0:22:49 | |
-Leopard foetus? -Yeah. | 0:22:49 | 0:22:51 | |
And this... And these are... These are... | 0:22:51 | 0:22:53 | |
I can't... | 0:22:53 | 0:22:55 | |
The vegan can't talk any more, she's having a panic attack! | 0:22:55 | 0:22:57 | |
LAUGHTER | 0:22:57 | 0:22:59 | |
I don't think there's anything here for me. | 0:22:59 | 0:23:01 | |
LAUGHTER | 0:23:01 | 0:23:02 | |
-Well, apart from the... -Are we not having a seaweed? | 0:23:02 | 0:23:05 | |
Well, there is vegetarian stuff here, there's the boar's testicles. | 0:23:05 | 0:23:08 | |
You don't necessarily have to kill the boar for those. | 0:23:08 | 0:23:11 | |
-That isn't how veganism works. -Oh. -LAUGHTER | 0:23:11 | 0:23:13 | |
It is an actual menu from the birthday of the Kangxi Emperor. | 0:23:13 | 0:23:16 | |
He called it the Manchu Han Imperial Feast, | 0:23:16 | 0:23:19 | |
so it's kind of like a fusion-style blowout, really. | 0:23:19 | 0:23:22 | |
Because he was trying to reconcile rival factions | 0:23:22 | 0:23:24 | |
so he was showcasing both the Manchu and the Han cuisine. | 0:23:24 | 0:23:28 | |
The meal lasted for three days, | 0:23:28 | 0:23:29 | |
there were six successive banquets, | 0:23:29 | 0:23:32 | |
124 starters and 196 main courses. | 0:23:32 | 0:23:35 | |
The seafood platter included | 0:23:35 | 0:23:37 | |
sea slug, fish tripe, | 0:23:37 | 0:23:38 | |
swallow's nest, shark's fin and fish bones. | 0:23:38 | 0:23:41 | |
But it was the mountain delicacies that really pushed the boat out, | 0:23:41 | 0:23:43 | |
that was your leopard foetus and your camel's hump and so on. | 0:23:43 | 0:23:46 | |
So, that is your consignment of general knowledge for this week. | 0:23:46 | 0:23:49 | |
Now it's time for the opposite, General Ignorance, | 0:23:49 | 0:23:51 | |
-fingers on buzzers, please. -Ah, too easy, come on. | 0:23:51 | 0:23:53 | |
This is a telescope called Amanda. | 0:23:53 | 0:23:55 | |
She's at the South Pole. | 0:23:55 | 0:23:57 | |
So, first of all, what constellation must she be pointing at? | 0:23:57 | 0:24:01 | |
# Ivory... # | 0:24:01 | 0:24:03 | |
Southern Cross. | 0:24:03 | 0:24:04 | |
KLAXON BLARES | 0:24:04 | 0:24:08 | |
Amanda is the Antarctic Muon and Neutrino Detector Array, | 0:24:08 | 0:24:14 | |
is what Amanda stands for. | 0:24:14 | 0:24:16 | |
So, what might Amanda be pointing at? | 0:24:16 | 0:24:19 | |
Is someone getting changed nearby? | 0:24:19 | 0:24:21 | |
Or is she checking out her ex boyfriend? | 0:24:21 | 0:24:23 | |
So, we're playing Opposites, right, it wasn't Southern Cross. | 0:24:23 | 0:24:26 | |
-Oh. -North... The North Pole. | 0:24:26 | 0:24:28 | |
Yes, she is pointing towards the northern sky, | 0:24:28 | 0:24:30 | |
so she's pointing towards, what would we have? | 0:24:30 | 0:24:32 | |
Ursa Major. Polaris. | 0:24:32 | 0:24:34 | |
The same is true of an even bigger one, | 0:24:34 | 0:24:36 | |
the Ice Cube Cosmic Neutrino Detector. | 0:24:36 | 0:24:38 | |
So, the thing about this is, although she's at the South Pole, | 0:24:38 | 0:24:42 | |
she's actually pointing down into the ground. | 0:24:42 | 0:24:45 | |
So, she is pointing towards the northern skies. | 0:24:45 | 0:24:47 | |
Why didn't they just put it at the North Pole? | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:49 | 0:24:51 | |
Because she's designed to detect neutrinos. | 0:24:51 | 0:24:53 | |
-Oh! -These are really, really small, sub-atomic particles. | 0:24:53 | 0:24:57 | |
They don't interact with matter. | 0:24:57 | 0:24:59 | |
So, they normally pass straight through the planet. | 0:24:59 | 0:25:01 | |
Me neither, to be honest. | 0:25:01 | 0:25:02 | |
LAUGHTER | 0:25:02 | 0:25:05 | |
They're teeny, tiny particles | 0:25:05 | 0:25:07 | |
that travel at near light speed. | 0:25:07 | 0:25:09 | |
If you held your hand up to the sun, | 0:25:09 | 0:25:12 | |
a billion neutrinos would pass through your hand | 0:25:12 | 0:25:15 | |
as you held it up to the sun. | 0:25:15 | 0:25:16 | |
-I have a question that's... -Yes? | 0:25:16 | 0:25:19 | |
-It's related to this. -OK. | 0:25:19 | 0:25:20 | |
-The constellation on the right there... -Yeah? | 0:25:20 | 0:25:22 | |
Is that called the Rat Slowing Down? | 0:25:22 | 0:25:24 | |
LAUGHTER | 0:25:24 | 0:25:28 | |
ALAN SCREECHES | 0:25:28 | 0:25:30 | |
"I've gone way too quick!" | 0:25:30 | 0:25:32 | |
I think he's gone out of that spin in the middle, | 0:25:32 | 0:25:34 | |
-and gone, "Whoa!" -Yeah. | 0:25:34 | 0:25:35 | |
So, these have almost no mass and no electric charge, | 0:25:35 | 0:25:37 | |
and they're incredibly difficult to detect. | 0:25:37 | 0:25:40 | |
Now, there are cat lovers and there are cat haters, | 0:25:40 | 0:25:43 | |
but who's lap will the cat sit on? | 0:25:43 | 0:25:47 | |
# Day... # | 0:25:47 | 0:25:48 | |
Cats always go to the people who don't like them or who are allergic. | 0:25:48 | 0:25:52 | |
KLAXON BLARES | 0:25:52 | 0:25:54 | |
Um, yes, they do. | 0:25:54 | 0:25:55 | |
-No. -They do. | 0:25:55 | 0:25:57 | |
Well, the only scientific study that we found, | 0:25:57 | 0:25:59 | |
in fact, finds the opposite. So... | 0:25:59 | 0:26:01 | |
They've only done one? | 0:26:01 | 0:26:02 | |
What are they spending their money on?! | 0:26:02 | 0:26:04 | |
You know the cat on the right there, | 0:26:04 | 0:26:06 | |
the cat on the right that's being kissed by the lady is... | 0:26:06 | 0:26:08 | |
-I think that cat's married. -LAUGHTER | 0:26:08 | 0:26:10 | |
Just from the expression of, | 0:26:10 | 0:26:12 | |
"Oh, my God! Don't take a picture, how am I going to explain this?" | 0:26:12 | 0:26:16 | |
So, people who believe the perverse cat theory, | 0:26:16 | 0:26:18 | |
-there are various explanations. -Yes, yeah. | 0:26:18 | 0:26:20 | |
Well, first, cats don't like being stared at | 0:26:20 | 0:26:22 | |
is one of the reasons that they give. | 0:26:22 | 0:26:23 | |
They perceive it as aggression, so they prefer people who ignore them. | 0:26:23 | 0:26:26 | |
Cats pick up hostile body language | 0:26:26 | 0:26:28 | |
-and they act to try and placate it, that's one of the things. -Yeah. | 0:26:28 | 0:26:31 | |
In fact, there's only one small study has been done | 0:26:31 | 0:26:33 | |
by the Anthro-zoological Institute at the University of Southampton, | 0:26:33 | 0:26:36 | |
and they were unable, really, to find much effect at all. | 0:26:36 | 0:26:39 | |
They had eight cat-lovers, eight cat-haters | 0:26:39 | 0:26:41 | |
and the cats didn't seem to be bothered who they went to. | 0:26:41 | 0:26:43 | |
-They were... -Not exactly a wide study. | 0:26:43 | 0:26:45 | |
It's not a massive study, Colin. LAUGHTER | 0:26:45 | 0:26:47 | |
-No, yeah. -Felines don't make beelines | 0:26:47 | 0:26:49 | |
towards people who hate cats. | 0:26:49 | 0:26:51 | |
This painting, have a quick look at this painting, what is it? | 0:26:51 | 0:26:54 | |
The Scream? | 0:26:54 | 0:26:55 | |
Yes, The Scream by Edvard Munch. | 0:26:55 | 0:26:57 | |
What does it depict? | 0:26:57 | 0:26:58 | |
-It's a... Now, I know this. -Yes. | 0:26:58 | 0:27:00 | |
I think. | 0:27:00 | 0:27:02 | |
But it's someone who is hearing screams | 0:27:02 | 0:27:05 | |
from a hospital or something. | 0:27:05 | 0:27:07 | |
You're nearly there. So, it is actually not somebody screaming, | 0:27:07 | 0:27:10 | |
-it is somebody... -Somebody hearing screams. | 0:27:10 | 0:27:13 | |
..hearing a scream of nature, is what Edvard Munch said. | 0:27:13 | 0:27:16 | |
So, it's a figure of indeterminate gender, | 0:27:16 | 0:27:18 | |
she or he, they're not screaming, they're hearing a scream. | 0:27:18 | 0:27:20 | |
So, it's the opposite of what we might think it is. | 0:27:20 | 0:27:23 | |
The scream of nature in German, Der Schrei der Natur. | 0:27:23 | 0:27:26 | |
So, his account of the inspiration for this painting | 0:27:26 | 0:27:28 | |
further bears this out. | 0:27:28 | 0:27:29 | |
"I stopped and looked out over the fjord, | 0:27:29 | 0:27:31 | |
"the sun was setting and the clouds turning blood red. | 0:27:31 | 0:27:34 | |
"I sensed a scream passing through nature. | 0:27:34 | 0:27:36 | |
"It seemed to me that I heard the scream. | 0:27:36 | 0:27:38 | |
"I painted this picture, I painted the clouds as actual blood. | 0:27:38 | 0:27:41 | |
"The colour shrieked. This became The Scream." | 0:27:41 | 0:27:43 | |
He sounds like a bloody great laugh, doesn't he? | 0:27:43 | 0:27:45 | |
LAUGHTER | 0:27:45 | 0:27:47 | |
The scream in Munch's The Scream is heard and not seen. | 0:27:47 | 0:27:50 | |
And that's your lot for tonight. | 0:27:50 | 0:27:51 | |
Let's have a look at the scores. | 0:27:51 | 0:27:53 | |
Well, with a rather magnificent minus 47... | 0:27:53 | 0:27:57 | |
Colin. | 0:27:57 | 0:27:59 | |
CHEERING AND APPLAUSE | 0:27:59 | 0:28:02 | |
Sara, with minus 14. | 0:28:02 | 0:28:04 | |
CHEERING AND APPLAUSE | 0:28:04 | 0:28:05 | |
I'm happy with that. I'm happy with third. | 0:28:05 | 0:28:09 | |
With a very, very creditable minus six... | 0:28:09 | 0:28:11 | |
Alan. CHEERING AND APPLAUSE | 0:28:11 | 0:28:14 | |
Thank you very much. | 0:28:14 | 0:28:15 | |
With a full 8 points, it's Jimmy. | 0:28:15 | 0:28:18 | |
CHEERING AND APPLAUSE | 0:28:18 | 0:28:21 | |
That means, Colin, that you are the winner | 0:28:26 | 0:28:29 | |
-and as you would expect... -Oh, I thought I'd won! -No. | 0:28:29 | 0:28:32 | |
Tonight's prize is the very opposite of an objectionable object, | 0:28:32 | 0:28:35 | |
it's this extremely tasteful QI mug. | 0:28:35 | 0:28:38 | |
There you are, congratulations. | 0:28:38 | 0:28:41 | |
CHEERING AND APPLAUSE | 0:28:41 | 0:28:44 | |
It only remains for me to thank Sara, Jimmy, Colin and Alan. | 0:28:44 | 0:28:48 | |
I leave you with this quote | 0:28:48 | 0:28:49 | |
that is definitely apposite, or maybe just the opposite of opposite, | 0:28:49 | 0:28:52 | |
from the economist, JK Galbraith. | 0:28:52 | 0:28:54 | |
"Under capitalism, man exploits man. | 0:28:54 | 0:28:57 | |
"Under communism, it's just the opposite." | 0:28:57 | 0:29:00 | |
Thank you and goodnight. | 0:29:00 | 0:29:01 | |
CHEERING AND APPLAUSE | 0:29:01 | 0:29:05 |