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Oh...er...errrr... | 0:00:02 | 0:00:05 | |
Oh. | 0:00:05 | 0:00:07 | |
Darling, are you all right? | 0:00:07 | 0:00:09 | |
Yes...mmm. | 0:00:09 | 0:00:12 | |
Mmm. | 0:00:12 | 0:00:14 | |
Mmmm. | 0:00:17 | 0:00:19 | |
Hello, Adam. | 0:00:21 | 0:00:23 | |
Oh, yeah, that's nice. | 0:00:23 | 0:00:26 | |
She's gorgeous, isn't she? | 0:00:29 | 0:00:32 | |
It is very hot down there. | 0:00:32 | 0:00:34 | |
Argh! | 0:00:34 | 0:00:36 | |
She's only staying with us for two days, isn't she? | 0:01:07 | 0:01:09 | |
I know, but she's your god-daughter and I want to give her a treat. | 0:01:09 | 0:01:13 | |
I'm really excited about it. | 0:01:13 | 0:01:14 | |
We're going to do face-painting and make-up and glittery nails. | 0:01:14 | 0:01:18 | |
And I thought I could take her to the city farm, and we can make perfume, and do a treasure hunt. | 0:01:18 | 0:01:22 | |
-Go to the sandpit. -Bloody hell Alex, well done. | 0:01:22 | 0:01:25 | |
-All I'd thought of was the Imperial War Museum. -Mm. | 0:01:25 | 0:01:28 | |
DOORBELL RINGS That'll be her. | 0:01:28 | 0:01:32 | |
Hello. | 0:01:32 | 0:01:34 | |
Tim. | 0:01:34 | 0:01:35 | |
Hello, mate. Thanks so much for doing this. | 0:01:35 | 0:01:37 | |
That's her clothes, and some of her toys, | 0:01:37 | 0:01:41 | |
-music... -Oh, right. -DVDs, books, iPod. | 0:01:41 | 0:01:44 | |
Bedtime's at eight, if you're lucky. | 0:01:46 | 0:01:48 | |
Worst case, just stick her in front of Ben 10 and she'll be happy. | 0:01:48 | 0:01:51 | |
No, we won't do that. Alex has got lots of things planned, face-painting, and... | 0:01:51 | 0:01:55 | |
OK. Ooh! | 0:01:55 | 0:01:57 | |
You'll definitely need Albert, in case she gets scared. | 0:01:57 | 0:02:00 | |
Paris! | 0:02:01 | 0:02:03 | |
Hello, Enid, darling. | 0:02:03 | 0:02:05 | |
You've grown up, haven't you? | 0:02:05 | 0:02:07 | |
How are you? | 0:02:07 | 0:02:08 | |
Shut up. | 0:02:11 | 0:02:13 | |
I hate you. | 0:02:13 | 0:02:14 | |
MUSIC: "Sunday Shining" by Finley Quaye | 0:02:20 | 0:02:23 | |
It's actually hotter here than in St Kitts today, it's 33.4 degrees C. | 0:02:42 | 0:02:47 | |
That's over 92 degrees Fahrenheit. | 0:02:47 | 0:02:49 | |
Has this window ever been opened? | 0:02:49 | 0:02:51 | |
PHONE RINGS | 0:02:51 | 0:02:53 | |
Nigel. | 0:02:53 | 0:02:54 | |
OK. | 0:02:54 | 0:02:56 | |
Nigel! | 0:02:56 | 0:02:58 | |
St Saviour in the Marshes. | 0:02:59 | 0:03:01 | |
Who is it? | 0:03:02 | 0:03:04 | |
Hello, Joan. | 0:03:04 | 0:03:05 | |
Oh, dear, that sounds awful. | 0:03:05 | 0:03:08 | |
No, we don't really do that, Joan. | 0:03:08 | 0:03:11 | |
OK? | 0:03:11 | 0:03:12 | |
OK, yeah. Bye. | 0:03:12 | 0:03:15 | |
I can't sleep with the heat. | 0:03:16 | 0:03:18 | |
I lie there naked with the sheets thrown off. | 0:03:18 | 0:03:22 | |
Still wake up in a puddle of wetness. | 0:03:22 | 0:03:24 | |
What does she want? | 0:03:24 | 0:03:26 | |
Joan? | 0:03:26 | 0:03:27 | |
Some weird stuff about seeing a ghost in her room and wanting an exorcism. | 0:03:27 | 0:03:31 | |
Is she upset? | 0:03:31 | 0:03:32 | |
I suppose. | 0:03:32 | 0:03:34 | |
-If she's crying, she's upset, isn't she? -Well, if she's upset, we should go round and see her. | 0:03:34 | 0:03:39 | |
She thinks there's a ghost. You don't believe in ghosts, do you? | 0:03:39 | 0:03:42 | |
No. She's just moved into a nursing home. | 0:03:42 | 0:03:45 | |
She's feeling very dislocated, probably psychosomatic. | 0:03:45 | 0:03:48 | |
I see. Enlightened rationalist approach. | 0:03:48 | 0:03:51 | |
Come on, let's go and make her feel better. | 0:03:51 | 0:03:53 | |
-We'll do a simple house blessing. -Shouldn't we prepare for the DAC meeting? That's far more important. | 0:03:53 | 0:03:58 | |
The architect's final plans have come in. Everyone's fed up with this church not having a loo. | 0:03:58 | 0:04:03 | |
-Lord knows what they did in Georgian times. -They held it in. | 0:04:03 | 0:04:06 | |
I'm fed up with flogging it over to the park or the kebab shop every time I need a widdle. | 0:04:06 | 0:04:10 | |
We'll make sure we get our loo. That's for Monday. | 0:04:10 | 0:04:13 | |
Come on. We'll pop next door to Wedmore House and cheer her up, poor old thing. | 0:04:13 | 0:04:18 | |
I bought these endurance shorts, lightweight, with an air-free membrane for freedom of movement. | 0:04:18 | 0:04:23 | |
Still get sticky in them. | 0:04:23 | 0:04:25 | |
If the place really is haunted, we'd need to call the diocesan exorcist. That's procedure. | 0:04:31 | 0:04:36 | |
But it really isn't haunted. | 0:04:36 | 0:04:37 | |
Have you ever met the Reverend Donald Cake? | 0:04:37 | 0:04:40 | |
No. I heard he's barking. | 0:04:40 | 0:04:42 | |
He caused £20,000 worth of damage at the last place he exorcised, | 0:04:42 | 0:04:45 | |
before they discovered the bumps in the night were a draughty fireplace. | 0:04:45 | 0:04:48 | |
Well, exactly. See? We don't need Donald's special skills. | 0:04:48 | 0:04:51 | |
We'll say a few prayers for Joan and bless her room. | 0:04:51 | 0:04:54 | |
That's what people always want. | 0:04:54 | 0:04:55 | |
Bit of ritual. | 0:04:55 | 0:04:57 | |
Placebo prayer. Got you. | 0:04:57 | 0:04:59 | |
Oh, it's blistering, isn't it? | 0:04:59 | 0:05:01 | |
I'm getting a rash. | 0:05:01 | 0:05:03 | |
Here we are, God's waiting room. | 0:05:03 | 0:05:05 | |
-Did you know it was built on the site of London's first dentistry clinic? -Mmm. | 0:05:05 | 0:05:10 | |
THEY HUM "THE EXORCIST" THEME MUSIC | 0:05:10 | 0:05:16 | |
THEY ABRUPTLY STOP HUMMING | 0:05:20 | 0:05:22 | |
There she is. | 0:05:25 | 0:05:27 | |
After you. | 0:05:27 | 0:05:28 | |
She's your old woman. | 0:05:28 | 0:05:31 | |
Hello, Joan. | 0:05:33 | 0:05:35 | |
Hello, Alan. | 0:05:35 | 0:05:37 | |
It's not church again, is it? | 0:05:37 | 0:05:39 | |
HE LAUGHS | 0:05:39 | 0:05:41 | |
Shh! Alan's come to see ME, actually. | 0:05:41 | 0:05:44 | |
It's Adam. Hello, Derek. | 0:05:44 | 0:05:46 | |
Is he your boyfriend? | 0:05:46 | 0:05:48 | |
HE LAUGHS | 0:05:48 | 0:05:50 | |
Don't humour him. | 0:05:50 | 0:05:52 | |
Come on, let's skedaddle. | 0:05:53 | 0:05:55 | |
DEREK CONTINUES TO LAUGH | 0:05:55 | 0:06:02 | |
I hate this place. | 0:06:04 | 0:06:06 | |
I hate the other residents. | 0:06:06 | 0:06:08 | |
They're all so old. | 0:06:08 | 0:06:10 | |
And you won't believe it, but I think this place is haunted. | 0:06:10 | 0:06:13 | |
I feel a negative presence. | 0:06:13 | 0:06:16 | |
I see things. | 0:06:16 | 0:06:17 | |
I'm sorry, Joan. | 0:06:17 | 0:06:19 | |
Tell me what's been going on. | 0:06:19 | 0:06:21 | |
I've been having these terrible nightmares. | 0:06:21 | 0:06:23 | |
There's a laughing man standing over my bed at night. | 0:06:23 | 0:06:28 | |
That sounds horrible. | 0:06:28 | 0:06:29 | |
I've been having nightmares in the heat, too. | 0:06:29 | 0:06:32 | |
I had a very odd dream last night about a fireman. | 0:06:32 | 0:06:36 | |
This is real. | 0:06:36 | 0:06:38 | |
I think this...this laughing ghost wants to hurt me. | 0:06:39 | 0:06:45 | |
That man Derek laughs a lot, doesn't he? With his strange laugh. Does he ever come in here? | 0:06:47 | 0:06:52 | |
No, no, I wouldn't let him. | 0:06:52 | 0:06:54 | |
When the ghost is coming, there's a banging on the wall. | 0:06:55 | 0:07:00 | |
Then in the morning when I wake up, all my sheets have been pulled back. | 0:07:00 | 0:07:07 | |
It's as if the laughing man wants to stare at my naked body. | 0:07:09 | 0:07:14 | |
Naughty ghost. | 0:07:14 | 0:07:16 | |
-Oh! -OK, Joan. | 0:07:16 | 0:07:19 | |
We'll say some prayers to banish the ghost and send him to a happier place. | 0:07:19 | 0:07:24 | |
Is it an exorcism? | 0:07:24 | 0:07:26 | |
It is. | 0:07:26 | 0:07:27 | |
Sort of. | 0:07:27 | 0:07:29 | |
It's a blessing to drive away unhappy spirits. | 0:07:29 | 0:07:33 | |
Visit, we beseech thee, O Lord, this place, | 0:07:42 | 0:07:45 | |
and drive far from it all the snares of the enemy. | 0:07:45 | 0:07:48 | |
Let thy holy angels dwell herein and preserve us in peace, | 0:07:48 | 0:07:53 | |
and may thy blessing be upon us evermore, | 0:07:53 | 0:07:55 | |
through Jesus Christ our Lord, Amen. | 0:07:55 | 0:07:58 | |
-Amen. -You are the Devil's concubine. | 0:07:58 | 0:08:00 | |
Begone! I cast you out in the name of the Lord. | 0:08:00 | 0:08:04 | |
Begone, unclean spirit! | 0:08:04 | 0:08:05 | |
-The power of Christ compels you! -Nigel. Nigel... | 0:08:05 | 0:08:08 | |
Please! | 0:08:08 | 0:08:10 | |
Will you leave it to the real vicar? | 0:08:10 | 0:08:12 | |
Brilliant, Nigel. Thanks for your help. | 0:08:18 | 0:08:20 | |
I was helpful, actually. The banging will stop. | 0:08:20 | 0:08:23 | |
Her radiator is the notoriously unreliable Warminster CP3, | 0:08:23 | 0:08:26 | |
and it badly needed bleeding. | 0:08:26 | 0:08:28 | |
What? | 0:08:35 | 0:08:37 | |
-You don't believe in ghosts? -No. | 0:08:37 | 0:08:39 | |
Are you mad? | 0:08:39 | 0:08:41 | |
I've never seen one. | 0:08:41 | 0:08:43 | |
Well, you've never seen God, but you believe in him. | 0:08:43 | 0:08:46 | |
But I see God everyday, everywhere. | 0:08:46 | 0:08:49 | |
I see God in...in these butterflies. | 0:08:49 | 0:08:51 | |
I see God in that crisp packet. | 0:08:52 | 0:08:54 | |
You see God in that crisp packet? | 0:08:56 | 0:08:58 | |
OK, maybe not the crisp packet. | 0:08:58 | 0:08:59 | |
What about the Holy Ghost? | 0:08:59 | 0:09:01 | |
Now there's a ghost you believe in. | 0:09:01 | 0:09:03 | |
But that's the Holy Spirit, that's a term for God's energy. | 0:09:03 | 0:09:07 | |
And believing, for me, is more like trusting. | 0:09:08 | 0:09:12 | |
I trust in God. | 0:09:12 | 0:09:14 | |
I don't trust in ghosts. | 0:09:14 | 0:09:16 | |
If you'd seen what I've seen, Adam, you'd believe in ghosts. | 0:09:16 | 0:09:20 | |
I'll tell ya, I've seen some strange shit. | 0:09:20 | 0:09:23 | |
Have you? What have you seen? | 0:09:23 | 0:09:25 | |
Well... When this happened to me. | 0:09:25 | 0:09:27 | |
Oh, my God, Colin, how did you get that? | 0:09:27 | 0:09:30 | |
Shark attack. | 0:09:30 | 0:09:31 | |
A shark attack? | 0:09:31 | 0:09:33 | |
Loan shark. | 0:09:33 | 0:09:34 | |
Mad Tony did this to me when he caught me banging his wife in a Renault Espace. | 0:09:34 | 0:09:38 | |
I ended up in Salford Royal. | 0:09:38 | 0:09:40 | |
Intensive care. | 0:09:40 | 0:09:42 | |
There was this bloke in the bed next to me who'd been shot. | 0:09:42 | 0:09:46 | |
Half his brain was hanging out. | 0:09:46 | 0:09:48 | |
One night, I looked over at him, | 0:09:48 | 0:09:51 | |
and these pale, white figures were standing over his bed, | 0:09:51 | 0:09:55 | |
scary-looking figures, just staring at him. | 0:09:55 | 0:09:59 | |
Next morning he was dead. | 0:09:59 | 0:10:03 | |
Were they doctors? | 0:10:06 | 0:10:08 | |
Here you go, Enid, darling. | 0:10:19 | 0:10:21 | |
Shall we take your fun horns off now? | 0:10:21 | 0:10:23 | |
No! I hate you. | 0:10:23 | 0:10:24 | |
There's your supper. Fish fingers, carrots and chips. | 0:10:24 | 0:10:28 | |
I hate fish fingers. | 0:10:28 | 0:10:30 | |
They're quite nice fish fingers, Enid, I promise. I just had one. Mm. | 0:10:30 | 0:10:34 | |
Where's Mummy gone? | 0:10:34 | 0:10:36 | |
Mummy's gone for a special weekend in France for a wedding, | 0:10:36 | 0:10:40 | |
which means that you get to stay with us for the weekend, lucky girl. | 0:10:40 | 0:10:43 | |
I hate you, and I hate you. | 0:10:43 | 0:10:46 | |
If you eat up all those up, I'll read you a story after supper. | 0:10:46 | 0:10:51 | |
I hate stories. | 0:10:51 | 0:10:54 | |
DOORBELL RINGS | 0:10:55 | 0:10:57 | |
See, what it is, yeah, see, what it is, yeah... | 0:11:02 | 0:11:04 | |
-I think I'm possessed, vicar. -What? | 0:11:04 | 0:11:07 | |
I hear you is doing exorcism now. | 0:11:07 | 0:11:09 | |
No, I'm not. | 0:11:09 | 0:11:11 | |
Oh, man, I'm possessed! There's a demon inside me. | 0:11:11 | 0:11:14 | |
Oh, here he comes. | 0:11:14 | 0:11:17 | |
Ooooooooh... | 0:11:17 | 0:11:20 | |
HE MAKES GROWLING NOISES | 0:11:20 | 0:11:21 | |
I'm a demon. | 0:11:21 | 0:11:23 | |
I've possessed Mick, | 0:11:23 | 0:11:25 | |
and he will be cursed and go to hell unless you give him 20 quid. | 0:11:25 | 0:11:29 | |
-Demon... -20 quid. | 0:11:29 | 0:11:31 | |
I'm afraid I can't give 20 quid, | 0:11:31 | 0:11:33 | |
because it would mean that you've won, | 0:11:33 | 0:11:35 | |
and it would encourage you to do it more. | 0:11:35 | 0:11:38 | |
OK... | 0:11:38 | 0:11:40 | |
I will spin his head right round, then. | 0:11:40 | 0:11:43 | |
HE MAKES GROANING NOISES | 0:11:43 | 0:11:46 | |
-Give him 20 quid. -Mick... | 0:11:51 | 0:11:53 | |
If I give you a frozen pizza, will you go away? | 0:11:53 | 0:11:55 | |
Aargh! | 0:11:55 | 0:11:57 | |
Vicar! | 0:11:57 | 0:11:59 | |
ENID SCREAMS | 0:11:59 | 0:12:00 | |
MICK SCREAMS | 0:12:00 | 0:12:02 | |
ENID SCREAMS | 0:12:02 | 0:12:04 | |
I've decided we shouldn't have a child. | 0:12:13 | 0:12:15 | |
HE CHUCKLES | 0:12:15 | 0:12:16 | |
Quite right. | 0:12:16 | 0:12:17 | |
What are you doing? | 0:12:31 | 0:12:33 | |
Hello Enid, are you OK? | 0:12:35 | 0:12:37 | |
I'm scared. I want Albert. | 0:12:37 | 0:12:40 | |
Oh. | 0:12:40 | 0:12:42 | |
See? | 0:12:46 | 0:12:47 | |
You're all safe now. | 0:12:47 | 0:12:50 | |
You've got Albert the Dragon to scare away the monsters. | 0:12:50 | 0:12:55 | |
TOY MAKES LAUGHING NOISE | 0:12:55 | 0:12:56 | |
He's just here. | 0:13:04 | 0:13:06 | |
Guarding the door, keeping you safe. | 0:13:06 | 0:13:09 | |
Night-night. | 0:13:09 | 0:13:12 | |
Sleep well. | 0:13:12 | 0:13:13 | |
(I hate you.) | 0:13:17 | 0:13:19 | |
Hello, Adam. | 0:13:24 | 0:13:25 | |
Archdeacon. What are you doing? | 0:13:26 | 0:13:28 | |
Having a poo in your loo. | 0:13:28 | 0:13:31 | |
Would you like to have a look? | 0:13:31 | 0:13:32 | |
Must I? | 0:13:32 | 0:13:34 | |
I poo snakes. | 0:13:36 | 0:13:39 | |
HE LAUGHS MANIACALLY | 0:13:40 | 0:13:42 | |
'Dear lord, why are you sending me these horrible dreams? | 0:13:52 | 0:13:56 | |
'Is it like when you sent Zachariah those night visions? | 0:13:56 | 0:13:59 | |
'They represented something, didn't they? | 0:13:59 | 0:14:01 | |
'I've never understood them, to be honest, | 0:14:01 | 0:14:03 | |
'but this is just the heat, isn't it? | 0:14:03 | 0:14:05 | |
'It's certainly making Nigel grumpier than usual. | 0:14:05 | 0:14:08 | |
'Or... | 0:14:08 | 0:14:10 | |
'..are you trying to tell me that I'd be a useless father? | 0:14:10 | 0:14:13 | |
'Maybe Alex and I shouldn't be trying to have a child. | 0:14:13 | 0:14:16 | |
'Is that what you're trying to say? | 0:14:16 | 0:14:18 | |
'I do find Enid incredibly irritating. | 0:14:18 | 0:14:21 | |
'Mm, something wrong with my teeth.' | 0:14:21 | 0:14:25 | |
How are you finding the place, Joan? | 0:14:31 | 0:14:33 | |
Better? | 0:14:33 | 0:14:34 | |
I don't want to be here any more. | 0:14:34 | 0:14:37 | |
The man visited me again in the night. | 0:14:37 | 0:14:39 | |
He's still laughing at me. | 0:14:39 | 0:14:41 | |
It's frightening. | 0:14:41 | 0:14:43 | |
You said you'd done an exorcism, but it didn't work. | 0:14:43 | 0:14:47 | |
Sorry. | 0:14:47 | 0:14:48 | |
Are you absolutely sure the laughter isn't something else? | 0:14:48 | 0:14:52 | |
Derek? | 0:14:52 | 0:14:54 | |
Playing silly buggers? | 0:14:54 | 0:14:56 | |
No... | 0:14:56 | 0:14:57 | |
Derek died yesterday. | 0:14:57 | 0:14:59 | |
Bless him. | 0:14:59 | 0:15:02 | |
Alan... | 0:15:05 | 0:15:07 | |
Do you think there is a Heaven? | 0:15:07 | 0:15:09 | |
Yes. | 0:15:09 | 0:15:11 | |
If there is, what is it? | 0:15:11 | 0:15:15 | |
It's hard to find words for it or give it a shape without sounding trite. | 0:15:15 | 0:15:19 | |
But...I do believe that it's nothing to be scared of. | 0:15:19 | 0:15:24 | |
I don't know what Heaven's like, Joan. | 0:15:25 | 0:15:28 | |
But I can tell you that I will stay with you, | 0:15:31 | 0:15:34 | |
and accompany you, | 0:15:34 | 0:15:37 | |
until you get there. | 0:15:37 | 0:15:40 | |
Maybe I'm not going to Heaven. | 0:15:43 | 0:15:45 | |
I've done some bad things. | 0:15:45 | 0:15:47 | |
Shameful. | 0:15:47 | 0:15:49 | |
I've had a lot of sex with married men. | 0:15:52 | 0:15:55 | |
I think the Lord will forgive you for that. | 0:15:55 | 0:15:58 | |
He won't if he doesn't exist. | 0:15:58 | 0:16:00 | |
Recorder! | 0:16:02 | 0:16:05 | |
-Ugh! -Ow! -Ugh! | 0:16:05 | 0:16:07 | |
Look, you can play the recorder later. | 0:16:07 | 0:16:08 | |
-I don't have another dress, Enid, you'll have to wear these. -No! | 0:16:08 | 0:16:12 | |
-I want to play the recorder! -Ohhh. | 0:16:12 | 0:16:15 | |
Oh, look, your lovely godfather's home from work. | 0:16:15 | 0:16:18 | |
He can play with you now. | 0:16:18 | 0:16:20 | |
Auntie Alex needs some of her special medicine. | 0:16:20 | 0:16:22 | |
Recorder! | 0:16:22 | 0:16:23 | |
Busy day? Your child. | 0:16:23 | 0:16:25 | |
Recorder! | 0:16:25 | 0:16:26 | |
OK. | 0:16:26 | 0:16:28 | |
There you are. | 0:16:28 | 0:16:30 | |
SHE PLAYS TUNELESSLY | 0:16:30 | 0:16:33 | |
That's very good. | 0:16:33 | 0:16:35 | |
Very...loud. | 0:16:35 | 0:16:37 | |
-Enid, if you put your fingers on the... -My recorder! | 0:16:37 | 0:16:41 | |
Yes, that's funny, yeah. | 0:16:41 | 0:16:43 | |
If you put your... SHE PLAYS HARSH NOTES | 0:16:43 | 0:16:46 | |
Enid. | 0:16:47 | 0:16:49 | |
DOORBELL RINGS | 0:16:51 | 0:16:53 | |
I'm not lingering. Michel Roux Junior wants to show me his pop-up. | 0:16:58 | 0:17:02 | |
But I hear you've done an exorcism. | 0:17:02 | 0:17:06 | |
No. | 0:17:06 | 0:17:08 | |
RECORDER PLAYS TUNELESSLY Come in. We've got a child. | 0:17:08 | 0:17:11 | |
Can you buy them now? | 0:17:11 | 0:17:13 | |
Boo. | 0:17:20 | 0:17:22 | |
That's it, run along. | 0:17:27 | 0:17:29 | |
So, did you banish the spirit? | 0:17:29 | 0:17:31 | |
-Um... Well, I'm not sure there was a spirit to be honest. -No, really? | 0:17:31 | 0:17:36 | |
You know the terrible history of Wedmore House, of course? | 0:17:36 | 0:17:39 | |
No. What is the terrible history? | 0:17:39 | 0:17:41 | |
-You don't know it? The terrible history of Wedmore House? -No. Was it an asylum for insane nuns? | 0:17:41 | 0:17:45 | |
No, your nursing home was originally London's first dentistry clinic. | 0:17:45 | 0:17:50 | |
Oh, was it? | 0:17:50 | 0:17:51 | |
Yes, it was founded by a Dr Lambings, | 0:17:51 | 0:17:53 | |
who also, interestingly, was a pioneer of anaesthesia. | 0:17:53 | 0:17:56 | |
-And do you know what happened to Dr Lambings? -Did he get a knighthood? | 0:17:56 | 0:18:00 | |
No, he experimented on himself with nitrous oxide, laughing gas, | 0:18:00 | 0:18:04 | |
to which he became chronically addicted. | 0:18:04 | 0:18:06 | |
And they say the ghost of poor Dr Lambings | 0:18:06 | 0:18:09 | |
still wanders the corridors at Wedmore House laughing maniacally. | 0:18:09 | 0:18:13 | |
And this is where you attempted your exorcism. | 0:18:15 | 0:18:20 | |
I admire you for messing with the dark side, Adam. | 0:18:20 | 0:18:23 | |
-With forces beyond our understanding. -Thanks. | 0:18:23 | 0:18:28 | |
You believe in ghosts, don't you? | 0:18:28 | 0:18:29 | |
Well, I don't know, kind of. Do you? | 0:18:29 | 0:18:32 | |
Oh, I do. | 0:18:32 | 0:18:33 | |
Yes, I believe in ghosts. I've seen things. | 0:18:33 | 0:18:36 | |
-Really? Have you? -No, of course not, you idiot. | 0:18:36 | 0:18:39 | |
That story's nonsense. I just made half of it up. | 0:18:39 | 0:18:41 | |
Oh, I'm not saying there aren't ghosts, of course. | 0:18:41 | 0:18:44 | |
Who knows? | 0:18:44 | 0:18:45 | |
But given that you haven't a clue what you're doing, | 0:18:45 | 0:18:49 | |
will you please leave exorcisms to those who do. | 0:18:49 | 0:18:53 | |
OK, sorry, yes, I will. | 0:18:53 | 0:18:56 | |
Good. | 0:18:56 | 0:18:57 | |
HE LAUGHS MANIACALLY | 0:19:01 | 0:19:04 | |
DOOR SLAMS | 0:19:06 | 0:19:08 | |
DOORBELL RINGS | 0:19:10 | 0:19:11 | |
-Hi, Colin. -Hello, Adam. Got a problem with your microwave? | 0:19:12 | 0:19:16 | |
Thanks, Colin. I didn't know you were working now. | 0:19:16 | 0:19:19 | |
Yep. Me own business. | 0:19:19 | 0:19:20 | |
Doing very nicely. | 0:19:20 | 0:19:22 | |
Scorcher, isn't it? | 0:19:22 | 0:19:24 | |
This should sort it. | 0:19:25 | 0:19:26 | |
Hang on, mate. | 0:19:32 | 0:19:33 | |
You've cooked your own child. | 0:19:38 | 0:19:40 | |
Adam, she's gone! Where's Enid gone? You've lost her. | 0:19:41 | 0:19:44 | |
What? No! | 0:19:44 | 0:19:46 | |
-You've lost her? -Where is she? You'd be a terrible father. -Yes, a terrible father. | 0:19:46 | 0:19:50 | |
-A terrible father! -This isn't a dream. | 0:19:50 | 0:19:52 | |
This is really happening. ALL: Terrible father! | 0:19:52 | 0:19:55 | |
Aargh! | 0:19:55 | 0:19:56 | |
The doctor will see you now. | 0:19:57 | 0:19:59 | |
Open wide, Adam. | 0:19:59 | 0:20:02 | |
Open wide for me. | 0:20:02 | 0:20:04 | |
Where's Enid? | 0:20:04 | 0:20:05 | |
-DRILL STARTS -Is she safe? | 0:20:05 | 0:20:07 | |
What have you done with her? | 0:20:07 | 0:20:09 | |
Ahhh... | 0:20:09 | 0:20:10 | |
Is she safe? | 0:20:10 | 0:20:12 | |
DRILL BLENDS WITH RECORDER NOISE | 0:20:12 | 0:20:16 | |
ENID SCREAMS | 0:20:16 | 0:20:18 | |
OK Tim, no, bad luck. Bloody French. No, no, no, it's no problem. | 0:20:23 | 0:20:26 | |
Just get here as soon as you can. Yeah. | 0:20:26 | 0:20:28 | |
Oh, no, she's lovely. No, we love her. | 0:20:28 | 0:20:30 | |
Yeah, OK. Bye. | 0:20:30 | 0:20:32 | |
HE SIGHS | 0:20:33 | 0:20:35 | |
-French are on strike. Chunnel's closed. Can we look after Enid until tonight? -That's not good enough. | 0:20:35 | 0:20:40 | |
They'll have to catch a ferry or swim the Channel. | 0:20:40 | 0:20:42 | |
If I have to try and dress that child once more, I will not be responsible for her injuries. | 0:20:42 | 0:20:46 | |
-I'll do it. Can you take her to work today? -What? | 0:20:46 | 0:20:48 | |
I can't take her to church. | 0:20:48 | 0:20:50 | |
I've a really important meeting with the Archdeacon and English Heritage so we can have a loo put in. | 0:20:50 | 0:20:55 | |
-You'll have to take her to that meeting. Nigel can look after her. -I'm not leaving a child with Nigel. | 0:20:55 | 0:21:00 | |
It's a really important meeting. We desperately need the loo. Can't you take her? | 0:21:00 | 0:21:04 | |
I'm going to Pentonville Prison | 0:21:04 | 0:21:06 | |
to try and help a man who murdered his wife get a room transfer. | 0:21:06 | 0:21:08 | |
RECORDER PLAYS She's your godchild. | 0:21:08 | 0:21:11 | |
RECORDER PLAYS | 0:21:14 | 0:21:16 | |
Enid... | 0:21:16 | 0:21:17 | |
TOY MAKES LAUGHING NOISE | 0:21:20 | 0:21:23 | |
-Ellie, you must know someone who can look after her. -Albert wants a drink. | 0:21:23 | 0:21:28 | |
Oh, no! These are vital architect's plans. | 0:21:28 | 0:21:31 | |
You're a teacher, that's what you do, isn't it, look after kids for people? | 0:21:31 | 0:21:35 | |
-No, about two and a half hours. -Let go! | 0:21:35 | 0:21:37 | |
Cos we've got a meeting with the DAC about the... | 0:21:37 | 0:21:40 | |
Nigel, do not hit... Sorry, I'll have to call you back. You cannot do that. | 0:21:40 | 0:21:43 | |
She hit me first. | 0:21:43 | 0:21:45 | |
We cannot have this child in the meeting, or we will not get our toilet. It's vital for the church. | 0:21:49 | 0:21:54 | |
-I want a wee-wee. -Well, maybe if you hadn't poured smoothie all over the plans, | 0:21:54 | 0:21:58 | |
-we might get permission to build a toilet and you could go. -BLOWS RECORDER | 0:21:58 | 0:22:02 | |
Young lady...! | 0:22:02 | 0:22:03 | |
-Can you take her to the loo in the park? -I don't think so. She's your godchild. | 0:22:03 | 0:22:07 | |
No, wait for me. Wait for me... | 0:22:11 | 0:22:13 | |
Enid. Wash your hands now. | 0:22:15 | 0:22:17 | |
Don't touch me! Leave me alone! | 0:22:17 | 0:22:19 | |
Enid! | 0:22:19 | 0:22:20 | |
SHE SCREAMS | 0:22:20 | 0:22:24 | |
Enid, if you stop screaming, I'll buy an ice cream. | 0:22:24 | 0:22:27 | |
SHE SCREAMS | 0:22:27 | 0:22:29 | |
Joan! | 0:22:37 | 0:22:39 | |
-Hello, how are you? -I escaped from the asylum. | 0:22:39 | 0:22:44 | |
I should be watching Flog It with the lunatics, but I climbed the wall. | 0:22:44 | 0:22:47 | |
Who's this? | 0:22:47 | 0:22:49 | |
This is my lovely god-daughter, Enid. | 0:22:49 | 0:22:51 | |
-You're a sweetheart, aren't you, darling? -Yes. | 0:22:51 | 0:22:54 | |
Yes. | 0:22:54 | 0:22:55 | |
Joan, could you do me a big favour? I've got a really important meeting this afternoon... | 0:22:55 | 0:23:01 | |
And you want me to take her to the park for you. Come on. | 0:23:01 | 0:23:03 | |
Come on now. | 0:23:03 | 0:23:05 | |
Bastards won't let me put in a toilet, | 0:23:07 | 0:23:09 | |
simply because it means removing the memorial plaque of Sir Roger de Twatface, | 0:23:09 | 0:23:14 | |
someone who no-one's ever heard of apart from two bores from English Heritage. | 0:23:14 | 0:23:19 | |
Bastards. | 0:23:19 | 0:23:20 | |
-Oh, hi, Tim. -Yes, Tim's here. | 0:23:20 | 0:23:23 | |
Tim, how are you? Good trip? | 0:23:23 | 0:23:25 | |
Yes, thanks. | 0:23:25 | 0:23:26 | |
I do hope Enid wasn't a terrible terror. | 0:23:26 | 0:23:29 | |
No, no. | 0:23:29 | 0:23:30 | |
She's just, um... | 0:23:30 | 0:23:32 | |
I'll just pop and get her. | 0:23:32 | 0:23:33 | |
She's just...at the sandpit with Adoha. | 0:23:33 | 0:23:36 | |
No worries. | 0:23:36 | 0:23:38 | |
I'll be back in a sec. | 0:23:38 | 0:23:40 | |
Joan, hi, it's Adam. | 0:23:49 | 0:23:50 | |
Er, I'm just on my way to get Enid from you, | 0:23:50 | 0:23:53 | |
I do hope you get this. | 0:23:53 | 0:23:54 | |
If she's there, could you keep her with you? | 0:23:54 | 0:23:56 | |
OK, bye. | 0:23:56 | 0:23:58 | |
KNOCKS AT DOOR Joan, where's Enid? | 0:24:01 | 0:24:04 | |
Joan...? Where's Enid? Wake up. | 0:24:07 | 0:24:10 | |
-Oh, hello. -Where's Enid? | 0:24:10 | 0:24:12 | |
Where is she? | 0:24:12 | 0:24:13 | |
I don't know. She was here. | 0:24:13 | 0:24:16 | |
Enid! | 0:24:16 | 0:24:17 | |
Joan, where is she? | 0:24:18 | 0:24:19 | |
Where's Enid? | 0:24:19 | 0:24:21 | |
Enid! | 0:24:21 | 0:24:22 | |
Excuse me, has anyone seen a little girl called Enid? | 0:24:29 | 0:24:34 | |
Five years old. She was here, friend of Joan's? | 0:24:34 | 0:24:37 | |
SNORING | 0:24:37 | 0:24:39 | |
Have you seen a little girl called Enid? | 0:24:44 | 0:24:46 | |
-She was here in Joan's room. -No. | 0:24:46 | 0:24:48 | |
-If you see her, keep hold of her. Don't let her go. -OK. | 0:24:48 | 0:24:52 | |
'Dear Lord, where is she? | 0:24:54 | 0:24:57 | |
'Where is she? | 0:24:57 | 0:24:59 | |
'I've got to find her. | 0:24:59 | 0:25:01 | |
'I'd be a terrible father.' | 0:25:01 | 0:25:03 | |
Enid? | 0:25:03 | 0:25:05 | |
'I know she's an incredibly annoying, ghastly, spoilt little girl, but please make her safe. | 0:25:05 | 0:25:09 | |
'I can't believe I've done this. | 0:25:09 | 0:25:11 | |
'Urgh, I feel sick.' | 0:25:11 | 0:25:13 | |
FAINT LAUGHTER | 0:25:13 | 0:25:15 | |
'I feel sick, I want to vomit. | 0:25:15 | 0:25:16 | |
'Where's she gone? | 0:25:20 | 0:25:22 | |
'What will I say to Tim? | 0:25:22 | 0:25:24 | |
'They'll never forgive me if their child has been abducted. | 0:25:24 | 0:25:27 | |
'I know she's really annoying, but I didn't want this. | 0:25:27 | 0:25:30 | |
'What if she's... | 0:25:30 | 0:25:32 | |
'Lord Jesus Christ, Son of God, have mercy on me, a sinner. | 0:25:32 | 0:25:36 | |
'Oh, my god, maybe the laughing ghost has got her, | 0:25:37 | 0:25:39 | |
'the lunatic drug-addled maniac dentist of Wedmore House.' | 0:25:39 | 0:25:43 | |
Enid... this isn't funny. MANIACAL LAUGHTER | 0:26:03 | 0:26:06 | |
Don't be funny. | 0:26:06 | 0:26:07 | |
Enid? | 0:26:07 | 0:26:08 | |
Is that you? | 0:26:08 | 0:26:10 | |
DENTIST'S DRILL SOUND | 0:26:10 | 0:26:11 | |
SOUND DIES DOWN | 0:26:20 | 0:26:21 | |
FAINT LAUGHTER | 0:26:23 | 0:26:25 | |
HE SIGHS | 0:26:32 | 0:26:34 | |
'Thank you, Lord.' | 0:26:34 | 0:26:36 | |
TOY MAKES LAUGHING SOUND | 0:26:36 | 0:26:38 | |
Thanks so much, guys. You've gone straight to the top of our babysitting list now. | 0:26:41 | 0:26:45 | |
THEY LAUGH | 0:26:45 | 0:26:47 | |
Bye-bye. | 0:26:50 | 0:26:52 | |
You have Albert, in case you get scared in the night. | 0:26:53 | 0:26:57 | |
I can't have him. | 0:26:57 | 0:26:59 | |
Yes, in case you see the laughing man. | 0:26:59 | 0:27:02 | |
Well, thank you, Enid. | 0:27:04 | 0:27:05 | |
-Come on. -Bye-bye. -Bye. | 0:27:05 | 0:27:08 | |
Bye. | 0:27:11 | 0:27:13 | |
Bye-bye. | 0:27:13 | 0:27:14 | |
'Dear Lord, please don't send me nightmares tonight. | 0:27:14 | 0:27:19 | |
'I don't know if I believe in ghosts, | 0:27:19 | 0:27:21 | |
'but if you choose to give us our own child... | 0:27:21 | 0:27:25 | |
'..I'll give them Albert.' | 0:27:27 | 0:27:29 | |
Subtitles by Red Bee Media Ltd | 0:27:55 | 0:27:57 | |
E-mail [email protected] | 0:27:57 | 0:27:59 |