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# Here we go... # | 0:00:10 | 0:00:12 | |
Val! | 0:00:14 | 0:00:15 | |
Hello! | 0:00:22 | 0:00:24 | |
MUSIC PLAYS | 0:00:28 | 0:00:31 | |
Valerie? | 0:00:38 | 0:00:40 | |
Oh! | 0:00:43 | 0:00:46 | |
Hee-hee! You lot. | 0:00:46 | 0:00:49 | |
Well, I'm really glad I won my tribunal! | 0:00:49 | 0:00:51 | |
I wish all my friends were here to celebrate. | 0:00:53 | 0:00:56 | |
They're still fixing stuff. | 0:00:59 | 0:01:01 | |
I'll just go upstairs to the toilet | 0:01:01 | 0:01:04 | |
and then, er... then I'll pop down again. | 0:01:04 | 0:01:06 | |
DOORBELL RINGS | 0:01:12 | 0:01:13 | |
The doorbell! | 0:01:16 | 0:01:18 | |
Can someone get the door, please? | 0:01:23 | 0:01:25 | |
Well, I would, but I'm not supposed to know about it. | 0:01:27 | 0:01:30 | |
Oh! | 0:01:32 | 0:01:34 | |
Oh, just let me orchestrate it... Thanks very much(!) | 0:01:34 | 0:01:38 | |
Thoughtless. | 0:01:38 | 0:01:40 | |
KEY TURNS | 0:01:40 | 0:01:41 | |
-Val! -Oh, I knew that would happen! | 0:01:45 | 0:01:48 | |
Shh... Up here, come here. | 0:01:48 | 0:01:50 | |
-What? -Shh! Come up here. | 0:01:50 | 0:01:53 | |
-What's the matter? -Just come up here! | 0:01:53 | 0:01:55 | |
-I've only been gone two minutes. -Shh! | 0:01:55 | 0:01:57 | |
-It's a surprise. -Yeah, I... Thank you very much. | 0:01:57 | 0:02:00 | |
I'll go along with it for an hour, | 0:02:00 | 0:02:02 | |
but after that, I want everybody out. | 0:02:02 | 0:02:04 | |
-What do you mean? -I don't want them here. | 0:02:04 | 0:02:07 | |
I've been under enormous strain... I don't feel like celebrating. | 0:02:07 | 0:02:11 | |
-I'm actually ill with it! -Roger, you've won. | 0:02:11 | 0:02:15 | |
I've begun to sweat where I didn't know I could - in the middle of my forearms. | 0:02:15 | 0:02:19 | |
It's a tingling, unpleasant sensation, and it's stress. | 0:02:19 | 0:02:22 | |
-Roger! -Shh! | 0:02:22 | 0:02:25 | |
Are there people in there? | 0:02:28 | 0:02:31 | |
No. The surprise is in my hand. | 0:02:31 | 0:02:34 | |
Oh. | 0:02:35 | 0:02:37 | |
Oh, right, well, yeah, it doesn't matter. | 0:02:37 | 0:02:40 | |
-Well, what did you think I meant? -It doesn't matter, it's OK. | 0:02:40 | 0:02:43 | |
Did you think I'd got people round? | 0:02:43 | 0:02:45 | |
Yeah. | 0:02:47 | 0:02:48 | |
I thought that perhaps you'd organised a surprise party, | 0:02:51 | 0:02:55 | |
and loads of people from the Winter Gardens | 0:02:55 | 0:02:57 | |
had come to hoist me aloft and cheer me on. | 0:02:57 | 0:03:00 | |
No. | 0:03:00 | 0:03:02 | |
OK. | 0:03:02 | 0:03:03 | |
No, it's...just me. | 0:03:03 | 0:03:05 | |
-Yeah. -Oh. | 0:03:05 | 0:03:08 | |
No, no, that's fine! | 0:03:08 | 0:03:10 | |
You know, you come into a house in use, | 0:03:10 | 0:03:12 | |
you've won, your mind races. | 0:03:12 | 0:03:15 | |
-Well, the surprise is under here. -Thanks very much. | 0:03:15 | 0:03:19 | |
Honestly, Rog, I feel like a disappointment now. | 0:03:19 | 0:03:23 | |
No, no, no, no, I'm relieved. | 0:03:23 | 0:03:25 | |
Well, I was all set to dance down the hall with it. | 0:03:25 | 0:03:27 | |
-Right, well, please do. -No, not in this atmosphere, no. | 0:03:27 | 0:03:31 | |
I'll just walk normally, that's all. | 0:03:31 | 0:03:33 | |
No, I would very much like you to dance. | 0:03:33 | 0:03:36 | |
No, not now, definitely not. | 0:03:36 | 0:03:38 | |
Now, you see this is not how I want it to be! | 0:03:38 | 0:03:41 | |
I want it to be the way it was going to be! | 0:03:41 | 0:03:44 | |
It's not my fault that I'm under huge pressure. | 0:03:44 | 0:03:48 | |
We're all under huge pressure with it, Roger! | 0:03:48 | 0:03:52 | |
Everyone in a 50-mile radius has lived every single minute with you. | 0:03:52 | 0:03:56 | |
Right, but last night I dreamt | 0:03:56 | 0:03:59 | |
that by mistake I was at a far-right rally in South Africa. | 0:03:59 | 0:04:02 | |
I was spotted, it was absolutely terrifying. | 0:04:02 | 0:04:05 | |
Will you speak normally, Roger? There's no-one here. | 0:04:05 | 0:04:08 | |
I had to try and sidle my way via the swimming pool. | 0:04:08 | 0:04:12 | |
Well, that would be normal for a night before a verdict. | 0:04:12 | 0:04:15 | |
I was spotted by a distant group of men | 0:04:15 | 0:04:17 | |
that said nothing but wore green blazers, | 0:04:17 | 0:04:21 | |
and they had beards like they were all in ZZ Top. | 0:04:21 | 0:04:24 | |
It doesn't sounds as awful as it was, but trust me, it was. | 0:04:24 | 0:04:28 | |
Right...but, Roger, you've won, | 0:04:28 | 0:04:29 | |
so, Rog, all of this is over! | 0:04:29 | 0:04:33 | |
It's over. | 0:04:33 | 0:04:35 | |
-It's over! -Ah... | 0:04:35 | 0:04:38 | |
-Ah! -Oh, come here. | 0:04:38 | 0:04:40 | |
-Oh! -Ah, it's OK, it's OK. | 0:04:40 | 0:04:42 | |
Oh, thank you, my stalwart and my talisman. | 0:04:42 | 0:04:46 | |
Oh, come on, cheer up, Rog. You've won! | 0:04:46 | 0:04:49 | |
Let's have a look at your surprise. | 0:04:49 | 0:04:51 | |
OK... Ta-da! | 0:04:57 | 0:05:00 | |
Cask ale! | 0:05:00 | 0:05:01 | |
Can you see now why I had to be so careful about the timing? | 0:05:01 | 0:05:05 | |
Oh, that's beautiful, Val, it's a beautiful gesture. | 0:05:05 | 0:05:07 | |
Look, "Roger Stevenson was unfairly dismissed." | 0:05:07 | 0:05:12 | |
Yeah, legal fact, but don't go telling anyone, | 0:05:12 | 0:05:14 | |
because otherwise the pub'll lose their licence. | 0:05:14 | 0:05:17 | |
-Oh, I won't, I won't. -No, don't go back to work and... | 0:05:17 | 0:05:19 | |
I know, "Don't go back to work"! | 0:05:19 | 0:05:22 | |
I don't even know when I actually start again. | 0:05:22 | 0:05:24 | |
I have to do this thing called a reintegrated return. | 0:05:24 | 0:05:27 | |
-Well, good. -Yeah, for people who have been away a long time. | 0:05:27 | 0:05:30 | |
Yeah, but that'll be just the law, that's just a legal requirement. | 0:05:30 | 0:05:35 | |
I love the law. I've got every faith in it. | 0:05:35 | 0:05:39 | |
Oh, Val, after the verdict, | 0:05:39 | 0:05:41 | |
I went up to the panel and I said, "Thank you for justice." | 0:05:41 | 0:05:46 | |
It was funny, because in the pub after, | 0:05:48 | 0:05:51 | |
Steve and Fran popped down, and then...they went away again. | 0:05:51 | 0:05:56 | |
And I thought, "I just wonder..." | 0:05:56 | 0:05:59 | |
No, Roger, I didn't have time, I'm sorry. | 0:05:59 | 0:06:02 | |
I didn't get your text till five, | 0:06:02 | 0:06:04 | |
and I was still in the meeting, so I couldn't ring. | 0:06:04 | 0:06:06 | |
And when you could, I was in the pub and I couldn't hear the phone. | 0:06:06 | 0:06:10 | |
And I was right across from Sue in the meeting. | 0:06:10 | 0:06:13 | |
We're very well attuned, Sue and I, and so I got your text | 0:06:13 | 0:06:18 | |
and I just gave her the slightest nod like...like that, | 0:06:18 | 0:06:21 | |
and all this in the middle of the senior staff meeting! | 0:06:21 | 0:06:24 | |
The slightest nod...right? | 0:06:24 | 0:06:26 | |
So I went...and then she went... | 0:06:26 | 0:06:29 | |
"Delighted." | 0:06:29 | 0:06:32 | |
You're having spaghetti as well, OK? | 0:06:36 | 0:06:38 | |
Gorgeous, yeah. | 0:06:38 | 0:06:41 | |
I didn't want to go out. | 0:06:46 | 0:06:48 | |
Last night, as I was lying in bed, | 0:06:49 | 0:06:52 | |
I thought, "If Roger wins, I'm going to cook in the pans. | 0:06:52 | 0:06:58 | |
"I will use them. | 0:06:58 | 0:07:01 | |
"I will." | 0:07:01 | 0:07:02 | |
Oh, please say we'll have a holiday soon. | 0:07:07 | 0:07:09 | |
Oh, we must. Look at me tonight, Val. | 0:07:09 | 0:07:12 | |
-Stress-wise, I'm at the end. -Yeah... Oh... | 0:07:12 | 0:07:17 | |
Not in the Scottish islands, though, eh? | 0:07:17 | 0:07:19 | |
No, not ever again. | 0:07:19 | 0:07:22 | |
Somewhere where there's restaurants and not just a Co-op. | 0:07:22 | 0:07:26 | |
OK, I got it wrong. | 0:07:26 | 0:07:28 | |
Do you want to dry? | 0:07:28 | 0:07:31 | |
Yeah. | 0:07:31 | 0:07:32 | |
Look, I've ended up with all of these. | 0:07:37 | 0:07:40 | |
-Have you taken the labels off all of them? -Yeah. | 0:07:43 | 0:07:46 | |
I've only used three for the dinner, | 0:07:46 | 0:07:49 | |
but, yes, all of the pans are now opened. | 0:07:49 | 0:07:53 | |
I thought... No, I'm all right. | 0:07:54 | 0:07:57 | |
I thought...if we used them tonight, | 0:07:57 | 0:08:00 | |
he could be part of it, you know, join in. | 0:08:00 | 0:08:02 | |
Yeah. It's a family occasion. It includes him. | 0:08:02 | 0:08:07 | |
Yeah, I think it does. | 0:08:07 | 0:08:09 | |
-I'll get you a drink. -Yeah, come on. You've won! | 0:08:12 | 0:08:17 | |
WE'VE won. | 0:08:17 | 0:08:19 | |
You ran a damn good campaign, Val. | 0:08:19 | 0:08:22 | |
-How's your pint? -Great, thanks. | 0:08:31 | 0:08:34 | |
Oh, you know who I'd like to invite, Val, | 0:08:41 | 0:08:44 | |
to the surprise party, if we were having one? | 0:08:44 | 0:08:47 | |
The panel. The people on the panel. | 0:08:47 | 0:08:50 | |
-But they wouldn't be able to come. -Yes, they would. | 0:08:50 | 0:08:52 | |
No, they wouldn't. | 0:08:52 | 0:08:54 | |
That would be entirely inappropriate behaviour on their behalf. | 0:08:54 | 0:08:59 | |
They'd be banned from doing things like that. | 0:08:59 | 0:09:02 | |
Things like what? My surprise party? | 0:09:02 | 0:09:06 | |
Yeah, they'd be hauled up for fraternising with a claimant. | 0:09:06 | 0:09:09 | |
-Well, I want them to come. -Well, they can't come. | 0:09:09 | 0:09:12 | |
Well, I want them to come, so... | 0:09:12 | 0:09:14 | |
What does it matter? We're not having one anyway. | 0:09:14 | 0:09:17 | |
No, so why are you being so snippy? What's the matter? | 0:09:17 | 0:09:20 | |
Excuse me! | 0:09:20 | 0:09:21 | |
I have just stood on these very two legs | 0:09:21 | 0:09:24 | |
for a verdict but hours ago. | 0:09:24 | 0:09:27 | |
Yes, but you won. | 0:09:27 | 0:09:29 | |
Yeah, but it's so...defining. | 0:09:29 | 0:09:33 | |
The whole process has made me take stock. | 0:09:33 | 0:09:36 | |
Oh, that's someone else I'd like to invite. | 0:09:36 | 0:09:39 | |
Pete Potts. | 0:09:39 | 0:09:41 | |
I'm not sure that's such a good idea. | 0:09:41 | 0:09:43 | |
Yeah, I would love for the panel to meet him. | 0:09:43 | 0:09:46 | |
I would say, "May I introduce my university professor | 0:09:46 | 0:09:50 | |
"and the world's greatest living botanist?" | 0:09:50 | 0:09:53 | |
Yeah, but he wouldn't be able to come either, would he? | 0:09:53 | 0:09:56 | |
Because he's 85 now. | 0:09:56 | 0:09:58 | |
Yeah, he would be able to come, because I'd go and pick him up, | 0:09:58 | 0:10:02 | |
drive through the night. | 0:10:02 | 0:10:04 | |
Or at least pay his train fare... and collect him from the station. | 0:10:04 | 0:10:09 | |
If he could get himself on a train, that would help. | 0:10:09 | 0:10:13 | |
Well, there is a direct line, isn't there, from Sheffield to here? | 0:10:13 | 0:10:18 | |
If he could get himself on the train, he'd only have to sit, | 0:10:18 | 0:10:21 | |
and if he needed any help, | 0:10:21 | 0:10:23 | |
there are the people with little hats and the portable ramps. | 0:10:23 | 0:10:26 | |
No, no, his son would bring him, one of the sons. | 0:10:26 | 0:10:29 | |
They'd be in their 60s now, Roger. They've got lives of their own. | 0:10:29 | 0:10:33 | |
Yeah but no, they would. They would drive him, definitely. | 0:10:33 | 0:10:37 | |
That's what sons do for fathers. | 0:10:37 | 0:10:40 | |
Well... And another thing at the party, | 0:10:40 | 0:10:43 | |
he wouldn't be able to smoke his pipe indoors, like he usually does. | 0:10:43 | 0:10:47 | |
-He would. -No, he wouldn't, | 0:10:47 | 0:10:49 | |
because the panel would be very on with health and safety, | 0:10:49 | 0:10:52 | |
-and they for one would object. -Well, tough - they can get out. | 0:10:52 | 0:10:56 | |
I was like a son to Pete. | 0:10:56 | 0:10:59 | |
Well, I suppose we could plant him in the corner there, couldn't we? | 0:11:01 | 0:11:05 | |
-Or the big chair in the sitting room. -The big chair. -Yeah. | 0:11:05 | 0:11:08 | |
And then we could take Pete his food, | 0:11:08 | 0:11:10 | |
-so he wouldn't have to queue up for the buffet. -Val! | 0:11:10 | 0:11:13 | |
Some young plant-team member would be honoured to get his plate. | 0:11:13 | 0:11:18 | |
Tell their grandchildren. | 0:11:18 | 0:11:21 | |
"I once got Pete Potts a baked potato." | 0:11:21 | 0:11:23 | |
I wonder if I'd invite the head. | 0:11:28 | 0:11:30 | |
Would I? | 0:11:34 | 0:11:35 | |
I think with the deputy headship, now that you're short-listed, | 0:11:35 | 0:11:39 | |
I would err on the side of caution. | 0:11:39 | 0:11:41 | |
-I would say no. -Oh, shame. | 0:11:41 | 0:11:45 | |
-Because she'd really enjoy it, get into it. -No, she can't come. | 0:11:45 | 0:11:50 | |
Yep, I think you're right. | 0:11:50 | 0:11:52 | |
And we would appear too loose and laid-back | 0:11:52 | 0:11:55 | |
for a school to be able to deal with. | 0:11:55 | 0:11:58 | |
I'd like to say invite her, but I can't. | 0:11:58 | 0:12:00 | |
Yeah, she's just going to have to hear about the party the next day | 0:12:00 | 0:12:04 | |
-and think, "Oh, Val's popular." -That's your ideal. | 0:12:04 | 0:12:08 | |
-These are good. -Oh, which one of those do you like best? | 0:12:08 | 0:12:11 | |
-Yeah, this one. -Right. -When's your doodle deadline? | 0:12:11 | 0:12:15 | |
Tuesday, but I'm being very careful about this year's. | 0:12:15 | 0:12:19 | |
Absolutely. | 0:12:19 | 0:12:20 | |
And the senior staff meeting tonight, Roger, was focused on art. | 0:12:20 | 0:12:26 | |
-How do you mean? -Well, I think we've seriously underestimated Pauline Green. | 0:12:26 | 0:12:30 | |
-No, we haven't. -Art is her subject. | 0:12:30 | 0:12:33 | |
This was the last meeting before the interview, | 0:12:33 | 0:12:36 | |
so she stays in the head's mind. | 0:12:36 | 0:12:39 | |
No, you know my view - she's lucky to have made the shortlist. | 0:12:39 | 0:12:42 | |
Well, exactly, that's my point! She is the luckiest woman alive. | 0:12:42 | 0:12:47 | |
She once told me | 0:12:47 | 0:12:49 | |
that she got an all-chocolate Kit Kat out of a vending machine. | 0:12:49 | 0:12:53 | |
I'm not worried. | 0:12:53 | 0:12:54 | |
-But maybe just...yeah, monitor her. -Yeah. | 0:12:54 | 0:12:57 | |
Have I ever met her? I mean, where is she on here? | 0:12:59 | 0:13:04 | |
Erm... Pauline Green, there. | 0:13:07 | 0:13:09 | |
Oh, yeah. | 0:13:09 | 0:13:11 | |
-Oh, and there you are with your... -That's my whisk. -Yeah. | 0:13:11 | 0:13:16 | |
-Pauline Green's is excellent, look. -Well, of course it is - she's art. | 0:13:16 | 0:13:21 | |
-Oh, there's poor Lilly Brennan. -Oh. -Oh... | 0:13:21 | 0:13:24 | |
-Yeah, that was... -It was, yeah. | 0:13:24 | 0:13:26 | |
Still, at least she lived long enough | 0:13:26 | 0:13:28 | |
-to make it onto last year's tea towel, bless her. -Yeah, she did. | 0:13:28 | 0:13:32 | |
Where's Pauline Green on...this one? | 0:13:32 | 0:13:35 | |
-Oh, she's there. -Oh. | 0:13:36 | 0:13:38 | |
-Well, she's up here on this one. -Is she? Oh. | 0:13:43 | 0:13:46 | |
I thought everybody stayed the same. I have. | 0:13:46 | 0:13:49 | |
-Have you? -Yeah, look. | 0:13:49 | 0:13:51 | |
Mrs Stevenson, food tech, Mrs Stevenson, food tech, | 0:13:51 | 0:13:54 | |
Mrs Stevenson, food tech... | 0:13:54 | 0:13:56 | |
How did Pauline get up there? Because on this one she's down here | 0:13:56 | 0:14:01 | |
and then, rather unsurprisingly, on the middle one | 0:14:01 | 0:14:04 | |
she's in the middle. | 0:14:04 | 0:14:06 | |
So how has she...? Yeah. | 0:14:06 | 0:14:10 | |
-I'm in the same place on all of them! -No, you're not. | 0:14:12 | 0:14:15 | |
Well, yes, you are, but does that really matter, Val? | 0:14:15 | 0:14:18 | |
Well, I'm the same! | 0:14:18 | 0:14:20 | |
Yeah, you've got the same husband, who likes you the same. | 0:14:20 | 0:14:23 | |
-Mr Stevenson! -Roger, Roger, this is my career, this is my life. | 0:14:23 | 0:14:27 | |
You're consistent, reliable, with a strikingly similar hairstyle. | 0:14:27 | 0:14:31 | |
Yeah, but look, look, if Pauline's journey continues, | 0:14:31 | 0:14:34 | |
on the next tea towel, she's going to be the deputy head! | 0:14:34 | 0:14:37 | |
There's just one problem with that. | 0:14:37 | 0:14:39 | |
Look at Pauline's portrait - it's expertly drawn, | 0:14:39 | 0:14:42 | |
but ultimately it's undignified. | 0:14:42 | 0:14:45 | |
The deputy head is a serious job. Look at the head's portrait. | 0:14:45 | 0:14:48 | |
Yeah, two eyes, nose, mouth, it's generic. | 0:14:48 | 0:14:51 | |
-Pam Bagnall, top of the shortlist... -The bigwig. -..is serious. | 0:14:51 | 0:14:55 | |
Yes, so... | 0:14:55 | 0:14:58 | |
Roger, what if I draw glasses on myself? | 0:14:58 | 0:15:01 | |
Mmm... Brilliant. | 0:15:01 | 0:15:04 | |
Yeah, yeah, because you can just be too modest. | 0:15:04 | 0:15:08 | |
-Yeah. -That's it. -So...there's Pauline... | 0:15:08 | 0:15:12 | |
-Yep. -..there's Pam and there's you-ou. | 0:15:12 | 0:15:16 | |
-Yeah. -The unexpected challenger in a pair of glasses. | 0:15:16 | 0:15:20 | |
I'm not the same, though. | 0:15:22 | 0:15:24 | |
I have applied for a deputy headship. | 0:15:25 | 0:15:28 | |
Yep. Here's to the win double, babe. | 0:15:28 | 0:15:30 | |
Ah...victory. | 0:15:33 | 0:15:35 | |
Yeah, that's travelled quite well, actually, Val. | 0:15:35 | 0:15:38 | |
When you rang the bell, I thought it was more surprise guests. | 0:15:38 | 0:15:42 | |
I didn't ring the bell. | 0:15:42 | 0:15:44 | |
Well, somebody did. | 0:15:44 | 0:15:46 | |
Oh, delicious! Oh, and you're right, we need a holiday. | 0:15:47 | 0:15:50 | |
Oh, yeah, even a long weekend. We'll fly off tonight. | 0:15:50 | 0:15:55 | |
-Oh, don't, Val. -It's bank holiday on Monday as well. | 0:15:55 | 0:15:58 | |
Is it? What date is it on Monday? | 0:15:58 | 0:16:02 | |
Er... The first? | 0:16:02 | 0:16:04 | |
Well, we're OK with the mortgage, then? | 0:16:04 | 0:16:06 | |
Er... Yeah, I think so. I'll check it tomorrow. | 0:16:06 | 0:16:09 | |
Yeah, well, if it's bank holiday, Val, | 0:16:09 | 0:16:11 | |
they might take it in overnight tonight. | 0:16:11 | 0:16:14 | |
-So are we OK, then? -No, they'll take it on Monday. | 0:16:14 | 0:16:16 | |
I can't remember which way they do it, but it's unfair. | 0:16:16 | 0:16:20 | |
Well, whichever way they do it, don't you check it, cos I'm checking it. | 0:16:20 | 0:16:25 | |
-No, I'll do it. -No, don't, because it'll just wind you up. | 0:16:25 | 0:16:28 | |
-How will it wind me up? -I'm better at looking it in the face. | 0:16:28 | 0:16:32 | |
I'm fine, I've got my job back. | 0:16:32 | 0:16:35 | |
Yeah, but I want to do it, because I know how I've done things. | 0:16:35 | 0:16:38 | |
-I'll do it. -Oh! | 0:16:38 | 0:16:40 | |
Look, I've kept this from you, | 0:16:42 | 0:16:44 | |
because you've been fighting your tribunal, | 0:16:44 | 0:16:46 | |
but I'm telling you now, we're well into the flexi-loan. | 0:16:46 | 0:16:50 | |
Oh... | 0:16:50 | 0:16:52 | |
Oh, Jesus. | 0:17:13 | 0:17:14 | |
Oh... | 0:17:32 | 0:17:33 | |
I tried to extend our overdraft, | 0:17:59 | 0:18:02 | |
but they refused because of the drop in income. | 0:18:02 | 0:18:04 | |
-Oh, Val, it's fine. -No, it's not, Roger. | 0:18:04 | 0:18:08 | |
We're going to leave that bank the minute we're back in credit, | 0:18:08 | 0:18:11 | |
because they've been absolutely horrible. | 0:18:11 | 0:18:13 | |
It's as if they don't want to help us out. | 0:18:13 | 0:18:16 | |
Our capitalist masters kicking us poor bastards when we're down? | 0:18:16 | 0:18:19 | |
-Roger... -Oh, yeah, hang on, it's called a bank. | 0:18:19 | 0:18:22 | |
Roger, Roger, I'm going to do the sauce now, | 0:18:22 | 0:18:25 | |
but I'm not going to do the usual swirl. | 0:18:25 | 0:18:28 | |
I'm going to do a V for victory. | 0:18:28 | 0:18:31 | |
Well, don't do another V here. | 0:18:33 | 0:18:34 | |
Do an R, cos then we'll have V and R. | 0:18:34 | 0:18:36 | |
Val and Roger. | 0:18:36 | 0:18:38 | |
Oh, I don't know if I can an R, Rog. Rs are hard. | 0:18:38 | 0:18:41 | |
Do a lower case R, | 0:18:41 | 0:18:42 | |
and if you feel when you get to the curve that you're doing well, | 0:18:42 | 0:18:45 | |
just carry on and make a capital. | 0:18:45 | 0:18:47 | |
-There. -V. | 0:18:50 | 0:18:52 | |
V for vindicated. | 0:18:52 | 0:18:54 | |
V for verdict. | 0:18:54 | 0:18:56 | |
R for reintegrated return to work. Brilliant. | 0:18:56 | 0:19:01 | |
So how do they compare with modern-day pans? | 0:19:03 | 0:19:07 | |
Well, no, 19 years ago, they had Teflon, just the same. | 0:19:07 | 0:19:11 | |
But I like that. Makes me think it's not that long ago. | 0:19:11 | 0:19:16 | |
There. | 0:19:16 | 0:19:17 | |
It honours our son. | 0:19:18 | 0:19:21 | |
Beautifully. | 0:19:21 | 0:19:23 | |
And I'm absolutely certain this is going to be absolutely delicious... | 0:19:26 | 0:19:30 | |
Thank you. | 0:19:32 | 0:19:33 | |
Come on. | 0:19:33 | 0:19:35 | |
Mmm. | 0:20:20 | 0:20:21 | |
HE SLURPS LOUDLY | 0:20:35 | 0:20:38 | |
HE MUNCHES NOISILY | 0:20:47 | 0:20:48 | |
Excuse me. | 0:20:54 | 0:20:56 | |
-The wine's an exquisite choice. -Mmm. | 0:21:06 | 0:21:09 | |
Impeccably chilled. | 0:21:10 | 0:21:13 | |
Refresh my glass, actually. | 0:21:13 | 0:21:16 | |
It was on Saturday Kitchen. | 0:21:16 | 0:21:17 | |
They went to a wine warehouse in Stevenage. | 0:21:17 | 0:21:20 | |
Recommended it for fish. | 0:21:20 | 0:21:22 | |
Yes, we've always found their recommendations to be excellent. | 0:21:22 | 0:21:25 | |
I don't know what it is about the dining room, do you? | 0:21:26 | 0:21:29 | |
It's just the way you're speaking, Roger, sounds...quite formal? | 0:21:29 | 0:21:34 | |
Well, one hopes that one... | 0:21:34 | 0:21:36 | |
No, that's ridiculous. Yes, why am I speaking like this? | 0:21:36 | 0:21:38 | |
Cos you're on that bicycle now | 0:21:38 | 0:21:40 | |
and you're speeding downhill with the pedals spinning. | 0:21:40 | 0:21:43 | |
Odd to be so formal suddenly with one's wife. | 0:21:43 | 0:21:45 | |
My comment about the wine, for example. | 0:21:45 | 0:21:47 | |
You'd never have said that if we were in the kitchen. | 0:21:47 | 0:21:50 | |
-You'd have said, "This is gorgeous, Val. Top us up." -Yes, I was official. There's no doubt. | 0:21:50 | 0:21:54 | |
-It's cos we're in the dining room. -Yes, and normally when we're in here, it's with other people. | 0:21:54 | 0:21:59 | |
Yes, so you're not hearing someone's eating raised up and isolated, | 0:21:59 | 0:22:04 | |
put on a platform in a spotlight. | 0:22:04 | 0:22:08 | |
Right, sorry, is that how you feel I ate? | 0:22:08 | 0:22:10 | |
No, it's just a normal man shouldn't be amplified to sound like a horse. | 0:22:10 | 0:22:16 | |
My apologies. | 0:22:18 | 0:22:19 | |
Roger, it's the acoustics, it's not you. | 0:22:19 | 0:22:24 | |
Oh, look. | 0:22:24 | 0:22:27 | |
Well done, Rog. | 0:22:27 | 0:22:28 | |
Cheers. | 0:22:28 | 0:22:30 | |
Mmm. | 0:22:34 | 0:22:36 | |
Dining room...there is a role for its formality. | 0:22:36 | 0:22:40 | |
I mean, it is the traditional place where one reads a will | 0:22:40 | 0:22:43 | |
or makes an announcement. | 0:22:43 | 0:22:45 | |
Chances are you're sitting at the dining room table. | 0:22:45 | 0:22:48 | |
-Would you rather go into the kitchen for the main course? -No. -Mmm. | 0:22:48 | 0:22:52 | |
Val... | 0:22:53 | 0:22:56 | |
I hadn't planned this | 0:22:56 | 0:22:58 | |
because I didn't know we were going to be in the dining room tonight, | 0:22:58 | 0:23:01 | |
but there's something I need... | 0:23:01 | 0:23:03 | |
I have an announcement. | 0:23:04 | 0:23:06 | |
Oh. | 0:23:06 | 0:23:09 | |
Um... | 0:23:09 | 0:23:10 | |
Sorry. | 0:23:21 | 0:23:23 | |
This is really a really delicious meal. | 0:23:23 | 0:23:26 | |
Are you announcing that you like the meal? | 0:23:27 | 0:23:29 | |
No, no, no. | 0:23:29 | 0:23:31 | |
-No, I'm not making myself very clear. -What? | 0:23:31 | 0:23:35 | |
W-Well, there's something that I-I have to say. I-I need to. | 0:23:35 | 0:23:40 | |
Roger, what? | 0:23:40 | 0:23:42 | |
My-my tribunal is very complex. | 0:23:46 | 0:23:52 | |
One of its heads...of the multi-headed beast it became... | 0:23:52 | 0:23:56 | |
..is Jean Duggan. | 0:24:00 | 0:24:01 | |
I haven't been entirely truthful with you about Jean Duggan. | 0:24:04 | 0:24:09 | |
Jean, your pensioner stalker? | 0:24:09 | 0:24:12 | |
Yes. | 0:24:12 | 0:24:14 | |
Yup, I thought it was unlikely. | 0:24:14 | 0:24:17 | |
She's not a stalker. | 0:24:17 | 0:24:19 | |
No. | 0:24:19 | 0:24:21 | |
And answer me this, Roger Stevenson, is she a pensioner or not? | 0:24:21 | 0:24:25 | |
Oh, no. No, no, no, no. | 0:24:25 | 0:24:28 | |
No, I have not been remiss in any way. | 0:24:28 | 0:24:32 | |
-She saw me in the paper because of the tribunal. -Sorry? | 0:24:33 | 0:24:36 | |
PAN HISSES | 0:24:36 | 0:24:37 | |
Oh, the spaghetti! | 0:24:37 | 0:24:38 | |
PANS CLATTER | 0:24:43 | 0:24:44 | |
-Ow! Aargh! -Val? | 0:24:44 | 0:24:46 | |
Ow! Ow! | 0:24:46 | 0:24:49 | |
Ooh, Rog, I've burnt myself now, | 0:24:49 | 0:24:52 | |
because I'm not used to these awful pans. | 0:24:52 | 0:24:54 | |
-OK, here we go. -Oh, God, that hurts! | 0:24:54 | 0:24:57 | |
Put that in there. That's it. Good, OK. | 0:24:58 | 0:25:01 | |
Come and sit at the kitchen table. | 0:25:01 | 0:25:03 | |
Good, OK. Hang on. | 0:25:03 | 0:25:06 | |
Ah, Roger! | 0:25:06 | 0:25:08 | |
Aloe vera. | 0:25:12 | 0:25:14 | |
The advantage of having a botanist husband. | 0:25:14 | 0:25:16 | |
Thanks. Thanks. | 0:25:16 | 0:25:19 | |
-Can you get my drink for me, Rog? -Yeah. | 0:25:19 | 0:25:22 | |
Still got my pint. | 0:25:24 | 0:25:25 | |
What a great idea that was. | 0:25:27 | 0:25:30 | |
Ow! | 0:25:30 | 0:25:32 | |
Oh, thanks. | 0:25:33 | 0:25:35 | |
What is it, Roger? | 0:25:39 | 0:25:42 | |
Jean's husband, Vic, has died. | 0:25:46 | 0:25:50 | |
Vic was a painter and decorator | 0:25:50 | 0:25:52 | |
and he had a bad back, which was the source of my liaison with Jean. | 0:25:52 | 0:25:57 | |
How well did you know these people? | 0:25:58 | 0:26:00 | |
I was a student, obviously. | 0:26:02 | 0:26:05 | |
My parents had given me a Pringle jumper to go away with, | 0:26:05 | 0:26:09 | |
which I was never going to wear, so I...I gave it to Vic | 0:26:09 | 0:26:13 | |
because he sometimes met with his clients at a golf club. | 0:26:13 | 0:26:16 | |
I don't understand. So you know them really well? | 0:26:16 | 0:26:20 | |
No, I don't. | 0:26:20 | 0:26:23 | |
I haven't seen her for 31 years. | 0:26:23 | 0:26:25 | |
She's got spondylitis. | 0:26:25 | 0:26:27 | |
What's that? | 0:26:27 | 0:26:28 | |
I didn't ask. It sounded too painful. | 0:26:28 | 0:26:31 | |
How did you come to meet up with her again? | 0:26:34 | 0:26:38 | |
She came here. | 0:26:40 | 0:26:41 | |
-She's been in this house? -No, she has not been in this house, not at all. | 0:26:41 | 0:26:46 | |
She has been outside of this house, and that is all. | 0:26:46 | 0:26:48 | |
I don't believe you. | 0:26:48 | 0:26:51 | |
She has been outside of this house. | 0:26:51 | 0:26:54 | |
-Twice. -What do you mean? | 0:26:54 | 0:26:56 | |
Earlier she was at the door, rang the doorbell. | 0:26:59 | 0:27:01 | |
-No-one's rung on the doorbell. -Yes, they have. | 0:27:01 | 0:27:05 | |
You were out getting the pint. | 0:27:05 | 0:27:07 | |
I thought it was more surprise guests, so I left it. | 0:27:07 | 0:27:10 | |
What are you trying to tell me, Roger? | 0:27:10 | 0:27:13 | |
That, um... | 0:27:14 | 0:27:16 | |
..that the other time that she was outside of the house | 0:27:18 | 0:27:21 | |
was the night we came back from the wedding the other week. | 0:27:21 | 0:27:24 | |
She was standing at the end of the drive. | 0:27:27 | 0:27:31 | |
I didn't know who it was, | 0:27:31 | 0:27:34 | |
so I went out, and, um... | 0:27:34 | 0:27:36 | |
..she said to me, | 0:27:38 | 0:27:41 | |
"You won't remember me," | 0:27:41 | 0:27:44 | |
but I managed to hack through the years | 0:27:44 | 0:27:46 | |
and I recognised her features. | 0:27:46 | 0:27:49 | |
And, er, she-she said to me... | 0:27:52 | 0:27:55 | |
What? | 0:27:58 | 0:27:59 | |
She said that she'd left a note | 0:28:04 | 0:28:06 | |
and she told me what was in the note, | 0:28:06 | 0:28:10 | |
and I came back in. | 0:28:10 | 0:28:12 | |
Is this what's been wrong with you? | 0:28:13 | 0:28:17 | |
Yeah. | 0:28:19 | 0:28:20 | |
I have a 31-year-old son called Liam... | 0:28:49 | 0:28:53 | |
..who's alive. | 0:28:54 | 0:28:57 | |
Subtitles by Red Bee Media Ltd | 0:29:31 | 0:29:34 |