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Nothing I can do. | 0:00:02 | 0:00:03 | |
Yep 7.30. | 0:00:05 | 0:00:07 | |
Yes. Well, I'm unlucky really, aren't I? | 0:00:07 | 0:00:12 | |
Because it's an Italian. | 0:00:12 | 0:00:15 | |
Romano's. I know exactly what Roger's going to say. | 0:00:15 | 0:00:19 | |
He can have soup, no problem, he can have pasta, no problem, | 0:00:19 | 0:00:24 | |
he can have tiramisu, no problem. | 0:00:24 | 0:00:26 | |
And then he's got his first course, his main course and his pudding. | 0:00:26 | 0:00:32 | |
Well and ice cream, that's right, Sue, yeah. | 0:00:32 | 0:00:35 | |
Yep. | 0:00:35 | 0:00:36 | |
Well I don't know. Oh, I'll think of something. | 0:00:36 | 0:00:40 | |
Yep. Yep. All right, Sue. | 0:00:40 | 0:00:43 | |
Yeah, I'll talk to you tomorrow. Bye, love, bye. | 0:00:43 | 0:00:46 | |
SHE SIGHS | 0:01:01 | 0:01:03 | |
Pam Bagnall. | 0:01:05 | 0:01:08 | |
I will hunt you down and kill you like a dog. | 0:01:08 | 0:01:12 | |
Excuse me. | 0:01:42 | 0:01:44 | |
PHONE BEEPS | 0:02:00 | 0:02:02 | |
What's the password for the Virgin Media account? | 0:02:10 | 0:02:13 | |
Sorry? | 0:02:13 | 0:02:15 | |
The engineer for the internet wants to come about the stand-alone modem. | 0:02:15 | 0:02:19 | |
"Officer dibble" | 0:02:19 | 0:02:21 | |
Yeah, I tried that but it won't let me in. | 0:02:21 | 0:02:23 | |
Er. "Wide-legged trouser 32." | 0:02:23 | 0:02:27 | |
Thank you. I take it that's all in lower case? | 0:02:27 | 0:02:30 | |
Look I'm sorry about this morning I was very uptight. | 0:02:32 | 0:02:35 | |
No, no. I'm sorry. | 0:02:37 | 0:02:38 | |
Dare I ask? | 0:02:40 | 0:02:42 | |
-I got through to the second day. -Oh, Val! | 0:02:43 | 0:02:46 | |
It's only the second day. I'm containing it. | 0:02:46 | 0:02:48 | |
Can I contain it with a big, broad grin across my face, though? I kept ringing and ringing. | 0:02:48 | 0:02:53 | |
No, I didn't even have my phone with me. | 0:02:53 | 0:02:55 | |
Yeah, I thought as much. Who else got through? | 0:02:55 | 0:02:58 | |
Just the two of us. Me and "Fill In The Blank Yourself." | 0:02:58 | 0:03:01 | |
Mmm. I thought she would. None of the externals? | 0:03:01 | 0:03:04 | |
Nope. Just me and the Bagnall. | 0:03:04 | 0:03:06 | |
Which means, Roger, that the meal tomorrow night really is crucial. | 0:03:06 | 0:03:09 | |
Yeah, yeah. Where is it? | 0:03:09 | 0:03:12 | |
Val? Where's the dinner? | 0:03:12 | 0:03:14 | |
Erm, Romano's. | 0:03:14 | 0:03:16 | |
Ah, Italian! That's great for me. | 0:03:16 | 0:03:19 | |
Yeah. Soup, pasta, tiramisu. There's your three courses, right there. | 0:03:19 | 0:03:24 | |
I'm not at work, so I'll be able to spruce myself up as much as possible, | 0:03:24 | 0:03:28 | |
you know, under the current circumstances. | 0:03:28 | 0:03:30 | |
Mmm. Roger did you manage to get to Boots? | 0:03:30 | 0:03:32 | |
Oh. No good, I'm afraid. They only do temporary fillings. | 0:03:32 | 0:03:36 | |
Oh. Well, I'm going to call Mr Burrows myself. | 0:03:36 | 0:03:38 | |
No, no. Calling Mr Burrows won't make any difference. | 0:03:38 | 0:03:41 | |
They have to send it to a special place. | 0:03:41 | 0:03:44 | |
The whole process takes at least a week. | 0:03:44 | 0:03:47 | |
You would think that Boots would do a false front tooth off the shelf. | 0:03:47 | 0:03:51 | |
They used to be a good shop. | 0:03:51 | 0:03:53 | |
No, Val. What would you buy? | 0:03:53 | 0:03:55 | |
Great, big white one? And, if so, what size? | 0:03:55 | 0:03:57 | |
Well, they sell insoles for trainers. | 0:03:57 | 0:03:59 | |
The least they could do is offer a big foam rubber front tooth | 0:03:59 | 0:04:04 | |
that you can cut round. | 0:04:04 | 0:04:05 | |
That's ridiculous, Val. It would fly out every time you said an "F". | 0:04:05 | 0:04:08 | |
Not soft foam - rubber! | 0:04:08 | 0:04:12 | |
Tough rubber, but that you can still cut round. | 0:04:12 | 0:04:15 | |
So, I don't know, maybe you have to dip it in boiling water. | 0:04:15 | 0:04:18 | |
It's not going to be as hard as a real tooth, but it'd be good enough. | 0:04:18 | 0:04:22 | |
Some non-toxic paints in the kit | 0:04:22 | 0:04:25 | |
so you can get the colour right, | 0:04:25 | 0:04:26 | |
and then a mould you can fit to your own gum. | 0:04:26 | 0:04:29 | |
Stick the rubber tooth in there. | 0:04:29 | 0:04:31 | |
If they sold something like that, I'd have bought it. | 0:04:31 | 0:04:34 | |
Who else is coming? | 0:04:34 | 0:04:36 | |
Head and her husband, Bagnall and her partner, | 0:04:38 | 0:04:42 | |
chairman of the Governors and us. | 0:04:42 | 0:04:45 | |
That's if you, you know, feel up to it with your tooth. | 0:04:45 | 0:04:49 | |
Well, of course I feel up to it. | 0:04:49 | 0:04:52 | |
-Right. -No! | 0:04:52 | 0:04:54 | |
No, maybe you've got a point, Val, maybe I shouldn't come. | 0:04:54 | 0:04:56 | |
Look, Roger I was just about to say "So, thank goodness it's pasta." | 0:04:56 | 0:05:00 | |
-Yeah, right. -Roger. -Excuse me. | 0:05:00 | 0:05:03 | |
And where exactly will we say your tooth is? Do you see my point? | 0:05:09 | 0:05:13 | |
Tomorrow night's not the night to land it on people. | 0:05:13 | 0:05:15 | |
Why would my tooth even need to figure? They might not ask. | 0:05:15 | 0:05:18 | |
Of course they'll ask - it's right in your face! | 0:05:18 | 0:05:21 | |
Oh. | 0:05:21 | 0:05:22 | |
Look, if you come, I want a dignified answer as to where it is. | 0:05:22 | 0:05:26 | |
-How about, "I was in a bad mood and I flossed too vigorously"? -No! -OK, OK. Go simpler. | 0:05:26 | 0:05:31 | |
I have gum disease and I bit into an apple. | 0:05:31 | 0:05:34 | |
-I don't believe you. -Yeah, because it's not true! | 0:05:34 | 0:05:36 | |
I mean, I believe you more than the truth. | 0:05:36 | 0:05:38 | |
I believe you more than that, Roger. | 0:05:38 | 0:05:40 | |
-Yeah! -Hi, Pam, Roger's tooth? | 0:05:40 | 0:05:43 | |
Yes, it got punched out | 0:05:43 | 0:05:45 | |
by the eldest son of a woman Roger fathered a child with | 0:05:45 | 0:05:49 | |
31 years ago. | 0:05:49 | 0:05:51 | |
Not Roger's actual child, that's Liam, | 0:05:51 | 0:05:53 | |
his elder brother, Gary. Are you keeping up? | 0:05:53 | 0:05:56 | |
I know it's an awful lot to take in, | 0:05:56 | 0:05:58 | |
isn't it? I've only known for a week. | 0:05:58 | 0:06:00 | |
Yes, Pam, and this all happened years before I even met Val. | 0:06:00 | 0:06:04 | |
I didn't know about it, either. | 0:06:04 | 0:06:05 | |
Not true, Pam. | 0:06:05 | 0:06:07 | |
He knew about this a whole week before me, | 0:06:07 | 0:06:09 | |
and he's only told me now because the woman sent him a message | 0:06:09 | 0:06:12 | |
on Facebook saying she was going to drop round and see us. | 0:06:12 | 0:06:15 | |
I would have told you, Val. I would have told you. | 0:06:15 | 0:06:17 | |
Oh, Pam doesn't believe you. No, neither do I, Pam. | 0:06:17 | 0:06:21 | |
I'll have a white wine, please, yes. | 0:06:21 | 0:06:23 | |
Sod the mineral water because this is a lot to take in. | 0:06:23 | 0:06:26 | |
Say the truth, say that he apologised. | 0:06:26 | 0:06:29 | |
He apologised, Pam. | 0:06:29 | 0:06:31 | |
Oh, no. Pam's busy, | 0:06:31 | 0:06:33 | |
she's telling her husband the whole saga under her breath. | 0:06:33 | 0:06:36 | |
Well, before he did it, he said "I don't want to do this, mate, | 0:06:36 | 0:06:39 | |
"I'm doing this for my dead Dad." | 0:06:39 | 0:06:41 | |
How long did you think Pam has got? | 0:06:41 | 0:06:43 | |
She wants to have her dinner. Unbelievable. | 0:06:43 | 0:06:46 | |
I'll tell you what's unbelievable is that if this had happened to you - | 0:06:46 | 0:06:49 | |
this is not my fault! - | 0:06:49 | 0:06:51 | |
if this had happened to you, Val, I would have understood. | 0:06:51 | 0:06:53 | |
-Oh, so it' s my fault now, is it? -You're not listening to me! | 0:06:53 | 0:06:57 | |
Oh, I am listening! I can do nothing BUT listen to you. | 0:06:57 | 0:07:00 | |
-You're not listening. -Now, you listen to ME! | 0:07:00 | 0:07:02 | |
-Just listen! -Be quiet! -Listen! -Shut your trap! | 0:07:02 | 0:07:05 | |
-I can do nothing BUT listen... -I am the person... | 0:07:05 | 0:07:07 | |
-..because I can't get a word in edgeways! -..saying nothing, so listen! | 0:07:07 | 0:07:11 | |
What is it? | 0:07:22 | 0:07:23 | |
What is it exactly? | 0:07:26 | 0:07:29 | |
It's that... | 0:07:29 | 0:07:30 | |
..you lied to me. | 0:07:32 | 0:07:34 | |
-Well, given the circumstances... -No! | 0:07:34 | 0:07:36 | |
In league with the mother of your child | 0:07:36 | 0:07:40 | |
that I didn't know you had. | 0:07:40 | 0:07:43 | |
It's that! | 0:07:43 | 0:07:44 | |
And you can't understand at all why I would do that? | 0:07:49 | 0:07:53 | |
Val! | 0:07:55 | 0:07:56 | |
-Val. -Go away. | 0:08:00 | 0:08:02 | |
What do you know what it's like to have to walk around ASDAs with Jean? | 0:08:02 | 0:08:06 | |
You've been to ASDA with Jean? | 0:08:08 | 0:08:10 | |
I was forced into it they don't have a car. | 0:08:10 | 0:08:13 | |
When? Sorry, that is too much. A cosy little trip to ASDA? | 0:08:13 | 0:08:18 | |
It was a desultory and sad stroll around | 0:08:18 | 0:08:21 | |
with someone that I'm forced to be connected to | 0:08:21 | 0:08:23 | |
that I haven't seen for 30 years, pushing a trolley. | 0:08:23 | 0:08:27 | |
Oh, it's a shame Liam's 31. He could have sat in the seat. | 0:08:27 | 0:08:30 | |
-Oh. -Yes! Horrible, what I'm seeing. | 0:08:30 | 0:08:34 | |
Listen, I spent the afternoon trying to persuade Jean | 0:08:34 | 0:08:37 | |
not to sell our story to Take A Break magazine. | 0:08:37 | 0:08:39 | |
What are you talking about? | 0:08:39 | 0:08:41 | |
They pay you 50 quid. | 0:08:41 | 0:08:44 | |
"I saw him the paper, he's the father of my son, dot dot dot." | 0:08:44 | 0:08:47 | |
I paid her 50 quid not to do it. | 0:08:48 | 0:08:50 | |
Yeah? Well, then you're stupid, because if she still does it, | 0:08:50 | 0:08:53 | |
she gets another 50 quid, so you can't win there. | 0:08:53 | 0:08:56 | |
Oh, believe me, I'm well aware that I can't win whatever I do, | 0:08:56 | 0:08:59 | |
but for what it's worth, that's why I was in ASDA. | 0:08:59 | 0:09:02 | |
So, you haven't been to the dentist? | 0:09:02 | 0:09:04 | |
HE SIGHS | 0:09:04 | 0:09:06 | |
I phoned Mr Burrows, who told me he couldn't help me for a week. | 0:09:06 | 0:09:09 | |
So I cut my losses, and I tried to head off Jean. | 0:09:09 | 0:09:13 | |
Another lie! | 0:09:13 | 0:09:14 | |
You have not heard a single word I've said - not a word! | 0:09:14 | 0:09:17 | |
-Yeah, well, I'm in shock. -So am I! | 0:09:17 | 0:09:20 | |
Yeah, but you've had a week longer than me to get used to it! | 0:09:20 | 0:09:23 | |
Do you know what, Val, I don't buy this any more. | 0:09:31 | 0:09:35 | |
I'm sorry, but I really don't. | 0:09:37 | 0:09:39 | |
You've no compassion for my tooth. | 0:09:39 | 0:09:42 | |
And that says to me your heart | 0:09:42 | 0:09:44 | |
is really hard about the whole situation. | 0:09:44 | 0:09:47 | |
I'm looking at you through new eyes. | 0:09:50 | 0:09:52 | |
After what you said about the restaurant. | 0:09:54 | 0:09:57 | |
What did I say? | 0:09:58 | 0:09:59 | |
Oh, just very, even more off with me than you have been. | 0:09:59 | 0:10:04 | |
Because you clearly don't want me to come. | 0:10:05 | 0:10:08 | |
Do you see now, though, Roger, your appalling double standards? | 0:10:30 | 0:10:36 | |
Because just take a little look at them here. | 0:10:36 | 0:10:39 | |
Get lost. | 0:10:39 | 0:10:40 | |
I am supposed to understand your nuclear, fully-grown-man son | 0:10:40 | 0:10:45 | |
that's suddenly appeared, | 0:10:45 | 0:10:47 | |
but you can't see how your tooth appears from my point of view. | 0:10:47 | 0:10:52 | |
-I beg your pardon? -You've got no tooth for tomorrow night! | 0:10:52 | 0:10:56 | |
Yeah - it's a problem. Yeah, I'll be honest. | 0:10:56 | 0:10:59 | |
Oh, this is just some kind of horrible, sick, | 0:10:59 | 0:11:02 | |
kind of co-dependency, sick thing it's turning into, right now. | 0:11:02 | 0:11:05 | |
Oh, this is so selfish of you, Roger. Putting me through this. | 0:11:05 | 0:11:10 | |
I've got a deputy headship presentation tomorrow morning. | 0:11:10 | 0:11:14 | |
Not that it matters now, because Pam Bagnall's got it in the bag. | 0:11:15 | 0:11:19 | |
-Do you know that or is that just how you feel? -I know it. | 0:11:22 | 0:11:25 | |
Right. So they've appointed, have they? | 0:11:25 | 0:11:28 | |
Yes. They appointed Pam Bagnall earlier today. | 0:11:29 | 0:11:33 | |
-Did they? -No, of course they haven't appointed her. | 0:11:33 | 0:11:37 | |
I'm just rehearsing what I will have to say tomorrow, | 0:11:37 | 0:11:40 | |
because that IS what will happen. | 0:11:40 | 0:11:42 | |
And another thing, Roger. | 0:11:42 | 0:11:44 | |
She took a collage in, and I don't know why. | 0:11:44 | 0:11:47 | |
What? | 0:11:47 | 0:11:49 | |
Pam Bagnall. Took a collage into the interview. | 0:11:49 | 0:11:53 | |
Into the interview. What on earth do you mean? | 0:11:53 | 0:11:56 | |
Well, Sue's trying to find out what's on it. | 0:11:56 | 0:11:58 | |
I don't know because it was a rolled up piece of paper. | 0:11:58 | 0:12:00 | |
Well, how do you know it was a collage? | 0:12:00 | 0:12:03 | |
You see this is hearsay, now, and invention | 0:12:03 | 0:12:05 | |
and nerves playing on your... | 0:12:05 | 0:12:07 | |
As she was going into the interview, she went, | 0:12:07 | 0:12:09 | |
"Ah, my collage." | 0:12:09 | 0:12:12 | |
I thought she was being all formal and saying "Ah, my colleague" to me, | 0:12:12 | 0:12:16 | |
but then she picked up the rolled up piece of paper | 0:12:16 | 0:12:19 | |
and I thought "Oh, no! She's talking about that." | 0:12:19 | 0:12:21 | |
-She may well have been saying "colleague." -She wasn't - she's not French. | 0:12:21 | 0:12:25 | |
No. | 0:12:25 | 0:12:27 | |
The French are collagists - look at Matisse. | 0:12:29 | 0:12:34 | |
I can think of nothing in that deputy headship interview | 0:12:34 | 0:12:38 | |
where I would best give an answer using a collage. | 0:12:38 | 0:12:42 | |
No. | 0:12:42 | 0:12:43 | |
No, Roger. My presentation is flat. | 0:12:43 | 0:12:47 | |
-It's not. -It is. | 0:12:47 | 0:12:49 | |
I just focus on being head of year, I barely mention food tech. | 0:12:49 | 0:12:53 | |
-You can tweak it. -No I can't. Pam Bagnall's got a collage. | 0:12:53 | 0:12:57 | |
I'm the one who's going to come unstuck. | 0:12:57 | 0:13:00 | |
Well, that's not what it sounded like when I talked to the head. | 0:13:00 | 0:13:03 | |
What do you mean? | 0:13:12 | 0:13:13 | |
Ah, no. See, I wasn't going to say this to you, | 0:13:13 | 0:13:16 | |
it's the sort of thing you don't like, but it's no problem for others. | 0:13:16 | 0:13:20 | |
-Roger. -Because it's nothing, is why. Because all that happened, Val... | 0:13:20 | 0:13:23 | |
What have you done? | 0:13:23 | 0:13:24 | |
Well, I couldn't get through to you on your mobile, so I rang the school. | 0:13:24 | 0:13:28 | |
-Today? -Yeah, yeah. And the head, you know, | 0:13:28 | 0:13:31 | |
as she does sometimes at lunchtime... | 0:13:31 | 0:13:34 | |
picked up the switchboard phone. | 0:13:34 | 0:13:36 | |
You had no business ringing anybody. This has got absolutely | 0:13:38 | 0:13:41 | |
-nothing to do with you. -Nothing to do with me? This is the major | 0:13:41 | 0:13:45 | |
job interview of my wife's whole life. | 0:13:45 | 0:13:47 | |
Yup. Right. Tell me what you said. | 0:13:47 | 0:13:51 | |
I just said, "Haven't heard from Val - hope it's gone well." | 0:13:51 | 0:13:56 | |
Like that? Like you were desperate to know? | 0:13:56 | 0:13:59 | |
-Like I was leaving a message. -Right, is that it? Is that all you said? | 0:13:59 | 0:14:03 | |
No, it isn't. Oh, you will probe and probe. | 0:14:05 | 0:14:09 | |
Roger, I am truly about to faint. | 0:14:09 | 0:14:13 | |
Please tell me exactly what you said. | 0:14:13 | 0:14:15 | |
OK. Whole truth. | 0:14:15 | 0:14:18 | |
I said, "Has it?" | 0:14:18 | 0:14:20 | |
I said, "Hope it's all gone well. Has it?" And she said, | 0:14:20 | 0:14:24 | |
"It would be inappropriate for me to discuss that." | 0:14:24 | 0:14:28 | |
That was the only bad bit. | 0:14:29 | 0:14:31 | |
Oh, please. Somebody help me through life. | 0:14:31 | 0:14:34 | |
And I said, "Yes, of course, of course," | 0:14:34 | 0:14:37 | |
and then we had a normal conversation about the school bonsai trees. | 0:14:37 | 0:14:40 | |
-She won't even have registered it. -She will! | 0:14:40 | 0:14:43 | |
If it's a close run thing between me and Pam, | 0:14:43 | 0:14:46 | |
something about that will have wormed its way into her head | 0:14:46 | 0:14:50 | |
and she'll think, "Hang on, | 0:14:50 | 0:14:51 | |
-"that Stevenson couple are a pair of nightmares." -Excuse me. | 0:14:51 | 0:14:55 | |
The head needs to take some responsibility for picking up the switchboard phone. | 0:14:55 | 0:14:59 | |
If that had been me, I'd have thought "I shouldn't do this | 0:14:59 | 0:15:02 | |
"because it compromises people, like Roger." | 0:15:02 | 0:15:05 | |
She won't! She'll think, "Roger Stevenson has rung up | 0:15:05 | 0:15:10 | |
"to find out how it went." All the time tripping me up. | 0:15:10 | 0:15:14 | |
Well, don't allow it to. Marshall your mind. SHE SIGHS | 0:15:14 | 0:15:17 | |
-And if it's as bad as you think it is... -It is, oh, it really is. | 0:15:17 | 0:15:21 | |
..allow me to accompany you to the dinner to pull it back. | 0:15:21 | 0:15:24 | |
-No, Roger. -Don't let my mistake, if it is a mistake, ruin it. | 0:15:24 | 0:15:28 | |
Yeah. You're right, actually. Yeah. I'm pulling out. | 0:15:28 | 0:15:33 | |
Actually, why didn't I think of that before! | 0:15:33 | 0:15:36 | |
Yeah, I'm pulling out. | 0:15:36 | 0:15:37 | |
Doesn't matter, anyway, because my life is complete rubbish. | 0:15:37 | 0:15:41 | |
So, yeah. Pulling out. | 0:15:41 | 0:15:42 | |
You can't pull out of the dinner, it's for the candidates. | 0:15:42 | 0:15:45 | |
No, not the dinner, Roger, the whole thing - the whole deputy headship. | 0:15:45 | 0:15:48 | |
-I'm withdrawing. -No, you can't! | 0:15:48 | 0:15:51 | |
Why not? My husband's been round ASDA with the mother of his child | 0:15:51 | 0:15:54 | |
and ruined my candidacy all in the same day. | 0:15:54 | 0:15:57 | |
Where are you going? | 0:15:57 | 0:15:59 | |
I'm going to e-mail, copy everyone in, | 0:15:59 | 0:16:02 | |
-so there's no doubt including Bagnall. -No! | 0:16:02 | 0:16:05 | |
Will you excuse me, please? | 0:16:05 | 0:16:08 | |
Val, please do not pull out. | 0:16:10 | 0:16:12 | |
No, I am. | 0:16:12 | 0:16:13 | |
Don't pull out, Val, you'll massively regret it. | 0:16:13 | 0:16:16 | |
No, I am. I am pulling out, and there's nothing you can do about it. | 0:16:16 | 0:16:21 | |
You are this close to a deputy headship, Valerie Stevenson, | 0:16:21 | 0:16:24 | |
I can taste it! | 0:16:24 | 0:16:25 | |
Can you? You must be sucking it up through a straw, then. | 0:16:25 | 0:16:29 | |
"Dear to whom it may concern..." | 0:16:29 | 0:16:33 | |
Val, I am begging you. | 0:16:33 | 0:16:35 | |
"..I regret to have to inform you..." | 0:16:35 | 0:16:38 | |
You're giving me a heart attack. | 0:16:38 | 0:16:40 | |
"..I withdraw my deputy headship application." | 0:16:40 | 0:16:43 | |
This has all blown up over a tooth, and the gap can be plugged. | 0:16:43 | 0:16:47 | |
"After much thought and soul-searching..." | 0:16:47 | 0:16:49 | |
-Not that they care. -Of course they care, you're brilliant! | 0:16:49 | 0:16:53 | |
No I'm not, I'm quite mediocre, really. | 0:16:53 | 0:16:55 | |
Oh! | 0:16:55 | 0:16:57 | |
"..don't feel I would be up to the job or suited to..." | 0:16:57 | 0:17:01 | |
On extreme medical grounds, you are giving... | 0:17:01 | 0:17:04 | |
I'm asking you to stop. | 0:17:04 | 0:17:05 | |
"..or suited to the post. Best wishes. Val." | 0:17:05 | 0:17:09 | |
Right. Sending it. | 0:17:09 | 0:17:11 | |
No, you're not! | 0:17:11 | 0:17:14 | |
Oh! That doesn't matter at all, because I can just plug it in again. | 0:17:14 | 0:17:19 | |
You arrogant, controlling man who pretends to be a feminist template. | 0:17:19 | 0:17:24 | |
You can't pretend to be a template. Do keep calm. | 0:17:24 | 0:17:27 | |
"Oh, do keep calm!" | 0:17:27 | 0:17:28 | |
Sorry to inform you, Roger, you don't pull that off without a top tooth. | 0:17:28 | 0:17:32 | |
Well I'll give you a tip. Please don't try any of your | 0:17:32 | 0:17:34 | |
immature impersonations with these people, | 0:17:34 | 0:17:37 | |
and I would try to be a bit calmer than this pantomime. | 0:17:37 | 0:17:40 | |
Oh, really? Yeah, because you're | 0:17:40 | 0:17:42 | |
brilliant at keeping calm, aren't you? | 0:17:42 | 0:17:45 | |
And you know why that is, Roger? Because in your heart, | 0:17:45 | 0:17:48 | |
you're very right wing. Very right wing indeed. | 0:17:48 | 0:17:53 | |
HE CHOKES This is coming from my very core. | 0:17:53 | 0:17:56 | |
Too much! You insult my family honour. | 0:17:57 | 0:18:00 | |
Oh, do I? Or do you? | 0:18:00 | 0:18:02 | |
Keep calm, Roger. | 0:18:02 | 0:18:04 | |
My grandfather was a Jarrow marcher. | 0:18:04 | 0:18:06 | |
No, no. I have, myself, twice attended the Durham Miners' Gala. | 0:18:06 | 0:18:10 | |
Bored! | 0:18:10 | 0:18:13 | |
Do you know, I think I'm going to divorce you | 0:18:13 | 0:18:15 | |
and marry an openly right-wing person. | 0:18:15 | 0:18:18 | |
You need to apologise to me in the most profound sense. | 0:18:18 | 0:18:22 | |
Oh, right, do I? Mmm. | 0:18:22 | 0:18:25 | |
Sorry, just slipped out. | 0:18:25 | 0:18:28 | |
A little bit like your phone call to the head. | 0:18:28 | 0:18:30 | |
In the meantime, I'm going to go back in there, | 0:18:30 | 0:18:32 | |
plug it back in and resign. | 0:18:32 | 0:18:35 | |
You're still pulling out? | 0:18:35 | 0:18:37 | |
-Yeah, did you think I didn't mean it? I mean it. -Don't! | 0:18:37 | 0:18:40 | |
I'm warning you, if you go ahead and do that, I'm divorcing you | 0:19:00 | 0:19:04 | |
and there'll be no way back, because I will. | 0:19:04 | 0:19:06 | |
And I warn you back, Val, I will not allow you to self-destruct | 0:19:06 | 0:19:10 | |
because of me, which I can put right tomorrow night. | 0:19:10 | 0:19:12 | |
You just watch me. | 0:19:12 | 0:19:14 | |
Right, well, my whole presentation was on there, and I'm divorcing you. | 0:19:17 | 0:19:21 | |
Oh, right, that's it. Bring on the big guns, divorce. | 0:19:21 | 0:19:24 | |
I can replace that plug immediately. | 0:19:24 | 0:19:26 | |
And I am calm. | 0:19:26 | 0:19:28 | |
Just quite calmly now dividing up our assets in my head. | 0:19:28 | 0:19:31 | |
Yeah, right, I agree. Go ahead. I think I will divorce you, too, | 0:19:31 | 0:19:34 | |
and I'll tell you why, exactly. Because everything I've done, | 0:19:34 | 0:19:37 | |
including that and lying to you about Liam, | 0:19:37 | 0:19:39 | |
has been done out of love for you, and it's not enough. | 0:19:39 | 0:19:43 | |
Just makes you angry. | 0:19:43 | 0:19:45 | |
PHONE BEEPS | 0:19:45 | 0:19:47 | |
If you'd found out you had a child... | 0:19:52 | 0:19:54 | |
..and you'd found out like I had done, | 0:19:56 | 0:19:58 | |
in a shocking way, | 0:19:58 | 0:20:01 | |
and you had to tell me, | 0:20:01 | 0:20:02 | |
in our circumstances, I would have helped you. | 0:20:04 | 0:20:07 | |
I would have tried to understand. | 0:20:09 | 0:20:11 | |
I wouldn't have been like this. | 0:20:12 | 0:20:15 | |
I wouldn't have done this to you. | 0:20:17 | 0:20:20 | |
Roger. | 0:20:56 | 0:20:57 | |
Roger, I know what was on Pam Bagnall's collage. | 0:20:59 | 0:21:03 | |
Sue's just texted me. | 0:21:05 | 0:21:07 | |
It was a photo montage | 0:21:12 | 0:21:14 | |
of all the trips that Pam has taken the kids on for history. | 0:21:14 | 0:21:18 | |
To show her human side. | 0:21:18 | 0:21:20 | |
Sue says it was called "History, my history." | 0:21:26 | 0:21:30 | |
So... | 0:21:34 | 0:21:35 | |
..it was in fact a, a very good idea. | 0:21:36 | 0:21:39 | |
HE SNIFFS | 0:22:00 | 0:22:02 | |
What on earth are you doing? | 0:22:11 | 0:22:13 | |
-I don't even like them. -Put it out. | 0:22:13 | 0:22:15 | |
It makes me feel sick. | 0:22:15 | 0:22:17 | |
Where did you get it from? | 0:22:17 | 0:22:18 | |
I bought them this morning after the row | 0:22:18 | 0:22:21 | |
-and to keep me calm for the interview. -Give it to me. | 0:22:21 | 0:22:24 | |
You know, it's a terrible thing to say, Val, but sometimes... | 0:22:30 | 0:22:33 | |
Mmm. Actually feel quite dizzy. | 0:22:33 | 0:22:36 | |
That's cos you don't smoke. | 0:22:36 | 0:22:37 | |
"Cigarettes kill." | 0:22:42 | 0:22:44 | |
-So what. -Val. | 0:22:46 | 0:22:49 | |
Insurmountable. Everything. | 0:23:09 | 0:23:13 | |
Is it? | 0:23:13 | 0:23:14 | |
Have you pulled out? | 0:23:15 | 0:23:17 | |
No there's no connection on the laptop, and I'm not going to ring anyone. | 0:23:17 | 0:23:20 | |
Do you want to pull out? | 0:23:20 | 0:23:22 | |
I'll make you a soft pasta for your tea. | 0:23:26 | 0:23:29 | |
I don't believe this. | 0:23:59 | 0:24:01 | |
-Roger, come here, come here, come here. -What? | 0:24:01 | 0:24:04 | |
What does that look like? | 0:24:06 | 0:24:08 | |
Clove of garlic. | 0:24:08 | 0:24:09 | |
No that's what it is. What it looks like, Roger, is a tooth. | 0:24:09 | 0:24:14 | |
Tooth? Do you know, I've never noticed that before. | 0:24:14 | 0:24:17 | |
If you're not looking... | 0:24:17 | 0:24:18 | |
But the tooth texture is absolutely remarkable. | 0:24:18 | 0:24:22 | |
-How does that help us? -Go like that. | 0:24:22 | 0:24:25 | |
You see? It's fantastic. Obviously it's far too big, | 0:24:25 | 0:24:27 | |
and I'll need to be accurate to the millimetre, | 0:24:27 | 0:24:30 | |
but we can wedge it in there, don't even need any glue. | 0:24:30 | 0:24:34 | |
Actually, just a minute. | 0:24:34 | 0:24:36 | |
What's happening to it now? | 0:24:45 | 0:24:47 | |
I'm just colouring it with balsamic vinegar. | 0:24:47 | 0:24:50 | |
It'll stand out as not a tooth if it's bright white. | 0:24:51 | 0:24:54 | |
Oh, you are flying now, you are firing on all cylinders. | 0:24:54 | 0:24:58 | |
There is no way that prize will not be yours. | 0:24:58 | 0:25:01 | |
Right, my only difficulty now is the curve of the clove | 0:25:01 | 0:25:06 | |
and the thickness of a human tooth. | 0:25:06 | 0:25:09 | |
Just a minute. | 0:25:09 | 0:25:12 | |
Very flat, yes. | 0:25:12 | 0:25:14 | |
I'm going to use the technique I use | 0:25:14 | 0:25:17 | |
on those very cubic chips. | 0:25:17 | 0:25:21 | |
But of course, you see, it doesn't matter if it overlaps at the back. | 0:25:21 | 0:25:24 | |
Right, try this. | 0:25:28 | 0:25:30 | |
I've got a whole garlic, so we can have plenty of dry runs. | 0:25:31 | 0:25:35 | |
-There. Does that hurt? -Mmm. | 0:25:35 | 0:25:37 | |
Right, give us a smile. | 0:25:37 | 0:25:40 | |
Well, not a big smile, Roger. Try to control your upper lip. | 0:25:40 | 0:25:43 | |
Hang on. | 0:25:43 | 0:25:44 | |
Mmm. Maybe don't smile, then, Roger. | 0:25:45 | 0:25:48 | |
No. No, after my faux pas... No, that's good, that's good. | 0:25:48 | 0:25:53 | |
Cos I want to appear, you know, serious and in control. | 0:25:53 | 0:25:56 | |
Yep. | 0:25:56 | 0:25:57 | |
Right, so, let's have a look in the hall mirror. | 0:25:57 | 0:26:01 | |
Yeah, I think that's damn passable. | 0:26:08 | 0:26:12 | |
-Is it painful? -Sore. -Unbearable? -No. -Good. | 0:26:12 | 0:26:16 | |
I'm sorry, Val, but you're a genius. | 0:26:18 | 0:26:21 | |
Well, the huge piece of luck which you cannot plan | 0:26:22 | 0:26:26 | |
is that it's at an Italian. | 0:26:26 | 0:26:29 | |
That's where this idea strikes gold. | 0:26:29 | 0:26:32 | |
-Can I take it out now Val? -Yeah. But keep it, cos I'll need to use it as a template. | 0:26:32 | 0:26:36 | |
Now, what we must do is get there first. | 0:26:39 | 0:26:42 | |
And then we need to sit at the end of the table. | 0:26:42 | 0:26:44 | |
I'll sit right opposite you, and that way when | 0:26:44 | 0:26:47 | |
you turn to them, they'll only be able to see that one. | 0:26:47 | 0:26:50 | |
Excellent, yeah. Get there early to facilitate seating. | 0:26:50 | 0:26:53 | |
Yep. And what we must do is order the garlic bread | 0:26:53 | 0:26:56 | |
and put it bang in front of you before the others arrive. | 0:26:56 | 0:26:59 | |
I'll take a strategic bite. | 0:26:59 | 0:27:00 | |
Superb. | 0:27:00 | 0:27:02 | |
And what to do Roger, | 0:27:02 | 0:27:04 | |
order the penne, and then spoon it in past the clove tooth, | 0:27:04 | 0:27:07 | |
and then just use your tongue to mash it up. | 0:27:07 | 0:27:10 | |
Actually, no, no. Look, feel free to use your back teeth. | 0:27:10 | 0:27:13 | |
Yeah. Ooh! Sorry. Stabbed. | 0:27:13 | 0:27:16 | |
Benefit is, it's healing. | 0:27:16 | 0:27:19 | |
Mmm. hopefully it might ward off Pam Bagnall. | 0:27:19 | 0:27:21 | |
No, she's one that you think is dead | 0:27:21 | 0:27:23 | |
and she suddenly shoots her hand up | 0:27:23 | 0:27:25 | |
through the ground and grabs your ankle. | 0:27:25 | 0:27:27 | |
Now. Back-up plan. | 0:27:29 | 0:27:32 | |
I'll take a spare, and if at any point in the evening | 0:27:32 | 0:27:36 | |
you think you need it, just give me a little signal, like... | 0:27:36 | 0:27:40 | |
and we'll go off to the toilet together and I will slip it to you. | 0:27:40 | 0:27:43 | |
Yeah, and if the worst comes to the worst and it happens at the table, | 0:27:43 | 0:27:46 | |
I'll just go, "Oh, my tooth! Ha-ha-ha! | 0:27:46 | 0:27:49 | |
"It just fell out! But I won't make a fuss, I'm mature. | 0:27:49 | 0:27:53 | |
-"And Val and me, we're copers." -Yeah. | 0:27:53 | 0:27:57 | |
MUSIC: "Come Softly To Me" by The Fleetwoods | 0:28:02 | 0:28:05 | |
-# Come softly, darling -Dum-dum, dum-doo-dum, doo-be-doo | 0:28:09 | 0:28:13 | |
-# Come softly, darling -Dum-dum, dum-doo-dum, doo-be-doo | 0:28:13 | 0:28:17 | |
-# Come softly, darling -Dum-dum, dum-doo-dum, doo-be-doo | 0:28:17 | 0:28:21 | |
-# Come softly, darling -Dum-dum, dum-doo-dum... # | 0:28:21 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:28:25 | 0:28:28 | |
E-mail [email protected] | 0:28:28 | 0:28:31 |